Browse content similar to 05/02/2018. Check below for episodes and series from the same categories and more!
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Hello and welcome to
The One Show with Matt Baker. | 0:00:18 | 0:00:21 | |
And Angela Scanlon. | 0:00:21 | 0:00:22 | |
And tonight, we're joined
by two guests who've | 0:00:22 | 0:00:24 | |
hung up their headphones
to explore pastures new. | 0:00:24 | 0:00:30 | |
From producing beats to producing
books, it is super dope musician and | 0:00:30 | 0:00:33 | |
tech wizards will.i.am. | 0:00:33 | 0:00:35 | |
APPLAUSE | 0:00:35 | 0:00:37 | |
And taking a break from Radio 2
to take on an epic sporting | 0:00:37 | 0:00:40 | |
challenge, it's DJ and presenter Zoe
Ball! | 0:00:40 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:48 | |
Welcome to you both. If you don't
mind me asking, Will, it is a big | 0:00:48 | 0:00:53 | |
night for my family because my age
old daughter is performing on stage | 0:00:53 | 0:00:56 | |
with her friends and they are
singing in a big quieter night. I | 0:00:56 | 0:00:59 | |
was wondering if you might have any
words of wisdom more tips on | 0:00:59 | 0:01:03 | |
performing for an eight-year-old?
Performing for an eight-year-old? | 0:01:03 | 0:01:07 | |
Yeah. Doing The Voice for kids,
eight-year-olds are much braver than | 0:01:07 | 0:01:15 | |
we give them credit for. True. The
12-year-olds get emotional. OK. | 0:01:15 | 0:01:23 | |
Eight years old, go for gold. Stay
with it. The more you encourage | 0:01:23 | 0:01:28 | |
them, "You're going to do great
today and so is your whole squad of | 0:01:28 | 0:01:33 | |
age old". There you go. Squad! On
behalf of Molly and her friends, | 0:01:33 | 0:01:39 | |
thank you. Her squad! We have lots
to talk about with our wonderful | 0:01:39 | 0:01:45 | |
guests so let's crack on. | 0:01:45 | 0:01:49 | |
Because tomorrow is
Safer Internet Day - | 0:01:49 | 0:01:51 | |
a day designed to promote
the positive use of digital | 0:01:51 | 0:01:55 | |
technology by children
and young people. | 0:01:55 | 0:01:55 | |
Zoe, you have two children -
what have you said to them | 0:01:55 | 0:01:58 | |
Zoe, you have two children. | 0:01:58 | 0:01:59 | |
We were talking about it on the way
up, how we feel like dinosaurs. | 0:01:59 | 0:02:02 | |
There's a lot of positives but how
do you address the negative side, | 0:02:02 | 0:02:04 | |
your concerns and their reactions?
Keeping them safe, I had it more | 0:02:04 | 0:02:09 | |
with Woody because as Nell grows up,
we're getting the hang of it -- hang | 0:02:09 | 0:02:13 | |
of it. I'm a technophobe, I like a
typewriter and a notepad and vinyl. | 0:02:13 | 0:02:18 | |
We'll could teach me a thing or two.
It is quite hard to know you are | 0:02:18 | 0:02:21 | |
keeping them safe, like what is it?
A firewall? Now all my son wants to | 0:02:21 | 0:02:28 | |
do is Snapchat when I'm looking
terrible, making pasta and doing be | 0:02:28 | 0:02:34 | |
hoovering. I'm more worried about my
safety! You are embracing it. Maggie | 0:02:34 | 0:02:40 | |
Lieu I am but it is worrying as a
parent, how to keep them safe. -- I | 0:02:40 | 0:02:45 | |
am but it is worrying as a parent,
how to keep them safe. | 0:02:45 | 0:02:50 | |
In a moment we're going to be
showing you a short film | 0:02:50 | 0:02:53 | |
which highlights a few of the best -
and the nastiest - | 0:02:53 | 0:02:56 | |
comments children have
read on social media, | 0:02:56 | 0:02:57 | |
and some of it is hard to hear. | 0:02:57 | 0:02:59 | |
We will get your thoughts on this in
a moment. | 0:02:59 | 0:03:02 | |
This piece was made
to launch "Own It" - | 0:03:02 | 0:03:04 | |
the BBC's new website aimed | 0:03:04 | 0:03:06 | |
at helping young people stay happy,
healthy and safe online. | 0:03:06 | 0:03:08 | |
And this will give you an idea
why it's needed... | 0:03:08 | 0:03:11 | |
A few of them are just pretty nasty. | 0:03:12 | 0:03:15 | |
"I like your hair". | 0:03:31 | 0:03:33 | |
Oh, thanks! | 0:03:33 | 0:03:34 | |
I have a new haircut now. | 0:03:34 | 0:03:38 | |
Your brows are literally goals. | 0:03:38 | 0:03:39 | |
Hashtag on fleek. | 0:03:39 | 0:03:44 | |
It's a really nice comment
for a girl to have so if someone | 0:03:44 | 0:03:48 | |
tells you you have goals eyebrows,
it is like, wow. | 0:03:48 | 0:03:51 | |
"I love you, you
brighten up my day". | 0:03:51 | 0:03:54 | |
"Your YouTube channel is rubbish
and you should delete it". | 0:03:54 | 0:03:58 | |
"Literally no one wants
you around or loves you". | 0:03:58 | 0:04:02 | |
Hmm, that's not nice. | 0:04:02 | 0:04:06 | |
"You have no friends
and nobody cares about you. | 0:04:06 | 0:04:08 | |
You're just annoying". | 0:04:08 | 0:04:09 | |
"Do you know what? | 0:04:09 | 0:04:10 | |
Nobody likes you,
nobody even needs you. | 0:04:10 | 0:04:12 | |
Nobody even cares about
what you think what you want | 0:04:12 | 0:04:14 | |
and you care about". | 0:04:14 | 0:04:17 | |
That one's probably
the worst one I've read. | 0:04:17 | 0:04:21 | |
"Do the world a favour
and kill yourself". | 0:04:21 | 0:04:27 | |
"Kill yourself, gay boy. | 0:04:27 | 0:04:29 | |
You are worthless". | 0:04:29 | 0:04:31 | |
They are just... | 0:04:31 | 0:04:39 | |
Such horrible things
to have and to receive. | 0:04:40 | 0:04:42 | |
"You're ugly.
Everyone hates you". | 0:04:42 | 0:04:44 | |
That's... | 0:04:44 | 0:04:46 | |
I don't know what to say to that. | 0:04:46 | 0:04:48 | |
It's important to, like,
focus on the good things in life. | 0:04:48 | 0:04:53 | |
Bad things will always be
there to push us down but we have | 0:04:53 | 0:04:56 | |
to get up and we have
to keep on going. | 0:04:56 | 0:05:00 | |
"I'll be there.
Don't worry". | 0:05:00 | 0:05:02 | |
That one gives you a boost,
that someone is looking out | 0:05:02 | 0:05:05 | |
for you and for you. | 0:05:05 | 0:05:08 | |
for you and caring for you. | 0:05:08 | 0:05:10 | |
"You're so beautiful and strong.
Keep your chin up, honey". | 0:05:10 | 0:05:13 | |
You should use social media to be
nice to people, to be kind, | 0:05:13 | 0:05:18 | |
to have a bit of a laugh,
to have banter with your friends | 0:05:18 | 0:05:21 | |
but never anything hurtful
like the messages in there. | 0:05:21 | 0:05:29 | |
Very difficult to watch for everyone
I'm sure at home as well. Will, when | 0:05:31 | 0:05:36 | |
technology is something you love,
that you are passionate about, that | 0:05:36 | 0:05:39 | |
can do a lot of good but when you
see and hear stories about people | 0:05:39 | 0:05:43 | |
using it for harmful reasons, what
do you think about that? What do you | 0:05:43 | 0:05:47 | |
think about those people? You know
when you watch films like Wild Wild | 0:05:47 | 0:05:55 | |
West and you see things like bar
fights and people doing mean things | 0:05:55 | 0:05:58 | |
to women and behaving in an
civilised way, that is where we are | 0:05:58 | 0:06:03 | |
with social media and technology. We
are not civilised. We say the most | 0:06:03 | 0:06:09 | |
harmful things, we are inhumane. And
it's just adolescents, right? So if | 0:06:09 | 0:06:19 | |
you think of the stage that we are
in with the Internet, it is not 30 | 0:06:19 | 0:06:24 | |
years old, it is not 20 years old,
especially the iPhone and social | 0:06:24 | 0:06:29 | |
media as we know it is not... It is
teenagers. Me being an optimist, I | 0:06:29 | 0:06:40 | |
know that we are going to see a
different form of this. Yeah. It is | 0:06:40 | 0:06:46 | |
a phase. It is like the generation
that we are our guinea pigs with it | 0:06:46 | 0:06:50 | |
and it will, for us it is tough but
it will change for those in the | 0:06:50 | 0:06:54 | |
future. Finding the boundaries. | 0:06:54 | 0:06:57 | |
BBC Own It is a new service
for nine-to-12-year-olds, | 0:06:57 | 0:06:59 | |
packed with tips, videos and quizzes
to help keep them safe online. | 0:06:59 | 0:07:02 | |
For more info, take a look
at bbc.co.uk/ownit. | 0:07:02 | 0:07:10 | |
We'll's new novel, Wizards And
Robots, is out now, aimed at the | 0:07:10 | 0:07:17 | |
audience we have been talking about. | 0:07:17 | 0:07:19 | |
Let's bring your writing partner
Brian David Johnson in to join us. | 0:07:19 | 0:07:22 | |
APPLAUSE
You have put this together, | 0:07:22 | 0:07:28 | |
together, and you've kind of
described it as Harry Potter meets | 0:07:28 | 0:07:31 | |
the terminator but how do you want
to sell this? Who wants to start? | 0:07:31 | 0:07:36 | |
Terminator is harsh. But good! It is
Harry Potter meets robotics. But not | 0:07:36 | 0:07:44 | |
a bad robot. That was the idea, to
make a young adult novel that is | 0:07:44 | 0:07:51 | |
action packed, that has a female
engineer at the centre. It's about | 0:07:51 | 0:07:55 | |
an epic battle between wizards and
robots but it's always about people | 0:07:55 | 0:07:58 | |
and very optimistic because we're
both optimists. How did you meet | 0:07:58 | 0:08:04 | |
because your day job is a futurist?
First, what is that? I don't make | 0:08:04 | 0:08:09 | |
predictions, there is no crystal
ball or anything like that, I worked | 0:08:09 | 0:08:12 | |
ten years out with organisations to
look ten years out and model the | 0:08:12 | 0:08:16 | |
positive and negative features and
then work with out what you need to | 0:08:16 | 0:08:20 | |
do today, tomorrow, five years from
now to go towards the positive and | 0:08:20 | 0:08:24 | |
away from the negative. And in
music, we work years out, writing | 0:08:24 | 0:08:28 | |
songs, anticipating how people will
react to them. Brian and I were | 0:08:28 | 0:08:32 | |
working at Intel, and sat in think
tanks on how they can bring | 0:08:32 | 0:08:38 | |
technology to culture and while we
were having brainstorming sessions, | 0:08:38 | 0:08:46 | |
I went off in imagination and and
came back with, "Brian, I got a | 0:08:46 | 0:08:51 | |
phone call, I have this idea...
Wizard and robots can imagine | 0:08:51 | 0:08:57 | |
there's a robot civilisation that
has problems they can't solve and | 0:08:57 | 0:09:02 | |
when we can't solve problems, we
pray so if robots had to break, it | 0:09:02 | 0:09:07 | |
would be to us and if they had time
travel, which version of humanity | 0:09:07 | 0:09:11 | |
would they go to? They would go to
the version where they could | 0:09:11 | 0:09:14 | |
manipulate particles, which is
wizards" | 0:09:14 | 0:09:17 | |
manipulate particles, which is
wizards". Let's write this! How did | 0:09:17 | 0:09:22 | |
that relationship work with the
writing? Set the scene for the | 0:09:22 | 0:09:26 | |
writing side. What would happen is,
we got the phone call saying, "We | 0:09:26 | 0:09:31 | |
need to do this". I got the plane
and went down and we basically sat | 0:09:31 | 0:09:35 | |
in Will's living room on Halloween
and mapped the thing out so as we | 0:09:35 | 0:09:39 | |
went through and do the writing, we
would either hang out at his house | 0:09:39 | 0:09:43 | |
or we were travelling in different
cities, like Las Vegas or Seoul and | 0:09:43 | 0:09:46 | |
we would work together I was
reminding you today, I have a | 0:09:46 | 0:09:52 | |
picture where we were thinking about
the particle physics and how it | 0:09:52 | 0:09:54 | |
might work because the magic is
based on particle physics and I have | 0:09:54 | 0:09:58 | |
pictures of Will working out spells
using pistachio shells. You can just | 0:09:58 | 0:10:02 | |
see his hands. It was mad, from a
collaboration standpoint, it would | 0:10:02 | 0:10:06 | |
not have been more fun. And it is
six years in the making, we started | 0:10:06 | 0:10:10 | |
the project six years ago, we had
different iterations from it -- of | 0:10:10 | 0:10:17 | |
it, we went to ComicCon in 2014
because we have this object that has | 0:10:17 | 0:10:22 | |
all of the science on spells, the
science on robotics and time travel, | 0:10:22 | 0:10:26 | |
and, you know, the lingua franca. We
made up languages for the book. | 0:10:26 | 0:10:34 | |
Pretty deep. So six years is pretty
decent in the grand scheme of | 0:10:34 | 0:10:38 | |
things. Most people don't have
patience to see things through for a | 0:10:38 | 0:10:42 | |
week let alone six years! Basically
looking ahead into the future, do | 0:10:42 | 0:10:47 | |
people like it? Yes! It's a
bestseller. They love the third | 0:10:47 | 0:10:54 | |
version. We have not even past the
second version, it is amazing. I | 0:10:54 | 0:10:58 | |
remember doing the voice when I was
on the phone, I was writing with | 0:10:58 | 0:11:02 | |
Brian. Two jobs! And AI features
heavily in it but you have spoken | 0:11:02 | 0:11:10 | |
about the kind of threat of
artificial intelligence. Know, | 0:11:10 | 0:11:15 | |
people have spoken on the threat of
artificial intelligence. You don't | 0:11:15 | 0:11:18 | |
think it is a threat? I have a
company that created an AI so I | 0:11:18 | 0:11:23 | |
would not have started the company
if I thought it was a thread. So we | 0:11:23 | 0:11:27 | |
are good to go with AI? Artificial
intelligence is a very Bay, broad... | 0:11:27 | 0:11:37 | |
Spell-check is a version of
artificial intelligence, your phone | 0:11:37 | 0:11:40 | |
making doggies with a selfie is some
form of artificial intelligence but | 0:11:40 | 0:11:44 | |
our AI is a conversational voice
operating system and it is used in | 0:11:44 | 0:11:50 | |
Germany for customer service, to
augment a customer service agent to | 0:11:50 | 0:11:55 | |
make their job easier. Robots going
to kill us is the answer I want you | 0:11:55 | 0:11:59 | |
to give. Are we safe? I know the
answer but you can go first. When | 0:11:59 | 0:12:05 | |
you fly in an aeroplane, it is
really a robot. OK. Maggie Lieu nine | 0:12:05 | 0:12:11 | |
times out of ten, the pilot is
not... Autopilot and all the | 0:12:11 | 0:12:14 | |
gyroscopes and things helping them
to fly, and when you get in a Uber | 0:12:14 | 0:12:18 | |
five years from now that is
automated, that is a robot. My | 0:12:18 | 0:12:24 | |
question is do you want the robots
do not kill you? Ideally not. So | 0:12:24 | 0:12:31 | |
let's design them that way, they
don't get to decide, we do and that | 0:12:31 | 0:12:34 | |
is the idea of the future in the
book, giving people turn to future | 0:12:34 | 0:12:36 | |
is where we can have a good Russian
ship and robots are designed to help | 0:12:36 | 0:12:41 | |
take care of us. More of all of
that. Wizards And Robots is out now. | 0:12:41 | 0:12:46 | |
Brian, I'm going to have to get your
number because that is | 0:12:46 | 0:12:53 | |
number because that is the first
time I have felt safe about the | 0:12:54 | 0:12:56 | |
future! He's afraid of Twitter. The
same thing happened with | 0:12:56 | 0:12:58 | |
electricity, " is it going to fry
us? We are happy with candles!" | 0:12:58 | 0:13:03 | |
We're taking you right
back to the future now. | 0:13:03 | 0:13:05 | |
According to Nasa, the amount of CO2
in our atmosphere is the highest | 0:13:05 | 0:13:09 | |
it's been in the last 400,000 years
and it's expected to get a whole | 0:13:09 | 0:13:13 | |
lot worse. | 0:13:13 | 0:13:14 | |
Which is where futuristic forests
like this one come in... | 0:13:14 | 0:13:20 | |
I'm walking through an old oak
forest but not everything is as it | 0:13:20 | 0:13:24 | |
seems because the air I'm breathing
is an exact replica of the air my | 0:13:24 | 0:13:30 | |
grandchildren will be breathing when
they are my age. This isn't a | 0:13:30 | 0:13:36 | |
forest. It is a living laboratory of
the future. | 0:13:36 | 0:13:45 | |
In this 50 acre woodland in
Staffordshire, scientists are | 0:13:45 | 0:13:50 | |
pumping waste carbon dioxide
harvested from nearby factories | 0:13:50 | 0:13:52 | |
through these huge steel structures
to replicate the levels predicted to | 0:13:52 | 0:13:57 | |
be in the atmosphere in 50-70 years'
time. We are four months into this | 0:13:57 | 0:14:04 | |
ground-breaking ten year study which
will allow scientists like Rob | 0:14:04 | 0:14:08 | |
Mackenzie to understand how
increased emissions will affect the | 0:14:08 | 0:14:11 | |
kind of forests we have in the UK.
Rob, like me, I'm sure you think | 0:14:11 | 0:14:17 | |
that woodlands and forests are the
most important habitats on the | 0:14:17 | 0:14:20 | |
planet. I couldn't agree more,
George, they are fantastic. About | 0:14:20 | 0:14:26 | |
one in every three molecules of
carbon dioxide we release into the | 0:14:26 | 0:14:29 | |
atmosphere from fossil fuel burning
and from land-use change is drawn | 0:14:29 | 0:14:34 | |
down into forested landscapes like
this. What a fantastic free gift the | 0:14:34 | 0:14:38 | |
forests are giving us. With carbon
dioxide levels rising at about 40% | 0:14:38 | 0:14:47 | |
since the Industrial Revolution, and
predicted to continue to rise, Rob's | 0:14:47 | 0:14:51 | |
experiment is designed to see if the
gift can keep on giving. By | 0:14:51 | 0:14:57 | |
increasing levels of carbon dioxide,
Rob has turned this forest into a | 0:14:57 | 0:15:01 | |
study site. To fully appreciate the
ecosystem of an oak tree, you have | 0:15:01 | 0:15:07 | |
to get to the canopy. So we've
brought a specialist rope access | 0:15:07 | 0:15:12 | |
team with us. It's at times like
this when you wish you had lost a | 0:15:12 | 0:15:16 | |
bit of weight! Ready to rock. | 0:15:16 | 0:15:23 | |
After just four months, we aren't
expecting much to have changed. But | 0:15:31 | 0:15:39 | |
for Rob, it is the first view of his
project from the sharp end. I'm | 0:15:39 | 0:15:44 | |
absolutely astonished and bowled
over. I am of course very keen on | 0:15:44 | 0:15:50 | |
insects, as I'm sure everybody knows
and thereafter an thing like 425 | 0:15:50 | 0:15:55 | |
different species of insect who call
oak trees home. -- there are | 0:15:55 | 0:16:00 | |
something like. Either for food or
shelter. So I can't resist getting | 0:16:00 | 0:16:04 | |
out my net to see what is here. Oh,
well, OK, that is not bad. Let's | 0:16:04 | 0:16:12 | |
have a look. Oh, that is a nice
weevil. Masses of spiders. Lots of | 0:16:12 | 0:16:21 | |
spiders. Yes. We have about 25
species in here, just in that little | 0:16:21 | 0:16:28 | |
tiny sweet, flies, plant hoppers, a
rather nice sap sucking bug which | 0:16:28 | 0:16:35 | |
like lots of bugs, uses a very
slender beak to suck fluids out of | 0:16:35 | 0:16:41 | |
the tree. Everything that lives on
or in an oak tree like this creates | 0:16:41 | 0:16:45 | |
a stable ecosystem. Increased levels
of carbon dioxide could upset the | 0:16:45 | 0:16:51 | |
balance and even affect how much the
tree can absorb. It is something | 0:16:51 | 0:16:55 | |
computer modelling can't tell us but
Rob's experiment will come up to 50 | 0:16:55 | 0:17:01 | |
years before it happened surreal. --
will, up to 50 years. George pushing | 0:17:01 | 0:17:06 | |
himself to the limit for science! | 0:17:06 | 0:17:09 | |
It's time to talk Sport Relief now -
because the countdown is on! | 0:17:09 | 0:17:12 | |
The week-long extravaganza kicks off
on the 17th of March, | 0:17:12 | 0:17:14 | |
so not long for you to get training,
Zoe?! | 0:17:14 | 0:17:17 | |
Clammy palms at the very mention of
sport! Other clammy areas by the | 0:17:17 | 0:17:22 | |
time you get off... You have been in
training for something and for those | 0:17:22 | 0:17:26 | |
that were not listening to the radio
this morning, enlighten us. I've | 0:17:26 | 0:17:30 | |
been talked into taking part in a
challenge for Sport Relief this | 0:17:30 | 0:17:34 | |
year, from the 17th-23rd, which is
when it runs and it involves a | 0:17:34 | 0:17:39 | |
bicycle. I'm doing the BT Sport
relief cycle challenge. I've been on | 0:17:39 | 0:17:44 | |
a shopping bike and the BMX and the
beach cruiser. I've never been on a | 0:17:44 | 0:17:49 | |
bicycle with cleats and if you've
never done it, it is terrifying! | 0:17:49 | 0:17:53 | |
What are cleats for people who don't
know what they are? When you see | 0:17:53 | 0:17:58 | |
cyclist zooming past and you like,
"What are you wearing?" It is the | 0:17:58 | 0:18:03 | |
attachment which puts your feet
against the pedals so it helps you | 0:18:03 | 0:18:06 | |
with speed. It helps you pull up and
pushed down. These are the things | 0:18:06 | 0:18:10 | |
I'm learning and it is terrifying
when you stop in traffic and you | 0:18:10 | 0:18:13 | |
can't get them off as I did the
other day in the middle of Ditchling | 0:18:13 | 0:18:17 | |
Village, having done 22 miles, got
in, could not get them off and I | 0:18:17 | 0:18:23 | |
fell slowly onto the ground and a
very nice postman helped me up. It | 0:18:23 | 0:18:26 | |
was so embarrassing and I've had a
few of those. This is not just about | 0:18:26 | 0:18:31 | |
keeping your feet in the pedals
because you've got miles to do so | 0:18:31 | 0:18:33 | |
how far will you be going? I can't
tell you at the moment because I | 0:18:33 | 0:18:38 | |
think they are afraid to tell me, it
is over days. Over days? Oh, wow. Do | 0:18:38 | 0:18:45 | |
you cycle? I do but not over days. I
think I get to sleep in a hotel but | 0:18:45 | 0:18:54 | |
maybe at the sight of a road in a
tent, who knows? I will be stopping | 0:18:54 | 0:18:58 | |
at some point. Actually, make sure
you have got a bath wherever you are | 0:18:58 | 0:19:03 | |
staying. Does it have to be a cold
bath? No. Thank God. You had other | 0:19:03 | 0:19:10 | |
tips. I've got lots, and honestly,
face creams are lots are available | 0:19:10 | 0:19:17 | |
at Elizabeth Arden eight hour cream
for the bottom. Is it chaffing? That | 0:19:17 | 0:19:25 | |
stuff is amazing. I've been
recommended, Louise said Vaseline, | 0:19:25 | 0:19:29 | |
you are telling me something
different. Do you have to wear the | 0:19:29 | 0:19:33 | |
shorts with the...? Yes, you put
them on and you feel like you're | 0:19:33 | 0:19:38 | |
wearing a nappy initially and it is
strange but I am grateful the | 0:19:38 | 0:19:41 | |
padding! There is nothing on me,
believe me! In all seriousness, you | 0:19:41 | 0:19:49 | |
are putting the effort in for a very
good cause. I am, one of the issues | 0:19:49 | 0:19:54 | |
Sport Relief is supporting this year
is mental health which is something | 0:19:54 | 0:19:57 | |
very close to my heart because I
think a lot of people know actually | 0:19:57 | 0:20:02 | |
that my boyfriend struggled with
depression and he died last year, | 0:20:02 | 0:20:05 | |
Billy, he worked on this show and I
know you dedicated the programme to | 0:20:05 | 0:20:09 | |
him when he died. After he died I
was left with lots of questions and | 0:20:09 | 0:20:13 | |
I do believe that it is one in four
of us in the UK are living with | 0:20:13 | 0:20:20 | |
mental illness. Those figures are
huge. Most people you meet will have | 0:20:20 | 0:20:23 | |
been touched by this subject. It is
interesting listening to Brian | 0:20:23 | 0:20:28 | |
talking about the future you know,
mental health resources are under | 0:20:28 | 0:20:33 | |
huge pressure and I think a lot of
people are not necessarily getting | 0:20:33 | 0:20:36 | |
the right help as quickly as they
could. We are making a documentary | 0:20:36 | 0:20:40 | |
as well as doing the challenge. I'm
going to visit some projects that | 0:20:40 | 0:20:43 | |
are funded by Comic Relief that are
helping people find a way to move | 0:20:43 | 0:20:50 | |
forward and hopefully meet some
families who have gone through what | 0:20:50 | 0:20:53 | |
myself and Billy's family have gone
through and ask the questions about | 0:20:53 | 0:20:57 | |
what we are doing, how we are
helping and where can we turn for | 0:20:57 | 0:21:01 | |
help and what should loved ones be
doing if they are trying to look | 0:21:01 | 0:21:04 | |
after someone who is living with
mental health, and when we talk | 0:21:04 | 0:21:10 | |
about mental health, it's
depression, anxiety, cellphone, | 0:21:10 | 0:21:13 | |
bullying, we saw those children
talking earlier about online | 0:21:13 | 0:21:16 | |
bullying, bereavement. There's a lot
of subjects here. I'm hoping I can | 0:21:16 | 0:21:20 | |
go out and visit the projects and
see the work that is being done and | 0:21:20 | 0:21:24 | |
encourage people to get involved and
that is why I'm doing it. There's no | 0:21:24 | 0:21:27 | |
doubt about it, everyone is right
behind you. APPLAUSE | 0:21:27 | 0:21:32 | |
Alex will be doing what she calls
the mother of all challenges and she | 0:21:39 | 0:21:43 | |
will tell us about that when she
comes back. And the wonderful Greg | 0:21:43 | 0:21:50 | |
is trying to do five triathlons in
five days or something like that. I | 0:21:50 | 0:21:54 | |
saw him in cycling shorts being
stretched out on a mass ash bed, a | 0:21:54 | 0:21:58 | |
long massage bed! And he was giving
me some top tips -- ma | 0:21:58 | 0:22:04 | |
massage bed. We are encouraging
people at home to get involved and a | 0:22:10 | 0:22:15 | |
big thing is we want the nation to
help beat 1 billion steps per day | 0:22:15 | 0:22:20 | |
for the week of Sport | 0:22:20 | 0:22:27 | |
for the week of Sport Relief, so you
can get involved. Brilliant, thank | 0:22:29 | 0:22:32 | |
you. Good luck with the rest of the
training. And everyone will be right | 0:22:32 | 0:22:37 | |
with you, Zoe. | 0:22:37 | 0:22:40 | |
Tomorrow marks 100 years
since the first women in the UK | 0:22:40 | 0:22:43 | |
were given the vote. | 0:22:43 | 0:22:44 | |
It wasn't across
the board of course. | 0:22:44 | 0:22:45 | |
It took another ten years
for all women to be afforded | 0:22:45 | 0:22:48 | |
that democratic right. | 0:22:48 | 0:22:49 | |
But it was a huge victory -
and a hard fought one at that. | 0:22:49 | 0:22:52 | |
In just a moment
journalist Anita Anand will be | 0:22:52 | 0:22:55 | |
here with the story of India's
trailblazing suffragette princess. | 0:22:55 | 0:22:57 | |
First, though, we wanted to gauge
how far our understanding of gender | 0:22:57 | 0:23:00 | |
inequality has come... | 0:23:00 | 0:23:03 | |
Where does the UK ranked in the
world for parliamentary gender | 0:23:07 | 0:23:11 | |
equality? Top ten, seven? Two. 57.
The world's a big place, isn't it? | 0:23:11 | 0:23:26 | |
Wow! That is shocking, it needs to
be improved. It is just a | 0:23:26 | 0:23:30 | |
discrimination that has gone on
throughout the ages. What percentage | 0:23:30 | 0:23:34 | |
of banknotes around the world
feature women's faces? 60. That is | 0:23:34 | 0:23:44 | |
appalling. We need to get some more
money printed, that's what I'd say! | 0:23:44 | 0:23:49 | |
What percentage of registered GP
doctors are women? 68. 28%. Well, | 0:23:49 | 0:23:58 | |
that's brilliant. I know, you know,
a lot of women are training in that | 0:23:58 | 0:24:05 | |
direction... Why don't you think it
is equal? That is so great. There | 0:24:05 | 0:24:13 | |
has was been a tendency for women to
go into the caring professions. 34%. | 0:24:13 | 0:24:23 | |
15%. It should be about 40%, 40-50,
shouldn't it? Wow. You have to be a | 0:24:23 | 0:24:31 | |
certain type of women to try to beat
that, a stereotype mould, that | 0:24:31 | 0:24:36 | |
identity thing. I think it is
perhaps a stereotypical attitude in | 0:24:36 | 0:24:41 | |
certain jobs and what your
expectation should be. What | 0:24:41 | 0:24:44 | |
percentage of main streets in major
cities are named after women? | 0:24:44 | 0:24:52 | |
cities are named after women? 55%,
10%, 10%. I wonder where they all | 0:24:52 | 0:24:54 | |
are! I think we all know the women
have not been recognised for a lot | 0:24:54 | 0:25:00 | |
of things they have done. Things
that are worth a | 0:25:00 | 0:25:09 | |
that are worth a plaque. I think
there are a lot of women who should | 0:25:09 | 0:25:13 | |
be celebrated. Women have been
marginalised. So many women have | 0:25:13 | 0:25:17 | |
done powerful things throughout
history to change things, for women, | 0:25:17 | 0:25:20 | |
and we should celebrate that.
Personally I have never come across | 0:25:20 | 0:25:23 | |
a female name, and I have lived here
my whole life. | 0:25:23 | 0:25:30 | |
STUDIO: Over the next few days,
we're going to be meeting a whole | 0:25:32 | 0:25:35 | |
raft of inspirational women -
women with extraordinary stories | 0:25:35 | 0:25:38 | |
who've paved the way
for the rest of us. | 0:25:38 | 0:25:40 | |
And here with the story of someone
who was instrumental in changing | 0:25:40 | 0:25:43 | |
attitudes towards equality back
in the early 1900s is journalist | 0:25:43 | 0:25:45 | |
and author Anita Anand. | 0:25:45 | 0:25:46 | |
Welcome, Anita. Thank you for being
here. | 0:25:46 | 0:25:47 | |
Anita, you've worked hard to bring
Sophia Duleep Singh's story | 0:25:47 | 0:25:50 | |
to a wider audience. | 0:25:50 | 0:25:55 | |
I am the accidental author, you can
call me. I never meant to write a | 0:25:55 | 0:25:59 | |
book. I just came across this image,
which you can see, and it just | 0:25:59 | 0:26:12 | |
which you can see, and it just said
Suffragette selling newspaper | 0:26:12 | 0:26:15 | |
outside Hampton Court, and I
wondered why I didn't know about | 0:26:15 | 0:26:17 | |
her, and I thought, is she Asian?
I'm Asian. It became a five-year | 0:26:17 | 0:26:27 | |
obsession to uncover one of the most
extraordinary lives I have come | 0:26:27 | 0:26:30 | |
across. A princess, a Maharaja,
goddaughter to Queen Victoria, the | 0:26:30 | 0:26:37 | |
Kim Kardashian of her day, fighting
with police for the vote, for women. | 0:26:37 | 0:26:43 | |
Why did she do that? Should put a
lot on the line, didn't she? Because | 0:26:43 | 0:26:49 | |
she was incredibly privileged. She
was so privileged. All the doors of | 0:26:49 | 0:26:53 | |
aristocracy were open to her. She
had such high status. For the first | 0:26:53 | 0:26:57 | |
half of her life I think she was
pretty pointless, she just loved a | 0:26:57 | 0:27:00 | |
good party. But she goes on this
banned visit to India and her father | 0:27:00 | 0:27:07 | |
was the last Maharaja of the Punjab,
had his Kingdom seized as a small | 0:27:07 | 0:27:14 | |
boy by the British, and she is a
British Asian, and she goes to India | 0:27:14 | 0:27:19 | |
on this banned trip and for the
first time she sees racism and | 0:27:19 | 0:27:22 | |
poverty, and for the first time
through her sister she explains the | 0:27:22 | 0:27:25 | |
terrible inequality of women. She
was safe from it but her sister was | 0:27:25 | 0:27:29 | |
a medical student in Chicago and one
year before she qualifies to be a | 0:27:29 | 0:27:33 | |
doctor if they decide women are too
hysterical so they pull the course, | 0:27:33 | 0:27:36 | |
and her other sister is in love with
her governess, living this sort of | 0:27:36 | 0:27:41 | |
lesbian lifestyle, in Germany, | 0:27:41 | 0:27:52 | |
because she can't do it here, and
she comes back from this trip filled | 0:27:54 | 0:27:57 | |
with rage, this has got to change.
This voice going on in India, the | 0:27:57 | 0:27:59 | |
Nationalists they are seeing, give
us a voice, and she comes to | 0:27:59 | 0:28:02 | |
England. She sees and hears that
coming out of the mouths of the | 0:28:02 | 0:28:04 | |
suffragettes, give us a voice, and
she dedicates everything to the | 0:28:04 | 0:28:06 | |
cause. Everybody at the moment is
looking into their own work as far | 0:28:06 | 0:28:09 | |
as inequality is concerned. How do
you feel about the music industry at | 0:28:09 | 0:28:12 | |
the moment and where that is sitting
as far as inequality is concerned? | 0:28:12 | 0:28:15 | |
For me, you would get some of these
music videos, and you think, you | 0:28:15 | 0:28:18 | |
know, my eight -year-old, I don't
know if I necessarily want her to be | 0:28:18 | 0:28:23 | |
watching them! That has been going
on for ever, from speak easy is, | 0:28:23 | 0:28:33 | |
cotton clubs, sex, drugs and rock
and roll, and it is just a | 0:28:33 | 0:28:37 | |
reflection of society. To see the
music industry is the culprit, | 0:28:37 | 0:28:41 | |
really the music industry is a
mirror and it reflects, you know, | 0:28:41 | 0:28:46 | |
the ills of the world. You have good
and bad music, optimistic and | 0:28:46 | 0:28:51 | |
pessimistic music, music for
self-help, music for intoxication | 0:28:51 | 0:28:55 | |
and indulging and, you know,
behaviour we shouldn't do, so the | 0:28:55 | 0:29:01 | |
music industry is just a mirror on
society. OK, well, the good news is | 0:29:01 | 0:29:07 | |
she is on a stamp!
LAUGHTER | 0:29:07 | 0:29:13 | |
And so thrilled to be doing this.
This woman who through herself at | 0:29:13 | 0:29:18 | |
the Prime Minister's car, led a
riot, thought physically, wouldn't | 0:29:18 | 0:29:20 | |
pay the taxes, she is on a stamp,
and King George V hated her, Winston | 0:29:20 | 0:29:26 | |
Churchill hated her, and this is the
queen of England looking on her. | 0:29:26 | 0:29:29 | |
Well, we will put a stamp on that
because that is all we have time | 0:29:29 | 0:29:33 | |
for. Big thank you to our guests!
APPLAUSE | 0:29:33 | 0:29:38 | |
That's it for tonight -
thanks to all of our guests. | 0:29:38 | 0:29:42 |