Browse content similar to 05/04/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker... | :00:20. | :00:25. | |
...and Alex Jones. Tonight's guest has played some amazingly diverse | :00:25. | :00:30. | |
roles in his career. In Priscilla Queen of the Desert he dragged up | :00:30. | :00:35. | |
and travelled across the outback in a lavender bus. In LA Confidential | :00:35. | :00:41. | |
he fought crime and corruption as a cop in 1950s California. As Edward | :00:41. | :00:46. | |
VIII he abdicated from the British throne. Not bad for an actor who | :00:46. | :00:52. | |
started as little old Mike Young from Ramsay Street. He will hate us | :00:52. | :00:57. | |
for showing this clip. He's not out of the water. You've | :00:57. | :01:07. | |
:01:07. | :01:18. | ||
Yes! It's Guy Pearce! Good to see you. As that clip shows, actions | :01:18. | :01:23. | |
speak louder than words. Absolutely. Nice diving style. That scene | :01:23. | :01:27. | |
launched my Hollywood career. Thafrpblgts was Lucy wasn't it? The | :01:28. | :01:33. | |
first one. There were a couple of actresses who played Lucy. Do you | :01:33. | :01:38. | |
still see some of the cast? Jason and I are still mates. Whoever I | :01:38. | :01:45. | |
happen to come across at the time. We had a great time. Annie Jones | :01:45. | :01:49. | |
was Plain Jane Superbrain. What is she doing now? She still works as | :01:49. | :01:55. | |
an actor at home. It is amazing how many stars have come from that cul- | :01:55. | :02:00. | |
de-sac. Yeah, it was, I guess it was just one of those magical | :02:00. | :02:05. | |
periods, where people went on to do other stuff. It was a fun time. | :02:05. | :02:10. | |
will chat to Guy about his new film. It's as far away from Ramsay Street | :02:11. | :02:15. | |
as it's possible to get. It's our last show before Easter. Just for | :02:15. | :02:19. | |
fun, we are challenging to you an Easter egg hunt. You might spt a | :02:19. | :02:24. | |
few during the show. The question is how many? Stay tuned and we will | :02:24. | :02:27. | |
to the them up at the end. weather might have changed from | :02:27. | :02:32. | |
last week's heat wave, but that hasn't stopped seven water | :02:32. | :02:35. | |
authorities imposing hosepipe bans today after the dryest two-year | :02:36. | :02:39. | |
period on record. It's not just gardens which suffer, as Conor | :02:39. | :02:44. | |
Woodman found out, actual atakes is one moment of carelessness to turn | :02:44. | :02:49. | |
our moorlands to ash. Moorland covers some of the most | :02:49. | :02:51. | |
beautiful parts of Britain, from the hieds of Scotland to Dartmoor | :02:51. | :02:59. | |
in Devon. And at this time of year, it's particularly vulnerable. In | :02:59. | :03:03. | |
the recent fine weather, fires made headlines across the country from | :03:03. | :03:07. | |
South Wales to Surrey, Lancashire and Yorkshire. The results can be | :03:07. | :03:13. | |
catastrophic. Record temperatures for March meant Scotland has been | :03:13. | :03:18. | |
particularly badly hit. 40% of the country is covered in moorland so | :03:18. | :03:23. | |
I'm going out with the Highlands and islands Fire & Rescue Service | :03:23. | :03:30. | |
to see the problem first hand. have another call for another | :03:30. | :03:34. | |
wildfire of approximately quarter of a mile which is spreading. | :03:34. | :03:38. | |
can see immediately behind me what's quite a substantial line of | :03:38. | :03:44. | |
fire moving across the moorland here. This is one of over 80 fires | :03:44. | :03:49. | |
they've had in this region just this week. How do fires like this | :03:49. | :03:56. | |
start? A number of ways. They're usually a human element. Up to 95% | :03:56. | :04:02. | |
of are started by people, some through arson, also other causes | :04:02. | :04:08. | |
such as unattended barbeques or discarded cigarettes. It can cost | :04:08. | :04:13. | |
up to �1 million to put out. If these guys weren't here to put it | :04:13. | :04:18. | |
out, it would quickly be up into that barn and there's two houses | :04:18. | :04:24. | |
there. Fighting wildfires here mean firemen can't attend other blazes. | :04:24. | :04:27. | |
There's a unique difficulties in getting to these burns. There's no | :04:27. | :04:33. | |
hoses here. One of the difficulties with wildfires is they tend not to | :04:33. | :04:38. | |
happen beside a roadway so we need specialist transport and we have to | :04:38. | :04:42. | |
walk a cabl distance. The distance from the fire to the fire engine | :04:42. | :04:46. | |
means it would be impossible to run hoses that length or distance. | :04:46. | :04:50. | |
year su equally devastating fires in the spring and summer. The | :04:50. | :04:54. | |
holidays were the worst time. Around Easter between 18th April | :04:54. | :05:00. | |
and the 6 May, there were more than 250 maizor blazes in the UK, that's | :05:00. | :05:04. | |
just the large fires that are easily recordable. The peak | :05:04. | :05:13. | |
stkriect was among those badly hit. Sean is the ranger for the Peak | :05:13. | :05:19. | |
District National Park. We have 70% of the planet's reserve of heather | :05:19. | :05:24. | |
moorland. It's more rare than rainforest. It's important for | :05:24. | :05:29. | |
ground nesting birds, like Skylark. This is where they nest. This is | :05:29. | :05:33. | |
their home. What this fire has done is effectively wipe this | :05:33. | :05:37. | |
generation's happen tat out this year. As well as affecting wildlife, | :05:37. | :05:42. | |
moorland fires can have an even more dramatic environmental impact. | :05:42. | :05:45. | |
What happens really is that these plants are taking carbon out of the | :05:45. | :05:50. | |
system and they're locking it up into these peat soils which are | :05:50. | :05:56. | |
forming below it. Peat that is organic carbon. It's locked up in | :05:56. | :06:02. | |
these ecosystems for thousands of years. If this vegetation layer is | :06:02. | :06:05. | |
destroyed, all that peat is exposed and the carbon will be released | :06:05. | :06:09. | |
back into the atmosphere. If this happens then the moorlands find it | :06:09. | :06:13. | |
very difficult to recover. Some parts of the Peak District are | :06:13. | :06:18. | |
still scarred from blazes anything up to 65 years ago. The Peak | :06:18. | :06:22. | |
District is trying to restore the moorland. They're spending �16 | :06:22. | :06:28. | |
million on a ten-year project reseeding plants and relaying moss. | :06:28. | :06:32. | |
The reality of these wildfires is that they're nearly always man made. | :06:32. | :06:36. | |
They can do untold damage to our environment as well as some of our | :06:36. | :06:40. | |
most beautiful natural land escapes. Of course, very familiar with bush | :06:40. | :06:44. | |
fires, being out in Australia. Were you in Melbourne at the time of the | :06:44. | :06:49. | |
devastating ones three years ago? Yeah, it was horrible. It was | :06:49. | :06:54. | |
intense. We'd had a long drought for a year or two. There was a | :06:54. | :06:59. | |
minor draut that -- drought that had been going on for many years, | :06:59. | :07:05. | |
but then we had a very holt summer. By February 2009, the whole area | :07:05. | :07:12. | |
was so... Just dry. Yeah, and so something started and there were | :07:12. | :07:21. | |
horrible winds. It completely wiped out Marysville, it was devastating. | :07:21. | :07:27. | |
Very sad. You weren't actually born in Australia, you were born in Ely | :07:27. | :07:33. | |
in Cambridgeshire. How.family end up in Australia? My father was a | :07:33. | :07:37. | |
test pilot. He was offered a job. Initially we went for two years. | :07:37. | :07:40. | |
After two years mum quite liked the weather and decided to stay. | :07:40. | :07:44. | |
Surprise! My dad was from New Zealand so he was happy. We just | :07:45. | :07:51. | |
stayed. There we are. Now then, the Easter weekend starts tomorrow and | :07:51. | :07:55. | |
amidst the chocolate and bunnies there's significant religious | :07:55. | :07:59. | |
meaning. Anita Rani has joined the final preparations for those | :07:59. | :08:02. | |
planning to share that message in some unexpected places. | :08:02. | :08:07. | |
Don't be surprised at seeing the Messiah, he may pop up near you. An | :08:07. | :08:12. | |
event that's becoming increasingly popular is the passion play. | :08:12. | :08:16. | |
It's a story that's almost 2,000 years old, has the blockbuster | :08:16. | :08:21. | |
elements of love, betrayal and murder and has inspired art, music | :08:21. | :08:27. | |
and theatre for centuries. In towns and cities, these big event plays | :08:27. | :08:31. | |
range from the traditional to the down right modern. Some productions | :08:31. | :08:36. | |
like the one in kendal even have machine gun toting soldiers instead | :08:36. | :08:41. | |
of Romans. The Passion is the story of Jesus from the time he enters | :08:41. | :08:45. | |
into Jerusalem a week before he dies to a last supper, where he | :08:45. | :08:51. | |
eats with his disciples leading to his crucifixion and death. Last | :08:51. | :08:56. | |
year Welsh author Owen Sheerz adapted it to a modern setting, | :08:56. | :09:00. | |
starring Michael Sheen, the production featured elements such | :09:00. | :09:05. | |
as the Last Supper and a suicide bomber. The like modern | :09:05. | :09:10. | |
interpretations as well, which try to make the passion of Christ | :09:10. | :09:15. | |
relevant for a modern audience. this story for non-Christian tooz? | :09:15. | :09:21. | |
It's a message of peace at a time when all around us we seat power of | :09:21. | :09:26. | |
conflict and the very real threat of violence. For ul after us, in a | :09:26. | :09:31. | |
world today, that message of peace sin credibly relevant. One of the | :09:31. | :09:34. | |
biggest productions is taking here in Trafalgar Square. | :09:34. | :09:40. | |
Last year, it attracted an audience of over 20,000 people. With a cast | :09:40. | :09:45. | |
of more than 80, including Roman soldiers, horses and a donkey, | :09:45. | :09:50. | |
pulling this off could take a miracle. This Jesus will make us a | :09:50. | :09:54. | |
laughing stock. Exactly. This is our third year of doing it. I hope | :09:54. | :09:58. | |
that it will become a tradition. There were 20,000 people last year | :09:58. | :10:04. | |
who saw the Passion of Jesus on Good Friday. I'm hoping, indeed I'm | :10:05. | :10:09. | |
praying, for a big audience. watching the actors rehearse, the | :10:09. | :10:15. | |
thespian in me had to get involved. Stay here. Stay. I'll go and see. | :10:15. | :10:22. | |
You remember that I told my disciples that I would be captured? | :10:22. | :10:26. | |
James is performing as Jesus in three different plays over the | :10:26. | :10:30. | |
weekend. How long have you played Jesus? 14 years. That's a long time | :10:30. | :10:34. | |
to play one character. Do you worry about being typecast? There's not | :10:34. | :10:37. | |
that many actors who get that opportunity to focus and understand | :10:37. | :10:41. | |
one story and particularly one character. Most actors fear being | :10:41. | :10:44. | |
crucified and here are you, being crucified five times over the | :10:44. | :10:48. | |
course of one weekend. I'm lucky. I get to come back to life again | :10:48. | :10:52. | |
afterwards. It's not all bad. What's it like performing in | :10:52. | :10:56. | |
Trafalgar Square in front of 20,000 people? I'm able to walk amongst | :10:56. | :11:00. | |
the people, talk directly to them, some of the audience will be this | :11:00. | :11:04. | |
close, some will be right up at the National Gallery. It's wonderful. I | :11:04. | :11:10. | |
love it. There are Passion plays taking place up and down the | :11:10. | :11:14. | |
country. Most of them are free. Go and see your local one. I'm | :11:14. | :11:20. | |
planning on seeing my if I can get my ass into gear. Come on Chester, | :11:20. | :11:27. | |
enough grass now. Good performance by Anita there. If | :11:27. | :11:31. | |
you can't get out to a passion play, don't worry tomorrow at 12pm you | :11:31. | :11:34. | |
can see the Preston Passion live here on BBC One. If you didn't have | :11:34. | :11:38. | |
to commit 14 years of your life it a role would you like to play | :11:38. | :11:43. | |
something like Jesus? Yes of course. I did neighbours for four years, | :11:43. | :11:49. | |
still quite a commitment. You like those kind of deep characters. | :11:49. | :11:53. | |
probably wasn't as spiritual as Jesus perhaps. No! I'm not saying | :11:53. | :11:59. | |
that. But you know, I could get there. Let's talk about Lockheart. | :11:59. | :12:05. | |
It's a full on, full throttle action movie. You have done loads | :12:05. | :12:11. | |
of genres. Why a big action movie now? I like the humour in it. There | :12:11. | :12:15. | |
was, I had a great discussion with the producer about the style of the | :12:15. | :12:21. | |
film and the fact that they wanted a leading character that had a | :12:21. | :12:24. | |
cynical and I guess inappropriate attitude. The way in which he was | :12:25. | :12:29. | |
written I found really humorous. Soy just felt like I was able to | :12:29. | :12:32. | |
take that on. I think I've been offered other action stuff before, | :12:32. | :12:36. | |
but the characters take themselves a bit too seriously I think | :12:36. | :12:40. | |
sometimes. This was an opportunity to have fun with it. And the story | :12:40. | :12:45. | |
is set on a prison out in space. Yeah it's in the future. It's on a | :12:45. | :12:52. | |
prison in outer space. I'm an ex- special operation's guy. The | :12:52. | :12:58. | |
American President's daughter goes out to this prison to visit on a | :12:58. | :13:00. | |
welfare mission. Something goes horribly wrong and she's taken | :13:01. | :13:05. | |
hostage and I'm the guy to rescue her apparently. There is an | :13:05. | :13:12. | |
underlying love story, it's fair to say - ish. There's clearly some | :13:12. | :13:20. | |
chemistry. So here's your character and the President's daughter. | :13:20. | :13:27. | |
sent you? Your old man did. My dad. What did he say? I didn't get to | :13:27. | :13:33. | |
meet him personally, he kind of delegated your rescue. They had a | :13:33. | :13:37. | |
corn surplus. You're kidding me. About my father. Yeah I made that | :13:37. | :13:42. | |
up. Did he have a message for me? Yes, you are adopted. Are you the | :13:43. | :13:47. | |
only kind of jerk they found for this mission? The only one stupid | :13:47. | :13:49. | |
enough to say yes. APPLAUSE | :13:49. | :13:52. | |
Stkpwhri tell you, there's some very jumpy, creepy moments. Like | :13:52. | :13:57. | |
Alex was saying, full-on action. Due hurt yourself in those scenes? | :13:57. | :14:01. | |
You're bouncing around all over the shop. I think I hurt myself more | :14:01. | :14:07. | |
doing mundane things, tripping on a rug or something like that. In the | :14:08. | :14:12. | |
midst of the action scenes, I manage to get through those OK. | :14:12. | :14:16. | |
Bang my head on a door frame or something daft. Is it true you had | :14:16. | :14:20. | |
to bulk up a bit. You're in good shape, but you did bulk up for the | :14:20. | :14:24. | |
film. I wasn't in the shape that I was in the film when I met the | :14:24. | :14:27. | |
directors. I was kind of thin and they were both a little nervous | :14:28. | :14:32. | |
that I wasn't going to appear to be the action hero that they wanted. I | :14:32. | :14:36. | |
convinced them that I was able to lift some weights. Did you say | :14:36. | :14:40. | |
"Trust me I'm a former junior minister Victoria." They weren't | :14:40. | :14:44. | |
quite my words. That is true though. It is, strangely enough. It seems | :14:45. | :14:50. | |
to be the strangest thing from my past that I did that. I think I was | :14:50. | :14:53. | |
really enjoying body building when I was young. The gym that I was at | :14:53. | :14:56. | |
was run by some people who were heavily into the industry and got | :14:56. | :15:03. | |
me into this competition. Before you know it, you have big biceps.. | :15:03. | :15:06. | |
We have to talk about Prometheus. Another big film out this summer. | :15:06. | :15:10. | |
Tell us about that then. There's been a trailer, but it's not from | :15:10. | :15:15. | |
the film on the web already. That's right. Actually we're sworn to | :15:15. | :15:19. | |
secrecy. There's not a lot I can say. The thing everybody's talking | :15:19. | :15:24. | |
about is that it's an Alien prequel. But the fact, the philosophy and | :15:24. | :15:30. | |
the ideas in the film really make it a far grander story than an | :15:31. | :15:37. | |
alien prequel to. Call it a prequel is limiting. I think people will be | :15:37. | :15:43. | |
surprised at what a stand alone, amazing, kind of sci-fi it is. | :15:43. | :15:46. | |
is Ridley Scott. It is. When is that out? I think it's about June, | :15:46. | :15:56. | |
:15:56. | :15:58. | ||
Well, lock is in the cinemas from the 20th of April. Don't forget we | :15:58. | :16:04. | |
are hiding Easter eggs in the set tonight as a pre-Easter egg hunt. | :16:04. | :16:14. | |
:16:14. | :16:15. | ||
Have you seen any yet? Not so many. But keep your eyes peeled. | :16:15. | :16:20. | |
As John Sergeant now explains it took a British bloke in the bath to | :16:20. | :16:28. | |
create a banking revolution. The 0s, mini skirts arrived and Sergeant | :16:28. | :16:32. | |
Pepper on the stereo, we felt we had it all. Unless you needed | :16:32. | :16:36. | |
access to your readies. Before the hole-in-the-wall if you worked | :16:36. | :16:40. | |
full-time, getting to the bank to get money out was often difficult. | :16:40. | :16:47. | |
The banks were only open on weekdays from 9.00am to 3.00pm. On | :16:47. | :16:52. | |
Saturday from 9.00am until noon. That could be very frustrating! But | :16:52. | :16:56. | |
one man madeed it his mission to find a solution. | :16:56. | :17:01. | |
One Saturday lunch time, in 1965, banking security expert, Andrew | :17:01. | :17:05. | |
Shepherd-Barron, could not get his hands on his own money. | :17:05. | :17:09. | |
He arrived at the bank just a minute after it closed. | :17:09. | :17:14. | |
Later that day, in the bath, cursing his timing, he thought | :17:14. | :17:18. | |
about a High Street chocolate vending machine. Surely you could | :17:18. | :17:22. | |
access your cash in the same way? But Andrew Shepherd-Barron had to | :17:22. | :17:27. | |
ensure that the only person who could get your money was you. | :17:27. | :17:35. | |
The first part of his solution sounds positively dangerous. | :17:35. | :17:39. | |
Radioactive vouchers! These vouchers were marked with carbon 14. | :17:39. | :17:43. | |
It gave them a radioactive signature, that the machine could | :17:43. | :17:49. | |
read it may sound reckless, but it was only mildly radioactive. | :17:50. | :17:54. | |
He worked out that you would have to eat more than 100,000 of them to | :17:54. | :17:59. | |
feel any ill effects. I don't think I will try! The next | :17:59. | :18:04. | |
part is more familiar. You prove to the machine you were | :18:04. | :18:07. | |
authorisationed to withdraw the money by punching in a personal | :18:07. | :18:12. | |
indentification number, a PIN. If that PIN corresponded with the | :18:12. | :18:17. | |
radioactive signature on the voucher, the machine would pay out. | :18:17. | :18:22. | |
PIN numbers can be any length. The fact we can remember ours is the | :18:22. | :18:28. | |
result of another Andrew Shepherd- Barron invasion, but not John's. | :18:28. | :18:34. | |
It was my father who came up with the idea of four digits for a PIN. | :18:34. | :18:39. | |
He first thought six. That it was not complicated. Then my mother | :18:39. | :18:45. | |
said, no way, that four was more than enough. That anybody could | :18:45. | :18:49. | |
usefully remember. She made something simple that | :18:49. | :18:52. | |
could have been a little more complicated. | :18:52. | :18:58. | |
Andrew Shepherd-Barron was on to a winner, now he just had to convince | :18:58. | :19:05. | |
the banks. He was given 90 seconds to sell the concept of an ATM, it | :19:05. | :19:13. | |
took 85 seconds. Then they celebrated by having a pink gin. | :19:13. | :19:23. | |
:19:23. | :19:24. | ||
From a pitch over cocktails, to the prestigious address to this -- to | :19:24. | :19:33. | |
launch this new era, Tokyo? New York? No, it was Enfield. | :19:33. | :19:39. | |
It was in little old Enfield where this started out, if things went | :19:39. | :19:44. | |
wrong, they could make fun of it. And a comedian, who would later | :19:44. | :19:53. | |
star in On The Buses, helped to start it all off, but what if it | :19:53. | :20:00. | |
did not work? They put a little man in the back of the machine, to give | :20:00. | :20:04. | |
the money out, so that it would not go wrong. | :20:04. | :20:10. | |
Now, we use plastic cards, that replaced the radioactive vouchers. | :20:10. | :20:15. | |
There are 2 million ATMs around the world. They dispense trillions of | :20:15. | :20:19. | |
cash to the public who need the cash for their daily lives, that | :20:19. | :20:23. | |
would not have happened were it not for Andrew Shepherd-Barron. | :20:23. | :20:28. | |
This is where the first cash machine was installed. Ironically, | :20:28. | :20:33. | |
Andrew Shepherd-Barron did not get any cash out of it. His design was | :20:33. | :20:38. | |
not patented on security grounds, but eventually he was I awarded an | :20:38. | :20:46. | |
OBE for changing our lives forever. Well, they literally have? Where | :20:46. | :20:51. | |
would we be without a Cashpoint these days? It is amazing. | :20:51. | :20:55. | |
Not that I use it often. I don't carry cash. | :20:55. | :20:59. | |
Cash is king. You like getting the cash out. | :21:00. | :21:02. | |
I paid for chewing gum yesterday with a card. | :21:02. | :21:07. | |
Well, more and more people are aing -- paying with cards. About half of | :21:07. | :21:13. | |
the transactions now are with cash. The rest are with plastic and debit | :21:13. | :21:16. | |
cards and credit cards. We have heard of all of those, but this | :21:16. | :21:21. | |
year has been a change, these cards come with the sign, that sign on | :21:21. | :21:25. | |
the top, that means that they are contactless. So instead of putting | :21:25. | :21:30. | |
it in the machines, how we normally do with a debit card here and then | :21:30. | :21:36. | |
the PIN number. If it is up to �15, you can put it on the top. So that | :21:36. | :21:40. | |
is up to �156789 And some of the mobile phones, | :21:40. | :21:44. | |
again, with this logo that does it, you put it there and that's it. | :21:44. | :21:48. | |
Millions of those cards have come out. There is even an idea that | :21:48. | :21:53. | |
there will be watches. So you would put a microchip into the watch. So | :21:53. | :21:56. | |
you put the watch over there if you want to buy something. | :21:56. | :22:03. | |
How very James Bond! Do you have to wear a pink one? It is a beacon. | :22:03. | :22:08. | |
Are you a fan of this I think it is fascinating. I was going to ask | :22:09. | :22:14. | |
whether or not there would be a push to eliminate cash? I think | :22:14. | :22:19. | |
that some people want to be crooked so they will use cash, but some | :22:19. | :22:23. | |
like the security, thinking that is what they will do, that is their | :22:23. | :22:27. | |
money. They may not like the electronic stuff, but still it will | :22:27. | :22:30. | |
go down and down. There is no doubt about that. | :22:30. | :22:34. | |
Thank you very much. If you don't want the watch, I will have it. | :22:34. | :22:41. | |
John is buying us a drink after this? Is he? Well, now on to | :22:41. | :22:46. | |
butterflies. They may look delicate, but a number of them are have hardy | :22:46. | :22:51. | |
to survive a long winter. Contrary to popular belief, some | :22:51. | :22:56. | |
butterflies live longer than a few days. We even have ones that | :22:56. | :23:00. | |
survive throughout the cold months of winter. | :23:00. | :23:07. | |
Here in the Aisle of Purbeck, these Second World War defences are seen | :23:07. | :23:13. | |
as ugly, as a blotten the lan scape. Yet for half of the year, they are | :23:13. | :23:19. | |
important refugees for insects. One such insect is the beautiful | :23:19. | :23:24. | |
Peacock Butterfly. Not the common species it once was. | :23:24. | :23:32. | |
On the roof here are two eoverwintering Peacocks. They will | :23:32. | :23:35. | |
hibernate from March to the following year. 50 years ago there | :23:36. | :23:39. | |
would have been more that this, there are only two here that is | :23:39. | :23:43. | |
evidence of the decline. It will not be long before the days get | :23:43. | :23:48. | |
longer and warmer. These two will emerge, fly outside, mate and lay | :23:48. | :23:54. | |
eggs. So I think it is time that I left them in peace. In the past ten | :23:54. | :23:59. | |
years, Peacock numbers have fallen by 25%. The charity conservation | :23:59. | :24:04. | |
are keeping a close eye on diminishing numbers, but they are | :24:04. | :24:08. | |
not the only ones in trouble. Matthew Oates researches the | :24:08. | :24:10. | |
butterflies in the forest in Wiltshire. | :24:10. | :24:15. | |
What do you have here? Here is a hibernating caterpillar. I want you | :24:15. | :24:21. | |
to find him. That is unbelievable! Have you got | :24:21. | :24:25. | |
him? No! It is less than a centimetre long. | :24:25. | :24:31. | |
This is embarrassing, I can't see it! If I were a hungry bird... | :24:31. | :24:35. | |
going to have to help? You are, I'm sorry. | :24:35. | :24:40. | |
The point is that he is late winter, but this caterpillar has survived. | :24:40. | :24:45. | |
He is there. Any bird and found that andate it | :24:45. | :24:50. | |
is doing really -- and ate it, is doing well. | :24:50. | :24:55. | |
Everyone thinks that winter, that things are dead, but it is all | :24:55. | :24:59. | |
there, hibernating. As an egg, caterpillar, a pupa, but somewhere | :24:59. | :25:04. | |
they are waiting for the spring. They are, but not just waiting for | :25:04. | :25:08. | |
the spring, but avoiding the predators. The only defence | :25:08. | :25:13. | |
mechanism that they have got is camouflage. They are master of | :25:13. | :25:18. | |
these arts. Two thirds of the hibernating | :25:18. | :25:22. | |
Purple Emperors here will be eaten by birds during the winter, but the | :25:22. | :25:27. | |
effects have been felt keenly in recent years as wet, cold weather | :25:27. | :25:32. | |
in the summer months has affected their rates of reproduction. | :25:32. | :25:36. | |
Obviously the insects have to hibernate as there is time of year | :25:36. | :25:42. | |
where there is less food. Some hibernate as adults, some hibernate | :25:42. | :25:48. | |
as eggs, why? It depends on the food in your system. If you are an | :25:48. | :25:53. | |
adult you are fed up on Nectar. If you are a caterpillar, you have to | :25:53. | :25:57. | |
have fed on something to sustain the long winter sleep. If you are | :25:57. | :26:02. | |
clever and spend the winter as an egg, you just sit tight. | :26:02. | :26:07. | |
Let me show you an egg. Here? Yes, up in the oak tree. | :26:07. | :26:15. | |
Bring that branch down. There we go. Oh! Have you got it? That was | :26:15. | :26:21. | |
marginally easier to see than the Purple Emperor caterpillar. | :26:21. | :26:26. | |
For a good reason, he is not so camouflaged. | :26:26. | :26:33. | |
At the moment, the number of some of these species of cater -- | :26:33. | :26:40. | |
butterflies are fairly stable, but three quarters of our species have | :26:40. | :26:45. | |
shown a ten-year decline. However, climate change may be having a | :26:45. | :26:52. | |
positive effect for some species. Tell me a good news story? There is | :26:52. | :26:57. | |
a Comma Butterfly. 100 years ago this was a top national rarity. It | :26:57. | :27:03. | |
is actually now spreading well for about 90-odd years. You can see why | :27:04. | :27:12. | |
he is called a Comma? Yes, there is a wee comma under the wing. That is | :27:12. | :27:18. | |
spectacular. As the warm days take hold, gorgeous butterflys like the | :27:18. | :27:23. | |
Comma will continue to come out of hibernation. Let's hope we get more | :27:23. | :27:27. | |
of these magnificent creatures recovering all over the country. | :27:27. | :27:34. | |
What a beautiful sight. Thank goodness Matthew Oates was there | :27:34. | :27:37. | |
otherwise we would not have seen anything. Any way it is time to see | :27:37. | :27:45. | |
if you have spotted our Easter eggs, shall we count them. | :27:45. | :27:50. | |
There is one there with Anita Rani. One with John in the lab. Number | :27:50. | :27:55. | |
four was the top shelf... There is number five. In the trees. | :27:55. | :28:03. | |
And the sixth one is e just up there on the -- and the sixth one | :28:03. | :28:12. | |
is just up there on the Second World War defensive. Now, before we | :28:12. | :28:16. | |
go if there is someone you have not seen for a long time, friends, | :28:16. | :28:23. | |
school mates or colleagues, even Neighbourss! Nice, Matt. Well if | :28:23. | :28:32. | |
you want us to help you find them, here is -- send us an e-mail. | :28:32. | :28:36. | |
But before we go, we would like you to have that. | :28:36. | :28:40. | |
Happy Easter! That is all for tonight. Thank you very much to Guy | :28:40. | :28:45. |