Browse content similar to 05/04/2017. Check below for episodes and series from the same categories and more!
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# This is the game-changer # I'm not afraid of danger | :00:22. | :00:31. | |
# There's no turning around # I am the game-changer | :00:32. | :00:37. | |
# Yeah, yeah... # APPLAUSE | :00:38. | :00:39. | |
What a start to the One Show. Hello and welcome to | :00:40. | :00:44. | |
the One Show with Matt Baker... That was Imelda May with Game | :00:45. | :00:47. | |
Changer from her brand new album. She'll be back with another song | :00:48. | :00:52. | |
from that album later on. Imelda's not the only game changer | :00:53. | :00:55. | |
on the show tonight, these guys wheelie, wheelie | :00:56. | :00:57. | |
want to raise the profile of a sport that's been described as the Everest | :00:58. | :01:00. | |
of the wheeled world. Maybe tonight's guests | :01:01. | :01:02. | |
might fancy a spin! On our sofa tonight are three guests | :01:03. | :01:05. | |
spanning the worlds of drama, Our stars will be wild, | :01:06. | :01:26. | |
unpredictable and enchanting to watch. Check out the male. The males | :01:27. | :01:31. | |
sing more. # Everything little thing that you | :01:32. | :01:33. | |
say or do # I am a hung up | :01:34. | :01:36. | |
# I'm hung up on you... # We will move on to a simply | :01:37. | :01:42. | |
fantastic bird. Look, look, the best bird in Britain. We've got it on | :01:43. | :01:51. | |
camera. Are you calling me a thrush? Can we see the bird again? Honestly, | :01:52. | :02:00. | |
just like heaven. Just like heaven. You heard it from Chris Packham, | :02:01. | :02:08. | |
Anne Reid and Rylan Clark-Neal. Chris, we need to start with your | :02:09. | :02:13. | |
wonderful friend? Scratchy. He will be on his best behaviour. Will he | :02:14. | :02:17. | |
last the whole hour? Not sure about the best behaviour lasting the whole | :02:18. | :02:22. | |
hour. I'm hoping he will does off. He has a friendly face. Which animal | :02:23. | :02:27. | |
would you see yourself as? I would be a swallow. We have spent ages | :02:28. | :02:36. | |
with photographs. There you are as a swallow. Anne, you have a bit of go | :02:37. | :02:42. | |
about you, haven't you? I want to be a tiger. Here's your choice. Yes. It | :02:43. | :02:53. | |
suits you Anne. What will they make you? With these teeth I have to be a | :02:54. | :02:58. | |
shark. There you go. That is actually real photo! Not to play | :02:59. | :03:12. | |
favourites, but we have a treat for you later in the show Chris. We have | :03:13. | :03:21. | |
Fidget the weasel. I've not met him in person. The guy who befriended | :03:22. | :03:26. | |
him is providing us a unique opportunity to get to know more | :03:27. | :03:30. | |
about them. Fantastic. He has won you over, no doubt he will win the | :03:31. | :03:32. | |
rest of you over, no doubt. Yes. It's not everyone's idea of fun, | :03:33. | :03:39. | |
but for most of us a few hours shopping is no big deal, | :03:40. | :03:42. | |
unless you're one of the thousands But one parent has come up | :03:43. | :03:45. | |
with a brilliant plan to make the experience a little easier, | :03:46. | :03:49. | |
and Kev's been to see it in action. Imagine living in a world where | :03:50. | :03:54. | |
something as simple as going shopping is terrifying. As we | :03:55. | :03:56. | |
approach the shopping centre, Riley just, sort of, clung on to me. He | :03:57. | :03:59. | |
was screaming. Just absolutely freaking out. It was absolutely | :04:00. | :04:03. | |
heartbreaking. Music is overwhelming. Lights are glaring. | :04:04. | :04:09. | |
Crowds of people are distressing. I know there is a lot of sounds and | :04:10. | :04:14. | |
there is a lot of sensory things that really get him upset. For many | :04:15. | :04:19. | |
parents of children who are autistic, going shopping is an other | :04:20. | :04:23. | |
deal not worth condemn plating. That is until today. Here in Sheffield, | :04:24. | :04:28. | |
14 high street stores have been brought together to offer a special | :04:29. | :04:33. | |
autism-friendly shopping experience. For one day only, the shops will | :04:34. | :04:38. | |
open earlier than normal, dim their lights, turn off their music and | :04:39. | :04:41. | |
adapt the way they interact with their customers. Steph and her | :04:42. | :04:47. | |
four-year-old son Riley are getting excited about the event. She hasn't | :04:48. | :04:50. | |
taken him shopping in more than a year. It's changing families lives, | :04:51. | :04:56. | |
really. Just to have that bit of normality. You mentioned the word | :04:57. | :05:00. | |
"normal" do you think a lot of people don't grasp how difficult it | :05:01. | :05:03. | |
can be? If they did. You wouldn't get staired at when you go to | :05:04. | :05:08. | |
places. Tomorrow, we have 14 shops that - You are like that - 14 shops! | :05:09. | :05:15. | |
That we will be able to take him to. It's just amazing. Steph has Suzi to | :05:16. | :05:23. | |
thank for the opportunity. Her 12-year-old son, Jaden is autistic. | :05:24. | :05:28. | |
Through the charity Sparkle, which supports families of autistic | :05:29. | :05:31. | |
children, Leesh set up this first of a kind event. I wasn't upset he was | :05:32. | :05:37. | |
autistic. It was more - what can I do to help him? How can I help him. | :05:38. | :05:43. | |
Even the shop staff are under going training sessions ahead of the big | :05:44. | :05:48. | |
day to better understand the issues. My main things are tactile and | :05:49. | :05:52. | |
smell. They are the ones that really hit me in a stressful situation. Tor | :05:53. | :05:59. | |
18-year-old Steven his condition prevented him from doing things be | :06:00. | :06:04. | |
other people take for granted. My glasses broke in November I haven't | :06:05. | :06:10. | |
been able to change because the shop is sensory overloading. The lights | :06:11. | :06:16. | |
are clinical. 7.00am on Saturday morning and as the shops begin to | :06:17. | :06:21. | |
open, Leesh and son Jaden are first through the doors. Watching him in | :06:22. | :06:30. | |
this environment, he's happy, free, he's smiling. He looks so | :06:31. | :06:36. | |
comfortable. It's nice to see. Thank you very much. What I was thinking | :06:37. | :06:39. | |
is - are they going to dim the lights down or will they bemusic, | :06:40. | :06:43. | |
like they said? They've done exactly that. I'm really, really happy. It's | :06:44. | :06:48. | |
time for Steven to pick up his new glasses. How do they feel? Great. | :06:49. | :06:55. | |
Better than those? Yeah. Brilliant. Just as the shopping is going | :06:56. | :07:00. | |
smoothly Steven hits a problem with the self-service till. In a busy | :07:01. | :07:05. | |
crowded shop, this could be too much for him to handle. It's not | :07:06. | :07:10. | |
accepting my pound. Are you all right, love. The staff are on hand | :07:11. | :07:15. | |
to help. That was He was having brilliant. Issues there with the | :07:16. | :07:20. | |
till. There was an assistanten staing by to help. Was that useful | :07:21. | :07:22. | |
having the member of staff there? Yeah. She came up to me. I didn't | :07:23. | :07:28. | |
have to go looking for someone. So, that is always a plus. Steph is keen | :07:29. | :07:35. | |
to make sure that today is a positive experience for Riley. Come | :07:36. | :07:41. | |
on, then. This one. Yeah. We will just wait here. You have been a good | :07:42. | :07:46. | |
boy, Riley. What is important is that Steph knows when she comes inle | :07:47. | :07:52. | |
she won't be judged. Riley is happy, if he had an episode or express that | :07:53. | :07:57. | |
energy he has got, she can let him do it because she feels comfortable. | :07:58. | :08:01. | |
I bet you can't wait to get home to play. How did it go? I feel happy. | :08:02. | :08:10. | |
Riley is happy. . Being able to take him today, it's great. Bless you. | :08:11. | :08:16. | |
It's wonderful to see. Even the staff appreciate the difference it's | :08:17. | :08:19. | |
made to their new customers. When you see children like that just | :08:20. | :08:23. | |
smiling, it's lovely to see. They can just shop like they want to | :08:24. | :08:29. | |
shop. Next time let's get more retailers joining in to make an even | :08:30. | :08:35. | |
bigger event. It might be a shopping first but given the success of | :08:36. | :08:39. | |
today's event, I doubt it will be the last. What about other cities? | :08:40. | :08:42. | |
The fact it has worked so well here, yeah. If you want to do it, give me | :08:43. | :08:47. | |
a call. I would love to do that. Leesh is with us now. It was lovely | :08:48. | :08:52. | |
watching that film alongside you there. Your passion and what you | :08:53. | :08:55. | |
were seeing there and the joy in parents faces. It made me quite | :08:56. | :09:00. | |
emotion al. For sure. What happened since then what has the feedback | :09:01. | :09:05. | |
been from everyone? From the shops it's been more of a - they felt they | :09:06. | :09:10. | |
have given something back. Also, they've learnt how difficult it | :09:11. | :09:13. | |
really is for parents because quite a few parents got emotion al. The | :09:14. | :09:18. | |
things that happened, that didn't happen before. Teenagers putting | :09:19. | :09:24. | |
their make up for the first time who were autistic and didn't know how to | :09:25. | :09:28. | |
do it. They were taught to look after their skin the little ones | :09:29. | :09:33. | |
running wild in the shop and running in circles and doing all sorts. The | :09:34. | :09:36. | |
main thing is the parents did not feel judged. That was the first time | :09:37. | :09:40. | |
this has ever happened. Yeah. In the UK. Never happened in the UK before. | :09:41. | :09:45. | |
What is the plan, what do you hope? We want to do it again. I have | :09:46. | :09:48. | |
spoken to the shops as well. They really want to do it again as well. | :09:49. | :09:52. | |
It will be absolutely fantastic. We have the Special Olympics in | :09:53. | :09:55. | |
Sheffield soon it might be another good time to try and do it then, | :09:56. | :10:00. | |
too. It will be good for them to be able to shop as well. To see your | :10:01. | :10:04. | |
vision come true and to see what you wanted for your child happen for | :10:05. | :10:07. | |
other families. What effort you went to. It's wonderful effort. Let's | :10:08. | :10:12. | |
have a huge round of applause. Let's hope that other councils in other | :10:13. | :10:16. | |
towns are watching and will pick up from there. . Fantastic initiative. | :10:17. | :10:24. | |
Brilliant that so many of those stores and shops bought into it and | :10:25. | :10:29. | |
took part. Let's hope it can do again. It's an enormous difference. | :10:30. | :10:35. | |
Everyone who has aUSic is different, for those who have have extreme | :10:36. | :10:40. | |
reactions to sensory things, it makes a difference. For parents to | :10:41. | :10:46. | |
take their parents shopping - I used to be left outside the supermarkets. | :10:47. | :10:50. | |
I refused to go in the lights drove me mad. Even now? A large | :10:51. | :10:55. | |
supermarket is a challenging environmental. I can go in | :10:56. | :10:58. | |
supermarkets. You train be yourself to do it. It's not a comfortable | :10:59. | :11:02. | |
environment. I will do whatever I can to get out of it. My partner | :11:03. | :11:07. | |
does all the shopping. If we go in it's a military exercise - in and | :11:08. | :11:12. | |
out as quickly as possible. You revealed all in your autobiography | :11:13. | :11:15. | |
about your Asperger's, a bestseller, was it difficult to do that? I don't | :11:16. | :11:20. | |
think so. It's a condition which has benefits as well as down sides as | :11:21. | :11:25. | |
well. That is one of the things. I'm here because I've been with able to | :11:26. | :11:29. | |
exercise some of those benefits. If I want something positive to come | :11:30. | :11:33. | |
out of it, I want more people who are autistic to focus on the | :11:34. | :11:38. | |
positive aspects of it. There are. It may mean more can find themselves | :11:39. | :11:43. | |
into employment. 14% of awe tusic adults in the UK are in full-time | :11:44. | :11:48. | |
employment the lowest in any disability. I don't want to call it | :11:49. | :11:51. | |
a disability. We have to sculpt environments as the shops did there, | :11:52. | :11:55. | |
where autistic people can function. When they can, they can live a more | :11:56. | :11:59. | |
fulfilled life and offer more to everyone else as well. We have skill | :12:00. | :12:04. | |
sets which are useful. Let's hope it's the first of many. Absolutely. | :12:05. | :12:08. | |
You have been up on stage talking about your life and what have you. | :12:09. | :12:12. | |
Would you put that down in a book? Have you got to the stage where you | :12:13. | :12:17. | |
are ready to write an autobiography Everybody thinks I'm writing my | :12:18. | :12:20. | |
autobiography. I have half a page written. No is the answer? No - | :12:21. | :12:25. | |
yeah, I really want to do it. Do you? I would like to do it. Why | :12:26. | :12:34. | |
haven't you got round to it. I don't think it's fascinating. I'm writing | :12:35. | :12:38. | |
one myself. I'm only 12. You can have a go. Come on Anne. I haven't | :12:39. | :12:42. | |
had enough scandalous sex, you see. Well. Maybe we should stop enter | :12:43. | :12:49. | |
gaiting you right now then! There are plenty of time. Let's talk about | :12:50. | :12:55. | |
Fracked Or: Please don't use the F Word. It's touring. It's a play by | :12:56. | :12:59. | |
Alistair Beaton it's James Bolam and I play a couple of villagers and the | :13:00. | :13:05. | |
people, the oil people come and try to frack in our village. It's how we | :13:06. | :13:12. | |
fight back. It's a come kill, but with very serious under tones. -- | :13:13. | :13:21. | |
comedy. I didn't know anything about fracking I know a lot about it now. | :13:22. | :13:29. | |
How did you learn? They sent pro and Anthony fracking to talk to uses in | :13:30. | :13:34. | |
rehearsals. I find it very scary now. I've never done anything that | :13:35. | :13:39. | |
involved me politically in the past. It's quite fun. Usually I'm the | :13:40. | :13:43. | |
person who makes the sandwiches and the tea. In it I've got a brain, | :13:44. | :13:50. | |
which is quite a relief. Your, Cha, Elizabeth, has been described as a | :13:51. | :13:53. | |
mad old biddy. Is that a fair description? No. How would you | :13:54. | :14:01. | |
describe it then? Extremely intelligent woman. An ex-lecturer, a | :14:02. | :14:08. | |
university lecturer. It's a very funny play, but it's - we've got | :14:09. | :14:20. | |
Michael Simpkins, who is the oil person against us. He plays an evil | :14:21. | :14:27. | |
PPR man. It's enormous fun to do. I love being back in the theatre. We | :14:28. | :14:32. | |
are in Guildford from the 12th to the 22nd of April and then we go to | :14:33. | :14:38. | |
Malvern and in Brighton at the beginning of May. A lovely little | :14:39. | :14:42. | |
tour. How much do you enjoy that touring experience? Sorry. How much | :14:43. | :14:46. | |
do you enjoy the touring experience? I haven't done it actually for | :14:47. | :14:51. | |
years. If you are with a nice gang and the rehearsals have been such | :14:52. | :14:56. | |
fun, that I think we're going to love it, actually. We are going to | :14:57. | :15:03. | |
Bath, I shall spend a fortune in Bath. Shop until I drop. No harm in | :15:04. | :15:10. | |
that. You have been doing Our Friend Victoria as well. A wonderful | :15:11. | :15:17. | |
tribute to Victoria Wood. I know. So much to celebrate how to imagine how | :15:18. | :15:22. | |
you can bring it down into a number of episodes. To talk about her life? | :15:23. | :15:30. | |
Yes. A lot of people feel that. She was a vivid force in our lives and | :15:31. | :15:33. | |
television that we can't really believe she's gone. When you were | :15:34. | :15:38. | |
filming what vivid memories came back to | :15:39. | :15:42. | |
When Ied will to play the piano with her, and we did a thing, what are | :15:43. | :15:49. | |
they called? I can't remember the characters but we did a, you won't | :15:50. | :15:54. | |
remember, something called Worker's Playtime which was on in the war, | :15:55. | :16:00. | |
they used to have variety acts and Vic and I played the piano together. | :16:01. | :16:04. | |
That was quite an experience for me. For me... She was very strict. I | :16:05. | :16:11. | |
went round to her house and I had learned my bit and I said don't you | :16:12. | :16:16. | |
shout at me, because she said I won't, I won't, because I said, | :16:17. | :16:21. | |
timing the lines, to get the lines in, in certain bars and concentrate | :16:22. | :16:27. | |
on music at the same time, was was a bit mind-blowing but we did it. She | :16:28. | :16:33. | |
wrote this piece called Colley wobbles that we played together. I | :16:34. | :16:37. | |
have lots of memories of her. I think we all have. I think there is | :16:38. | :16:43. | |
some kind on the internet on the web there is a thing about put your, for | :16:44. | :16:51. | |
your favourite lines. Do you have memories of watching Victoria? I met | :16:52. | :16:57. | |
Anne, the first time I met her, I said I grew up on Dinner Ladies I | :16:58. | :17:04. | |
still watch it now. What I loved about Victoria Wood you get a lot of | :17:05. | :17:10. | |
people in the industry, you are an entertainer, comedian, she was all | :17:11. | :17:15. | |
in one person, she, she, it is what you said, it is so strange to know | :17:16. | :17:19. | |
she is not here, because she was so good. The first time she sang that | :17:20. | :17:26. | |
song, Let's Do It was on a show I did with her, it took the roof off, | :17:27. | :17:31. | |
the first time she did it. Well that series is a six parter and it starts | :17:32. | :17:36. | |
next Tuesday night at 9.30 here on BBC One. The Easter holidays | :17:37. | :17:38. | |
started. The Easter holidays have started | :17:39. | :17:41. | |
for many of us which means finding places to take the kids | :17:42. | :17:44. | |
while they're off school. You might want to put | :17:45. | :17:46. | |
the beautiful Iron Bridge across the River Severn on your list | :17:47. | :17:48. | |
- as long as it stays open. Which, as Joe found out, | :17:49. | :17:51. | |
isn't as certain as you might think. The Iron Bridge. The heart of this | :17:52. | :18:10. | |
World Heritage Site and one of the most important brings in the world. | :18:11. | :18:14. | |
When it was constructed in 1779 it was a game-changer. | :18:15. | :18:17. | |
A key milestone in the Industrial Revolution. | :18:18. | :18:22. | |
The first single span arch bridge in the world to be made of cast iron. | :18:23. | :18:28. | |
It provided a vital river crossing as this area rapidly industrialised. | :18:29. | :18:34. | |
But cast iron is hard and brittle and this impressive industrial | :18:35. | :18:38. | |
monument is cracking. Ground movements floods and anneth quake | :18:39. | :18:42. | |
have taken their toll. And it is thought that this gorge has shrunk | :18:43. | :18:46. | |
by a foot since the bridge was built. | :18:47. | :18:50. | |
So, today, English heritage are sending a dive team down to assess | :18:51. | :18:55. | |
the damage, and find out what can be done. | :18:56. | :19:02. | |
The dive team carry out sub aqua survey for us every eight years to | :19:03. | :19:06. | |
monitor the erosion of the underwater strut that was put in in | :19:07. | :19:12. | |
the 1970s to slow down the complex on the bridge. | :19:13. | :19:17. | |
Once the extent of damage below the water is known, English heritage | :19:18. | :19:21. | |
will begin the repairs to the whole bridge, lasting 12 months. Using | :19:22. | :19:28. | |
Laser technology, and also flee D modelling, we have used that, to | :19:29. | :19:32. | |
understand the stresses and strains of the structure, and which come | :19:33. | :19:35. | |
pose innocents need to be reinforced. Do you expect to find | :19:36. | :19:41. | |
problems There has been significant flooding yes so I will await with | :19:42. | :19:45. | |
bated breath to find out the condition of the under water strut. | :19:46. | :19:57. | |
And Morgan is in for an agonising wait as diving conditions today are | :19:58. | :20:03. | |
particularly challenging. It is murky to be honest, you can't really | :20:04. | :20:07. | |
see a great deal while we are diving, so most of what we are doing | :20:08. | :20:12. | |
is by touch. It is difficult because the river is running quickly at the | :20:13. | :20:16. | |
moment. You feel for any cracks? You have a | :20:17. | :20:21. | |
bit of visibility. So there, then you can see what you are looking at. | :20:22. | :20:29. | |
It a team effort, you are constantly in communication, you are feeling | :20:30. | :20:34. | |
your way across. So we have had the supervisor in the van, we will have | :20:35. | :20:38. | |
a sand by diver in back in case anything goes wrong. | :20:39. | :20:42. | |
Six hours later, the preliminary results are in and it is good news. | :20:43. | :20:48. | |
What we found is we had some missing masonry which is the same as 2008, | :20:49. | :20:54. | |
but there is no damage as sufficient to anything that is different from | :20:55. | :20:58. | |
the last report. My worst fear because we have had flood events | :20:59. | :21:02. | |
there might have been some further damage since the 08 surveys, so I am | :21:03. | :21:07. | |
pleased with the findings from today's survey. | :21:08. | :21:13. | |
Today the divers delved into murky unknown unsure what they would find. | :21:14. | :21:18. | |
Thanks to them we know the damage to the under water structure hasn't got | :21:19. | :21:22. | |
any worse, so, finally all the pieces are in place for the | :21:23. | :21:25. | |
conservation work to begin this summer. | :21:26. | :21:31. | |
Thanks to Joe and thank goodness for teams like that. It is fascinating | :21:32. | :21:36. | |
what some people do for a living. Rylan, you got, I mean X Factor, | :21:37. | :21:42. | |
2012, led the part to where you are now. It feel like a million years | :21:43. | :21:49. | |
ago since then, I don't think anyone is going to forget this particular | :21:50. | :21:59. | |
moment. You're lying! Lying! HE SOBS. That | :22:00. | :22:08. | |
is when you got it, not when you were kicked out. I was more upset | :22:09. | :22:14. | |
about going on. Since that, quite dramatic moment, you have done big | :22:15. | :22:20. | |
brother, this morning, Celebrity MasterChef, been best presenter | :22:21. | :22:24. | |
nomination, was this all part of an elaborate plan? It was all a lie! | :22:25. | :22:30. | |
No, it really wasn't. I went on X Factor, because you know, I had a | :22:31. | :22:35. | |
normal on, I wasn't happy, I have loved performing. What were you | :22:36. | :22:39. | |
doing before? I was working for a model agency, I did a bit of | :22:40. | :22:42. | |
modelling, I worked in a clothes shop. I was a makeup artist, I have | :22:43. | :22:48. | |
done a lot of jobs but it didn't feel right. I just always thought I | :22:49. | :22:53. | |
was in the wrong job. I went on X Factor and I just, it is strange, I | :22:54. | :22:58. | |
don't remember life before 2012. It, so much has happened. I have been so | :22:59. | :23:03. | |
lucky, so, so lucky with people taking a bit of a gamble. Which it | :23:04. | :23:07. | |
was. You have to be ready, you make your own. If I'm not going to take | :23:08. | :23:13. | |
it someone else will. I was lucky to get what I got. The latest | :23:14. | :23:18. | |
opportunity is a game show called Babushka. It is, I have never been | :23:19. | :23:23. | |
so happy with a show that I have worked on, we finished the series | :23:24. | :23:28. | |
now, it is coming up in May on ITV, and from the second they showed me | :23:29. | :23:33. | |
the format, we played it with paper cups, after two minutes people were | :23:34. | :23:38. | |
screaming out answers and gutted they had lost money. It is the most | :23:39. | :23:42. | |
emotional roller-coaster I have been on on a show. When you work in TV. | :23:43. | :23:48. | |
Is And you are presenting it. I am hosting it. But the craziest thing | :23:49. | :23:52. | |
when you work in TV you normally have to fill out an insurance form | :23:53. | :23:56. | |
to say if I fall over and die it is my fault. I have never had to go to | :23:57. | :24:01. | |
a medical before to go on a TV show. They said you need to go on a | :24:02. | :24:06. | |
medical. I said why? What's wrong? Working on the show I know why. I | :24:07. | :24:11. | |
nearly had a heart attack every episode. It is so brutal. Britain's | :24:12. | :24:15. | |
most brutal game show. That is what people are calling it. Let us look | :24:16. | :24:22. | |
and explain the concept. Here we go. In your own time, push your luck. Go | :24:23. | :24:28. | |
on mate. We want to see cash now. You need to get some cash. What have | :24:29. | :24:35. | |
you got for us? Yes. OK. 500. Brilliant. But, is that all Katia's | :24:36. | :24:43. | |
worth? I don't think we can stop when we have just got... She's gone | :24:44. | :24:49. | |
for it. She pressed the button. Katia we want to see 1,000, don't | :24:50. | :24:53. | |
let us down. Yes. APPLAUSE | :24:54. | :25:02. | |
Brilliant. So... It is like Deal or No Deal with Russian dolls. If I was | :25:03. | :25:07. | |
trying to explain it fully, everyone knows what Deal or No Deal is, if | :25:08. | :25:13. | |
you try to explain it, 22 box, 22 people, it sounds confusing but the | :25:14. | :25:18. | |
difference with Iron Bridge you -- Babushka you have to play the eight | :25:19. | :25:22. | |
dolls, once you are in the game you are in the game. It is about finding | :25:23. | :25:26. | |
thein' no, banking it but holding on, you get a question wrong, open | :25:27. | :25:34. | |
an empty doll or push a doll too far you are out. You could play the best | :25:35. | :25:38. | |
game, have 20,00 pounds in your account and on the last doll push it | :25:39. | :25:43. | |
too far and open an empty one you go home with nothing. I have had people | :25:44. | :25:50. | |
crying. I won't say what happened to one audience member. She got excited | :25:51. | :25:57. | |
and we had to tuck her back in! I think the fact that the dolls are | :25:58. | :26:00. | |
named, makes you feel really invested. I was shouting for Katia | :26:01. | :26:05. | |
to reveal some more. All All the girl, they are like people, they | :26:06. | :26:14. | |
have their own character, they have different face, Katia, Anastasiaia, | :26:15. | :26:19. | |
they have got their own lives as the series went on. I thought Anastasia | :26:20. | :26:24. | |
attacked Tatiana, because she is winking. We don't know if she has an | :26:25. | :26:29. | |
eye! You don't know what is happening. They said do you want to | :26:30. | :26:35. | |
mow the question, where it is? I said no, I don't want to know. I am | :26:36. | :26:40. | |
playing it as well. So when someone pushes that Button it is all | :26:41. | :26:46. | |
robotic, it is not a little map, it is all done by computer. So it is | :26:47. | :26:53. | |
go... So it starts on ITV some time next month. | :26:54. | :26:58. | |
Shortly we'll be talking to Chris all about his new show which tests | :26:59. | :27:01. | |
the bond between owners and their dogs. | :27:02. | :27:02. | |
First, let's meet one man and his weasel. | :27:03. | :27:04. | |
We defy anyone watching not to fall in love Fidget. | :27:05. | :27:07. | |
Miranda's been to meet him and his owner. | :27:08. | :27:12. | |
Month. This is fidget. The weasel. You can see how he got his name. He | :27:13. | :27:21. | |
never stops moving. Off you go. Look at him go! | :27:22. | :27:28. | |
Fing tent has found sanctuary in the home of wildlife artist Robert | :27:29. | :27:33. | |
Fuller. What imprexxxx impresses me is the | :27:34. | :27:37. | |
speed and aGill a. He is dancing round. He is fast as lightning, he | :27:38. | :27:42. | |
has to be, they are a predator but more important they need to be | :27:43. | :27:45. | |
faster to evade being prey themselves. | :27:46. | :27:49. | |
Fidget didn't have the easiest start in life. Found on the edge of a | :27:50. | :27:55. | |
footpath in York he was taken to a local rescue centre and knowing of | :27:56. | :27:59. | |
Robert's expertise they thought he could provide a suitable force her | :28:00. | :28:05. | |
home for him. He was four weeks old so his eyes had just opened. So he | :28:06. | :28:11. | |
was 50 grammes, he would fall asleep in your hand, that was amazing, it | :28:12. | :28:15. | |
was like melting the heart sort of thing. Robert's no stranger to the | :28:16. | :28:20. | |
weasel. In 2015 The One Show filmed a family of them living in his | :28:21. | :28:25. | |
garden. Thanks to his camera in the nest Robert got a real insight into | :28:26. | :28:30. | |
their world and valuable knowledge which has come in handy raising | :28:31. | :28:38. | |
Fidget. Just at six days old, this tiny weasel was sucking on dead mice | :28:39. | :28:45. | |
to extract the goodness from them. I knew straightaway keep him warm, | :28:46. | :28:50. | |
keep him fed. Dead mice, that what you give a weasel in captivity. How | :28:51. | :28:57. | |
he is older Fidget has plenty of places to hang out, including an old | :28:58. | :29:01. | |
sock, but having a fully grown weasel running round is not without | :29:02. | :29:04. | |
its challenges. Just don't know where he is going to | :29:05. | :29:09. | |
pop up next. Sometimes he comes over the top and within seconds he is | :29:10. | :29:13. | |
across the pallet getting paint in his paws. He will run my hand as if | :29:14. | :29:19. | |
he is inspecting what I am doing, which is funny. So, in order to keep | :29:20. | :29:24. | |
Fidget entertained and to observe how clever he really is, Robert | :29:25. | :29:30. | |
decided to build a see threw maze which not only tests his skills but | :29:31. | :29:35. | |
an insight of how he operates underground. To watch him going in | :29:36. | :29:40. | |
here is incredible. You learn a lot about a weasel. The tail is almost | :29:41. | :29:45. | |
used as a third whisker, like a reversing sensor, so when he goes | :29:46. | :29:50. | |
wrong he does a U-turn or verses up and using the tail. In order to test | :29:51. | :29:56. | |
him further, Robert extended the challenge to include an assault | :29:57. | :30:01. | |
course built round his studio, which has a reward for Fidget at the end. | :30:02. | :30:06. | |
I think he is ready for his breakfast so we will give him a go.. | :30:07. | :30:13. | |
Look at that. Oh look, that is amazing. I was going to say you must | :30:14. | :30:17. | |
have measured that really carefully. He has to push his way through that. | :30:18. | :30:21. | |
He has done that few times. He remembers. It took two days for him | :30:22. | :30:28. | |
to suss the maze. Sometimes he will hesitate but he knows his way round | :30:29. | :30:29. | |
this maze. That is phenomenal. It took him a couple of days to | :30:30. | :30:38. | |
crack, he navigated around the the assault course on his first attempt. | :30:39. | :30:42. | |
I bet never you tire of watching this as well? No. It's so comical. | :30:43. | :30:47. | |
Yes. He climbs up around the wall here. I absolutely love that bit. | :30:48. | :30:53. | |
For his food at the end. Yeah. Magic. Well done Fidget. I know. | :30:54. | :31:00. | |
And, once he's finished his treat, Fidget can slide down to the bench | :31:01. | :31:04. | |
and take a well-earned nap in his sock. What does the future have in | :31:05. | :31:08. | |
store for him? Originally, Robert's plan was to release him into his | :31:09. | :31:14. | |
garden where the other weasels were, but they have been preyed on by | :31:15. | :31:18. | |
Stotes. At the moment we are keeping him. He hasn't been raised in the | :31:19. | :31:22. | |
wild. He's been raised in captivity. He's fairly content. We are keeping | :31:23. | :31:27. | |
him busy. You know, he seems happy. I have to say that Fidget is one of | :31:28. | :31:32. | |
the most fascinating creatures I've ever met face-to-face. Thanks to | :31:33. | :31:38. | |
Rob's dedication we have a knew neebg insight into how intelligent | :31:39. | :31:43. | |
weasels like Fidget really are. Love it. There you go. Weasels are | :31:44. | :31:49. | |
intelligent. Foxes also a little bit - No, not a fan of the foxes. What | :31:50. | :31:55. | |
happened? I was once mugged by a fox. What? It sounds ridiculous. | :31:56. | :32:04. | |
Chris, this happened. This actually happened. You need to convince more | :32:05. | :32:08. | |
than Chris. The fox isn't here to defend himself, in all fairness. He | :32:09. | :32:12. | |
can have a right of way if he wants. I had been out on a night out, I had | :32:13. | :32:17. | |
a couple of drinks, I admit that. I walked back to my friends, it was a | :32:18. | :32:24. | |
dead end road. I was on my own. I stamped my food for the fox to run | :32:25. | :32:29. | |
away. Like you would. Rather than run away the fox slid down the wall, | :32:30. | :32:34. | |
walked towards me. He jumped. I dropped my wallet, the fox took it | :32:35. | :32:38. | |
in his mouth and went. I had to ring and cancel my cards and when they | :32:39. | :32:43. | |
said, "what's the reason?" I had soty I was mugged by a fox. I could | :32:44. | :32:48. | |
hear the whole office of my visa people laughing at me down the | :32:49. | :32:52. | |
phone. Be aware. This will happens, guys. I believe you. I once called | :32:53. | :32:59. | |
the police because I thought my cat had broken into my apartment You | :33:00. | :33:02. | |
phoned the police? I did. Embarrassing. It must have been a | :33:03. | :33:08. | |
funny smelling wallet for a fox to want to take it. You don't know | :33:09. | :33:15. | |
where my wallet has been. Let's not go there. I did a series called Our | :33:16. | :33:21. | |
Zoo, the animal trainer, he #3r0ided the animals. I was chatting to to | :33:22. | :33:28. | |
him one day and the most dangerous are chimpanzees. They are like, they | :33:29. | :33:33. | |
bear grudges and plan revenge. Unwith of his chimps bit someone's | :33:34. | :33:40. | |
foot off. Picked him up and bit his foot off. I would agree. They are | :33:41. | :33:44. | |
one of the most dangerous animals in the world. I met a man who had tried | :33:45. | :33:54. | |
to get a chimp after it escaped from captivity. Pulled off his arms and | :33:55. | :33:58. | |
opened him to his mid drift. They have the same sort of muscle fibres | :33:59. | :34:02. | |
we have. They are arranged in a different way. In crude terms they | :34:03. | :34:07. | |
are 14 times stronger than the strongest man. They are a powerful | :34:08. | :34:13. | |
animal equipped with fantastic teeth and they are predators. They will | :34:14. | :34:19. | |
chase monkeys and pull each other to pieces. Because of the complexity of | :34:20. | :34:23. | |
their behaviour and they have good memory, you have to be careful well | :34:24. | :34:27. | |
captive chimpanzees. When I was a little girl they had the chimpanzees | :34:28. | :34:33. | |
tea parties. We have gone past it. We don't like to see them dressed up | :34:34. | :34:38. | |
having tea. We like to see them in the wild. I like a nice cup of tea - | :34:39. | :34:46. | |
I have you marked, mate. Being mugged by a fox, I can see where the | :34:47. | :34:51. | |
fox is coming from. As long as I have a cup of tea, Chris, I don't | :34:52. | :34:58. | |
mind. Coming up shortly on become two is Me and My Dog: The Ultimate | :34:59. | :35:00. | |
Contest. It's an interesting programme, Chris. Where do you want | :35:01. | :35:04. | |
to start? We had eight couples, a human and dog, all pets, none of | :35:05. | :35:07. | |
them pre-trained animals. We took them off to the Lake District to set | :35:08. | :35:11. | |
them a series of challenges. The underlying premise was to try and | :35:12. | :35:15. | |
understand and improve the relationship that they have with | :35:16. | :35:18. | |
their dog. They all very much love their dogs, of course. Were they | :35:19. | :35:23. | |
maximising that? We wanted them to understand the dog's behaviour what | :35:24. | :35:27. | |
it was thinking. To highlight this we set them a series of challenges. | :35:28. | :35:32. | |
They are very daunting. Really? Well, some of them are quite simple. | :35:33. | :35:36. | |
They had to go for a cross-country run. They needed the dog to run in | :35:37. | :35:40. | |
front. Not all would do that. Most are trained to stand to heel or | :35:41. | :35:43. | |
would run amok. That was that. Paddle boarding was a bit of a | :35:44. | :35:48. | |
challenge for them. Sure. Humans had never been on paddle boards. They | :35:49. | :35:52. | |
had to get their dog to stand at the front of the paddle board. A lot of | :35:53. | :35:56. | |
the challenges were more difficult for the humans. It seemed like the | :35:57. | :36:01. | |
dogs were egging the humans on and trying to bull them through. 50/50. | :36:02. | :36:07. | |
The humans let the dogs down and occasionally the dogs would let the | :36:08. | :36:11. | |
humans down. We wanted people to understand how their dog's senses | :36:12. | :36:16. | |
work and how its mind works so they can forge a far and more fulfilled | :36:17. | :36:23. | |
relationship with their animals. It's a communication and partnership | :36:24. | :36:26. | |
and relationship you develop with your animal? We set them challenges, | :36:27. | :36:35. | |
one thing people say - you can't teach an old dog new tricks. One | :36:36. | :36:40. | |
lady thought her Labrador was thick. He was an elderly dog. We taught him | :36:41. | :36:48. | |
not to steel a cheese. His favourite food we put in the middle of the | :36:49. | :36:51. | |
room. It was revealing for our contestants and hopefully for the | :36:52. | :36:55. | |
audience, too. What was heartening about taking part in the programme, | :36:56. | :36:59. | |
when we saw them leave they had moved up a gear in the terms of the | :37:00. | :37:04. | |
way they understood their dog and would live with their dog in the | :37:05. | :37:10. | |
future? Did the dogs like it The dogs had a fantastic time. Eight | :37:11. | :37:16. | |
dogs in the Lake District, unlimited food, lots of challenges and | :37:17. | :37:19. | |
laughing at their owners. The dogs had a whale of a time. It's not just | :37:20. | :37:23. | |
physical, mind challenges as well. We have one of the first tests where | :37:24. | :37:29. | |
we are asking the owners to control their dogs using nothing but | :37:30. | :37:32. | |
eye-contact. I tried to do, eye-contact. It's harder than it | :37:33. | :37:38. | |
sounds! Now, he's getting very little input from her. He is a | :37:39. | :37:43. | |
little bit distracted. Come here. Come here. Sit. Dogs are one of the | :37:44. | :37:49. | |
only species to make eye-contact with people. Research has shown that | :37:50. | :37:53. | |
humans display emotion on the right side of their face first and that's | :37:54. | :37:59. | |
where dogs look. It's called gaze bias, it's one of the things that | :38:00. | :38:03. | |
gives human and dogs their unique relationship. Oh. That is | :38:04. | :38:16. | |
incredible. Chris, a lot of dog owners will learn a lot about their | :38:17. | :38:21. | |
dogs psychologically and fizz logically as well. What did you take | :38:22. | :38:25. | |
away from it? It's the greatest thing of my job is that I learn | :38:26. | :38:30. | |
things on my job. With Scratch he's clinging. He is happy sitting | :38:31. | :38:35. | |
alongside me. If he was there he would be pining like mad. For these | :38:36. | :38:44. | |
whose dogs get distressed will learn techniques how to leave. You have | :38:45. | :38:48. | |
aened woerful pond bond. Me and My Dog: The Ultimate Contest is on | :38:49. | :38:52. | |
tonight, straight after us at 8.00pm on BBC Two. | :38:53. | :38:56. | |
Regular viewers to the show will know that Matt is a big | :38:57. | :39:01. | |
fan of a unicycle - he even has one in his dressing | :39:02. | :39:04. | |
room, and we've finally found an excuse to get him on one! | :39:05. | :39:10. | |
Are you ready? We will see what happens. Do you want help? You are | :39:11. | :39:17. | |
better out of the way in the nicest possible way. We are going outside. | :39:18. | :39:19. | |
Come on. See you guys shortly, | :39:20. | :39:26. | |
we're off outside to introduce you to a game that's a little out | :39:27. | :39:28. | |
of the ordinary - unicycle hockey. It's yet to be classified | :39:29. | :39:32. | |
as a proper sport in the UK, but it's massive across the rest | :39:33. | :39:35. | |
of Europe, and we think it's about time we started | :39:36. | :39:38. | |
competing with the big boys. And girls obviously, Bethany. That | :39:39. | :39:43. | |
is right. Cardiff is playing in green wef will take a team to the | :39:44. | :39:49. | |
European champ beyondships this year in the Netherlands. We are looking | :39:50. | :39:54. | |
forward to that. Do you call it a game or a match what is the setup as | :39:55. | :39:59. | |
far as teams are concerned? Normally we play on a pitch, seven or eight | :40:00. | :40:04. | |
times the size of this. Five-a-side. Safety is important. Don't bring the | :40:05. | :40:08. | |
blade of the stick high. The goals are set back from the ends. Like a | :40:09. | :40:14. | |
roller hockey or ice hockey pitch with boundary walls like this. It's | :40:15. | :40:19. | |
a great game. Tackling - It's a noncontact sport. Moderate tackling | :40:20. | :40:27. | |
is permissible. It's a safe sport. Noncontact very much. Bethany, you | :40:28. | :40:32. | |
are trying always to get new recruits. Is that difficult. It | :40:33. | :40:37. | |
looks lethal, I will not lie? It's perfectly safe. | :40:38. | :40:41. | |
We are looking for new players. Everyone can do it. If you think | :40:42. | :40:47. | |
it's fun have a go. Families do this? It's mix gender. Everyone | :40:48. | :40:54. | |
plays together. No age restrictions. We have father and son combination | :40:55. | :41:01. | |
that plays with us and husband and wife who play. We will have a go at | :41:02. | :41:06. | |
this. Time to see if Matt still has it. Let's do something very simple | :41:07. | :41:11. | |
here. I will not get involved as far as the tackling is concerned. Let's | :41:12. | :41:14. | |
see what happens. Will you hand me the stick as I go down. Get the | :41:15. | :41:19. | |
blade down. Try and score at the bottom. OK. You have to get the | :41:20. | :41:24. | |
pedals in the right place for the mounting. Super. He's off. He has | :41:25. | :41:38. | |
the stick in hand. Oh! Did it go in? There we are. It's over. Carry on. | :41:39. | :41:43. | |
He's getting warmed up. Very competitive is our Mtt. | :41:44. | :41:47. | |
After a sunny start to April, it's a bit of a mixed | :41:48. | :41:50. | |
bag today weather-wise, but you can still get | :41:51. | :41:52. | |
burnt on a cloudy day - don't I just know it! | :41:53. | :41:54. | |
Here's Dr Michael Moseley will the science. | :41:55. | :41:57. | |
We're all too familiar with cloudy skies, the main stay of British | :41:58. | :42:04. | |
weather. On a day like today there is absolutely no chance that I will | :42:05. | :42:15. | |
get sunburnt - or is there? At the University of Manchester they study | :42:16. | :42:20. | |
the strength of sun light. Using rooftop instruments he records | :42:21. | :42:25. | |
levels of UV or ultra violet light. The invisible part of sun light that | :42:26. | :42:31. | |
causes sun burn and skin cancer. We have a clear day from sunrise it's | :42:32. | :42:36. | |
smooth. The red line underknee from an over cast day. It rises, but you | :42:37. | :42:41. | |
can see the effect of the overcast cloud dropping down the UV. When | :42:42. | :42:47. | |
it's completely overcast, the levels of UV hitting the ground are low. On | :42:48. | :42:53. | |
days when it was partly cloudy, Andy noticed something unusual. So our | :42:54. | :42:57. | |
data showed something really interesting. On a partly sunny day, | :42:58. | :43:02. | |
where you have some clouds in the sky you can see almost as much UV as | :43:03. | :43:07. | |
on a clear day. A partially cloudy day in many ways is as same as a is | :43:08. | :43:14. | |
sunny day in from the point of view of UV light? I would treat as a | :43:15. | :43:19. | |
sunny day. What is going on? They have discovered that UV light is not | :43:20. | :43:22. | |
blocked by clouds, as you might expect. It bounces off water | :43:23. | :43:28. | |
droplets and comes down to Earth at haphazard angles. You can get hit by | :43:29. | :43:33. | |
deflected UV light, even be in the shade. Andy's data showed something | :43:34. | :43:38. | |
else unexpected. The thing that really surprises me about this is | :43:39. | :43:41. | |
the fact that, yes, you get the dips there when the clouds come, you get | :43:42. | :43:45. | |
these peaks here which actually more, you are getting more UV light | :43:46. | :43:50. | |
are there than you would on an entirely clear day. Yes. That can | :43:51. | :43:55. | |
happen. So if you are in a sunny patch on a day where there are | :43:56. | :43:59. | |
clouds in the sky, you can get a double d dose, not only getting hit | :44:00. | :44:04. | |
by the direct UV from the sun, but also extra UV rebounding off the | :44:05. | :44:08. | |
clouds. It's called the broken cloud effect and it helps explain why you | :44:09. | :44:13. | |
can get more burnt on days when it's partially cloudy. Be especially | :44:14. | :44:20. | |
careful when holidaying in warmer countries where the effect is | :44:21. | :44:23. | |
stronger. Close to the equator the sun has to shine be through less | :44:24. | :44:28. | |
atmosphere, so you get a larger dose of UV. So don't be fooled into | :44:29. | :44:31. | |
thinking you are safe just because there are clouds in the sky. The | :44:32. | :44:37. | |
truth is, during the summer months you can get burnt on a cloudy day, | :44:38. | :44:40. | |
so do take care. Anne you said you had an incident | :44:41. | :44:51. | |
with sunburn. Stayed with my parents in New Delhi. They went for a rets | :44:52. | :44:56. | |
in the afternoon, and I went up on to roof of the hotel, this is about | :44:57. | :45:01. | |
the first day I was there, and sunbathed, you know, in the Indian | :45:02. | :45:06. | |
sun, and three o'clock the morning... With no suncream on? We | :45:07. | :45:11. | |
didn't have suncream in those days. I am talking about the 1890s now! I | :45:12. | :45:20. | |
always have it in any bag. I was so ill. My parents had gone to sleep | :45:21. | :45:24. | |
for the afternoon, didn't know what I was doing. Better going down the | :45:25. | :45:30. | |
fake tan route. What you pointing at me though. I have the same hair | :45:31. | :45:36. | |
colouring as you. I am see through, I'm that pale. This is the first | :45:37. | :45:42. | |
time, I didn't realise it was quite bright lights. I look bronzed. I | :45:43. | :45:49. | |
will remember that for next time. Game time now, we are going to play | :45:50. | :45:53. | |
something that is combining your style, with your love of nature | :45:54. | :46:03. | |
You have to work out whether you are seeing a bit of Rylan Clarke or a | :46:04. | :46:10. | |
bit of an animal on Noah's Ark. What a game! Is this animal or rye than? | :46:11. | :46:19. | |
What do we do? If you think it is me, show that, if you think it's an | :46:20. | :46:24. | |
animal show that. This is embarrassing! Right. Let us have the | :46:25. | :46:29. | |
first picture. Now is this Rylan Clarke or | :46:30. | :46:33. | |
something on an ark? That is, I don't do yellow. He says. I have no | :46:34. | :46:43. | |
idea. Two arks. It is you in a feather bee mate. | :46:44. | :46:47. | |
APPLAUSE That wasn't my choice. Next up. | :46:48. | :46:56. | |
There is nothing quite like that in the bird world. Is this Rylan or | :46:57. | :47:03. | |
something on an ark? Their not my teeth, are they? Unless... Could be | :47:04. | :47:10. | |
from any point. These aren't my teeth then. Pick a side. Anne? Ark. | :47:11. | :47:24. | |
Following the lead. Yes! They are very white. Oh, leave it out! Come | :47:25. | :47:32. | |
on. Come on. It's a family show! Next is this Rylan or is it | :47:33. | :47:38. | |
something on an ark? Oh... This is a tough one. I can't see what it is. | :47:39. | :47:44. | |
If you are wearing that. It is not real fur but that could be the X | :47:45. | :47:50. | |
Factor final. I don't know. Know. Rylan says it is not real fur, let's | :47:51. | :48:01. | |
find out. It's... A guinea pig. Anne. It could have have been you. | :48:02. | :48:07. | |
One more, here we go. Island Clarke or is it something on an ark? I'm | :48:08. | :48:16. | |
going for sea lion with that. Wet look. Unless it was during my dodgy | :48:17. | :48:27. | |
hair phase. Congratulate him. What a treat. For all the family. Very | :48:28. | :48:35. | |
good. The gift that keeps on givingful Would you ever go back to | :48:36. | :48:39. | |
doing a few musical numbers and singing? I don't know if I could put | :48:40. | :48:44. | |
the public through that. Never say never with anything. X Factor was a | :48:45. | :48:50. | |
very different thing to just singing, it was, it wasn't about | :48:51. | :48:55. | |
that, it was about putting on a show. Look what I got! It is like | :48:56. | :49:01. | |
the best X Factor story ever. I am very lucky, as I I said earlier. I I | :49:02. | :49:06. | |
don't even know what is going to happen, wait and see. Anne you have | :49:07. | :49:11. | |
had a fabulously varied career, you have been in bed with Daniel Craig. | :49:12. | :49:20. | |
Not on our own. There were 16 other people in the room. It kills the | :49:21. | :49:26. | |
mood. In the autobiography... It all counts. You have moved on to Michael | :49:27. | :49:32. | |
Fassbender, we are talking The Snowman, the movie. I haven't been | :49:33. | :49:37. | |
in bed with him, no. I didn't even have a scene with him. It is a | :49:38. | :49:42. | |
little part in a film called The Snowman, I am waiting for it to come | :49:43. | :49:46. | |
out, which I did in Norway, that was quite exciting. I imagine... I made | :49:47. | :49:52. | |
a terrible boob. I am sitting in make up and this young man came up | :49:53. | :49:57. | |
to me, and I never know who anybody is, so this young man came up and | :49:58. | :50:02. | |
said hello, how are you? I said I am fine and you are? And he said I'm | :50:03. | :50:08. | |
Michael Fassbender. I love it. Quickly, Chris, you are | :50:09. | :50:16. | |
back from Japan. So We are doing a Springwatch special about Japan | :50:17. | :50:22. | |
which is about the Sakura festival, the blossom coming out. So, it is a | :50:23. | :50:25. | |
big pink show. Beautiful. Had you been before? I | :50:26. | :50:32. | |
have never been before. What a curious part of -- what a curious | :50:33. | :50:37. | |
place Japan is. It is remarkable. Well, back to Britain now, because | :50:38. | :50:42. | |
it is long been said that Britain is losing its sense of community. | :50:43. | :50:47. | |
Angellica's been to north Bristol where they've found a way | :50:48. | :50:49. | |
to capitalise on the busybody lurking in all of us. | :50:50. | :50:53. | |
Most of us have an inner nosey Parker that rather enjoys peering | :50:54. | :51:02. | |
into our neighbour's windows, but instead of drawing the curtains, a | :51:03. | :51:07. | |
new idea has taken off round Britain, that is transforming | :51:08. | :51:10. | |
windows into alfresco galleries for even to have a peak at. I have | :51:11. | :51:14. | |
booked a window seat with Lucy from Bristol, who is the brains behind | :51:15. | :51:18. | |
this event. Known as window wonderland. | :51:19. | :51:22. | |
It is an opportunity for people to put something in their window for | :51:23. | :51:26. | |
one weekend or one nigh, that connects them with Nair community, | :51:27. | :51:29. | |
they can do whatever they like. It is a way of getting the creativity | :51:30. | :51:34. | |
that is in everyone out, I think, because I believer everyone has got | :51:35. | :51:39. | |
creative bones in their bodies. It was following Lucy's rehabilitation | :51:40. | :51:42. | |
after a series of bad zens that gave her the idea. I was doing these | :51:43. | :51:47. | |
walks round the block, it was at night because I was embarrassed | :51:48. | :51:51. | |
about the way I walked. I noticed if the curtains were open in the houses | :51:52. | :51:55. | |
rand me it took me away from my pain and I thought, imagine if people | :51:56. | :52:01. | |
open their curtains and put something in their window to cheer | :52:02. | :52:05. | |
me up. I figured others might have the same reaction, that is one of | :52:06. | :52:09. | |
the reasons I started it. And her first event was a great success, | :52:10. | :52:14. | |
with hundreds of house holes embracing the idea. Since then, | :52:15. | :52:18. | |
window wonderland has gone nationwide, bringing streets and | :52:19. | :52:21. | |
communities together, right across country. But it is to just houses | :52:22. | :52:25. | |
that get involved. Local businesses and schools do as well and this | :52:26. | :52:32. | |
year's Lucy's attempting to go big. Hello everyone. Can I come and join | :52:33. | :52:40. | |
you please? I won't ruin anything. For the first time, Lucy is working | :52:41. | :52:44. | |
with some residents of a block of flats who are come together, to take | :52:45. | :52:47. | |
part. Has it brought you all close? Yes, | :52:48. | :52:51. | |
you don't see that many people when you shut your front door, so it was | :52:52. | :52:56. | |
quite nice to just be with people. Do you find you get a real sense of | :52:57. | :53:06. | |
achievement? Yes, you do. Nice. But they are keeping secret how this | :53:07. | :53:09. | |
tower block will be transformed when it gets dark, so I will be returning | :53:10. | :53:15. | |
later. And with hundreds of households across over 70 streets in | :53:16. | :53:20. | |
south Bristol getting creative, everyone is busy, busy, including | :53:21. | :53:24. | |
the Rees family who are bringing a bit of Hollywood to the West | :53:25. | :53:28. | |
Country. We loved La La Land, Jess was in tears at the end. Why did you | :53:29. | :53:35. | |
decide to get involved? Last year, when we first moved to Bristol | :53:36. | :53:39. | |
window wonderland was on, and it was a lovely welcome. At the time the | :53:40. | :53:44. | |
girls were a bit upset about leaving their old schools and friends, so it | :53:45. | :53:49. | |
was just kind of a nice sweetener to say we have moved to a really cool | :53:50. | :53:53. | |
funky place where they do things like this. As the finishing touches | :53:54. | :53:58. | |
go up... The sun goes down and window wonderland comes to life. | :53:59. | :54:04. | |
The streets have turned into one big open air gallery. And it's certainly | :54:05. | :54:11. | |
drawing if the crowds. They are all so different and beautiful and so | :54:12. | :54:16. | |
much work, it is really lovely. It is autumn. Why do you like it. It is | :54:17. | :54:22. | |
brilliant. It's a great way to get the community involved. Now there is | :54:23. | :54:26. | |
one building in particular that I can't wait to see. | :54:27. | :54:32. | |
Back at the tower block resident Marcus has used his train as a | :54:33. | :54:37. | |
graphic designer to create what is probably the most ambitious window | :54:38. | :54:41. | |
wonderland display of the evening. So, Marcus, you are responsible for | :54:42. | :54:45. | |
the beanstalk. Yes, with the help of many other people, I am responsible | :54:46. | :54:50. | |
for the design, but it was a lot of people working hard to make the | :54:51. | :54:55. | |
actual piece. Are you happy with it? It is fantastic, I am overjoyed with | :54:56. | :55:01. | |
the whole thing, it looks amazing. And it does, window wonderland is a | :55:02. | :55:04. | |
glimpse into the lives of those that make it but it is a reflection of | :55:05. | :55:08. | |
what can be achieved when people come together. | :55:09. | :55:14. | |
Well we are back outside. Imelda May is here everyone. | :55:15. | :55:20. | |
APPLAUSE Mel dasmt Dublin girl. Radical | :55:21. | :55:23. | |
change, style wise, music wise it has been a big year for you. Yes it | :55:24. | :55:29. | |
has been a great year, great few years and I sat at home writing an | :55:30. | :55:33. | |
album and now it is out. Almost now, I have had a great time writing it. | :55:34. | :55:38. | |
A couple of weeks' time it is out. It is a heartbreaking album isn't it | :55:39. | :55:42. | |
for you? No, there is a bit of heartbreak on it but I did write it | :55:43. | :55:47. | |
over the course of a year, so I didn't sit at home heartbroken | :55:48. | :55:51. | |
because I would be mentally unstable. There is three or four | :55:52. | :55:55. | |
songs, there the rest is about everything. That is why I called it | :55:56. | :55:59. | |
Life. Love. Flesh. Blood. There is is a lot of words. . There is lots | :56:00. | :56:05. | |
of words, I know words! Going on tour as well very shortly. Going on | :56:06. | :56:10. | |
tour, going to be all over the UK, and Ireland in May, so I am really | :56:11. | :56:14. | |
looking forward to that. The album is out? A couple of weeks. Thanks | :56:15. | :56:20. | |
for having us on the show. We love it when people sing live. It is | :56:21. | :56:25. | |
perfect. We will get let you get set because you are about to get | :56:26. | :56:29. | |
cracking. That is almost we have time for, thank you to all of our | :56:30. | :56:33. | |
guest, thank you Chris's new show is on right now. | :56:34. | :56:38. | |
Keep an eye out for Rylan's new gameshow, Babushka, in May too. | :56:39. | :56:41. | |
Tomorrow, Les Dennis and Samantha Womack will be telling | :56:42. | :56:43. | |
us all about their spooky new stage show. | :56:44. | :56:46. | |
But now playing us out with a track from her new album, | :56:47. | :56:50. | |
Life, Love, Flesh, Blood, it's Imelda May and, | :56:51. | :56:52. | |
# I could tell you all the things I do for you | :56:53. | :57:11. | |
# But it's no surprise and you just roll your eyes and say | :57:12. | :57:14. | |
# Here we go again, she's gonna moan again | :57:15. | :57:19. | |
# I should spare your love, just a thing or two | :57:20. | :57:24. | |
# But you don't disguise it when I'm just white noise | :57:25. | :57:27. | |
# And it's done before it begins, 'cause your temper's getting thin | :57:28. | :57:31. | |
# But there's just one thing that I wanna know | :57:32. | :57:35. | |
# I'm the best thing, that you ever had | :57:36. | :58:36. | |
# But you told me, what I wanted was just too much | :58:37. | :58:46. |