Browse content similar to 04/04/2017. Check below for episodes and series from the same categories and more!
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Hello, and welcome to The One Show with Michelle Ackerley. | :00:15. | :00:16. | |
And Matt Baker, who is very excited because later on we'll be | :00:17. | :00:21. | |
talking to his mate, gymnastic superstar, Max Whitlock. | :00:22. | :00:27. | |
But first, if talking was an Olympic sport, | :00:28. | :00:38. | |
tonight's guest would be top of the podium every time, | :00:39. | :00:41. | |
and to be honest, we'll be lucky to get a word in edgeways tonight. | :00:42. | :00:46. | |
Please welcome the broadcasting legend and professional | :00:47. | :00:49. | |
motor mouth that is - Danny Baker. | :00:50. | :01:02. | |
I look so bald on television. People remembered when I used to have a | :01:03. | :01:07. | |
full head of hair. Making you feel old isn't it. | :01:08. | :01:09. | |
We're going to be talking to you later about your new stage show - | :01:10. | :01:14. | |
I have become a baggy pants comic. It is right the show is meant to be | :01:15. | :01:22. | |
90 minutes but people are having trouble shutting you up. Shocking. | :01:23. | :01:28. | |
You could say the public can't get enough. There you go. I The first | :01:29. | :01:36. | |
half of the show in Leeds is longer than 0 minutes it runs three hours | :01:37. | :01:40. | |
without the interval but I have to say, people come out and they say, | :01:41. | :01:45. | |
man alive it is like being lashed to the front of an old tea clipper | :01:46. | :01:50. | |
going through a storm. I have been doing it 41 years, and if you can't | :01:51. | :01:55. | |
get an evening, getting people rocking and rolling, you haven't | :01:56. | :02:00. | |
been paying attention. That is very true. We will chat to you later on. | :02:01. | :02:09. | |
Can you remember a time when you couldn't use the internet | :02:10. | :02:12. | |
at home if someone in the house was on the phone - | :02:13. | :02:15. | |
and when it took half a day to do something simple | :02:16. | :02:17. | |
Well, believe it or not, some places in the UK | :02:18. | :02:21. | |
Welcome to the village in North Wales. It has everything you would | :02:22. | :02:38. | |
expect of a small coastal community, but, there is a problem. Recent | :02:39. | :02:44. | |
Government figures have hone this maul rural village has the worst | :02:45. | :02:49. | |
broadband speeds in Britain. Connection here in the shadow of | :02:50. | :02:56. | |
Snowdonia isn't much better than at base camp at Mount Everest. Ofcom | :02:57. | :03:02. | |
recommends the minimum speed is 10 megabits per second but here the | :03:03. | :03:08. | |
speed of simple internet task was recorded at round 2 megabits per | :03:09. | :03:12. | |
second. Five times slower than that that minimum. What impact is that | :03:13. | :03:16. | |
having on the community. My first port of call is parents at the local | :03:17. | :03:22. | |
school. How bad is broadband? It is like watching paint dry. You watch | :03:23. | :03:25. | |
it going round. It similar possible you can't work with it. Things that | :03:26. | :03:30. | |
people take for granted, who have got mobile phone signal, you can't | :03:31. | :03:33. | |
do in this village. Trying to do anything with a smart TV, forget it, | :03:34. | :03:37. | |
you have no chance. It isn't fast enough. | :03:38. | :03:41. | |
Hello everybody. School itself is connected to | :03:42. | :03:49. | |
superfast fibre optic broadband but sluggish broadband at home is | :03:50. | :03:53. | |
preventing some pupils from completing their homework. Give us a | :03:54. | :03:56. | |
noise that expressing how you feel about it? The internet is rubbish, | :03:57. | :04:03. | |
we can't research stuff. It comes up with unable to connect. Then the | :04:04. | :04:08. | |
circle goes round and round. Then it stops completely. And says it can't | :04:09. | :04:15. | |
open, no Wi-Fi connected. How long does it take to do you homework? | :04:16. | :04:18. | |
Hours and hours. But it is not just a problem in the | :04:19. | :04:23. | |
village. The recent House of Commons report reveals that seven out of the | :04:24. | :04:27. | |
top ten worst speeds were recorded right here in Wales. | :04:28. | :04:33. | |
Thank you for coming. This businessman lives in the | :04:34. | :04:36. | |
neighbouring village where he runs a website marketing holiday homes like | :04:37. | :04:41. | |
this one. So what broadband speed can holiday-makers expect here? | :04:42. | :04:47. | |
About five here at the moment. 5.77. And the Government says 10 is the | :04:48. | :04:51. | |
minimum. Although five megabitings should be enough to browse the | :04:52. | :04:56. | |
internet or send an e-mail he says speeds like this are not nearly | :04:57. | :05:01. | |
enough to meet his business needs. I try to advertise holiday cot tags | :05:02. | :05:07. | |
and we make video, and I stick those up on YouTube if I can. It can take | :05:08. | :05:12. | |
six, seven hours to upload that. I pay for as good a service as we can | :05:13. | :05:17. | |
get. We get about nine megas download. My competitors over the | :05:18. | :05:23. | |
border, they have much better broadband speeds and they maybe able | :05:24. | :05:27. | |
to upload half a dozen in that time. To find out why some residents | :05:28. | :05:31. | |
aren't getting the recommended speeds, I have set up a meeting with | :05:32. | :05:37. | |
alwin William, a director from BT responsible for infrastructure here, | :05:38. | :05:40. | |
we are doing it over the internet. In order to ensure a connection BT | :05:41. | :05:46. | |
have advised us to come to this farmhouse four miles outside of the | :05:47. | :05:50. | |
village which has benefitted with superfast broadband. | :05:51. | :05:55. | |
Can you explain why the people in the village and the surrounding area | :05:56. | :06:00. | |
have such terrible broadband speeds? Well, actually they don't have | :06:01. | :06:06. | |
terrible broadband speeds, they have access to probably the best | :06:07. | :06:10. | |
broadband speeds across the UK, three-quarters of the residents of | :06:11. | :06:14. | |
the village can today order a fibre service. What about those struggling | :06:15. | :06:18. | |
with the standard speeds? We have kids in the school who can't do | :06:19. | :06:22. | |
their homework, because the broadband is so slow. Only 21% of | :06:23. | :06:27. | |
households in the village have taken up the fire brigade service. But | :06:28. | :06:31. | |
they have to pay extra for that, and I mean I don't live in this area, I | :06:32. | :06:37. | |
don't pay extra for mine but I get better speeds. It is up to the | :06:38. | :06:42. | |
service provider what they charge for a broadband service over a fibre | :06:43. | :06:47. | |
network, every household is going to have different needs, in terms of | :06:48. | :06:50. | |
the consumption, what they connect to. It is your choice as a customer. | :06:51. | :06:58. | |
So, BT says the best way to get faster broadband speeds is to | :06:59. | :07:02. | |
upgrade to the fibre network. That is of little consolation to this man | :07:03. | :07:07. | |
who says he is on the best package he can get. I know it is difficult | :07:08. | :07:12. | |
to have broadband to roll it out to everything. It would be nice to be | :07:13. | :07:14. | |
on a level playing field. Thank you. Thanks Alex and we're | :07:15. | :07:16. | |
joined by another Alex - Alex Neill from consumer group | :07:17. | :07:19. | |
Which. As far as worst areas are concerned, | :07:20. | :07:26. | |
we heard seven in the top ten are in Wales, so what about the other | :07:27. | :07:30. | |
three? Where are those? Poor people of Wales, the or three from in | :07:31. | :07:37. | |
England Saffron Walden Ron, deson and Woucestershire. Millions of | :07:38. | :07:41. | |
people said they are struggling with poor connection, drop out and slow | :07:42. | :07:44. | |
speeds, is is a problem for a number of people. Not necessarily rural | :07:45. | :07:48. | |
areas. Not necessarily. It could be urban areas as well. That is one the | :07:49. | :07:54. | |
big issues here, lots of people are struggling with day-to-day activity, | :07:55. | :07:59. | |
when we are being asked to go online more and more, banks are closing, we | :08:00. | :08:04. | |
are forced to do things online more than we used to be. If you can't get | :08:05. | :08:10. | |
online that is frustrating. Why have the government set the target at 10 | :08:11. | :08:15. | |
megabits per second? How far are we from that? The Government says | :08:16. | :08:19. | |
everyone has a right to get it. Some places you will get more, with 10 | :08:20. | :08:26. | |
megabite, that means you can go online, do browsing, use online | :08:27. | :08:29. | |
banking and stream and download films, the only problem if you have | :08:30. | :08:34. | |
a busy household, lots of teenagers and mum and dad doing things at the | :08:35. | :08:38. | |
same time, that is when things grind to a halt. So there are real | :08:39. | :08:43. | |
problems with ten potentially, but for some people that would be a | :08:44. | :08:46. | |
welcome addition to what they have got. For sure, and Which? Are | :08:47. | :08:51. | |
campaigning for people who aren't really getting what they pay for, as | :08:52. | :08:54. | |
far as the speed of their broadband is concerned. What tips have you got | :08:55. | :09:01. | |
for those people? For many you are paying a price and not getting what | :09:02. | :09:05. | |
you pay for. You need to check what speed you are getting, so if you go | :09:06. | :09:09. | |
to the Which? Website you can use the tool. Then you seed to see what | :09:10. | :09:13. | |
you were supposed to be getting. There are a few things you can do in | :09:14. | :09:17. | |
your home to make sure you get better speeds. In your home, make | :09:18. | :09:23. | |
sure that you have your Ruther outon show, they have not the most | :09:24. | :09:28. | |
attractive things, but it affects the speed you get. Always keep it | :09:29. | :09:34. | |
on. Your router is the one thing you must have on because that affected | :09:35. | :09:39. | |
speeds down the line. Make sure that you get your broadband provider to | :09:40. | :09:42. | |
give you the latest router, again they are quicker, and with your | :09:43. | :09:47. | |
laptop or PC, have the latest software on there. Otherwise, once | :09:48. | :09:50. | |
you have done that and you keep checking your speed. If you are not | :09:51. | :09:54. | |
getting what you pay for, you need to get in touch with your provider. | :09:55. | :09:59. | |
That woman on there, from, numbingly corporate woman saying it is up to | :10:00. | :10:04. | |
the customer, there is no problem, if their office went off line for | :10:05. | :10:08. | |
ten minutes they would be howling like timber Wolves, this these days | :10:09. | :10:15. | |
a, broadband should be like electricity, imagine someone | :10:16. | :10:18. | |
patronising, your TV goes off at 10.00, you should get a better | :10:19. | :10:24. | |
package, we are hear for know. I wasn't engaged until you see someone | :10:25. | :10:28. | |
saying it is your fault you are not getting good broadband, your lovely | :10:29. | :10:31. | |
internet company, we are here for you. Profits. Profits. She is not | :10:32. | :10:40. | |
here to defend herself. That is my answer. Thank you very much. For | :10:41. | :10:44. | |
more information make sure you head to the website. | :10:45. | :10:46. | |
Having to deal with unreliable broadband when your livelihood | :10:47. | :10:49. | |
depends on it is an issue that would get most of us complaining. | :10:50. | :10:52. | |
And no one likes complaining more than our original grumpy | :10:53. | :10:54. | |
old man Arthur Smith - but he may have just | :10:55. | :10:56. | |
We live in a time when the my nigh shy of life, a forgotten password. | :10:57. | :11:15. | |
Unsolicited phone calls. Hello. Smith. No! Poorly designed | :11:16. | :11:24. | |
biscuits. The phrase first world problems has | :11:25. | :11:29. | |
become a shorthand for all our petty gripes and perhaps you think our | :11:30. | :11:32. | |
generation has a monopoly on moaning. But, you would be wrong, | :11:33. | :11:37. | |
because we have discovered the possible source for this river of | :11:38. | :11:41. | |
modern misery. And this was the growners gospel. | :11:42. | :11:49. | |
I have come to London's oldest coffee house to consult the miseries | :11:50. | :11:53. | |
of human life, by James Beresford. Publish in 1806. I have have my | :11:54. | :11:59. | |
hands on a rare and delicate first edition here. I better be generale. | :12:00. | :12:05. | |
So, what were the trials and tribulations of Georgian society? | :12:06. | :12:11. | |
Being compelled to hear bad grammar, bad emphasis etc from persons who | :12:12. | :12:16. | |
ought to no much better, without the liberty of interfering. It is a | :12:17. | :12:22. | |
first world problem, innet. I am wondering if our gripes have changed | :12:23. | :12:27. | |
all that much. I am sure my friends on social media may have a thing or | :12:28. | :12:32. | |
two to say. I should expect a deluge. ? While I am waiting I want | :12:33. | :12:38. | |
to find out a bit more about James Beresford so I am visiting the | :12:39. | :12:45. | |
city's oldest book shop to meet Professor Brian Maidman. Who was he? | :12:46. | :12:52. | |
He was the re-rend Beresford. He worked for 20 odd years, he was a | :12:53. | :12:56. | |
writer and parody is one of his big things. Did the book reflect its | :12:57. | :13:02. | |
time as well. ? Yes, two ways of looking at London. Theatrical | :13:03. | :13:08. | |
spectacle or nightmare dangerous haunt of thieves. One minute you are | :13:09. | :13:13. | |
walking happily and next minute you have bumped into a scavenger. This | :13:14. | :13:16. | |
is a classic example of misery, this is where a bull has got loose on the | :13:17. | :13:21. | |
street. That notion where the streets can suddenly turn into | :13:22. | :13:26. | |
somewhere dangerous. The misery is a work of Muir, very dry humour. | :13:27. | :13:32. | |
Sitting on a chair on which you discover that honey has been spilled | :13:33. | :13:37. | |
until, as rising to make your bow, you carry away the cushion. | :13:38. | :13:44. | |
The miseries was a sensation, published in two languages with 11 | :13:45. | :13:49. | |
editions over a 20 year period. But there is something very modern and | :13:50. | :13:53. | |
familiar about all this. They look a bit like tweets now, almost. They | :13:54. | :13:58. | |
do, almost. In fact some of them fit within the 140 characters, I have | :13:59. | :14:02. | |
noticed. I never thought of that. The torrent of social media comments | :14:03. | :14:07. | |
streaming in with their untold first world misery could be from any page | :14:08. | :14:12. | |
of Beresford's book. Getting caught in the rain and my hair looking like | :14:13. | :14:18. | |
I have put my finger in a socket. As Beresford says losing your way on | :14:19. | :14:22. | |
foot at night in a storm of wind and rain and this after leaving a merry | :14:23. | :14:25. | |
fire side. But, tonight, I am going to put | :14:26. | :14:30. | |
Beresford to the ultimate test, in the modern day bear baiting pit, | :14:31. | :14:34. | |
that is stand up comedy. On entering the room to join an | :14:35. | :14:39. | |
evening party composed of remarkably grave strict and precise persons, | :14:40. | :14:43. | |
suddenly finding out you are drunk. And what is worse, still, that the | :14:44. | :14:48. | |
company is shared with you in this discovery. | :14:49. | :14:52. | |
It might be 200 year old material but it still gets a laugh Going out | :14:53. | :14:57. | |
of London, your carriage met and blockaded on the road by gangs of | :14:58. | :15:04. | |
the carrion and Alf of the human species, swarming home, in savage | :15:05. | :15:09. | |
jollity from a bull baiting boxing match, or an execution. | :15:10. | :15:19. | |
Well, James Beresford has taught me that times change, clothes change, | :15:20. | :15:25. | |
culture changes, but, human beings never really tire of moaning about | :15:26. | :15:30. | |
stuff. And frankly, I've had enough now, that's your lot. Good night. | :15:31. | :15:39. | |
That broadband speed thing has got people talking. Lots of people | :15:40. | :15:47. | |
saying they get less than two. If you do have problems, get in touch | :15:48. | :15:51. | |
with your provider. That is always a joy! That will only take you two | :15:52. | :15:56. | |
days for you to get through to someone who will say it is your | :15:57. | :16:03. | |
fault. What else gets your goat? I am a Pollyanna. I think everything | :16:04. | :16:08. | |
is for the best. I mean it. I am not like that. I don't like the phrase, | :16:09. | :16:15. | |
ahead of their time. That is the arrogance of chronology. If you | :16:16. | :16:20. | |
watch an old film, and people say it was such ahead of its time, that | :16:21. | :16:25. | |
this just to flatter us now. In fact, a lot of those old films would | :16:26. | :16:29. | |
not get released today but I hate that phrase. It means we are clever | :16:30. | :16:33. | |
enough to get it now but back in the past they were not. That is | :16:34. | :16:42. | |
interesting. Your life story was turned into the show Cradle To The | :16:43. | :16:48. | |
Grave but now you are during a stage show, you have described as radio | :16:49. | :16:54. | |
without the radio. I had no idea what this was going to be. People | :16:55. | :16:58. | |
made up their minds about me a long time ago. If I was run over by a | :16:59. | :17:05. | |
steam roller, people would say, Daz man dies. I have been a writer a | :17:06. | :17:10. | |
long time, I have been doing this 41 times. If you cannot get a show out | :17:11. | :17:15. | |
of that... I am trying to scale things down and we began in Leeds in | :17:16. | :17:19. | |
February and I thought, after 41 years, I am one of the few people I | :17:20. | :17:25. | |
think, apart from Griff Rhys-Jones who has worked with different, | :17:26. | :17:29. | |
whether it is Kenneth Williams, Tommy | :17:30. | :18:01. | |
Cooper, Frankie Howard, Spike Milligan, then through the punk rock | :18:02. | :18:05. | |
years, and was working with the Clash... You have some amazing | :18:06. | :18:07. | |
stories. The plan was to leap through things and the one thing I | :18:08. | :18:10. | |
hear, we did not know it was going to be live, it is a whirlwind. | :18:11. | :18:12. | |
Instead of it being about the books and the TV series, at the end of the | :18:13. | :18:16. | |
night, it is a three hour show. It is powerful. At the end, I have not | :18:17. | :18:19. | |
even left school yet! There are other things in it. Already they are | :18:20. | :18:22. | |
booking next year. That is fine, but the plan was, that this was going to | :18:23. | :18:25. | |
be a few dates to say farewell. I am 60 in June. You are showing no signs | :18:26. | :18:28. | |
of stopping. If my wife was watching, yes it is! This show has | :18:29. | :18:34. | |
come as the biggest surprise, because we started in Leeds, going | :18:35. | :18:42. | |
back to Yorkshire, I think people need a warm up. It surprised me and | :18:43. | :18:46. | |
surprised everyone else, because having done everything from adverts | :18:47. | :18:50. | |
to talk shows, to writing, I have written for every comedian out | :18:51. | :18:54. | |
there, when I walked out in Leeds, I did not know what I was going to. | :18:55. | :19:00. | |
Most of the show is very different, because on the night, I have a | :19:01. | :19:04. | |
licence to go wherever I like. It is an intimate experience. A lot of | :19:05. | :19:11. | |
comedians have come to see it and say, why do not save some of that | :19:12. | :19:15. | |
stuff? You cannot help it, it is whether I am telling stories about | :19:16. | :19:20. | |
my father or Spike Milligan or Peter Kay, they just, and I hope, all I | :19:21. | :19:25. | |
want to do is make people go out there and not learnt a damping. | :19:26. | :19:29. | |
There is no message, you come out and get on with our real thing. Are | :19:30. | :19:38. | |
you knackered? I do for days on and three days of, by the end, my voice | :19:39. | :19:43. | |
is gone. You are entitled to, too many people, and you know, seeing | :19:44. | :19:48. | |
people on the sofa, they think their duty is to appear, not work. It is | :19:49. | :19:56. | |
not enough, we know who you are, do something! Me and the audience enter | :19:57. | :20:00. | |
a packed, I will keep going. It is not like Ken Dodd. Limmy put it | :20:01. | :20:06. | |
another way, it is like Ken Dodd. I am having more fun than I am | :20:07. | :20:11. | |
entitled to and a Swiss Army knife of a career, these dates have been | :20:12. | :20:20. | |
added. It has sold out. Every night, it is great. I am not a stand-up and | :20:21. | :20:24. | |
it is not quite stand-up, but neither is it reminiscing. We have | :20:25. | :20:29. | |
not recorded any of it yet, it is relentlessly upbeat. I know you have | :20:30. | :20:36. | |
got to move on, it started from one thought. Being 41 years and having | :20:37. | :20:41. | |
been through every kind of show business, I have done this before, | :20:42. | :20:46. | |
but ask me if I have met Madonna? I don't know, I think so. Ask me if I | :20:47. | :20:56. | |
have met Kenny West? I think so. Have you met Max Whitlock? He is | :20:57. | :20:59. | |
coming on very shortly and hopefully we will have time to speak to him! | :21:00. | :21:07. | |
Going around the UK until the end of the month, Cradle To The Stage. | :21:08. | :21:09. | |
Danny's sitcom is called Cradle to the Grave, | :21:10. | :21:11. | |
but thankfully he hasn't made it to the grave just yet. | :21:12. | :21:14. | |
Unlike our One Show wildlife photographer Richard Taylor Jones - | :21:15. | :21:16. | |
but don't worry, it's not as bad as it sounds. | :21:17. | :21:21. | |
It is quite spectacular. Ask my wife and she will tell you I have dug my | :21:22. | :21:32. | |
own grave more times than I care to mention, but today, I am digging a | :21:33. | :21:37. | |
grave with a very specific purpose in mind. To film one of winter's | :21:38. | :21:43. | |
most fabulous wildlife spectacles. On the wash pastry in Norfolk you | :21:44. | :21:47. | |
can find a wading bird that spends winters here. Few sites can equal | :21:48. | :21:54. | |
this as thousands of them fly together, but one enormous creature | :21:55. | :21:59. | |
in the air. As impressive as it can be, watching those birds out there, | :22:00. | :22:02. | |
it is not all I'm here to see, because when there is a really high | :22:03. | :22:07. | |
tide, they do something rather special. Jim Scott is from the RSPB | :22:08. | :22:15. | |
based here. All these wading birds are using the mudflats to feed on. | :22:16. | :22:20. | |
As you get to the high side, it covers the ground is forcing the | :22:21. | :22:23. | |
birds to leave those areas, the flats are completely covered. They | :22:24. | :22:28. | |
come, over our heads and sometimes there are thousands behind us. It is | :22:29. | :22:33. | |
here, in this gravel pit and on these islands were the knot will | :22:34. | :22:38. | |
stay until the tide turned. It is not very big for the tens of | :22:39. | :22:42. | |
thousands of bird you're talking about. The knot in particular love | :22:43. | :22:46. | |
to pack in these dense flocks and this one eyelid can hold up to | :22:47. | :22:52. | |
20,000 birds. An amazing spectacle. To capture the spectacle, I want to | :22:53. | :22:56. | |
get as low as I can so I am on the same level of them. I will need to | :22:57. | :23:00. | |
be hidden, so as not to spook them, which is why I am digging. Luckily | :23:01. | :23:06. | |
for me, the RSPB already have a grave here in situ and all I need to | :23:07. | :23:11. | |
do is add some finishing touches. High tide occurs just after dawn | :23:12. | :23:15. | |
tomorrow, so in order to catch the birds, I have got an early start. It | :23:16. | :23:23. | |
is about five o'clock in the morning and the knot are out there on the as | :23:24. | :23:27. | |
tree seeding which means that I can go and get myself into position | :23:28. | :23:31. | |
without disturbing them. I am going on. I will see you tomorrow. Once I | :23:32. | :23:36. | |
am in my grave, I just have a cold and dark and wait for the birds to | :23:37. | :23:40. | |
start coming in. Wheels have a second camera further away which can | :23:41. | :23:44. | |
pinpoint my position. At the moment, it is difficult to see anything. I | :23:45. | :23:49. | |
can definitely hear that. I think the birds are coming into land now. | :23:50. | :23:56. | |
As the sun rises, I see the mass of knot arriving, being pushed here by | :23:57. | :24:04. | |
the high tide. I am blown away. There are tens of thousands of | :24:05. | :24:10. | |
birds, just metres away from me. They are also on top and around my | :24:11. | :24:20. | |
grave. Despite the island in front of me looking completely filled, the | :24:21. | :24:26. | |
knot continue to arrive, packing themselves in in large groups as a | :24:27. | :24:30. | |
way of protection from predators. From my position, this gives me a | :24:31. | :24:34. | |
glimpse into that world. It just takes one bird to suddenly lift up | :24:35. | :24:40. | |
its head in fright and the others, all react, it is like a wave passing | :24:41. | :24:48. | |
through the flock and then some of them set off, left, others set off | :24:49. | :24:52. | |
right and some state stationary in the middle. It is a mesmerising | :24:53. | :24:57. | |
thing to watch. Once they've finished jostling for position, it | :24:58. | :25:01. | |
is time for them to grab some sleep before the opportunity to feed | :25:02. | :25:04. | |
again, but the spectacle is not over yet, because as the tide turns... | :25:05. | :25:10. | |
There they go, as soon as one bird decided it was time to be off, the | :25:11. | :25:14. | |
others just seem to follow in a domino effect and with a rush of | :25:15. | :25:19. | |
bodies and feathers, pretty much all the knot have disappeared back off | :25:20. | :25:25. | |
out into the history. For such a small bird, the knot certainly have | :25:26. | :25:31. | |
to put on a magnificent display. I can comfortably or should I say I'm | :25:32. | :25:35. | |
comfortably say that that is one of the most incredible things I have | :25:36. | :25:40. | |
ever done. Being that close, to that many birds, I have near -- never | :25:41. | :25:44. | |
experienced anything like it. From a spectacular flock of birds | :25:45. | :25:48. | |
to a man who was flying high CHEERING AND APPLAUSE. Good to see | :25:49. | :26:04. | |
you. How are things? I am good. Let's just remind everyone what you | :26:05. | :26:07. | |
got up to in Brazil and if you turn right, we will make our way over to | :26:08. | :26:12. | |
the sofa. Applause -- APPLAUSE. . He just needs to land this one. Up | :26:13. | :26:19. | |
high. Good twisting. Fabulous landing. He floated his way through | :26:20. | :26:21. | |
that routine. We now have a double Olympic | :26:22. | :26:38. | |
champion in gymnastics. APPLAUSE. And now, seeing stars. In | :26:39. | :26:50. | |
a while. Max, always good to see you, I will never forget that double | :26:51. | :26:53. | |
Olympic gold, it happened within about two hours of each other. It | :26:54. | :27:01. | |
was crazy. I still feel surreal. It is a weird feeling, to feel it is | :27:02. | :27:07. | |
done is crazy. And an MBA as well? That was in February. Yes. We have a | :27:08. | :27:11. | |
picture of you meeting the Queen, what was that like? She said to me, | :27:12. | :27:20. | |
I love gymnastics, everything you do looks impossible, which I thought | :27:21. | :27:23. | |
was pretty cool. And then she spoke about the rise of gymnastics. It was | :27:24. | :27:32. | |
nice. A nerve-wracking day. Brilliant. You are taking a break at | :27:33. | :27:36. | |
the moment, we know that you are working on some new routines but you | :27:37. | :27:39. | |
are taking part in the National Lottery Awards, tell us a little bit | :27:40. | :27:44. | |
more? It is celebrating the unsung heroes, the people who do not get | :27:45. | :27:48. | |
recognised, who really deserve our recognition, sometimes working | :27:49. | :27:53. | |
behind-the-scenes and it is basically urging people to nominate | :27:54. | :27:55. | |
now. They have got until midnight on Friday to nominate for the awards | :27:56. | :27:58. | |
for their favourite project in the UK. How can people get involved? | :27:59. | :28:06. | |
They can go online. They can do it by phone, on Twitter, they have got | :28:07. | :28:10. | |
to nominate their favourite UK project to be of a chance to win. | :28:11. | :28:15. | |
There was a wonderful example of the special achievement award last year. | :28:16. | :28:18. | |
Glenn and Yvonne, I have the moment were you give them their award, tell | :28:19. | :28:23. | |
us about them. There is a gymnastic connection. What they have created | :28:24. | :28:28. | |
is incredible and there is a gymnastic connection. What they have | :28:29. | :28:30. | |
created is incredible and their story was what was unbelievable | :28:31. | :28:33. | |
about it. They sold their house to keep the local gym going. They lived | :28:34. | :28:37. | |
in the gym to keep it going. The National Lottery jumped on board, | :28:38. | :28:41. | |
help them out and now it is a gym with thousands of members. It must | :28:42. | :28:44. | |
have been amazing for you to go there and completely surprised them. | :28:45. | :28:47. | |
They had no idea you were coming. It was a good day, a good surprise and | :28:48. | :28:55. | |
an honour for me to do it. They are into night. | :28:56. | :28:58. | |
APPLAUSE. What did it mean to you guys? It was special. As Mark said, | :28:59. | :29:05. | |
each year after we had been in the gym, we had been there since 2012, | :29:06. | :29:10. | |
the lottery asked of it would be OK to come and do some filming and I | :29:11. | :29:14. | |
thought they were just doing filming and the day rolled on and at one | :29:15. | :29:18. | |
stage, I turned to Yvonne and said what is the time and he said was | :29:19. | :29:22. | |
half past five. Most of the gymnasts go at half past four and I wonder | :29:23. | :29:25. | |
what the kids were still doing there and the moment I said that, in walks | :29:26. | :29:28. | |
Max Robbie Ward. APPLAUSE. You have got until | :29:29. | :29:36. | |
midnight this Friday to nominate a foreigner -- lottery fund a project. | :29:37. | :29:40. | |
You can catch Danny's Cradle to the Stage tour until | :29:41. | :29:45. | |
Anne Reid, Chris Packham and Rylan Clarke will be joining us | :29:46. | :29:51. | |
on the sofa and we have music from Imelda May. | :29:52. | :29:55. |