Browse content similar to 03/04/2017. Check below for episodes and series from the same categories and more!
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Hello, and welcome to The One Show with Matt Baker. | :00:16. | :00:17. | |
Our guest tonight is an actor, but here are some musical | :00:18. | :00:21. | |
Since making the switch to the States, you may now | :00:22. | :00:38. | |
Yes, he's the star of acclaimed US thriller Outcast. | :00:39. | :00:47. | |
We hope you liked your little musical intro, Philip. | :00:48. | :01:05. | |
It's dark and scary, but we hear you and your fellow cast | :01:06. | :01:09. | |
members have imagined what Outcast: The Musical may look and sound like? | :01:10. | :01:14. | |
Yes, definitely. That would make a great musical. It was the actress | :01:15. | :01:21. | |
who played Megan, because of the nature of filming, you know, there | :01:22. | :01:26. | |
is a lot of waiting down time in between set, especially a show like | :01:27. | :01:31. | |
this, where you know they are setting up for another exorcism or | :01:32. | :01:37. | |
you know, whatever. Of course. We decided we should start thinking | :01:38. | :01:44. | |
about Outkast the musical. It got us thinking about what #i9d might look | :01:45. | :01:48. | |
like. What do you think of this? That looks ideal. Is it working for | :01:49. | :01:57. | |
you? Not quite what I imagined. What was your budget, about 4.50? You | :01:58. | :02:06. | |
have done some songs we hear. I'm not doing it. Don't make me sing. | :02:07. | :02:13. | |
Sing. Ren, she won't be watching she is in America. I have cast it in my | :02:14. | :02:18. | |
head. I look forward to seeing it. We will talk more about that later. | :02:19. | :02:20. | |
Since 1998 the average house price in the UK has | :02:21. | :02:24. | |
Great news for some, but for others the property boom has | :02:25. | :02:28. | |
actually left them unable to move and owing the bank | :02:29. | :02:30. | |
Returning to this house at Kingston in Surrey isn'ty for Lesley. It is | :02:31. | :02:48. | |
where she grew up. Her parents live here until I think that died. How do | :02:49. | :02:52. | |
you feel about coming back here? I don't like coming back here, the | :02:53. | :02:56. | |
process of having to empty I a house, when parents die, is not | :02:57. | :03:01. | |
pleasant, and coming back and seeing it empty and deteriorating is just, | :03:02. | :03:05. | |
it is horrible. But Lesley is refusing to sell it. | :03:06. | :03:09. | |
If she did, she would lose a huge amount of money, that is is because | :03:10. | :03:13. | |
her parents were among 12,000 householders who took out a loan | :03:14. | :03:18. | |
called a shared appreciation mortgage against the value of their | :03:19. | :03:22. | |
home. These products were offered by Barclays and the Bank of Scotland | :03:23. | :03:27. | |
between 1996 and 1998678 the loans were interest free buzz they came | :03:28. | :03:32. | |
with a big string attached. When the property was sold, the | :03:33. | :03:37. | |
banks would take up to 75% of any increase in value. My father | :03:38. | :03:44. | |
guaranteed a loan, for someone, and it went bad, so, my father had to | :03:45. | :03:50. | |
find some money, didn't have sufficient, and got put into a | :03:51. | :03:54. | |
Barclays shared appreciation mortgage. | :03:55. | :03:58. | |
The 35,00 pounds loan was to cost them dear. At the time, his house | :03:59. | :04:05. | |
was valued at 140,000. But today, the house is valued at 525,000. That | :04:06. | :04:11. | |
is an increase of 385,000. So if Lesley sold, under the terms of the | :04:12. | :04:16. | |
deal, she would owe 75% of that, plus the original amount borrowed. A | :04:17. | :04:25. | |
whopping total of 323,000. That is a staggering increase of 825%. | :04:26. | :04:34. | |
Penny who is 73 bought her house in Reading in 1997. I absolutely loved | :04:35. | :04:39. | |
the house. New instantly I would want to live here. A knew. It was | :04:40. | :04:44. | |
perfect. She thought she was too old to get a mortgage and couldn't | :04:45. | :04:49. | |
afford to buy the house outright. Then an independent mortgage adviser | :04:50. | :04:55. | |
told her she would qualify for a Bank of Scotland loan. I would only | :04:56. | :05:00. | |
need to borrow 17,00 pounds, which was fantastic. I was overjoyed. She | :05:01. | :05:05. | |
bought the house nerve expecting the value would rise to what it was from | :05:06. | :05:10. | |
now. It has gone from outright. Then an independent mortgage adviser told | :05:11. | :05:13. | |
her she would qualify for a Bank of Scotland loan. I would only need to | :05:14. | :05:15. | |
borrow 17,00 pounds, which was fantastic. I was overjoyed. She | :05:16. | :05:17. | |
bought the house nerve expecting the value would rise to what it was from | :05:18. | :05:21. | |
now. It has gone from 96 -- 6 -- 69,000 to 315,000. She would owe | :05:22. | :05:23. | |
over ten times the original loan now. | :05:24. | :05:25. | |
This would have a huge impact on myself, because I won't be able to | :05:26. | :05:30. | |
sell the property, unless I paid them all that money. Or on my death, | :05:31. | :05:35. | |
my children would have to pay that money back. | :05:36. | :05:40. | |
That is exactly the position Lesley's now in. Under the terms of | :05:41. | :05:45. | |
loan she should have sold the house when they died but she is determined | :05:46. | :05:48. | |
to get the zwreefrl turned. Today, she has come to see a lawyer, Chris | :05:49. | :05:53. | |
Philpott who is able to bring a joint court action on behalf of | :05:54. | :05:57. | |
householders. He argues the contract was unfair, and thinks it is the | :05:58. | :06:01. | |
banks who should pay. The banks are saying that these products they sold | :06:02. | :06:06. | |
are no longer their, can you you explain that? So this debt was sold | :06:07. | :06:12. | |
on, probably almost immediately to a third party, so the banks don't own | :06:13. | :06:17. | |
the debt any more. However, we would say the banks still have the power | :06:18. | :06:21. | |
to plug the gap between what a reasonable and fair rate would be | :06:22. | :06:27. | |
that is payable, as compared with the exorbitant rate that will be | :06:28. | :06:32. | |
payable. We asked Barclays and the Bank of Scotland for an interview, | :06:33. | :06:36. | |
instead they provided statements. The Bank of Scotland say they | :06:37. | :06:41. | |
recommended all customers should take financial advice before | :06:42. | :06:44. | |
applying. Barclays said they required confirmation that the terms | :06:45. | :06:48. | |
had been fully explained before a loan was granted. | :06:49. | :06:58. | |
But for householders like Penny the stress has taken its toll. She is | :06:59. | :07:02. | |
considering so joining the new court action. I became very poorly. And, | :07:03. | :07:09. | |
had a nervous breakdown. I just think it's an outrage really. | :07:10. | :07:14. | |
Since the financial crash of 2008, banking has been tainted by an image | :07:15. | :07:17. | |
of corporate greed. The people I have spoken to hope that the | :07:18. | :07:22. | |
industry sees this as an opportunity to help a group of vulnerable people | :07:23. | :07:25. | |
who signed up to deals that are destroying their old age and in the | :07:26. | :07:30. | |
process show that banking has turned over a new leaf. | :07:31. | :07:33. | |
What a situation to find yourself in. | :07:34. | :07:35. | |
We'll keep an eye on that and see how the case progresses. | :07:36. | :07:38. | |
Philip, Outcast season two starts tonight. | :07:39. | :07:39. | |
Here you are as the moody Reverend Anderson. | :07:40. | :07:41. | |
People call it a horror, but you say there's much | :07:42. | :07:54. | |
I think so, yes. I mean, it's under that genre, because it's from the | :07:55. | :08:07. | |
creator of the walking dead company 3 and so people like to bracket | :08:08. | :08:14. | |
things like this, so, if you know zombies were about the walking dead | :08:15. | :08:17. | |
and our show is demonic possession if you like, it's a character driven | :08:18. | :08:23. | |
show, it is cleverer than just being a shock horror kind of hour's worth | :08:24. | :08:29. | |
of telly. It is better than that, it is very character drink. The first | :08:30. | :08:34. | |
series focussed on one small town. What about series two, what | :08:35. | :08:39. | |
direction is it all heading in? For those who know the show, who and | :08:40. | :08:43. | |
those who are Qomming to it for the first time. Watch the first season, | :08:44. | :08:51. | |
because we are basically, we continue the following day, | :08:52. | :08:55. | |
basically, and and yes, so it is kind of hard to describe over an arc | :08:56. | :09:01. | |
of ten hours but basically is a threat to this small town in West | :09:02. | :09:06. | |
Virginia, the idea is we think there is something possessed about this | :09:07. | :09:10. | |
place, it is something very dark and sinister, and unpredictable, with | :09:11. | :09:14. | |
what is going on, and during the course of the second season, what we | :09:15. | :09:21. | |
think is kind of maintained within this town, actually is a much bigger | :09:22. | :09:28. | |
thing than we all thought possible. Does it encompass the rest of the | :09:29. | :09:33. | |
country or is this going on round the world, which is resonant in this | :09:34. | :09:38. | |
day and age. We have a clip of the second services, which is moment | :09:39. | :09:41. | |
where your character stumbles upon a mysterious cult. | :09:42. | :09:50. | |
Yes. Yes. Why are you leaving? I am familiar with the product, I'm just | :09:51. | :09:54. | |
not on the market. I wonder how you made it there far, you are shopping | :09:55. | :10:00. | |
for something. I wish I could tell you what. Want help finding out | :10:01. | :10:06. | |
what? I thought I knew all the churches. We have just had a | :10:07. | :10:10. | |
personal transformation, we are ready to find our place in the | :10:11. | :10:14. | |
light. That is tricky part, isn't it. You have a glorious evening. | :10:15. | :10:25. | |
APPLAUSE I come across this church in the mid | :10:26. | :10:32. | |
of the woods, as you do. Deliverance going on there! And because my | :10:33. | :10:37. | |
character, at this stage had reached rock bottom. I am living in my car, | :10:38. | :10:42. | |
I am searching for something and I find this church in the middle of I | :10:43. | :10:46. | |
come across this church in the mid of the woods, as you do. Deliverance | :10:47. | :10:49. | |
going on there! And because my character, at this stage had reached | :10:50. | :10:52. | |
rock bottom. I am living in my car, I am searching for something and I | :10:53. | :10:55. | |
find this church in the middle of the woods and I think "There's my | :10:56. | :10:57. | |
answer" or is itsome We can kind of tell from ta clip you play tough | :10:58. | :11:00. | |
guy, you know, role, but we wanted to find out what really scares you. | :11:01. | :11:02. | |
Which leads us nicely into our game. In front of you, you have | :11:03. | :11:03. | |
the Scale of Terror. Four buttons, each with | :11:04. | :11:06. | |
an increasingly-horrified scream. We're going to throw some things | :11:07. | :11:07. | |
at you, and you show us where they are on the Scale | :11:08. | :11:13. | |
of Terror for you. That is just like... Scary. It is | :11:14. | :11:32. | |
increasing. I am liking this Let us go in first with just spiders. | :11:33. | :11:35. | |
I am liking this Let us go in first with just spiders. | :11:36. | :11:38. | |
Next, getting your car through its MOT. | :11:39. | :11:45. | |
Getting the car through its MoT? I suppose it depends on the cost. It | :11:46. | :11:55. | |
is... What about helping the kids do the homework? Homework? LOUD SCREAM. | :11:56. | :12:06. | |
What about doing another TV series with John Simm? Simm? LOUD SCREAM. I | :12:07. | :12:18. | |
am kidding. What about watching yourself on television? LOUD SCREAM. | :12:19. | :12:23. | |
I like this game. It should be a regular feature. | :12:24. | :12:25. | |
Outcast season two starts tonight 10:15pm on Fox. | :12:26. | :12:27. | |
Philip's character in Outcast spends his time hunting scary | :12:28. | :12:30. | |
Miranda's also been tracking down a mysterious beast. | :12:31. | :12:35. | |
It has eight arms, three hearts and extreme intelligence. | :12:36. | :12:37. | |
But don't worry, no need to hide behind the sofa for this one. | :12:38. | :12:44. | |
Feature. LOUD SCREAM. It may not have bones but it does | :12:45. | :12:53. | |
like to flex its muscles. Particularly its brain. This is a | :12:54. | :13:00. | |
female curled octopus and she is recuperating here after she was | :13:01. | :13:05. | |
rescued by fishermen after being stuck in a lobster pot. Some | :13:06. | :13:08. | |
scientists believe the octopus was one of the first intelligent | :13:09. | :13:14. | |
creatures to inhabit the planet but how clever are they? Dr Lauren Smith | :13:15. | :13:17. | |
is a marine poll gist. They are intelligent. They have looked at the | :13:18. | :13:22. | |
octopus DNA and it is almost the same length as a human DNA sequence. | :13:23. | :13:26. | |
Which means they have the potential to be as clever as us. But unlike | :13:27. | :13:32. | |
humans they have a very differentent reck eventual set up They have | :13:33. | :13:38. | |
almost like a brain in each arm, so they can work independently and move | :13:39. | :13:42. | |
round and assess the environment and learn about it. The in the wild they | :13:43. | :13:46. | |
can use it to avoid predators an to hunt. | :13:47. | :13:53. | |
Their eight arms are very strong, so to stimulate their octopus, Lauren | :13:54. | :13:57. | |
challenges her with complex tasks like getting the lid off this jam | :13:58. | :14:01. | |
jar. Which she can do pretty easily? Just | :14:02. | :14:07. | |
under two minutes. Today, we have brought along a new | :14:08. | :14:11. | |
challenge. We have placed some food inside this box, so she will feed to | :14:12. | :14:15. | |
work out how to get in, and retrieve her dinner. | :14:16. | :14:20. | |
The octopus is quite a large creature, the holes seem quite | :14:21. | :14:23. | |
small. It is incredible what they can do. Do. She can easily fit | :14:24. | :14:31. | |
through there. There. The only hard part is the beak. Anything larger | :14:32. | :14:34. | |
than that, and she will be able to get through. | :14:35. | :14:38. | |
So with her challenge ready, we lower it into the tank. | :14:39. | :14:42. | |
See how that goes? Now, we sit and wait. | :14:43. | :14:47. | |
She uses her eyes to locate the food but needs to work out how to get in. | :14:48. | :14:51. | |
After a while, she begins to examine the box. That is great movement. She | :14:52. | :14:58. | |
exploring under the base, that is how they explore a new object. But | :14:59. | :15:03. | |
the perspex box isn't the only new thing and she is drawn to the | :15:04. | :15:06. | |
underwater camera. Oh my goodness. Look at that. | :15:07. | :15:10. | |
LAUGHTER . She has the camera completely | :15:11. | :15:16. | |
under her mouth part, so he is probably seeing if it is edible. It | :15:17. | :15:20. | |
might not be edible but something is obviously intriguing her. | :15:21. | :15:26. | |
The case is open. She has managed to open the protective underwater | :15:27. | :15:33. | |
housing, so we quickly have to retrieve the camera before it gets | :15:34. | :15:37. | |
damaged. Now we try without a camera in the tank. She continues exploring | :15:38. | :15:42. | |
with her tentacles but still is not going for the food. Octopuses tend | :15:43. | :15:48. | |
to hunt and feed at night, so we given the lights to see if that | :15:49. | :15:52. | |
helps. It is not long before she starts making her way towards a | :15:53. | :15:59. | |
whole. Yes! Brilliant. I can't believe it. Look at that. She is | :16:00. | :16:09. | |
taking the food. She has analysed the box, worked out the positions of | :16:10. | :16:13. | |
the holds and has decided to squeeze her body against the glass of the | :16:14. | :16:16. | |
tank through the most difficult access point. But it is the shortest | :16:17. | :16:21. | |
route to her food. She has gone the most logical way for her, reached | :16:22. | :16:26. | |
down, realised that is where it is, and gone in that way. Octopuses are | :16:27. | :16:32. | |
capable of analysing and making logical decisions to solve problems. | :16:33. | :16:37. | |
That may have looked like a bit of fun, but this in Richmond is really | :16:38. | :16:41. | |
important for this intelligent lady. To keep her sharp and ready for | :16:42. | :16:43. | |
release back into the wild. The great octopus footage will not | :16:44. | :16:57. | |
end there, of course we now have cephalopods with Krestovnikoff. They | :16:58. | :17:06. | |
are amazing animals. They are all cephalopods, they are intelligent. | :17:07. | :17:13. | |
An amazing clip of an octopus here. It has found two halves of a | :17:14. | :17:17. | |
coconut, it is using them as a novel mode of transport. It can hide | :17:18. | :17:22. | |
inside. I would like that when I have had a queue! Just ain't casing | :17:23. | :17:29. | |
itself in that coconut. You associate tool use with something | :17:30. | :17:31. | |
like a dolphin. It is like... They have this remarkable ability to | :17:32. | :17:47. | |
change colour. They have special skin cells with a colour pigment in | :17:48. | :17:53. | |
them. This is a cuttlefish. Normally they blend in with their | :17:54. | :17:58. | |
surroundings, but this is, leave me alone, creditors about to attack. | :17:59. | :18:01. | |
Another clip of a cuttlefish pulsing its colour. It is said to do this to | :18:02. | :18:08. | |
hypnotise almost mesmerise its prey. That is not a trick of the light, it | :18:09. | :18:14. | |
is a reflection of the water around, the cuttlefish is creating that | :18:15. | :18:18. | |
colour. My favourite is this mimic octopus. It is trying to be another | :18:19. | :18:22. | |
animal. It is trying to be a flatfish. Remarkable. It looks like | :18:23. | :18:29. | |
a place or a flounder scooting along the ocean floor. If you have | :18:30. | :18:37. | |
experience with strange beasts, we gave you this picture earlier on to | :18:38. | :18:42. | |
try to spot the octopus. It is around here. I thought, this will be | :18:43. | :18:47. | |
too obvious, it will be an optical illusion. It is like pin the tail on | :18:48. | :18:53. | |
the donkey. Let's see if you are right. This is where the octopus is. | :18:54. | :19:01. | |
It is trying to disguise itself from a predator. Look at that. That was | :19:02. | :19:12. | |
my first thought! We have got it in reverse as well. You can see the way | :19:13. | :19:17. | |
it changes its form and texture. People are deceived not just because | :19:18. | :19:22. | |
of the colour change the text the change, it goes on from a smooth | :19:23. | :19:27. | |
surface to this bobbly thing. You are well off. I am an ocean away. I | :19:28. | :19:33. | |
am stuck in the English Channel, this is the Pacific! Thank you, | :19:34. | :19:40. | |
Now from an octopus's garden to one for your community. | :19:41. | :19:43. | |
Yes, here's our green-fingered friend Christine to tell you more. | :19:44. | :19:48. | |
Every year since 1862 the Chelsea Flower Show has been showcasing the | :19:49. | :19:54. | |
best of international garden design. The glamour of Chelsea takes place | :19:55. | :19:59. | |
over a week in May. We want it to live on. We have teamed up with the | :20:00. | :20:04. | |
Royal Horticultural Society to give you the chance of having the Chelsea | :20:05. | :20:08. | |
garden right in the heart of your own neighbourhood. If you live in an | :20:09. | :20:15. | |
urban or built-up area that needs a dose of nature, your community could | :20:16. | :20:20. | |
be the permanent home of the green in Great Britain card and 2017. This | :20:21. | :20:27. | |
is last year's garden in all its glory at Chelsea. It was uprooted | :20:28. | :20:36. | |
and brought to Brixton. Today, the chief of the cultural list is giving | :20:37. | :20:41. | |
me a tour. It is an amazing plot. We are at the beginning of the season. | :20:42. | :20:45. | |
There will be quite a lot of colour. The hydrangeas going in. What will | :20:46. | :20:51. | |
this plot like before all of this happened? Typical green desert, mown | :20:52. | :20:57. | |
grass, and not good grass. You can see from this picture, a dull bit of | :20:58. | :21:06. | |
grass to a beautiful garden. It has always been well loved by local | :21:07. | :21:10. | |
residents, but they have got a gem, they will love it even more. Today | :21:11. | :21:16. | |
the passionate gardening group, which has been going strong for two | :21:17. | :21:20. | |
years, keeps it in top condition. Simon coordinate them. The youngest | :21:21. | :21:26. | |
we have had involved was two, he came with his mum. We have even had | :21:27. | :21:31. | |
people whose first language is not English, so they have used it to | :21:32. | :21:34. | |
integrate with people who live locally, and learn how it is to live | :21:35. | :21:39. | |
in London. Little toddlers to great grandads. Everybody is learning from | :21:40. | :21:48. | |
each other. These people are part of the group that comes here to look | :21:49. | :21:53. | |
after the garden every Friday. Last year I suffered from severe | :21:54. | :21:58. | |
migraines. Funnily enough, I was doing lavender. Since then, I do not | :21:59. | :22:03. | |
suffer as much as before. When we first started, we were scared that | :22:04. | :22:07. | |
people but still the plans and there would be beer cans and fag ends, but | :22:08. | :22:12. | |
it has worked really well, it looks like we may not be the only people | :22:13. | :22:15. | |
who secretly come out and look after the garden! What is up for grabs | :22:16. | :22:21. | |
this year? The designer has drawn up the garden that will premiere at the | :22:22. | :22:25. | |
Chelsea Flower Show in May. This is the big moment. Here we go. That is | :22:26. | :22:33. | |
the garden. Really colourful, beautiful, uplifting planting, full | :22:34. | :22:38. | |
of bright colours. Running through the middle, these could fill up with | :22:39. | :22:44. | |
rainwater in a storm. I am intrigued by this area, it looks like | :22:45. | :22:49. | |
sleepers. It is an edible picnic table. Fruit trees coming up through | :22:50. | :22:54. | |
the middle, you can pluck an apple. Can anybody put in an entry? | :22:55. | :23:00. | |
Absolutely, it is for communities. Could an individual? It is not for a | :23:01. | :23:07. | |
back garden, it is for a social space, something that will benefit a | :23:08. | :23:11. | |
lot of people. It could be a school or a hospital or a hospice, a bit of | :23:12. | :23:18. | |
wasteland. An old garage side? We are looking at 250 square metres, | :23:19. | :23:22. | |
about the size of a tennis court, or just a bit less. Whether you are in | :23:23. | :23:27. | |
the UK, the RHS can make this garden work for you. The winning community | :23:28. | :23:31. | |
will get help from leading landscapers to realise the garden | :23:32. | :23:36. | |
and year-round advice on how to manage it. Whether it is your | :23:37. | :23:40. | |
housing estate that could do with some TLC or your local hospital | :23:41. | :23:45. | |
could do with some greening up, you can find full details on how to | :23:46. | :23:50. | |
enter on our website. You have until 10pm on Sunday the 16th of April to | :23:51. | :23:54. | |
sending your entries. If somebody else wanted to have a garden like | :23:55. | :24:00. | |
this, is it a good idea? Yes. How many of you love flowers? Hands up! | :24:01. | :24:07. | |
Flowers? It has made a real difference, and I am proud to live | :24:08. | :24:09. | |
here. If you'd like to see this, | :24:10. | :24:13. | |
Nigel's beautiful garden in your community, go | :24:14. | :24:17. | |
to our website, bbc.co.uk/theoneshow, | :24:18. | :24:19. | |
to find all the terms and conditions The edible table is a great idea. | :24:20. | :24:38. | |
Are you Ade Gardner? I mow the lawn. I am allowed to mow the lawn, but I | :24:39. | :24:43. | |
get quite OCD about it, because I am a golfer. I like my manicure wood | :24:44. | :24:50. | |
lined. Have you done your first cut? Not at the moment, but I say to my | :24:51. | :24:54. | |
wife, how can I have a lawn like Augusta? She says, it will never | :24:55. | :25:01. | |
happen. It will cost a fortune, and the love, care and tenderness... | :25:02. | :25:07. | |
Just get on with it. If you are not moment your lawn, it is one of the | :25:08. | :25:11. | |
happiest days of many people's lives, but a lot of us know the | :25:12. | :25:16. | |
challenges of a new baby. If only there were a starter kit to help out | :25:17. | :25:20. | |
parents. In Finland, there is, and it is coming to the UK. | :25:21. | :25:29. | |
The original Finnish baby box was introduced to tackle the high rate | :25:30. | :25:35. | |
of infant mortality. 65 out of 1000 babies died. The baby box scheme has | :25:36. | :25:42. | |
been so successful that in the 80 years since it has began it could | :25:43. | :25:46. | |
their infant death rate from 10% to 0.2%. Now, it is here in Scotland. | :25:47. | :25:54. | |
The Scottish baby boxes are currently going through a trial | :25:55. | :25:57. | |
programme in Clackmannanshire in Orkney. There were more than 40 | :25:58. | :26:03. | |
items in this box, we have a cosy outdoor suit, a cute body... By the | :26:04. | :26:12. | |
summer of 2017, every newborn in Scotland is expected to receive a | :26:13. | :26:15. | |
box from the Scottish Government as a gift. The box was designed by a | :26:16. | :26:23. | |
woman who won a competition set by the V Dundee. Where did your | :26:24. | :26:29. | |
concept, from? I thought about the audience and fairy tales would be a | :26:30. | :26:33. | |
good way to start, so I used Scottish mythology. The luckless | :26:34. | :26:36. | |
monster, a unicorn, the National animal. It is unreal to have the | :26:37. | :26:44. | |
thought that they will be 50,000 babies that might get this box. This | :26:45. | :26:49. | |
midwife is the first call for mothers and newborn infants in | :26:50. | :26:53. | |
Alloa. What do you think it will mean for midwives? We educate | :26:54. | :26:59. | |
mothers throughout the antenatal period and in Labour, but we cannot | :27:00. | :27:03. | |
be with them all the time. When you are at home, a caption on the tab of | :27:04. | :27:09. | |
the box, how to position your baby safely, it reiterates what we have | :27:10. | :27:14. | |
been saying. It is not only the box and the items, it is the education | :27:15. | :27:19. | |
around it. You have got the prototype box, although the content | :27:20. | :27:22. | |
of the same, the design is different. It has got everything he | :27:23. | :27:28. | |
would need. It will be beneficial, multitasking. And the guidelines | :27:29. | :27:34. | |
inside, the dos and don'ts, very beneficial. The box is a crib, will | :27:35. | :27:41. | |
Olivia sleep in it? It will be great at grandparents' houses, it is | :27:42. | :27:46. | |
easy-to-use, we can take it with us, there are no travel cots involved. | :27:47. | :27:53. | |
It is a lovely idea, but is it a bit too extravagant when times are | :27:54. | :27:58. | |
tough? The Minister for childcare in early years is one of the people | :27:59. | :28:04. | |
responsible for the introduction. Scotland's infant mortality rate is | :28:05. | :28:08. | |
almost as low as Finland's now, so why are we doing this? We do still | :28:09. | :28:14. | |
have issues, there is no getting away from that. We have an issue | :28:15. | :28:18. | |
around ensuring that children get the best possible start, regardless | :28:19. | :28:22. | |
of their income or background. Terence can choose to receive it or | :28:23. | :28:28. | |
not. How much is each box going to cost's between 100 and ?150, so we | :28:29. | :28:34. | |
have set aside money. It is absolutely worth it. If you look at | :28:35. | :28:40. | |
the money within our health budget, it is a tiny fraction, but it will | :28:41. | :28:42. | |
have a big impact. Outcast season two starts | :28:43. | :28:46. | |
tonight at 10:15pm on Fox. We'll be back tomorrow | :28:47. | :28:54. | |
with Danny Baker and double Olympic | :28:55. | :28:57. |