Browse content similar to 05/06/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. | :00:19. | :00:21. | |
Tonight we've got two fantastic guests. | :00:22. | :00:23. | |
The first is one fifth of the biggest boyband in the world - | :00:24. | :00:26. | |
And the other is one third of a trio of grumpy old men | :00:27. | :00:31. | |
Please welcome Niall Horan and James May! | :00:32. | :00:34. | |
We're starting with the sad news that Peter Sallis passed away. He | :00:35. | :00:53. | |
was 96. Some people compare you three, to the guys from Last of the | :00:54. | :01:02. | |
Summer Wine. Are you all right with that? Without wishing to sound sick, | :01:03. | :01:09. | |
with all due respect to him, it was the role I would have wanted. God | :01:10. | :01:14. | |
rest in. If you were lucky enough to meet Peter then send us a picture. | :01:15. | :01:26. | |
Niall, you were last night at the One Love Manchester concert. What | :01:27. | :01:29. | |
did you take away from that experience? There was a real sense | :01:30. | :01:35. | |
of unity but I couldn't believe. You know what they are like up there, | :01:36. | :01:42. | |
just full of strong characters. It was great to be involved. I was | :01:43. | :01:47. | |
really happy I got the invite, it was an honour to be there. There's a | :01:48. | :01:52. | |
great sense of unity at a terrible time. It was unbelievable to see. It | :01:53. | :01:58. | |
was all very last minute. Yes, Ariana called me a couple of days | :01:59. | :02:02. | |
after it happened and said, I want to do something, if I do something | :02:03. | :02:07. | |
really get involved. Obviously, no-brainer. She's a good friend of | :02:08. | :02:11. | |
mine as well. It was a beautiful concert. It was a great night, | :02:12. | :02:15. | |
everyone stayed around until the end. I was so happy I went. | :02:16. | :02:21. | |
Our Michelle was also at the concert which raised ?2.7 million, | :02:22. | :02:24. | |
bringing the latest total for the We Love Manchester Emergency | :02:25. | :02:26. | |
And she spent the day with some of the audience members who'd been | :02:27. | :02:31. | |
at the Ariana Grande gig during the attack two weeks ago. | :02:32. | :02:35. | |
Two young girls getting ready for a night out. In just seven hours' | :02:36. | :02:44. | |
time, Molly and Maddie will be heading to their second ever | :02:45. | :02:48. | |
concert. Their first was at the Manchester Arena just two weeks ago. | :02:49. | :02:54. | |
The first part was really fun, the atmosphere was really great and | :02:55. | :02:58. | |
everybody had their phones out, taking pictures. What was it like | :02:59. | :03:03. | |
when the attack happened? Someone yelled bomb, and then everyone was | :03:04. | :03:09. | |
pushing and shoving and screaming. When we got outside, everyone was | :03:10. | :03:15. | |
really upset and crying. To do their bit to help raise money for the | :03:16. | :03:20. | |
Manchester emergency fund, they have decided to do a sponsored swim. Why | :03:21. | :03:24. | |
was it important for you to do some fundraising? I know a lot of | :03:25. | :03:29. | |
people's best friends are in hospital at the moment. So that | :03:30. | :03:34. | |
people know we are there for them. Obviously you guys are going to Old | :03:35. | :03:36. | |
Trafford tonight. You've got your T-shirts, you're all | :03:37. | :03:42. | |
set up, how are you feeling about tonight? Excited but still a bit | :03:43. | :03:48. | |
nervous, after the London ones as well. Accompanying the girls are | :03:49. | :03:53. | |
their mums, Emma and Helen. They were at the first concert too. If | :03:54. | :03:58. | |
you days after the 22nd, I was thinking that was their first | :03:59. | :04:02. | |
concert and that's all they know. To be offered free tickets to go here, | :04:03. | :04:08. | |
even though we both felt shaky, it wasn't too much of a decision. They | :04:09. | :04:13. | |
are going to see a good time, they are going to be fine. On Saturday | :04:14. | :04:18. | |
evening there was the attack in London. It brought back memories. It | :04:19. | :04:23. | |
is teaching our children that the world is a bit of a scary place, | :04:24. | :04:28. | |
unfortunately we can't always protect them from everything. What | :04:29. | :04:34. | |
happened was every parent's worst nightmare. You can only minimise the | :04:35. | :04:40. | |
risks. They need to know we can't stand and hide in our houses, we | :04:41. | :04:45. | |
have to get up and get on, really. It's two hours until the concert | :04:46. | :04:49. | |
starts and there is a positive atmosphere amongst the crowd. I'm | :04:50. | :04:53. | |
keen to catch up with father and daughter Jamie and Poppy. Last | :04:54. | :04:57. | |
Friday they told The One Show they felt compelled to come back and see | :04:58. | :05:02. | |
Ariana tonight. How do they feel? In light of what happened in London, | :05:03. | :05:07. | |
another attack, how do you feel? Have your opinions changed? | :05:08. | :05:12. | |
Absolutely not, even more determined to be here. Obviously senses are | :05:13. | :05:17. | |
heightened, a bit apprehensive, probably more than we already were. | :05:18. | :05:22. | |
But it's a tribute to those who have lost their lives or been injured and | :05:23. | :05:26. | |
we owe it to them to go and have a good time, and also showed terrorism | :05:27. | :05:32. | |
they aren't going to win. What does it mean to you to be her? I want to | :05:33. | :05:37. | |
show my support. For many of the 14,000 here who were at the original | :05:38. | :05:43. | |
concert, emotions are running high. I was waiting for her, fortunately | :05:44. | :05:47. | |
we are all here. One of our friends got injured quite badly. They are | :05:48. | :05:56. | |
all right, those. You're here, what made you come? Tough, we have to be | :05:57. | :06:04. | |
tough. We can't let them beat us. Dad, don't cry! It's incredibly | :06:05. | :06:09. | |
emotional. It's important we are here. And the artist as well, you've | :06:10. | :06:14. | |
just got to carry on. Is the anticipation builds, that's a view | :06:15. | :06:18. | |
shared by everyone here tonight, including Maddie Molly. We're | :06:19. | :06:23. | |
excited, we are all good to go! CHEERING | :06:24. | :06:31. | |
Behind to beat, almost 50,000 people are joining Ariana Grande in have | :06:32. | :06:36. | |
found not to let hatred win. And, after a moment of reflection, it's | :06:37. | :06:40. | |
time to let the music do the talking. MUSIC | :06:41. | :06:56. | |
The music is loud, but more importantly, the voices of the crowd | :06:57. | :07:02. | |
are even louder. They are hip to support the victims of the | :07:03. | :07:05. | |
Manchester and London attacks, and deliver a message of resilience to | :07:06. | :07:09. | |
the rest of the world -- they are here to support the victims. All of | :07:10. | :07:14. | |
the artists were brilliant but Ariana handled herself with such | :07:15. | :07:18. | |
poise, it was such a difficult concept for her. I sent her a | :07:19. | :07:23. | |
message on the way home, thanking her for inviting me and putting on | :07:24. | :07:26. | |
the show in what was probably seven or eight days. She put it all | :07:27. | :07:32. | |
together, called everyone, getting the license and stuff like that. | :07:33. | :07:36. | |
From day one she was unbelievable. She was fantastic. | :07:37. | :07:40. | |
Niall - at the concert you performed your new single Slow Hands, | :07:41. | :07:44. | |
which you are singing live for us at the end of the show. | :07:45. | :07:48. | |
It's very folk with old rock. Kind of Fleetwood Mac style. Is that what | :07:49. | :07:59. | |
you set out to do always? I was brought up with two parents born in | :08:00. | :08:04. | |
the 60s. I was brought up with the Eagles, Fleetwood Mac... Look at his | :08:05. | :08:11. | |
face! I was going to say you're too young but it was your mum and dad! | :08:12. | :08:16. | |
They get all the credit! I always knew if I was to make an album, I | :08:17. | :08:21. | |
would make it on what I grew up on. I try to make it a good blend of | :08:22. | :08:25. | |
everything. There's no date for the release but we need a date tonight. | :08:26. | :08:32. | |
I'm doing loads of promo. I'm going to be flat-out doing that. When I | :08:33. | :08:36. | |
get back, I'm hoping October or November. So before Christmas. Give | :08:37. | :08:41. | |
yourself a deadline, it's always good! LAUGHTER It's finished but | :08:42. | :08:50. | |
I'll text you when it's coming out! How do you choose all the songs? I | :08:51. | :08:57. | |
read that you wrote 6070? I wrote about 50 songs. You go through | :08:58. | :09:01. | |
phases of writing terrible stuff, too. I whittled it down nice and | :09:02. | :09:12. | |
slowly and here we are. You recorded This Town with Frank Sinatra's | :09:13. | :09:18. | |
microphone, didn't you? Yes, I spent the day at Capitol records and we | :09:19. | :09:25. | |
got to use the studio and we used Frank's actual microphone. That's | :09:26. | :09:31. | |
quite a moment, isn't it? I'm a huge fan so it's really cool. Did you try | :09:32. | :09:37. | |
and take it with you? Nope. Good answer! James, you studied music at | :09:38. | :09:45. | |
university, didn't you? I did but mainly classical. I didn't think I | :09:46. | :09:49. | |
would have a career in it. I didn't think I was good enough. At the time | :09:50. | :09:54. | |
it's what I could do. I have played Marvin Gaye's piano, though. It was | :09:55. | :10:01. | |
in a corner and they said you can have a go, I played it for about | :10:02. | :10:05. | |
five minutes. The flaw is all worn away underneath it where people tap | :10:06. | :10:09. | |
their feet. It's a funny moment for you because all of you boys are | :10:10. | :10:13. | |
releasing around the same time. We had carried on two weeks ago. If | :10:14. | :10:18. | |
that tough, is that a lot of rivalry? I guess you support each | :10:19. | :10:22. | |
other but it's hard for the fans to know which way to go, I suppose. You | :10:23. | :10:28. | |
can have all of us at the same time! LAUGHTER I think it's brilliant. We | :10:29. | :10:33. | |
didn't overthink anything in terms of releases. Do you try and plan it | :10:34. | :10:38. | |
so they don't coincide? Obviously we try and stay away from each other in | :10:39. | :10:42. | |
some respects but we don't overthink it. We are all in touch and | :10:43. | :10:46. | |
congratulating each other and stuff like that. Do you have a favourite | :10:47. | :10:52. | |
song of the other lads? Me and Harry would have this closest taste of | :10:53. | :10:55. | |
music so we would have listened to a lot of the same stuff. Harry | :10:56. | :11:00. | |
probably the closest. His new stuff is really good, his album is | :11:01. | :11:05. | |
brilliant. James May, favourite 1D song? Your first hit, the one where | :11:06. | :11:13. | |
you up on the beach? LAUGHTER I like that! I remember watching the video | :11:14. | :11:22. | |
and thinking, that was me, wants, without the singing and the music! | :11:23. | :11:28. | |
And the cameras! Before you became Last of the Summer Wine! LAUGHTER We | :11:29. | :11:33. | |
did pounds around on the beach to the Rolling Stones and things, quite | :11:34. | :11:40. | |
nostalgic! We believe we may have found one of the earliest pictures | :11:41. | :11:46. | |
of Niall playing the guitar! That's a beauty, isn't it? Was that a | :11:47. | :11:52. | |
Christmas present? I'm sure it was. I was destined for it! Absolutely! | :11:53. | :12:00. | |
James doesn't just like to play guitars, he likes to take them apart | :12:01. | :12:01. | |
and put them back together again. I've just finished reassembling this | :12:02. | :12:11. | |
classic electric guitar which has taken me six hours and 11 minutes. | :12:12. | :12:17. | |
I've built Lucifer's leapt up from its individual parts carefully and | :12:18. | :12:21. | |
lovingly. Now it's time to wake up the rock gods and see if the bad boy | :12:22. | :12:23. | |
works. PLAYS GUITAR. Sounding good! It looks like you've | :12:24. | :12:43. | |
taken one of Niall's guitars apart! That wasn't me actually playing, it | :12:44. | :12:47. | |
was just a joke, I can't play the guitar! If you keep watching there's | :12:48. | :12:52. | |
a bloke standing behind me and he's put his arms around it. I can only | :12:53. | :12:58. | |
play the piano. Our coffee table has somehow collapsed and we've got a | :12:59. | :13:00. | |
new one for you to rebuild. You have seen me play the guitar. To | :13:01. | :13:09. | |
be honest, I used to have this coffee table, it was the cheapest | :13:10. | :13:12. | |
one in the shop but it was the cheapest one in the shop but it's a | :13:13. | :13:15. | |
very civil. It looks... I'm not sure. What do we think? This is all | :13:16. | :13:23. | |
to do with your series called The Reassembler and all of the items are | :13:24. | :13:27. | |
being reassembled into this book. Shall I help or will I make an idiot | :13:28. | :13:32. | |
of myself? Alex struggles with the concept of reassembling, don't you? | :13:33. | :13:37. | |
A bit, the pictures in the book are pretty amazing. Look at this comedy | :13:38. | :13:40. | |
is so into building the coffee table. We are busy! James Connor the | :13:41. | :13:45. | |
book has these amazing pictures of items you have completely taken | :13:46. | :13:49. | |
apart and laid out the components. I don't take them apart, someone else | :13:50. | :13:53. | |
does otherwise I would know what to do. And then you put them back | :13:54. | :13:57. | |
together so what is the idea behind it? I don't know! LAUGHTER | :13:58. | :14:05. | |
The idea is, it is a way of learning about the history of technology, it | :14:06. | :14:10. | |
is a way of warning yourself from history that the past was not quite | :14:11. | :14:13. | |
as nice as we thought, a lot of things in the past were quite | :14:14. | :14:16. | |
terrible like that old telephone. It is also a form of therapy, I think. | :14:17. | :14:21. | |
The book is not a how-to manual or an instruction book, it is a book of | :14:22. | :14:25. | |
philosophy which will sit on library shelves next to Barthes and | :14:26. | :14:30. | |
Descartes, or maybe in the little thing that says two for 50p. We saw | :14:31. | :14:35. | |
a lovely picture of Niall playing guitar when he was young so when was | :14:36. | :14:39. | |
the first time you find your love of reassembling? Well, it starts... I | :14:40. | :14:44. | |
can't do this and talk. You could just leave it, sit back down. You | :14:45. | :14:49. | |
were expecting Jeremy Clarkson, weren't you? You don't need that. It | :14:50. | :14:55. | |
probably started, one of my earliest memories as a small child was trying | :14:56. | :14:59. | |
to take an alarm clock apart that my parents had. This was the 60s | :15:00. | :15:03. | |
because I'm the same age as your parents probably but their alarm | :15:04. | :15:07. | |
clock was a proper clockwork one that made noises and I knew | :15:08. | :15:10. | |
something was happening inside. This is all in the book. I had learned | :15:11. | :15:14. | |
what a screwdriver was because there was the kitchen drawer and I | :15:15. | :15:18. | |
thought, "If I take those out, I will see what mysteries inside the | :15:19. | :15:22. | |
clock". But of course, it is a wind-up alarm clock so you take the | :15:23. | :15:25. | |
screw out and it explodes. I didn't get it back together but maybe that | :15:26. | :15:28. | |
was the moment that made me think at some point in my life, I have to | :15:29. | :15:32. | |
complete this process which started as a child and there was no closure. | :15:33. | :15:39. | |
All right could just be really dull and like putting things together, I | :15:40. | :15:43. | |
don't know. A bit of both. You have got an obsession with tools which we | :15:44. | :15:47. | |
can't quite into because we have to move on but we wanted to ask you | :15:48. | :15:52. | |
about screwdrivers. We like it for opening paint. Wrong. They are for | :15:53. | :15:58. | |
doing up and underling screws and that is it. Just stick to that. | :15:59. | :16:03. | |
Baggaley that's it for a mains tester but that is usually | :16:04. | :16:07. | |
accidental. Can we talk about the second series of Grand Tour Oztumer | :16:08. | :16:13. | |
yes. How will it look in comparison to the last is because you put a lot | :16:14. | :16:16. | |
of your own money into it so are you spending more on the second series | :16:17. | :16:20. | |
than the first? As little as possible! No, it's about the same, | :16:21. | :16:24. | |
it's quite expensive to make the show, there's a lot of travel | :16:25. | :16:28. | |
involved. There's a lot of crew and very high-tech involved, we film in | :16:29. | :16:36. | |
4K, storage and stuff, that is quite boring so it will look largely the | :16:37. | :16:40. | |
same but we have moved it on in a way I can't really tell you about | :16:41. | :16:44. | |
because you are the enemy and it is the grid. When will we be able to | :16:45. | :16:48. | |
see it? October is when you will first be able to see it but then you | :16:49. | :16:52. | |
will be able to see it whenever you want, I'm told to say that because | :16:53. | :16:53. | |
it is on demand. Someone else we know | :16:54. | :16:55. | |
who loves a construction And the one he's been | :16:56. | :16:57. | |
following is slightly bigger For four years, The One Show has | :16:58. | :17:12. | |
been following the construction of the new Queensferry crossing outside | :17:13. | :17:16. | |
Edinburgh, the largest engineering project in Scotland for a | :17:17. | :17:19. | |
generation. The engineers have had to overcome huge challenges. Back in | :17:20. | :17:25. | |
2013, they held back the waves, to build the foundations on the sea | :17:26. | :17:30. | |
floor. This is amazing! I love it! A year later, they constructed the | :17:31. | :17:36. | |
bridge's nearly two mile long span and finally, last year, they erected | :17:37. | :17:40. | |
the cables to support the highest bridge in the UK. The engineers have | :17:41. | :17:49. | |
one final anniversary to overcome. And traffic chaos again as the Forth | :17:50. | :17:53. | |
road bridge is closed. A lorry has blown over Armstrong went in the | :17:54. | :17:57. | |
northbound carriageway and hit the central reservation. The existing | :17:58. | :18:00. | |
Forth road bridge has been plagued by disruption due to high winds | :18:01. | :18:05. | |
throughout its 50 year history. Transport Scotland are determined | :18:06. | :18:07. | |
the Newbridge won't suffer the same fate. The engineers have been issued | :18:08. | :18:13. | |
with a challenge. A high sided vehicle like a double-decker bus or | :18:14. | :18:16. | |
a lorry has to be able to travel across the bridge at 60 mph in a | :18:17. | :18:23. | |
gale force wind. The man charged with finding a way to keep the | :18:24. | :18:30. | |
bridge open, even in wild winds, is engineer Mike lover. If you can get | :18:31. | :18:33. | |
to the bridge, whatever the weather conditions, you will be able to | :18:34. | :18:38. | |
cross it. That is quite a promised so how is science going to help him | :18:39. | :18:42. | |
achieve it? The key weapon against the weather that Mike and his team | :18:43. | :18:46. | |
have at their disposal is a wind barrier but the design of the | :18:47. | :18:49. | |
barrier is all-important. What I have got here is my bridge section | :18:50. | :18:55. | |
and I have installed onto it a solid wind barrier, here. Which is going | :18:56. | :19:01. | |
to rather spoil the view of anybody driving across the bridge, but, you | :19:02. | :19:06. | |
know, safety first. What I need now is some winds. | :19:07. | :19:14. | |
At first, it looks like my lorry is protected by the solid barrier but | :19:15. | :19:21. | |
as I increased the speed, a serious problem arises. A solid barrier like | :19:22. | :19:28. | |
this acts like a giant sale, capturing the wind. The real bridges | :19:29. | :19:35. | |
nearly two miles long. If you had a barrier like this along the entire | :19:36. | :19:38. | |
length, in high winds, it would rip the bridge apart. So these days, | :19:39. | :19:44. | |
bridge engineers use wind barriers with holes in which have a | :19:45. | :19:48. | |
surprising effect. You would think that if you have large gaps in your | :19:49. | :19:52. | |
barrier, the wind would just blow through and the traffic. Well, let's | :19:53. | :19:56. | |
see what happens. -- and hit the traffic. As the wind picks up, my | :19:57. | :20:04. | |
barrier is put to the test and yet, my lorry does not blow over. This | :20:05. | :20:08. | |
design of wind barrier works because the slatted structure diffuses the | :20:09. | :20:15. | |
wind. Although some of the wind goes through the barrier, it does not | :20:16. | :20:18. | |
trouble the lorry because the slats break up the wind. It turns one | :20:19. | :20:24. | |
giant gale into lots of little breezes. But even slatted wind | :20:25. | :20:31. | |
barriers can't usually keep high sided vehicles moving at motorway | :20:32. | :20:36. | |
speeds in strong wind. Mike and his team worked on a design that could | :20:37. | :20:42. | |
achieve this for four years. First, they used computer modelling to | :20:43. | :20:46. | |
assess the effectiveness of different configurations of slats, | :20:47. | :20:51. | |
to disperse the wind. They then tested their most promising designs | :20:52. | :20:53. | |
in one of the largest wind tunnels in the world. The unique design may | :20:54. | :21:00. | |
have finally installed is a 3.5 metre high steel and Perspex | :21:01. | :21:04. | |
barrier. The slats are a very specific angles, and the spacing is | :21:05. | :21:08. | |
closer at the top than at the bottom which means that the wind is forced | :21:09. | :21:12. | |
up and over the traffic. The geometry of a windshield is | :21:13. | :21:16. | |
particular to the location but there are certain characteristics that I | :21:17. | :21:19. | |
think will be carried through into bridges into the future. The new | :21:20. | :21:24. | |
wind barrier means that for the first time, buses and lorries should | :21:25. | :21:29. | |
be able to zoom across the Forth at motorway speeds, even in the highest | :21:30. | :21:34. | |
wind and thanks to this small yet significant piece of engineering, | :21:35. | :21:39. | |
this sound... The Forth road bridge is closed in both directions... | :21:40. | :21:41. | |
Should be a thing of the past. Fascinating. Earlier, we asked for | :21:42. | :21:51. | |
pictures of you with Peter Faleh Suwead Al Ajami away today at the | :21:52. | :21:56. | |
age of 96. We have this one here from Sue in Bristol on set with | :21:57. | :22:00. | |
Peter in 2002. She says she used to go to what watch them filming in | :22:01. | :22:04. | |
Yorkshire and he always knew his life and was a real professional. | :22:05. | :22:09. | |
Elaine has sent this in, a picture of Alan onset at Holmfirth with | :22:10. | :22:13. | |
Cleggy or James May! His book 'The Reassembler' | :22:14. | :22:15. | |
is out now. Now, though, performing his | :22:16. | :22:18. | |
new single, Slow Hands, # "We should take this | :22:19. | :22:20. | |
back to my place" # That's what she said | :22:21. | :22:42. | |
right to my face # I've been thinking | :22:43. | :22:49. | |
'bout it all day # And I hope you feel | :22:50. | :22:59. | |
the same way, yeah # Like sweat dripping | :23:00. | :23:05. | |
down our dirty laundry # That I'm leaving | :23:06. | :23:15. | |
here without you on me # Yeah, I already know | :23:16. | :23:20. | |
that there ain't no stopping # We could do this, | :23:21. | :23:26. | |
baby, all night, yeah # Like sweat dripping | :23:27. | :23:55. | |
down our dirty laundry # That I'm leaving | :23:56. | :24:05. | |
here without you on me # Yeah, I already know | :24:06. | :24:11. | |
that there ain't no stopping # Wanna be with you all alone | :24:12. | :24:17. | |
# Take me home, take me home # Can't you tell that | :24:18. | :24:34. | |
I want you, baby, yeah # Like sweat dripping | :24:35. | :24:38. | |
down our dirty laundry # That I'm leaving | :24:39. | :24:43. | |
here without you on me # Yeah, I already know | :24:44. | :24:49. | |
that there ain't no stopping # Like sweat dripping | :24:50. | :24:55. | |
down our dirty laundry # That I'm leaving | :24:56. | :25:00. | |
here without you on me # Yeah, I already know | :25:01. | :25:05. | |
that there ain't no stopping # Your plans and those | :25:06. | :25:13. | |
slow hands (woo) With you beside me - | :25:14. | :25:25. | |
whatever life sends. # Will I ever get better, | :25:26. | :25:39. | |
better...? # | :25:40. | :25:52. |