Browse content similar to 05/12/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. | :00:16. | :00:18. | |
Tonight we get a glimpse inside a building that's home | :00:19. | :00:22. | |
to some of Britain's best brains - | :00:23. | :00:26. | |
the top-secret surveillance centre GCHQ. | :00:27. | :00:33. | |
The Government Communications Headquarters. | :00:34. | :00:36. | |
With us in the studio are two men who are no slouches | :00:37. | :00:39. | |
in the IQ department either, as they claim to be able to condense | :00:40. | :00:42. | |
the entire universe into a single hour of television | :00:43. | :00:44. | |
and make it funny, as well. | :00:45. | :00:47. | |
Professor Brian Cox and comedian Noel Fielding. | :00:48. | :00:53. | |
We have a scientist, Professor, and a comedian. You must have rubbed off | :00:54. | :01:08. | |
a little working together on that project. There was a lot of robbing. | :01:09. | :01:26. | |
-- rubbing I always wanted a space 1999 outfit. I had one made. That is | :01:27. | :01:33. | |
the commander, space 1999 and those boots I managed to recycle. The | :01:34. | :01:39. | |
irony is I am wearing those boots in real life. They are very nice. | :01:40. | :01:53. | |
Silver boots. Material and jokes, has the comedy rubbed off? I have a | :01:54. | :01:59. | |
geeky joke. Eisenberg driving along the motorway, policeman pulls over | :02:00. | :02:05. | |
and says, do you know how fast you were going? He said no, but I know | :02:06. | :02:11. | |
exactly where I am. That was the punch line. You did not know it had | :02:12. | :02:20. | |
finished. It is true you need a degree in physics to get the joke! | :02:21. | :02:25. | |
It was the cheeky wink at the end. The purpose was to educate the | :02:26. | :02:34. | |
nation in an entertaining way. Noel, do you remember the show? The | :02:35. | :02:40. | |
science stuff I was vague on. Often you try to explain things to us and | :02:41. | :02:45. | |
that thing when you are at school, and use own out. You can hear your | :02:46. | :02:50. | |
own internal monologue. Between takes it was E equals MC squared. I | :02:51. | :03:00. | |
played Einstein. We have seen the clips. I had to write about on a | :03:01. | :03:10. | |
bike. It goes faster than the speed of light! That was my catchphrase. | :03:11. | :03:17. | |
The Government Communications Headquarters wants recruits with | :03:18. | :03:20. | |
maths, languages and problem-solving skills. | :03:21. | :03:21. | |
GCHQ is controversial as nobody really knows the extent | :03:22. | :03:23. | |
of its ability to monitor phone and internet communications. | :03:24. | :03:25. | |
But a law to regulate its activities is about to come in, | :03:26. | :03:28. | |
so it's a good time for Nick Wallis to hand in his phone and go inside. | :03:29. | :03:45. | |
GCHQ, the Government Communications Headquarters nestled in the sleepy | :03:46. | :03:52. | |
market town of Cheltenham. Nicknamed the doughnut, the building houses | :03:53. | :03:56. | |
the UK spy agency dedicated to keeping us safe through intelligence | :03:57. | :04:02. | |
and information gathering. But it has been accused of illegal hacking | :04:03. | :04:06. | |
and harnessing of data from our phones, e-mails, texts and social | :04:07. | :04:11. | |
media accounts. What goes on in here? One of the most secret | :04:12. | :04:16. | |
buildings in the world. Let's go in and look around. It is 7:30am, and | :04:17. | :04:22. | |
agents will soon start to arrive for duty. They split across three | :04:23. | :04:28. | |
blocks, connected by what is known as the street. It is here I will | :04:29. | :04:33. | |
meet former analyst Tony. What was it like to be a spy? We never | :04:34. | :04:40. | |
describe ourselves as spies. We work in intelligence and our job is to | :04:41. | :04:45. | |
produce information about the intentions of hostile countries or | :04:46. | :04:50. | |
terrorists. That means electronic surveillance. Last year in the wake | :04:51. | :04:54. | |
of the Paris attacks and independent terror review found GCHQ's digital | :04:55. | :05:00. | |
eavesdropping had foiled a terrorist plot in the final hours before a | :05:01. | :05:05. | |
planned attack. The review of surveillance powers found GCHQ spied | :05:06. | :05:11. | |
on around 1600 people'se-mails and internet used to identify | :05:12. | :05:16. | |
extremists. What sort of people work at GCHQ? Famously we employ | :05:17. | :05:21. | |
mathematicians and also linguists, people with an analytical frame of | :05:22. | :05:26. | |
mind. And I guess and ability to keep secrets? It is an essential | :05:27. | :05:32. | |
part of working here, yes. Tony's has analysed top-secret information | :05:33. | :05:37. | |
for over 30 years. How has the business change? In some ways it has | :05:38. | :05:42. | |
changed beyond recognition, but the fundamentals of what we do are the | :05:43. | :05:49. | |
same as 100 years ago. Which is what? Looking at Communications of | :05:50. | :05:52. | |
people who would do harm to the UK. Even though we have this unique | :05:53. | :05:59. | |
access, we cannot show anyone's face and filming is tricky. Any computer | :06:00. | :06:03. | |
screen could contain top-secret data. One of the analyst managers | :06:04. | :06:08. | |
has agreed to speak to me, but only if we protect her identity. For the | :06:09. | :06:15. | |
sake of this film we will call her Beth. What you do? We take technical | :06:16. | :06:21. | |
data and turn it into something that can be used to arrest a suspect. The | :06:22. | :06:27. | |
attack. If I knew what he knew, would I be more or less worried | :06:28. | :06:33. | |
about the world than I am? A bit of both. More worried because you would | :06:34. | :06:37. | |
know more about the threat and the things we face as a nation, and feel | :06:38. | :06:42. | |
a bit safer because you know the tremendous people we have got inside | :06:43. | :06:46. | |
this building trying to keep us safe from those threats. It probably | :06:47. | :06:50. | |
evens out. I am not sure whether that is a relief! Even though they | :06:51. | :06:56. | |
have sophisticated technology, there is one thing workers cannot use, | :06:57. | :07:00. | |
personal mobile phones. They are banned from the building. That is | :07:01. | :07:05. | |
something my friend struggled to get their heads around, there will be a | :07:06. | :07:09. | |
block of eight, nine hours when I am not available. Do your friends call | :07:10. | :07:14. | |
you a spook? LAUGHTER. Not consistently. GCHQ are looking | :07:15. | :07:22. | |
to recruit the next generation of analysts and to attract a broader | :07:23. | :07:26. | |
cross-section, six weeks ago they published a book of puzzles. Have I | :07:27. | :07:31. | |
got what it takes to work here? Let's try this one. What follows the | :07:32. | :07:39. | |
NI, Brussels, Prague, Copenhagen, Tallinn, Helsinki, Athens? Tony has | :07:40. | :07:46. | |
to give me hints before I realise they are capital cities of Europe, | :07:47. | :07:51. | |
they are countries listed in alphabetical order. Why can I not | :07:52. | :08:01. | |
find a country beginning with H? Hungry. Budapest. It is a serious | :08:02. | :08:06. | |
and controversial business and a new government act will give GCHQ | :08:07. | :08:11. | |
ability to browse our internet records going back 12 months. Edward | :08:12. | :08:18. | |
Snowden claims GCHQ has been harvesting this material illegally | :08:19. | :08:22. | |
for years. Is that true? Tomorrow I will speak with one of the big | :08:23. | :08:24. | |
bosses here to find out. In part two of Nick's report | :08:25. | :08:30. | |
tomorrow, he challenges its deputy Now then, The Entire Universe, it is | :08:31. | :08:43. | |
on on Boxing Day, on BBC Two. Apparently an idea dreamt up by you | :08:44. | :08:48. | |
Brian and Eric idle, over a kite, always the best way. What does Eric | :08:49. | :08:54. | |
Idle know about science? He has always been a fan. Remember the | :08:55. | :09:02. | |
Galaxy songs. He said he gets so much internet and e-mails about the | :09:03. | :09:06. | |
Galaxy Song because people say it is wrong. He said, you scientists is | :09:07. | :09:11. | |
always change your mind as soon as you get new data. It grew from | :09:12. | :09:17. | |
there. I said to him drunkenly something like, my whole career has | :09:18. | :09:22. | |
been trying to explain science and being interrupted by TV people who | :09:23. | :09:26. | |
use a stand on a mountain and point at the stars. The ultimate | :09:27. | :09:31. | |
introduction would be a Broadway musical. Let's have a Broadway | :09:32. | :09:35. | |
musical interruption while you try to talk about science. With that in | :09:36. | :09:41. | |
mind, how would you describe this show? I think Brian is trying to put | :09:42. | :09:48. | |
on a lecture and he does not know the musical is happening and dancers | :09:49. | :09:53. | |
appear behind him. It is an insane show. A scientific Spamalot? It is a | :09:54. | :10:03. | |
science musical. You just said to me in the break, you said, it is the | :10:04. | :10:11. | |
weirdest thing I have seen! I have no idea what people will make of it. | :10:12. | :10:15. | |
Coming from you, the weirdest thing you have ever seen! Let's challenge | :10:16. | :10:24. | |
the audience right now with the weirdest thing you have ever seen. | :10:25. | :10:31. | |
# Just remember that you are standing on a planet revolving at | :10:32. | :10:35. | |
900 miles an hour. # That's orbiting so its reckons the | :10:36. | :10:44. | |
sun is the source of all our power. # Bang bang bang went to the Big | :10:45. | :10:46. | |
Bang. The Higgs Boson. That song, I wake | :10:47. | :11:12. | |
up screaming in the middle of the night, it is going around, and when | :11:13. | :11:17. | |
I am 100 I will be in a home, rocking backwards and forwards doing | :11:18. | :11:23. | |
the Higgs Boson song. It is the story of the universe from slightly | :11:24. | :11:27. | |
before the Big Bang until the present-day condensed into one hour | :11:28. | :11:31. | |
interrupted by a West End musical with Noel as the Higgs Boson, | :11:32. | :11:35. | |
Einstein and what else due play? An old lady at one point. I got to play | :11:36. | :11:43. | |
a sort of Monty Python old lady which was amazing. Warwick is the | :11:44. | :11:47. | |
Big Bang. He was amazing. The Bee Gees. We have three photographs and | :11:48. | :11:55. | |
we would like you to tell us what is going on. This is Warwick as part of | :11:56. | :12:03. | |
the Bee Gees line-up. Warwick was amazing to work with. He was so | :12:04. | :12:09. | |
cool. That is Hannah, who opened Spamalot on Broadway and in the West | :12:10. | :12:16. | |
End. An incredible voice. How do the Bee Gees fitting? They do a song | :12:17. | :12:21. | |
about gravity. # Gravity! We had to do a song in | :12:22. | :12:29. | |
very tight trousers but luckily we had amazing dancers. Arlene Phillips | :12:30. | :12:36. | |
did the choreography. They are, now you mention it, incredibly tight, | :12:37. | :12:39. | |
those trousers. It made it easier to sing. The next one, there you are as | :12:40. | :12:48. | |
Einstein. I was quite into that costume. I think Warwick was playing | :12:49. | :12:54. | |
Pluto. It is not a planet any more. It is very sad. He has been demoted. | :12:55. | :13:01. | |
We could not understand this. The Royal family in an alternative | :13:02. | :13:06. | |
universe? As fish. In this universe they are fish. What we do? I think I | :13:07. | :13:19. | |
was a camel in a poncho. Why? You have to watch to find out. In an | :13:20. | :13:25. | |
infinite universe with different possibilities, it illustrates every | :13:26. | :13:29. | |
possibility could happen. There could be a universe with the Royal | :13:30. | :13:32. | |
family as fish. People will watch this on Boxing Day and assume they | :13:33. | :13:37. | |
have had too much sherry. You should have some sherry and get involved. | :13:38. | :13:42. | |
How much of it is hard science fact and how much of it was you winding | :13:43. | :13:49. | |
up Brian? You have a bit of a go, horoscopes, Scientology. I called | :13:50. | :14:00. | |
you Spock. Eric said, I want you to basically, if you can, try to put | :14:01. | :14:06. | |
Brian off the lecture. We will get everything he hates out. We will | :14:07. | :14:10. | |
talk about Scientology. All of his bugbears. In the lecture, we do | :14:11. | :14:17. | |
actually tell the story of the universe as we know it with all the | :14:18. | :14:23. | |
factss. It is the story of the universe interrupted. You can see | :14:24. | :14:31. | |
The Entire Universe on BBC Two on Boxing Day at 9:30pm. It is funny. | :14:32. | :14:37. | |
Some weird goings-on have been spotted by BBC | :14:38. | :14:39. | |
"Hair ice" sent in by Lisa from Nairn in Scotland. | :14:40. | :14:48. | |
Highly unusual "fog dome" captured by Hannah in Wales. | :14:49. | :14:53. | |
But there's one phenomenon so rare, you'll probably never | :14:54. | :14:55. | |
That's as long as it doesn't escape Marty's lab. | :14:56. | :15:05. | |
Tornadoes, their power, speed and force can cause destruction wherever | :15:06. | :15:14. | |
they go. But there is a certain type of tornado that fascinates me the | :15:15. | :15:20. | |
most. They are rare, but deadly. They are known as fire tornadoes. | :15:21. | :15:27. | |
They're a dangerous combination of powerful winds and intense fire. | :15:28. | :15:36. | |
With wind speeds reaching 200mph, they can sore as high -- soar as | :15:37. | :15:41. | |
high as 400 feet and reach temperatures of 1,000 degrees. To | :15:42. | :15:45. | |
understand how the fire tornado forms, I'm going to whip up my very | :15:46. | :15:51. | |
own in a warehouse. First, I need to create a small forest fire in this | :15:52. | :15:59. | |
dish. What's happening here is the fire is creating hot air and the hot | :16:00. | :16:04. | |
air is rising up. As it rises up, it draws air in at the sides. If I use | :16:05. | :16:12. | |
my smoke pen here, if I hold it down here, you can see the smoke is being | :16:13. | :16:19. | |
drawn in and up really quickly. My little forest fire here isn't big | :16:20. | :16:23. | |
enough to create a vortex of air, so I'm going to give it a helping hand | :16:24. | :16:35. | |
using this metal gauze. And my old record turn table. When I turn it on | :16:36. | :16:41. | |
the updraft of air is twisted as it goes in through the Metal gauze and | :16:42. | :16:46. | |
you get the burning of a fire tornado. Look at that! The vast heat | :16:47. | :16:54. | |
created by wildfires causes the air to rise extremely quickly. This | :16:55. | :17:01. | |
updrafting air gets so strong, it can spoon tansly begin -- | :17:02. | :17:05. | |
spontaneously begin to rotate, creating a vortex of fire. I can | :17:06. | :17:10. | |
make a small-scale one, but can I come close to producing the | :17:11. | :17:15. | |
formidable power of a fire tornado? If I'm going to want to make a real | :17:16. | :17:20. | |
flame tornado, I will need something more than just a small bowl of fire | :17:21. | :17:25. | |
and a turn table. I'm going to need to scale things up a little bit. So | :17:26. | :17:31. | |
I've got ten powerful fans and a drum of fuel. Max, do you want to | :17:32. | :17:37. | |
light the fuel? I'm going to come over here. All I need to do is turn | :17:38. | :17:41. | |
on the fans here. Here we go. It's looking good. Just a little | :17:42. | :17:57. | |
tweak of the fans to adjust the wind direction and create that swirling | :17:58. | :17:58. | |
effect. Look at that! It's really quite hypnotically | :17:59. | :18:19. | |
beautiful. At the same time, it's terrifying, because you can feel the | :18:20. | :18:23. | |
heat. It's a ten-foot tall pillar of flame. That's why I'm quite glad you | :18:24. | :18:28. | |
don't see these very off the anyone nature. -- very often in nature. | :18:29. | :18:34. | |
However tempting it feels do not try it at home. You're tempted. Don't | :18:35. | :18:40. | |
try it. I know. We got talking there about tornadoes on Mars. Yeah, there | :18:41. | :18:44. | |
are dust devils, rotating storms. It's a tenuous atmosphere. We've | :18:45. | :18:51. | |
seen the sand being whipped up... Dust devils, you've made that up | :18:52. | :18:55. | |
surely. No in the midwest they call them that. Do you talk about them in | :18:56. | :19:01. | |
Professor Brian Cox live? That's a very smooth link! Isn't it, thanks. | :19:02. | :19:06. | |
I've just finished this big tour. All across the country, talking | :19:07. | :19:17. | |
really about cosmology. Arena, Noel. In May, Wembley. We finished | :19:18. | :19:23. | |
Hammersmith Friday night. That's the place Bowie finished. You should | :19:24. | :19:29. | |
have worn your outfit. I was thinking that, the Space 1999 | :19:30. | :19:34. | |
outfit. How theatrical is it and how much is it like one of your | :19:35. | :19:38. | |
lectures? We have a huge screen. The thing about astronomy, we have | :19:39. | :19:43. | |
spectacular images. They're the way we know these things. There are two | :19:44. | :19:49. | |
trillion galaxies in the observable universe. How do we know? We say the | :19:50. | :19:56. | |
universe is 13. 8 billion years old. How do we know? It's a big screen | :19:57. | :20:00. | |
and a bit a lecture. It's the only gig you see where you actually take | :20:01. | :20:04. | |
notes. People said, that it's great to see on Twitter coming out going, | :20:05. | :20:10. | |
"I don't know what to think any more." We're infinitily tiny on this | :20:11. | :20:16. | |
tiny but also incredibly valuable. That's what I try get across. | :20:17. | :20:19. | |
There's no answer to that. How do you fit those two things? It's so | :20:20. | :20:25. | |
tiny, a speck of dust, but incredibly valuable as civilisation. | :20:26. | :20:29. | |
It's really popular, because you've actually broken a world record. | :20:30. | :20:34. | |
Yeah. For the most tickets ever sold for a scientific event. There has | :20:35. | :20:41. | |
only been one scientific event! There we go. I was presented from | :20:42. | :20:46. | |
the Guinness Book of Records, a remarkable thing. 75,000 people came | :20:47. | :20:51. | |
to the tour. Are you going to be in the Guinness Book of Records. For | :20:52. | :20:55. | |
this Christmas, look. We've extended it into May for which tickets are | :20:56. | :20:59. | |
still available - can I say that? Another record. I want to see it. I | :21:00. | :21:07. | |
haven't seen it yet. He can spare one for you. You can answer all the | :21:08. | :21:15. | |
questions about the Higgs Bosun. Now then, if you watched Planet Earth II | :21:16. | :21:23. | |
last night, I'm sure you will see how they capture those incredible | :21:24. | :21:28. | |
moments. Sir David Attenborough is with us on Friday, but Mike has met | :21:29. | :21:33. | |
an avid twitcher with some clever tricks of his own | :21:34. | :21:39. | |
It feels like a scene from the Great Escape. You wouldn't have thought | :21:40. | :21:42. | |
the best place to see birds was through a tunnel. This is a bird | :21:43. | :21:49. | |
encounter with a difference. All right, Robert. All right, Michael. | :21:50. | :21:54. | |
The One Show has been to your house a number of times. I know the | :21:55. | :21:59. | |
amazing lengths you go to film and photograph wildlife, but this takes | :22:00. | :22:03. | |
the biscuit When there's good action out here, I had an idea and I crept | :22:04. | :22:08. | |
from the house. Occasionally I was spotted by the birds out there. Then | :22:09. | :22:12. | |
would have another long wait. When something really interesting is | :22:13. | :22:15. | |
happening out there, I can come through the tunnel and photograph | :22:16. | :22:19. | |
and film the wildlife undetected. The subterranean technique. The | :22:20. | :22:24. | |
tunnel took a month and thousands of pounds to construct. Wildlife artist | :22:25. | :22:29. | |
Robert Fuller comes up with many inventive way to get close to | :22:30. | :22:33. | |
animals to inspire his art work. The tunnel isn't the only trick up his | :22:34. | :22:37. | |
sleeve. He's built bird tables with a difference, as well as garden | :22:38. | :22:41. | |
birds, he leaves food out for surprising visitors. We've got | :22:42. | :22:45. | |
kestrels and owls that feed here. It's an interesting mix of animals. | :22:46. | :22:50. | |
The kestrels and owls come onto the bird table? Yeah, they do, yeah. | :22:51. | :22:54. | |
This is something I've never seen. As we watch the usual garden birds | :22:55. | :22:58. | |
feeding, suddenly they all disappear. Something bigger arrives | :22:59. | :23:06. | |
for lunch. That's lovely, look at that. That is a kes receipt sitting | :23:07. | :23:11. | |
on a bird table. I never thought I'd say that. It's a bird that hovers on | :23:12. | :23:16. | |
motorway verges, it doesn't come down and eat carrion. Well, it does | :23:17. | :23:21. | |
at your house! They're clever little birds, taking the opportunity of | :23:22. | :23:25. | |
getting the food. They will come down and take carrion. Is there a | :23:26. | :23:29. | |
worry about supplementary feeding? You want the birds to be able to | :23:30. | :23:33. | |
find their own foods naturally as well We're supplementing normal | :23:34. | :23:36. | |
garden birds throughout the country, what's the difference? It's a bigger | :23:37. | :23:41. | |
bird and it eats meat, there's no difference to me. There seems to be | :23:42. | :23:45. | |
an uneasy alliance between the smaller and bigger birds. But the | :23:46. | :23:51. | |
real argy-bargy is caused by two rival kestrel nests. They're almost | :23:52. | :23:56. | |
like drawing pistols. They go in with their tallons. Oh, it's a | :23:57. | :24:00. | |
kicking match. They're like teariers, straight into action. Two | :24:01. | :24:05. | |
nests, one male, two females. Just added an extra element into the mix | :24:06. | :24:10. | |
this year. The females have been fighting this summer. Now that | :24:11. | :24:13. | |
female is fighting with the chicks that have fledgeled. That coat cell | :24:14. | :24:20. | |
behaviour was -- kestrel behaviour was nonstop action. Now it's time | :24:21. | :24:25. | |
for the night shift. Every evening, Robert puts more food out to attract | :24:26. | :24:30. | |
a family of tawny owls to come to the table. The bird tables in front | :24:31. | :24:35. | |
of us are illuminated because Robert has been slowly getting the owls | :24:36. | :24:40. | |
acclimatised to feeding in the light. We can't have any lights | :24:41. | :24:44. | |
inside the hide. If the birds see us, they won't come anywhere near. | :24:45. | :24:48. | |
That's why we're filming in infrared and you're looking at us in black | :24:49. | :24:56. | |
and white. After 20 minutes of quietly waiting, look who-who's come | :24:57. | :25:01. | |
to dinner. The chicks are five metres away, in full light. How many | :25:02. | :25:06. | |
youngsters have you got in the nest? Naturally they had three of their | :25:07. | :25:13. | |
own chicks. We've surrogated four. To get the owls to this point, so | :25:14. | :25:17. | |
close to the hide has taken real perseverance. I start feeding them | :25:18. | :25:23. | |
down in the trees on a table, which is a mobile table. That table then | :25:24. | :25:27. | |
moves up here, ten metres a day, until we have them a few metres | :25:28. | :25:33. | |
outside the hide. We've now got six tawny owls in one shot. Quality and | :25:34. | :25:40. | |
quantity. Giving Robert inspiration for his latest picture. Using a | :25:41. | :25:47. | |
combination of patience, skill and field craft, Robert's turned his | :25:48. | :25:51. | |
back garden into a restaurant for a whole variety of birds and with | :25:52. | :25:56. | |
kestrels by day and tawny owls by night, this is a 24-hour diner. | :25:57. | :26:06. | |
Well, special with the tawny owls. But the kestrels! Digging a tunnel | :26:07. | :26:09. | |
was extreme, but worth it. Fantastic. You're very into art as | :26:10. | :26:14. | |
well. We have a piece of work here. This is Bats in a Tree, yes? They're | :26:15. | :26:24. | |
Bryan Ferry bats. How do you like interpreting wildlife. I had an | :26:25. | :26:28. | |
exhibition at the Royal Albert Hall, the water colours. The I like | :26:29. | :26:34. | |
animals. A lot of the comedy characters that me and Julian did | :26:35. | :26:39. | |
were often half animal. Do you spend quite a bit of time painting? Yeah, | :26:40. | :26:44. | |
it kind of relaxes me. Comedy is crazy and it's stressful. Painting | :26:45. | :26:50. | |
is like meditation. You zone out for hours I know how you feel. I'm the | :26:51. | :26:55. | |
same. You paint as well. Yeah, I do. We're dog a bit of comedy-ish now. | :26:56. | :27:03. | |
Never Mind The Buzzcocks you were a team captain. This is the intro | :27:04. | :27:07. | |
round. You sing the intro and the other person guesses the song. We're | :27:08. | :27:12. | |
going to swap, because I won't put you through this. I'll do the intro. | :27:13. | :27:19. | |
You help us team if we get stuck. These are our stars These songs are | :27:20. | :27:27. | |
science related-ish. Are we ready for the first one? I | :27:28. | :27:31. | |
can't remember the first one. Atmospheric. I'll provide the vibe. | :27:32. | :27:46. | |
# Turn around... Yes! He's good. It was the movement that you were | :27:47. | :27:54. | |
doing. Go on then. You start this. | :27:55. | :28:04. | |
The third one. You turned it into George Formby. Cleaning windows. | :28:05. | :28:31. | |
I've got it! It's the final... Count down! Yes. Pop trivia, my band | :28:32. | :28:46. | |
supported Europe. We supported them for 58 shows in 1989. Oh, my | :28:47. | :28:51. | |
goodness. We've got to go home now. That was quick. Tomorrow we have Ian | :28:52. | :28:56. | |
Hislop here. See you later. Bye. | :28:57. | :29:00. |