Browse content similar to 06/04/2016. Check below for episodes and series from the same categories and more!
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Hell o and welcome to The One Show with Alex Jones and Matt Baker. Paul | :00:00. | :00:11. | |
O'Grady is going to be here and Ian Hislop is popping in. I think we | :00:12. | :00:15. | |
should stop talking and get in studio. Run the titles. | :00:16. | :00:20. | |
Can we put the music on please? I think there is a hitch. | :00:21. | :00:26. | |
Can we put the music on please? I have brought my violin. And a few | :00:27. | :00:26. | |
friends. MUSIC. | :00:27. | :00:56. | |
APPLAUSE APPLAUSE. There you go. Fantastic, a big thank | :00:57. | :01:03. | |
you to Alex and the competitor foster Menuhin come pep pigs | :01:04. | :01:06. | |
fission, we will hear more later on. Let us meet the guest, one has been | :01:07. | :01:11. | |
exploring his own musical talents. -- competition. | :01:12. | :01:17. | |
Super job. The other one doesn't mind-blowing his own trumpet. Please | :01:18. | :01:24. | |
welcome Ian Hislop and Paul O'Grady. Good to see you. Wait a minute, wait | :01:25. | :01:30. | |
a minute. No, no, Mr Paul O'Grady is banned from this show, dough you | :01:31. | :01:34. | |
remember? Get security. Security please I am tagged and I have had a | :01:35. | :01:39. | |
reprieve. I have a tag on. Hit the news and everything. Please! No fun | :01:40. | :01:46. | |
show. I never said that. We were so upset. ? There was a question I was | :01:47. | :01:50. | |
asked. And something, and I go into a rant, you know what it is like, I | :01:51. | :01:55. | |
am easy wound up. It is live tonight, you can have another one. | :01:56. | :02:02. | |
Please, no. You might have trouble with me and Ian. We had a look | :02:03. | :02:07. | |
through the file of banned One Show guests but it turns out it is empty. | :02:08. | :02:12. | |
There should be a few people in there, without naming names. You are | :02:13. | :02:15. | |
not bad on that violin. Thanks Paul. ? You are good. To be fair you have | :02:16. | :02:21. | |
yourself in a few spats in your time, Ian. Yes I am offended I am | :02:22. | :02:26. | |
not banned from this show! I feel inadequate. What is your most | :02:27. | :02:31. | |
memorable ban? I am not allowed to sit on a jury, because, can you | :02:32. | :02:36. | |
imagine it, I was found guilty of contempt of court! Seems unlikely | :02:37. | :02:41. | |
doesn't it. But I am not trustworthy. Oh. Right. A few things | :02:42. | :02:47. | |
I am not allowed on. S we want to see you back. Now then airport | :02:48. | :02:52. | |
security is in the spotlight after the recent attack in Brussels with | :02:53. | :02:54. | |
some asking whether checks should be made before you even go through the | :02:55. | :02:58. | |
front door. Anita has been finding out how lightly that is and what | :02:59. | :03:01. | |
other changes might be coming our way. | :03:02. | :03:05. | |
-- likely. For nearly 50 year, as those looking | :03:06. | :03:11. | |
to spread terror change their methods, airport security round the | :03:12. | :03:14. | |
world has had to adapt too. In Brussels, it was people checking in | :03:15. | :03:19. | |
for flights that were targeted. At airports across Europe we are | :03:20. | :03:24. | |
used to be being able to walk into a check-in area and come and go as we | :03:25. | :03:28. | |
please, even if we are just there to see someone off. Since the terror | :03:29. | :03:32. | |
attacks? Belgium some are suggesting that security needs to begin outside | :03:33. | :03:36. | |
the front door. Across from London City Airport, at | :03:37. | :03:40. | |
the University of East London I meet up with the former head of the | :03:41. | :03:44. | |
national counter-terrorism security office, Chris Philps. | :03:45. | :03:48. | |
At the moment the security is basically aimed at protecting the | :03:49. | :03:51. | |
aeroplane and not protecting the terminal. So maybe we need to look | :03:52. | :03:55. | |
at only those that have tickets to fly being allowed to come into the | :03:56. | :03:59. | |
terminal and also they have their baggage screened prior to getting | :04:00. | :04:03. | |
into the terminal. Yes, it will take longer, but I think it is a price we | :04:04. | :04:09. | |
have to pay perhaps if we want secure terminalst So you suggest if | :04:10. | :04:13. | |
you are not flying you are not allowed in, so you have to say | :04:14. | :04:17. | |
goodbye to your loved ones outside That is the norm elsewhere. It is | :04:18. | :04:21. | |
something we will have to get used to. Many airports in India, the | :04:22. | :04:25. | |
Middle East, Africa and South East Asia routinely screen pass Serb jers | :04:26. | :04:30. | |
before they ten the airport. But some experts favour other | :04:31. | :04:35. | |
option, Philip has 30 years of experience in airport security, he | :04:36. | :04:38. | |
believes passenger profiling and behavioural science are the most | :04:39. | :04:41. | |
effective defences. We ought to be focussing much or on | :04:42. | :04:46. | |
people as they enter the buildings, as they are milling round public | :04:47. | :04:50. | |
concourse, and when we see somebody doesn't quite match our expectations | :04:51. | :04:53. | |
we should be focussing on them, rather than screening everybody in | :04:54. | :04:58. | |
the same way. OK, well, we have a still up behind you of the suspected | :04:59. | :05:02. | |
Brussels airport bomber, what stands out for you? When you look at this | :05:03. | :05:06. | |
image you see two of the individuals are wearing one glove, all three | :05:07. | :05:12. | |
people have check luck gang but none have hand baggage, that is very | :05:13. | :05:15. | |
unusual in an airport environment. To see what he mean, we have set up | :05:16. | :05:20. | |
a makeshift One Show airport terminal and filled it with actors | :05:21. | :05:24. | |
as would be travellers. Tell me what you see One of the fist things is | :05:25. | :05:30. | |
you have people in summer dress, but you have two individuals here, that | :05:31. | :05:33. | |
are dressed somewhat unseasonably for the flight. These two | :05:34. | :05:37. | |
individuals who are not communicating with each other | :05:38. | :05:40. | |
either, just seem to be very focussed, standing in line, seems a | :05:41. | :05:43. | |
bit unusual. Maybe a justifiable reason for it but that is why I | :05:44. | :05:47. | |
would want to have a chat with them. Hold on, can you pause that one, we | :05:48. | :05:52. | |
have two people here, on their mobile phone, wearing the same | :05:53. | :05:56. | |
shirts, in the same jeans, carrying more or less the same baggage, why | :05:57. | :06:02. | |
aren't they travelling together? Why is that suspicious? Whether there is | :06:03. | :06:06. | |
covert contact between people who might be part of a team, they may | :06:07. | :06:09. | |
just be wearing the same type of dress. Let us ask the question. What | :06:10. | :06:14. | |
happens then? It is one thing to identify unusual behaviour, then you | :06:15. | :06:17. | |
have to know how to respond to it. If you think you have guilt a | :06:18. | :06:22. | |
suicide bomber in front of you, then, questioning may not be the | :06:23. | :06:26. | |
right answer. It is then how you actually manage the area round them, | :06:27. | :06:30. | |
how do you protect as many people as possible. | :06:31. | :06:34. | |
Philip says this is about looking for the unusual, not racial | :06:35. | :06:37. | |
profiling, of course, our suspects are actors but how would real | :06:38. | :06:40. | |
passenger feel about being scrutinised this this way? I feel | :06:41. | :06:44. | |
like there is a thin line with that. In what sense? If you look a certain | :06:45. | :06:49. | |
type of way you may get stopped and some have experienced that before. | :06:50. | :06:54. | |
Because we are of colour, often times you get more victimised I | :06:55. | :06:59. | |
believe. It is important we don't sacrifice personal freedoms because | :07:00. | :07:02. | |
we don't feel safe. That is when the terrorists win. What about the idea | :07:03. | :07:08. | |
you may have extra security checks? I wouldn't feel offends, if I can | :07:09. | :07:12. | |
prevent something bad happening. How would you feel you weren't allowed | :07:13. | :07:16. | |
in the you didn't have a valid ticket. I don't think that would be | :07:17. | :07:21. | |
acceptable. One of the great things about picking up loved ones and | :07:22. | :07:26. | |
friend. The experts believe changes in airport security after Brussels | :07:27. | :07:31. | |
are inn tab. The one thing the terrorists can't plot their way | :07:32. | :07:34. | |
round of is a whole team of people that are observing behaviours in | :07:35. | :07:38. | |
every area of the airport and indeed onboard the aircraft. We need to | :07:39. | :07:41. | |
understand that the terrorist threat is evolving, so we have to think | :07:42. | :07:46. | |
ahead of them and try to stop it from happening, but that will mean | :07:47. | :07:49. | |
everyone not only airports adapting their security measures. | :07:50. | :07:56. | |
So since Brussels then, what changes have been made to tighten security? | :07:57. | :08:00. | |
We spoke to eight airports across the UK and five said they have | :08:01. | :08:02. | |
increased their police presence, three said they didn't want to tell | :08:03. | :08:06. | |
us, understandably, the Department for Transport told us they are | :08:07. | :08:09. | |
constantly reviewing all their security measures for but what is | :08:10. | :08:12. | |
interesting, are things that could come in. So we could see more | :08:13. | :08:17. | |
sniffer dogs, we know they have that incredible sense of smell. Not the | :08:18. | :08:19. | |
fact they could incredible sense of smell. Not the | :08:20. | :08:21. | |
devices and drug, they are a incredible sense of smell. Not the | :08:22. | :08:26. | |
deterrent in themselves because they are unpredictable, just their | :08:27. | :08:27. | |
presence. They have them are unpredictable, just their | :08:28. | :08:32. | |
Australia and New Zealand. More undercover police, they will be in | :08:33. | :08:34. | |
among us, training up people undercover police, they will be in | :08:35. | :08:39. | |
work in the airport. 76,000 people work in the airport. 76,000 people | :08:40. | :08:43. | |
city. Everyone from cleaning staff, to people who work in restaurants, | :08:44. | :08:48. | |
city. Everyone from cleaning staff, they should and shouldn't be looking | :08:49. | :08:50. | |
out for, they should and shouldn't be looking | :08:51. | :08:53. | |
we have fingerprint recognition and voice recognition, we could see | :08:54. | :08:57. | |
facial recognition being used. It is already in some airports just to | :08:58. | :09:00. | |
look at how the flow of people, how fast you can get people through | :09:01. | :09:06. | |
security, at the moment facial recognition is contentious but in | :09:07. | :09:08. | |
the future you could have people on a watch list, if you see them, you | :09:09. | :09:10. | |
could match them up. lots of potential security measures. | :09:11. | :09:17. | |
Do you both feel on edge when you go airports? Paul, you have just got | :09:18. | :09:20. | |
back from Borneo. It doesn't bother me. I sort of welcome these security | :09:21. | :09:28. | |
checks. Yes. It is a pain in the neck, belt off, watch off and I | :09:29. | :09:32. | |
still get frisked. Are you one of them...? Every now and again, I | :09:33. | :09:38. | |
think how do you do it to me all the time. I am all for it. It is keeping | :09:39. | :09:44. | |
us safe. I can't do with people who forget to take liquids out. I feel | :09:45. | :09:48. | |
like saying for God's sake. We know the drill. Let us make it easy for | :09:49. | :09:54. | |
ourselves. As long as people don't overreabout and we are terrified the | :09:55. | :09:57. | |
whole time, then I think you have lost the plot. If it is routine and | :09:58. | :10:01. | |
it makes you feel safer, that is all right. What about not taking your | :10:02. | :10:07. | |
family? Again I think they are shifting the front | :10:08. | :10:08. | |
family? Again I think they are further out. Then it becomes the | :10:09. | :10:11. | |
family? Again I think they are a point where you are going on a | :10:12. | :10:17. | |
flight. They have to find is. We touched on racial profiling | :10:18. | :10:24. | |
in the piece, what is your personal view? The argument is if you know a | :10:25. | :10:29. | |
threat is coming, or you think a threat is coming from a particular | :10:30. | :10:32. | |
community you would more likely to target that, every person I have | :10:33. | :10:37. | |
talked to who is not white fears this could target them, it opens up | :10:38. | :10:43. | |
the potential for abuse, it makes people feel victimised, talk to | :10:44. | :10:47. | |
anybody Irish in the '70s and 80 how they felt or anybody in a hijab or | :10:48. | :10:54. | |
Asian with a rucksack and a beard getting on the tube. As soon as you | :10:55. | :10:57. | |
start fearing the person or your suspicious of the person sitting | :10:58. | :11:00. | |
next to you, purely based on what they look like the terrorists have | :11:01. | :11:04. | |
won, they are breeding suspicion, and breaking down the fundamentals | :11:05. | :11:08. | |
of society, society, racial profiling I would | :11:09. | :11:10. | |
of society, society, racial there, it is a lot more nuanced than | :11:11. | :11:17. | |
just... A certain amount of commonsensed. People saying I love | :11:18. | :11:22. | |
your show, why are you searching me? I It is odd. They say where | :11:23. | :11:26. | |
your show, why are you searching me? little dog? So I go, if you root | :11:27. | :11:30. | |
hard enough you might find it. Thank you Anita. | :11:31. | :11:36. | |
Virtual reality is the latest trend in the world of computer gaming with | :11:37. | :11:39. | |
a whole host of headsets being released this year. As Lucy has been | :11:40. | :11:43. | |
finding out it has more serious applications as well. | :11:44. | :11:53. | |
This is Karen, now that is not an affectionate name for a new piece of | :11:54. | :11:58. | |
kit, it stands for computer assisted rehabilitation environment. And here | :11:59. | :12:03. | |
in Salford it is helping change the lives of people suffering from | :12:04. | :12:07. | |
various neurological and orthopaedic conditions. | :12:08. | :12:14. | |
Sylvia is a neurophysiotherapist at the brain charity Basic. How does | :12:15. | :12:19. | |
the system work? It has a dual belt treadmill, ten cameras and five | :12:20. | :12:25. | |
projectors so it enables us to analyse what they are doing. What | :12:26. | :12:30. | |
sole it to you? Initially I was sceptical, but the more and more | :12:31. | :12:34. | |
clients that we are seeing now, the more we are seeing good results. | :12:35. | :12:39. | |
Sophie was just 11 when she had a stroke. Now, 17, she is the | :12:40. | :12:44. | |
charity's youngest client. Does it feel like you are outside, that you | :12:45. | :12:49. | |
are in the forest Yes, some time, you see the flowers and the houses, | :12:50. | :12:54. | |
there is a house there, but I really like it. Are there things you can do | :12:55. | :12:58. | |
now that you couldn't have dreamed of doing a few years ago? When I was | :12:59. | :13:03. | |
ill, I was really struggling, getting ready for PE, you see, but | :13:04. | :13:10. | |
now, later on I can do more better. I feel more confident, working this, | :13:11. | :13:15. | |
than anybody, and feel like real improved myself. | :13:16. | :13:24. | |
Tell me about how you have used this system, particularly with dementia | :13:25. | :13:27. | |
sufferers. We will never get them better, we know that, but what we | :13:28. | :13:32. | |
are hoping for them to achieve is that perhaps we can plateau that | :13:33. | :13:37. | |
stage, certainly for a fair number of years if possible. But we want to | :13:38. | :13:41. | |
give them the empowerment. Many used to be able to walk in the woods | :13:42. | :13:45. | |
before, not being able to do that whereas they go on the virtual | :13:46. | :13:50. | |
reality and all of a sudden they are back there where they could walk | :13:51. | :13:55. | |
safely, so we hope we would improve their wellbeing, their quality of | :13:56. | :13:56. | |
life through it. This is his fifth session using the | :13:57. | :14:10. | |
Karen system. Is there anything important about doing this in a | :14:11. | :14:13. | |
woodland scene? It's just beautiful scenery to be looking at, you | :14:14. | :14:18. | |
probably find he's not even aware of the scene at the moment. Obviously | :14:19. | :14:28. | |
with this application we have bats to hit away but it would be too much | :14:29. | :14:33. | |
to have that interference. We are heading for a cottage, is it | :14:34. | :14:38. | |
important to have something to aim for? It is and people's expectations | :14:39. | :14:42. | |
vary. One lady said she expected to see a coffee shop or ice cream | :14:43. | :14:56. | |
parlour. I was thinking tea. This is the longest he has walked on one | :14:57. | :15:00. | |
time. There has been a lot of research done in Israel and | :15:01. | :15:04. | |
Amsterdam, about pain relief and phobias. Certainly with veterans and | :15:05. | :15:10. | |
amputees. As far as you are concerned is virtual reality for | :15:11. | :15:14. | |
health care here to stay? I want to say that it would be an extra tool | :15:15. | :15:19. | |
kit for therapists. Yes, it will be here to stay. That is just | :15:20. | :15:28. | |
unbelievable. When you think that so much time can be wasted on gaming | :15:29. | :15:32. | |
and you see something like that and how much good it can do. Even you | :15:33. | :15:38. | |
can see the good in it. Absolutely. Some good news. | :15:39. | :15:44. | |
You may remember we featured 13 year old Zara who has leukemia | :15:45. | :15:47. | |
and her life-saving search for a blood stem cell | :15:48. | :15:49. | |
Thousands of people signed up, a match has been found | :15:50. | :15:53. | |
and she'll be having treatment in the next few weeks. | :15:54. | :15:57. | |
A big thanks to everyone who registered and good luck Zara. | :15:58. | :16:00. | |
If you'd like the register to be a potential donor go to our website | :16:01. | :16:03. | |
Paul we mentioned it earlier - you've been to Borneo | :16:04. | :16:10. | |
for your latest series of 'Animal Orphans'. | :16:11. | :16:14. | |
While he was there he fell in love. I did. You are not a Christmas | :16:15. | :16:22. | |
ornament, you have to do this when you are in the wild. It must be | :16:23. | :16:29. | |
tough for him as he is still getting used to life without his mother. You | :16:30. | :16:34. | |
want to come back, do you? There you go. Have a nice cuddle. Is that | :16:35. | :16:50. | |
better? Or you like that? APPLAUSE -- do you like that? I'm sorry to | :16:51. | :16:56. | |
take this footage off, but you nail it, you can't not like it. I now | :16:57. | :17:02. | |
know the meaning of love at first sight. The lady who runs it is | :17:03. | :17:06. | |
English and went out for a holiday and saw what's going on. She has put | :17:07. | :17:12. | |
everything into the orangutan rehabilitation centre and she says | :17:13. | :17:15. | |
that he's not normally very good with strangers but me and Archie | :17:16. | :17:19. | |
clicked. I couldn't believe it. I couldn't hand him over. There were | :17:20. | :17:25. | |
other orphans there as well. He was just bestial? He was in the | :17:26. | :17:30. | |
youngest, he is one, he was found on the forest floor. -- he was just | :17:31. | :17:44. | |
special? It was magic. The way I would be bottle-feeding him and I | :17:45. | :17:48. | |
would think, I'm not coming home, I want to live in the jungle with | :17:49. | :17:53. | |
Archie. Even Ian's face softened. I'm trying to resist! URL and in my | :17:54. | :18:00. | |
reputation again! I'm not used smiling. Are you a bit of a sucker | :18:01. | :18:06. | |
with cute animals? Yes... Well, I got account. He's called Colin. -- I | :18:07. | :18:14. | |
got a cat. He sounds like he's in middle management. Let's talk about | :18:15. | :18:26. | |
Pica because she is a little gibbon who had been orphaned as well. Tell | :18:27. | :18:31. | |
us about her. She had never climbed before and they were trying to get | :18:32. | :18:35. | |
her to climb the tree and they had no luck and they said to me, you | :18:36. | :18:38. | |
have a go and she went up the tree for some unknown reason. All I said | :18:39. | :18:43. | |
was, go on, don't be hanging round up here and she went. You like | :18:44. | :18:51. | |
Doctor Doolittle! You do have remarkable affinity with animals. | :18:52. | :18:57. | |
There would be also walks, rats, mice, guinea pigs in the airing | :18:58. | :19:02. | |
cupboard. I have always got on well with them. I was talking about | :19:03. | :19:09. | |
animal instincts. If you were an animal what would you be? Everyone | :19:10. | :19:13. | |
was asking what I was on about and I said I would be a dear, and silence | :19:14. | :19:17. | |
fell across the room. You know where I'm coming from? I would be one of | :19:18. | :19:29. | |
those mad pigeons rooting around in a bin. Or a one eyed cat or | :19:30. | :19:40. | |
something with mange. What a place it is, Borneo. It is so diverse, not | :19:41. | :19:46. | |
just the rainforest but marine life. Yes, and very hot. 48 degrees and we | :19:47. | :19:51. | |
had to wear rubber gloves, surgical masks and wellies in case we gave | :19:52. | :19:55. | |
the animals anything because they have no immune system. I was dying | :19:56. | :20:00. | |
in the heat. You forget when you have the likes of Archie and the | :20:01. | :20:04. | |
baby turtles and all of this. You would stand on a barbecue, frankly, | :20:05. | :20:09. | |
just to get a cuddle. They were amazing. The turtles. We sailed to | :20:10. | :20:13. | |
this island across the South China Sea. You can only go at a certain | :20:14. | :20:18. | |
time because it is invested with pirates. -- infested. You take the | :20:19. | :20:24. | |
eggs and bury them until they hatch and then you released them so the | :20:25. | :20:28. | |
predators don't get them. Only one in 10,000 survive. That's not great | :20:29. | :20:38. | |
odds, really. I'm talking to them, now, UB Cavill! Don't talk to the | :20:39. | :20:41. | |
sharks or any big fish. Behaviour self. -- you, be careful. Is that | :20:42. | :20:51. | |
why they breed so many? -- behave yourself. When they hatch it is like | :20:52. | :20:56. | |
bubbling oil, it is like alchemy, you put your finger in the sand and | :20:57. | :21:00. | |
all of a sudden hundreds of baby turtles are going in a bucket, they | :21:01. | :21:05. | |
are everywhere. You just think, aren't we lucky being able to do | :21:06. | :21:10. | |
this? Normally you're not as a tourist allowed to get stuck in. It | :21:11. | :21:13. | |
was just bliss. If, like Paul, you're are thinking | :21:14. | :21:24. | |
of going away on an exotic trip - one of the most important decisions | :21:25. | :21:28. | |
you have to make is what How many choices do you have? It is | :21:29. | :21:31. | |
very limited, I have to say. A choice that can cause more | :21:32. | :21:36. | |
controversy than you might think. Some high street stores are now | :21:37. | :21:43. | |
selling a three piece swimsuit commonly referred to as a burkini | :21:44. | :21:49. | |
which covers all of the body except the face, hands and feet. What's | :21:50. | :21:53. | |
which covers all of the body except the fuss about? It has got political | :21:54. | :21:55. | |
with the women's rights minister I'm in Bradford with Jackie and | :21:56. | :22:11. | |
Charlie to find out which garment people think enslaves women more. | :22:12. | :22:19. | |
The burkini, or the bikini? Let's go and find out, girls. I can see you | :22:20. | :22:24. | |
eyeing up our models, which would you prefer? I am Asian | :22:25. | :22:32. | |
eyeing up our models, which would know a lot of Asian women who would | :22:33. | :22:36. | |
not show their body to anybody. I can wear bikinis but | :22:37. | :22:38. | |
not show their body to anybody. I cover myself up it would | :22:39. | :22:43. | |
not show their body to anybody. I it is enslaving women in anyway, | :22:44. | :22:47. | |
locking their bodies away? I don't think it's wrong for them to cover | :22:48. | :22:49. | |
their body. It's down think it's wrong for them to cover | :22:50. | :22:56. | |
themselves and how they feel. It has been called the Islamic Asian | :22:57. | :22:59. | |
fashion. What do you think about that? I did not realise it was a | :23:00. | :23:05. | |
garment, I thought she was a green screen person! I genuinely thought | :23:06. | :23:09. | |
that's what she was. What do you think about high street stores | :23:10. | :23:15. | |
stocking them? It opens up the market for other cultures and if | :23:16. | :23:18. | |
you're not so comfortable with your body in public, you would not wear a | :23:19. | :23:23. | |
bikini, you would go for the burkini. Being a Muslim girl you | :23:24. | :23:28. | |
have to cover yourself up and not flaunt your body, but I don't think | :23:29. | :23:31. | |
it's just for Muslims, anyone who is not comfortable in a bikini or a | :23:32. | :23:38. | |
1-piece, they could wear a burkini. There has been a bit of criticism | :23:39. | :23:43. | |
about the burkini and it was said that it is the Islamification | :23:44. | :23:51. | |
fashion. It depends on the individual, if she is comfortable to | :23:52. | :23:56. | |
go swimming, that's fine. As long as she is fully covered. What message | :23:57. | :24:00. | |
does she give out when wearing a bikini? Look at me. Which outfit | :24:01. | :24:08. | |
would you feel more free in? In the bikini. I would not go on a beach | :24:09. | :24:17. | |
looking like that. You are fully covered, you won't get a suntan! | :24:18. | :24:21. | |
Which outfit would you feel more freedom in? This is more free, if I | :24:22. | :24:26. | |
was just with my girls, but if I was with other people I did not know, | :24:27. | :24:32. | |
then I would wear this. I think it is both, they are choosing what they | :24:33. | :24:37. | |
want to wear themselves. A lot of people say they want women to have | :24:38. | :24:40. | |
the same rights as men but they still say things that make a woman | :24:41. | :24:44. | |
field as though she is trapped or not have the same rights as a man. | :24:45. | :24:50. | |
Use a bunch of someone based on what they wear. It is down to them what | :24:51. | :24:54. | |
they wear rather than how they choose to have their appearance. | :24:55. | :25:03. | |
Brave girls walking through that shopping centre! Thank you. I would | :25:04. | :25:06. | |
love to see you in a bikini. LAUGHTER | :25:07. | :25:15. | |
Anyway... Maybe later! Tomorrow sees the start of the violin Olympics | :25:16. | :25:19. | |
call the men win competition. It was started by getting in when himself. | :25:20. | :25:23. | |
-- Yehudi Menuhin. Designed for people for whom | :25:24. | :25:26. | |
the word 'prodigy' was invented, it's one of the most prestigious | :25:27. | :25:28. | |
competitions for young Competitors travel from across | :25:29. | :25:31. | |
the globe to take part and, as you saw earlier, 21 of them have | :25:32. | :25:34. | |
joined us in the studio tonight. We're going to chat the three Brits | :25:35. | :25:37. | |
taking part in a moment. But first here are the competitors | :25:38. | :25:40. | |
in the junior category with a excerpt from Enesku's | :25:41. | :25:43. | |
'Ballade.' APPLAUSE | :25:44. | :25:45. | |
Incredible standard. We're joined now by the three | :25:46. | :26:52. | |
British competitors - all in the senior category - | :26:53. | :26:54. | |
Mathilde, Louisa and Juliette. It's nice to see you. We know that | :26:55. | :27:04. | |
this is a very prestigious competition but explain to us why it | :27:05. | :27:08. | |
is so important to compete. It's the most prestigious competition in the | :27:09. | :27:13. | |
world for young violinists and it is also the centenary this year which | :27:14. | :27:17. | |
makes it extra special. I was in the audience the last time it was held | :27:18. | :27:21. | |
in London, ten years ago, with my mum. It means a lot to be on the | :27:22. | :27:26. | |
other side. How does the competition work? How do you compete as a | :27:27. | :27:29. | |
violinist? What are the stages, Louisa? There are three rounds but | :27:30. | :27:37. | |
before then there is a DVD round so you want apply by submitting -- so | :27:38. | :27:46. | |
if you want to apply you can submit a DVD. How many hours a day do you | :27:47. | :27:51. | |
practice? We have seen a lot of you practising and some of you have got | :27:52. | :27:57. | |
marks, indentations from the violin, so it is pretty full on? Especially | :27:58. | :28:03. | |
when you are preparing for a competition, I can imagine most | :28:04. | :28:06. | |
people would spend 5-7 hours a day. It's very difficult. We have so much | :28:07. | :28:12. | |
repertoire to get through. If you end up doing so much less, there is | :28:13. | :28:16. | |
something that falls behind. Absolutely. Will you play it all or | :28:17. | :28:20. | |
are you knocked out in certain rounds so you don't get to play | :28:21. | :28:24. | |
everything you have prepared? There are three rounds and everyone will | :28:25. | :28:27. | |
play the first round and it hard to each time for each round. Is it all | :28:28. | :28:34. | |
so low? There is actually a string trio in the second round, and some | :28:35. | :28:39. | |
solo pieces and some with piano and orchestra in the final round at the | :28:40. | :28:44. | |
Southbank centre. How can you remain calm? This is the thing. It's | :28:45. | :28:49. | |
tricky. This is the finest violinists in the world. What a shot | :28:50. | :28:55. | |
technique? Preparation is key. It's been amazing to meet everyone today | :28:56. | :28:59. | |
and make friends quite quickly. It's great. | :29:00. | :29:07. | |
You supporting each other because you are the Brits in the competition | :29:08. | :29:14. | |
You are in the same category but there is a definite sense of | :29:15. | :29:17. | |
friendship and being in it together, I think. And I mean, as we were | :29:18. | :29:22. | |
saying competitors come from all over the world. Some are just ten in | :29:23. | :29:27. | |
London, it is remarkable, but the prize, I mean as well, you get a | :29:28. | :29:31. | |
money prize, we will keep quiet about that, but I guess the honour | :29:32. | :29:36. | |
of playing the most remarkable violin, probably on the planet as | :29:37. | :29:41. | |
well. The Stradivarius. Well, you tell us what you know, because you | :29:42. | :29:47. | |
girl, it is such a prize isn't it, in terms of how expensive the violin | :29:48. | :29:52. | |
is, and how old it is. Do you know those facts. They are priceless. It | :29:53. | :29:58. | |
is 300 years old this one, apparently. Be careful. Don't put it | :29:59. | :30:04. | |
by me! This is a moment. We saw you at the top playing, you have been a | :30:05. | :30:08. | |
keen violinist and to be close to something so precious. To be so | :30:09. | :30:13. | |
close to one is quite something, they have said I am allowed to | :30:14. | :30:18. | |
unveil it but we have to wear gloves because it is worth 5 million. There | :30:19. | :30:22. | |
was a store riff a violinist who left one on the bus. Can you | :30:23. | :30:30. | |
imagine! I just forgot it! Like it was my coat. Ready girls. This is | :30:31. | :30:36. | |
it? So this could be your instrument. I will just pull it off. | :30:37. | :30:43. | |
I we will do a. There we are. There we are. Have a little look. | :30:44. | :30:51. | |
We are only joking. It is not the actual one. You don't say! The | :30:52. | :30:59. | |
artistic director of the Menuhin competition. Goodness me, we hope it | :31:00. | :31:05. | |
is you, we hope all of the contestants, have a big round of | :31:06. | :31:08. | |
applause. For everybody in the competition. And you will play us | :31:09. | :31:14. | |
out at the end. If you are interested in watching the | :31:15. | :31:16. | |
competition, it starts tomorrow, runs until 17th April. It is | :31:17. | :31:19. | |
streamed online, there is more information on our website. Now, in | :31:20. | :31:24. | |
a moment, we are going to hear all about Ian's latest documentary, and | :31:25. | :31:27. | |
this time, it is on benefits. First David Olusoga reveals how Rudyard | :31:28. | :31:34. | |
Kipling's last Will and testament had unintended consequences that | :31:35. | :31:37. | |
would have left his turning in his grave. | :31:38. | :31:44. | |
Rudyard Kipling is probably best known for his children's work, for | :31:45. | :31:48. | |
jungle book and the just so stories but the man and his writing will | :31:49. | :31:52. | |
forever be associated with the British Empire. And the same is true | :31:53. | :32:00. | |
of his last wishes. Rudyard Kipling died in 1936, at the | :32:01. | :32:04. | |
age of 70. He was one of the most popular and prolific writers of his | :32:05. | :32:07. | |
time and his work had made his wealthy. | :32:08. | :32:11. | |
He leaves his house and person Aleppo sessions to his wife, | :32:12. | :32:16. | |
Caroline. Most of the rest goes into trust, to be invested and provide an | :32:17. | :32:21. | |
income for his family until they die. Then the trust was to pass to | :32:22. | :32:28. | |
the institution known as the fair bridge farm schools incorporated and | :32:29. | :32:34. | |
it was divided between the Australian and Canadian branches of | :32:35. | :32:38. | |
that body. The schools were founded by Kinsley | :32:39. | :32:42. | |
fair bridge, his aim was to help children from poor families, in | :32:43. | :32:46. | |
unhealthy British inner city slums but sending them to schools in | :32:47. | :32:49. | |
sparsely populated parts of the empire. | :32:50. | :32:55. | |
They would be given an education to prepare them fire their new lives as | :32:56. | :33:01. | |
much-needed farmers. Kipling wrote his will here at his beautiful home | :33:02. | :33:05. | |
in Sussex. Kipling's own childhood, how did | :33:06. | :33:09. | |
that feed into his interest in this scheme? Think it is strange because | :33:10. | :33:13. | |
Kipling had a traumatic experience himself when he was young, when he | :33:14. | :33:18. | |
was age sings he was sent away from his parents back here to Britain for | :33:19. | :33:26. | |
an English education him and his younger sister were abused. They you | :33:27. | :33:30. | |
would ex egt expect him to run away there this scheme but kneels that | :33:31. | :33:34. | |
made him the man he became. So what does he want for the children? | :33:35. | :33:38. | |
Kipling was a great supporter of the underclass, I think this is an | :33:39. | :33:42. | |
opportunity for him to say these people here are not being well | :33:43. | :33:47. | |
looked after, maybe this is a way for them too, to get a brand-new | :33:48. | :33:51. | |
life and move on and flourish in a new existence. | :33:52. | :33:58. | |
But despite the promise of a new life, many children didn't flourish. | :33:59. | :34:03. | |
Margaret set up the child migrant's trust to campaign for the more than | :34:04. | :34:11. | |
130,000 children Britain has sent overseas, with schemes like that | :34:12. | :34:14. | |
one. Can you imagine it a five-year-old being placed o a boat | :34:15. | :34:18. | |
and sent to the other side of the world? Education was almost | :34:19. | :34:23. | |
nonexistent. Girls were particularly used as slaves and the boys as well. | :34:24. | :34:28. | |
There are some parents who gave consent, they were manoeuvred into | :34:29. | :34:31. | |
thinking this was the best thing for their child. | :34:32. | :34:35. | |
Many never saw their families again. But over the last 28 years the | :34:36. | :34:40. | |
charity has reunited thousands of families, ripped apart by child | :34:41. | :34:44. | |
migration. These children, what were they told | :34:45. | :34:48. | |
had happened to their families They were told their parents were dead, | :34:49. | :34:53. | |
that they were orphans and this was a new opportunity for a new life. Do | :34:54. | :34:57. | |
you think Rudyard Kipling saw this as a good cause, a worthy cause? | :34:58. | :35:02. | |
Well, I would like to think that, but certainly did they fail to | :35:03. | :35:07. | |
regulate and protect the children, of course. Rudyard Kipling's bequest | :35:08. | :35:14. | |
contributed to a tragic legacy. His faith in empire was so great that | :35:15. | :35:18. | |
the man who has brought happiness into the lives of generations of | :35:19. | :35:22. | |
children, after his death inadvertently sent thousands of | :35:23. | :35:25. | |
British kids to lives of misery, on the other side of the world. | :35:26. | :35:30. | |
Thanks to the work of the child migrants trust, some of the damage | :35:31. | :35:38. | |
is now finally being undone. Such a sad story and thanks you | :35:39. | :35:43. | |
David. If you want to find out more, there is details on The One Show | :35:44. | :35:48. | |
website. Ian, let us talk about your new documentary. Yes. All about | :35:49. | :35:54. | |
benefit, we think of this as a modern political hot potato but that | :35:55. | :35:59. | |
term t it goes way back according to your work. The extraordinary thing | :36:00. | :36:04. | |
about the Cabinet falling apart and this crisis blowing up again, | :36:05. | :36:07. | |
arguing about which benefits are appropriate, whether we can afford | :36:08. | :36:11. | |
them, you think, that is this year, in fact we have been having the same | :36:12. | :36:16. | |
argument in Britain for hundreds of years, and my documentary is a look | :36:17. | :36:22. | |
at British attitudes to work, poverty, and benefits. And the | :36:23. | :36:26. | |
British people react in the same way, so they start off, someone | :36:27. | :36:30. | |
says, this costs a lot of money and a lot of it is unfair, these people | :36:31. | :36:34. | |
are doing nothing, everyone goes yes, that is right. Then they bring | :36:35. | :36:38. | |
in the measures and people go, oh my God, look what they are doing! That | :36:39. | :36:42. | |
is really unfair, we hate you. And this repeats itself as a cycle. So, | :36:43. | :36:48. | |
I was looking at there is a man called Edwin Chadwick, a classic | :36:49. | :36:51. | |
Victorian who thought the poor, I can solve this problem, I will study | :36:52. | :36:54. | |
it, I will look at them and come up with a solution, his solution was | :36:55. | :36:59. | |
the work house. Which nowadays we all think my God, the work house, | :37:00. | :37:02. | |
how terrible. At the time people thought that was sensible. People do | :37:03. | :37:06. | |
work, they are all in the same place so they are not doing nothing, you | :37:07. | :37:09. | |
feed them, clothe them and that will be good, as we know it didn't turn | :37:10. | :37:16. | |
out very well. And Chadwin, Chadwick became a sort of hate figure, that | :37:17. | :37:20. | |
is what happens to people on the whole who try and do benefit reform, | :37:21. | :37:24. | |
they end up with people loathing them. And I followed this true. | :37:25. | :37:28. | |
True.-of-threw. There is wonderful stories about people try Iing to | :37:29. | :37:32. | |
solve the problem, coming up withed yes, the ideas crunch, we go back to | :37:33. | :37:39. | |
the start. And there is a wonderful, lady who history has forgotten, she | :37:40. | :37:44. | |
was called Maggie, a tough politician, not that one! She was | :37:45. | :37:48. | |
Labour, the first woman Cabinet Minister, and she came from a | :37:49. | :37:52. | |
working class background and she spent her whole life trying to make | :37:53. | :37:56. | |
conditions for the poor better, she found herself in a cabinet which | :37:57. | :38:00. | |
said we haven't got enough money to pay, we can't pay the unemployment | :38:01. | :38:03. | |
benefit, which way are you going to vote. She voted for austerity. And | :38:04. | :38:10. | |
history has dump her and completely forgotten her, I mean, the point of | :38:11. | :38:15. | |
my documentary is to try and say, we have these arguments, we say more or | :38:16. | :38:21. | |
less the same things... This is the interesting thing, it hasn't changed | :38:22. | :38:27. | |
at all. No it is one of those problem, at a certain point all of | :38:28. | :38:30. | |
us think we would like to help the poor. We would like to help the | :38:31. | :38:35. | |
Victorians had category, the deserving and the undeserving poor. | :38:36. | :38:38. | |
And we now say, well that is appalling, but there is a bit of all | :38:39. | :38:43. | |
of us who when someone says give us some money we think, well, are you | :38:44. | :38:49. | |
going to use this well? There is a wonderful story of Dickens and a | :38:50. | :38:54. | |
friend and a beggar says give us some money and Dicken gives him | :38:55. | :39:00. | |
some. His friend says he is going to spend it on drink and Dickens said | :39:01. | :39:04. | |
what do you think we a going to do with it. You see Iain Duncan Smith | :39:05. | :39:08. | |
and he talks candidly about meeting this young girl, who is on benefit, | :39:09. | :39:13. | |
she 19 and he tells you how she reminded him of his own daughter. | :39:14. | :39:18. | |
Let us look at that. I remember thinking simply, this is my | :39:19. | :39:22. | |
daughter. I am sorry I got emotional. 19 years old... My | :39:23. | :39:32. | |
aspiration for my daughter was boundless. And here I am sitting | :39:33. | :39:37. | |
with a 19-year-old girl, who had written off her life and had no | :39:38. | :39:40. | |
aspiration and no self worth, she was a product of the system, my | :39:41. | :39:45. | |
point was, what could I have done, what would we do to change her life? | :39:46. | :39:54. | |
So that the heart as well as head. Yes. You must have believed him | :39:55. | :39:59. | |
there. Again it is extraordinary going to see a serving cabinet | :40:00. | :40:03. | |
minister in his office, I am asking questions about the poor reform in | :40:04. | :40:08. | |
Victorian era and he starts crying, I had no idea, and I thought well | :40:09. | :40:12. | |
maybe if it had been Blair or someone, maybe he had been repairing | :40:13. | :40:17. | |
the tears for years, you know, that sounds unfair but... You can see it | :40:18. | :40:21. | |
is genuine. I suddenly thought he has been caricatured as a monster, | :40:22. | :40:26. | |
after the bedroom tax and a lot of the reforms he put through and | :40:27. | :40:31. | |
suddenly you think, well, are you genuinely trying to do something, | :40:32. | :40:37. | |
and are you in fact much like is some of these Victorian reformers | :40:38. | :40:41. | |
who the intention started well and the result was disastrous, it was | :40:42. | :40:43. | |
very interesting to watch him. I mean, I have been accused of being | :40:44. | :40:47. | |
callous, someone said did you try and comfort him. I thought no, it is | :40:48. | :40:53. | |
Iain Duncan Smith. It was interesting to watch him though, | :40:54. | :40:57. | |
obviously he was trying to let his emotion come forward but then he | :40:58. | :41:01. | |
would go into his political talk and be emotional again. I had no idea, | :41:02. | :41:07. | |
that three months later, the very topic, are you helping the poor, or | :41:08. | :41:13. | |
are you targeting the poor and helping the rich? The very thing he | :41:14. | :41:18. | |
resigned from in the Cabinet he was welling up over there, so it was an | :41:19. | :41:22. | |
extraordinary moment. Yes, there is a lot of incredible information, | :41:23. | :41:27. | |
certainly worth a watch, Workers Or Shirkers is on tomorrow. BBC Two at | :41:28. | :41:32. | |
8.00. If there is one thing that the Victorians were good at it was | :41:33. | :41:35. | |
engineering and the Forth Bridge, see it there in its glory was one of | :41:36. | :41:43. | |
the celebrated achievements. Marty has been following a five year | :41:44. | :41:48. | |
project. This is the majestic Firth of Forth | :41:49. | :41:52. | |
outside Edinburgh. Spanning this stretch of water has presented a | :41:53. | :41:55. | |
challenge to engineers for hundreds of years. | :41:56. | :42:02. | |
And now, the newest edition, the ?1.35 billion Queen's ferry crossing | :42:03. | :42:06. | |
road bridge, has reached a crucial phase. We have been following its | :42:07. | :42:13. | |
progress for the last three year, I back in 2013 I witnessed the | :42:14. | :42:16. | |
construction of the foundations deep under water, how far down are we? We | :42:17. | :42:22. | |
are at minus 14, so 14 metres under the water level. And building of the | :42:23. | :42:28. | |
towers. Then a year-and-a-half ago, I saw the installation of the first | :42:29. | :42:32. | |
via duct, to connect the land to the bridge. Now the bridge is at a | :42:33. | :42:36. | |
critical point. They have to lay the decking that will carry the cars | :42:37. | :42:41. | |
from one side to the other. But rather than building it from the | :42:42. | :42:46. | |
shorelines in to the middle they are building it from the tower, out | :42:47. | :42:51. | |
wards. That is because the bridge has to be tall enough for ships to | :42:52. | :42:56. | |
pass under, and wide enough to cross the water. To achieve that, the | :42:57. | :43:02. | |
bridge deck has to be suspended high above the water, between three | :43:03. | :43:06. | |
central towers, with each section of deck added one by one. It is a | :43:07. | :43:11. | |
delicate balancing act. To demonstrate this I am going to | :43:12. | :43:16. | |
build my very own tower, using these wooden blocks then add the road deck | :43:17. | :43:23. | |
to my tower one segment at a time. These represent these huge steel | :43:24. | :43:28. | |
lumps, one of which is behind me. If I start attaching them like this, | :43:29. | :43:33. | |
all well and good so far, if I now attach a second part of the bridge, | :43:34. | :43:39. | |
here, I will attach it like this, as soon as I let the weight go on it | :43:40. | :43:48. | |
not so good. However, there is an clever | :43:49. | :43:51. | |
engineering solution. This time, I am going to add a piece of the | :43:52. | :43:55. | |
decking first on one side, and then on the other and that should keep | :43:56. | :43:59. | |
the tower balanced. I am quite pleased with that. Easy | :44:00. | :44:04. | |
for me to say with small wooden block, but slightly more of a | :44:05. | :44:09. | |
challenge when each deck section weighs 750 tonnes. And the job of | :44:10. | :44:14. | |
carrying the weight of these sections rests entirely on some | :44:15. | :44:18. | |
super-strength cables, made up of lots of tightly bound strands. | :44:19. | :44:23. | |
Jonathan Davies is one of the lead engineers on the project. So this is | :44:24. | :44:28. | |
one of the strands, several wires inside The Strand. So this is steel? | :44:29. | :44:33. | |
Steel, very high ten Sewell steel. How many strands are in a cable? | :44:34. | :44:41. | |
This one here, we have 79 strands. Each deck section is held in place | :44:42. | :44:46. | |
by just two cables. Less than 300 cables will hold the | :44:47. | :44:48. | |
entire weight of the bridge. How many of these have you got to | :44:49. | :45:03. | |
do? We have erected 50 and we have another 70 to go. Lots of work yet. | :45:04. | :45:12. | |
Once completed this will be the tallest bridge in the UK. And the | :45:13. | :45:19. | |
longest bridge of its type in the world. If the Scottish weather is | :45:20. | :45:24. | |
willing they will have traffic on it by the end of the year. When they | :45:25. | :45:29. | |
do, we will be back to take a look at the completion of this monumental | :45:30. | :45:39. | |
feat of engineering. Thank you, Marty. Incredible pictures. We would | :45:40. | :45:43. | |
love to open that on the One Show. It would be a nice day out for us. | :45:44. | :45:48. | |
where the British Steel Industry is under threat, you can't help | :45:49. | :45:51. | |
wondering how much British Steel is being used to build that bridge. | :45:52. | :45:56. | |
Well, we asked Transport for Scotland. | :45:57. | :45:59. | |
And although there is some British steel being used - | :46:00. | :46:01. | |
7,000 tonnes - the vast majority - 35,000 tonnes was produced | :46:02. | :46:04. | |
Did they ask them? That's what they have told us and we will have to | :46:05. | :46:19. | |
leave it there. Nick Hewer was the marketing man | :46:20. | :46:23. | |
behind some of Lord Sugar's biggest successes - | :46:24. | :46:26. | |
but here at the One Show we don't No - we've given him the taks | :46:27. | :46:29. | |
of changing the way we think about some of Britain's | :46:30. | :46:33. | |
least popular wildlife. He's already worked | :46:34. | :46:35. | |
his magic on rats, Look at these beautiful things. We | :46:36. | :46:37. | |
love rats, don't we?! And now he's turning his attention | :46:38. | :46:42. | |
to the much maligned magpie. I'm on a mission to use my | :46:43. | :46:53. | |
experience in marketing and PR to attempt a rebranding campaign for | :46:54. | :46:57. | |
some of our least popular wildlife. Today's subject is the magpie. It's | :46:58. | :47:03. | |
a very superstitious bird. In a 40 year career I have never worked with | :47:04. | :47:07. | |
a product associated with bad luck. This is going to be a real | :47:08. | :47:15. | |
challenge. I'm interested in where this deep rooted dislike of magpies | :47:16. | :47:20. | |
came from. The British hatred of the magpie can be traced back to | :47:21. | :47:25. | |
Shakespearean times, and age steeped in superstition and witchcraft. To | :47:26. | :47:33. | |
get to the truth about this, I have come to meet an expert. And Jock the | :47:34. | :47:40. | |
magpie. Look at those beautiful colours. From a distance it is | :47:41. | :47:44. | |
black-and-white but look at the gorgeous green tail. Beautiful | :47:45. | :47:48. | |
metallic blue bits, really gorgeous. Lovely. I have got to persuade the | :47:49. | :47:55. | |
British public to see magpies in a different light. They seem just do | :47:56. | :48:00. | |
think they steal shiny things. There are lots of myths about magpies, | :48:01. | :48:03. | |
they are not particularly bothered by shiny things. The enthusiasm is | :48:04. | :48:09. | |
winning me over but what is our strategy for winning over the | :48:10. | :48:13. | |
public? I'm convinced that these birds are beautiful, full of | :48:14. | :48:16. | |
character and have bags of personality but the many British | :48:17. | :48:21. | |
people they are just evil little gremlins and to change that | :48:22. | :48:25. | |
perception we need a campaign to persuade people to empathise with | :48:26. | :48:31. | |
magpies. All that most people ever see of magpies is a black-and-white | :48:32. | :48:34. | |
flash. To make them take a closer look we need a catchy advert. I have | :48:35. | :48:40. | |
enlisted this director. What are we after? Beauty, colour, intelligence. | :48:41. | :48:49. | |
Maybe come up with one word all lying to exude the character of the | :48:50. | :48:55. | |
magpie. We could animate them slightly to make them seem filmic. | :48:56. | :49:03. | |
Do I really have a greater affection for the birds than before? I don't | :49:04. | :49:08. | |
know that I do. It is standing there, looking at you with its sharp | :49:09. | :49:13. | |
beak and little black eyes. There is no music on it at the moment. I | :49:14. | :49:18. | |
think the music will bring a lot to it. We have been playing with a few | :49:19. | :49:22. | |
different ideas, some of them better than others. No. It's no good having | :49:23. | :49:34. | |
a great rolling tone of Mahler, it has two somehow mirror the | :49:35. | :49:37. | |
personality of the bird which is a bit sharp. Mahler goes for the | :49:38. | :49:43. | |
heart, does electronic music go for the head? We have got to love this | :49:44. | :49:49. | |
bird. The pressure is on but we soon find something that hits the mark. I | :49:50. | :49:54. | |
think you have nailed it. Beautifully shot. There is the | :49:55. | :49:58. | |
colour in there, the intelligence and integrity, the whole thing. It's | :49:59. | :50:03. | |
time to invite the public to come and view the finished film. Here it | :50:04. | :50:04. | |
is. So, Hazzard filmed on the trick? I | :50:05. | :50:49. | |
did not see them as very nice birds, really. -- has our film? The colours | :50:50. | :50:56. | |
looked really pretty. It is just an old wives tale, then stealing shiny | :50:57. | :51:00. | |
things. They are graceful little birds. I thought it was beautiful | :51:01. | :51:05. | |
and in fact I watched it twice. Next time you see a magpie, take a closer | :51:06. | :51:13. | |
look and think, one for joy. You always have dissolute magpies. Do | :51:14. | :51:20. | |
you salute? I spit in my hand. It's embarrassing on the train. People | :51:21. | :51:25. | |
look at me! You need that facemask back on. No, they are beautiful but | :51:26. | :51:32. | |
I do like them. Have we changed your mind? I would freak out and if one | :51:33. | :51:36. | |
came in the house it would be the end of me. Ian, are you constantly | :51:37. | :51:43. | |
looking for a second one? Yes, but I quite like magpies and I played one | :51:44. | :51:46. | |
when I was 11 in a school production. Good laughs. I would not | :51:47. | :51:53. | |
have expected that. I have the whole thing. You are not going to find | :51:54. | :52:00. | |
that photo! Brilliant, Have I Got News For You starts on Friday and | :52:01. | :52:02. | |
your friends will be looking out for that. To help you get your eye in we | :52:03. | :52:08. | |
thought we would come up with a bit of a quiz, we are calling it | :52:09. | :52:17. | |
Political Animals. Order, order! We are combining the two of you. | :52:18. | :52:23. | |
you pictures of different pets, each of them owned by a different | :52:24. | :52:27. | |
Test your buzzers. # Who let the dogs out? | :52:28. | :52:36. | |
# What's new pussycat? Send' Bichon Frise | :52:37. | :52:50. | |
called Lola belong to? that belongs to the Chancellor. It's | :52:51. | :53:05. | |
had a savage cut! We had to mark that up because we could not find a | :53:06. | :53:08. | |
photo of them together but we have it on good authority. Lola is the | :53:09. | :53:15. | |
first dog to live in Downing Street since Paddy, Harold Wilson's golden | :53:16. | :53:19. | |
labrador in 1976. What knowledge we have. That's incredible. Who owned | :53:20. | :53:29. | |
Socks? He was the White House cat. Do you know which president? | :53:30. | :53:36. | |
Clinton. There is the proof. So famous that the Central African | :53:37. | :53:38. | |
Republic released a series of stamps featuring him. There they are. Do | :53:39. | :53:49. | |
you remember his fine -- his famous line? I did not have socks with that | :53:50. | :53:55. | |
woman! He said that, not me. You will be banned. Banished! That's it. | :53:56. | :54:13. | |
Who owned Konni and caused a diplomatic incident in 2007 | :54:14. | :54:17. | |
It's a tie at the minute. This is the winning question. It really | :54:18. | :54:27. | |
terrified Angela Merkel? Who is that in the silhouette? Vladimir Putin? | :54:28. | :54:33. | |
I'm trying to think of anyone who could scare Angela Merkel and it's a | :54:34. | :54:39. | |
list of one. He said Putin. It is. Jabbing very good. -- APPLAUSE | :54:40. | :54:46. | |
Very good. Angela Merkel is scared of dogs and cute in new that. So he | :54:47. | :54:52. | |
brought the dog along. She should have mentioned Panama and see what | :54:53. | :54:57. | |
he said! LAUGHTER Paul we will finish where we started | :54:58. | :55:00. | |
with you playing a musical instrument. This is to do with a | :55:01. | :55:05. | |
documentary you have been making about the Salvation Army. I made it | :55:06. | :55:10. | |
last year. Why the Salvation Army? They used to do lots of work on | :55:11. | :55:14. | |
hospital wards when AIDS came to London and they were remarkable, | :55:15. | :55:17. | |
this was when it was yellow tape and he would get young officers coming | :55:18. | :55:21. | |
in, they dealt with it and were efficient and did not look for | :55:22. | :55:24. | |
publicity or praise or anything, they really are an army. I worked as | :55:25. | :55:29. | |
a care officer and they helped me so many times. People think they are | :55:30. | :55:35. | |
just outside Boots with a tambourine, join us and you'll never | :55:36. | :55:39. | |
drink again, but there is none of that, they have stepped in where | :55:40. | :55:42. | |
local councils have been making vicious cuts and they are now | :55:43. | :55:45. | |
supplying a single mothers vicious cuts and they are now | :55:46. | :55:49. | |
and it's old-fashioned philanthropy. Things haven't changed in 150 years | :55:50. | :55:54. | |
since William Booth started the Salvation Army, they deal with the | :55:55. | :55:57. | |
since William Booth started the same poverty and prejudice. I just | :55:58. | :55:59. | |
think they are a remarkable organisation. I marched down of the | :56:00. | :56:04. | |
street playing the drums with them. I've | :56:05. | :56:11. | |
street playing the drums with them. Street. I said, can I join up?! We | :56:12. | :56:13. | |
have some footage of Street. I said, can I join up?! We | :56:14. | :56:13. | |
not bad on the drums. Yes, Street. I said, can I join up?! We | :56:14. | :56:19. | |
go, right on cue, Paul. Street. I said, can I join up?! We | :56:20. | :56:27. | |
There was a big performance at Street. I said, can I join up?! We | :56:28. | :56:29. | |
end. Yes, down Oxford Street, Street. I said, can I join up?! We | :56:30. | :56:32. | |
were enjoying the band and I Street. I said, can I join up?! We | :56:33. | :56:40. | |
Army?! Were you surprised that the scope of their work? No, I always | :56:41. | :56:44. | |
knew. They touch so many different things. I was in Athens at a refugee | :56:45. | :56:50. | |
camp, on a ward for people who are terminally ill. And for people with | :56:51. | :56:57. | |
dementia and young mothers with kids and gang members, the homeless, you | :56:58. | :57:02. | |
name it, they cover everything and it's quite remarkable. We have to | :57:03. | :57:05. | |
point out before you go that you have a remarkable accolade because | :57:06. | :57:11. | |
in Private Eye, you review autobiographies and they are pretty | :57:12. | :57:17. | |
scathing. Scathing! Paul's is the only one with a positive spin? Yes. | :57:18. | :57:22. | |
I gave his book to the reviewer and it got a good review and I had a | :57:23. | :57:26. | |
I gave his book to the reviewer and of letters saying, I don't read | :57:27. | :57:31. | |
Private Eye to read good reviews, so I fired the reviewer! My friend has | :57:32. | :57:36. | |
passed away now, Sue Carroll, she said, have you seen privatised and I | :57:37. | :57:41. | |
thought, no, what have they said? I get it anyway, and I could not | :57:42. | :57:47. | |
believe it, I was about to write in. It was terrible! Aired, you are | :57:48. | :57:54. | |
sacked. -- you read at the bottom, you are sacked. Animal Orphans | :57:55. | :57:59. | |
starts on ITV at 9pm. Ian Hislop's Victorian Benefits' | :58:00. | :58:03. | |
is on tomorrow on BBC Two We'll be back tomorrow | :58:04. | :58:05. | |
with Cyndi Lauper. But for now its the finalists | :58:06. | :58:08. | |
of the Menuhin competition MUSIC: Hora Bessarabia, | :58:09. | :58:11. | |
composed by Roxanna Panufnik. Hello, I'm Tina Daheley | :58:12. | :59:13. | |
with your 90 second update. Connor Sparrowhawk was 18 | :59:14. | :59:24. | |
when he drowned in the bath. The NHS managers who were in charge | :59:25. | :59:26. | |
of his care were told today | :59:27. | :59:31. |