Browse content similar to 05/04/2016. Check below for episodes and series from the same categories and more!
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CHEERING Hello and welcome to the One Show | :00:21. | :00:28. | |
with Matt Baker. And Alex Jones. Now, when we have a | :00:29. | :00:33. | |
multiple award-winning Hollywood show on the One Show we like to | :00:34. | :00:37. | |
celebrate their finest work with a montage. But tonight's guest is not | :00:38. | :00:44. | |
just any old Hollywood star. He is a Hollywood Don. What are you | :00:45. | :00:48. | |
thinking? I am thinking a Hollywood "Dontage". That is unacceptable. I | :00:49. | :00:57. | |
am only going to say this once. Get out. | :00:58. | :01:07. | |
I am your boss. If you can't fry it, I don't eat it. | :01:08. | :01:14. | |
I am a god darn American icon. Please welcome Don Cheadle! | :01:15. | :01:22. | |
APPLAUSE Can I get a clip of that? We will | :01:23. | :01:29. | |
send you the DVD. We saw you in some great roles in the Oceans 11 | :01:30. | :01:35. | |
trilogy, Hotel Rwanda and Crash. But you are here to talk about Miles | :01:36. | :01:40. | |
Ahead which is based on the legendary musician Miles Davis. Can | :01:41. | :01:43. | |
you tell us how you got involved in the film? It is a funny story. It | :01:44. | :01:49. | |
had been swirling around, the idea of me playing Miles Davis by | :01:50. | :01:53. | |
different people. It had been mentioned to me over the years. And | :01:54. | :01:57. | |
then Miles being inducted into the rock 'n' roll Hall of the in 2006. | :01:58. | :02:01. | |
His nephew said are you guys ever going to do a movie of his life? | :02:02. | :02:08. | |
They said yes, Don Cheadle will play him. No one told me! Then we started | :02:09. | :02:13. | |
talking about ways to do the movie, what the tape would be and we | :02:14. | :02:18. | |
ultimately shook hands and said we would do it. It is lucky you agreed. | :02:19. | :02:25. | |
He didn't really ask! We will hear more about the new movie which is | :02:26. | :02:29. | |
your directorial debut as well and we will hear from Steve Pretty who | :02:30. | :02:34. | |
will be treating us to a Miles Davis inspired performance at the end of | :02:35. | :02:39. | |
the show. Thank you for the opening. Now, dog owners lend us your ears. | :02:40. | :02:46. | |
Has your canine had the chip? It has been compulsory Northern Ireland | :02:47. | :02:50. | |
perform three years. From tomorrow it will be compulsory for all dogs | :02:51. | :02:54. | |
over eight weeks old to be micro-chipped. | :02:55. | :02:58. | |
Here is what you need to know. With 9 million dogs nationwide, there is | :02:59. | :03:02. | |
no doubt we are potty about our pooches. That is a lot of walkies. | :03:03. | :03:12. | |
But each year, 100,000 dogs end up as strays. Fewer than half of them | :03:13. | :03:19. | |
can be traced back to their owners. You would hope that someone | :03:20. | :03:23. | |
somewhere is missing this fella. Finding out where he comes from is a | :03:24. | :03:26. | |
bit of a Finding out where he comes from is a | :03:27. | :03:30. | |
he is not micro-chipped. And it is the same story for many of these | :03:31. | :03:36. | |
strays brought to this pound in Middlesbrough by dog wardens like | :03:37. | :03:40. | |
Lee Hooker. What is the story with this fella? He was picked up as a | :03:41. | :03:45. | |
stray in Middlesbrough. We were unable to find an owner because he | :03:46. | :03:50. | |
had no microchip. No one has come forward for him. It is extremely | :03:51. | :03:56. | |
sad. If you take on a dog, you take when a responsibility. These | :03:57. | :04:00. | |
microchips will be compulsory. What difference will it make? We will be | :04:01. | :04:04. | |
able to check on the owners and contact them as soon as possible. It | :04:05. | :04:09. | |
will make a huge difference. Before meeting us, Lee picked up another | :04:10. | :04:14. | |
stray. This one is chipped and a quick scan provides him with the | :04:15. | :04:17. | |
details he needs to trace the owner. It is the dog warden in | :04:18. | :04:33. | |
Middlesbrough. Can you see me back on this number immediately please. I | :04:34. | :04:36. | |
have your dog. This dog should soon be back where he belongs. What is | :04:37. | :04:39. | |
the story in Northern Ireland where micro-chipping has been compulsory | :04:40. | :04:44. | |
since 2012? The Northern Ireland executive says it is good news | :04:45. | :04:48. | |
because it means half of all strays are now reunited with their owners | :04:49. | :04:51. | |
can head with fewer than one in three before. Following Northern | :04:52. | :04:55. | |
Ireland's lead, chipping becomes law across the rest of the UK tomorrow. | :04:56. | :05:03. | |
They are getting a head start on this estate in Middlesbrough. The | :05:04. | :05:07. | |
UK's guest dog welfare charity the Dogs Trust has been running free | :05:08. | :05:11. | |
chipping events like this all over the country. It is a big hit today | :05:12. | :05:19. | |
with owners and dogs forming a rather noisy hue. Are you going to | :05:20. | :05:23. | |
get your microchip done? Do you think it is a good idea to have it | :05:24. | :05:31. | |
compulsory? Yes, definitely. The dog is not so sure. As long as the | :05:32. | :05:36. | |
owners do not have to get it done as well, I do mind! In just a couple of | :05:37. | :05:44. | |
hours, more than 100 dogs have been shipped and it is Lizzie's turn | :05:45. | :05:50. | |
next. I will just pop the needle in now. Good girl, Lucy. We will just | :05:51. | :05:58. | |
scan it and we will find a microchip number so we can see it is reading | :05:59. | :06:02. | |
correctly. That number is unique to her. If she went missing, the dog | :06:03. | :06:07. | |
warden of that would be able to scan it, find that number and all the | :06:08. | :06:11. | |
information you have given, we would be able to trace her back to you. | :06:12. | :06:18. | |
She went missing before. It will be easy to find her. It is all part of | :06:19. | :06:24. | |
being a responsible dog owner. These days, it is not just a dog that is | :06:25. | :06:31. | |
for life, it is the microchip as well. All of these owners can we | :06:32. | :06:37. | |
rest assured they will not be hit by a ?500 that local authorities can | :06:38. | :06:44. | |
impose if you do not your dog. But there are those who see a few bad | :06:45. | :06:47. | |
owners will simply ignore the law and get away with it. We are | :06:48. | :06:53. | |
concerned it will not be able to be forced properly because local | :06:54. | :06:57. | |
authorities have had such big cuts in their budgets. It will not solve | :06:58. | :07:01. | |
all issues like irresponsible dog ownership, dog theft and dog | :07:02. | :07:06. | |
attacks. If these strays had been chipped, they would probably be back | :07:07. | :07:11. | |
home by now. Remember this fella Lee found looking lost, he went home the | :07:12. | :07:15. | |
same day, all thanks to one of these. | :07:16. | :07:20. | |
We have been joined now by a wonderful bunch. This is Angellica, | :07:21. | :07:26. | |
by the way. This is Paula Boyden, a vet from the Dogs Trust. And look at | :07:27. | :07:31. | |
little Ivy who vet from the Dogs Trust. And look at | :07:32. | :07:37. | |
out more about microchip in shortly. Don, we | :07:38. | :07:42. | |
out more about microchip in shortly. with man's best friend because you | :07:43. | :07:45. | |
starred in the dog hotel. Let's remind ourselves. Georgia and | :07:46. | :07:52. | |
Lenny. They are the first two residents in this hotel, the Hotel | :07:53. | :08:03. | |
For Dogs. Dislike a reunion! Yes, many of these dogs were starring in | :08:04. | :08:10. | |
that film! It is like a reunion. How did that work with so many dogs? A | :08:11. | :08:13. | |
little Hollywood did that work with so many dogs? A | :08:14. | :08:17. | |
There is no way they could have so many that were all well-behaved. | :08:18. | :08:23. | |
This is live right now. We are doing what Hollywood cannot do right now. | :08:24. | :08:31. | |
LAUGHTER Come on, back here! Sit here. We | :08:32. | :08:39. | |
LAUGHTER heard in the film there could be | :08:40. | :08:43. | |
fines of up to ?500 if your dog is not micro-chipped. How will this | :08:44. | :08:48. | |
work? Within the legislation, if your dog is found not to be | :08:49. | :08:51. | |
work? Within the legislation, if you will be issued with an | :08:52. | :08:53. | |
improvement notice. You will have 21 days to get your dog implanted. At | :08:54. | :08:58. | |
that point, if you don't comply, the fine will kick in. So there is some | :08:59. | :09:07. | |
leeway. How will they regulate this? It is all based on welfare and | :09:08. | :09:11. | |
trying to measure of a dog is lost it gets back to its owner as soon as | :09:12. | :09:15. | |
possible. It will be a passive enforcement. If somebody is found to | :09:16. | :09:24. | |
have a dog which is misbehaving, there is an opportunity to scan the | :09:25. | :09:27. | |
dog. What kind of response have you been getting? We have had a massive | :09:28. | :09:31. | |
response. Just today we have had over 1000 calls from people wanting | :09:32. | :09:36. | |
to get their dogs implanted. That is a good sign. If we want to chip our | :09:37. | :09:42. | |
children, how does that work?! Did you chip your dogs? We did. It was | :09:43. | :09:48. | |
not mandatory, I just thought it would be fun. There is a vet who has | :09:49. | :09:53. | |
raised concerns saying eight weeks old for some breeds is too young for | :09:54. | :10:01. | |
some dogs. Is that something people should be concerned about? The | :10:02. | :10:04. | |
benefits of microchip in our huge. The chances of an adverse event are | :10:05. | :10:08. | |
very low. But what I would say is rather than just ignore the | :10:09. | :10:14. | |
situation, go and speak to your vet. There is room in the legislation for | :10:15. | :10:18. | |
vets to issue an exemption certificate if they feel that | :10:19. | :10:23. | |
implanted at a particular time it would have an adverse effect. Are | :10:24. | :10:31. | |
you all right? I am fine! The crew is getting involved. It is lovely. | :10:32. | :10:39. | |
It is feel-good to have dogs around. And let's show a picture of your | :10:40. | :10:49. | |
dogs, Don. Have we got it? There is candy and Sasha. Brilliant. Thank | :10:50. | :11:01. | |
you, Paula. Just a reminder it all starts from tomorrow. Don 'snew film | :11:02. | :11:07. | |
is based upon the life of music legend Miles Davis. Before we hear | :11:08. | :11:10. | |
more about the movie, let's have a listen. | :11:11. | :11:16. | |
APPLAUSE Well, Don, we have heard the story | :11:17. | :11:44. | |
of kind of how it happened, you said you got in contact with the family | :11:45. | :11:47. | |
and the whole thing has snowballed from there. We have seen the film. | :11:48. | :11:53. | |
It was so intense, your performance. How did you manage to capture that | :11:54. | :11:57. | |
persona? Did you talk to the family a lot about what he was like as a | :11:58. | :12:04. | |
man? Yes, and there is tonnes of research and footage of miles. His | :12:05. | :12:08. | |
nephew who toured with him and his son, Aaron, I spent a lot of time | :12:09. | :12:13. | |
with them and Francis as well who is depicted in the film. They opened | :12:14. | :12:18. | |
their lives up to me and gave me the opportunity to ask anything I | :12:19. | :12:22. | |
wanted. I saw old movies and clips and footage and heard tapes. And you | :12:23. | :12:29. | |
were already a fan so you knew quite a lot about it before you started on | :12:30. | :12:34. | |
the project? As a man, he is not the man you would expect to play that | :12:35. | :12:40. | |
kind of music, because the music was so beautiful and lovely and yet the | :12:41. | :12:43. | |
man himself, he was quite a full on man. I think we all everything, we | :12:44. | :12:50. | |
are going be honest. If you played a tape of all of it, there are | :12:51. | :12:54. | |
probably places where we can see ourselves spiking and dipping. There | :12:55. | :13:00. | |
is sort of the mystique about who ears and -- who he is and the | :13:01. | :13:06. | |
publicity about who he is. There is a big beating heart in there and a | :13:07. | :13:11. | |
sensitivity. There is that sort of enigma which makes him fascinating | :13:12. | :13:15. | |
as well. Let's have a look at you not just acting like Miles Davis but | :13:16. | :13:23. | |
performing like him as well. Hold that. And that group, we should | :13:24. | :13:30. | |
get them back in. One, two, one, two. | :13:31. | :13:37. | |
APPLAUSE Were you playing that there? I am | :13:38. | :13:52. | |
actually playing but we will use Miles Davis sound. I learned the | :13:53. | :13:57. | |
solos and I started taking trumpet about eight years ago when I knew | :13:58. | :14:02. | |
this would be a thing. How often do you play the trumpet now? I play a | :14:03. | :14:08. | |
lot. I play every day. If I do not have it, I would miss it. I did not | :14:09. | :14:12. | |
expect to walk away from the movie still having an affinity but I miss | :14:13. | :14:16. | |
it if I don't play every day. It is a nice thing for you to take away | :14:17. | :14:22. | |
from it I suppose. He had such a colourful life as a musician yet the | :14:23. | :14:27. | |
film focuses on five specific years in the late 70s. Why did you choose | :14:28. | :14:37. | |
that period of his life? It focuses on the very back part of that time. | :14:38. | :14:40. | |
It is an opportunity to create a narrative around when he came out of | :14:41. | :14:45. | |
that quiet period, and back onto the stage and back into his rightful | :14:46. | :14:50. | |
place as a musician. So it is also very met Miles to play what is not | :14:51. | :14:56. | |
there. The space between the notes, he was very big about that. So we | :14:57. | :15:01. | |
wanted to create a story that in a way external lies to this internal | :15:02. | :15:09. | |
journey, and had the unreliable storyteller himself turn his -- tell | :15:10. | :15:12. | |
his own story and put the horn to his lips and play the movie. Does | :15:13. | :15:20. | |
not 100% strictly accurate? It is 100% truthful, wall-to-wall. Tonnes | :15:21. | :15:25. | |
of facts. It is like any biopic. We have this image which is just | :15:26. | :15:29. | |
extraordinary. This is a scene you include. He is basically covered in | :15:30. | :15:38. | |
blood. He has been refused entry to his own gig. He walked out onto the | :15:39. | :15:45. | |
sidewalk to smoke a cigarette and was assaulted by a police officer, a | :15:46. | :15:47. | |
couple of police officers. You directed this, you co-wrote it | :15:48. | :15:57. | |
and what have you. Andy Rose some of the music. What was it like for you | :15:58. | :16:03. | |
to direct it? We know that you got in touch with a friend of yours, | :16:04. | :16:09. | |
George Clooney. George said to stay healthy, do push-ups and drink | :16:10. | :16:17. | |
water. His tip was to do push-ups! Get sleep, it is really an injury | :16:18. | :16:22. | |
and test. You can't go down, there was no sick day that I could take. | :16:23. | :16:28. | |
You really have to know you are going to put your shoulder to the | :16:29. | :16:33. | |
wheel and push through. We had the script, we had a great cast and crew | :16:34. | :16:38. | |
but I was wearing a lot of hats. It is some piece of work. Thank you. | :16:39. | :16:44. | |
You do a lot of push-ups, so you would be all right! You can see | :16:45. | :16:49. | |
Miles Ahead in cinemas from April the 22nd. Another feature of the | :16:50. | :16:52. | |
film is that it was part of the crowd funded, relying on donations | :16:53. | :16:57. | |
from the public to make it possible. Many churches rely on donations and | :16:58. | :17:02. | |
we hear 100 are using a mobile phone app to boost income, so is it the | :17:03. | :17:05. | |
end for the collection plate? Sara Mack is near Aberdeen to find out. | :17:06. | :17:14. | |
We have all been there, no change for a tip, no money for parking or a | :17:15. | :17:18. | |
pound for the shopping trolley but perhaps the most difficult thing of | :17:19. | :17:23. | |
all is when it comes to a church donation and the possible | :17:24. | :17:26. | |
embarrassment of not having any money when the donation plate comes | :17:27. | :17:31. | |
around. The excuse or shame of having no cash to give may be on its | :17:32. | :17:37. | |
way out because the church has gone high-tech. You can now donate using | :17:38. | :17:42. | |
an app on your mobile phone. Tony Stephen is the Minister at the | :17:43. | :17:48. | |
Banchory West Parish Church. Where does the money go? We invest in | :17:49. | :17:54. | |
people, we try and spend very little on it on things like the building | :17:55. | :17:58. | |
and heating, we keep it to a minimum. 110 households give | :17:59. | :18:02. | |
regularly, by a standing order, envelopes you can sign up to, which | :18:03. | :18:09. | |
is asked to budget and beyond that we have an offering all that goes | :18:10. | :18:14. | |
round. It is symbolic when it is passed around, do you think people | :18:15. | :18:19. | |
feel guilty if they pass it on? It is free will, if you are giving | :18:20. | :18:24. | |
another way or you are a visitor and you aren't comfortable, just let it | :18:25. | :18:28. | |
pass you by. What do you think about the new app? Any way of using | :18:29. | :18:32. | |
technology that gets people interested can only be a good thing. | :18:33. | :18:36. | |
They say that you should never talk about religion, politics or money | :18:37. | :18:40. | |
but what about the politics of talking money with religious | :18:41. | :18:44. | |
congregations? Here goes! Did you give money to the plate? No, I | :18:45. | :18:50. | |
didn't, because I give quarterly through the bank. Yes, I did today. | :18:51. | :19:00. | |
How much? ?2. 120 a month. I don't feel guilty for not giving because I | :19:01. | :19:05. | |
am giving time. Have you heard about the app which means you can get | :19:06. | :19:11. | |
am giving time. Have you heard about think it would be more | :19:12. | :19:15. | |
with you all of the time. I might be tempted to forget, whereas a | :19:16. | :19:22. | |
standing order would happen regardless of circumstances. If you | :19:23. | :19:26. | |
used the app, would you also put money in the all? I think I would. | :19:27. | :19:31. | |
Is that just to be seen to be doing it? As the plate went | :19:32. | :19:34. | |
Is that just to be seen to be doing thought, I don't have any money. I | :19:35. | :19:39. | |
had nothing to put in the plate, is that OK? I had to borrow some | :19:40. | :19:46. | |
had nothing to put in the plate, is from the sound man! Quite a | :19:47. | :19:48. | |
surprise, how many people didn't put money in the plate but it is good to | :19:49. | :19:50. | |
surprise, how many people didn't put see that despite this technology | :19:51. | :19:54. | |
coming online, the tradition of passing around the plate still | :19:55. | :20:01. | |
exists. Unsurprisingly they had invited her back because donations | :20:02. | :20:04. | |
doubled on the day. Amazing what happens when you bring a camera | :20:05. | :20:07. | |
crew, especially the generous sound man. Matthew mentions that your film | :20:08. | :20:16. | |
was crowd funded. Was it a quick process or was it a long one to get | :20:17. | :20:22. | |
the money? It is interesting because it goes in a wave and they told us | :20:23. | :20:25. | |
to expect that at the beginning we would have a lot of activity and | :20:26. | :20:29. | |
then it would plateau and we feel like we aren't going to make the | :20:30. | :20:34. | |
number and then, before the campaign is going to close, we will probably | :20:35. | :20:39. | |
exceed what we are asking. People want to be part of something that | :20:40. | :20:43. | |
pushes it over the top, they are watching, they want to see the red | :20:44. | :20:50. | |
line going. We know that, I'm sure that you have sat in many hotel | :20:51. | :20:53. | |
rooms and you have had many questions about this movie where | :20:54. | :20:56. | |
ever you go so we thought we would do something different for you to | :20:57. | :21:00. | |
mix it up. We are going to mix it up and let the audience choose, the | :21:01. | :21:09. | |
canine members of the audience! This system, you put the information onto | :21:10. | :21:14. | |
the database, the microchips, so we have put some questions on the | :21:15. | :21:20. | |
microchips. Excellent. We haven't really, I'm just saying it for | :21:21. | :21:26. | |
production! Paula, can you choose a dog that you like the look of? | :21:27. | :21:30. | |
Basset hound, Labrador. Basset hound. Up to you. There we are. Who | :21:31. | :21:40. | |
was the first role you ever played when you were a puppy? It is great, | :21:41. | :21:48. | |
it is a cross breed answer because the first role I played was a rat, | :21:49. | :21:53. | |
in Charlotte's Web, and I crossed it! -- crushed it. Another breed of | :21:54. | :22:01. | |
dog. What about the other basset hound? OK. Here we are, here is her | :22:02. | :22:10. | |
question. If you could scratch one film from your CV, which one would | :22:11. | :22:17. | |
it be? Tricky question, the one that you elegantly just showed, the Hotel | :22:18. | :22:26. | |
For Dogs! We loved it! Whatever! Any reason for it? No, the flea thing... | :22:27. | :22:36. | |
You have the bulldog or the Labrador. The Labrador. She has | :22:37. | :22:46. | |
actually got puppies at home. If you were a regular, do you go for the | :22:47. | :22:56. | |
tummy or behind the ear -- tickler. I don't feel I should have to pick | :22:57. | :23:04. | |
that! Fair enough. We will go for the bulldog, the only one left. | :23:05. | :23:13. | |
Ready for the question? She is! Her question is, what makes you really | :23:14. | :23:18. | |
grumpy? When my owner doesn't give me breakfast soon enough. Yeah, I'm | :23:19. | :23:29. | |
right with you. Thank you, Don. Over the last couple of years, | :23:30. | :23:32. | |
transgender people have featured in many films and TV shows like | :23:33. | :23:36. | |
EastEnders and the Voice leading to a better understanding of the | :23:37. | :23:41. | |
issues. A Home Office found funded study now estimates there could be | :23:42. | :23:44. | |
as many as half a million transgender people in the UK and | :23:45. | :23:49. | |
here are some of their stories. If someone finds out that I'm trans, | :23:50. | :23:54. | |
people ask if I've had the surgery, they want to know about my genitals. | :23:55. | :23:57. | |
I can feel people looking at my hands and my feet. The first time I | :23:58. | :24:03. | |
told someone I was trans, I was deathly afraid. Britain in 2016, | :24:04. | :24:09. | |
eight diverse place with tolerance defended as a national value but | :24:10. | :24:13. | |
what is life like for the estimated 300,000 transgender people in the | :24:14. | :24:19. | |
UK? This is Monro Berghdahl, 28 and a modern trans icon. Confident, | :24:20. | :24:24. | |
beautiful and glamorous but it has been a long journey for her to get | :24:25. | :24:29. | |
this far. This is me when I am three or four. I had about 50 My Little | :24:30. | :24:41. | |
Ponies. I had a great childhood before anybody told me who I was | :24:42. | :24:44. | |
meant to be. Unhappiness was around the corner. Aged 11, the free spirit | :24:45. | :24:50. | |
arrived at an all boys school that was known for its rugby. High school | :24:51. | :24:57. | |
was the first six levels of hell. I was bullied because maybe I wasn't | :24:58. | :25:01. | |
aware of how a boy should act, how a girl should act and I think I didn't | :25:02. | :25:07. | |
register certain things about gender. I feel really emotional. | :25:08. | :25:17. | |
Growing up in quiet suburbia with the social media age a few years | :25:18. | :25:21. | |
ago, Monroe struggled to understand why she didn't fit in at school and | :25:22. | :25:26. | |
didn't feel at ease within her body. Looking back in hindsight, all of | :25:27. | :25:29. | |
the signs were obviously pointing towards being trans but I didn't | :25:30. | :25:37. | |
know what it was, I had no idea. Growing up, there wasn't bad | :25:38. | :25:42. | |
visibility. Now, media representation is getting better. If | :25:43. | :25:46. | |
I was to grow up now, I could discover what I was sooner. For many | :25:47. | :25:52. | |
years, Monroe suffered from a psychological mismatch between the | :25:53. | :25:54. | |
gender she was given at birth and how she felt inside. I knew from | :25:55. | :25:58. | |
when I was literally two years old that I was in the wrong body. I was | :25:59. | :26:04. | |
miserable, I hated how I looked. Looking in the mirror and suddenly | :26:05. | :26:09. | |
going... I made my family cover up the mirrors in the house. I did not | :26:10. | :26:14. | |
want to grow old, being a man, I couldn't envisage that but I could | :26:15. | :26:18. | |
envisage being a woman. In her early twenties, Monroe lived in Brighton, | :26:19. | :26:21. | |
meeting trans people for the first time and she knew what was possible | :26:22. | :26:25. | |
and within a couple of years she began her physical transition from | :26:26. | :26:32. | |
male to female. It is a process and it takes time. The conscious | :26:33. | :26:37. | |
decision to start my transition was the conscious decision for me to be | :26:38. | :26:45. | |
happy. These are my hormones, I have been taking them for five years. | :26:46. | :26:49. | |
When I first started I was frustrated that the changes weren't | :26:50. | :26:56. | |
happening. I wanted things to be bigger but it takes time. To receive | :26:57. | :27:00. | |
medical treatment like hormone therapy, Monroe had to boot of a | :27:01. | :27:03. | |
psychiatrist that she was indeed trans. You have to have a | :27:04. | :27:07. | |
confirmation from your employer that you are dressing and living as your | :27:08. | :27:12. | |
identity. Essentially you have to be living as a woman for two years | :27:13. | :27:16. | |
before they give you hormone tablets. Personally, my transition | :27:17. | :27:24. | |
has been the hardest thing. I was worried about how people would | :27:25. | :27:29. | |
react, how I've been received by people. It is a whole new world and | :27:30. | :27:33. | |
it is terrifying. I found it difficult to go to the supermarket. | :27:34. | :27:37. | |
I was afraid to have my curtains open. I have a constant fear of | :27:38. | :27:43. | |
being attacked. It is even more difficult being trans and not | :27:44. | :27:46. | |
transitioning. No matter what I faced it is worth it. Going to the | :27:47. | :27:51. | |
shop and having somebody at the counter going, all right, mate, it | :27:52. | :27:55. | |
costs this much, it feels my heart with joy. When I look in the mirror | :27:56. | :27:59. | |
I feel the most at peace I have ever felt as an adult. You need to own | :28:00. | :28:05. | |
everything about yourself. I'm happy, every day is exciting. I feel | :28:06. | :28:10. | |
honest, living the life I want and who I am. I wouldn't change it for | :28:11. | :28:14. | |
the world. I have found a place that makes me the most happy and that is | :28:15. | :28:21. | |
being Rhiannon, a trans woman in 2016. Thank you so much to Monroe | :28:22. | :28:25. | |
and the people who made the film possible. That is almost it for | :28:26. | :28:32. | |
tonight, tomorrow, Paul O'Grady and Ian Hislop will be here. Don it has | :28:33. | :28:38. | |
been a budget to have you here. Where are you going next? We are | :28:39. | :28:41. | |
going to the States, we are going to screen the film in New Jersey at a | :28:42. | :28:45. | |
jazz festival and then I'm back in London in a couple of weeks with | :28:46. | :28:46. | |
Marble. Thanks. In -- marble Dyer Marvel. Now it is Steve Pretty with | :28:47. | :28:58. | |
the Theme. | :28:59. | :29:17. |