Browse content similar to 07/02/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. | :00:15. | :00:16. | |
When the producers of Death in Paradise were looking | :00:17. | :00:22. | |
for a new actor to play their lead detective - | :00:23. | :00:24. | |
Highly intelligent; a team player; used to island life | :00:25. | :00:29. | |
Well, it looks like they found their man. | :00:30. | :00:37. | |
These are small. But the ones out there are far away. LAUGHTER | :00:38. | :01:01. | |
Small. Far away. Forget it! Swapping Craggy Island for the Caribbean, | :01:02. | :01:08. | |
it's Ardal O'Hanlan. Would you say that was Father Dougal's finest | :01:09. | :01:15. | |
hour? I only do shows set on an island! You have got the gig. | :01:16. | :01:22. | |
Obviously, Death In Paradise is quite jovial and happy but you look | :01:23. | :01:33. | |
very serious here. It's great. I was more surprised than new when I got | :01:34. | :01:37. | |
the part. I enjoyed detecting and I enjoy island life. So it's the | :01:38. | :01:45. | |
perfect combination. I become a really good detective off screen. I | :01:46. | :01:50. | |
become more observant and suspicious of people. Honing those skills. It's | :01:51. | :01:58. | |
great. I noticed my family and friends are more well-behaved around | :01:59. | :02:01. | |
me and they'd only clues lying around. We are big fans of the | :02:02. | :02:08. | |
programme. Every year, thousands of car owners use their vehicle as | :02:09. | :02:12. | |
security to get a logbook loan. If they don't pay back what they | :02:13. | :02:16. | |
borrowed, their car can be taken away. What if they have sold their | :02:17. | :02:22. | |
car on to you? If you buy a used car, you could find bailiffs on your | :02:23. | :02:28. | |
driveway. If you're thinking of buying a second-hand motor, giving | :02:29. | :02:33. | |
it a once over for dense, bonds, and scratches goes with the territory. | :02:34. | :02:37. | |
But when you buy second hand, you wouldn't expect to inherit the | :02:38. | :02:43. | |
previous owners debts. That's exactly what happened to Helen | :02:44. | :02:50. | |
Thompson from South Wales. Helen paid ?1200 for this second-hand VW | :02:51. | :02:58. | |
golf. Cracking runaround. Yes, brilliant. Unbeknownst to Helen, the | :02:59. | :03:07. | |
person who sold the car to her had taken out a ?5,000 logbook loan | :03:08. | :03:12. | |
taking out the vehicle as security. She became responsible for the bad | :03:13. | :03:18. | |
debt and hundreds of pounds in unpaid interest. She was sent a | :03:19. | :03:22. | |
letter from a company saying they owned the vehicle and sent round | :03:23. | :03:28. | |
bailiffs to collect it. I pulled the wheels off. It's the only way I can | :03:29. | :03:32. | |
take them -- stop them taking the car. We contacted the company but | :03:33. | :03:40. | |
they didn't want to respond. You pay for it, you've got the documents, | :03:41. | :03:46. | |
but it's not yours. It's not mine. A distressing is the situation for | :03:47. | :03:52. | |
you? I can't sleep at night. I hear a van, I think they're coming to get | :03:53. | :03:56. | |
the car and I'm up straightaway. I saved up for this and it's just | :03:57. | :04:02. | |
money down the drain. Helen has tried to track down the person who | :04:03. | :04:06. | |
sold her the car without luck. How can a loan company repossess the car | :04:07. | :04:11. | |
for a debt that isn't hers? Believe it or not, the law is on the loan | :04:12. | :04:20. | |
company's side. It's all thanks to this. Legislation that allows a | :04:21. | :04:24. | |
lender to repossess any goods used to secure a loan. It is the bill of | :04:25. | :04:32. | |
sale act, it was last amended 135 years ago. Before the car was even | :04:33. | :04:38. | |
invented. That hasn't stopped logbook loan companies using it to | :04:39. | :04:42. | |
their ad vantage with around 37,000 loans per year. The Law Commission | :04:43. | :04:48. | |
are calling for the government to update this 19th-century | :04:49. | :04:54. | |
legislation. Under the current law, a third-party buyer of a second-hand | :04:55. | :04:58. | |
car will not be protected at all. They will not have any rights | :04:59. | :05:03. | |
against lenders trying to repossess and they would not be able to keep | :05:04. | :05:06. | |
their car. What are the main proposals? If the buyer does not | :05:07. | :05:11. | |
know about the loan, they will be innocent and that they will keep | :05:12. | :05:16. | |
their car. Under our proposals, borrowers would be under a duty to | :05:17. | :05:20. | |
disclose the loan and if they don't, they would be guilty of a criminal | :05:21. | :05:27. | |
offence. HM Treasury told me it is considering the recommendations and | :05:28. | :05:30. | |
will make a decision very soon. In the meantime, how can we protect | :05:31. | :05:35. | |
ourselves from becoming the victim of an unpaid logbook loan? Laurent | :05:36. | :05:43. | |
Rodriguez is from debt charity step change. She says it's crucial to do | :05:44. | :05:47. | |
your homework before buying a new motor. It's really important when | :05:48. | :05:52. | |
buying a second-hand car to get a private history check that should | :05:53. | :05:56. | |
pick up whether they've got any outstanding finance like a logbook | :05:57. | :06:01. | |
loan on it. They should contact the DVLA and get the original copy of | :06:02. | :06:05. | |
the logbook certificate for the car. That should pick up any problems. | :06:06. | :06:11. | |
Sound advice which has come too late for Helen who is left with a car she | :06:12. | :06:15. | |
doesn't legally own and that she can't even drive. The person who | :06:16. | :06:21. | |
sold this to me, I don't know how they sleep at night. It's | :06:22. | :06:25. | |
heartbreaking. Thanks to Dan and Helen. Over 6.2 million used cars | :06:26. | :06:34. | |
were sold last year. We have put help on our website for you if you | :06:35. | :06:38. | |
are thinking of buying one and don't want to get caught out. We have got | :06:39. | :06:44. | |
an update here. People have been waiting a long time for this and we | :06:45. | :06:49. | |
are starting the process to change the law. The Treasury went to | :06:50. | :06:52. | |
Parliament and put it on official records that they are working with | :06:53. | :06:56. | |
the Law Commission to reform this legislation, so we are starting that | :06:57. | :07:02. | |
process. The main points from those reforms will be if you buy a car | :07:03. | :07:05. | |
innocently and it has one of these loans on it, you will be allowed to | :07:06. | :07:10. | |
keep the vehicle. If you're the borrower and you don't disclose that | :07:11. | :07:15. | |
you have one of these loans, it is a criminal act that you've committed. | :07:16. | :07:19. | |
Those are the big changes that will be working through the system. Will | :07:20. | :07:25. | |
this legislation help Helen from the film? It's due to come into effect | :07:26. | :07:30. | |
next year and it won't be backdated so it's really heartbreaking. It | :07:31. | :07:34. | |
continues and it won't actually help her learn. We all wish there was | :07:35. | :07:38. | |
something else we could do but that is the place the law leaves us at | :07:39. | :07:42. | |
the moment. Sorry to Helen but thank you Lucy for that. Ardal, let's chat | :07:43. | :07:52. | |
to you about Death In Paradise. You are the third actor to play the lead | :07:53. | :08:02. | |
actor in this role. A bumbling detective abroad type character. | :08:03. | :08:10. | |
It's going to be similarly bumbling. They went for someone like me, | :08:11. | :08:15. | |
probably, because I'm not that kind of quintessential engagement abroad. | :08:16. | :08:28. | |
Your Irish! You noticed. Not a stereotypical as far as the first | :08:29. | :08:34. | |
episode on Thursday showed. In one to go down the road of been a | :08:35. | :08:37. | |
hackneyed character. He's just a detective. They felt that they had | :08:38. | :08:43. | |
done this with Ben and Kris. They wanted to do something different. | :08:44. | :08:48. | |
From a costume perspective, you've nailed it. They've all got jackets | :08:49. | :08:55. | |
on and you have got short sleeves. I did my homework. It's so hot there. | :08:56. | :09:01. | |
I mean, like,... I'm not used to the heat at all. I wouldn't have chosen | :09:02. | :09:06. | |
to go there on my holidays, even. I'd rather go to Iceland or | :09:07. | :09:10. | |
somewhere by choice. I wanted to go and do a Scandi Noir but beggars | :09:11. | :09:22. | |
can't be choosers. Between takes, you have two strip down to your | :09:23. | :09:30. | |
underwear. Really? People come up to you with electric fans and they get | :09:31. | :09:37. | |
chamois leather and wrap it around your neck and bring the water and | :09:38. | :09:42. | |
watermelon. At first, you don't want to be made a fuss of but after a few | :09:43. | :09:47. | |
hours, you think, bring it on. Some people, the sweaty cast members, not | :09:48. | :09:57. | |
me, they get hairdryers to dry their clothes. The internal stuff that was | :09:58. | :10:03. | |
meant to be shot in London was actually shot over in the Caribbean. | :10:04. | :10:08. | |
That's why you were all boiling. It's one of the quirks of the show. | :10:09. | :10:15. | |
My first introduction, it's unusual for Death In Paradise, a double | :10:16. | :10:18. | |
episode that was shot ostensibly in London but because the show is based | :10:19. | :10:23. | |
on the silent in the Caribbean, it's all shot there and the crew are | :10:24. | :10:27. | |
there and based there, it made more sense for them to shoot the London | :10:28. | :10:33. | |
interiors, the dingy basements, in the Caribbean. We've actually got a | :10:34. | :10:40. | |
clip. Let's have a look. Either our killer killed Frank and left the | :10:41. | :10:44. | |
room with the key, locked the door from the outside, and then somehow | :10:45. | :10:51. | |
magic the key through the locked door and into Frank's pocket. Or he | :10:52. | :10:58. | |
committed murder, left at the key in Frank's pocket, locked the door from | :10:59. | :11:02. | |
the inside and managed to magic himself out of the locker room. | :11:03. | :11:05. | |
Either way, it's impossible. APPLAUSE | :11:06. | :11:12. | |
That's coming up for you on Thursday. As fans of the show, we | :11:13. | :11:15. | |
don't really want to know why you end up taking over. What can you | :11:16. | :11:22. | |
tell as around that? Well, I can't tell you too much. I don't want to | :11:23. | :11:31. | |
spoil it. I didn't read the script. Well, I mean, Kris's character | :11:32. | :11:39. | |
comfrey leaves the show. I can't tell you why and how but I end up on | :11:40. | :11:43. | |
the island by accident, sort of, and I end up going there, I think I can | :11:44. | :11:50. | |
tell you this, just for a break. There's a trauma in my life that is | :11:51. | :11:57. | |
revealed in this episode, a loss, and my character is looking for a | :11:58. | :12:01. | |
change in his life and this lands on his feet a bit and he embraces it. | :12:02. | :12:09. | |
Did Kris if you any advice before the role? He was very helpful. | :12:10. | :12:16. | |
Mainly about where to eat and what to do in your downtime. He's a font | :12:17. | :12:21. | |
of knowledge on the island itself and the history and culture of the | :12:22. | :12:24. | |
island and all of that. Very helpful. Also, in terms of the heat, | :12:25. | :12:32. | |
he told me to do my big scenes early in the day which was invaluable. You | :12:33. | :12:36. | |
know, as the day goes on, you do wilt a little bit in the heat. | :12:37. | :12:41. | |
People think it's a great jolly. Nobody has any sympathy for me. But | :12:42. | :12:45. | |
you're not there on holiday. You're there to work. Exactly. I was well | :12:46. | :12:54. | |
warned. The island has so many compensations that it would be | :12:55. | :12:57. | |
churlish to talk about the mosquitoes and the heat and the | :12:58. | :13:02. | |
monsoons and regains and all that stuff. You just embrace it and go | :13:03. | :13:06. | |
with it because so many things are out of your control. You can all see | :13:07. | :13:13. | |
Ardal in Death In Paradise on Thursday on BBC One. Catch up with | :13:14. | :13:16. | |
last Thursday if you haven't seen it because it's a 2-parter. The | :13:17. | :13:28. | |
discovery of the dream Braka Two -- gene. Has meant women face a dilemma | :13:29. | :13:39. | |
about whether to have surgery when faced with breast cancer. The | :13:40. | :13:45. | |
sisters allowed us to follow them as they were tested for the gene. We | :13:46. | :13:56. | |
decided we would both get tested. If a parent has a faulty Braka Jean, a | :13:57. | :14:06. | |
job there children will have a 50% chance of inheriting it from them. | :14:07. | :14:13. | |
Then the risks of certain cancers can be increased. This can be as | :14:14. | :14:20. | |
high as 85%. The wait was horrible. Every day, it was like one day | :14:21. | :14:30. | |
closer. It was an emotional time but I was the calmest I've ever been in | :14:31. | :14:36. | |
the appointment. I think one tear run down my cheek and we held hands | :14:37. | :14:39. | |
and we knew what we were going to do. Rose and Charlotte are with us | :14:40. | :14:49. | |
now. To bring us up to date. That is a quarter of the way through the | :14:50. | :14:53. | |
documentary. Tell us what happened next. We both chose to to have an | :14:54. | :15:01. | |
operation to remove the risk to as small as we can. It wasn't the only | :15:02. | :15:08. | |
option. You can have screening all tablet achievement. For us, it was | :15:09. | :15:12. | |
the right decision. It was what we decided boat to do. Were you both on | :15:13. | :15:21. | |
the same level with the decision? We both knew that we wanted to have the | :15:22. | :15:25. | |
double mastectomy rather than the scans every 12 months. It didn't | :15:26. | :15:31. | |
feel appropriate to do that. You see in the film, footage of you guys | :15:32. | :15:36. | |
looking at your family tree. We have images of it. Basically, the areas | :15:37. | :15:41. | |
in pink are each member of your family that has been affected by | :15:42. | :15:47. | |
cancer. Was this a key reason why you decided to opt for surgery? Even | :15:48. | :15:52. | |
looking at it, it's serious, isn't it? | :15:53. | :15:59. | |
I've always over thought things, in Keane are looking into the family | :16:00. | :16:06. | |
history. I'd already made my decision based off the family tree | :16:07. | :16:13. | |
and are risks. And it was you who said you felt you had it all along. | :16:14. | :16:19. | |
I think both of us had that feeling. When Rose had it, although we are | :16:20. | :16:24. | |
twins, because we are nonidentical we both had risks. Just because Rose | :16:25. | :16:28. | |
had the gene did not mean we would both have it but we felt we were | :16:29. | :16:33. | |
both going and Rose says this is the better option. Both of us had the | :16:34. | :16:38. | |
gene so I didn't feel guilty if I didn't have it. How in control of | :16:39. | :16:47. | |
the situation did you feel? Because having watched it, you seemed | :16:48. | :16:51. | |
incredibly mature about it all. Very matter-of-fact. Is that how you are | :16:52. | :16:59. | |
feeling? We have a chance to stop what has gone on in the past in our | :17:00. | :17:06. | |
family. It stops now. If our children had the gene, we've got | :17:07. | :17:12. | |
that knowledge that we can stop what happened to me happening. I will | :17:13. | :17:18. | |
never die from breast cancer. That is an amazing feeling. There is a | :17:19. | :17:28. | |
bit where you hold a party with your friends. They make a cast out of | :17:29. | :17:38. | |
them. Look at the smiles. That support network was really important | :17:39. | :17:42. | |
for you. It has been invaluable. It has been amazing. We both spoke our | :17:43. | :17:48. | |
decisions through with our family. They were part of our journey | :17:49. | :17:51. | |
through everything we've done. To have the party was something to | :17:52. | :17:58. | |
remember. It is not all sad. It is positive. We know from talking to | :17:59. | :18:04. | |
you that this was obviously a very intimate situation you were in with | :18:05. | :18:07. | |
your friends and family and since this has been shown, the reaction | :18:08. | :18:13. | |
you have had and the feedback from people, you never even thought about | :18:14. | :18:18. | |
it? Complete strangers have contacted me thanking me for doing | :18:19. | :18:26. | |
it and showing them it will be OK. There are things to question but it | :18:27. | :18:29. | |
will be OK. That has just been fantastic. People have taken comfort | :18:30. | :18:37. | |
from our story. This is just our life and people have sought help | :18:38. | :18:43. | |
from it. It has taken you by surprise? Yes. The main reason we | :18:44. | :18:49. | |
did it was we were doing it anyway and this is our life so why not help | :18:50. | :18:53. | |
one more person? We know that we are helping more than one person. People | :18:54. | :18:58. | |
have been in touch that are going to have the operation and they are | :18:59. | :19:02. | |
seeing that they are glad they made the decision. I'm sure that they | :19:03. | :19:08. | |
will do and you tell the story so well and give an insight into it for | :19:09. | :19:12. | |
people who are going through it. Thank you for coming in. | :19:13. | :19:21. | |
Extraordinary Bodies is available on BBC Three iPlayer now. Look at these | :19:22. | :19:26. | |
pictures of the Super Bowl. They are truly spectacular. This is Lady Gaga | :19:27. | :19:31. | |
accompanied by a fleet of 300 dancing drones. We think she got | :19:32. | :19:37. | |
that idea from a one Show film that we broadcast just before Christmas. | :19:38. | :19:43. | |
Dual headed to Dartmoor with just one but he made the most of it. -- | :19:44. | :19:55. | |
Bodies. -- Joe. Hidden behind a dense canopy of trees... One of the | :19:56. | :20:01. | |
most spectacular sights in Dartmoor. We are going to enjoy it in a way it | :20:02. | :20:05. | |
has never been seen before. The National Trust has given us special | :20:06. | :20:08. | |
permission to film with a drone. Descending through the trees, we | :20:09. | :20:14. | |
will follow the river that has carved deep into solid rock. | :20:15. | :20:27. | |
It can be absolutely deafening at times. The head ranger knows every | :20:28. | :20:36. | |
inch of this shadowy landscape. This is largely a result of the glacial | :20:37. | :20:43. | |
process. We've had this very rosy effect. It is almost primordial. It | :20:44. | :20:57. | |
has that atmosphere of the land that time forgot. It is a haven for plans | :20:58. | :21:11. | |
and low -- wildlife. Some sections feel dark and subterranean. This | :21:12. | :21:19. | |
pothole was formed over thousands of years. Getting deeper and deeper and | :21:20. | :21:27. | |
smoothing out the rock. The bubbling of the water gives it the name. It | :21:28. | :21:36. | |
is fierce. You feel like you are deep down in the earth. If you look | :21:37. | :21:43. | |
up to the sides you can see where the potholes were. It is so | :21:44. | :21:52. | |
atmospheric. You start thinking you can hear people. | :21:53. | :22:07. | |
It is said back in the 17th century a trade of savages made this their | :22:08. | :22:15. | |
hiding place. They terrorised anybody who dares enter. This | :22:16. | :22:25. | |
playwright has researched them. They are pictured as attacking | :22:26. | :22:30. | |
travellers. People would be reluctant to wander through there on | :22:31. | :22:33. | |
their own. I think if you have a group of people who want to live | :22:34. | :22:40. | |
differently they would tend to be regarded as savage outlaws. That was | :22:41. | :22:48. | |
a time of people, Civil War. It was a time of upheaval and the Gubbins | :22:49. | :22:55. | |
may have been looking after themselves just like groups today. | :22:56. | :23:01. | |
Can you imagine that a of people living here, coexisting? Yes, there | :23:02. | :23:14. | |
is some intimacy. We have saved the best till last. What a beautiful, | :23:15. | :23:20. | |
elegant waterfall. That's incredible. The shape of it | :23:21. | :23:30. | |
represents a lady's flowing dress. It laid down. But it is 90 feet | :23:31. | :23:50. | |
high. Just gorgeous. If you were looking at an illustration you make | :23:51. | :23:56. | |
picture a scene like this. It is a truly beautiful place. Modern | :23:57. | :24:00. | |
technology allows us to get a new view of this ancient landscape but | :24:01. | :24:05. | |
this water will just keep on doing what it has for thousands of years, | :24:06. | :24:11. | |
eating its way into the spread of rock. | :24:12. | :24:19. | |
Beautiful footage and wonderful sound. You thought there was trouble | :24:20. | :24:26. | |
at Mill when we launched into that because you've done a travelogue. I | :24:27. | :24:36. | |
used a lot of drones. Not everyone likes them. We were threatened. This | :24:37. | :24:46. | |
auld hippie did not like them and told us she was going to shoot us. | :24:47. | :24:54. | |
We've got one more film for you all and this is special. It is the story | :24:55. | :24:58. | |
of how our son found out about his father's secret life after a chance | :24:59. | :25:06. | |
discovery in the garden shed. Cleaning out the garden shed isn't | :25:07. | :25:11. | |
something most of us enjoy. But sometimes, when you least expect it, | :25:12. | :25:18. | |
you can stumble on something extraordinary. These hadron adverts | :25:19. | :25:30. | |
are some of the best examples of the beautiful early commercial art. | :25:31. | :25:37. | |
Lawrence gave up his art and when he died in 1998 he spent 18 years | :25:38. | :25:47. | |
working at a bus driver. It was not until his son phoned them that his | :25:48. | :25:56. | |
talents came to light. I'm lost for words. They are amazing and huge. | :25:57. | :26:04. | |
Before you found these, did you know your dad was this talented? Not at | :26:05. | :26:07. | |
all. In fact, I knew nothing about them. Very little about his past. Do | :26:08. | :26:17. | |
you know anything about his career? My dad was a little graphic artist. | :26:18. | :26:22. | |
He was doing watercolours. The design of the portraits. Look at his | :26:23. | :26:27. | |
original and then draw them full-size straight onto the stone | :26:28. | :26:33. | |
tablet. Up until the Second World War thousands of artists were | :26:34. | :26:35. | |
employed to produce billboard advertising posters by this highly | :26:36. | :26:40. | |
skilled method. Looking at the technique and composition of his | :26:41. | :26:45. | |
work has got me itching to try something in his style. Why did he | :26:46. | :26:52. | |
ever stop his art? It was World War II. After the war, he did not go | :26:53. | :26:58. | |
back. It might have been after a break of five years he was not | :26:59. | :27:06. | |
confident in his art again. I know what I went through when I almost | :27:07. | :27:10. | |
stopped doing this. It will haunt you. It is hard to think of it now. | :27:11. | :27:17. | |
It did not strike me that he had given up his talent until I | :27:18. | :27:24. | |
unearthed all this. Decades of lying forgotten have taken a toll on his | :27:25. | :27:29. | |
work at scanning experts at the University of Portsmouth and this | :27:30. | :27:34. | |
local artist have offered to remaster the posters using modern | :27:35. | :27:38. | |
techniques. This is where the paper has folded back over itself so I | :27:39. | :27:45. | |
have to invent this next bit. This is a cloning tool. I will grab the | :27:46. | :27:52. | |
colour that I want and then it is going to duplicate it. I'm just | :27:53. | :27:56. | |
colouring this in. The results are fantastic. With the | :27:57. | :28:13. | |
help of 21st century techniques, his work is back to its former glory. | :28:14. | :28:22. | |
And after 18 years -- 80 years, it is on display in a gallery in | :28:23. | :28:31. | |
Portsmouth. Here we are! Your dad's first solo exhibition. | :28:32. | :28:42. | |
I'm awestruck and quite emotional. It's a wonderful moment. I think he | :28:43. | :28:50. | |
would appreciate how you had helped repair these pictures. He's not the | :28:51. | :28:56. | |
only one proud of his dad's work. The imagination, so creative. The | :28:57. | :29:03. | |
artwork is superb. Two CDs with this kind of detail, frankly amazing. -- | :29:04. | :29:09. | |
to see this. I would like to give him a gift to mark the occasion. It | :29:10. | :29:16. | |
is a tribute to your father's work. With a little twist. That is | :29:17. | :29:22. | |
wonderful! I think my father would have liked it. Thank you very much. | :29:23. | :29:34. | |
Isn't that great? Loving your work. What a lovely way to end a show. | :29:35. | :29:39. | |
That is it for tonight. Cannot believe it. Thanks all the guests | :29:40. | :29:46. | |
this evening, you can see Ardal O'Hanlon in Death in Paradise. And | :29:47. | :29:48. | |
thank you for sharing your story with us. Angela and I will be here | :29:49. | :29:56. | |
tomorrow, talking to Dannii Minogue. Good night! | :29:57. | :30:09. | |
Do you have any prior motoring convictions? | :30:10. | :30:14. |