Browse content similar to 08/02/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And Angela Scanlon. | :00:20. | :00:27. | |
Tonight we find out how the UK's most famous dinosaur lost its head, | :00:28. | :00:33. | |
its body and its tail. And it might only be Wednesday but tonight we got | :00:34. | :00:35. | |
a Saturday. # Go, go girl... | :00:36. | :00:46. | |
After a decade in one of our biggest girl bands, Una Healey is here with | :00:47. | :00:52. | |
her debut single. And she's brought along the British star of US drama | :00:53. | :00:57. | |
Nashville, Sam Palladio. We have got their first ever live performance in | :00:58. | :01:02. | |
about 20 minutes. I have been listening to it and it's very | :01:03. | :01:05. | |
beautiful. It's lucky we've got someone who knows good music when | :01:06. | :01:08. | |
she hears it. She's had loads of hits and has mentored X Factor | :01:09. | :01:14. | |
winners here and in Australia. Now she is helping Terry Marleau find | :01:15. | :01:20. | |
his new boy band. Let's say hello to Danni Minogue! -- Gary Barlow. Just | :01:21. | :01:29. | |
off a plane, back in Blighty. I was coming in the front door and there | :01:30. | :01:32. | |
were paparazzi and I'd been away from that for so long. What life | :01:33. | :01:39. | |
have you left in Australia? It's summer there and, when I am there, | :01:40. | :01:44. | |
I've mainly been an mum duties, doing the school run and making | :01:45. | :01:47. | |
lunches and stuff and I come back and I'm like, the paparazzi! What's | :01:48. | :01:55. | |
going on? You've gone blonde, we love it! Gary Barlow, a lot of chat | :01:56. | :01:59. | |
about his hair recently and the fact that he has watched it for 14 years. | :02:00. | :02:06. | |
I can't believe it's true. He is so clean and gorgeous and he always | :02:07. | :02:10. | |
smells beautiful. Does his air stink? No! But natural oils are a | :02:11. | :02:20. | |
good thing? I don't know will stop if it works for him, I don't know... | :02:21. | :02:27. | |
As we speak in Westminster, MPs are meeting to have their final vote on | :02:28. | :02:30. | |
the Brexit Bill before it goes to the Lords. The One Show's Team | :02:31. | :02:38. | |
Brexit have also been gathering. After tackling trade, they are back | :02:39. | :02:42. | |
to grill another expert on life outside the EU, and this time they | :02:43. | :02:51. | |
are talking borders. This is our team, four One Show | :02:52. | :02:55. | |
viewers brought together to ask the questions we all want answered on | :02:56. | :02:58. | |
Brexit. Today, it's all about the future of our borders. Ian and | :02:59. | :03:02. | |
Michael Baxter still struggle to see eye to eye. We will take back | :03:03. | :03:08. | |
control. There will be nobody to wash our cars, nobody to be in our | :03:09. | :03:15. | |
hospitals. Pensioner Nora and taxi driver John can't agree either. Why | :03:16. | :03:23. | |
do we need visas? Because we are going to another country. We | :03:24. | :03:27. | |
currently have freedom of movement across the EU without needing a | :03:28. | :03:31. | |
visa. In return, citizens of other EU countries are also free to live, | :03:32. | :03:35. | |
work and travel here. Theresa May said we need to take back our | :03:36. | :03:40. | |
borders, and freedom of movement and reduce immigration, so what changes | :03:41. | :03:46. | |
can we expect when we leave the EU? We're going to an airport and | :03:47. | :03:49. | |
meeting Professor Andrew Dick -- Andrew Davies, an expert on the EU. | :03:50. | :03:55. | |
Hopefully he'll have the answers. In the arrivals hall, we start the day | :03:56. | :04:01. | |
with a coffee and a question. In a post-Brexit world, will I need a | :04:02. | :04:06. | |
freezer to travel in the EU countries? I pretty unlikely. You're | :04:07. | :04:11. | |
more likely have a freezer waiver. You might need to fill in a form | :04:12. | :04:16. | |
before and fill in a free, like when you go to the US, and that gives a | :04:17. | :04:22. | |
right to travel. So we will be in a different queue? The top about | :04:23. | :04:28. | |
trying to make Brexit frictionless, that would be a big friction. That | :04:29. | :04:34. | |
is something they might try and facilitate. What about Brits who | :04:35. | :04:38. | |
have taken up residence in other EU countries? People in other EU member | :04:39. | :04:43. | |
states have got serious things to think about. If you are in Spain, | :04:44. | :04:48. | |
would the government there still meet the health care costs of | :04:49. | :04:52. | |
British citizens in Spain? It is an EU system so will end. This subject | :04:53. | :04:59. | |
turns to those from the EU who want to live and work here. Theresa May | :05:00. | :05:03. | |
said this week that Britain will be poorer and public services weaker | :05:04. | :05:11. | |
without EU workers. Is it going to make us poorer, without access to | :05:12. | :05:16. | |
those individuals? If you want to recruit foreign workers to your | :05:17. | :05:18. | |
business, it's likely to be more difficult because they will not have | :05:19. | :05:22. | |
a right to come and work here. Food for thought. The number of EU | :05:23. | :05:28. | |
migrants working here is that a record high, over 2 million, making | :05:29. | :05:33. | |
up almost 10% of the UK workforce, and some have key roles where we | :05:34. | :05:37. | |
have shortages, such as the NHS. The key thing is to work out how we move | :05:38. | :05:42. | |
forward in the future and put in place and immigration system, rather | :05:43. | :05:47. | |
than free movement, which is going to end. The transition sounds | :05:48. | :05:49. | |
complicated. You can't do it overnight. If you look at the number | :05:50. | :05:55. | |
of people applying for permanent residency in this country and the | :05:56. | :05:58. | |
number of people who might in future to do so, it's been calculated there | :05:59. | :06:05. | |
is 140 years worth of work, so quite a challenge. On the tarmac, the team | :06:06. | :06:14. | |
bring up border security. We have seen to outrage at President Trump's | :06:15. | :06:17. | |
attempt to get on top of immigration. How will we get on top | :06:18. | :06:24. | |
of our borders? Brexit means putting in place a system to redefine our | :06:25. | :06:28. | |
relationships with other countries. That is a natural consequence of the | :06:29. | :06:32. | |
decision. Some other countries might not look at us in the same way as a | :06:33. | :06:36. | |
result, but it's perfectly feasible that Britain can devise an | :06:37. | :06:40. | |
immigration system that doesn't offend other people. Green people | :06:41. | :06:47. | |
will our borders be more secure against illegal immigration and | :06:48. | :06:49. | |
terrorism? I think the government is determined to show that it can | :06:50. | :06:54. | |
control the borders and exert control. But there is a potential | :06:55. | :07:02. | |
flaw. We have a border with Northern Ireland and the Republic of Ireland | :07:03. | :07:06. | |
said that could be a waste of time, couldn't it? That is a thorny issue. | :07:07. | :07:10. | |
We have had a Common Travel Area with Ireland for 100 years and the | :07:11. | :07:14. | |
status of that border is an important issue in the Brexit | :07:15. | :07:17. | |
negotiations. It's about the future of Northern Ireland and British | :07:18. | :07:23. | |
relations with the republic. So, how to Team Brexit feel about what | :07:24. | :07:29. | |
they've learned? I believe we'll get a good, reciprocal deal with the EU | :07:30. | :07:32. | |
and will be able to deal with immigration in a fair and | :07:33. | :07:36. | |
compassionate way. Controlling immigration doesn't mean we won't be | :07:37. | :07:40. | |
able to get the workers we need but it will make it more bureaucratic | :07:41. | :07:44. | |
for employers and employees. That seems like a good day out. Access | :07:45. | :07:50. | |
all areas! Team Brexit will be back soon, but let's have a look at the | :07:51. | :07:55. | |
live scene from Westminster where, in about 15 minutes, the Commons | :07:56. | :08:02. | |
will give the PM the power to stop Brexit held at the moment, they are | :08:03. | :08:06. | |
voting on or nine amendments. -- the power to start Brexit. Last week on | :08:07. | :08:17. | |
let it shine -- Let It Shine, Dannii went all Sergeant Major. It was | :08:18. | :08:18. | |
fantastic. APPLAUSE | :08:19. | :08:53. | |
Dannii, I saw you laughing to yourself. Was that your idea? No, | :08:54. | :09:01. | |
they'd ask me if I could be involved. There wasn't much to do, | :09:02. | :09:06. | |
but I'd just got off a flight from Australia, 24 hours, and the boys | :09:07. | :09:10. | |
had been rehearsing for a month and it looked incredible. I watched it | :09:11. | :09:13. | |
once to see what they were doing and I got on stage and I felt like I | :09:14. | :09:16. | |
didn't even know where I was walking. I only had a few lines to | :09:17. | :09:22. | |
say but I was not getting them at the right times. You looked in | :09:23. | :09:29. | |
control. I pulled it together, thankfully. The live shows start on | :09:30. | :09:31. | |
Saturday and there is talk of another big performance. Can you | :09:32. | :09:39. | |
tell us anything? We've got the Jersey boys coming on for a big | :09:40. | :09:42. | |
performance and one of the judges, and I can't say which it is but it | :09:43. | :09:46. | |
isn't Gary and it isn't me, doing something with the boys. OK! You are | :09:47. | :09:57. | |
just so happy that they have come along, because that is what it is | :09:58. | :10:03. | |
all about for you. It will show so much about the boys. Everybody is | :10:04. | :10:08. | |
watching now and you get one chance. Have you felt that tensions are | :10:09. | :10:12. | |
running high now they know there are no second chances? I have to say, I | :10:13. | :10:19. | |
think boys get way more emotional than girls. There are way more tears | :10:20. | :10:23. | |
and hugging and bromance and spurring each other on. It is hard | :10:24. | :10:29. | |
to watch them. If they are going to be split up from the band, it's | :10:30. | :10:34. | |
going to be really upsetting. It will be the first time everybody | :10:35. | :10:36. | |
gets to see the bands performing together. They all have names. Well, | :10:37. | :10:45. | |
they do. We've got a list here. Five in all. Read them out with a | :10:46. | :10:53. | |
straight face. Drive. First of all, Drive. Nightfall. They sound fierce. | :10:54. | :11:02. | |
Five To Five. That's a news bulletin in some countries. Iron Sun. Iron | :11:03. | :11:13. | |
Sun! And finally, Neon Panda. Neon Panda! Their name through me. The | :11:14. | :11:18. | |
producer said, these are the names and I went, you are kidding! When I | :11:19. | :11:26. | |
heard that Gary's band was called take set, I thought, what kind of | :11:27. | :11:33. | |
name is that? -- was called take that. It all sounds really weird | :11:34. | :11:36. | |
until they start... What does it mean? It doesn't mean anything | :11:37. | :11:42. | |
usually until it gets ingrained in our consciousness. There's no doubt, | :11:43. | :11:46. | |
Neon Panda is on the brain and it will be for many years. Talk us | :11:47. | :11:51. | |
through the format from here on in. It's been quite individual up to now | :11:52. | :11:55. | |
to get into these groups, but now they are performing as a band. Do | :11:56. | :12:02. | |
they all get voted off? Five bands of five and the audience gets to | :12:03. | :12:08. | |
vote. Whether the audience loves the most, the three top bands from that | :12:09. | :12:12. | |
boat go straight through. So you've got to vote if there is a band that | :12:13. | :12:17. | |
you love. Then the bottom two will have a sing off and they will sing a | :12:18. | :12:24. | |
Take That song. The judges are then looking at individuals, so we can | :12:25. | :12:28. | |
grab any cognition of five from those two groups. So they've already | :12:29. | :12:31. | |
got friendships and they had to work together but then, as judges, we're | :12:32. | :12:38. | |
going to have to choose the best five that gelled together that we | :12:39. | :12:41. | |
think will have a really good chance. They have one week to get to | :12:42. | :12:46. | |
know each other and perform together well. So you dismantled two and put | :12:47. | :12:53. | |
them together. We explain to the boys that, on any night, somebody | :12:54. | :12:57. | |
could get ill on a theatre show and the role of this person will be | :12:58. | :13:00. | |
played by, and you are thrown into that situation all the time in | :13:01. | :13:05. | |
theatre. So in this show you are not looking for pop stars who will be | :13:06. | :13:08. | |
together all the time but somebody you have that flexibility? It's a | :13:09. | :13:14. | |
really tough call, we want them to sing like pop singers in a theatre | :13:15. | :13:20. | |
show, eight shows a week, and they are different things. A pop singer, | :13:21. | :13:24. | |
you are close on a microphone. In you are not. We want them to be a | :13:25. | :13:28. | |
bad but to the adaptable to whatever happens. -- in theatre, you are not. | :13:29. | :13:36. | |
We want them to be abandoned. We have done lots of clips on iPlayer. | :13:37. | :13:41. | |
Put that together with what you are going to see this weekend on the | :13:42. | :13:45. | |
show and I think you will know who you are falling for. I liked your | :13:46. | :13:56. | |
star players. Let It Shine's first live show starts on Saturday at | :13:57. | :14:03. | |
6:55pm on BBC One. I don't want to worry you, but a dinosaur that first | :14:04. | :14:06. | |
roamed the earth over 100 years ago is on the move again. Before it hits | :14:07. | :14:13. | |
the road, excitement is taking me by surprise! It has to be carefully | :14:14. | :14:21. | |
taken apart piece by piece. George McGavin went to lend a hand. Many of | :14:22. | :14:27. | |
us have fond childhood memories of seeing Dippy the diplodocus at the | :14:28. | :14:32. | |
national -- Natural History Museum in London. The giant dinosaur is | :14:33. | :14:35. | |
captured the imagination of millions of visitors. I remember being amazed | :14:36. | :14:47. | |
at the sheer size and scale of Dippy when I first saw it as a fresh | :14:48. | :14:51. | |
zoology graduate more than 40 years ago. I feel like it's become part of | :14:52. | :14:58. | |
my own history. But now, after being here for over a century, this most | :14:59. | :15:02. | |
famous exhibit is about to leave home. This majestic dinosaur is to | :15:03. | :15:10. | |
be deconstructed, ready for a UK tour. And the One Show has been | :15:11. | :15:17. | |
granted exclusive access to see that tricky process in action. Today, I'm | :15:18. | :15:26. | |
helping to move Dippy. Deconstructing any big dinosaur | :15:27. | :15:30. | |
skeleton presents a huge technical challenge, but this one is | :15:31. | :15:32. | |
particularly complicated since it's never been completely taken apart | :15:33. | :15:33. | |
before. Dippy is actually a cast of a copy | :15:34. | :15:43. | |
found in America in the late 19th century. It took 18 months to make. | :15:44. | :15:50. | |
When it was unveiled in 1905 it immediately became the star exhibit | :15:51. | :15:56. | |
at the national history museum. It's even appeared in movies such as | :15:57. | :16:03. | |
Paddington. Getting this celebrity ready for its | :16:04. | :16:10. | |
first tour is a mammoth task. At 21 metres long, Dippy is built | :16:11. | :16:20. | |
from 2292 individual bones, connect -- 292 individual bones connected by | :16:21. | :16:25. | |
a metal frame. Leading the project is Lorraine Cornish. Look how | :16:26. | :16:28. | |
fragile that is. This is a big challenge. It is a big challenge. | :16:29. | :16:33. | |
Each individual bone has its own particular challenge. This plaster | :16:34. | :16:38. | |
dates back to 1905. It's very fragile and some parts of it it | :16:39. | :16:41. | |
would be easy to break so each one has to be approached differently. | :16:42. | :16:46. | |
There isn't a construction manual for the team to refer to which makes | :16:47. | :16:50. | |
this complicated task even more difficult. | :16:51. | :16:54. | |
And we're about to remove one of the most crucial parts of Dippy, the | :16:55. | :16:58. | |
head. What do you have to do, how is it | :16:59. | :17:03. | |
held on? By inspecting the back of the skull we can see that it is | :17:04. | :17:07. | |
connected by two tubes. There is a bolt in place. So we think and we | :17:08. | :17:11. | |
hope that when we take that bolt off we will be able to very carefully | :17:12. | :17:15. | |
manoeuvre it off. OK. It is time to lose your head. | :17:16. | :17:23. | |
While Lorraine sets about unbolting the head... It's out. I am left | :17:24. | :17:29. | |
holding the priceless skull. OK. Wiggle! Yes! | :17:30. | :17:34. | |
Right. That's it perfect. Put it down on the foam. | :17:35. | :17:40. | |
Well done. Teamwork. High-five! | :17:41. | :17:45. | |
It will take three weeks to fully dismantle Dippy. | :17:46. | :17:51. | |
But in order to be rebuilt in just a few days when it goes on tour, each | :17:52. | :17:58. | |
piece is labelled with a QR code. These can be scanned to reveal | :17:59. | :18:04. | |
exactly where a bone should go. It's like a giant 3-D construction | :18:05. | :18:08. | |
kit. It is exactly like that. Exactly like that. | :18:09. | :18:12. | |
In a way it is a shame to see this much loved dinosaur going from pride | :18:13. | :18:19. | |
of place here, but I have been really impressed at how meticulous | :18:20. | :18:23. | |
the team have been with the deconstruction and conservation. | :18:24. | :18:29. | |
Such is the scale of the task, Dippy won't be ready to go on the road | :18:30. | :18:38. | |
until early 2018. And Lorraine is here along with | :18:39. | :18:46. | |
Dippy's head. Yes, thank you so much for bringing it. Everything is | :18:47. | :18:52. | |
stored a little bit as far as the restoration project is concerned. We | :18:53. | :18:56. | |
wanted to bring the head in. Talk us through it as far as the nostrils | :18:57. | :18:59. | |
and the teeth. The nostrils are in the top of the head, kind of between | :19:00. | :19:04. | |
the eyes. Then it has teeth at the very front and they're like | :19:05. | :19:09. | |
peg-like. We think it raked off leaves and branches and soft fruits | :19:10. | :19:15. | |
in eating. Then no back teeth so would have swallowed them down maybe | :19:16. | :19:19. | |
with stones to chew it all up. Interesting things you can learn | :19:20. | :19:22. | |
from the skull, really unusual. And still learning. They do lots of | :19:23. | :19:27. | |
studies. They've done studies on the necks and realised they could have | :19:28. | :19:33. | |
reached around, they just stood and would have stripped the branches | :19:34. | :19:36. | |
off, loads of new science coming out. Currently in multiple pieces, | :19:37. | :19:43. | |
where is Dippy off to next year? On a UK tour to eight venues, starting | :19:44. | :19:47. | |
on the coast in Dorset, going all the way around the UK. Going to art | :19:48. | :19:53. | |
galleries, museums, even the Norwich Cathedral, an amazing number of | :19:54. | :19:56. | |
venues. How long will he be stopping there for? Each venue, maybe three | :19:57. | :20:00. | |
to four months. Three at the point - free at the point of entry and | :20:01. | :20:04. | |
people can come in, lots of activities are being arounded so we | :20:05. | :20:09. | |
hope people will get engaged. Why the pause, why is it not happening | :20:10. | :20:17. | |
straightaway? These venues sometimes book things in advance, we need to | :20:18. | :20:21. | |
get Dippy ready, it needs to be more in a sort of flat pack to put it | :20:22. | :20:25. | |
together quickly when gu to the venues, three or four days is all | :20:26. | :20:29. | |
the time we will really have to put Dippy together so we need to make | :20:30. | :20:33. | |
sure it is going to work. 90 million people have seen Dippy in its | :20:34. | :20:37. | |
current venue. Have you ever seen it? I have and I have been to | :20:38. | :20:40. | |
amazing events, evening events, where we have been sitting at tables | :20:41. | :20:45. | |
underneath and I have a picture of my son visiting the museum when he | :20:46. | :20:48. | |
was two-and-a-half and we were planning this trip to go back and | :20:49. | :20:52. | |
see Dippy and I am like you have ruined it for me! He is not going to | :20:53. | :21:02. | |
be there! Listen, thank you so much and good luck with the replacement. | :21:03. | :21:07. | |
You are putting the whale together. Come and see it this summer. In a | :21:08. | :21:14. | |
world a - in a minute a world exclusive. Una Healy's new single | :21:15. | :21:26. | |
with Nashville's Sam Palladio. Before that some shocking news t | :21:27. | :21:30. | |
seems like the traditional joke shop is in trouble. It is not a joke! It | :21:31. | :21:36. | |
is quite serious. It is a serious matter. I am telling you. | :21:37. | :21:45. | |
Never gets old that gag! Great slapstick doesn't get old. Why | :21:46. | :22:05. | |
are joke shops closing? Maybe traditional gags aren't that funny | :22:06. | :22:11. | |
any more. The thing with jokes is you can | :22:12. | :22:17. | |
always invent new ones but Gary Parkinson, owner of this shop in | :22:18. | :22:21. | |
SPAD something a fan of the classics. Should have seen that | :22:22. | :22:26. | |
coming. There seems to be a trend that joke shops are closing down. | :22:27. | :22:30. | |
Yes, they are, unfortunately. It's not as busy as it was, but we are | :22:31. | :22:35. | |
trying to move with the times. I managed to stay open but it's been a | :22:36. | :22:38. | |
struggle. Even the joke shop owner is losing his sense of humour. A | :22:39. | :22:44. | |
bit, yes. Unfortunately, a great British tradition of having a joke | :22:45. | :22:49. | |
may be lost to new generations. Fun snaps. I loved them as a kid. Yeah. | :22:50. | :23:01. | |
The flower. Fake dog poo, snake in a tin. Are you worried we are losing | :23:02. | :23:04. | |
our sense of humour? Technology has moved on. There is more gadgets. | :23:05. | :23:10. | |
When we were younger you could never miss out on a whoopee cushion. Now | :23:11. | :23:15. | |
kids have apps on phones. They're on the internet. They can download | :23:16. | :23:21. | |
funny sounds if they like. They don't seem to be out there like we | :23:22. | :23:25. | |
were, generations today don't seem to have fun outside any more. They | :23:26. | :23:29. | |
don't live. Once a class clown, always a class | :23:30. | :23:34. | |
clown. I am going to bring back the | :23:35. | :23:38. | |
traditional joke. What could possibly go wrong? | :23:39. | :23:42. | |
OK. Would you like to try one? Oh! | :23:43. | :23:49. | |
The kids now are not into it. They're doing that. Looking at | :23:50. | :23:55. | |
screens. People are too serious. There is no camaraderie with one | :23:56. | :23:59. | |
another. It's it's the same in the workplace. Don't step in it. | :24:00. | :24:07. | |
Nothing! I do pranks all the time. Like what? Hide and they think you | :24:08. | :24:14. | |
are not there. What do you think of the flower? Is that funny? Yeah. | :24:15. | :24:19. | |
It's funny, right. Why is it there is a lack of joke shops now? Maybe | :24:20. | :24:23. | |
people aren't funny enough any more. Look at that. | :24:24. | :24:26. | |
It gets a laugh every time! Boom! | :24:27. | :24:38. | |
See, times are changing. Does that squirt water? She doesn't like jokes | :24:39. | :24:45. | |
but likes the flower. Cheers, Tommy. | :24:46. | :24:48. | |
We are breathing naturally now. But we were not joking when we said that | :24:49. | :24:57. | |
we had Una Healy and Sam Palladio with us. The waiting game, your new | :24:58. | :25:04. | |
album is out. We know you from The Saturdays as a popstar. This feels | :25:05. | :25:08. | |
like a departure for you. It's going back to my roots, before The | :25:09. | :25:14. | |
Saturdays I was a singer-songwriter, and I stepped away from that and did | :25:15. | :25:18. | |
the Saturdays for a few years, I feel comfortable back with the | :25:19. | :25:22. | |
guitar doing this. The Waiting Game is out on Friday and this is the | :25:23. | :25:25. | |
first single. I am not alone which is nice, I have Sam. Absolutely. | :25:26. | :25:30. | |
Well, you are now a big country music star, Sam. I have seen you at | :25:31. | :25:38. | |
the Grand Ole Opre in Nashville. How did it start for you, you are from | :25:39. | :25:43. | |
Cornwall, how did you end up making it big in Nashville? I keep asking | :25:44. | :25:47. | |
myself that. It's been an amazing journey. I trained as an actor in | :25:48. | :26:03. | |
London. Amazing college. Always played guitar, loved singing and got | :26:04. | :26:07. | |
this audition to fly out to Nashville to shoot this show. I have | :26:08. | :26:11. | |
been there five years. Fifth series out now. We are filming right now. | :26:12. | :26:18. | |
And you are performing again this weekend. Yes, always an honour to be | :26:19. | :26:22. | |
on that stage. How did you get together for this performance I | :26:23. | :26:25. | |
co-wrote the song, it was always going to be on the album, we loved | :26:26. | :26:30. | |
the song. Myself and Amy who co-wrote it with me, we felt it was | :26:31. | :26:33. | |
missing something, it was missing a man! We got a man. He was top of the | :26:34. | :26:39. | |
list. I am a huge fan of Nashville and Sam's voice, he loved the song. | :26:40. | :26:46. | |
Get yourself ready. A big thank you to Dannii for joining us this | :26:47. | :26:52. | |
evening. Let It Shine this weekend on BBC One. Tomorrow Sir Trevor | :26:53. | :26:57. | |
McDonald will be here. Now, playing us out from the album The Waiting | :26:58. | :27:04. | |
Game, it's Una Healy and Sam Palladio with Stay My Love. | :27:05. | :27:15. | |
# Won't you please stay right by my side? | :27:16. | :28:43. |