Browse content similar to 07/04/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones. And Matt Baker. | :00:20. | :00:27. | |
This year the Tour de France is starting in Yorkshire and the party | :00:28. | :00:30. | |
has already started. Tonight we're joining in. Star of BBC Three's The | :00:31. | :00:35. | |
Call Centre's Nev is attempting to break a sprint record on our outside | :00:36. | :00:49. | |
track. Nice to see you. Alex Riley's tackling the hill | :00:50. | :00:54. | |
climb. We'll explain why he's dragging a piano up with him later. | :00:55. | :01:00. | |
And wearing the yellow jersey tonight or is it a gold one? It's | :01:01. | :01:13. | |
Gary Kemp. How are you? You are a mad keen cyclist aren't you? You are | :01:14. | :01:28. | |
not getting me out there now. You had an accident? Yes, about two | :01:29. | :01:36. | |
months ago. I was doing 30 miles an hour down a hill and fell off. Had a | :01:37. | :01:45. | |
helmet on, but the lens out of my glasses went into my eye and I ended | :01:46. | :01:49. | |
up with six stitches. You should have seen the state of the other | :01:50. | :01:56. | |
geezer! Where you wearing your lycra at the time? I looked down and about | :01:57. | :02:02. | |
that much was ripped and so was my skin. They wonderful man came out of | :02:03. | :02:06. | |
the house and took me to hospital. It has made me nervous. Well in | :02:07. | :02:14. | |
honour of Gary here we want see pictures of your MAMILs. That's a | :02:15. | :02:19. | |
middle aged men in Lycra. Send your pictures in to the usual address and | :02:20. | :02:24. | |
we will show some at the end of the show. That will be interesting. Now | :02:25. | :02:32. | |
Angela Rippon is like a dog with a bone when it comes to your consumer | :02:33. | :02:35. | |
rights, if she thinks you, the British public, are being conned or | :02:36. | :02:40. | |
badly treated she won't let it go. And that is something the people | :02:41. | :02:42. | |
behind the development company Fresh Start Living know all to well. | :02:43. | :02:49. | |
Last year we told you about dozens of complaints we received about the | :02:50. | :02:54. | |
redevelopment company, Fresh Start Living. Flat owners in Stockport | :02:55. | :02:59. | |
complained of an unfinished building and sewage in the basement. That is | :03:00. | :03:05. | |
disgusting. I spoke to the director of Fresh Start Living and he | :03:06. | :03:12. | |
promised me... I am doing everything I can at the moment to get it sorted | :03:13. | :03:17. | |
out. What is the time frame you will give to finish the building? That | :03:18. | :03:23. | |
will be about a month. That was four months ago. I have come back to | :03:24. | :03:30. | |
speak to the owners to find out if there have been any improvements. | :03:31. | :03:32. | |
Let's start with the unfinished building. Janet, George and Gordon | :03:33. | :03:38. | |
tell me some of the work has been done. They filled in a gap in the | :03:39. | :03:43. | |
roof that was letting in pigeons. And water leaks in the apartments | :03:44. | :03:49. | |
have been fixed. But it is still not finished and the builders have | :03:50. | :03:54. | |
disappeared again. It is not even fastened down. Loose cables. All of | :03:55. | :04:03. | |
this completely unfinished. They have been painted, but it is an | :04:04. | :04:09. | |
interesting paint job. My daughter could do a better job, it is | :04:10. | :04:13. | |
horrendous. It is not to a good tune of standard. The owners showed me | :04:14. | :04:20. | |
war work that needed finishing. But what about the sewage in the | :04:21. | :04:23. | |
basement? Also in the basement we discovered what appears to be an | :04:24. | :04:29. | |
open sewer pipe. When I last visited the site, I don't think it was open | :04:30. | :04:36. | |
to anyone. It was, and it still is. The sewage pipe has been capped off, | :04:37. | :04:46. | |
but the filthy toilets remain. Were they for the builders? I suppose, | :04:47. | :04:50. | |
but you cannot flush them because there is no water connected. The | :04:51. | :04:56. | |
residents have had meetings with C Cunningham to resolve the issues but | :04:57. | :05:00. | |
they continue to wait for the work to be done. It must be so | :05:01. | :05:07. | |
frustrating? If someone says they should finish it, then they should. | :05:08. | :05:12. | |
Revisiting the highlights we visited in the past, complaints about Fresh | :05:13. | :05:17. | |
Start Living continue. Karen Jones was sold six students accommodation | :05:18. | :05:23. | |
units in Manchester. She was promised a guaranteed rental income | :05:24. | :05:30. | |
by Fresh Start Living. You are not going to get that now with the | :05:31. | :05:35. | |
banks. But after a year the rent stopped coming in and that is when | :05:36. | :05:40. | |
Karen made a shocking discovery. They have converted three of the | :05:41. | :05:46. | |
flats I purchased the ?24,000 each into the kitchen. With your | :05:47. | :05:53. | |
permission? I did not find out until months afterwards. Her property is | :05:54. | :05:57. | |
now part of the communal kitchens which can be used by any of the | :05:58. | :06:02. | |
students in the communal building. This is part of what I own. This | :06:03. | :06:08. | |
party was my letting unit. The wall appears to have been taken down. My | :06:09. | :06:15. | |
letting bedroom appears to have become the kitchen. Where the bed | :06:16. | :06:21. | |
should be, we have now fridges. I am the legal owner of the kitchen and | :06:22. | :06:26. | |
no one would a ?75 a week to sleep here. Fresh Start Living told Karen | :06:27. | :06:31. | |
they would provide her with replacement units, but once again | :06:32. | :06:35. | |
she was let down. Manchester City Council told us the company had not | :06:36. | :06:40. | |
built enough communal space for the number of bedrooms. They told Fresh | :06:41. | :06:46. | |
Start Living they had to change some of the units into kitchens and | :06:47. | :06:50. | |
communal areas. Fresh Start Living has since sold the house to another | :06:51. | :06:55. | |
company and it is not clear if Karen will ever get replacement units or | :06:56. | :07:00. | |
her money back. We have contacted Mr Cunningham again, and he told us the | :07:01. | :07:04. | |
cladding will be finished and he will make good the paintwork. Since | :07:05. | :07:10. | |
we filmed in stock 40 says he has removed the dirty toilets and has | :07:11. | :07:14. | |
had a meeting with Karen Jones to discuss her problems. He went on to | :07:15. | :07:18. | |
say they are fighting to keep the group solvent by cutting costs and | :07:19. | :07:25. | |
disposing of key assets whilst they look to recapitalise the business. | :07:26. | :07:27. | |
They do not have the infrastructure or capital they would like to have | :07:28. | :07:30. | |
to manage the properties they still own. But, that is cold comfort for | :07:31. | :07:36. | |
those who believed in Fresh Start Living. The fresh is intolerable. | :07:37. | :07:43. | |
Not just financially, it affects your health and you feel like giving | :07:44. | :07:47. | |
up. Angela can't be with us tonight so Lucy's here, what's the latest on | :07:48. | :07:53. | |
Fresh Start Living? We obviously can't trust a word they say, what is | :07:54. | :08:01. | |
going on? He has told her the company is in liquidation and they | :08:02. | :08:04. | |
have no assets so she will not get her money or the property back. Her | :08:05. | :08:11. | |
solicitor has advised her to seek compensation from the company who | :08:12. | :08:16. | |
bought the property. She still owns that property? Yes, she bought it in | :08:17. | :08:22. | |
good faith. That is how she is taking it forward. Due to pension | :08:23. | :08:31. | |
reforms, there are discussions, we don't know whether there are grounds | :08:32. | :08:34. | |
to it, but more people will be buying off plan? Yes, from April 20 | :08:35. | :08:42. | |
15th pensioners will have large sums of money so they will have a lump | :08:43. | :08:47. | |
sums. There is suspicion among experts this will light a fire under | :08:48. | :08:53. | |
the buy to let new build property market because they will want to | :08:54. | :08:57. | |
generate some income. Income generation has been streets ahead | :08:58. | :09:03. | |
with property. But 23% more buildings have been started this | :09:04. | :09:09. | |
year than the year before. But as you get older, you are supposed to | :09:10. | :09:13. | |
get more risk averse. But you will have to take out a mortgage because | :09:14. | :09:16. | |
most people cannot buy a property outright. There is a suspicion it | :09:17. | :09:23. | |
might happen. So for those who want to take a lump sum out and buy off | :09:24. | :09:28. | |
plan or a new build, what is the best advice you can give them? | :09:29. | :09:35. | |
Please make sure the builders are registered with the local authority | :09:36. | :09:37. | |
or a national, official organisation. The National | :09:38. | :09:45. | |
house-building Council certifies 80% of new worlds and 13,000 builders on | :09:46. | :09:48. | |
their records. I operate under warranty scheme. You do have some | :09:49. | :09:53. | |
redress, which is very important. Don't just hand over your money. You | :09:54. | :10:00. | |
have to visit the property, keep turning up. It is important. Thank | :10:01. | :10:06. | |
you, Lucy. Good luck with the Marathon on Sunday. The Call Centre | :10:07. | :10:17. | |
returns to BBC Three tomorrow at 9pm with Nev Wilshere and his | :10:18. | :10:29. | |
alternative management style. I feel cold and dad and I am not enjoying | :10:30. | :10:41. | |
it. You are struggling. You are so uncomfortable, it is unbelievable. | :10:42. | :10:51. | |
Too cool for school does not sell. Go and get another job, because this | :10:52. | :10:54. | |
is not the place for you. I am telling you. Nice to see you. Just | :10:55. | :11:05. | |
looking for Angela Rippon. She is not here. We watched the first | :11:06. | :11:11. | |
series with interest, the second one is back. You have had a chance to | :11:12. | :11:15. | |
watch it and saw yourself. Did it change the way you operate now? Was | :11:16. | :11:23. | |
there anything you wanted to adjust or were you happy? I am what I am | :11:24. | :11:30. | |
and I will not be any different. I did look and think I should lose a | :11:31. | :11:38. | |
bit of weight. Have you done that? I did at one stage, but it did not | :11:39. | :11:43. | |
last long. I overcame it. Is it right you have been found ?225,000 | :11:44. | :11:50. | |
per nuisance calls? I would love to chat about that but there is ongoing | :11:51. | :11:58. | |
litigation, so I cannot. Can you say if you have changed your ways and | :11:59. | :12:02. | |
you are checking more before you ring people? I can't talk about it. | :12:03. | :12:13. | |
We have Gary who has paid not to be called by companies like yours? I am | :12:14. | :12:22. | |
ex-directory so I assume I don't get those calls. But I get them | :12:23. | :12:27. | |
endlessly just as my kids were getting in the bath. I was dealing | :12:28. | :12:32. | |
with that at 6pm at night. Didn't you want any loft insulation? We got | :12:33. | :12:42. | |
a cold call at 8:30am on Mother's Day morning. Since you have been on | :12:43. | :12:50. | |
BBC Three the programme has been a success. You have done a charity | :12:51. | :12:59. | |
single, it has all been going on. You opened a kebabs house? I opened | :13:00. | :13:07. | |
my mate's kebabs house in Swansea. It is not like I am suddenly a | :13:08. | :13:11. | |
celebrity, just a little bit more well-known than I was. We should get | :13:12. | :13:20. | |
them in the Spandau Ballet dressing room. Your competitive nature might | :13:21. | :13:30. | |
be tested because in the second series your son comes in and you | :13:31. | :13:35. | |
have a ping-pong match and it gets competitive. We are going to put you | :13:36. | :13:39. | |
to the test on our cycle track outside. I tried it out earlier and | :13:40. | :13:47. | |
I will let you know what happened. Before that, Dan Snow has been | :13:48. | :13:50. | |
credible story of the only British man ever to be awarded Germany's | :13:51. | :13:56. | |
highest military honour, the iron Cross. | :13:57. | :14:01. | |
On the 29th of January 1943, a huge bomb exploded in the Havilland | :14:02. | :14:07. | |
aircraft factory in Hertfordshire. Another casualty of the Luftwaffe. | :14:08. | :14:15. | |
From the air there was no doubt, the entire power plant of this crucial | :14:16. | :14:18. | |
factory had been destroyed. The factory produced the famous | :14:19. | :14:25. | |
mosquito. At the time, one of the fastest aircraft in the world. | :14:26. | :14:29. | |
Planes were produced at this plant in their thousands, making it an | :14:30. | :14:35. | |
obvious target. This was no ordinary German air strike. In fact, there | :14:36. | :14:40. | |
was no bomb at all. This is the story of one of the most acts of | :14:41. | :14:47. | |
deception -- remarkable acts of deception in the Secret Service. | :14:48. | :14:50. | |
Eddie Chapman was at double agent in the Second World War. He was | :14:51. | :14:55. | |
imprisoned in Germany occupied jersey during the war, where he | :14:56. | :14:58. | |
struck a deal with the NAT sees to defect for his release from prison. | :14:59. | :15:05. | |
As soon as he was accepted right the German Secret service, he turned | :15:06. | :15:08. | |
once again and became a British double agent. To the Germans, his | :15:09. | :15:15. | |
codename was Fritz. To the British comedy was agent zigzag. Ronnie Reid | :15:16. | :15:21. | |
was his handler. But could he trust Eddie Chapman, given his criminal | :15:22. | :15:30. | |
past? Nicholas is Ronnie's son. Generally, after all he was used to | :15:31. | :15:34. | |
telling a tall tale to the police, so he could tell it to the Germans | :15:35. | :15:39. | |
as well. The Germans tasked him with blowing up the factory in heart | :15:40. | :15:43. | |
fortshire. He accepted the mission and promptly informed his case | :15:44. | :15:53. | |
officer at MI5. Chapman had no intention of carrying it out, but | :15:54. | :15:56. | |
needed to convince the Germans he had carried it out. MI5's solution | :15:57. | :16:01. | |
was to fake the ep tire event. Why go -- entire event? Why go to such | :16:02. | :16:07. | |
extremes? Nigel West is a spy author. MI5 ran 70 or 80 double | :16:08. | :16:13. | |
agents and all them to some extent were engaged in deception, but this | :16:14. | :16:18. | |
was nothing quite like Eddie Chapman, the zig zag case stands | :16:19. | :16:25. | |
alone, because of the saB starge -- sabotage. Why where they so keen to | :16:26. | :16:30. | |
make it happen for Eddie? The Germans would trust miple more and | :16:31. | :16:34. | |
they wouldn't rely on other uncontrolled sources or agents, so | :16:35. | :16:40. | |
he would become a superspy. On the eve of 29th January 1943, the set | :16:41. | :16:45. | |
was dressed under the cover of darkness. They had to use | :16:46. | :16:58. | |
applicantier mash a to transform everything. And the awnings would be | :16:59. | :17:02. | |
painted black and placed over various parts of the buildings to | :17:03. | :17:06. | |
make it look as if there was an explosion and there would be a | :17:07. | :17:09. | |
gaping hole where the building had been. The stage was set. The final | :17:10. | :17:14. | |
edition was pyre row tech nicks. It was enough to convince even local | :17:15. | :17:19. | |
employees their factory had taken a direct hit. Chapman radioed the | :17:20. | :17:26. | |
Germans to tell them he had successfully finished Walter, the | :17:27. | :17:29. | |
code name for the factory. When German planes flew over the site, | :17:30. | :17:33. | |
the set was enough to convince them that Chapman had been true to his | :17:34. | :17:37. | |
word. Incredibly, the Germans had bought it and to his amazement he | :17:38. | :17:44. | |
was awarded the Iron Cross, Germany's highest decoration. | :17:45. | :17:48. | |
Following this, Chapman returned to Germany and continued working for | :17:49. | :17:52. | |
German and British intelligence services. When the war ended, | :17:53. | :17:57. | |
Chapman gave up the trappings of his life and returned to the civilian | :17:58. | :18:02. | |
world, albeit sworn to secrecy by having signing the Official Secrets | :18:03. | :18:05. | |
Act. He remains the only British citizen ever to have been awarded | :18:06. | :18:11. | |
the ieRp cross -- Iron Cross in the service of the Third Reich. | :18:12. | :18:14. | |
That story has grabbed you, hasn't it? It's given you an idea? I would | :18:15. | :18:21. | |
love to play him in a movie, but it's more Tom Hardy, but it's the | :18:22. | :18:25. | |
kind of character that could easily have turned up in the play that I'm | :18:26. | :18:33. | |
just about to do. It was your first day? Rehearsals today. How did it | :18:34. | :18:39. | |
go? Singing day. It's a musical. We just all gathered around the piano | :18:40. | :18:45. | |
today. I'm a bit hoarse. How does it work, because you are there with a | :18:46. | :18:48. | |
new cast, some people who you've never met, I assume? Some people who | :18:49. | :18:52. | |
you might have worked with before, so is it embarrassing when you throw | :18:53. | :18:57. | |
your voice? My entire job is always a bit embarrassing. You are putting | :18:58. | :19:00. | |
yourself on the line. Of course it is when you first start singing and | :19:01. | :19:06. | |
Jessie Wallace is starring in it and Jessie's voice is incredible. | :19:07. | :19:14. | |
Goosebumps came up. She seems to be channelling Queeny Watts. With the | :19:15. | :19:22. | |
songs, what story are you telling? It's Lionel Bart's first major | :19:23. | :19:29. | |
musical. Before Oliver it went to Broadway. It went to Broadway for a | :19:30. | :19:37. | |
while and started Barbara Windsor. It is set in a club in Soho and it's | :19:38. | :19:43. | |
about the changing in Soho, trying to clean up the streets. It echoes | :19:44. | :19:47. | |
right now, because that's what they're doing. I play the local | :19:48. | :19:54. | |
inspector, Collins. Is he a goody or baddie? Right from the start he | :19:55. | :19:59. | |
takes a few back-handers. Yeah, yeah, he's a sort of shaky copper, | :20:00. | :20:03. | |
but you have to be if you work in Soho. The lovely - well... The | :20:04. | :20:08. | |
lovely thing is that the play is - you are doing the play when it was | :20:09. | :20:13. | |
first put on in Stratford East? This is amazing. It was developed by Joan | :20:14. | :20:20. | |
Littlewood in 1959 as part of the theatre workshop in the Theatre | :20:21. | :20:26. | |
Royal Stratford East. And she was really pushing the working-class | :20:27. | :20:31. | |
actors at the time and so many people discovered themselves in that | :20:32. | :20:39. | |
time, including Barbara Windsor. She also did Oh What A Lovely War. It's | :20:40. | :20:48. | |
the 100th anniversary of her birth. Gorgeous theatre. Just rewinding the | :20:49. | :20:54. | |
clock back and talking about music, Soul Boy of the Western World, the | :20:55. | :20:56. | |
debut of this documentary in America. It's basically the whole | :20:57. | :21:02. | |
story of you? We've just done the movie, Soul Boy of the Western | :21:03. | :21:05. | |
World. It's the archive-only documentary of Spandau Ballet and | :21:06. | :21:11. | |
it's not just about the band, but about the era and a lot about the | :21:12. | :21:15. | |
youth culture. It's an 1980's documentary and about friendship and | :21:16. | :21:20. | |
it's warts and all and how - Very cathartic to do that? We sat it | :21:21. | :21:26. | |
together. It's how we fell apart. At one point I'm a baddie in it. Does | :21:27. | :21:30. | |
it help to see it all there and for you all to experience it and watch | :21:31. | :21:34. | |
it and you get it all? It is. I'm hoping it's more than that, | :21:35. | :21:40. | |
otherwise it's expensive therapy. We had a director, George, who we left | :21:41. | :21:44. | |
alone and she put it together with the story and we didn't want to be | :21:45. | :21:51. | |
peering over her shoulder. It premiere at a festival in Austin | :21:52. | :21:59. | |
Texas three weeks ago and we played after at a club. They say you're | :22:00. | :22:03. | |
going to reform. We hope it's true. Bang! The Tour de France, the | :22:04. | :22:09. | |
world's most famous race pushes off on 5th July. You have cycled a leg | :22:10. | :22:13. | |
of it? Yeah. Gruelling stuff? It was gruelling, yeah. It took me ten | :22:14. | :22:19. | |
hours. They did it in four. The race will take in the peaks of the | :22:20. | :22:23. | |
Pyrenees and travel across the Alps. However, it all starts in Yorkshire. | :22:24. | :22:30. | |
Yeah and it will climb the wonderful Deals and the locals are getting on | :22:31. | :22:37. | |
their bikes. They want to break the stereotype of carrying love up a | :22:38. | :22:41. | |
hill, they've got something much grander planned as Alex Riley's been | :22:42. | :22:47. | |
finding out. The Tour de France, the ultimate test of man and machine for | :22:48. | :22:53. | |
over 100 years. Come titors pedalling for 2,000 miles to claim | :22:54. | :22:59. | |
the elusive yellow jersey. That's all very well and good, but as the | :23:00. | :23:04. | |
tour starts here, the people of Yorkshire decided to come up with a | :23:05. | :23:07. | |
proper challenge - how many cyclists does it take to pull a piano up a | :23:08. | :23:13. | |
hill? Do you know. I know I certainly don't. Today, I've come to | :23:14. | :23:21. | |
witness a major new art project. As part of the 100-day Yorkshire | :23:22. | :23:25. | |
Festival, locals are attempting to use pedal power to pull a six-font | :23:26. | :23:33. | |
piano up Cragg Vale. It's the longest continuous incline in | :23:34. | :23:37. | |
England over six miles. Does this count as an art installation? Yeah. | :23:38. | :23:43. | |
It's a piece of art. It's a new piece of musical commissioning. A | :23:44. | :23:48. | |
couple of officers from work have been wolfed. Why am I right down the | :23:49. | :23:53. | |
back? That's where the best have to be, where all the power is. Good, | :23:54. | :23:57. | |
because that's what I'm here for, the power. Hold on tight and you'll | :23:58. | :24:14. | |
be fine. I was commissioned to write a piece to go up there and it's nine | :24:15. | :24:19. | |
pieces in one and it's called Piano Cycle. And they are all different | :24:20. | :24:24. | |
styles of music. Some of them classical, some jazz. How do you | :24:25. | :24:32. | |
think it went? Pretty good. A certain amount of composed piece and | :24:33. | :24:36. | |
ad-libbing, so you have to really fit the music to the amount of time | :24:37. | :24:44. | |
that you've got to get up the hill. I think it's chaos? I've never | :24:45. | :24:48. | |
played a moving piano before. It's the maddest thing I've ever done. | :24:49. | :24:53. | |
Wait for me! It's getting quite steep now. The further up we get, | :24:54. | :24:57. | |
the windier and wetter and colder it will get too. | :24:58. | :25:09. | |
Well, it takes 48 people on 18 bikes four-and-a-half hours to pull a | :25:10. | :25:17. | |
grand piano to the top of a very long hill. Well, I've done my stint | :25:18. | :25:23. | |
on the bike and now for the Grand Finale, me on the piano. Well, it 88 | :25:24. | :25:39. | |
days' time it begins in Yorkshire. Not everyone has the capacity to | :25:40. | :25:43. | |
ride in that race, but they can get involved in this. Look at this. It's | :25:44. | :25:47. | |
basically an outdoor velodrome. Anne, how can people get involved? | :25:48. | :25:52. | |
Anyone can get involved. It's a portable, mini velodrome to give | :25:53. | :25:56. | |
people a taste of track cycling. It travels around the country in | :25:57. | :25:59. | |
different locations. As long as you can ride a bike, then it's open to | :26:00. | :26:03. | |
everyone. Can you go around it with stabilisers? No, you have to be over | :26:04. | :26:10. | |
14. Nev has kindly agreed to give it a go. Thank you. Before you have | :26:11. | :26:15. | |
your go - Do you think the general public are willing him on or what? | :26:16. | :26:20. | |
They are. It's a good point. Earlier on, I had a little go around here | :26:21. | :26:24. | |
Nev and it was quite wet, so there we are. Just getting into the swing | :26:25. | :26:32. | |
of it. That happened. It's a bit tricky to be honest, but I managed | :26:33. | :26:37. | |
to get there. I got there in ten seconds up until the fall. We just | :26:38. | :26:41. | |
thought to see if you could beat ten. Go on then. Here he goes. You | :26:42. | :26:49. | |
can do three laps. That's good. Nice and gentle. That's good. He's there. | :26:50. | :26:53. | |
He's safe, he's safe. Keep going, keep going. Stick to the line. He | :26:54. | :26:57. | |
has gone high, but these there. Good. We'll get the ref in. Fastest | :26:58. | :27:02. | |
lap. He's up and down a bit. There we are. Is that it, Sir? No, it's | :27:03. | :27:13. | |
not. That will do. There we are. Here we are. Prime-time telly, with | :27:14. | :27:20. | |
Nev whiepG around. What is it, Sir? 32.8. We'll do the averaging. I | :27:21. | :27:28. | |
don't know what he did. I think he's very brave to take it on. Would you | :27:29. | :27:33. | |
go on that? I would love to, but I don't think my director would be | :27:34. | :27:37. | |
happy. You have to be careful? I'm tap dancing tomorrow or doing | :27:38. | :27:40. | |
something like that, so I better be careful. Hang on. You are tapping | :27:41. | :27:44. | |
dancing tomorrow? No, there's dancing in it. I saw on the call | :27:45. | :27:48. | |
sheet something about tap so I'm getting nervous. Right. We'll get | :27:49. | :27:52. | |
some middle-aged men in lycra on show. Hold one up. Who is this? This | :27:53. | :28:00. | |
is Phil and 74-year-old Mick Golden. The lycra is in style. This is Sean | :28:01. | :28:12. | |
and he is a man in lycra. This back side belongs to Ian who is rocking | :28:13. | :28:16. | |
the grey. I don't think else has ever rocked it. Any more? That looks | :28:17. | :28:24. | |
like Bruce. No, this is Brian from Elgin. Super job. I want to say Karl | :28:25. | :28:32. | |
Cunningham has disappointed a lot of people, but it's not fair to be | :28:33. | :28:36. | |
saying that he can't be trusted. There you go. We are looking for | :28:37. | :28:40. | |
people who have messed up on camera, sporting feats that have gone wrong | :28:41. | :28:43. | |
and dancefloor disasters. Any calamity you would like to share | :28:44. | :28:46. | |
with the nation. We would. Send a message with a link to your video to | :28:47. | :28:51. | |
our website. And that's all for tonight. The Call Centre is on | :28:52. | :28:59. | |
tomorrow night and Gary is appearing in Things Ain't What They Used To be | :29:00. | :29:05. | |
Be. | :29:06. | :29:08. |