Browse content similar to 07/05/2013. Check below for episodes and series from the same categories and more!
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Our guest has a power. It turns out, he used to go by the nickname Mopsy. | :00:39. | :00:49. | |
:00:49. | :00:49. | ||
Aaahhh. What a sweetie. Please, welcome Lord Alan Sugar. You were | :00:49. | :00:55. | |
such a cuty. My eldest sister gave me that name. I don't know why. I'll | :00:55. | :01:02. | |
take it up with her. Does she still call you Mopsy? She might do now | :01:02. | :01:09. | |
you've brought it up. Sorry about that. Sorry about that. It was the | :01:09. | :01:14. | |
mop of hair. Of course. Mum and dad in those days must have thought this | :01:14. | :01:19. | |
was quite a fashionable statement, with a mop of hair. I would agree | :01:19. | :01:27. | |
with them. You are very cute. A new reporter gets to make his first film | :01:27. | :01:33. | |
for us. Hugh Lawrie, on a man who changed the face of British music. | :01:33. | :01:38. | |
For the One Show? I know, things must have dried up! We'll talk about | :01:38. | :01:44. | |
that later on. First, Alan, you are a big fan of cycling and we know you | :01:44. | :01:48. | |
are paranoid about getting your bike stolen, so we think you're going to | :01:48. | :01:52. | |
like this next piece. Martin Bayfiled joins Bristol police force, | :01:52. | :01:57. | |
who are going above and beyond the call of duty to track down bike | :01:57. | :02:07. | |
thieves. It's estimated that one bike is stolen every minute in | :02:07. | :02:10. | |
England and Wales. With more and more of us choosing to cycle, bike | :02:10. | :02:15. | |
theft is a crime on the up. Here in Bristol, police have dramatically | :02:15. | :02:20. | |
reduced the number of bike thefts since they introduced the scheme to | :02:20. | :02:25. | |
catch the thieves red-handed. This is their secret weapon - a bait | :02:25. | :02:29. | |
bike. The police don't want to reveal too much, except it looks | :02:29. | :02:34. | |
like any other bike, but with one crucial difference, a GPS tracking | :02:34. | :02:39. | |
device attached, so if it's stolen the police can follow it. Bikes are | :02:39. | :02:44. | |
locked up in racks around the city and if simian does take the bait, | :02:44. | :02:48. | |
police will be watching and -- someone does take the bait, police | :02:48. | :02:51. | |
will be watching and filming. The police have used bait cars for | :02:51. | :02:56. | |
years, but now the technology has got smaller, they're using it for | :02:56. | :03:03. | |
bike theft. We need to identify the possible offenders for cycle thefts. | :03:03. | :03:09. | |
Today, I've come to join Avon and Somerset Police on one of their bait | :03:09. | :03:12. | |
bike operations, and after a quick briefing we activate the tracking | :03:12. | :03:17. | |
device on the bike. We can track it to a house, car park or any | :03:18. | :03:22. | |
building. It's put into position and locked by plain-clothes officers. | :03:22. | :03:28. | |
Then Mike and I go to the CCTV control room, where the team will be | :03:28. | :03:35. | |
keeping a close eye on the bike. Right behind us we have the scenes | :03:35. | :03:39. | |
and yourselves and the security, all working well together, is it work it | :03:39. | :03:43. | |
for a few bikes? I think it's definitely worth it. Bristol is a | :03:43. | :03:47. | |
cycling city. We need to serve the public and try to make them | :03:47. | :03:51. | |
reassured they can bring their bikes in and lock them up and be safe in | :03:51. | :03:55. | |
the knowledge they'll be there when they return. They won't fail to | :03:55. | :03:58. | |
notice this area is surrounded by cameras and yet they still have a | :03:58. | :04:03. | |
go. Does that sometimes amaze you? It amazes me, because it's well | :04:03. | :04:08. | |
known in this area there are cameras, but the people still take | :04:08. | :04:13. | |
the opportunity to steal bikes. They literally can't resist it. It might | :04:13. | :04:19. | |
scoundrelively trivial, but the bait bikes can lead police to serious | :04:19. | :04:24. | |
offenders, for whom bike theft is just one element. It's led to some | :04:24. | :04:29. | |
of the most prolific offenders, connected to burglaries and | :04:29. | :04:33. | |
robberies and sometimes cycle theft can be the tip of the iceberg that | :04:33. | :04:39. | |
sends them back to prison. We watch and wait in the CCTV control room. | :04:39. | :04:42. | |
It's not long before they spot someone acting suspiciously around | :04:42. | :04:52. | |
:04:52. | :04:53. | ||
the bike rack. This is the beauty of this system. The guys are watching | :04:53. | :04:58. | |
and using all the cameras and keeping an eye on the suspect. He's | :04:58. | :05:07. | |
acting very specially. -- suspiciously. There's another team | :05:07. | :05:13. | |
of police officers on standby in a nearby car. We've had a call from | :05:13. | :05:18. | |
one of my colleagues about the bait bike and he's watched someone who | :05:18. | :05:21. | |
has paid a bit of attention to the bike and the way it's locked up, so | :05:21. | :05:25. | |
he's asked us to get in the area, because he has a feeling they might | :05:25. | :05:34. | |
be coming back. Finally, he makes his move. Here he goes. He has | :05:34. | :05:41. | |
snapped the lock right off and taken the bike and now he has got to be | :05:41. | :05:46. | |
tracked down, but they'll find him. The guards are hot on his heels, but | :05:46. | :05:53. | |
the thief is starting to get away. Going to us. He abandons the bike | :05:53. | :05:56. | |
and trying to escape on foot, but with the rest of the team waiting | :05:56. | :06:01. | |
ready in their positions, there's no hiding place for this bike thief. | :06:02. | :06:05. | |
you understand why you've been arrested? He's arrested and taken | :06:05. | :06:11. | |
back to the station for questioning. He dumped the bike, but you were | :06:11. | :06:15. | |
still able to track him down. had got away we would have been able | :06:15. | :06:20. | |
to track the bike if he didn't dumped it. He did, so we recovered | :06:20. | :06:30. | |
that anyway. We got images of him on CCT -- CCTV. The police may be | :06:30. | :06:38. | |
watching you and filming you wherever you go, so beware. I do | :06:38. | :06:43. | |
hope that wasn't Martin's bike. Matt said, you are very keen to | :06:43. | :06:49. | |
bike, aren't you? Yes.You go to extreme lengths to make sure nobody | :06:49. | :06:55. | |
manages to steal your bike. I have done. In America there's a | :06:55. | :07:02. | |
particular road that I ride on in Florida and sometimes one has to go | :07:02. | :07:07. | |
and have a bathroom break, as the Americans call it and this | :07:07. | :07:11. | |
particular place has a sign that says you cannot bring your bikes in. | :07:11. | :07:18. | |
I do. I bring it into the loo with me and one day the sheriff - isn't | :07:18. | :07:28. | |
Isn't it a bit tight in there? sheriff caught me and asked me if I | :07:28. | :07:31. | |
couldn't read. I said, " You have to understand this bike of mine is | :07:31. | :07:35. | |
worth quite a lot of money and if I left it outside it would be gone." | :07:35. | :07:40. | |
He said to me, " I'll look after it." Fair enough, I thought and the | :07:40. | :07:47. | |
next time I want to do a wee I'll make sure in you're around - yeah, | :07:47. | :07:51. | |
you have to be conscious because of a high-valued bike, but normally I'm | :07:51. | :07:55. | |
out with someone else so if we have to stop they look after it. Somebody | :07:55. | :08:00. | |
who is conscious of it is Alice here from Bike Works. We saw there in the | :08:00. | :08:06. | |
filming the trackers, but people can buy them. Yeah. There is this one | :08:06. | :08:12. | |
here, which is hidden in a bike light. That's about �100. It works | :08:13. | :08:19. | |
via a SIM card. You can see where it has gone. We tracked this bike | :08:19. | :08:26. | |
coming to the studio today. That's the route? Yep. Very good. Do you | :08:26. | :08:32. | |
fancy one of them? That's very, very interesting. They are good. Apart | :08:32. | :08:38. | |
from a GPS tracker or a sheriff that Lord Sugar has standing by, what | :08:38. | :08:42. | |
else can we all do to make sure the bikes are as safe as possible? | :08:42. | :08:46. | |
really important to take a photo to record and register your bike, so | :08:47. | :08:51. | |
you know what it is. It is also very important to lock it on to something | :08:51. | :08:54. | |
very secure and then most importantly, it's very important to | :08:54. | :08:59. | |
get a very, very good lock. We'll talk about the D locks, because you | :08:59. | :09:04. | |
have a small one, so it's not easy to get something many to prise it | :09:04. | :09:08. | |
off, but you put it somewhere specifically? You want to make sure | :09:08. | :09:12. | |
it's in the back triangle of the frame and you want to fill the air | :09:12. | :09:16. | |
as much as possible, so there's no possibility of anyone sticking a | :09:16. | :09:19. | |
pole in and popping it and also where possible, you want to secure | :09:19. | :09:23. | |
the front of the bike or the front wheel, or if you have a high-end | :09:23. | :09:28. | |
frame you want to make sure you have secured all the components. Thank | :09:28. | :09:33. | |
you. Now, we are not used to hearing stories of stockbrokers saving | :09:33. | :09:37. | |
lives, but in the 1930s, one man swapped trading commodities for | :09:37. | :09:42. | |
doing just that. Dan Snow has the amaze amazing story of Winton's | :09:42. | :09:48. | |
children. A moving story of Oskar Schindler, a German who saved | :09:48. | :09:54. | |
hundreds of Jews from the Nazi camps was made famous by the film, | :09:54. | :09:59. | |
Schindler's List, but here in Britain we have our own man. He is a | :09:59. | :10:05. | |
hero none the less and in fact he's right up here at Maidenhead station. | :10:06. | :10:11. | |
This is Nicholas Winton. In 1938, he was a 29-year-old London | :10:12. | :10:16. | |
stockbroker. But he became an organiser of kinder transport, | :10:16. | :10:21. | |
trains crossing Europe on the eve of war, carrying thousands of mainly | :10:21. | :10:24. | |
Jewish children, escaping the anti-Semitism sweeping through | :10:24. | :10:29. | |
Europe. A year before war broke out, Nicholas Winton took a trip to | :10:29. | :10:32. | |
Prague and realised that the Jews of Europe faced a terrible future. He | :10:32. | :10:37. | |
knew he had to act. The German Government permitted some children | :10:37. | :10:42. | |
to travel. Working from a hotel room in Prague and paying his own costs, | :10:42. | :10:47. | |
he secured the agreements he needed to bring children to Britain. By | :10:47. | :10:52. | |
March 1939 his first trains were ready to roll. A young Peter boarded | :10:52. | :10:57. | |
one of the first trains. This is an approved German pass. Did your | :10:57. | :11:03. | |
parents come to see you off at the station? They didn't weep. They | :11:03. | :11:06. | |
simply showed me off and they were cheerful. They made me believe that | :11:06. | :11:11. | |
I was going on a holiday to England. Two fellow passengers remember both | :11:11. | :11:17. | |
hostility and kindness on the journey. When we stopped in | :11:17. | :11:21. | |
nurnberg, the people who knew this was a train-load of mainly Jewish | :11:22. | :11:25. | |
children, I remember them shaking their fists at us. They couldn't get | :11:25. | :11:31. | |
at us. When we got to the Dutch border, on to the platform, came | :11:31. | :11:37. | |
women and children and the women were carrying big jugs of Coco. It | :11:37. | :11:41. | |
was wonderful. Tagged with numbers like their luggage, the children | :11:41. | :11:45. | |
arrived at Liverpool Street Station in London. Each one met by Nicholas | :11:45. | :11:50. | |
Winton. In all, 669 children were rescued and lived with British | :11:50. | :11:55. | |
families. Most of their parents perished in the death camps. But for | :11:55. | :11:59. | |
almost 50 years, Winton's achievement went unrecognised. Until | :11:59. | :12:04. | |
his wife stumbled across a scrapbook in the loft. It contained details of | :12:04. | :12:08. | |
every kinder transport child her husband had helped. The secret was | :12:08. | :12:15. | |
out and led to some very public reunions. Is there anyone in the | :12:15. | :12:20. | |
audience tonight who owes their life to Nicholas Winton? If so, could you | :12:20. | :12:30. | |
:12:30. | :12:34. | ||
stand up, please? Excitingly, at grand, old age of 103, Nicholas is | :12:34. | :12:38. | |
still alive and well and Peter and I are off to see him now. We are now | :12:39. | :12:44. | |
meeting Sir Nicholas Winton. Hello. Do you enjoy meeting up with the | :12:44. | :12:47. | |
children people whose lives you changed so much? Yes, I'm still in | :12:47. | :12:52. | |
touch with a lot of them, which keeps me alive too. What were the | :12:52. | :12:55. | |
biggest problems to getting these people out? Getting permission from | :12:55. | :13:02. | |
the British government to accept children into this country. They had | :13:02. | :13:07. | |
no friends or grannors, so we had to guarantee that the children we | :13:07. | :13:13. | |
brought over had somebody who would temporarily adopt them. I and my | :13:13. | :13:17. | |
mother met them all. We were there at every train arrival. That must | :13:17. | :13:23. | |
have made all the bureaucracy and organisation worth well? Well, this | :13:23. | :13:29. | |
is -- worthwhile? Well, this is what makes it all worthwhile. Some of | :13:29. | :13:32. | |
great-great-grandparents. It was all a matter of luck, being in the right | :13:32. | :13:41. | |
place at the right time. How much a an impact did he have? My father was | :13:41. | :13:48. | |
killed on arrival in orb wits, so I was grateful to Sir Nicholas for my | :13:48. | :13:51. | |
existence and my survival. Does it give you satisfaction looking back | :13:51. | :14:00. | |
after all the years on what you achieved? Yes, it has. Yes. Thralls | :14:00. | :14:06. | |
satisfaction to look back on something that's good. That was an | :14:06. | :14:09. | |
enormous privilege to meet him and witness that conversation. He has | :14:09. | :14:15. | |
this incredible ability to make his heroism sound almost must be | :14:15. | :14:19. | |
mundane, but one things shines through and that's the huge | :14:19. | :14:29. | |
:14:29. | :14:44. | ||
affection with which he's regarded Here is an angel. The fact there he | :14:44. | :14:53. | |
did not shout about it. It is unbelievable! Your search for a new | :14:53. | :14:56. | |
apprentice starts tonight and the candidates are having to be up | :14:56. | :15:03. | |
front about their business plans. Do you have much of a say in those | :15:03. | :15:13. | |
:15:13. | :15:14. | ||
businesses? Obviously, the audition process starts off with thousands | :15:14. | :15:20. | |
of people applying. You can imagine. The production company Whittle's | :15:20. | :15:27. | |
them down to 100 or so. Then I would have a look through the CVs | :15:27. | :15:34. | |
on paper of some of the people. Sometimes they show you clips of | :15:35. | :15:40. | |
them. The most important thing is that I don't have an opinion about | :15:40. | :15:46. | |
the business these people want to go into. They are going to run the | :15:46. | :15:52. | |
business. I am not going to do it. I am going to be there as a mentor. | :15:52. | :16:00. | |
I do not have particular... It is them you are interested in. | :16:00. | :16:07. | |
their business plan. Of the 16 of them, I would have reviewed their | :16:07. | :16:13. | |
business plan in a miniscule manner. Certain businesses I would not want | :16:13. | :16:20. | |
to be involved in and they would not get in the process. What types | :16:20. | :16:29. | |
of business would they be? this.com rubbish. It did catch up | :16:29. | :16:36. | |
on but it will not catch on any more. People inspiring to be | :16:36. | :16:42. | |
another Lord gates and so on. I have a quick look at the plans. I | :16:42. | :16:50. | |
do not dive into them until we get later into the process. They were | :16:50. | :17:00. | |
:17:00. | :17:00. | ||
arguing that match from the start. It is all right. I need to speak to | :17:00. | :17:10. | |
:17:10. | :17:11. | ||
them. I said it seven times. are you shouting? Ring them back. | :17:11. | :17:17. | |
They are a great bunch. Some really strong characters in at. They | :17:17. | :17:23. | |
create the tension. -- in there. A lot of people say, is it really | :17:23. | :17:28. | |
business? You must understand there is a to London �50,000 pot of gold | :17:28. | :17:37. | |
at the end of this. -- to lead and �50,000. Make sure they sat in the | :17:37. | :17:42. | |
running. You have been dragged through the courts by Stella | :17:42. | :17:46. | |
English. Do you ever think to yourself, I need to keep my head | :17:46. | :17:52. | |
down and not get involved? That is a separate issue. I do not agree | :17:52. | :17:57. | |
with this claim culture and I was going to stand up to it. I am sick | :17:57. | :18:03. | |
and tired of people who tried to abuse the system in attacking a | :18:03. | :18:08. | |
high-profile individual - especially the ambulance-chasing | :18:08. | :18:12. | |
lawyers they employed who believe there is a big payout at the end | :18:12. | :18:17. | |
because the person is not going to go to court. They did not think I | :18:17. | :18:24. | |
would go to court. She is a one-off. 160 people have come into my | :18:24. | :18:30. | |
boardroom over the last eight years. You always get one bad apple, I | :18:30. | :18:38. | |
suppose. It does not put the off at all. The Apprentice starts tonight | :18:38. | :18:42. | |
on BBC One at 9pm and the second episode is on tomorrow night at the | :18:42. | :18:45. | |
same time. It's been a glorious bank holiday for most of us but, | :18:45. | :18:48. | |
for three budding entrepreneurs, it has been a nervous one. In honour | :18:48. | :18:51. | |
of The Apprentice, we followed two start up businesses as they tried | :18:51. | :18:58. | |
to make the most of the weekend trade. Shamin Bangi and Tony had | :18:58. | :19:07. | |
just given up their 9-5 jobs to sell bucket loads of jerk chicken. | :19:07. | :19:15. | |
-- Sharlene. We wanted to create an experience. 23-year-old Cesar | :19:15. | :19:19. | |
already has a failed business behind him but now he is trying | :19:19. | :19:26. | |
Again by making and selling his own gourmet ice lollies. My last | :19:26. | :19:30. | |
experience was at Easter and it was snowing. I sold tend lollies and | :19:30. | :19:38. | |
people were laughing. It was tough. We are following them as they tried | :19:38. | :19:44. | |
to make the most of the promised good weather over the bank holiday | :19:44. | :19:51. | |
weekend. We're up a bit behind time. Because of the weather, I would | :19:51. | :20:01. | |
:20:01. | :20:01. | ||
anticipate the football would be lower. -- suit for. Plenty. But no | :20:01. | :20:11. | |
:20:11. | :20:13. | ||
takers. I always feel slightly nervous at the start. This is for | :20:13. | :20:19. | |
real. Thankfully, both the chicken and lollies are soon in demand. | :20:19. | :20:25. | |
Everybody came at once. We were not really expecting it. We're trying | :20:25. | :20:32. | |
to catch up. I feel like I need an extra pair of hands. We have sold | :20:32. | :20:37. | |
more in half an hour and we sold the whole of the Easter weekend in | :20:37. | :20:44. | |
March. By mid- afternoon, it is clear it will be a good day. It was | :20:44. | :20:51. | |
nice. Very good value. I really enjoy debt. Really nice.I did want | :20:51. | :20:57. | |
the ginger one and he had sold out that... Do they have enough stock | :20:57. | :21:03. | |
to satisfy demand? I feel like we should have brought more stock. If | :21:03. | :21:10. | |
we sell out, that is good but we lose out on money. I am thinking of | :21:10. | :21:16. | |
calling my mum to censor more down in the cab. I think I could sell | :21:16. | :21:23. | |
out about an hour before. The cab will be there in five minutes. Send | :21:23. | :21:29. | |
four of each. They have taken the risk of a betting more stock later | :21:29. | :21:36. | |
in the day but Sharlene has sold her last lunch. The delivery I | :21:36. | :21:42. | |
received added on an extra 100 quid profit. I do regret not making the | :21:42. | :21:46. | |
court earlier. I have not completely sold out but I am happy | :21:46. | :21:52. | |
with what I have sold. We could have had a few more hours trading. | :21:52. | :21:57. | |
That is disappointing. Next time we will come with double the amount | :21:57. | :22:03. | |
and make double the money. It is just like the Apprentice. Very | :22:03. | :22:13. | |
:22:13. | :22:14. | ||
tense! Dave, could you send in the entrepreneurs, please? OK. Lord | :22:14. | :22:24. | |
:22:24. | :22:41. | ||
Good evening. It was quite a successful bank holiday. It is time | :22:41. | :22:47. | |
to see how they got on over the bank holiday weekend. Shall I | :22:47. | :22:57. | |
:22:57. | :22:58. | ||
start? Sharlene and Tony - takings of �256. That is a profit of �178. | :22:59. | :23:08. | |
:23:09. | :23:13. | ||
Buried it. And Cesar, takings 1495. -- ferry pitbull stub a profit of | :23:13. | :23:23. | |
:23:23. | :23:23. | ||
�900. -- very good. I understand that yours was the ice lollies. | :23:23. | :23:33. | |
You'll think was the chicken stuff. -- your thing. Do not be | :23:33. | :23:39. | |
demoralised. I think he had a bit of luck because it was a sunny day. | :23:39. | :23:49. | |
:23:49. | :23:50. | ||
You have more of longevity in the opera that. You both have very good | :23:51. | :23:56. | |
ideas. I have been working on some alcoholic recipes that I hope will | :23:56. | :24:02. | |
be seen in nightclubs all year round, hopefully. You have to | :24:02. | :24:08. | |
accept it is very seasonal. That is all we have got time for. Well | :24:08. | :24:12. | |
done! By day, he's a Golden Globe winning actor but, by night, he | :24:12. | :24:15. | |
likes nothing more than bringing down the house, singing music from | :24:15. | :24:25. | |
:24:25. | :24:26. | ||
America's Deep South. He is our new member of The One Show family. Hugh | :24:26. | :24:30. | |
Laurie meets the man who first introduced Britain to the Blues. | :24:30. | :24:34. | |
For the last 30 years, I have supported myself by pretending to | :24:34. | :24:41. | |
be other people. English toffs, thanks, clowns, other English toffs. | :24:41. | :24:45. | |
All that time, I have been nurturing a secret which I confess | :24:45. | :24:55. | |
:24:55. | :24:56. | ||
to you now. My name is Hugh Laurie and I love the blues. Back in the | :24:56. | :25:01. | |
1950s, very few people in this country had heard of blues music. | :25:01. | :25:04. | |
One Englishman knew what we were missing and decided to change that. | :25:04. | :25:10. | |
In so doing, he changed my life and probably yours as well. He changed | :25:10. | :25:18. | |
the course of popular music. He is a real hero of mine and I'm lucky | :25:18. | :25:23. | |
enough to have the chance to meet him at Abbey Road studios for the | :25:23. | :25:30. | |
one share. I am about to meet the trombone legend, Chris Barber. Your | :25:30. | :25:37. | |
father was a violinist. He bought me a fiddle - a child sized one | :25:37. | :25:45. | |
when I was seven. I had violin lessons at school. You got your | :25:45. | :25:53. | |
first trombone much later. I had heard some jazz on the radio. I | :25:53. | :25:59. | |
began to be interested. One day I saw a sign in at a record shop - a | :25:59. | :26:05. | |
poster saying there would be a jazz concert. I never thought that what | :26:05. | :26:13. | |
I read and heard that anyone would play it. It was across the ocean. | :26:13. | :26:23. | |
:26:23. | :26:25. | ||
Or Mars! I walked down the aisle to get this thing and there was this | :26:25. | :26:30. | |
music. Chris Barber introduced a wave of American blues performers | :26:30. | :26:34. | |
to this country who had a massive influence on those lucky enough to | :26:34. | :26:42. | |
see them. When you brought over these extraordinary legends, what | :26:42. | :26:50. | |
was the reaction of the audience? They left it. I was surprised. The | :26:50. | :26:56. | |
strength of acceptance. There was a love for it immediately. The sound | :26:56. | :27:01. | |
was amazing. We were determined to do all we could to get the music | :27:01. | :27:06. | |
accepted at all in the first place. To get it understood and loved by | :27:06. | :27:14. | |
more people. Basically, it inspired a generation of British bands who | :27:14. | :27:19. | |
would go on to conquer the world. The music I play on my own records, | :27:19. | :27:25. | |
yes, I had to get that in summer, has been directly influenced by | :27:25. | :27:32. | |
Chris Barber and the artists he brought this country. -- to this | :27:32. | :27:42. | |
:27:42. | :28:07. | ||
You are in this extraordinary position of brokering these talents | :28:07. | :28:12. | |
going backwards and forwards across the Atlantic. Did you feel like a | :28:12. | :28:18. | |
man on a mission? It was about taking the music seriously and | :28:18. | :28:28. | |
:28:28. | :28:43. | ||
How about that! Thanks to Hugh and the legendary Chris Barber. I | :28:43. | :28:52. |