Browse content similar to 07/07/2011. Check below for episodes and series from the same categories and more!
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The hello, and welcome to The One Show. Tonight we are very, very | :00:20. | :00:25. | |
excited. Our guest is an hilarious Hollywood heavyweight with a long | :00:25. | :00:30. | |
list of talents that to his name. He is our ultimate guest, an iconic | :00:30. | :00:37. | |
comic, award winning actor, playwright, new dish and, showman, | :00:37. | :00:44. | |
composer and band dry it -- and banjo player. It is OF the Steve | :00:44. | :00:54. | |
:00:54. | :01:12. | ||
Martin! He is with his band, the Steve! How welcome you are. Steve | :01:12. | :01:17. | |
Martin, nice to see you. That was the shortest banjos on I have ever | :01:17. | :01:24. | |
played. You have made your way over here from playing the banjo... | :01:24. | :01:30. | |
exhausted from the walk! But on Capitol Hill on July 4th, you | :01:30. | :01:34. | |
played for President Obama. played on the Capitol lawn, you | :01:34. | :01:41. | |
have a rehearsal shot, there was no audience there, there was half a | :01:41. | :01:46. | |
million people live. Half a million and four, we had four guest tickets. | :01:46. | :01:50. | |
We played on a different occasion in the White House for 100 people | :01:50. | :01:54. | |
for 100 people, and the fact that I play the banjo, at the White House, | :01:54. | :01:58. | |
for the President of the United States, has to be one of the | :01:58. | :02:03. | |
greatest thrills of his life. Without the dead! But he is a great | :02:03. | :02:10. | |
fan of you. -- without a doubt! You have starred in some of the most | :02:10. | :02:17. | |
iconic films of the last 30 years. You can have that. Matt and Alex | :02:17. | :02:22. | |
say... You were a comedian before that, but has music taking centre- | :02:22. | :02:27. | |
stage? It has for a while. My career has shifted, I have gone | :02:27. | :02:35. | |
with the flow, I have written books, a memoir, novels, and what it is is | :02:35. | :02:40. | |
that I am performing live again, I am doing music. When I did stand up | :02:40. | :02:44. | |
by has a little bit of music, now I have a lot of music and comedy, we | :02:44. | :02:48. | |
do comedy in the show, at least a third of it is comedy, or what I | :02:49. | :02:54. | |
think of us, dear! Let's indulge ourselves in one of your most | :02:54. | :03:04. | |
:03:04. | :03:18. | ||
iconic movies, Planes, Trains and Tell? Why did you kiss my ear? | :03:18. | :03:25. | |
are you holding my hand? Where is your other hand? Between two | :03:25. | :03:35. | |
:03:35. | :03:37. | ||
pillows. Those are not the lows! -- not pillows! | :03:37. | :03:41. | |
John Candy was such a sweetheart. Shooting of that film, the story is | :03:41. | :03:45. | |
about getting from one place to another, the shooting of it was | :03:45. | :03:49. | |
quite difficult because we had to chase snow, we were going through | :03:50. | :03:56. | |
the same chap -- troubles that the scripts indicated. John and I had a | :03:56. | :04:00. | |
lot of long hours, it was really cold where we were shooting, we | :04:00. | :04:04. | |
would amuse ourselves. We had a recurring joke that we would do | :04:04. | :04:10. | |
with each other, we would never get boarded doing the same joke over | :04:10. | :04:15. | |
and over. I would come up to her Mondsee, how is he? And John would | :04:15. | :04:21. | |
say, not so good. I would say, what does the doctor say? He would say, | :04:21. | :04:30. | |
well, the doctor says he is dead. Brilliant! We will be talking about | :04:30. | :04:33. | |
your new album and all sorts of stuff. But first there has been | :04:33. | :04:36. | |
dramatic news, the News of the World will print its final edition | :04:36. | :04:43. | |
this Sunday. Question Time are doing a special at 10:35pm on BBC | :04:43. | :04:46. | |
One, we can cross live to get the immediate reaction from David | :04:47. | :04:51. | |
Dimbleby. I do surprise the paper has actually been axed and it has | :04:51. | :04:58. | |
come to it? -- are you surprised? find it completely incomprehensible. | :04:58. | :05:02. | |
It is as though News Corporation had sent the News of the World to | :05:02. | :05:06. | |
jail, instead of sending the people guilty of wrongdoing, and somehow | :05:06. | :05:10. | |
that would end the story. I don't understand it, unless they feel it | :05:10. | :05:14. | |
is commercially no longer viable because people have taken against | :05:14. | :05:18. | |
it in droves. But time passes and people would probably come back to | :05:18. | :05:24. | |
it. I suspect it is a clever move to defuse the thing and allow | :05:24. | :05:28. | |
Rupert Murdoch to go ahead and take over the huge tank of television at | :05:28. | :05:33. | |
BSkyB, which is what he is really after -- the huge chunk of | :05:33. | :05:39. | |
television. Has this drawn a line under the whole affair? Absolutely | :05:39. | :05:46. | |
not, no. Not politically, people will be asking questions about the | :05:46. | :05:49. | |
connections between Murdoch and the Prime Minister, those close | :05:49. | :05:53. | |
connections. People will ask what will happen to Rebekah Brooks, who | :05:53. | :05:57. | |
runs News Corporation. There are a whole lot of cases that the police | :05:57. | :06:02. | |
will look at, it will go on and on. That is why it is so odd, it is | :06:02. | :06:06. | |
like punishing the title instead of the people in management | :06:06. | :06:13. | |
responsible. We have got Hugh Grant on, by the way. You were boasting | :06:13. | :06:19. | |
by your people, we have Hugh Grant! He has been very strong. We can cap | :06:19. | :06:23. | |
you! He has come into great difficulties with the press and the | :06:23. | :06:28. | |
bugging etc, he is a panellist, we will have to wait to see what he | :06:28. | :06:31. | |
says. Do you think there is a danger that this will spread to | :06:31. | :06:38. | |
other papers? It is difficult to tell. There have been allegations | :06:38. | :06:41. | |
that other papers have been involved, but nothing on the scale | :06:41. | :06:44. | |
of the News of the World. What is really interesting is does it | :06:45. | :06:48. | |
affect the way journalists behave? Of course they will be more | :06:49. | :06:53. | |
cautious about breaking the law. Does that affect police behaviour | :06:53. | :06:58. | |
of cases are Provan against them for telling stories to the press in | :06:58. | :07:04. | |
return for 500 quid etc? -- if cases are proven against them? It | :07:04. | :07:08. | |
will for a while, but it is difficult to control these things | :07:08. | :07:12. | |
forever. People say we get the press we deserve, we like the | :07:12. | :07:16. | |
gossip and the salacious stuff, I'm afraid, so I suspect newspaper | :07:16. | :07:20. | |
proprietors were always go after that. Thank you for your time. One | :07:20. | :07:25. | |
thing is for sure, Hugh Grant can't play the banjo. If you keep | :07:25. | :07:30. | |
listening you will hear Steve Martin, he is unbelievable. We went | :07:30. | :07:34. | |
out on the streets, we heard about the public and what weight -- what | :07:34. | :07:38. | |
they were saying, people will be buying the papers this weekend. | :07:38. | :07:42. | |
am hiring some of the News of the World staff to get my telephone | :07:42. | :07:46. | |
messages, because I have not been able to figure out how to do it. | :07:46. | :07:52. | |
APPLAUSE. I will have four people on staff. | :07:52. | :07:58. | |
In other news, the story of an extraordinary art theft, a $200,000 | :07:58. | :08:02. | |
Pablo Picasso was taken from a San Francisco gallery in the middle of | :08:02. | :08:07. | |
the day. Can you believe this, the dirty, rotten scoundrel escaped in | :08:07. | :08:12. | |
a waiting taxi in broad daylight. As you said, a $200,000 Picasso, I | :08:12. | :08:20. | |
said, that must be a terrible Picasso! Have you got a Picasso? | :08:20. | :08:28. | |
have a small drawing. You watch nobody steals that now. I'm hoping | :08:28. | :08:32. | |
somebody will steal it, I can get more for the insurance, probably. | :08:32. | :08:37. | |
But you have been a victim of art fraud? I have been, recently, but I | :08:37. | :08:41. | |
don't know how much I can talk about it. I was in Paris and went | :08:42. | :08:50. | |
into a very fine gallery and bought a painting by a German/Austrian | :08:50. | :08:58. | |
painter, it was supposedly painted in 1915. Then I got a call, I will | :08:58. | :09:02. | |
not going to the details, they said, we think your painting is a fake. I | :09:02. | :09:09. | |
said, why? They said... That is it, that is the picture. They said, we | :09:09. | :09:16. | |
did an examination and the painted dates only back to 1940. That was a | :09:16. | :09:21. | |
pretty good indication. You will be interested in his next story. Phil | :09:21. | :09:25. | |
Tufnell has the tale of a theft from the National Gallery big | :09:25. | :09:32. | |
enough to get the law changed. If you were looking to frame a | :09:32. | :09:36. | |
successful art thief, probably the last face you would it would be a | :09:36. | :09:39. | |
disabled Geordie pensioner with an axe to grind about the television | :09:39. | :09:43. | |
licence, but that was the precise identity of the man who handed | :09:43. | :09:48. | |
himself into a bewildered Scotland Yard to four years after the theft | :09:48. | :09:53. | |
of a painting worth �21 million in today's money, right here at the | :09:53. | :09:56. | |
National Gallery. Kempton Bunton, a retired bus | :09:56. | :10:00. | |
driver, claimed to the police he had travelled to London to see the | :10:00. | :10:04. | |
portrait of the Duke of Wellington for himself after reading about its | :10:04. | :10:08. | |
purchase for the nation to protect it from a proposed sale to an | :10:08. | :10:12. | |
American collector. And he decided on impulse to steal the painting | :10:12. | :10:19. | |
the very next day. But what on earth turns a mild- | :10:19. | :10:24. | |
mannered OAP into a master criminal? A professor from the | :10:24. | :10:29. | |
American University in Rome has studied the theft in detail. He was | :10:29. | :10:33. | |
a particularly unusual art thief. He was 61 years old, disabled, a | :10:33. | :10:39. | |
retired grandfather weighing 17 stone. How did he pull it off? | :10:39. | :10:43. | |
According to his version, which may differ from reality, he used a | :10:43. | :10:48. | |
former men's lavatory as his entrance and exit, a ladder from a | :10:48. | :10:52. | |
nearby building site and he climbed up the ladder 14 ft, enter through | :10:52. | :10:57. | |
the lavatory, grab the painting and go out through the same window. | :10:57. | :11:02. | |
is just through here? Yes. What makes this different from any other | :11:02. | :11:07. | |
art that? It coincided with the time when organised crime was | :11:07. | :11:11. | |
becoming interested in art crime, and Scotland Yard thought there was | :11:11. | :11:15. | |
some large mafia behind the theft. But in fact, it was a crime of | :11:15. | :11:20. | |
passion and political motivation, misguided altruism. It was not | :11:20. | :11:26. | |
about profit but making a point. Kempton Bunton return to Newcastle | :11:26. | :11:31. | |
having jettisoned the frame on the way and stash the masterpiece in | :11:31. | :11:35. | |
his wardrobe. The story captivated the nation and became a sensation | :11:35. | :11:40. | |
in the press, and interest that Bunton kept alive by writing ransom | :11:41. | :11:45. | |
notes, demanding a charity of his choosing should be set up with | :11:45. | :11:52. | |
�140,000, the sum was painting -- the some of the painting had been | :11:52. | :11:55. | |
bought for and an amount he calculated would pay for free | :11:55. | :12:00. | |
television licences for pensioners. Colin was a trainee policeman on | :12:00. | :12:07. | |
his first beat in Newcastle at the time. We knew he had been to prison | :12:07. | :12:10. | |
twice for failure to pay television licence. I thought he was a | :12:10. | :12:14. | |
misguided eccentric. It never crossed your mind he would have | :12:14. | :12:19. | |
stolen the painting? Never in 100 years what I thought he was capable | :12:19. | :12:23. | |
or would have had the ingenuity. handed himself into Scotland Yard, | :12:23. | :12:28. | |
went to court, then what? He was charged at the Old Bailey with | :12:28. | :12:33. | |
stealing the painting, the frame and demanding money with malice. | :12:33. | :12:38. | |
But he could not be convicted of theft. Last any act of 1916 said | :12:38. | :12:41. | |
that to steal you have to permanently deprive the owner | :12:41. | :12:46. | |
thereof, where he had not, you just meant to borrow it and give it back | :12:46. | :12:50. | |
when he was satisfied, and he was given a nominal sentence of three | :12:50. | :12:55. | |
months for stealing the frame, because that was never recovered. | :12:55. | :12:59. | |
Kempton Bunton served his time and retired back into obscurity, but | :12:59. | :13:05. | |
his actions had a lasting effect, directly causing the Theft Act to | :13:05. | :13:10. | |
be redrafted in 1968 to prevent similar crimes. However, his wish | :13:10. | :13:15. | |
for the over 75 to receive free TV licences was not granted until the | :13:15. | :13:20. | |
year 2000, 24 years too late for Britain's most unlikely and | :13:20. | :13:27. | |
idealistic art criminal. He died in 1976, almost completely unknown. | :13:27. | :13:31. | |
Except by the only remaining witness to his unlikely criminal | :13:31. | :13:39. | |
career, back in its rightful place where it can still be seen today. | :13:39. | :13:46. | |
Got, Kempton Bunton, he had a bit of a nerve! Oh, we have some extra | :13:46. | :13:55. | |
sound! If they were making a remake of Dirty Rotten Scoundrels, what | :13:55. | :14:05. | |
piece of artwork which you love? -- would you love? There is a | :14:05. | :14:08. | |
beautiful portrait in a museum in Boston by an American painter who | :14:08. | :14:14. | |
came to London, he was the head of the Royal Academy for a while. It | :14:14. | :14:21. | |
is that one. He looks like Jack black! It is an amazing portrait of | :14:21. | :14:26. | |
Jack Black. He was a silversmith and a famous patriot. I don't want | :14:26. | :14:30. | |
to remind the British of that. A famous American patriot. | :14:30. | :14:35. | |
Interesting choice. It is a beautiful American portrait, he was | :14:35. | :14:42. | |
a silversmith and tools -- and he has his tools. That is the painting, | :14:42. | :14:49. | |
I stole it. We notice there is an amazing illustration from inside | :14:49. | :14:53. | |
your album cover. It is your brain divided up into all the different | :14:53. | :14:58. | |
parts. Some artist friends who designed the album did this. It is | :14:58. | :15:04. | |
a little arrogant but I said, it is your idea, go ahead. A large chunk | :15:04. | :15:11. | |
is dedicated to the banjo. When did you start? When I was about 16 or | :15:11. | :15:16. | |
17. I had no musical gifts. By the way, I had no gifts at all, I could | :15:16. | :15:21. | |
not act, sing, dance or do anything, which I think contributed to a | :15:21. | :15:25. | |
quirky way of doing things. I did not have a conventional way of | :15:25. | :15:30. | |
doing anything. You have gone from nothing to having Paul McCartney on | :15:30. | :15:36. | |
the brand new album? I can't believe it. How did that happen? | :15:36. | :15:43. | |
is too long a story, unless we want to run over, but... I knew some | :15:43. | :15:46. | |
friends who knew some friends and I had met him a couple of times, very | :15:46. | :15:51. | |
sweet, I recorded the song that I had roads on my iPhone and I sent | :15:51. | :15:58. | |
it to him. We got a little mixed up and he said, I will do it. And it | :15:58. | :16:02. | |
went on for a couple of months and we set a date to record, we were | :16:02. | :16:06. | |
going to have lied to him, and about two days before the date came | :16:06. | :16:14. | |
up he said, what parts you want me to sing? I said, what?! I said, all | :16:14. | :16:19. | |
of it. He said, I thought I was going to back you up. So I ran into | :16:19. | :16:22. | |
the studio and recorded his best as I could, but I said, I am a | :16:22. | :16:28. | |
terrible singer. -- recorded as best as I could. I sent him the | :16:28. | :16:32. | |
tape, we were there, he was so sweet and he said, when you told me | :16:32. | :16:36. | |
you were a terrible thing I thought you were being humble, but you were | :16:36. | :16:46. | |
:16:46. | :16:54. | ||
This you men cannonball? I looked at it the same where you did, it is | :16:54. | :16:58. | |
just weird. That is something they put in. The ice is a new talent you | :16:58. | :17:05. | |
could take up. I could, we are high enough. Do you have a cannon? Can | :17:06. | :17:11. | |
we open the window? It could be a nice finish to my career. Of all | :17:11. | :17:15. | |
the movies you have made, what has made you laugh the most? I don't | :17:15. | :17:21. | |
look at my old movies so I respond to what people tell me. I get a lot | :17:21. | :17:30. | |
of feedback from Dirty Rotten scoundrels, from Father Of the | :17:30. | :17:37. | |
Bride. A lot of fathers come up and say my daughter made me watch that. | :17:37. | :17:42. | |
Jim my favourite scene from Dirty Rotten scoundrels is you in the | :17:42. | :17:52. | |
:17:52. | :17:56. | ||
buffet car with a meal and the three beers. The eye can't remember | :17:56. | :18:02. | |
that scene. It is one that people quote to meet! We know you are busy | :18:02. | :18:07. | |
on tour with your album and the band, but is there another classic | :18:07. | :18:16. | |
in the pipeline? Right now, I am fixated on the album and writing | :18:16. | :18:22. | |
music. I am writing the score for a movie in Los Angeles, one of those | :18:22. | :18:27. | |
animated 3D movies which is funny because the banjo is very suitable | :18:27. | :18:31. | |
for an animated film, this one happens to be about turkeys. Look | :18:31. | :18:36. | |
ing at the collection of stuff, including the cannonball which I am | :18:36. | :18:41. | |
sure you will go on to do, you are incredibly talented at juggling | :18:41. | :18:48. | |
everything. What are you happiest doing? When you are very involved | :18:48. | :18:55. | |
in something, if it is in writing it can be just the turn of the | :18:55. | :18:58. | |
phrase that makes you happy for the rest of the day. If you are doing a | :18:58. | :19:03. | |
show, if it is a good show, you feel extremely good for the rest of | :19:03. | :19:08. | |
the day. It is the tiny things. If you are writing a song, it can | :19:08. | :19:12. | |
really make you feel good. It is the little things that make you | :19:12. | :19:19. | |
feel good. Excellent. We will be hearing some of your music. Right | :19:19. | :19:26. | |
now it is The One Show. His new album called Rare Bird Alert is out | :19:26. | :19:32. | |
now. The bird in our next film is not rare, but extremely shy and we | :19:32. | :19:35. | |
were surprised it made an appearance for the cameras. You can | :19:35. | :19:43. | |
see it now in Des four of Mike and Miranda's penultimate summer | :19:43. | :19:47. | |
holiday watch. The Isles of Scilly is the first | :19:47. | :19:50. | |
landfall in the UK for any migratory birds travelling north | :19:50. | :19:53. | |
for the summer, but we heard a couple of special ones who have | :19:53. | :20:02. | |
decided to stay. We keep hearing this bird wherever we go. Surely | :20:02. | :20:07. | |
everyone recognises the cuckoo. The reason they are here - have a look | :20:07. | :20:12. | |
at this incredibly unpalatable caterpillar. Nothing much eats | :20:12. | :20:18. | |
these, apart from the cuckoo, which gobbles them up. You tend to hear | :20:18. | :20:22. | |
these birds rather than see them because they are very shy and timid, | :20:22. | :20:29. | |
but these ones are incredibly bold and visible. Explain the colours to | :20:29. | :20:35. | |
me. It is black and white stripes on its belly. And grey all over? | :20:35. | :20:41. | |
Yes. It has got a caterpillar. Fantastic. Normally we would not | :20:41. | :20:45. | |
get within a couple of hundred metres of this bird, but this | :20:45. | :20:50. | |
cuckoo is the most confident I have ever seen. I have been bird- | :20:50. | :20:54. | |
watching for 30 years, I have heard cuckoos thousands of times but I | :20:54. | :21:00. | |
have never been this close. 40 metres away? It is not bothered by | :21:00. | :21:10. | |
us at all. There it goes. That is my highlight! Brilliant Cocom | :21:10. | :21:15. | |
behaviour. The waters around the Isles of Scilly have plenty of | :21:15. | :21:21. | |
visitors passing through during the year. Fingers crossed, we are going | :21:21. | :21:24. | |
to see one of nature's greatest predators which has just been | :21:24. | :21:30. | |
spotted on its way to the island. It is the blue shark. How are you | :21:30. | :21:36. | |
feeling? Fantastic, I am so looking forward to it. Have you ever seen a | :21:36. | :21:42. | |
shark in the flesh before? Only in a tank. It would be amazing to see | :21:42. | :21:48. | |
one on the deck. A today could be quite special. These sharks migrate | :21:48. | :21:52. | |
from the east Coast of America, arriving here in early June before | :21:52. | :21:56. | |
heading off to the as us. Due to the concerns about falling | :21:56. | :22:01. | |
population, local fishermen have been catching them for the last 20 | :22:01. | :22:11. | |
years on behalf of the UK shark tagging programme. How is the | :22:11. | :22:15. | |
population doing? Not great, numbers are definitely lower than | :22:15. | :22:19. | |
20 years ago but at the moment they seem to be holding their own. It | :22:19. | :22:24. | |
has been fairly steady in the last couple of years. To try and bring | :22:24. | :22:32. | |
the sharks to the bait, mashed up fish is put overboard. Once they | :22:32. | :22:36. | |
are enticed to the boat, there is a very tasty fishing line loaded with | :22:37. | :22:46. | |
:22:47. | :22:51. | ||
mackerel. Now it is just a case of After one hour, we catch the first | :22:51. | :23:01. | |
:23:01. | :23:13. | ||
blue shark I have ever seen in the I am so excited. That is brilliant. | :23:13. | :23:21. | |
To save the shark's stress, they have just two minutes to weigh it | :23:21. | :23:25. | |
and target. Is that about average? Yes, slightly below maybe. This is | :23:25. | :23:30. | |
a young female about six years old, and she could eventually grow to | :23:30. | :23:35. | |
well over three metres. If the shark is quarter again, the tag | :23:35. | :23:39. | |
will identify where she has been an help calculate any changes in | :23:39. | :23:48. | |
weight and length. All this information is valuable for future | :23:48. | :23:53. | |
conservation. I am not putting my hands anywhere close! Throughout | :23:53. | :24:01. | |
the season, they will tag around 30 blue sharks. I was expecting | :24:01. | :24:07. | |
nothing really. I was expecting a sunny day out on the boat. We were | :24:07. | :24:16. | |
eating our lunch. Then somebody shouted shark! Really exciting. | :24:16. | :24:19. | |
Next to close encounters of the Third Kind, as tomorrow I get close | :24:19. | :24:29. | |
:24:29. | :24:30. | ||
to some very friendly seals. They were lovely. You can catch their | :24:30. | :24:35. | |
final film tomorrow, it is another good one. We have moved over to | :24:35. | :24:39. | |
join the band here, the Steep Canyon Rangers. They are all set, | :24:39. | :24:44. | |
give them a big round of applause. Loads of people have been getting | :24:44. | :24:50. | |
in touch, interesting e-mails, and all sorts. Debbie from Birmingham | :24:51. | :24:59. | |
wants you to do the pointy bird call. Pointy birds, pointy pointy, | :25:00. | :25:09. | |
:25:10. | :25:10. | ||
anoint my head, pointy. If give us a flavour of what the audience can | :25:10. | :25:15. | |
expect to see from your band. a music show we comedy. There is a | :25:15. | :25:21. | |
lot of chat, but the music is quite serious, serious blue grass, but we | :25:21. | :25:27. | |
do some comedy songs. We are serious musicians but there is a | :25:27. | :25:32. | |
lot of humour in the show. How long have you been together? About five | :25:32. | :25:39. | |
minutes. Didn't you go on holiday and that is where you met? You us, | :25:39. | :25:44. | |
we met at a party. We started touring together when I made these | :25:44. | :25:49. | |
records and it has worked out to be a great collaboration, but they are | :25:49. | :25:55. | |
their own band but I come in and out, like a bad dream. You're going | :25:55. | :26:00. | |
for around Britain, are you looking forward to this tour? Very much. We | :26:00. | :26:04. | |
played the Royal Festival Hall last year and it was one of the best | :26:04. | :26:09. | |
shows ever, and that is why we are back. Thank you, it has been | :26:09. | :26:16. | |
amazing to meet you. We will let you get ready now, Steve and the | :26:16. | :26:24. | |
Steep Canyon Rangers's album Rare Bird Alert is out now. Take it away, | :26:24. | :26:28. | |
with Jubilation Day. I will just explain that this song is based on | :26:28. | :26:34. | |
the fact that not all break-ups are bad, some of them are the best | :26:34. | :26:44. | |
:26:44. | :26:54. | ||
thing that can happen to you. This # I'm walking away. like Rupert | :26:54. | :27:04. | |
Murdoch told me. A # I'm walking away the self-help book implored me. | :27:04. | :27:14. | |
:27:14. | :27:26. | ||
# I'm walking away. My best friend had warned me. Even your mum said | :27:26. | :27:34. | |
you were not. # In my dreams... I'm walking away. | :27:34. | :27:44. | |
:27:44. | :27:44. | ||
Apology for the loss of subtitles for 74 seconds | :27:44. | :28:58. | |
# I'm walking away. Let me get my things. I'm walking away. Where did | :28:58. | :29:05. | |
you hide my banjo strings? walking away. I will be over you by | :29:05. | :29:15. | |
:29:15. | :29:29. | ||
lunchtime. A I'm walking away. # I'm walking away. Let's only | :29:29. | :29:34. | |
remember the good times. walking away. Like when you were | :29:34. | :29:40. |