
Browse content similar to 07/08/2017. Check below for episodes and series from the same categories and more!
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We are live at Carrickfergus Castle in County Antrim. What are we | :00:20. | :00:39. | |
waiting for? Fire the cannon! We have left our studio for the whole | :00:40. | :00:45. | |
week as we explore what is a spectacular Causeway. Not many | :00:46. | :00:50. | |
people know about this in the UK. It is quite something. Absolutely | :00:51. | :00:57. | |
gorgeous. We have a plan. We will be travelling 85 miles along the | :00:58. | :00:59. | |
Causeway Coastal Route and this is the scenery you are looking at. | :01:00. | :01:06. | |
Earlier today we arrived in Belfast and made our way to Carrickfergus. | :01:07. | :01:18. | |
Tomorrow we'll be heading off to Cushendall in | :01:19. | :01:20. | |
On Wednesday we stop at the coast in Ballycastle, | :01:21. | :01:23. | |
before travelling on to the seaside resort of Portrush, and finally on | :01:24. | :01:26. | |
What are all of you up to on your holidays? We want a bit of evidence. | :01:27. | :01:39. | |
Send us your photos or your holiday highlights, a little video clip. | :01:40. | :01:45. | |
Send it in and if it is about ten seconds long we can put them | :01:46. | :01:51. | |
together. We will give it a go. We have got some very special guests. | :01:52. | :01:55. | |
We have the Mayor and the Deputy Mayor. Nice to meet you both. Thank | :01:56. | :02:03. | |
you for the welcome. You say this is the happiest place in Northern | :02:04. | :02:07. | |
Ireland. Yes, indeed. Just look around you. You will see the scenery | :02:08. | :02:15. | |
here. It is fantastic. We are delighted as Mayor of mid East | :02:16. | :02:21. | |
Antrim to welcome your programme here and this area is steeped in | :02:22. | :02:25. | |
history. You have postponed your evening meeting for us this evening. | :02:26. | :02:32. | |
What was on the agenda? Once we got the invitation for your show it was | :02:33. | :02:36. | |
a fantastic opportunity to have as here, not only for Carrickfergus, | :02:37. | :02:41. | |
but for Northern Ireland. We hope you have a fantastic week. We are | :02:42. | :02:45. | |
having a lovely time already. Thank you for having us. Shall we | :02:46. | :02:52. | |
introduce our guest? This is an actor and singer who has been away | :02:53. | :02:56. | |
for a while. We are going to let some of the locals introduce her. | :02:57. | :03:01. | |
Hello, my team, welcome to Carrickfergus. Next stop is her new | :03:02. | :03:12. | |
single. Say I'm Not Alone. # Nothing is as long as my | :03:13. | :03:17. | |
imagination. # Say I am not alone, I can't | :03:18. | :03:24. | |
believe it. You are not alone. You are not alone. You are not alone. Do | :03:25. | :03:30. | |
you need three new back-up singers? We are available. | :03:31. | :03:36. | |
# Say you are not alone. Well, maybe not. | :03:37. | :03:43. | |
You are super first guess for our road trip. How exciting is this? We | :03:44. | :03:51. | |
are in these beautiful surroundings, but also your mother and father are | :03:52. | :03:56. | |
half Irish. So half and half makes youthful Irish. I like to think so. | :03:57. | :04:02. | |
Jack Butland as is your husband, a strong Irish name. His family are | :04:03. | :04:09. | |
from Limerick and mine are from Waterford. Do you spent a lot of | :04:10. | :04:15. | |
time here? Yes, I do, it is warm, and so friendly. I am not very sober | :04:16. | :04:23. | |
when I am in Ireland. Maybe you could give us some tips on the way. | :04:24. | :04:28. | |
You are back with the new single and we will talk about that a bit later | :04:29. | :04:35. | |
on. We have got to take you back to 1999. You released this. A song so | :04:36. | :04:40. | |
romantic that it has accompanied many newlyweds on the dance floor. I | :04:41. | :04:48. | |
love that song! Is it right your mother ended up getting married to | :04:49. | :04:53. | |
that song? Yes, it sounds so awful. I was the last person she wanted to | :04:54. | :04:58. | |
walk down the alt or, one of my songs. It was supposed to be You Are | :04:59. | :05:05. | |
The Sunshine Of My Life, but she won't, oh, I have forgotten the CD. | :05:06. | :05:12. | |
A friend of mine said, we will have to put your song on. As I am walking | :05:13. | :05:17. | |
down to my own son behind her eye and cringing. It was a bit | :05:18. | :05:20. | |
self-indulgent, but it did the trick. It is a perfect story for our | :05:21. | :05:27. | |
first film because here is the story of a newlywed couple and how they | :05:28. | :05:29. | |
managed to achieve their perfect moment. Steven Wynne and Philippa | :05:30. | :05:35. | |
Merricks have known each other since their early 20s, but it was only | :05:36. | :05:39. | |
when they began working together that romance blossomed. Last year | :05:40. | :05:42. | |
when they were running a half marathon in Uganda Steven decided to | :05:43. | :05:47. | |
pluck up the courage to ask Philippa to marry him. The wedding plans are | :05:48. | :05:52. | |
on the way and one of their wishes is to surprise their guests with a | :05:53. | :05:57. | |
memorable first dance. But it will not be easy because neither of them | :05:58. | :06:02. | |
have danced before. That is because both of them were born deaf and have | :06:03. | :06:06. | |
no real interest in music or dance, but they have an appreciation for a | :06:07. | :06:11. | |
well choreographed routine and thought something of that level | :06:12. | :06:15. | |
would come as a shock to their guests. Brian Argerich is signing | :06:16. | :06:20. | |
and interpreting. We are not big fans of music and dancing, so we | :06:21. | :06:24. | |
grabbed the opportunity to impress everybody and it is a challenge for | :06:25. | :06:29. | |
us as well. Hopefully something like that. She wants to be thrown around. | :06:30. | :06:41. | |
I will try my best. We have enlisted the help of one Briton's top street | :06:42. | :06:46. | |
dancers. He has been teaching dance for nearly four years and is the | :06:47. | :06:50. | |
perfect instructor for the pair because he is dead. A lot of people | :06:51. | :06:55. | |
assume that deaf people cannot hear music. But there are lots of | :06:56. | :07:02. | |
different ways you can access it. It is about feeling the beat. | :07:03. | :07:06. | |
Understanding the lyrics is important before he starts to | :07:07. | :07:10. | |
choreographed routine. To tap into the rhythm he uses what is known as | :07:11. | :07:15. | |
a base Pack which helps to feel the rhythm of the music. Are you ready? | :07:16. | :07:22. | |
Yes, I am ready. That is amazing, you can really feel that. When | :07:23. | :07:26. | |
Stephen and Philippa arrived he hands them a pack to see if it helps | :07:27. | :07:31. | |
them feel the music. What do they think? You can feel it. The sound. | :07:32. | :07:41. | |
It feels really different, like you are in a nightclub. It is good. | :07:42. | :07:50. | |
Chris has suggested Ed Sheeran's Thinking Out Loud as their first | :07:51. | :07:55. | |
son. Without the music he takes them through the steps of the routine, | :07:56. | :08:00. | |
but for non-dancers getting to grips with coordination can be tricky. | :08:01. | :08:05. | |
When they put the music on the challenge is can they get the right | :08:06. | :08:10. | |
arm and the right leg, which is not the same for every human being. Over | :08:11. | :08:16. | |
the next few weeks Chris helps them, but for the actual day a base pack | :08:17. | :08:21. | |
might prove a bit impractical for the wedding dress, so Chris has the | :08:22. | :08:25. | |
answer, a discreet wristband version, allowing them to feel the | :08:26. | :08:29. | |
beat through their arm instead and this means they can practice at | :08:30. | :08:37. | |
home, work or just about anywhere. Nine weeks on and it is their big | :08:38. | :08:41. | |
day. Celebrations are well under way. And as they go into the | :08:42. | :08:47. | |
evening. It is time for the first dance. As their bewildered guests | :08:48. | :08:53. | |
look on, no one is quite sure what to expect. | :08:54. | :09:03. | |
To be honest I was so shocked. It is not like either of them. My first | :09:04. | :09:16. | |
dance was nothing like that. I have never seen them dance like that | :09:17. | :09:22. | |
before. It was really good. Wow, it was so amazing. I love everybody's | :09:23. | :09:28. | |
reaction. Everybody went nuts, it was so lovely. And so after all the | :09:29. | :09:33. | |
preparations in their first dance was a massive success, but they know | :09:34. | :09:37. | |
it would not have been possible without Chris's help. That song and | :09:38. | :09:43. | |
the choreography, it was so wonderful, I am so happy with it. | :09:44. | :09:47. | |
Chris gave us an opportunity to be so happy with for ever. A big | :09:48. | :09:57. | |
congratulations to Stephen and Philippa, they are off on honeymoon | :09:58. | :10:01. | |
now. That was a good effort. What was your first dance? Mine was Paul | :10:02. | :10:10. | |
Williams and the Carpenters. Did you practice it? No, Jack has got two | :10:11. | :10:15. | |
left feet. We were asked to do some reality thing and dance together and | :10:16. | :10:20. | |
I said, do this with me. I thought afterwards it would be the end of my | :10:21. | :10:27. | |
career if he did that with me. Did you have a choreographed dance? No, | :10:28. | :10:33. | |
we definitely did not. We just went casual. That is the best way. You | :10:34. | :10:39. | |
have had a break from music and we have not seen you for quite a while. | :10:40. | :10:46. | |
Why the break? I basically got very well with any and Lyme disease and | :10:47. | :10:52. | |
it is quite a debilitating illness. It is misunderstood. Both of them | :10:53. | :10:57. | |
are misunderstood unfortunately and I was lying on Richmond Green and I | :10:58. | :11:02. | |
got bitten by a tick and it poisons your system and you feel like you | :11:03. | :11:06. | |
cannot lift your arms up or your legs. Some days I was bedbound. How | :11:07. | :11:15. | |
quickly did it come on? Within days. But I did not realise. I only found | :11:16. | :11:18. | |
out at the beginning of this year that that was what was wrong with | :11:19. | :11:23. | |
me. I thought I had shingles or something. I have worked really hard | :11:24. | :11:28. | |
with what I have done, but I pushed myself beyond my limits. You just | :11:29. | :11:33. | |
never know when the next opportunity is going to come and you have to | :11:34. | :11:37. | |
make the most of it. So I did and I burned out. I had a baby, but my | :11:38. | :11:45. | |
body was so weak. My main aim was to become a mother. During those | :11:46. | :11:49. | |
difficult times my husband said, it costs nothing, just pick up a pen | :11:50. | :11:52. | |
and paper and write the music down. Even if you are not well enough, do | :11:53. | :11:57. | |
it for you. That is how you started in this industry as a kid, you loved | :11:58. | :12:03. | |
it. You must love it again. Bit by bit I wrote all this down thinking | :12:04. | :12:08. | |
nobody would ever hear it or if I would be acting again. It was years | :12:09. | :12:13. | |
later that somebody from a big radio station who was a friend of Jack's | :12:14. | :12:17. | |
who was in the industry who writes and produces who said it is | :12:18. | :12:21. | |
brilliant. A lot of people will relate to it. Her struggles are not | :12:22. | :12:26. | |
just her struggles, a lot of people go through this and they will relate | :12:27. | :12:32. | |
to what is on the album. When I thought all this stuff was going to | :12:33. | :12:35. | |
be out there I thought, is this what I want? Then I thought why not? | :12:36. | :12:40. | |
Music is one of the most honest things ever. I am thrilled you are | :12:41. | :12:46. | |
back, but how does it feel? It is quite a big deal coming back with an | :12:47. | :12:53. | |
album. My baby is not a baby any more, he is a year and a half. It is | :12:54. | :12:58. | |
wonderful. Before I did not have my husband or son to balance things out | :12:59. | :13:02. | |
and it was quite lonely sometimes because you would have these | :13:03. | :13:05. | |
glorious times and awards and working with the most amazing people | :13:06. | :13:09. | |
and then you go back on your own and it is a bit odd. Now I have got that | :13:10. | :13:14. | |
amazing life away from what I do, that balance. It is important. It | :13:15. | :13:22. | |
can be so hard to find. That is why I kept working so hard, but he | :13:23. | :13:27. | |
helped me write it down and the album is released and out on Friday. | :13:28. | :13:31. | |
And the single is called Say I'm Not Alone. It relates to what you are | :13:32. | :13:38. | |
saying. Jack, your husband, who is a singer songwriter himself, he has | :13:39. | :13:44. | |
been a big part of this as well. He has worked with all these different | :13:45. | :13:48. | |
acts over the years and it was all going on around me, so it was a bit | :13:49. | :13:53. | |
difficult. I was so close to it, but not well enough to do it. We had a | :13:54. | :13:58. | |
studio at home and I could see all these artists coming in and out of | :13:59. | :14:02. | |
the house. He said he saw it was killing me and I had to do it. So I | :14:03. | :14:07. | |
did. He would go away to work in LA or Nashville and it was affecting | :14:08. | :14:12. | |
him as well what was going on in our lives. He would write things down as | :14:13. | :14:16. | |
well and before we knew it we had a body of work and a label signed up | :14:17. | :14:21. | |
and now I am out there doing it and I feel so blessed and grateful to be | :14:22. | :14:26. | |
doing it, feeling well and having a lovely life away from it. It sounds | :14:27. | :14:31. | |
corny, but the lost and found title is so apt for this album. A friend | :14:32. | :14:37. | |
said to me, this sums up that difficult time, but get back out | :14:38. | :14:41. | |
there and do it again, it is your time again. It all happened | :14:42. | :14:43. | |
naturally, I It out on Friday and it is lovely | :14:44. | :14:54. | |
daddy back. Good to see you. Out on the day that we finish the Causeway | :14:55. | :14:57. | |
Paul Wood has been meticulously planned. We have had the guidebooks | :14:58. | :15:01. | |
out for a while. But we realised there is so much to see we needed a | :15:02. | :15:03. | |
bit of help so here is Angela. I'm starting my journey at Titanic | :15:04. | :15:11. | |
Belfast, a world-class visitor attraction. | :15:12. | :15:15. | |
# You open the door # And you're here in my heart | :15:16. | :15:29. | |
# And my heart Will go on and on. # Where's Leo when you need him? As | :15:30. | :15:34. | |
with all journeys into unfamiliar territory, I need a guide so I've | :15:35. | :15:38. | |
enlisted the help of a local and an old mate. That's him. Oh, don't be | :15:39. | :15:46. | |
fooled by the look, he's not actually a sea captain. Joe Lindsay. | :15:47. | :15:53. | |
Hoy, my darling! Nice fat. It's a good look, a strong look. It is in | :15:54. | :15:58. | |
you will be my guide? Absolutely, I'm going to take you a few -- on a | :15:59. | :16:04. | |
few details on the cause of error, so it -- show you some alternative | :16:05. | :16:08. | |
Ulster. Are we going in a boat? No. Come and see. Is that a DeLorean? It | :16:09. | :16:19. | |
is. But why? Number one, this was as you probably know, built in Northern | :16:20. | :16:26. | |
Ireland. Didn't know that. Number two, Back To The Future featured it | :16:27. | :16:31. | |
and we are going back to someone for history. And three, it is so cool! | :16:32. | :16:36. | |
It's got wings, I'm in, but I'm driving, that is my condition. OK. | :16:37. | :16:41. | |
Take that look off your face! You are in good hands. Hang on. OK, Joe, | :16:42. | :16:51. | |
where are we going? First stop, Carrickfergus Castle. Let's do this. | :16:52. | :17:05. | |
They have arrived! You can come out! That wasn't my fault! 'S greeting to | :17:06. | :17:15. | |
hold. Do you like my wheels? This is something, what is it like to drive? | :17:16. | :17:20. | |
It's like driving a tractor, there's no power steering. Did you feeling | :17:21. | :17:25. | |
inside fans? I never doubted her for a second. Good. -- did you feel | :17:26. | :17:32. | |
inside fans. This issue is about driving around it and you are from | :17:33. | :17:35. | |
the south and you from the North Savtsova as the Brexit board is | :17:36. | :17:37. | |
potentially concerned, how complicated will it be if you want | :17:38. | :17:41. | |
to go and each other? We don't know yet, if it is a hard border, it is | :17:42. | :17:46. | |
310 miles, going across some people's Farms, some people might | :17:47. | :17:49. | |
need a passport to get to their barn from their house. We hope it works | :17:50. | :17:53. | |
out well for everyone. Everyone is looking for the best resolution so | :17:54. | :17:57. | |
fingers crossed. Let's get to this route you have been driving and the | :17:58. | :18:02. | |
road, because it is a must, the airport taxi driver said, "This is | :18:03. | :18:08. | |
the road to beyond!" Why is it so good? Its majestic, and I'm from | :18:09. | :18:17. | |
down south and I've come up and it feels like a different place. You | :18:18. | :18:22. | |
have mountains on one side and the ocean on the other, it is so green | :18:23. | :18:26. | |
and you see some of the most spectacular engineering, archways | :18:27. | :18:29. | |
through cliffs, at the time, very pioneering work and it looks | :18:30. | :18:33. | |
staggering and beautiful. If you are into telly-macro, this is the place | :18:34. | :18:38. | |
to be. But is it? It's a bit of a sore point around here, Alex. It is | :18:39. | :18:42. | |
but we're going to try to put it right right now. | :18:43. | :18:44. | |
Stefanie McMullen is the resident archaeologist here. | :18:45. | :18:50. | |
Let's it's these marks, has this place got a violent past? It | :18:51. | :18:56. | |
certainly does, it was built with defence in mind and this is one of | :18:57. | :18:59. | |
the defensive features, the Gatehouse, you would have been met | :19:00. | :19:04. | |
if you got this far with a pretty nasty welcome, the murder hole | :19:05. | :19:07. | |
above, you would have been rained on with rocks and hot oil and whatever | :19:08. | :19:13. | |
they had. Murdered hole, perfect for telly-macro! Have you got a medieval | :19:14. | :19:16. | |
banqueting hall where you could do mass poisoning is? I can't comment | :19:17. | :19:21. | |
on the catering standards but we do have a banqueting hall directly in | :19:22. | :19:26. | |
front of us, the great keep, and that is where a lot of entertaining | :19:27. | :19:30. | |
and feasting would have happened. It has never been an telly-macro but | :19:31. | :19:33. | |
plenty of warring clans have been fighting and trying to capture the | :19:34. | :19:39. | |
Castle. 750 years of constant siege and attack by Irish and Scots, a lot | :19:40. | :19:43. | |
of turbulence. And a female queen turned up on about, I mean. Queen | :19:44. | :19:50. | |
Elizabeth herself turned up in 1961. We were very fortunate that the | :19:51. | :19:53. | |
crowd came out to welcome her and still very warmly welcomed, in the | :19:54. | :19:59. | |
community. She did not bring dragons but she brought Prince Philip. We | :20:00. | :20:03. | |
are just waiting for the phone call now. We have set it up. If you are a | :20:04. | :20:08. | |
Game Of Thrones ban, we have got a special on Thursday from Portrush. | :20:09. | :20:14. | |
-- fan. But being here is the real reminder of the dramatic maritime | :20:15. | :20:17. | |
history that is along the coast. This is Belfast Lough, and | :20:18. | :20:21. | |
everything coming into Belfast has to go past us here but as Dan Snow | :20:22. | :20:25. | |
has been finding out, sometimes you have to go beneath the waves to find | :20:26. | :20:26. | |
the real goal. -- gold. This is Portballintrae on the north | :20:27. | :20:36. | |
coast of County Antrim. It is fairly calm inside the harbour but out | :20:37. | :20:40. | |
there, are the merciless waves of the Atlantic Ocean. This jagged | :20:41. | :20:46. | |
coastline is littered with the wrecks of many ships but the most | :20:47. | :20:49. | |
famous has to be the Girona, the greatest battleship of the Spanish | :20:50. | :20:53. | |
Armada, which went down near the giant's Causeway during a storm in | :20:54. | :20:59. | |
1588. 1300 lives were lost it all. But it was a report that the ship | :21:00. | :21:03. | |
was laden with gold and jewellery that created the birth of a legend. | :21:04. | :21:08. | |
Today, I'm going to be diving beneath the waves, having a look at | :21:09. | :21:11. | |
the area in which the Girona sank. 50 years ago, no one had a clue | :21:12. | :21:15. | |
where the ship for its gold would be found. Over the years, the promised | :21:16. | :21:22. | |
bounty of the Girona has inspired hundreds of divers to scour the | :21:23. | :21:24. | |
North Antrim coast for the elusive wreck. Among them was keen diver | :21:25. | :21:32. | |
Alan Wilson and his friends, seen here in 1967, on their way to hunt | :21:33. | :21:36. | |
down the Girona. We searched between here and Portrush, and down here. So | :21:37. | :21:44. | |
you guys were a bunch of young optimist, you thought you would bump | :21:45. | :21:48. | |
into a great big ship lying on the bottom of the sea? We thought it was | :21:49. | :21:52. | |
full of gold! The gold was there but not where they were looking. At the | :21:53. | :21:58. | |
same time, a professional diver from Belgium dropped anchor near the | :21:59. | :22:02. | |
giant 's Causeway. It was not long before he and his team struck gold. | :22:03. | :22:07. | |
Did you not want to get a piece of the action and get diving on it when | :22:08. | :22:10. | |
you discover the ship was down there? We came over but he followed | :22:11. | :22:17. | |
us around in his boat and one of the boys had lifted something off the | :22:18. | :22:22. | |
bottom and we took it off him. While you were diving? While he was down, | :22:23. | :22:28. | |
yeah. So things got a bit heated? It did, yeah. The sea bed scuffle even | :22:29. | :22:32. | |
make the newspapers added -- added a statement from the local MP | :22:33. | :22:38. | |
condemning the looting of the Girona by so-called frogmen. But as the | :22:39. | :22:43. | |
find of the site, they were entitled to the hall. Nowadays it is illegal | :22:44. | :22:47. | |
to dive on the wreck site but I have been granted special permission | :22:48. | :22:50. | |
under the watchful eye of government marine archaeologist Rory McLeary. | :22:51. | :22:55. | |
Fairly near logo I'd now so only about five or six metres of water | :22:56. | :22:58. | |
underneath us but it is still a challenging place to dive and you | :22:59. | :23:01. | |
can see the swell from the north-west and if you're not | :23:02. | :23:04. | |
careful, you can get bashed against the jagged rocks. | :23:05. | :23:19. | |
When they came here, the timbers of the Girona had long since rotted | :23:20. | :23:24. | |
away, hidden under boulders or in crevices between rocks, they found | :23:25. | :23:27. | |
the gold of the Girona and there was lots of it. | :23:28. | :23:48. | |
Although they were entitled to keep the Girona gold, it would soon find | :23:49. | :23:53. | |
a new home here at the Ulster Museum in Belfast. Greer Ramsey is the | :23:54. | :24:00. | |
director. How are you doing? Good to see you. It is a big achievement | :24:01. | :24:03. | |
keeping the collection together because it would have been sold off | :24:04. | :24:06. | |
around the world. A lot of money came from the local people in | :24:07. | :24:09. | |
Northern Ireland to try to ensure the objects would be kept on | :24:10. | :24:17. | |
display. In 1972, Stenway was paid over a half million pounds in | :24:18. | :24:20. | |
today's money to keep the Girona horde in Northern Ireland. But the | :24:21. | :24:23. | |
real value of these artefacts is in the human stories they tell. What | :24:24. | :24:29. | |
about this delicate ring here? A beautiful piece, hard to believe it | :24:30. | :24:33. | |
was on the sea bed for 400 years. In many ways, I think it is one of my | :24:34. | :24:36. | |
favourite rings from the Armada, actually engraved in Spanish, "I | :24:37. | :24:43. | |
have nothing more to give the those great. It is a sentimental message | :24:44. | :24:46. | |
and it adds to the idea of the tragedy of the Armada. -- to give | :24:47. | :24:54. | |
the. And for the 1300 men who died, there were many more back home whose | :24:55. | :24:57. | |
hearts were broken and they would never know what would happen -- what | :24:58. | :24:58. | |
had happened to their loved ones. You can carry a bit of the Girona | :24:59. | :25:06. | |
around these shores because there is a beautiful picture of it on the ?10 | :25:07. | :25:13. | |
note. Get yourself a fish supper on the way home! As we are here for the | :25:14. | :25:20. | |
week, Joe has come back onto the sofa and we are going through some | :25:21. | :25:25. | |
lingo that we could use, maybe come out and about. Your family are down | :25:26. | :25:28. | |
salto up north it is quite different so some phrases you will have to | :25:29. | :25:34. | |
use, two variations of one phrase, what's the craic, which means what | :25:35. | :25:37. | |
is happening, or the easy one, 'bout ye. That sounds a bit like Geordie. | :25:38. | :25:50. | |
You have really got it down. This is like Professor Higgins in My Fair | :25:51. | :26:01. | |
Lady. Sentence Macro Show -- so which the reply would be, then one | :26:02. | :26:12. | |
macro. -- maul. Sticking out was helpful for a while. -- was popular | :26:13. | :26:20. | |
before a while. Wanna poke means do you want an ice cream? Sorry it's | :26:21. | :26:26. | |
before the watershed. It was funny when you said that and that big | :26:27. | :26:36. | |
bloke said, "Yes, please. Someone says wee buns and that means how was | :26:37. | :26:44. | |
it for you? We put wee in front of a lot of things. Does it mean little? | :26:45. | :26:55. | |
We use it for something like that but wee buns particularly means it | :26:56. | :26:59. | |
is easy. Just come with us, make it easy. Martine, you might not want a | :27:00. | :27:08. | |
wee poke but you might want to get because we have employed the use of | :27:09. | :27:11. | |
the local cross to make gifts for our guess as we are here. And we | :27:12. | :27:17. | |
have got one for you. -- local craftsmen. | :27:18. | :27:21. | |
Have a look at this and see what Laura McClure | :27:22. | :27:24. | |
First we take a sheet of sterling silver and cut up the rough shape to | :27:25. | :27:32. | |
use the rest the process. Then after adding in the delicate wire work and | :27:33. | :27:35. | |
laying the fine details onto the rough cut, we take it all and press | :27:36. | :27:42. | |
it together. We are soldering the fittings now but that certainly is | :27:43. | :27:49. | |
not the end yet. Now we use a tool straight from the middle Ages, the | :27:50. | :27:53. | |
flail to add texture and scratches to the surface, giving it the | :27:54. | :27:58. | |
perfect imperfection. Finally, using electrolysis, we secure the final | :27:59. | :28:01. | |
golden touch, from the headlines to the shore. | :28:02. | :28:04. | |
And if you're still wondering what it is, here it is - | :28:05. | :28:07. | |
Wow! That is lovely, Laura. Thank you, it is beautiful. It is yours to | :28:08. | :28:19. | |
keep. Thanks, guys, that's so nice. I'm coming again! Thank you for | :28:20. | :28:26. | |
joining us, and your album, Lost And Found, is out on Friday. Great to | :28:27. | :28:31. | |
see you again. Shall we have a look at the plan for the next 24 hours? | :28:32. | :28:36. | |
This is the route. We are heading up the coast and our next stop is | :28:37. | :28:41. | |
Cushendall in the Glens of Antrim and we hear them lighting the | :28:42. | :28:45. | |
barbecues as we speak. I'm delighted because it is a food festival, free | :28:46. | :28:50. | |
cheese, here we come. The sausages on the griddle. It's going to be | :28:51. | :28:56. | |
tasty! Let's have a wave, good night, thank you one and all, team. | :28:57. | :28:59. |