Browse content similar to 07/11/2017. Check below for episodes and series from the same categories and more!
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Anna, is everything all right? | 0:00:07 | 0:00:09 | |
We're on air in 30 seconds. | 0:00:09 | 0:00:13 | |
My handsfree isn't working. | 0:00:13 | 0:00:14 | |
I'm running a bit late. | 0:00:14 | 0:00:15 | |
Any idea how long you might be? | 0:00:15 | 0:00:17 | |
Give me the Bop It, give me
the Bop It, give me the Bop It! | 0:00:17 | 0:00:20 | |
Crikey, she sounds pretty stressed. | 0:00:20 | 0:00:22 | |
Where exactly are you?! | 0:00:22 | 0:00:23 | |
There's nothing here,
there's no hole, there's no | 0:00:23 | 0:00:25 | |
roadworks, no traffic jam,
there's nothing here. | 0:00:25 | 0:00:30 | |
Why are you here!? | 0:00:30 | 0:00:32 | |
She'll calm down by
the time she gets here. | 0:00:32 | 0:00:34 | |
SCREAMING | 0:00:34 | 0:00:40 | |
Hello and welcome to
The One Show with Matt Baker... | 0:00:45 | 0:00:47 | |
And Alex Jones. | 0:00:47 | 0:00:50 | |
And we're delighted to say she has
calmed down and arrived | 0:00:50 | 0:00:53 | |
in the nick of time! | 0:00:53 | 0:00:55 | |
Please welcome the woman who plays
Britain's most stressed-out parent, | 0:00:55 | 0:00:57 | |
Anna Maxwell Martin! | 0:00:57 | 0:01:01 | |
APPLAUSE | 0:01:03 | 0:01:05 | |
Great to have you with us. That was
genuinely terrifying. It was the | 0:01:08 | 0:01:16 | |
first day of the pilot. I'd never
done any comedy before. The director | 0:01:16 | 0:01:20 | |
just said get in the car and make
some stuff up. Just drive around. | 0:01:20 | 0:01:26 | |
Make something up? There is no
script! You said you'd never done | 0:01:26 | 0:01:31 | |
comedy before? I thought, they need
to get Katherine Parkinson, I can't | 0:01:31 | 0:01:35 | |
do this. Was that all ad-libbed?
Yes, just shouting out of the | 0:01:35 | 0:01:42 | |
window, driving round. I can
empathise. That is me. Motherland is | 0:01:42 | 0:01:48 | |
a sitcom about the traumas of
parenting and everything that comes | 0:01:48 | 0:01:52 | |
with it. How does that match the
school run that you do? Yes, it's | 0:01:52 | 0:01:57 | |
the same. I don't drive, I walk my
kids. They are non-reactive, but my | 0:01:57 | 0:02:07 | |
kids are usually crying. We are
hoping that your girls are watching. | 0:02:07 | 0:02:14 | |
We've got something to spice up your
walk to school. A Bop It. So sweet. | 0:02:14 | 0:02:24 | |
Not working! There we go. How did
you get yours on? You can work it | 0:02:24 | 0:02:33 | |
out on the way to school. | 0:02:33 | 0:02:35 | |
We described you as Britain's most
stressed-out parent earlier, Anna, | 0:02:35 | 0:02:38 | |
but our viewers have plenty
of parenting panics of their own. | 0:02:38 | 0:02:40 | |
Take this email from
Sharon Smith-Pagden. | 0:02:40 | 0:02:43 | |
Sharon Horgan? No, that is who
writes motherland. | 0:02:47 | 0:02:53 | |
I forgot to pick my friend's
daughter up from school. | 0:02:53 | 0:02:55 | |
I got home with my own son and then
her dad came to pick her up. | 0:02:55 | 0:02:59 | |
I wondered why he was there,
then when he said, "Is she hiding?" | 0:02:59 | 0:03:02 | |
I suddenly remembered
I was meant to pick her up! | 0:03:02 | 0:03:05 | |
Locally, another friend has taken
her home. I never lived it down. | 0:03:05 | 0:03:11 | |
That is barred! -- bad. The kid
could be anywhere, nightmare. | 0:03:11 | 0:03:20 | |
More on Motherland later and we know
you're a fan of Strictly, Anna. | 0:03:20 | 0:03:23 | |
Later in the show we'll be talking
to the victors of this | 0:03:23 | 0:03:26 | |
weekend's dance-off -
and it was a close | 0:03:26 | 0:03:28 | |
one to put it mildly! | 0:03:28 | 0:03:32 | |
They are through and with us
tonight. | 0:03:32 | 0:03:35 | |
We'll find out how Mollie and AJ
are planning to avoid another | 0:03:35 | 0:03:38 | |
dreaded dance-off a little later. | 0:03:38 | 0:03:41 | |
Congratulations! Still going, that
is the main thing. | 0:03:41 | 0:03:44 | |
Many of us have had the humiliating
experience of having a very young | 0:03:44 | 0:03:47 | |
person explain digital technology
to us, usually something to do | 0:03:47 | 0:03:49 | |
with smartphones or the internet. | 0:03:49 | 0:03:52 | |
If that rings a bell with you,
then you might be feeling a little | 0:03:52 | 0:03:55 | |
bit smug after this. | 0:03:55 | 0:04:01 | |
Over the past year, two thirds of us
have received a fake e-mail from | 0:04:01 | 0:04:04 | |
scammers trying to get us to part
with our cash. But which are most | 0:04:04 | 0:04:09 | |
likely to fall for them? Probably my
grandma. The elderly. Older people. | 0:04:09 | 0:04:14 | |
My parents. It is an assumption many
might make, but it has recently been | 0:04:14 | 0:04:20 | |
revealed that over 55s are more
likely to be targeted. But under 25s | 0:04:20 | 0:04:27 | |
are the ones that are more likely to
fall for it. Really? Up I'm ashamed | 0:04:27 | 0:04:33 | |
of the under 25s. Pull yourself
together! It seems that the younger | 0:04:33 | 0:04:40 | |
generation aren't always as savvy as
they would like you to think. How | 0:04:40 | 0:04:43 | |
would they react if they found out
they have been scammed by their mum | 0:04:43 | 0:04:46 | |
or even their grand? To find out, we
have teamed up with Get Safe Online | 0:04:46 | 0:04:54 | |
for experiment. Meet our very own
scam scored. Barometer, Jane, Jill, | 0:04:54 | 0:05:01 | |
Irena and Grayce. -- Veronica. They
have all had run-ins with scammers | 0:05:01 | 0:05:08 | |
before. I lost about £40,000.
Instead of putting the money in, he | 0:05:08 | 0:05:15 | |
took it all out. Today, with the
help of a cyber-crime expert, Paul, | 0:05:15 | 0:05:20 | |
they are going to be taking on the
role of the scammer, picking up tips | 0:05:20 | 0:05:23 | |
along the way to stay savvy
themselves. The targets will be the | 0:05:23 | 0:05:29 | |
unsuspecting younger relatives. Who
are you trying to scam? My youngest | 0:05:29 | 0:05:38 | |
daughter. Grayce? My grandson.
Tullio then in, the scammers are | 0:05:38 | 0:05:47 | |
setting up fake e-mail addresses
that look like they are from the | 0:05:47 | 0:05:49 | |
sort of companies and websites that
relatives might use. I am going to | 0:05:49 | 0:05:54 | |
scam my daughter. Good! They also
add a link which, if clicked on, | 0:05:54 | 0:06:05 | |
could lead you to and secure site or
infect your computer with a virus. | 0:06:05 | 0:06:11 | |
If you were suspicious of an e-mail
and trying to work out if it was | 0:06:11 | 0:06:14 | |
good or bad, hovering over the link,
your e-mail programme will show you | 0:06:14 | 0:06:19 | |
the address you are being taken to.
If it has lots of numbers and | 0:06:19 | 0:06:25 | |
letters you don't recognise, stay
away? Today, it will redirect the | 0:06:25 | 0:06:28 | |
relatives to this specially created
website. The more personal the | 0:06:28 | 0:06:35 | |
e-mails get, the more likely we are
to click on them, especially if they | 0:06:35 | 0:06:39 | |
contain a time-limited offer, a
favourite trick of scammers. 75% | 0:06:39 | 0:06:46 | |
discount, too good to be true. She
will fall for it. Click here for | 0:06:46 | 0:06:51 | |
more information, that goes to the
scam page. Beware, if they are not | 0:06:51 | 0:06:57 | |
addressed to you by name, it could
be a scam e-mail, sent too many to | 0:06:57 | 0:07:01 | |
get personal details. All the
volunteers need to do now is to | 0:07:01 | 0:07:04 | |
press send. Then they sit back and
wait. Just four minutes later, | 0:07:04 | 0:07:11 | |
Grayce receives a text message from
her grandson, Jamie. It worked, he | 0:07:11 | 0:07:18 | |
clicked on that link. A round of
applause for our first scammer. Did | 0:07:18 | 0:07:24 | |
you have any suspicions when you saw
it? Non-whatsoever. It looked legit. | 0:07:24 | 0:07:32 | |
When I clicked, it was from the
delivery company. What do you think | 0:07:32 | 0:07:36 | |
of that? That your nan can put
together a scam e-mail in half an | 0:07:36 | 0:07:41 | |
hour to catch you out? Will you
forgive her? Yes. Irena's daughter | 0:07:41 | 0:07:48 | |
couldn't resist clicking on the
link. I don't usually fall for that | 0:07:48 | 0:07:52 | |
kind of thing. The fact that your
mum is behind it, how surprising is | 0:07:52 | 0:07:56 | |
that? Very surprising! That is two
out of five of the younger relatives | 0:07:56 | 0:08:03 | |
that have fallen for the scam
already. And all within an hour. I | 0:08:03 | 0:08:08 | |
hope we haven't given you enough
information to inspire a future | 0:08:08 | 0:08:12 | |
career. But I hope we have given you
just enough to come away with a new | 0:08:12 | 0:08:16 | |
awareness and to be very careful
when opening those e-mails. Yes? | 0:08:16 | 0:08:21 | |
Yes. Cheers to that. | 0:08:21 | 0:08:26 | |
I thought that was brilliant. We
have them here. Jaeden, are you | 0:08:26 | 0:08:35 | |
going to be able to live this down?
Definitely not. You completely | 0:08:35 | 0:08:42 | |
bought into that? Yes, definitely. I
have deliveries that I'm waiting | 0:08:42 | 0:08:48 | |
for. So it was believable. When I
clicked the e-mail, I read through | 0:08:48 | 0:08:53 | |
it, I realised it was a scam from my
nan, that was quite embarrassing. | 0:08:53 | 0:09:00 | |
Were you surprised how easy it was?
Yes and no. Because I knew he was | 0:09:00 | 0:09:05 | |
waiting for a delivery, I thought it
would be the right thing to do, it | 0:09:05 | 0:09:08 | |
would be really authentic for him to
think it has finally arrived. He is | 0:09:08 | 0:09:11 | |
still waiting for it! He clicked on
that link and got you, scammed by | 0:09:11 | 0:09:20 | |
me. He probably has had messages
from the delivery company and have | 0:09:20 | 0:09:25 | |
ignored them now! Veronica, you have
had the training. You have both been | 0:09:25 | 0:09:31 | |
scammed before. You were talking
about a broadband company, £40,000 | 0:09:31 | 0:09:36 | |
lost. So many scams, Netflix, the
WhatsApp supermarket vouchers one. | 0:09:36 | 0:09:42 | |
What are you doing differently when
you looking through your inbox? I | 0:09:42 | 0:09:47 | |
just delete anything I don't know,
whoever sending e-mails and I don't | 0:09:47 | 0:09:52 | |
recognise them, I delete it
straightaway. One thing for sure, I | 0:09:52 | 0:09:58 | |
would not give my bank details on
the phone. I think there are too | 0:09:58 | 0:10:02 | |
many advertisements that are warning
you. It makes you safer online. | 0:10:02 | 0:10:13 | |
Thanks for taking part. Jaeden,
sorry you got scammed by your nan, | 0:10:13 | 0:10:17 | |
but that is how the cookie crumbles.
Anna, would you be scammed? Coakley, | 0:10:17 | 0:10:26 | |
I am really naive about everything!
-- totally. Computers and e-mails, I | 0:10:26 | 0:10:33 | |
get loads of stuff. It says if you
have not done this, click on this. | 0:10:33 | 0:10:40 | |
There is an iTunes one. I always
nearly do it. I don't think they | 0:10:40 | 0:10:47 | |
would want me to reply. It is very
likely that I would be, I am really | 0:10:47 | 0:10:52 | |
naive. Thanks to you all. Anna is
back on our screens tonight with a | 0:10:52 | 0:10:57 | |
brand new series called Motherland. | 0:10:57 | 0:11:00 | |
It's all about the traumas
of raising kids, including meeting | 0:11:00 | 0:11:03 | |
teachers at the dreaded
parents' evening. | 0:11:03 | 0:11:06 | |
If you don't mind me saying, I don't
really understand your parenting is | 0:11:06 | 0:11:12 | |
bear style. You are never here, if
you are, you are late, you barely | 0:11:12 | 0:11:15 | |
get involved in activities... Is
this because I forgot to buy a | 0:11:15 | 0:11:18 | |
bottle of wine at Christmas? If it
is, I don't think that is very fair. | 0:11:18 | 0:11:22 | |
I didn't know about the present
giving culture at this school. Do | 0:11:22 | 0:11:26 | |
you want me to bring you an apple
everyday? Do you want to tip you at | 0:11:26 | 0:11:31 | |
Christmas like the bin men? What is
this? It is not the Antiques | 0:11:31 | 0:11:35 | |
Roadshow! | 0:11:35 | 0:11:37 | |
To me, this is so real. It is almost
like a documentary. There is nothing | 0:11:42 | 0:11:50 | |
that is happening that I haven't
seen before. You know, the children | 0:11:50 | 0:11:54 | |
are kind of secondary to all of
this. It's all about relationships? | 0:11:54 | 0:11:59 | |
It is not really about the children.
I am sure when you saw the pilot, | 0:11:59 | 0:12:04 | |
last week, thank God, it's not
really about children. In some | 0:12:04 | 0:12:10 | |
respects, it is not really about
parenting. It is sort of about... | 0:12:10 | 0:12:17 | |
These people, the playground is a
kind of... The office, I suppose. It | 0:12:17 | 0:12:23 | |
is how you negotiate life,
friendships, being in the in or out | 0:12:23 | 0:12:27 | |
crowd. There are two distinct
groups. The Alpha mums and the | 0:12:27 | 0:12:36 | |
weirdos. You are a really busy
working mum, we got the sense of | 0:12:36 | 0:12:42 | |
that at the beginning of the show.
The other ones are very judging of | 0:12:42 | 0:12:45 | |
the stay at home mums? Yes, they
judge and they look really nice. She | 0:12:45 | 0:12:54 | |
doesn't want to be part of their
gang. She is a total user. She just | 0:12:54 | 0:12:58 | |
wants some childcare for the
children. That is all she wants for | 0:12:58 | 0:13:04 | |
the whole series. Somebody to help
her. That is all she wants, | 0:13:04 | 0:13:08 | |
basically. From any parent's
perspective, you must have been | 0:13:08 | 0:13:12 | |
going through this and going, I know
where this is going, I've seen this | 0:13:12 | 0:13:16 | |
before. Everything in there is very
believable. That is where the comedy | 0:13:16 | 0:13:22 | |
comes from? The frantic nature of
working and parenting, it's true. | 0:13:22 | 0:13:27 | |
The cafe culture that we really get
into in the series. It's a really | 0:13:27 | 0:13:32 | |
good episode in the pool party, it
goes horrifically wrong. It is like | 0:13:32 | 0:13:36 | |
a war zone. There is lots that
parents will really relate to. I | 0:13:36 | 0:13:43 | |
have lots of friends that love it
that are not parents. Motherland, | 0:13:43 | 0:13:52 | |
but dads will watch it as well.
There it is! The next ten years of | 0:13:52 | 0:13:58 | |
your life is here, in this series.
You will look back in ten years ago, | 0:13:58 | 0:14:04 | |
yes, that was it. Horrific! The cafe
culture starts at the beginning. | 0:14:04 | 0:14:14 | |
With a baby, you're thinking, I
don't want to hang out with these | 0:14:14 | 0:14:16 | |
mums, they are really boring. It
starts straightaway. You are | 0:14:16 | 0:14:20 | |
constantly trying to seek out the
mums that want to drink wine with | 0:14:20 | 0:14:24 | |
you at five o'clock. Yes! Did he
find when you were filming it you | 0:14:24 | 0:14:30 | |
were mirroring what was going on in
a series, trying to sort out | 0:14:30 | 0:14:36 | |
childcare? Yes, in the morning, have
you got your bag for school, where | 0:14:36 | 0:14:41 | |
is the packed lunch? And then doing
the same scene? Really, I'm not | 0:14:41 | 0:14:46 | |
doing any method acting exercises.
In the series, because Julia is a | 0:14:46 | 0:14:53 | |
working mother and relies a lot on
her mother, who is not that keen, | 0:14:53 | 0:14:57 | |
really, on helping at all? She is
very lazy and doesn't want to help. | 0:14:57 | 0:15:05 | |
What There she is. You think it is a
90-year-old woman, when she opens | 0:15:05 | 0:15:14 | |
up? I am horrible to my mother in
this. I get worse. And she is to | 0:15:14 | 0:15:20 | |
you? I'm actually really horrible.
Awful. Abusive. It is on tonight. I | 0:15:20 | 0:15:29 | |
highly recommend it. Ten o'clock,
BBC Two. The rest of the series, | 0:15:29 | 0:15:32 | |
this is the great thing, after you
watch the first episode, the whole | 0:15:32 | 0:15:36 | |
series will be available on BBC
iPlayer. | 0:15:36 | 0:15:41 | |
Right, a warning that the show
is heading into controversial | 0:15:41 | 0:15:43 | |
territory - something
that is causing angst up | 0:15:43 | 0:15:45 | |
and down the country. | 0:15:45 | 0:15:47 | |
And no, we're not talking
about Mollie and AJ | 0:15:47 | 0:15:49 | |
winning the dance-off. | 0:15:49 | 0:15:57 | |
Not yet, anyway! | 0:15:57 | 0:15:58 | |
No, it's what's happening
to our street lights. | 0:15:58 | 0:16:00 | |
Have you noticed? | 0:16:00 | 0:16:01 | |
Adebanji has. | 0:16:01 | 0:16:04 | |
The hottest tech list. Materials,
location, Ramsbottom, and the key | 0:16:04 | 0:16:12 | |
ingredient, good light. -- the
artist's check list. When night | 0:16:12 | 0:16:16 | |
falls most artists like me are
heading home with them creations in | 0:16:16 | 0:16:21 | |
tow. But not this one. Artist Chris
Cyprus is a man on a mission, he is | 0:16:21 | 0:16:31 | |
taking the nostalgic comforting glow
of orange street light in the North | 0:16:31 | 0:16:34 | |
of England before they all fade
away. In a few days the orange light | 0:16:34 | 0:16:38 | |
in this street will be replaced with
a white LED counterparts. And time | 0:16:38 | 0:16:44 | |
is running out for Chris. Very soon
most of the UK will be seen in a | 0:16:44 | 0:16:48 | |
whole new light. I am on my way to
Chris's studio to see some images | 0:16:48 | 0:16:53 | |
that will soon become confined to
the history books. Is this the | 0:16:53 | 0:16:58 | |
finished painting from Ramsbottom?
It's brilliant. It has a nice, airy | 0:16:58 | 0:17:08 | |
feeling to it. I like the gradation
from cool to warm. And the light | 0:17:08 | 0:17:16 | |
reflecting on the bins. I love that.
They are great. Why have | 0:17:16 | 0:17:25 | |
streetlights become the focus of
your work? When night begins to | 0:17:25 | 0:17:29 | |
fall, at dusk, the street lights
come on, and it is like a magic | 0:17:29 | 0:17:32 | |
hour. The orange glow they give off.
It's that marriage of that velvet | 0:17:32 | 0:17:38 | |
blue with the orange, it's perfect,
just transforms everything on what | 0:17:38 | 0:17:43 | |
can be a cold, dreary day, you know?
What do you think of the new LED | 0:17:43 | 0:17:49 | |
replacement lights? The white,
harsh, sort of like they give off, | 0:17:49 | 0:17:53 | |
it's not inspiring at all. Do you
have a number in mind for all of | 0:17:53 | 0:17:57 | |
these works? The project is 12 years
old, I'm up to 240. Maybe at the end | 0:17:57 | 0:18:05 | |
of this winter, 250, that maybe it.
Just ten more? Yes. Redesigning | 0:18:05 | 0:18:12 | |
streetlight is nothing new. There
have been hundreds of designs. | 0:18:12 | 0:18:16 | |
Before we return to see the big
switchover in Ramsbottom, I've come | 0:18:16 | 0:18:20 | |
to Derby to meet streetlight
enthusiast Mike. Just a few in here. | 0:18:20 | 0:18:28 | |
This is amazing. | 0:18:28 | 0:18:30 | |
What sparked your interest into
collecting streetlights? The house | 0:18:34 | 0:18:38 | |
we used to live in has a streetlight
directly opposite my bedroom window. | 0:18:38 | 0:18:41 | |
I was fascinated to know why this
light was different to the ones in | 0:18:41 | 0:18:45 | |
the house. How many streetlights do
you have? 178 altogether. Of which | 0:18:45 | 0:18:51 | |
91 work in some degree. The ones
that you see outside, that is the | 0:18:51 | 0:18:57 | |
tungsten filament streetlight from
the 1930s. Then there was the | 0:18:57 | 0:19:05 | |
mercury vapour, but there was a
green hue to it. Many people | 0:19:05 | 0:19:10 | |
complained that it resembled
zombies, almost. Then the orange | 0:19:10 | 0:19:14 | |
streetlight. At one time this was
the cutting edge. This is the | 0:19:14 | 0:19:18 | |
low-pressure sodium lights. The
design came out in 1955. It won the | 0:19:18 | 0:19:22 | |
council and award. They may once
have been award winning, but today | 0:19:22 | 0:19:28 | |
is the end of the road for the
orange sodium streetlights in | 0:19:28 | 0:19:31 | |
Ramsbottom. Councillor Alan Quinn is
helping to oversee Bury Council's | 0:19:31 | 0:19:38 | |
switchover to bright white LEDs. Why
LEDs? They are the light of the | 0:19:38 | 0:19:45 | |
future. They will save us 70% on
electricity costs. The unit, the | 0:19:45 | 0:19:51 | |
sodium unit, lasts less than three
years, and the LED ones last longer. | 0:19:51 | 0:19:55 | |
It is a win win for us. Lots of
people say they don't like the new | 0:19:55 | 0:20:02 | |
lights. People don't like change. In
years to come, if we were to change | 0:20:02 | 0:20:08 | |
the LED ones, people would complain,
they will get used to the white | 0:20:08 | 0:20:13 | |
glow. We will see the new LED light
illuminate Ramsbottom for the very | 0:20:13 | 0:20:17 | |
first time. Oh! That cosy, warm
glow, I'm sad to see it go. I guess | 0:20:17 | 0:20:24 | |
the future is bright. Too bright for
me, though. | 0:20:24 | 0:20:28 | |
CHUCKLES
I guess we will get used to it with | 0:20:28 | 0:20:30 | |
time. | 0:20:30 | 0:20:32 | |
You are particularly sad, aren't you
about the loss of the orange? | 0:20:35 | 0:20:38 | |
I appreciate why it is there, but
that warm glow of the morning or at | 0:20:38 | 0:20:42 | |
night. I can't remember what we have
try us, I'll have a look tonight. -- | 0:20:42 | 0:20:51 | |
I can't remember what we have near
us. | 0:20:51 | 0:20:54 | |
Well, our next guests never fail
to light up our Saturday night - | 0:20:54 | 0:20:57 | |
and it's not just the orange glow
from their fake tan! | 0:20:57 | 0:21:00 | |
It's Strictly's Mollie and AJ! | 0:21:00 | 0:21:00 | |
APPLAUSE | 0:21:00 | 0:21:02 | |
Where do we start?
Can you believe the fuss after last | 0:21:02 | 0:21:06 | |
weekend? Such an emotional weekend.
Yes. Such a shock. For us it was so | 0:21:06 | 0:21:14 | |
emotional. It felt like a nightmare
coming true. Firstly, beginning in | 0:21:14 | 0:21:17 | |
the dance off again. Then being in
it with a very good friend of yours. | 0:21:17 | 0:21:23 | |
You are so close to all of the cast.
I have known Aston for ten years. It | 0:21:23 | 0:21:31 | |
felt like a lose lose situation. I
didn't want them to go, we didn't | 0:21:31 | 0:21:35 | |
want to go, so it felt like either
way... Did you think it was over | 0:21:35 | 0:21:40 | |
because you were up against Aston?
Completely. When we stepped out onto | 0:21:40 | 0:21:46 | |
the dance floor I thought, we've got
to give it everything because this | 0:21:46 | 0:21:49 | |
is probably the last time we'll be
on here. Then really enjoyed. For | 0:21:49 | 0:21:53 | |
me, the flow you had in that dance
off, you looks like you were really | 0:21:53 | 0:21:57 | |
enjoying it and you were relaxed.
Such a gorgeous dance, a gorgeous | 0:21:57 | 0:22:02 | |
song. You performed it so well on
the night. It was heaven. It was | 0:22:02 | 0:22:06 | |
just that moment of, this is the
last time we are doing this, so | 0:22:06 | 0:22:10 | |
let's just enjoy every move every
turn, and we did, really. Where you | 0:22:10 | 0:22:15 | |
surprised that Craig initially
started things off and then saved | 0:22:15 | 0:22:17 | |
you? Yes. In honesty, I was. You
don't know what to think you don't | 0:22:17 | 0:22:23 | |
know whether to be happy or sad,
your heart just stops. It does. It | 0:22:23 | 0:22:28 | |
felt like forever standing there
waiting to care what | 0:22:28 | 0:22:35 | |
-- it felt like forever standing
there waiting to hear. You cannot | 0:22:39 | 0:22:44 | |
explain. It's amazing. It's life
changing. Every moment of it, it | 0:22:44 | 0:22:48 | |
takes over your life. It does. Look
at you! Have you spoken with Aston | 0:22:48 | 0:22:57 | |
since the weekend? I have. How does
he feel? | 0:22:57 | 0:23:01 | |
LAUGHTER
He is really strong, Aston. He | 0:23:01 | 0:23:06 | |
understands that it's the judges'
decision at the end of the day. But | 0:23:06 | 0:23:13 | |
it is heartbreaking. He was so
supportive, wasn't he? Telling you | 0:23:13 | 0:23:17 | |
to have a good time, learn a new
routine, appreciate having another | 0:23:17 | 0:23:21 | |
week and another chance to show
everybody what we can do. And a | 0:23:21 | 0:23:24 | |
great dance in the paso doble. It's
my favourite. I love it. Getting | 0:23:24 | 0:23:32 | |
into character. It is a storytelling
dance, and a great song. And we have | 0:23:32 | 0:23:37 | |
an authentic feel at the beginning.
We have Spanish guitar. It is going | 0:23:37 | 0:23:41 | |
to be really good, I cannot wait.
Are you excited about it? Yes, I | 0:23:41 | 0:23:48 | |
have two young girls, they love
Mollie, Mollie and AJ are their | 0:23:48 | 0:23:51 | |
favourites. It's so nice to hear
that! Because it is scary. You are | 0:23:51 | 0:24:01 | |
their favourites, and Susan, but
they love you, too. Thank you. It's | 0:24:01 | 0:24:05 | |
so lovely.
LAUGHTER | 0:24:05 | 0:24:09 | |
We will have to do with video
message afterwards. Say hello. | 0:24:09 | 0:24:14 | |
Hello! Hello!
LAUGHTER | 0:24:14 | 0:24:19 | |
Do you want to sit between them now?
There we are. Now, then, kids, there | 0:24:19 | 0:24:26 | |
you go there APPLAUSE | 0:24:26 | 0:24:30 | |
Whether it's parenthood or the paso
doble that's stressing you out, | 0:24:33 | 0:24:36 | |
we have the perfect
antidote right now. | 0:24:36 | 0:24:37 | |
Sit back and relax, and let this
orchard work its soothing magic. | 0:24:37 | 0:24:46 | |
What more could you want?
It's stored in a traditional Kentish | 0:24:46 | 0:24:52 | |
cider orchard. A Fox sets asleep in
a shady corner. After a busy night, | 0:24:52 | 0:25:02 | |
his work is done. But as he sleeps
the rest of the orchard comes to | 0:25:02 | 0:25:07 | |
life. Apples have ripened. It's time
for harvest to start. And many hands | 0:25:07 | 0:25:23 | |
are making light work. It's been a
successful year, but it's not only | 0:25:23 | 0:25:35 | |
people who are here to enjoy the
fruit. Birds dart through the trees. | 0:25:35 | 0:25:46 | |
And in a quieter part of the
orchard, a bluetit heartily tucked | 0:25:46 | 0:25:50 | |
into an apple on the tree for
breakfast. The hedgerows here are | 0:25:50 | 0:25:59 | |
full of IV, which provide a natural
water bounty. Their pale green | 0:25:59 | 0:26:05 | |
flowers are haven for butterflies
like red admirals and peacocks. Free | 0:26:05 | 0:26:15 | |
of pesticides and fertilisers, this
traditional orchard is buzzing with | 0:26:15 | 0:26:20 | |
life, and thousands of tiny fruit
flies dance like fairies down the | 0:26:20 | 0:26:30 | |
rows. Keeping a close eye on them,
predators. Common darter dragonflies | 0:26:30 | 0:26:38 | |
perch amongst the apples to stop
huge dazzling compound eyes looking | 0:26:38 | 0:26:43 | |
to pounce on the nearest
unsuspecting fly. But the | 0:26:43 | 0:26:47 | |
dragonflies are not here just to
feast on the flies, they are also | 0:26:47 | 0:26:50 | |
here to breed. Orchards have many
useful wildlife habitats, and the | 0:26:50 | 0:26:58 | |
pond is the perfect place for
meeting dragonflies to lay their | 0:26:58 | 0:27:03 | |
eggs. The red coloured males keep
hold of the brown females by the | 0:27:03 | 0:27:06 | |
head, and they fly in tandem. He
does this to make sure competing | 0:27:06 | 0:27:11 | |
males don't jump in and fertilise
the eggs instead. She dips into the | 0:27:11 | 0:27:17 | |
water, depositing a loose ball of
eggs, with each swipe. Just as busy | 0:27:17 | 0:27:23 | |
as the dragonflies are the farmers'
apple pickers, still working hard. | 0:27:23 | 0:27:28 | |
Picking all day, they select the
best apples for harvest. Whilst | 0:27:28 | 0:27:33 | |
discarding the rotten ones to join
the windfall on the floor. And it's | 0:27:33 | 0:27:37 | |
here, on the orchard floor, that
wildlife really starts to get a look | 0:27:37 | 0:27:41 | |
in at this least. -- at this feast.
Green woodpeckers usually eat ants, | 0:27:41 | 0:27:50 | |
using long tongues to probe into the
ground. At this time of year they | 0:27:50 | 0:27:54 | |
use their bills to punch into the
windfall apples. | 0:27:54 | 0:28:06 | |
Competition for the tasty apples is
courtesy. An autumnal feast to be | 0:28:10 | 0:28:15 | |
enjoyed by them all. And as the sun
sets its time for our fox to rise | 0:28:15 | 0:28:26 | |
for his -- from his slumber and get
back to work. | 0:28:26 | 0:28:29 | |
I'm sure that was bedtime television
for some. | 0:28:29 | 0:28:32 | |
Very enjoyable. | 0:28:32 | 0:28:33 | |
That was the Little
Stour Orchard in Kent. | 0:28:33 | 0:28:36 | |
And let's hope that's relaxed
Margaret Deady, who's emailed | 0:28:36 | 0:28:38 | |
in with another parenting panic. | 0:28:38 | 0:28:42 | |
You will love this. | 0:28:42 | 0:28:44 | |
I put my baby out in his pram
in the garden about 8.00am. | 0:28:44 | 0:28:48 | |
I went to pick my husband up
from the station after work. | 0:28:48 | 0:28:53 | |
I got home about 6.30pm and realised
he had been out there all day! | 0:28:53 | 0:28:58 | |
That's weird! | 0:28:58 | 0:29:00 | |
He survived and is now 42! | 0:29:00 | 0:29:05 | |
That's all day! That's crazy! In the
garden! My friends left her baby in | 0:29:05 | 0:29:13 | |
the house and drove off. They got
quite far. Their eldest was in the | 0:29:13 | 0:29:18 | |
back crying out, mummy! From Selt
Altrincham. -- from | 0:29:18 | 0:29:30 |