Browse content similar to 08/11/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to One Show with
Matt Baker. And Alex Jones. | 0:00:20 | 0:00:24 | |
Astronaut Tim Peake will be here
later. He's just deploying his | 0:00:24 | 0:00:28 | |
landing gear. Let's hope it's not a
hard landing. Our service is quite | 0:00:28 | 0:00:35 | |
delicate. Look out! Do you think
he's OK? I think he's fine. Get | 0:00:35 | 0:00:41 | |
yourself cleaned up, Tim. We'll see
you in a little while and tonight | 0:00:41 | 0:00:45 | |
Tim will be hijacking the One Show
social media accounts and he will be | 0:00:45 | 0:00:50 | |
live tweeting and Facebooking. If
you have a question, use the hashtag | 0:00:50 | 0:00:55 | |
AskAnAstronaut and Tim will reply to
as many as possible. He will sign it | 0:00:55 | 0:01:00 | |
off TP so you know it's from him.
That's what it means! And I had | 0:01:00 | 0:01:07 | |
booked a really great actor for
tonight. Have you? I've booked an | 0:01:07 | 0:01:13 | |
actor as well with an amazing CV.
Mine has a fantastic CV. Right, mine | 0:01:13 | 0:01:20 | |
starred in Grange Hill, Bergerac,
Burnside... My guy has been in | 0:01:20 | 0:01:24 | |
Jonathan Creek, Life On Mars, Harry
Potter And The Prisoner Of Askaban | 0:01:24 | 0:01:29 | |
and Inspector George Gently. I'll
give you New Tricks, EastEnders and | 0:01:29 | 0:01:33 | |
Benidorm. What about Soldier
Soldier, The Bill, Dalziel And | 0:01:33 | 0:01:38 | |
Pascoe? George Gently? I love George
Gently. Shall we let them fight it | 0:01:38 | 0:01:46 | |
out between them? Let's get them on.
Please welcome Shane Richie and Lee | 0:01:46 | 0:01:50 | |
Ingleby.
APPLAUSE | 0:01:50 | 0:01:55 | |
Good to see you. How are you?
Impressive CV, look at that. I'm | 0:01:59 | 0:02:11 | |
impressed with yours! Excellent, to
be fair. Did you ever call bingo at | 0:02:11 | 0:02:17 | |
a holiday camp? No. Where next? Matt
mentioned that you were in Harry | 0:02:17 | 0:02:23 | |
Potter, a huge franchise. Is that
the thing you get asked about the | 0:02:23 | 0:02:27 | |
most? Quite a lot but weirdly, the
first thing we shot in that film was | 0:02:27 | 0:02:31 | |
the exterior, because I was in the
Knight Bus and about seven months | 0:02:31 | 0:02:41 | |
later I came back and did the
interiors on a blue screen. A bit of | 0:02:41 | 0:02:44 | |
a gap. Your accent in George Gently
is brilliant. He genuinely said that | 0:02:44 | 0:02:50 | |
earlier. We are not really talking
to you tonight that acting, Shane, | 0:02:50 | 0:02:58 | |
because you are here as a singer.
Yes, the new album is out on and I'm | 0:02:58 | 0:03:03 | |
really honoured that I get to play
out the show at the end with one of | 0:03:03 | 0:03:07 | |
the tracks from it. We can't wait to
hear it. It's really weird. I've had | 0:03:07 | 0:03:14 | |
the honour of stepping in for you
when you have been off, and it's | 0:03:14 | 0:03:19 | |
nice to see you again after the
baby. Thanks, Shane! Did you look | 0:03:19 | 0:03:25 | |
like me? Good. That's another one.
But it's a great honour, so thank | 0:03:25 | 0:03:32 | |
you for letting me and my band play.
We are looking forward to it. Lee, | 0:03:32 | 0:03:38 | |
the popular series The A Word is
back on BBC One, starting last | 0:03:38 | 0:03:44 | |
night, and later we will be joined
by your co-star, Max, and we will | 0:03:44 | 0:03:48 | |
hear the excuses. There he is,
looking forward to meeting you | 0:03:48 | 0:03:52 | |
later. And we are delighted that Tim
Peake is here. He learned all about | 0:03:52 | 0:03:57 | |
space in year one, he was telling us
earlier. Ahead of | 0:03:57 | 0:04:09 | |
tomorrow on the show, we will be
hearing the story about our final | 0:04:09 | 0:04:12 | |
rickshaw ride, Luke. Before that, we
will be heading to an area that | 0:04:12 | 0:04:15 | |
Shane should know well, the east
end. In a cheeky cockney! The London | 0:04:15 | 0:04:24 | |
borough of Newham was named by
Shelter today as having the highest | 0:04:24 | 0:04:27 | |
rate of homelessness in the capital,
one in 25 people. But many with a | 0:04:27 | 0:04:31 | |
roof over their heads also find
themselves living in dangerous | 0:04:31 | 0:04:35 | |
conditions and Raphael Rowe has been
to see how bad it can get. | 0:04:35 | 0:04:40 | |
It's 7am and in joining housing
officers from the London borough of | 0:04:40 | 0:04:44 | |
Newham as they go on the hunt for
landlords they believe are breaking | 0:04:44 | 0:04:46 | |
the law. Good morning. 'S Newham
council with the police, can you | 0:04:46 | 0:04:54 | |
open the door? Russell and his team
are investigating concerns about | 0:04:54 | 0:04:59 | |
some landlords in the area renting
properties to tenants in conditions | 0:04:59 | 0:05:03 | |
so poor they are not fit for human
habitation. We are concerned that | 0:05:03 | 0:05:07 | |
this property. Every room is
occupied. There should be proper | 0:05:07 | 0:05:15 | |
fire doors in every room. There was
no fire detector at the top of the | 0:05:15 | 0:05:19 | |
stairwell. Officers find for
families living in this house, one | 0:05:19 | 0:05:23 | |
in each bedroom. Electrical devices
all running off a single PowerPoint, | 0:05:23 | 0:05:29 | |
so your heaters, microwave, or that
sort of thing. It's a fire risk. | 0:05:29 | 0:05:38 | |
They could all die here so it's
important that we step in and say we | 0:05:38 | 0:05:42 | |
are not having it. They've got a
downstairs toilet, which pretty much | 0:05:42 | 0:05:46 | |
might as well be outside. That's not
a problem. It's like, let's get the | 0:05:46 | 0:05:53 | |
maximum number of people in the
property and charge them £500 a | 0:05:53 | 0:05:56 | |
month. In the last ten years, this
council has seen a massive fall in | 0:05:56 | 0:06:01 | |
people living in properties they
own, about half what it used to be, | 0:06:01 | 0:06:07 | |
and a corresponding sharp rise in
properties which are privately | 0:06:07 | 0:06:10 | |
rented, many of them houses of
multiple occupation or HMOs. We | 0:06:10 | 0:06:17 | |
found another house in multiple
occupation on the same road. I'd be | 0:06:17 | 0:06:20 | |
surprised if half the properties on
this road are not HMOs. Out the back | 0:06:20 | 0:06:28 | |
of his property the officers find
something serious concern. This is a | 0:06:28 | 0:06:33 | |
shed made of old doors, the cheapest
lump of people can find, bolted | 0:06:33 | 0:06:37 | |
together. This isn't even a good
shed. -- the cheapest lump of timber | 0:06:37 | 0:06:43 | |
that people can find. But open the
door and there are two adults in | 0:06:43 | 0:06:48 | |
there in a bed. Good morning how you
doing? So how many in this room, | 0:06:48 | 0:06:54 | |
three, four of you? Mum, dad and
children. This is not a home, it's a | 0:06:54 | 0:07:00 | |
shed. Imagine what it would be like
in winter. It must get really cold | 0:07:00 | 0:07:07 | |
in here in the winter, right? You
are already wrapped up. I mean, it's | 0:07:07 | 0:07:13 | |
shocking. Every landlord in Newham
must purchase a license to let their | 0:07:13 | 0:07:18 | |
property and it's one of just five
councils permitted to read like | 0:07:18 | 0:07:22 | |
this. This policy has enabled them
deposited 331 landlords in the last | 0:07:22 | 0:07:27 | |
year, more than any other council in
the UK. -- enabled them to | 0:07:27 | 0:07:32 | |
prosecute. Why is the scheme
important? They are charging big | 0:07:32 | 0:07:38 | |
rents, not paying council tax or
income tax, so they are people | 0:07:38 | 0:07:41 | |
trying to avoid being part of
regulations. People are at risk and | 0:07:41 | 0:07:45 | |
they want to maximise their profits
and they don't care what conditions | 0:07:45 | 0:07:49 | |
people live in. That's not right.
The government is threatening to | 0:07:49 | 0:07:54 | |
revoke this blanket licensing in
favour of a more targeted approach | 0:07:54 | 0:07:57 | |
to avoid penalising good landlords.
The council disagrees, arguing that | 0:07:57 | 0:08:01 | |
bad ones would just pop into the
non-licensed areas. What money does | 0:08:01 | 0:08:07 | |
the council make from this scheme?
Some would argue that you are | 0:08:07 | 0:08:13 | |
generating income. No, we make
nothing out of it. We are doing it | 0:08:13 | 0:08:17 | |
because we want to protect and
defend our residents. Another | 0:08:17 | 0:08:20 | |
property and another serious
standards failure. There cockroaches | 0:08:20 | 0:08:26 | |
everywhere in her room full oh,
gosh, on the table. Is this your | 0:08:26 | 0:08:30 | |
room? Yeah. Two of you living here?
And you have cockroaches in here? | 0:08:30 | 0:08:40 | |
Everybody has them. Everybody, in
all of the rooms. Have you ever met | 0:08:40 | 0:08:46 | |
your landlord? Are they a good
person? No, you don't want any | 0:08:46 | 0:08:50 | |
problems? Yes. I kind of understand
what you're saying. At least 19 | 0:08:50 | 0:08:58 | |
people living here, at least seven
children and a baby under the age of | 0:08:58 | 0:09:01 | |
one in the back room, and collecting
about four brand in rent per month, | 0:09:01 | 0:09:06 | |
so this is a property that should be
licensed for a maximum of seven | 0:09:06 | 0:09:10 | |
people. Just got maximum
exploitation. -- massive | 0:09:10 | 0:09:17 | |
exploitation. These tenants are
victims and they are not prepared to | 0:09:17 | 0:09:20 | |
speak for themselves because they
are desperate people living in | 0:09:20 | 0:09:23 | |
desperate times, so if part of the
cost of policing bad landlords comes | 0:09:23 | 0:09:27 | |
out of the pockets of the good ones,
maybe that's a small price to pay? | 0:09:27 | 0:09:34 | |
Goodness, some shocking sight there.
That wasn't even the worst of it. | 0:09:34 | 0:09:38 | |
I've never seen anything like it.
Last week, they found a guy living | 0:09:38 | 0:09:43 | |
in a gas meter cupboard and a bed in
a cupboard. But that was horrendous. | 0:09:43 | 0:09:48 | |
Never seen anything like it. Picking
up on those licenses, the blanket | 0:09:48 | 0:09:53 | |
licenses, they are working on
catching rogue landlords, but why | 0:09:53 | 0:09:57 | |
are the government thinking of
abandoning them? They think local | 0:09:57 | 0:10:01 | |
authorities have enough power as it
with selective licenses that they | 0:10:01 | 0:10:06 | |
can use to punish rogue landlords,
and they think that is enough. They | 0:10:06 | 0:10:11 | |
will not introduce borough wide
licenses because they think they can | 0:10:11 | 0:10:13 | |
do the job as they are. Are they
finding these landlords thousands of | 0:10:13 | 0:10:17 | |
pounds? Where does the money go to?
Is ring-fenced and the licence fee | 0:10:17 | 0:10:25 | |
goes back into police and sing --
policing the licences. People didn't | 0:10:25 | 0:10:28 | |
want to talk on camera but if they
need help they go to the citizens | 0:10:28 | 0:10:32 | |
advice bureau, who can help. They
are not prepared to say it us, | 0:10:32 | 0:10:36 | |
that's because the landlord will
evict them. And that is the case if | 0:10:36 | 0:10:41 | |
anybody expect anything like that
where they are living. They should | 0:10:41 | 0:10:45 | |
report it and if they do something
will be done, landlords will be held | 0:10:45 | 0:10:49 | |
to account and they have to include
the conditions and, if they have to | 0:10:49 | 0:10:56 | |
move tenants to better accommodation
what will happen in those situations | 0:10:56 | 0:10:59 | |
that we saw in the film? They will
be fined, it could be a significant | 0:10:59 | 0:11:03 | |
amount, and they will have to
improve the conditions before they | 0:11:03 | 0:11:08 | |
put any tenants back in. Most people
I met lived in those conditions | 0:11:08 | 0:11:12 | |
whilst the landlords are improving
them. That's how bad it is. Can you | 0:11:12 | 0:11:18 | |
believe it? It's been two years
since one of the most beautiful | 0:11:18 | 0:11:20 | |
dramas in recent years, The A Word,
a family drama about a little boy | 0:11:20 | 0:11:28 | |
with autism. It returned last week
and we have a look at next week's | 0:11:28 | 0:11:33 | |
episode, where Joe arrives at his
new school for the first time. Put | 0:11:33 | 0:11:38 | |
your arms out. Spin it round, Joe.
Not the whole thing. All right. Just | 0:11:38 | 0:11:45 | |
calm down. I am calm. There we go.
Arms through. Hello. Oh, hello, Joe. | 0:11:45 | 0:11:56 | |
Sorry we are a bit late. That's
fine. You ready to come through, | 0:11:56 | 0:12:01 | |
Joe? And Max Vento, who plays Joe,
also joins us now. | 0:12:01 | 0:12:09 | |
APPLAUSE
. You were at school first thing | 0:12:09 | 0:12:14 | |
this morning and you got the
afternoon off to travel down from | 0:12:14 | 0:12:17 | |
Leeds, so thank you for coming in.
It's great to see you. I feel | 0:12:17 | 0:12:22 | |
starstruck because I love the
programme so much. Joe is seven, who | 0:12:22 | 0:12:26 | |
you play. How old are you? I am
eight. Some people, Lee, will not | 0:12:26 | 0:12:35 | |
have seen the first series, so bring
us up to speed on where we find the | 0:12:35 | 0:12:38 | |
family. We start the first episode
where Joe gets diagnosed with | 0:12:38 | 0:12:44 | |
autism. It's about them coming to
terms with that and how they deal | 0:12:44 | 0:12:47 | |
with it and the difficulties of what
that entails, I suppose. The effect | 0:12:47 | 0:12:54 | |
it has on the family, I suppose.
Max, you don't have autism but you | 0:12:54 | 0:13:01 | |
have played this character in the
first series, so you must have been | 0:13:01 | 0:13:04 | |
about five or six. I was six. What
did you know about the character you | 0:13:04 | 0:13:11 | |
were playing? What do you remember?
All I remember is knowing that I was | 0:13:11 | 0:13:17 | |
autistic, that's all that I knew.
Did that mean anything to you? No, | 0:13:17 | 0:13:21 | |
not really. We talked about it a
lot, didn't we? We talked about how | 0:13:21 | 0:13:29 | |
Joe would be with his parents, and
his connection with his music. Do | 0:13:29 | 0:13:33 | |
you like music in real life? In the
series, you always have headphones | 0:13:33 | 0:13:37 | |
on. He isn't so keen on listening.
Yeah, I love music cost of it is | 0:13:37 | 0:13:46 | |
rock music in the series, and you
are keen on that? No. Tell everybody | 0:13:46 | 0:13:54 | |
what you told us, your top three
jobs when you grow up. I'd like to | 0:13:54 | 0:13:59 | |
be an actor, a singer and a dancer.
He's brilliant. There you go! What | 0:13:59 | 0:14:10 | |
reaction, Lee, have you had after
the first series? I'm getting lots | 0:14:10 | 0:14:13 | |
of parents with children with autism
approached you and have something to | 0:14:13 | 0:14:19 | |
say. It was a lovely response. A lot
of people identified with the story. | 0:14:19 | 0:14:24 | |
At the end of the day, it's just one
family's story, and one boy with | 0:14:24 | 0:14:28 | |
autism. Every story is different,
and this is just one story for them | 0:14:28 | 0:14:35 | |
it was a lot of people got in touch
and shared their stories. It was | 0:14:35 | 0:14:40 | |
brilliant. Quite a precious project
for you. We talked about your CV and | 0:14:40 | 0:14:47 | |
all the different things, but this
drama, it is rooted in the Lake | 0:14:47 | 0:14:50 | |
District and the landscape is in the
background, but it really gives it | 0:14:50 | 0:14:54 | |
an extra feel full stop everything
was so special about it. The venue, | 0:14:54 | 0:15:00 | |
where we filmed... All the people in
it, and the crew... A lot of them | 0:15:00 | 0:15:03 | |
came back because they were so in
love with the story. It's | 0:15:03 | 0:15:08 | |
brilliantly written and so
heartfelt. It's one of those that | 0:15:08 | 0:15:11 | |
you are proud to play. It's good,
isn't it? Is he a good on-screen | 0:15:11 | 0:15:18 | |
dad? Does he help you with your
lines and things? He doesn't help me | 0:15:18 | 0:15:23 | |
with my lines but he is a good
on-screen dad. My daughter is eight | 0:15:23 | 0:15:28 | |
and she does a lot of poems that
this sort of thing at school but how | 0:15:28 | 0:15:31 | |
do you learn your lines? Your dad is
quite good at that. What do your | 0:15:31 | 0:15:40 | |
friends make of the fact that you
are on this big BBC drama? My | 0:15:40 | 0:15:45 | |
friends... They | 0:15:45 | 0:15:53 | |
advert of you last night and, like,
one of my friends was a background | 0:15:53 | 0:15:56 | |
in it. Oh, an extra? Yeah. And he
was from my school. That's nice, to | 0:15:56 | 0:16:04 | |
have some companies yeah, and that
was in series one. Are you allowed | 0:16:04 | 0:16:09 | |
to stay up to watch this go out?
Yeah cost of you are allowed! If | 0:16:09 | 0:16:15 | |
your teacher is watching, let him
have the morning off because he's | 0:16:15 | 0:16:18 | |
got to get back to Leeds tonight.
Good to see you. Thank you. | 0:16:18 | 0:16:27 | |
We were talking about Tim Peake -
have you got a question for him? | 0:16:27 | 0:16:32 | |
Yeah. What is it? What is it like to
be floating in space? Good one, we | 0:16:32 | 0:16:39 | |
will put that to him. Stick around,
don't go just yet. The A Word | 0:16:39 | 0:16:45 | |
continues this evening on BBC One at
9pm. | 0:16:45 | 0:16:50 | |
After the -- over the last seven
years, the One Show rickshaw has | 0:16:50 | 0:17:00 | |
covered a staggering 2985 miles. I
can believe that. Tomorrow, we are | 0:17:00 | 0:17:06 | |
off again, and this time it is the
right to the Clyde. We are going 500 | 0:17:06 | 0:17:11 | |
miles from here in the one show
studio, going north to Glasgow. Drop | 0:17:11 | 0:17:19 | |
what you're doing and come and see
is if you can if you live on that | 0:17:19 | 0:17:22 | |
red line. We have met five of the
incredible individuals taking part, | 0:17:22 | 0:17:29 | |
so let's complete the team. This is
Luke's story. | 0:17:29 | 0:17:32 | |
I am Luke, and I live with my mum,
my dad and my twin brother. Today, | 0:17:36 | 0:17:42 | |
we have got my Nan and grandad to
play a major part in my life. How | 0:17:42 | 0:17:47 | |
does a Welsh person ate cheese?
Caerphilly. We are twins, but I | 0:17:47 | 0:17:55 | |
first thought, we're -- I am better
looking than him. He is probably a | 0:17:55 | 0:18:02 | |
bit more confident than me. Because
they were born prematurely by 14 | 0:18:02 | 0:18:09 | |
weeks, and then required oxygen help
for probably 18 months of their | 0:18:09 | 0:18:13 | |
lives, it was difficult for us all
as a family. We didn't know any | 0:18:13 | 0:18:19 | |
different, so we just got on. When
they told us that Luke had cerebral | 0:18:19 | 0:18:24 | |
palsy, it just floored us, really.
It was hard. My cerebral palsy | 0:18:24 | 0:18:34 | |
affects my legs predominantly. I
can't balance, can't stand still, | 0:18:34 | 0:18:37 | |
which means I am either always on
crutches or in a wheelchair. It also | 0:18:37 | 0:18:41 | |
affects my hands. A year ago, I
couldn't tie shoelaces. Now, it | 0:18:41 | 0:18:49 | |
means I can get ready faster and not
need the help. At 11 years old, I | 0:18:49 | 0:18:56 | |
had to have a major operation. It
was in order to correct my feet so | 0:18:56 | 0:19:01 | |
that they were in the right
position, in the hope that I could | 0:19:01 | 0:19:04 | |
stand up straight. Seeing blue in
pain... -- ceiling Luke. It was hard | 0:19:04 | 0:19:17 | |
for me as a mum and hard for us as a
family. They broke some of my hip | 0:19:17 | 0:19:24 | |
bone and inserted screws into my
hip. After the operation, I | 0:19:24 | 0:19:28 | |
completely lost mobility and
physically couldn't do anything. | 0:19:28 | 0:19:32 | |
Altogether, it took 12 months of
physiotherapy and Luke's | 0:19:32 | 0:19:36 | |
determination to get him back to
some kind of independence. I just | 0:19:36 | 0:19:42 | |
wanted to get moving again, so I
felt a bit trapped and so unhappy. I | 0:19:42 | 0:19:47 | |
lost confidence. I have learned how
to cope with a disability and how to | 0:19:47 | 0:19:58 | |
adapt to different situations
through going to stick in step. We | 0:19:58 | 0:20:02 | |
provide help and support for
children as they grow up and | 0:20:02 | 0:20:05 | |
develop. Every child is affected
differently by cerebral palsy, so | 0:20:05 | 0:20:10 | |
each child has different goals. It
can be sitting independently, to | 0:20:10 | 0:20:15 | |
stand and walk, key skills to enable
them to be independent in the wider | 0:20:15 | 0:20:18 | |
world. Luke learned to start taking
steps on his own, to tie his | 0:20:18 | 0:20:25 | |
shoelaces, to feed himself
independently. That's it. The most | 0:20:25 | 0:20:30 | |
important part, I think, is his
confidence, that he believes in | 0:20:30 | 0:20:34 | |
himself. I would like to believe
that we played an important part in | 0:20:34 | 0:20:40 | |
making in the charismatic young man
he has become. The services are free | 0:20:40 | 0:20:45 | |
of charge, which means that without
funding from things like Children In | 0:20:45 | 0:20:49 | |
Need we wouldn't be able to offer
the service. The Rickshaw Challenge | 0:20:49 | 0:20:56 | |
will be exciting for Luke, and he
has put so much time and effort into | 0:20:56 | 0:20:59 | |
training. I didn't think I would be
able to do a challenge like this | 0:20:59 | 0:21:04 | |
because balance is one of the main
issues with cerebral palsy. I've | 0:21:04 | 0:21:07 | |
never been able to ride a bike, so
to ride the rickshaw is such | 0:21:07 | 0:21:11 | |
achievement. His biggest fear was
following -- falling off. When he | 0:21:11 | 0:21:18 | |
never and he went round the track,
it was so amazing for him. In the | 0:21:18 | 0:21:22 | |
Rickshaw Challenge, early start will
be a nightmare, because he loves is | 0:21:22 | 0:21:28 | |
late. There is no one wants | 0:21:28 | 0:21:30 | |
I want to show that people with
cerebral palsy can do incredible | 0:21:33 | 0:21:39 | |
things. Please, everybody, get
behind us and donate what you can. | 0:21:39 | 0:21:46 | |
Luke is raring to go. When I first
met him, there was never a doubt | 0:21:46 | 0:21:50 | |
whether or not he would make the
team. Hearing his mum thought, it | 0:21:50 | 0:21:55 | |
reminds you how tough it is for the
parents as well. That is the great | 0:21:55 | 0:21:58 | |
thing about Children In Need, they
help the family with respite care | 0:21:58 | 0:22:05 | |
and support. You can donate by
sending a simple text message. Shane | 0:22:05 | 0:22:13 | |
and Lee, you are going to help us
out. You candidate £5 by taking the | 0:22:13 | 0:22:20 | |
word seemed to 70405. To donate £10,
text the word team to 70410. And to | 0:22:20 | 0:22:34 | |
donate £20, text the word team
270420. For full terms and | 0:22:34 | 0:22:44 | |
conditions, go to BBC .co .uk/
Pudsey. You can sign up for a | 0:22:44 | 0:22:52 | |
virtual rickshaw on the website and
use your own pedal power to raise | 0:22:52 | 0:22:57 | |
money for Team Rickshaw and Children
In Need. Get involved. Lots of | 0:22:57 | 0:23:01 | |
people have. I think we have raised
about 12,000. Shane, you've done | 0:23:01 | 0:23:06 | |
your fair share for Children In
Need. Blimey! How long has it been? | 0:23:06 | 0:23:13 | |
It has been a long time. He was a
trip down memory lane for you. This | 0:23:13 | 0:23:17 | |
did really well in 2003. It got to
number... ? Lets say number one. It | 0:23:17 | 0:23:25 | |
was a hit. | 0:23:25 | 0:23:35 | |
The amount of time and effort that
goes into it, the cast and crew | 0:23:37 | 0:23:41 | |
get-together, rehearsing, all the
time, as well as filming EastEnders. | 0:23:41 | 0:23:45 | |
And it comes around the Christmas
story lines as well. The last | 0:23:45 | 0:23:51 | |
appearance on Children In Need
resulted in this country album, | 0:23:51 | 0:23:53 | |
didn't it? I had been funding this
album myself for about three years, | 0:23:53 | 0:23:59 | |
and a track I was going to do was
this song, and Tony Hadley is an old | 0:23:59 | 0:24:04 | |
friend, and I said, do you want to
comment duet with me? He said, | 0:24:04 | 0:24:08 | |
great, and from that, it escalated
and there was more interest from | 0:24:08 | 0:24:13 | |
wreck accompanied. And what has
happened today. After I did I'm Your | 0:24:13 | 0:24:20 | |
Man, because I was offered a deal by
Simon Cowell, I couldn't do it | 0:24:20 | 0:24:25 | |
because of my EastEnders contract,
so it has come full circle. It is | 0:24:25 | 0:24:29 | |
not a new thing, this singing? You
have had albums out, some in the | 0:24:29 | 0:24:34 | |
West End? And I have always sung
with bands. My dad used to work in | 0:24:34 | 0:24:39 | |
working men's clubs in London, so
why was always getting up and | 0:24:39 | 0:24:43 | |
singing with Irish bands, country
stuff, so we had country music in | 0:24:43 | 0:24:48 | |
the house as well, so it seems like
a natural progression to do it with | 0:24:48 | 0:24:51 | |
their band. Let's have a listen. He
resume enjoying a bit of John Pardee | 0:24:51 | 0:24:59 | |
-- Jon Pardi. | 0:24:59 | 0:25:04 | |
# She was a heartache
on the dance floor | 0:25:04 | 0:25:06 | |
# Yeah, she's moving through my mind | 0:25:06 | 0:25:08 | |
# I gotta know her name
and I gotta see her again | 0:25:08 | 0:25:10 | |
# She's got me wondering
Yeah, I'm just wondering | 0:25:10 | 0:25:13 | |
# Where she at, where she at,
where she at tonight? | 0:25:13 | 0:25:18 | |
# Oh, yeah
where she at tonight? | 0:25:18 | 0:25:19 | |
#.
where she at tonight? | 0:25:19 | 0:25:19 | |
#.
APPLAUSE | 0:25:19 | 0:25:19 | |
That is a good old Christmas dumper!
Talking about the different styles, | 0:25:19 | 0:25:27 | |
white country, and why do you feel
so happy in that genre? It is kind | 0:25:27 | 0:25:31 | |
of new country. When I talk about
doing a country album, people were | 0:25:31 | 0:25:37 | |
like, Stetsons, and one of the
record labels were talking about me | 0:25:37 | 0:25:40 | |
and Jesse giving Islands In The
Stream, and I was like, you're | 0:25:40 | 0:25:45 | |
missing the point. Certainly in the
last 7-10 years, in the States, | 0:25:45 | 0:25:49 | |
where it is massive, but a lot of
the young artists, their references | 0:25:49 | 0:25:55 | |
are R&B and Soul, so Sam Hunt and
Keith Gergen, who has had a big hit, | 0:25:55 | 0:26:02 | |
he has Nile Rodgers producing him,
Pinball rapping on it. Nicole | 0:26:02 | 0:26:10 | |
Kidman's... Yeah, they are throwing
the old guard away and making it a | 0:26:10 | 0:26:16 | |
bit more R&B and Soul, and I have
been loving doing that in the last | 0:26:16 | 0:26:19 | |
two years. You have some original
songs and some covers. You have | 0:26:19 | 0:26:24 | |
chosen the covers because they have
a personal connection? One in | 0:26:24 | 0:26:28 | |
particular... We did a cover of
Won't Let The Sun Go Down On Me, by | 0:26:28 | 0:26:36 | |
Nik Kershaw, who sung at my wedding.
I try to get him on the album. I was | 0:26:36 | 0:26:42 | |
a fan of the Pogues, the Dubliners,
the fewer reason bands like this, | 0:26:42 | 0:26:45 | |
and I wanted to get this song and
take out the 80s electro- pop | 0:26:45 | 0:26:50 | |
guitar, and we got a guy called
Bobby Valentino, who played the | 0:26:50 | 0:26:54 | |
fiddle on Young At Heart, and he
took over the guitar part, played | 0:26:54 | 0:27:01 | |
that fiddle part, and we can have a
gate -- we have a great version of | 0:27:01 | 0:27:06 | |
it live. And you have been involved
in the writing? Yes, the producer | 0:27:06 | 0:27:16 | |
and writer, and also with my son
Jake. We have collaborated. Was that | 0:27:16 | 0:27:21 | |
a weird experience? Yeah, and I'll
tell you what was really weird. In | 0:27:21 | 0:27:30 | |
July, it was my tenth wedding
anniversary. If you're watching, | 0:27:30 | 0:27:34 | |
darling, I did forget and I'm sorry!
We were on holiday, and Jake has a | 0:27:34 | 0:27:38 | |
house, and he said, do you mind if
the band come and stay in the house? | 0:27:38 | 0:27:42 | |
And I was like... They set up in my
kitchen, with drums, keyboards, and | 0:27:42 | 0:27:47 | |
I was like, what is happening to my
house? Kristina put something on | 0:27:47 | 0:27:51 | |
social media about our anniversary,
and I was like, I forgot! I rang her | 0:27:51 | 0:27:57 | |
and said, I'm so sorry, I forgot,
but what are you doing with someone | 0:27:57 | 0:28:02 | |
like me? And she said, shut up, all
I want is you. And Jake went, that | 0:28:02 | 0:28:09 | |
would make a great song. I said, you
can shut up and feed the dogs. So we | 0:28:09 | 0:28:15 | |
wrote about my insecurities about
putting on weight, going grey, and | 0:28:15 | 0:28:17 | |
Jake put a dance feel on it with
Danny from Rixton. It was | 0:28:17 | 0:28:23 | |
interesting writing with him. I
would say, if you do it like this, | 0:28:23 | 0:28:30 | |
and he would be like, I get that.
The album has come out when the CNAs | 0:28:30 | 0:28:37 | |
are on, the biggest awards. So, what
we did, we took your album to | 0:28:37 | 0:28:47 | |
Nashville to find out what they
thought. Here is a country radio | 0:28:47 | 0:28:52 | |
presenter. Hello, Shane. I love
Alfie Moon, he is such a geezer. I | 0:28:52 | 0:29:02 | |
am in Nashville, Tennessee, the home
of country music, and I'm going to | 0:29:02 | 0:29:06 | |
be breaking Shane Richie's debut
album, a country cell, in the United | 0:29:06 | 0:29:10 | |
States, taking it ran Nashville to
see what people think. Do you think | 0:29:10 | 0:29:16 | |
he looks like a country star? Looks
like Conway Twitty. Adorable. He was | 0:29:16 | 0:29:23 | |
my first crush when I was ten years
old, so I support everything that | 0:29:23 | 0:29:26 | |
Shane Richie does. What about his
name - Shane Richie? Yeah. Should it | 0:29:26 | 0:29:37 | |
be Chennai Richie? No. It's got a
little bit of hip-hop. It is like | 0:29:37 | 0:29:44 | |
Johnny Cash meets Bustard. It's like
that pop - country kind of... 1-10, | 0:29:44 | 0:29:52 | |
how do you rate it? Eight. Five will
stop seven. Eight. The Germans love | 0:29:52 | 0:30:01 | |
you! Obviously a country music
superstar Sunni have you heard his | 0:30:01 | 0:30:13 | |
debut country album? I have heard
about it and read about it. I was | 0:30:13 | 0:30:17 | |
waiting for you to send me a copy.
I'm sure he'll send you a copy, | 0:30:17 | 0:30:21 | |
because he covered Wagon Wheel. Have
you heard it yet? We'll play it for | 0:30:21 | 0:30:28 | |
you. | 0:30:28 | 0:30:38 | |
He has a raspy, van Morrison sort of
thing. I like it! Next time, I'll | 0:30:38 | 0:30:43 | |
come and see your record, Shane.
APPLAUSE | 0:30:43 | 0:30:54 | |
How cool was that? Before the show,
in make up, I was like, oh, Cat is | 0:30:54 | 0:31:03 | |
turning up. But while! From the
bottom of my heart, but of me wants | 0:31:03 | 0:31:08 | |
to cry. There you go, it's been
heard in Nashville. Bless you, thank | 0:31:08 | 0:31:15 | |
you. I was a big fan of beauty and
blowfish back in the day and I've | 0:31:15 | 0:31:19 | |
got to meet my man crush, and he is
an incredible singer songwriter and | 0:31:19 | 0:31:23 | |
one of the loveliest men you could
meet. It's nice that he is genuinely | 0:31:23 | 0:31:28 | |
chuffed. Shane's album, A Country
Soul, is out on Friday. This | 0:31:28 | 0:31:38 | |
Saturday there is coverage from the
country music awards on Radio 2 and | 0:31:38 | 0:31:44 | |
highlights on BBC Four. I can't
speak now! Shortly, astronaut Tim | 0:31:44 | 0:31:50 | |
Peake will be joining us. So you can
have a break. First, a young World | 0:31:50 | 0:31:56 | |
War II RAF pilot whose invention
allowed him to fly faster than ever | 0:31:56 | 0:32:00 | |
before and he has since inspired
generations of inventors. Including | 0:32:00 | 0:32:03 | |
that bagless vacuum bloke. | 0:32:03 | 0:32:06 | |
Underneath this clock is an
80-year-old creation that changed | 0:32:10 | 0:32:15 | |
the world -- this cloth. It's the
prized possession of one Briton's | 0:32:15 | 0:32:18 | |
most successful entrepreneurs, James
Dyson, bought inspire his teams of | 0:32:18 | 0:32:24 | |
inventors. Today, they've come to
see him fire it up especially for | 0:32:24 | 0:32:29 | |
the One Show. Hello. Lovely to meet
you. I don't wish to alarm you but | 0:32:29 | 0:32:37 | |
it seems quite a good proportion of
your employees have abandoned their | 0:32:37 | 0:32:43 | |
desks. Yes, we'd better get it over
quickly! Bail or staring at this. | 0:32:43 | 0:32:48 | |
What is it? Here it is, the precise
language of the engineer, it's | 0:32:48 | 0:32:53 | |
called a jackpot gas turbine. To you
and me, it is a jet engine. It's the | 0:32:53 | 0:33:04 | |
first example and the oldest running
jet engine in the world. Its | 0:33:04 | 0:33:07 | |
simplicity is breathtaking but it's
how is enormous. This game changing | 0:33:07 | 0:33:12 | |
invention was the brainchild of Sir
James's idol, who was just 22 when | 0:33:12 | 0:33:19 | |
he first dreamt of jet propelled
flight. Sir Frank Whittle. He is my | 0:33:19 | 0:33:24 | |
favourite inventor of all time. In
fact, a lot of our inventions are | 0:33:24 | 0:33:29 | |
based on this, so we've got a bit of
our vacuum cleaner and hairdryer | 0:33:29 | 0:33:32 | |
derived from Frank Whittle. A daring
RAF pilot, Frank Whittle came up | 0:33:32 | 0:33:39 | |
with the idea after becoming
frustrated with the limited power of | 0:33:39 | 0:33:43 | |
propeller planes and piston engines.
He wanted to fly faster, further and | 0:33:43 | 0:33:46 | |
higher. The only way you could
combine high speed and long range | 0:33:46 | 0:33:53 | |
was by flying very high. They
propeller wouldn't because the thin | 0:33:53 | 0:33:58 | |
air affected the power such an
extent, and at 40 files and feed a | 0:33:58 | 0:34:03 | |
wouldn't do it. But there was too
little air pressure at high | 0:34:03 | 0:34:09 | |
altitudes to create enough threat
that good enough thrust. So Frank | 0:34:09 | 0:34:13 | |
Whittle came up with a new idea,
building within the engine itself. | 0:34:13 | 0:34:20 | |
Can you talk us through what's
happening inside? The air is | 0:34:20 | 0:34:24 | |
attracted in the front, there and
there, and right there you've got | 0:34:24 | 0:34:30 | |
what's called a centrifugal
impeller, which looks like that. The | 0:34:30 | 0:34:34 | |
centrifugal impeller is a fan which
sucks air in. The blades spin at | 0:34:34 | 0:34:39 | |
high speed, compressing the air in a
high pressure chamber. And the fuel | 0:34:39 | 0:34:44 | |
is injected here, and the compressor
causes the fuel to explode and make | 0:34:44 | 0:34:48 | |
a fireball. Generating 650 generates
degrees Celsius and around 3000 | 0:34:48 | 0:34:58 | |
horsepower, it gives 23 times more
thrust than the propellers that had | 0:34:58 | 0:35:01 | |
gone before. Whittle had solved his
problem and today be centrifugal | 0:35:01 | 0:35:07 | |
impeller is used in everything from
nuclear submarines to Dyson's vacuum | 0:35:07 | 0:35:11 | |
cleaners. It was way ahead of its
time. Nobody believed it. The | 0:35:11 | 0:35:18 | |
government didn't believe him, the
Air Ministry didn't believe him. In | 0:35:18 | 0:35:21 | |
fact, the Air Ministry refused to
pay the £5 renewal fee on the patent | 0:35:21 | 0:35:27 | |
for the jet engine. Did you
encounter similar resistance in your | 0:35:27 | 0:35:30 | |
early stages of being an inventor?
Of course. People in the vacuum | 0:35:30 | 0:35:37 | |
cleaner industry were not
interested. I'm rather pleased that | 0:35:37 | 0:35:39 | |
they won't, because I now own it.
Whittle also refused to give up and | 0:35:39 | 0:35:45 | |
eventually he did win the RAF over.
On the 15th of May 1951, the first | 0:35:45 | 0:35:52 | |
of his engines took flight. The jet
age had begun. What message can we | 0:35:52 | 0:36:00 | |
take away from Frank Whittle's
invention? To me at all of us, he is | 0:36:00 | 0:36:08 | |
undoubtedly our greatest engineering
a row. Inventions like this changed | 0:36:08 | 0:36:11 | |
the world and it shows that the
impossible is in fact possible in | 0:36:11 | 0:36:15 | |
engineering. The vacuum chat that
has been happening in this studio! | 0:36:15 | 0:36:22 | |
Can you imagine? Making the
impossible possible is something our | 0:36:22 | 0:36:27 | |
next guest tries to do on a daily
basis and he gets asked a lot of | 0:36:27 | 0:36:31 | |
questions, which have been compiled
into a new book, Ask An Astronaut. | 0:36:31 | 0:36:35 | |
Please welcome Tim Peake!
APPLAUSE | 0:36:35 | 0:36:42 | |
Everybody loves Tim Peake. A proper
spacemen! He is one of the guardians | 0:36:42 | 0:36:46 | |
of the galaxy! We saw who James
Dyson's hero is. Who is yours? One | 0:36:46 | 0:36:53 | |
of them is a Nasa astronaut called
Bruce McCandless, who did the first | 0:36:53 | 0:37:01 | |
untethered spacewalk out of the back
of a space shuttle. From a test | 0:37:01 | 0:37:03 | |
pilot point of view, to get in this
man manoeuvring unit and go if you | 0:37:03 | 0:37:10 | |
are good metres away from the
shuttle with no cables must have | 0:37:10 | 0:37:13 | |
been incredible. On that vacuuming
topic, while we were chatting about | 0:37:13 | 0:37:19 | |
it, that used to be your job, didn't
it, on the space station, doing the | 0:37:19 | 0:37:25 | |
vacuuming? Yes, there is nobody else
to clean, so we'd get the hoover out | 0:37:25 | 0:37:29 | |
and plug it in and vacuum
everything. Dust won't settle on the | 0:37:29 | 0:37:35 | |
space station, it just floats, so
the airflow get all of the dust and | 0:37:35 | 0:37:39 | |
everything that you lose, you will
find it funny return great, and we'd | 0:37:39 | 0:37:43 | |
have to go and clean up with a
vacuum cleaner every Saturday. -- | 0:37:43 | 0:37:47 | |
you will find it on a return great.
Your last science book was the most | 0:37:47 | 0:37:54 | |
popular science book ever, but this
one, Ask An Astronaut, we've got | 0:37:54 | 0:37:58 | |
some people here who have ask you
questions. Here we go. My first | 0:37:58 | 0:38:05 | |
question is, how can I become an
astronaut? Great question. A hard | 0:38:05 | 0:38:10 | |
one to answer, but the good news is
that you can become an astronaut | 0:38:10 | 0:38:14 | |
from so many different avenues. Some
of my colleagues around the world | 0:38:14 | 0:38:19 | |
have been schoolteachers, some are
engineers, some scientists, some | 0:38:19 | 0:38:23 | |
pilots like myself. What I tell
people is that the most important | 0:38:23 | 0:38:26 | |
thing is not thinking about becoming
an astronaut but what are you going | 0:38:26 | 0:38:31 | |
to do beforehand? That's what you
have to focus on. You have to be as | 0:38:31 | 0:38:35 | |
good as you can be. If you can work
out what you are passionate about, | 0:38:35 | 0:38:38 | |
that will help. You wanted to be an
astronaut Lily? I think everybody | 0:38:38 | 0:38:44 | |
wanted to be an astronaut! I didn't
fly. -- in Ostrow, Lee. I was upset | 0:38:44 | 0:38:53 | |
with space travel. I think most kids
are. It's getting closer and closer | 0:38:53 | 0:38:58 | |
as far as space travel is concerned.
Let's go to another page. Who have | 0:38:58 | 0:39:02 | |
we got? Hi, mine is a daft question,
maybe, but when I watched you | 0:39:02 | 0:39:11 | |
running the London Marathon, I
wondered what happened to the sweat | 0:39:11 | 0:39:15 | |
that you produced? I'm assuming you
would sweat normally, so did float | 0:39:15 | 0:39:18 | |
around in droplets or stay stuck on
you and make you hotter instead of | 0:39:18 | 0:39:22 | |
pulling you down? I think Caroline
needs to cool down! A cardboard | 0:39:22 | 0:39:30 | |
cutout of you! So what happens? It
interesting, because I thought the | 0:39:30 | 0:39:38 | |
sweat would form droplets and stay
on your skin, which it does on your | 0:39:38 | 0:39:43 | |
arms and legs, but around your head
it floats to the top of your hair | 0:39:43 | 0:39:46 | |
and you end up with a pool of water.
After 20 minutes running, you can | 0:39:46 | 0:39:50 | |
feel it wobbling around in your hair
and you have to reach for a towel. | 0:39:50 | 0:39:54 | |
You don't really want your sweat
going everywhere around the space | 0:39:54 | 0:39:58 | |
station. You try and keep it clean.
Amazing to have thought of that | 0:39:58 | 0:40:03 | |
question! Let's have a look at this
one. Which is more beautiful from | 0:40:03 | 0:40:11 | |
space, daytime birth or night-time
birth? That's a hard one to answer, | 0:40:11 | 0:40:17 | |
they are both stunning. -- daytime
or night-time birth. At night, you | 0:40:17 | 0:40:23 | |
often see the Aurora, especially in
winter. It's amazing, and they can | 0:40:23 | 0:40:27 | |
sometimes get so high that the space
station flies through this eerie | 0:40:27 | 0:40:33 | |
green fog, which is remarkable.
Thunderstorms, storm front lighting | 0:40:33 | 0:40:37 | |
up the planet, its magnificent by
night. But, if I had to choose, I | 0:40:37 | 0:40:42 | |
would say it is more beautiful by
daytime. I think you are seeing this | 0:40:42 | 0:40:47 | |
wonderful blue oasis, this lovely
planet that we have, and all of the | 0:40:47 | 0:40:51 | |
geological features. You don't see
man-made features but just the | 0:40:51 | 0:40:55 | |
geology of planet Earth and how it
was formed. How long is it a day and | 0:40:55 | 0:41:03 | |
night for? About 45 minutes of each.
We see 16 sunrises and 16 sunsets | 0:41:03 | 0:41:11 | |
per day. Goodness! It takes a while
to get used to. The light constantly | 0:41:11 | 0:41:16 | |
coming, light and dark. It might be
11am, you have a coffee break, you | 0:41:16 | 0:41:21 | |
look at and it's night-time over
China. The worst thing is, before | 0:41:21 | 0:41:24 | |
you go to bed, of the hatch if it is
daytime, because you get an influx | 0:41:24 | 0:41:29 | |
of beauty and you can't sleep. Let's
get a question from Max. How is it | 0:41:29 | 0:41:38 | |
like when you are floating in the
air? Floating in the air is | 0:41:38 | 0:41:42 | |
brilliant fun. You can do all sorts
of things, you can do some assault | 0:41:42 | 0:41:49 | |
and move yourself around easily, you
can turn upside down. -- you can do | 0:41:49 | 0:41:54 | |
somersaults. But your body adopts a
different shape. Our shoulders on | 0:41:54 | 0:41:59 | |
earth are being talked down by
gravity but in space you get quite | 0:41:59 | 0:42:03 | |
hunched up, because they adopt their
natural posture. Every single muscle | 0:42:03 | 0:42:07 | |
relaxes, and it's a really
comfortable feeling. It's the most | 0:42:07 | 0:42:12 | |
comfortable you have been all day
long. Does it affect you when you | 0:42:12 | 0:42:17 | |
come back? It does. We have to work
out for about two hours every day to | 0:42:17 | 0:42:25 | |
stop any effects. When you get back,
it takes a couple of months before | 0:42:25 | 0:42:28 | |
your body gets into the right shape.
Everything has to settle down. Your | 0:42:28 | 0:42:33 | |
spine compresses and you grow about
two inches. Thank you for the | 0:42:33 | 0:42:40 | |
question. That book, Ask An
Astronaut, is out right now with the | 0:42:40 | 0:42:44 | |
going to the Prince's Trust. Time
now to welcome somebody else who | 0:42:44 | 0:42:52 | |
like him as what it takes to be an
astronaut. Here's why. | 0:42:52 | 0:42:55 | |
Hands on your head, go! 0.24... We
really want to put the best people | 0:42:59 | 0:43:09 | |
onto the rocket ship. Our first
choice is Susie. | 0:43:09 | 0:43:17 | |
CHEERING | 0:43:17 | 0:43:18 | |
A big welcome to the show to Suzie
and congratulations on having what | 0:43:22 | 0:43:30 | |
it takes. I think she should have a
round of applause. | 0:43:30 | 0:43:32 | |
APPLAUSE
Those challenges, I mean, they | 0:43:32 | 0:43:39 | |
looked really hard call. I'm sure
Tim is thinking, yes, I've been | 0:43:39 | 0:43:42 | |
through those. Russian group
hard-core. What was the hardest | 0:43:42 | 0:43:46 | |
thing? One of the most intimidating
things was we were in a capsule | 0:43:46 | 0:43:52 | |
strapped in and it was dropped into
the water and water came over our | 0:43:52 | 0:43:56 | |
heads and the capsule began turning
over and we had to escape. It was | 0:43:56 | 0:44:00 | |
fine, but I was nervous about it
because I'd never done anything like | 0:44:00 | 0:44:03 | |
it before, so quite an intimidating
idea. We were talking about the | 0:44:03 | 0:44:08 | |
dream of becoming an astronaut but
was it something for you that was | 0:44:08 | 0:44:13 | |
kind of a reality? I was always
interested in being astronaut but | 0:44:13 | 0:44:16 | |
growing up I wanted to be an
Antarctic explorer. I had read about | 0:44:16 | 0:44:20 | |
Scott and his expeditions. So you
have to wait until they ask for more | 0:44:20 | 0:44:28 | |
astronauts so, at the minute, what
do you do the job? I'm a professor | 0:44:28 | 0:44:34 | |
at the university of Leicester so I
have that job full-time at the | 0:44:34 | 0:44:37 | |
moment. Also looking forward to
maybe in the future applying to be a | 0:44:37 | 0:44:40 | |
real astronaut. | 0:44:40 | 0:44:45 | |
Talk us through what you've got.
This is fascinating. Yes, this is | 0:44:45 | 0:44:50 | |
something that a team at the
University of Leicester have been | 0:44:50 | 0:44:52 | |
building, part of an instrument that
is going to go on the next mission, | 0:44:52 | 0:44:56 | |
to Mercury. I study Mercury, its
dynamics and so on. This will be | 0:44:56 | 0:45:01 | |
launched in October 2018, called
BepiColombo, it's a European Space | 0:45:01 | 0:45:08 | |
Agency and Japanese space agency
mission. This is one piece of it, or | 0:45:08 | 0:45:12 | |
a replica. It is part of what is
called an x-ray spectrometer, which | 0:45:12 | 0:45:17 | |
will tell us what the composition of
Mercury is, what its surface | 0:45:17 | 0:45:21 | |
composition is. We will get
resolution down to nearly one | 0:45:21 | 0:45:25 | |
kilometre and find out what it is
made of. It is the most information | 0:45:25 | 0:45:28 | |
anyone will have gathered about
McKimmie? Yes. What happens to the | 0:45:28 | 0:45:37 | |
information? It comes back to the
university, we will analyse it and | 0:45:37 | 0:45:41 | |
make it available to scientists
around the world. How detailed is | 0:45:41 | 0:45:45 | |
the information we have about
Mercury at the moment? We have a | 0:45:45 | 0:45:50 | |
good idea about some of it, but
there are areas that we have never | 0:45:50 | 0:45:53 | |
been able to see, and this is what
will give us unprecedented | 0:45:53 | 0:45:58 | |
resolution of those areas. Seven
years to get there? Yes, so it | 0:45:58 | 0:46:03 | |
launches in October 2018, and it
will get there in 2025. 2025? ! It's | 0:46:03 | 0:46:11 | |
like the M25! We were talking
earlier about space tourism. What do | 0:46:11 | 0:46:20 | |
you think, in the next ten or 20
years it will be a reality? Where do | 0:46:20 | 0:46:24 | |
you stand on it, Tim? I think it
will be less time than that. We have | 0:46:24 | 0:46:30 | |
had tourists going to the
International space Station, paying | 0:46:30 | 0:46:32 | |
an awful lot of money, but in the
next couple of years, we will see | 0:46:32 | 0:46:36 | |
space tourism in terms of companies
like Version Galactic and others | 0:46:36 | 0:46:42 | |
offering suborbital flights, a hop
up to just over 100 kilometres, and | 0:46:42 | 0:46:46 | |
then fall back down with four five
minutes of weightlessness. To open | 0:46:46 | 0:46:54 | |
it out, we are written an
interesting place in our history, | 0:46:54 | 0:46:58 | |
aren't we? The next 10-15 years will
be fascinating, with space tourism | 0:46:58 | 0:47:05 | |
and the commercialisation of low
Earth orbit. We have emotional | 0:47:05 | 0:47:09 | |
crafts applying the ISS, and soon,
commercial companies. Building their | 0:47:09 | 0:47:14 | |
own space stations on to the ISS,
which allows the National space | 0:47:14 | 0:47:18 | |
agency is to look at the NextTech,
which is using the Moon as a | 0:47:18 | 0:47:21 | |
stepping stone to Mars. It blows
your mind. And every something | 0:47:21 | 0:47:26 | |
amazing happening in ten days?
Sentinel 5p, the European Space | 0:47:26 | 0:47:35 | |
Agency's latest Earth observation
satellite will start sending back | 0:47:35 | 0:47:37 | |
its data. -- Sentinel 5P. It will
give us climate information that | 0:47:37 | 0:47:53 | |
will allow us to monitor air
pollution in cities. They will run a | 0:47:53 | 0:47:58 | |
series of test, then the information
will start flooding in. And it is | 0:47:58 | 0:48:01 | |
the same with what you are working
on as well? As soon as it gets there | 0:48:01 | 0:48:06 | |
in seven years' time, you will get
the information. The information | 0:48:06 | 0:48:13 | |
will come back fast and we will
process it as fast as we can get it | 0:48:13 | 0:48:17 | |
out there. It is mad talking to two.
When Tim walked in, you were like, | 0:48:17 | 0:48:26 | |
oh! My boy has followed your stuff
on telly. He wants to know, have you | 0:48:26 | 0:48:38 | |
spotted strange things, like a UFO?
Why are you laughing? I still | 0:48:38 | 0:48:43 | |
believe there could be life on other
planets. And I'm not talking about | 0:48:43 | 0:48:47 | |
amoebas and water and that. One
morning was very funny, because in | 0:48:47 | 0:48:55 | |
daytime, Sun is black, because the
sun and the earth so bright, you | 0:48:55 | 0:49:00 | |
don't see any stars. One time, I was
looking out and I saw three bright | 0:49:00 | 0:49:06 | |
white light flying in formation, and
I thought, that's unusual. I had | 0:49:06 | 0:49:09 | |
been there for five months and had
never seen anything like it. I | 0:49:09 | 0:49:13 | |
called over my crewmate, Jeff, and
said, what do you think of that? We | 0:49:13 | 0:49:18 | |
thought we were looking at bright
lights far-away, but we realised | 0:49:18 | 0:49:21 | |
they were very close and it was
small droplets dropping out of a | 0:49:21 | 0:49:30 | |
vehicle, a resupply vehicle, which
was leaking and it was liquid that | 0:49:30 | 0:49:33 | |
was crystallising and reflecting
sunlight. You could have said there | 0:49:33 | 0:49:37 | |
were UFOs! I guess you want to
believe there is something out | 0:49:37 | 0:49:41 | |
there. We are all searching for
signs of life. We have a curiosity | 0:49:41 | 0:49:48 | |
rover on Mars searching for signs of
life, and there are future robotic | 0:49:48 | 0:49:52 | |
missions to Mars with exactly that
objective. I think we're close to | 0:49:52 | 0:49:57 | |
finding signs of microbial life
forms, very small ones, either | 0:49:57 | 0:50:00 | |
passed or maybe even present, who
knows, beneath the surface of Mars. | 0:50:00 | 0:50:05 | |
One of the things we all asked for
from you was a photo from your | 0:50:05 | 0:50:09 | |
phone. We will start with yours,
Tim, if we can. They were all | 0:50:09 | 0:50:14 | |
related to sausages. I guess so.
This is a campfire at home? It is. | 0:50:14 | 0:50:20 | |
When I was on board the space
station, of course, you miss friends | 0:50:20 | 0:50:24 | |
and family the most. I thing I love
to do with the family up in Scotland | 0:50:24 | 0:50:28 | |
is go for a sausage sizzle, down by
the river. That was the first one. | 0:50:28 | 0:50:34 | |
Here comes Lee's. That is your
rescue cat? It is. We rescued him, | 0:50:34 | 0:50:43 | |
and we thought he was a kitten
because he was so undernourished. We | 0:50:43 | 0:50:47 | |
took him in and now he's all right.
Fat! What might we will finish on a | 0:50:47 | 0:50:53 | |
banger, because here is Shane's. | 0:50:53 | 0:51:03 | |
You have got to go and get yourself
ready, and whilst you do, we will | 0:51:06 | 0:51:11 | |
meet the Priest family. Every year,
they visit the same place to make a | 0:51:11 | 0:51:17 | |
unique family album. | 0:51:17 | 0:51:19 | |
The best thing about the Yorkshire
sculpture Park is that every time | 0:51:23 | 0:51:26 | |
you come there is a different scene.
Hi, I'm Chloe, and this is my | 0:51:26 | 0:51:32 | |
family. Believe it or not, we'd been
coming here every year since 1980. | 0:51:32 | 0:51:46 | |
He's wearing clothes there! That's
me, aged five, in the blue coat. | 0:51:46 | 0:51:57 | |
Here I am again, aged 27 was stop
these days, you are not really meant | 0:51:57 | 0:52:02 | |
to lie on the sculptures. -- aged
27. Our family has gone from five to | 0:52:02 | 0:52:11 | |
15 over that time. This year is the
40th anniversary of the sculpture | 0:52:11 | 0:52:16 | |
park being open, and we've come
today to look at some of the new | 0:52:16 | 0:52:20 | |
exhibits. Wow! Look at all the
detail! I think they're fantastic, | 0:52:20 | 0:52:27 | |
very realistic. I think the artist's
trying to create what doing - | 0:52:27 | 0:52:32 | |
identifying which year you were born
in in the Chinese calendar and | 0:52:32 | 0:52:36 | |
giving and standing by to get your
photo taken. It is always a surprise | 0:52:36 | 0:52:42 | |
coming to the sculpture park because
you never know what you're going to | 0:52:42 | 0:52:45 | |
see their wrists touch a variety of
styles, you are bound to like | 0:52:45 | 0:52:49 | |
something and dislike something
else. Surrender. Yeah, I think it's | 0:52:49 | 0:52:57 | |
surrender. It is not often that we
are outnumbered by the up. Is it | 0:52:57 | 0:53:02 | |
saying, stay away, or is it saying,
welcome? That is the mystery of it. | 0:53:02 | 0:53:09 | |
I'm not keen. How many out of ten?
Two. We first started coming here in | 0:53:09 | 0:53:17 | |
1980, when my dad got a job at the
college in the grounds of the park. | 0:53:17 | 0:53:24 | |
We've definitely come every year.
Our parents encouraged us to have an | 0:53:24 | 0:53:29 | |
interest in art and encourage us to
see beyond the obvious, and | 0:53:29 | 0:53:34 | |
hopefully, we've taught our children
to do the same. It has gone all | 0:53:34 | 0:53:38 | |
rainy. He reminds me a lot of my
brother. He likes to look at his | 0:53:38 | 0:53:49 | |
phone quite a lot. It is very well
done and very accurate. I don't get | 0:53:49 | 0:53:59 | |
a lot of... A lot of emotion out of
it, but maybe that's the point, that | 0:53:59 | 0:54:03 | |
he's not feeling anything. It's
probably focused on my generation | 0:54:03 | 0:54:09 | |
more, really, telling us to get off
our phones and look at what's around | 0:54:09 | 0:54:13 | |
us. I think this face is gorgeous,
it's powerful, sensitive. It doesn't | 0:54:13 | 0:54:27 | |
seem solid. It seems like a
projection of a face. From this | 0:54:27 | 0:54:36 | |
angle, you would hardly know it was
a face. This one is a hit with | 0:54:36 | 0:54:42 | |
everyone because there is such an
element of surprise. You don't | 0:54:42 | 0:54:47 | |
expect it to look that way when you
walk all the way around it, and she | 0:54:47 | 0:54:50 | |
also looks peaceful, which makes you
feel calm. It's wonderful to bring | 0:54:50 | 0:54:56 | |
kids, because it's much better than
presenting a child with a piece of | 0:54:56 | 0:54:59 | |
art and saying, look, this is
important. You got to understand it. | 0:54:59 | 0:55:03 | |
In this setting, they just accept it
as being a normal thing. -- you've | 0:55:03 | 0:55:14 | |
got to understand it. The collection
of sculptures by Barbara Hepworth, | 0:55:14 | 0:55:22 | |
she was world-famous and she is from
around here, and it is special to us | 0:55:22 | 0:55:25 | |
because we have been coming here for
nearly 40 years, and the family in | 0:55:25 | 0:55:35 | |
this piece has always been there
when we have come. I think they call | 0:55:35 | 0:55:40 | |
it art without Walls, which is a
perfect description. Can everyone | 0:55:40 | 0:55:46 | |
see? Smile! Thank you to all 15
members of the Priest family. | 0:55:46 | 0:55:53 | |
Shane's almost ready to do his
country thing. He is poised. Just | 0:55:53 | 0:55:58 | |
time to thank all of our | 0:55:58 | 0:56:00 | |
Thanks to The A thanks to Lee and
co-star max. And thanks to Tim | 0:56:01 | 0:56:10 | |
Thanks to The A thanks to Lee and
co-star max. And thanks to Tim, | 0:56:10 | 0:56:11 | |
whose book, Ask An Astronaut, is out
now. Tomorrow, we will have Stephen | 0:56:11 | 0:56:17 | |
Fry here. And we will set out on the
2017 Rickshaw Challenge. To play us | 0:56:17 | 0:56:22 | |
out, here is Shane with a track from
his new album, A Country Soul - this | 0:56:22 | 0:56:26 | |
is Wave On Wave. | 0:56:26 | 0:56:30 | |
# Mile upon mile got no direction | 0:56:30 | 0:56:32 | |
# We're all playing the same game | 0:56:32 | 0:56:36 | |
# We're all looking for redemption | 0:56:36 | 0:56:39 | |
# Just afraid to say the name | 0:56:39 | 0:56:45 | |
# So caught up in not pretending | 0:56:45 | 0:56:49 | |
# What we are seeking is the truth | 0:56:49 | 0:56:53 | |
# I'm just looking
for a happy ending | 0:56:53 | 0:56:58 | |
# All I'm looking for is you
for a happy ending | 0:56:58 | 0:57:08 | |
# It came upon me wave on wave | 0:57:09 | 0:57:10 | |
# You're the reason I'm still here | 0:57:10 | 0:57:12 | |
# Am I the one you
were sent to save? | 0:57:12 | 0:57:19 | |
# It came upon me Wave On Wave | 0:57:19 | 0:57:28 | |
# Wave On Wave | 0:57:28 | 0:57:32 | |
# Wave On Wave | 0:57:32 | 0:57:42 | |
Ladies and gentlemen, I would like
to introduce to you, the finest, the | 0:57:49 | 0:57:54 | |
greatest, the big gospel choir! | 0:57:54 | 0:57:56 | |
# And it came upon me wave on wave | 0:57:56 | 0:57:58 | |
# You're the reason I'm still here | 0:57:58 | 0:58:00 | |
# Am I the one you
were sent to save? | 0:58:00 | 0:58:04 | |
# And it came upon me
wave on wave...#. | 0:58:04 | 0:58:14 | |
# And it came upon me wave on wave | 0:58:27 | 0:58:32 | |
# You're the reason I'm still here | 0:58:32 | 0:58:36 | |
# Am I the one you
were sent to save? | 0:58:36 | 0:58:45 | |
# And it came upon me
wave on wave...#. | 0:58:45 | 0:58:55 |