Browse content similar to 08/04/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. And Jeremy Vine, a | :00:19. | :00:25. | |
man so keen to meet a night's guests, well, he has been sending | :00:26. | :00:29. | |
them subliminal messages for years. Music! Never ever have I felt so | :00:30. | :00:42. | |
low. Take me out of this black hole. Never ever have I ever felt so sad. | :00:43. | :00:47. | |
The way I am feeling, you have got me feeling really bad, yeah. I hope | :00:48. | :00:57. | |
you enjoyed it. No, Jeremy! Yes, it is All Saints, everyone! | :00:58. | :01:06. | |
That was brilliant! Somebody took ages to do that. That is impressive! | :01:07. | :01:14. | |
I should say, on Eggheads, you have been a question, All Saints has been | :01:15. | :01:21. | |
a question 11 times. Fantastic. We are so pleased you are back | :01:22. | :01:24. | |
together, this is big news, especially for people of my | :01:25. | :01:29. | |
generation, I guess, but you two live together now, you were saying | :01:30. | :01:33. | |
with your families. How do you split the jaws? Who does the bins? We just | :01:34. | :01:41. | |
watched this and the couch at home, this is what we do every night, we | :01:42. | :01:45. | |
don't do any chores, it is just a mess! And, Natalie, they are like | :01:46. | :01:52. | |
Joey and Chandler? Honestly, they are hilarious, they should have | :01:53. | :01:56. | |
their own show. Tonight could be the night! We have saved your of bother, | :01:57. | :02:02. | |
you can watch from right there. All Saints back together, they will be | :02:03. | :02:08. | |
performing at the end of the show, and hopefully they will agree that | :02:09. | :02:11. | |
singing makes you happier. And doctors have said it makes you | :02:12. | :02:16. | |
healthier too. We sing while we learn, we sing | :02:17. | :02:23. | |
while we celebrate. Now, I do like to sing in private, and when I sing, | :02:24. | :02:29. | |
I do feel happy, so maybe we should not be surprised that it has now | :02:30. | :02:33. | |
been biologically proven that singing makes us feel good. Recent | :02:34. | :02:39. | |
research from the University of London and the Royal College of | :02:40. | :02:43. | |
Music have shown that exercising our tonsils can improve our well-being. | :02:44. | :02:49. | |
Dr Iain Lewers worked on the study. What we have shown for the first | :02:50. | :02:55. | |
time is that it influences the immune system. When we analysed the | :02:56. | :02:58. | |
participants per' samples, we found they had a drop in a hormone called | :02:59. | :03:03. | |
cortisol, which is strongly linked to stress. It also showed a big | :03:04. | :03:10. | |
uplift in a whole range of difficult -- different chemicals which are | :03:11. | :03:14. | |
linked to the immune system. So we can achieve different things from | :03:15. | :03:18. | |
different songs. From the uplifting songs, people are more energised, | :03:19. | :03:23. | |
they are laughing. The more reflective songs, they can be | :03:24. | :03:27. | |
cathartic. We need to be clear, it is beneficial, but it is not a cure. | :03:28. | :03:32. | |
It is not a replacement. Did treatment, but it could be a serious | :03:33. | :03:37. | |
medical intervention for people who have anxiety or depression. -- four | :03:38. | :03:43. | |
conventional treatment. So singing in a group is good for us, but what | :03:44. | :03:51. | |
if you are not very good? # You were working as a waitress in | :03:52. | :03:57. | |
a cocktail bar... # The Tuneless Wire was set up in | :03:58. | :04:02. | |
Nottingham. I have wanted to sing for a number of years, and the music | :04:03. | :04:09. | |
teacher told me, please stop, you are spoiling it for everyone else. I | :04:10. | :04:13. | |
thought they should be somewhere for people like me, all together, to | :04:14. | :04:19. | |
sing. What is different about this choir? It is the group, the | :04:20. | :04:24. | |
community feel that makes it special. I have been in choirs in | :04:25. | :04:28. | |
the past, and you got in trouble if you sign the wrong notes. What have | :04:29. | :04:34. | |
I got in store for tonight? A treat! We are more likely to throw you out | :04:35. | :04:41. | |
if you sing in tune! Merritt sometimes I feel I've got to run | :04:42. | :04:43. | |
away # I've got to get away... # | :04:44. | :04:50. | |
Do you feel that singing in this choir has had a beneficial impact on | :04:51. | :04:57. | |
your health, Jo? Yes, it has. I had cancer, and my throat was really | :04:58. | :05:00. | |
closing up, and I think it is anxiety. What made you start coming | :05:01. | :05:13. | |
to this choir? My daughter persuaded me, and it is the best thing I have | :05:14. | :05:18. | |
done. That is lovely to hear. I do not feel embarrassed. For a tuneless | :05:19. | :05:25. | |
choir, it is not a bad sound! # And I would walk 500 miles and I | :05:26. | :05:33. | |
would walk 500 more... # So base eight you should sing as if | :05:34. | :05:36. | |
no-one else is singing, albeit badly. -- so they say. It may not be | :05:37. | :05:42. | |
great for people listening, but it will still be good for your health. | :05:43. | :05:52. | |
Thanks, Lucy, we did say it sing in private for us both. I am not great, | :05:53. | :05:58. | |
I wish I could. It breaks my heart when I try to hit a note, I have got | :05:59. | :06:03. | |
about three. It has been 19 years since your last number one, and you | :06:04. | :06:07. | |
are back with your new album, Red Flag, which we are very excited | :06:08. | :06:11. | |
about. Do you agree that singing makes you happy? Definitely, it | :06:12. | :06:17. | |
makes you euphoric, and I know it also connects you with the people | :06:18. | :06:22. | |
you are singing with, it creates a bonding, and it is definitely a | :06:23. | :06:29. | |
euphoric feeling. Even karaoke... I love karaoke! What is your karaoke | :06:30. | :06:38. | |
song, Mel? I don't know, maybe Abba, I am usually drunk by that point. If | :06:39. | :06:44. | |
you were in a karaoke bar, and an All Saints song came on... We have | :06:45. | :06:52. | |
done it, we have sung along. So I guess everyone knows there was a bit | :06:53. | :06:57. | |
of disharmony that led to you parting initially, water under the | :06:58. | :07:03. | |
bridge! That was an accident! That has all gone now, who made the first | :07:04. | :07:10. | |
call to get you back together? I think Shaz made the call, didn't | :07:11. | :07:17. | |
you? I think somebody called me up and asked if we would be interested | :07:18. | :07:22. | |
in supporting the Backstreet Boys, that was two years ago, which we | :07:23. | :07:27. | |
did. We jumped at it, because performing was one of the things we | :07:28. | :07:30. | |
did the least throughout our careers. We spent so much time doing | :07:31. | :07:36. | |
promo that we didn't really get to tour. To do the job, yeah. The | :07:37. | :07:43. | |
thought of doing it with no record to sell or any pressure was amazing, | :07:44. | :07:48. | |
we were just able to rock out and do shows over ten dates or something | :07:49. | :07:55. | |
like that. It was amazing. Did you will agree instantly, or were some | :07:56. | :08:01. | |
of you not sure? I think we all had to take a moment. Nicole, I am | :08:02. | :08:08. | |
looking at you! That is what I was going to say! Because we live | :08:09. | :08:15. | |
together, we think the same. No, we all had to, like, it was an easy | :08:16. | :08:20. | |
decision, that one, it was harder to decide whether we were going to do | :08:21. | :08:26. | |
the album, only because we had the love back for it after the tour. And | :08:27. | :08:30. | |
we kind of just wanted to carry on hanging out. We had such a good time | :08:31. | :08:36. | |
on tour, we wanted it to carry on, and the next step was an album, but | :08:37. | :08:41. | |
that was quite scary at first. You wrote nearly all the songs on the | :08:42. | :08:45. | |
album, Shaz, with a all in your head for ten years, or did you just have | :08:46. | :08:51. | |
a fortnight to write them? I spent a year or so writing, there were a | :08:52. | :08:54. | |
couple that I kept hold of, that always sounded like us. The amazing | :08:55. | :09:00. | |
thing was, getting ready downstairs, I could hear you all warming up, it | :09:01. | :09:09. | |
is All Saints! Badly! Not at all! But is it daunting, coming back | :09:10. | :09:13. | |
after 20 years? It must be no cracking with a live performance | :09:14. | :09:17. | |
coming up, how do you feel? It is like we're having an out of body | :09:18. | :09:23. | |
experience, it feels so weird. Very overwhelming. We not expect the | :09:24. | :09:29. | |
album, to be having an album, and we never end is it this. Being on the | :09:30. | :09:35. | |
One Show, that was never in our plan! You were practising earlier, | :09:36. | :09:39. | |
and I came out and watched in the crowd, I put my phone up to take a | :09:40. | :09:44. | |
picture, and I thought, I am one of them now. It is a different | :09:45. | :09:48. | |
situation, you have got kids, and some of them are in their 20s. Have | :09:49. | :09:52. | |
you had feedback from them? You did a big comeback gig on Monday which | :09:53. | :09:57. | |
had rave reviews, but what was their reviews, the kids? They loved it. | :09:58. | :10:04. | |
Loved it, absolutely loved it. I don't think we would be doing it if | :10:05. | :10:11. | |
they were not proud. But they are looking forward to going onto a | :10:12. | :10:15. | |
macro with us, we are going on tour in October. One of the review said | :10:16. | :10:23. | |
it was the coolest comeback gig of the week or something. Do the kids | :10:24. | :10:28. | |
say, yeah, that was cruel? They are still our kids, kids! Mummy! Shall | :10:29. | :10:40. | |
we do the fashion question? How do we raise this? Well, I mean, a lot | :10:41. | :10:44. | |
of people will be a member you for the combat trousers and crop tops, | :10:45. | :10:51. | |
including myself. So All Saints fans, if you rocked that look back | :10:52. | :10:56. | |
in the day, please send us a picture, you are in good company, | :10:57. | :11:04. | |
look at the crew. Look at that! Amazing! Oh, that is amazing. You | :11:05. | :11:13. | |
have to bring them on tour. That is... Who is who? David is even | :11:14. | :11:20. | |
doing Nicole's face! He has been practising for several days. The new | :11:21. | :11:27. | |
album, Red Flag, is out today, and All Saints will be touring in | :11:28. | :11:31. | |
October, and later they will be performing their brand-new track, | :11:32. | :11:36. | |
One Woman Man. Can't wait for that. On an evening with four | :11:37. | :11:39. | |
exceptionally stylish guest on the sofa, let's meet a man who was a | :11:40. | :11:43. | |
trendsetter of a rather different type. | :11:44. | :11:47. | |
Three years ago, James Young was involved in a train accident which | :11:48. | :11:52. | |
would change is life for ever. As the train was arriving, I was | :11:53. | :11:56. | |
walking alongside it, and then I just fell between two carriages. No | :11:57. | :12:02. | |
idea how it happened. Thanks to the quick action of a fellow passenger | :12:03. | :12:07. | |
and the emergency services, James' life was saved, but in the process | :12:08. | :12:15. | |
he lost his left arm and leg. He was in a coma for 12 days after the | :12:16. | :12:18. | |
accident, leaving his family to watch and wait. They probably coped | :12:19. | :12:24. | |
as well as parents could if you got that kind of news. My mum started a | :12:25. | :12:29. | |
diary immediately, which is typical of my mum. Is that the diary here? | :12:30. | :12:35. | |
It is a hard read. Feeling so hopeful that he will pull through. | :12:36. | :12:40. | |
The limbs are only a nuisance, not life-threatening, and to be able to | :12:41. | :12:46. | |
with anything... Are you all right? No, sorry, yeah. How do you function | :12:47. | :12:51. | |
with your prosthesis? Not that well, to be honest. I cannot really open | :12:52. | :12:56. | |
its wide enough. That would be all over you in a splash. I cannot | :12:57. | :13:02. | |
accept it as me, because it is not good enough. But that is all about | :13:03. | :13:06. | |
to change. Today James is being fitted with a new and rather unique | :13:07. | :13:14. | |
arm, created by a designer who is revolutionising our perception of | :13:15. | :13:20. | |
disability. Sophie de Oliveira Barata turns prosthetic limbs into | :13:21. | :13:25. | |
art. She began by making realistic limbs for amputees before starting | :13:26. | :13:30. | |
to experiment with more unique creations. One guy nailed it for me, | :13:31. | :13:34. | |
he said, people stop and stare, I would like to give them something | :13:35. | :13:39. | |
good to stare at. What do people ask for? One was a performing artist, | :13:40. | :13:44. | |
and she had a leg covered in crystals. This guy is ex military, | :13:45. | :13:48. | |
and he wanted something to trick the eye, so we mixed a realistic but | :13:49. | :13:54. | |
with these muscles. James is into gaming and technology, so Sophie has | :13:55. | :13:58. | |
teamed up with a games company for her biggest challenge yet. With the | :13:59. | :14:06. | |
help of Formula One engineers and 3D designers, they have created a | :14:07. | :14:08. | |
personalised arm reflecting his interests. We decided to put our | :14:09. | :14:12. | |
research and energies into alternative functions, so a torch, a | :14:13. | :14:18. | |
laser, a USB connection. James has a quadrocopter that he can attach to | :14:19. | :14:22. | |
the arm. I am so excited about seeing what his reaction will be to | :14:23. | :14:29. | |
this. I am not! No, I am, I am very excited! It looks incredible, but it | :14:30. | :14:34. | |
is up to James to decide whether this new limb has got style and | :14:35. | :14:36. | |
substance. Oh, my God! Watched you think? My | :14:37. | :14:51. | |
word! It is, like so robotic and bionic! That is what you wanted, | :14:52. | :14:59. | |
right? It is so cool! As well as lights and gadgets, the new harm as | :15:00. | :15:05. | |
a new trick up its sleeve - a fully functioning hand controlled by | :15:06. | :15:08. | |
sensors on his shoulders, and with a few tweaks it starts to come to | :15:09. | :15:09. | |
life. That's really strong. This is the | :15:10. | :15:18. | |
power grid, for picking up normal stuff. It's quite fun! It's working | :15:19. | :15:23. | |
really well. I can grab things, I can pinch things, I can point at | :15:24. | :15:27. | |
things. It looks awesome. It's fantastic. Are you ready for this? | :15:28. | :15:34. | |
Oh, my sweet lord. After months of anticipation it's finally time for | :15:35. | :15:36. | |
James to show off his futuristic arm anticipation it's finally time for | :15:37. | :15:43. | |
in all its glory. Is pretty cool. Sophie has created a limb that | :15:44. | :15:46. | |
couldn't be more individual. It reflects James' identity and it's | :15:47. | :15:55. | |
changed the way that I is a doctor. And by creating these works of art, | :15:56. | :15:59. | |
hopefully more people will begin to see what is there, instead of what | :16:00. | :16:05. | |
isn't. Thank you very much to Doctor | :16:06. | :16:14. | |
Salayah Alsan, and James and Sophie, your baby is three weeks old and | :16:15. | :16:19. | |
downstairs. Yes. James Connolly you have had your arm for a month, it's | :16:20. | :16:24. | |
really changed the way you view your future, hasn't it? It made me think | :16:25. | :16:28. | |
about the future of what my body will be like in the future and kind | :16:29. | :16:32. | |
of what the limitations are in current prosthetic technology and | :16:33. | :16:36. | |
it's made me kind of explore stuff like titanium implants that I'm | :16:37. | :16:41. | |
fund-raising for, to try to get the forefront, get the most awesome | :16:42. | :16:45. | |
stuff basically into my body. The most awesome stuff. This is pretty | :16:46. | :16:48. | |
conjugated, but you have got to grips with it so to speak. Right. | :16:49. | :16:54. | |
You went to the supermarket, decided to buy some cider, as you do. What | :16:55. | :17:00. | |
happened? Yes, essentially I was going around Sainsbury's with my | :17:01. | :17:04. | |
basket shopping and loaded up two bottles, not too many, but | :17:05. | :17:08. | |
unfortunately the middle finger snapped. Does Sophie want to hear | :17:09. | :17:13. | |
this? I didn't really know the limits at the time, but basically it | :17:14. | :17:18. | |
meant that when I did a hand close everything closed except the middle | :17:19. | :17:23. | |
finger, which kind of leads to... Exactly. But you have got to grips | :17:24. | :17:27. | |
with it but you say you can't wear it all the time, because when you go | :17:28. | :17:32. | |
out it really does attract quite a lot of attention? Right, yes, it's | :17:33. | :17:36. | |
like in the street I usually get attention due to my applications. | :17:37. | :17:43. | |
And this phase, James! And the face but essentially people are really | :17:44. | :17:47. | |
intrigues and they have a childlike curiosity about how they address me | :17:48. | :17:51. | |
now and people are trying to take pictures and take selfies and stuff | :17:52. | :17:55. | |
with me. It's incredible. Sometimes I don't really want to wear the arm | :17:56. | :17:59. | |
because it's just too much and it requires a lot of energy. It's an | :18:00. | :18:04. | |
expensive bit of kit and you need funding from a gaming company to get | :18:05. | :18:08. | |
it made. Sophie, you have had experiences which have led you | :18:09. | :18:11. | |
towards designing this kind of thing and there's a particular young girl | :18:12. | :18:16. | |
called Pollyanna? She was instrumental in this. Yes, a really | :18:17. | :18:21. | |
lovely little girl and I saw her every year, I would make her a | :18:22. | :18:24. | |
realistic limb and she wanted something a bit different. She did a | :18:25. | :18:29. | |
beautiful drawing for me once of little jewels in her leg. We can see | :18:30. | :18:36. | |
it, she would have had store things inside her leg? Stored things, I | :18:37. | :18:39. | |
think it was inspirational and there must be loads of other people out | :18:40. | :18:43. | |
there, grown-ups with the child within, that want to express | :18:44. | :18:46. | |
themselves and do something different. Some of the ones you have | :18:47. | :18:50. | |
made have been remarkable. We have photos of different legs you have | :18:51. | :18:55. | |
designed. This one here is bejewelled, isn't it? Yes, this | :18:56. | :19:02. | |
lovely lady, Louis, she wanted the leg to kind of... She has all these | :19:03. | :19:06. | |
little stories she wanted to have hidden in the leg. There is a shark | :19:07. | :19:12. | |
on one side, which was a story about having her legs taken off by a | :19:13. | :19:16. | |
shark. It's a way for people to express themselves, both of you, | :19:17. | :19:23. | |
thank you so much for joining us. It was a brilliant film, thank you. All | :19:24. | :19:27. | |
Saints are live in just a moment but first, the EU referendum is only 11 | :19:28. | :19:30. | |
weeks away and Jeremy will tell you all you need to know to make up your | :19:31. | :19:36. | |
mind on his Radio Two show. I'll be trying, but another argument has | :19:37. | :19:38. | |
been raging for years and for that we need Arthur Smith. | :19:39. | :19:47. | |
I five or one metre 80? Is this half a pound of butter, or 200 grams? | :19:48. | :19:52. | |
Five litres of petrol, or a gallon? Are you imperial, or are you metric? | :19:53. | :20:01. | |
Do you know how tall you are? Five foot, three and a half. Kilos or | :20:02. | :20:10. | |
pounds? Kilos. How far away do you live? A couple of miles. Not three | :20:11. | :20:17. | |
kilometres? I always going miles. In Britain, height, weight and distance | :20:18. | :20:21. | |
are a mash up of metric and imperial. But one thing most of us | :20:22. | :20:25. | |
agree on is that road signs are in miles. Or are they? Well, we are | :20:26. | :20:32. | |
going along the M25 here and signs at the side of the road say | :20:33. | :20:39. | |
something like M25, A, and then a number, 83.9 or something. They are | :20:40. | :20:43. | |
in kilometres. Road signs in kilometres? ! Do | :20:44. | :20:50. | |
people know about this? 133.8... Metres, Miles. Metres, Miles? | :20:51. | :21:00. | |
Kilometres or miles? Kilometres. Really? These signs are introduced | :21:01. | :21:06. | |
-- were introduced in 2003 and are on motorways, but a recent survey | :21:07. | :21:12. | |
showed 76% of motorists don't know what they're for. It's a driver | :21:13. | :21:17. | |
location sign, it tells you what motorway you are on because people | :21:18. | :21:21. | |
do get that wrong when they are in a panic, it tells you which | :21:22. | :21:25. | |
carriageway you are on, as it happens B is the anticlockwise | :21:26. | :21:29. | |
carriageway on the M25, and that tells you where you are on the | :21:30. | :21:32. | |
length of the motorway, in kilometres and metres. What a mess, | :21:33. | :21:38. | |
but when and why did it all gets so complicated? I think there is no | :21:39. | :21:42. | |
doubt the world is going metric. Parliament debated introducing the | :21:43. | :21:46. | |
metric system throughout the 19th century. Scientists and | :21:47. | :21:49. | |
industrialists wanted the change to help trade with metric countries. In | :21:50. | :21:54. | |
1968, the government finally decided we should change. Start metrication | :21:55. | :22:00. | |
now. But it wasn't plain sailing. To investigate, I have come to the | :22:01. | :22:05. | |
obvious place, Imperial Guard, where pleasingly they have a nightclub | :22:06. | :22:12. | |
called Metric. When we joined the European Union, us Brits were given | :22:13. | :22:17. | |
special Wash special dispensation to mix imperial and metric, beer from | :22:18. | :22:21. | |
the tap has to be served in pints, but bottles must be in Millilitres. | :22:22. | :22:30. | |
Fuel consumption is on a gallon but we buy in litres. Highway codes and | :22:31. | :22:37. | |
speeds four miles per hour, and groceries have to be sold in kilos | :22:38. | :22:41. | |
but you can display towels as long as it's less prominent. In the | :22:42. | :22:47. | |
2000th some people objected to any use of telegrams and got prosecuted | :22:48. | :22:51. | |
as metric martyrs. Even two of the great sports invented by the British | :22:52. | :22:54. | |
seem to have gone their different ways. Now, young footballer fellow, | :22:55. | :23:00. | |
what's this? The six box. This is the 18 yard box. Rugby chat? The ten | :23:01. | :23:08. | |
metre line, the 22 metre line. How did this confusion between metric | :23:09. | :23:14. | |
and imperial arise? Compulsive metrication started by Edward Heath, | :23:15. | :23:17. | |
abolished by Margaret Thatcher and we are in a halfway house. Would it | :23:18. | :23:22. | |
matter if we lost our traditional units? We lose a living link to our | :23:23. | :23:28. | |
past. Shakespeare, the pound of flesh, Chaucer. And the kilo of | :23:29. | :23:33. | |
flesh doesn't scan as well. 0.454 kilo of flesh! That certainly would | :23:34. | :23:38. | |
take the edge off the performance. The journey to making Britain metric | :23:39. | :23:45. | |
has taken over 100 years. 100 years, is that metric or imperial? But we | :23:46. | :23:50. | |
are still neither one nor the other. It's a bit of a mess, but it's our | :23:51. | :23:55. | |
mess. Cheers, Arthur, I'm declaring The | :23:56. | :23:59. | |
One Show imperial. I think its users. That's right. It's a bit | :24:00. | :24:06. | |
random. Gyles, another super fun. Its historic, babies -- every baby | :24:07. | :24:12. | |
is born in pounds. What are the facts do you have? I have facts, | :24:13. | :24:17. | |
they create problems. In 1999, in the heyday of All Saints, a terrible | :24:18. | :24:21. | |
thing happened at Nasa. They send a mission to Mars that all went wrong | :24:22. | :24:28. | |
and cost, wait for it, $328 million. No! Why? Because the orbiter | :24:29. | :24:33. | |
engineering of this mission, that team used imperial measurements, | :24:34. | :24:35. | |
where the Nasa team were using metric measurements, so they overdid | :24:36. | :24:42. | |
the impact and all that money went up in smoke. So basic. It went on | :24:43. | :24:48. | |
for a long time. I take you back to the 1628, when the good ship Vasa, a | :24:49. | :24:53. | |
Swedish man of war, set sail and some on its maiden voyage. 30 people | :24:54. | :25:00. | |
drowned, 64 amazing Golden Kamensk sunk to the bottom of the sea. Why? | :25:01. | :25:04. | |
We discovered in 1961, when the ship was brought up again port side | :25:05. | :25:08. | |
rather heavier than starboard side. The reason being, asymmetrical, one | :25:09. | :25:14. | |
team building it, the Swedes, wait using one ruler, whereas the Dutch, | :25:15. | :25:19. | |
who also making the ship were using another ruler and the Swedish foot | :25:20. | :25:22. | |
contains 12 inches, whereas the Dutch one has only 11 inches. Had a | :25:23. | :25:29. | |
lean on it? It and the lean on it, it went down, all hands on deck. | :25:30. | :25:36. | |
Remember 1492? Not personally. I do. Columbus ended up in the Bahamas. He | :25:37. | :25:41. | |
thought he was going to India but unfortunately he was using Roman | :25:42. | :25:47. | |
nautical miles instead of nautical nautical miles. Even Sir Christopher | :25:48. | :25:52. | |
Columbus made a mistake. Exactly, you have to get it right. Gyles, | :25:53. | :25:58. | |
thank you. You can now enjoy our All Saints performance which you are | :25:59. | :26:02. | |
very excited about. Rat N'Diaye will be back on Monday, when Twiggy will | :26:03. | :26:07. | |
be here. -- Matt and I. From this very imperial programme what better | :26:08. | :26:12. | |
way to kick off Mark Rowley or weekend with a performance from All | :26:13. | :26:15. | |
Saints, here they are with one-woman man. Goodbye. | :26:16. | :26:22. | |
# This is getting crazy, tired of your playing | :26:23. | :26:32. | |
# These lies are heavy, someone's gonna regret it | :26:33. | :26:43. | |
# But I'm still waiting, back against the wall | :26:44. | :26:50. | |
# Yeah you got me in the palm of your hands | :26:51. | :27:10. | |
# You decide with your heart not your head | :27:11. | :27:16. | |
# I know you can make her understand | :27:17. | :27:22. | |
# Tell me are you ever gonna be a one woman man? | :27:23. | :27:27. | |
# Few that shan't accept it, no doubt unintended | :27:28. | :27:33. | |
# Two women committed, stupidly admitted | :27:34. | :27:48. | |
# It's time you end it and just let her know | :27:49. | :27:51. | |
# Yeah you got me in the palm of your hands | :27:52. | :28:11. | |
# Tell me are you ever gonna be a one woman man? | :28:12. | :28:22. | |
# Soaked with rotten beliefs # Filling with loveless seeds | :28:23. | :28:25. | |
# Hitting with crashing waves # Tell her that it's too late | :28:26. | :28:28. | |
# Cause I'm never walking away # My love is here to stay | :28:29. | :28:33. | |
# Oh, didn't she hear me say # I ain't going no where | :28:34. | :28:42. | |
# Yeah you got me in the palm of your hands | :28:43. | :28:48. | |
# You decide with your heart not your head | :28:49. | :28:54. | |
# Tell me are you ever gonna be a one woman man? | :28:55. | :29:11. | |
# Sometimes is it better to let go? # Better | :29:12. | :29:16. |