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All right? Let's go. What would you prefer, a brand-new scooter, or, a | :00:07. | :00:17. | |
date with Twiggy? What? Well, twig or scooter? Scooter. 100%. | :00:18. | :00:25. | |
-- Twiggy. Wouldn't everybody? Hello and | :00:26. | :00:35. | |
welcome to The One Show. Tonight's guest is the face of 66 and now 50 | :00:36. | :00:41. | |
years later is as much of an icon, it is Twiggy. Awkward. | :00:42. | :00:45. | |
APPLAUSE. Hello. What is, why would you ask | :00:46. | :00:51. | |
that? I would have gone Twiggy. Definitely. Most guys go for the | :00:52. | :00:58. | |
scooter. Now, it is a story, when I was 15-and-a-half, I was a mod. I | :00:59. | :01:04. | |
was really cool. And I had a date with a young boy mod, who was | :01:05. | :01:06. | |
probably 16. And we went with a young boy mod, who was | :01:07. | :01:14. | |
pictures, and he bought me a record, A World Without Love. So I was, like | :01:15. | :01:19. | |
most young girls I thought this is love, the big one. He said I will | :01:20. | :01:22. | |
call you necks week. I thought lovely. He called me and he said he | :01:23. | :01:28. | |
was embarrassed and said, look, I can't afford a girlfriend and a | :01:29. | :01:32. | |
scooter, and I am saving up to buy a scooter so I won't be able to see | :01:33. | :01:39. | |
you again. Listen, if you are watching, tonight, come on, send us | :01:40. | :01:43. | |
a picture of that scooter and you: I can't remember his name. You should | :01:44. | :01:48. | |
have forgotten it straightaway. We will gloetz of photos with people | :01:49. | :01:56. | |
with scooters. With housing in short supply, some landlords have been | :01:57. | :02:02. | |
quick to cash in. Lucy has been to make the Tennants of one housing | :02:03. | :02:03. | |
estate who may not have homes much make the Tennants of one housing | :02:04. | :02:08. | |
Imagine getting one of these through your letter box. A section 21 | :02:09. | :02:12. | |
notice. Giving you two months to leave the home you have lived in for | :02:13. | :02:17. | |
years. For some people renting homes on this street in East London | :02:18. | :02:20. | |
getting one of those through the post has become a reality. | :02:21. | :02:23. | |
getting one of those through the This is the Butterfield estate in | :02:24. | :02:27. | |
Walthamstow, last November, 63 houses owned by the same landlord | :02:28. | :02:31. | |
were sold off to develop evers, apparently without warning to the | :02:32. | :02:36. | |
tenants. Since then, ten have received notices to quit. Some are | :02:37. | :02:40. | |
due to move out one days, others have already gone. | :02:41. | :02:44. | |
We had a knock on the door and we were handed this letter. I had to | :02:45. | :02:46. | |
read it twice to understand what were handed this letter. I had to | :02:47. | :02:50. | |
said. Right now, I am so were handed this letter. I had to | :02:51. | :02:54. | |
stiff. London's crazy property prices mean affordable rented a. O | :02:55. | :02:59. | |
location is fast becoming as rare as hen's teeth so people leaving | :03:00. | :03:03. | |
Butterfields are likely to face paying more rent for their next | :03:04. | :03:08. | |
home. The thing that seems ironic to the tenants here, is that the | :03:09. | :03:12. | |
organisation that sold their homes is actually a charity. That charity | :03:13. | :03:17. | |
was set up to help people out of poverty. | :03:18. | :03:22. | |
The local charity says it is not a social housing provider, and that | :03:23. | :03:25. | |
selling the homes has allowed a seven fold increase in the | :03:26. | :03:30. | |
selling the homes has allowed a emergency grants it is able to give | :03:31. | :03:33. | |
to people in need. Nicole is one of the former tenants given two months | :03:34. | :03:38. | |
to move out. It is so upsetting, that someone can walk up to you and | :03:39. | :03:44. | |
say, in two months you are going to get out, and no-one is going to help | :03:45. | :03:48. | |
you. Nobody involved in the sale, either the hearty that sold them on | :03:49. | :03:53. | |
the company that bought them has done anything that is legally wrong. | :03:54. | :03:58. | |
You cannot simply upturn and displace 100 people and not expect | :03:59. | :04:02. | |
any consequences. Magda is another Tennant under threat. | :04:03. | :04:04. | |
any consequences. Magda is another in her home for five years. | :04:05. | :04:09. | |
You are supposed to move out in two days' time At this moment we have | :04:10. | :04:14. | |
nowhere to move. Further down I meet Alex who has lived here for over FIA | :04:15. | :04:20. | |
year, she is safe for now but fears the worse once her tenancy is up for | :04:21. | :04:24. | |
renewal When I see the post, I think they are going to bring the letter. | :04:25. | :04:28. | |
What would it mean to you if you had to move? The school is round, I | :04:29. | :04:33. | |
don't want my son to miss even one day of education. So how does a well | :04:34. | :04:38. | |
regarded local charity find itself at the centre of this storm of | :04:39. | :04:44. | |
criticism? Hello my name is Lucy, I am calling on be The One Show. But | :04:45. | :04:47. | |
they don't want to speak to me. Instead they point mow a statement | :04:48. | :04:51. | |
they have made. In it they say they are saddened the innocents are being | :04:52. | :04:55. | |
evicted and they seek assurances from the agents that I sold the | :04:56. | :04:58. | |
homes through regarding the rights and protection. They also say they | :04:59. | :05:02. | |
can't prevent a new owner reviewing the the Nancies after the sale. | :05:03. | :05:11. | |
South Bank's university expert on the sector says he understands why | :05:12. | :05:16. | |
the charity has chosen to sell the houses. It is probably a very good | :05:17. | :05:21. | |
deal long-term. Their plans are to re-invest the funds, to give them a | :05:22. | :05:25. | |
securer form of income, which they can grow the grants to people in | :05:26. | :05:31. | |
real need. As the charity say they sought assurances from the the about | :05:32. | :05:36. | |
in, I call the agents to find out more. But they too just direct me to | :05:37. | :05:44. | |
the statement. The developers who bought the properties are local | :05:45. | :05:46. | |
businessmen. A representative told us they didn't want to speak to us | :05:47. | :05:51. | |
directly but they did issue a statement. | :05:52. | :05:54. | |
They say there was no agreement to keep the the about in, they say the | :05:55. | :06:01. | |
decision not the renew taken after careful consideration, they will do | :06:02. | :06:05. | |
their best to limit any disruption to the Nantes, they said they would | :06:06. | :06:09. | |
welcome investment from social landlords interested in the | :06:10. | :06:13. | |
properties. But the the napts having given up hope. They started a | :06:14. | :06:18. | |
campaign to persuade their new landlords to have a change of heart. | :06:19. | :06:21. | |
They have been protesting at some of the auctions where the homes have | :06:22. | :06:25. | |
gone under the hammer. We are ordinary people, However, the | :06:26. | :06:30. | |
Butterfields situation reitself, Nicole believes changes in the law | :06:31. | :06:33. | |
are needed to better protect those who rent their homes. Housing can't | :06:34. | :06:39. | |
just be treated as an investment, so many people are in desperate need of | :06:40. | :06:43. | |
homes at the moment, presenters need a lot more rights in this country. | :06:44. | :06:50. | |
And luesy join us now. We heard from Magda and she said I only have two | :06:51. | :06:55. | |
days to find somewhere else to live. Has she found an alternative? She | :06:56. | :06:59. | |
has. She is waiting to move in. She has signed up for a new place, and | :07:00. | :07:04. | |
she hasn't been evicted yet so she is still at Butterfields waiting to | :07:05. | :07:09. | |
move on. You hear you are here loaded with figures what is the | :07:10. | :07:16. | |
national average for rent? The national average is ?744 a month, | :07:17. | :07:19. | |
which sounds a lot as it is. Then think about a hotspot, everyone | :07:20. | :07:23. | |
wants to know what the average rent in London is. It is ?1521 | :07:24. | :07:29. | |
percalendar month. That is up 40% on FIA years ago. | :07:30. | :07:36. | |
So it can be a shocking figure. When it was happening for you in London, | :07:37. | :07:41. | |
do you remember rentses be ridiculous then? Yes, I mean I was | :07:42. | :07:45. | |
living at home when the whole thing happened to me in 66, and I did help | :07:46. | :07:50. | |
my mum and dad move into a nicer house, and I was telling you what I | :07:51. | :07:56. | |
bought. But when I then got into London, when I was working a lot. I | :07:57. | :08:00. | |
did rent, but you know only for a few month, but I had it probably | :08:01. | :08:06. | |
because my dad bought, he bought in the '30s, his first house. I always | :08:07. | :08:10. | |
had in my mind, you should own property. But some people can't, | :08:11. | :08:15. | |
nowadays... I mean, my heart goes out to young people, because what do | :08:16. | :08:18. | |
they do? We call them generation rent. The amount of under 35s buying | :08:19. | :08:24. | |
properties has dropped off. Yes. So So what about if you are renting, is | :08:25. | :08:30. | |
there anything done to protect these rising rent prices? The Scottish | :08:31. | :08:35. | |
Government has brought in the private tenancy bill recently, it is | :08:36. | :08:40. | |
billed as being a compromise between landlords and tenants. The tenants | :08:41. | :08:45. | |
get a certain amount of stability and security, so local authorities | :08:46. | :08:50. | |
can cap rents in hotspots, tenancy agreements are made more easy to | :08:51. | :08:54. | |
understand and tenants can't just be ejected because it has come to an | :08:55. | :08:58. | |
end. The landlord has to have a reason, such as the fact they are | :08:59. | :09:01. | |
selling the property. Wales have brought in a similar bill, again, | :09:02. | :09:07. | |
more easy to understand agreement, and sort of, different factors, you | :09:08. | :09:13. | |
can't as a landlord do a revenge eviction, so if your ten mant | :09:14. | :09:17. | |
complains they don't like the house you can't get rid of them. Northern | :09:18. | :09:21. | |
Ireland is looks 59 some sort of measure. In England? There is not | :09:22. | :09:29. | |
much appetite for that. It a big day for the Government's housing and | :09:30. | :09:32. | |
planning bill which has gone into the report stage, so the final sort | :09:33. | :09:36. | |
of set of procedures, now, there is lots of things within that. The | :09:37. | :09:41. | |
Government says this is to turn generation rent into generation buy. | :09:42. | :09:45. | |
So there is a whole... That is a big ask. Something needs to be done, | :09:46. | :09:51. | |
there is a suite of reform, for example local authorities will have | :09:52. | :09:55. | |
to but power to ban rogue landlords, private rogue landlords and the | :09:56. | :10:00. | |
right to buy will be extended to housing association people as well. | :10:01. | :10:05. | |
This bill should not expect an easy ride, there is already a lot of | :10:06. | :10:10. | |
debate over it, so, watch this space. Thank you Lucy. Now, here we | :10:11. | :10:15. | |
go with a true story, imagine that you have put on a show right, for a | :10:16. | :10:19. | |
few friends in the village hall and a top theatre producer rocks up with | :10:20. | :10:24. | |
an offer for the big time. It sounds amazing. Problem is... It caused a | :10:25. | :10:32. | |
massive split when many of the cast were axed. I wasn't selected so I | :10:33. | :10:38. | |
was disappointed about that. Some people were deeply hurt, that they | :10:39. | :10:42. | |
hadn't been chosen. Each one of those women detested me. | :10:43. | :10:46. | |
hadn't been chosen. Each one of tough, but we did it for everybody. | :10:47. | :10:57. | |
I agree to abort my baby. 30 years ago in that Merseyside | :10:58. | :11:02. | |
clinic. It doesn't matter if it's a golf ball, a tennis ball, a football | :11:03. | :11:08. | |
or a rugby ball. You men will watch anything that has balls. He knew | :11:09. | :11:13. | |
what to do and he made me feel like a brand-new women. Each of them come | :11:14. | :11:17. | |
with life experiences which they share on stage. What I am trying to | :11:18. | :11:23. | |
say is I think you should recast. My Stacy will be Annie. | :11:24. | :11:29. | |
If If it kills me. I asked the request what he unites women and we | :11:30. | :11:40. | |
are still here today discussing it. I fairly recently retired, nobody | :11:41. | :11:45. | |
else was asking me to do anything. And it was fantastic. When I was | :11:46. | :11:48. | |
five months pregnant I was going through a difficult time. My husband | :11:49. | :11:53. | |
was critically ill, he has a brain tumour, it was a chance to step into | :11:54. | :11:56. | |
a room and try and forget what was going on. It is like therapy coming | :11:57. | :12:01. | |
to the group and chatting to even, and being part of a unit. We are | :12:02. | :12:06. | |
coming out with, some people just wouldn't be able to talk about, or | :12:07. | :12:11. | |
think about. We are bringing it to the front, yes, it is here, it is | :12:12. | :12:16. | |
real. I think every woman out there | :12:17. | :12:21. | |
relates to the stories we are not the ideal we are not size six, we | :12:22. | :12:26. | |
are every day, imperfect but perfect women. | :12:27. | :12:29. | |
Played here to an audience of 50 people, we sold out for four nights. | :12:30. | :12:38. | |
To take it to the next step, I needed to use celebrity actresses, | :12:39. | :12:43. | |
that meant eliminating nine of the original cast. Each one of those | :12:44. | :12:50. | |
women detested me. When he did make the election, there was a lot of | :12:51. | :12:55. | |
very disappointed women. After that, there was a great divide in the | :12:56. | :13:00. | |
rehearsal studio. It was really really difficult, because we knew | :13:01. | :13:04. | |
that everybody couldn't go, but, we were doing it for all of us, we were | :13:05. | :13:08. | |
doing it for all the real women. We hadn't finished. Even though it took | :13:09. | :13:13. | |
a slight lull, a lot of us really knew that there was more to come. | :13:14. | :13:25. | |
Being back with the women again in a room, was so powerful, in that | :13:26. | :13:29. | |
sisterhood, which they allow me into and I just thought this is something | :13:30. | :13:34. | |
that we have to revisit. Dead exciting really. It is amazing to be | :13:35. | :13:39. | |
going to the West End. They will stand on the stage that lots of | :13:40. | :13:43. | |
stars have all over the world have stood and performed on. I am | :13:44. | :13:47. | |
terrified, but hoping that I will get my lines out and do it. And do | :13:48. | :13:53. | |
it well. Is the ultimate goal and we have managed to do it, on being real | :13:54. | :13:59. | |
women. I think that is what has carried us there. It has style. He | :14:00. | :14:06. | |
has got class. He has got lovely shirts. | :14:07. | :14:13. | |
And he still has my heart. All of us together on the final leg | :14:14. | :14:16. | |
of the journey, it is the icing on the cake. | :14:17. | :14:19. | |
APPLAUSE. Listen, good luck. Listen good luck. Break a leg! You | :14:20. | :14:34. | |
see them at the Playhouse Theatre in London from the 8th May. A great | :14:35. | :14:47. | |
story. The people's story of pop tells the story of pop. Twiggy you | :14:48. | :14:58. | |
met some of the fans from the 60s. Your grand-dad ran a recording | :14:59. | :15:05. | |
studio. Phillip's recording services, the first studio in | :15:06. | :15:10. | |
Liverpool. Did he live here? Yes, it was our home. George, Paul, George | :15:11. | :15:17. | |
and mate came in through the front door and will have walked into the | :15:18. | :15:22. | |
kitchen and been served jam sponge cake. Made by your? Grandmother. And | :15:23. | :15:30. | |
she played the piano and made cake. That is a lovely angle. His granny | :15:31. | :15:40. | |
made sponge cake and they would come and didn't have proper sound | :15:41. | :15:45. | |
proofing, they had blankets at the windows. It was the first recording | :15:46. | :15:51. | |
studio in Liverpool and he still has the log book where he wrote down who | :15:52. | :15:59. | |
came in and what they paid, like one and six pence and they get a record. | :16:00. | :16:07. | |
I said what did your grand-dad think of, I think it before they were | :16:08. | :16:12. | |
called the Beatles. He said he said something like, it wasn't his music, | :16:13. | :16:17. | |
it was a blooming racket. What is the one about the lady who ends up | :16:18. | :16:23. | |
in the bikini? I didn't meet her. When I voiced it and everything, it | :16:24. | :16:30. | |
was extraordinary. It was a ban and she put over her tummy the letters | :16:31. | :16:38. | |
of the band's name. I think it was Mojo, sticking plaster and lay under | :16:39. | :16:45. | |
a sun bed! You can see it there. Hysterical. There she is. Then the | :16:46. | :16:52. | |
band came to meet her and she was in a bikini. She said look at my belly. | :16:53. | :17:00. | |
The things people do is extraordinary. I met amazing people | :17:01. | :17:05. | |
who have kept things and are still looking for memorabilia. If anyone | :17:06. | :17:11. | |
has any great stories from that period, they're still doing more | :17:12. | :17:17. | |
programmes. Go to the web-site. That decade is remembered as a | :17:18. | :17:26. | |
significant one. For you. I was a mod at the time. With the scooter | :17:27. | :17:30. | |
and the boyfriend. I didn't have a scooter. Why do you think it was so | :17:31. | :17:35. | |
important? It was the beginning of music changing. It wasn't only | :17:36. | :17:40. | |
music, it was fashion and hence what happened to me and music and art. | :17:41. | :17:45. | |
That whole thing that happened to England or Great Britain in the mid | :17:46. | :17:50. | |
60s. There was a revolution. A nice revolution. Music was a huge part of | :17:51. | :17:56. | |
it. And it was the beginning, the end of the crooners and the guys | :17:57. | :18:01. | |
singing on their own and music for us. Were you out there really | :18:02. | :18:09. | |
enjoying yourself? Yes. Is that how you got kis dovred? -- discovered. | :18:10. | :18:14. | |
No, but I was a mod and I was into my clothes and made my own clothes. | :18:15. | :18:23. | |
You couldn't buy clothes for teenagers, I would make, I made by | :18:24. | :18:27. | |
first bell bottoms, it was important to have the look. Nice to continue | :18:28. | :18:33. | |
that. Yes I was doing that today for my M range. But it was amazing, | :18:34. | :18:38. | |
the music was so important. I used to go as a mod on a, I was only | :18:39. | :18:42. | |
allowed out Saturday night and I went with my friends to a place | :18:43. | :18:49. | |
above a tailoring shop in harrow and I saw people like Eric Clapton, the | :18:50. | :18:56. | |
Yard Birds. He wasn't famous. The Animals. I mean Georgie Fame. They | :18:57. | :19:02. | |
all played there. They were the new young musicians. I saw them all live | :19:03. | :19:08. | |
in a room as big as this. Listen, the people's history of pop starts | :19:09. | :19:15. | |
this Friday on BBC 4. Now... I love this song. I love it. You have been | :19:16. | :19:23. | |
dancing. Oh, that is me! There was a time when Twiggy was enjoying | :19:24. | :19:27. | |
success with songs like this. What were you going to say. I say, | :19:28. | :19:35. | |
because I thought, oh, I know that song. This, David Essex wrote that. | :19:36. | :19:45. | |
You can tell. Can you? That was me on Top of the Pops. At the same time | :19:46. | :19:50. | |
in Birmingham one man was preparing for a day of hard labour on a | :19:51. | :19:58. | |
building site. But he glanced into the mirror and that look changed his | :19:59. | :20:04. | |
world. The melting pot of Midlands in the 70s inspired a different kind | :20:05. | :20:10. | |
of music. It became known as Two Tone, fusing punk, pop and reggae. | :20:11. | :20:23. | |
Mirror in the Bathroom by the beat was one. What was life like here? | :20:24. | :20:30. | |
Very mixed and very cultural and lots of immigrants came here. Did | :20:31. | :20:34. | |
that influence the music of The Beat? I think it did a lot. The | :20:35. | :20:41. | |
atmosphere in Birmingham allowed us to cross musical areas. We wanted to | :20:42. | :20:52. | |
mix punk and reggae. I love that. The hit single Mirror in the | :20:53. | :20:57. | |
Bathroom had been written while Dave was working on a building site. It | :20:58. | :21:01. | |
started on a particular morning. I had a bit too much fun the night | :21:02. | :21:05. | |
before and forgot to hang my clothes up to dry. Realised that at about | :21:06. | :21:12. | |
6.30 and hung them up in the shower and thought hot and wet is better | :21:13. | :21:17. | |
than cold and wet and I was having a shave and felt miserable, faced with | :21:18. | :21:21. | |
the prospect of putting on wet clothes to go to work, I was like we | :21:22. | :21:26. | |
don't have to do this, the door is looked, it us just you and me, we | :21:27. | :21:33. | |
don't have to do this, and the words were going through my head. The door | :21:34. | :21:38. | |
is locked just you and me. And it stuck with me. Mirror in the | :21:39. | :21:44. | |
bathroom, please talk free, the door is locked... The lyrics are about | :21:45. | :21:54. | |
how people get fixated on themselves and that tends to make you feel less | :21:55. | :22:00. | |
connected to people. I saw that. In that time, there was a lot of | :22:01. | :22:07. | |
stainless steel and shiny mirror architecture and you could go into | :22:08. | :22:10. | |
restaurant and there was glass tables and lots of reflections in | :22:11. | :22:16. | |
the shops and the more I looked, you would see people are pretending to | :22:17. | :22:21. | |
look at the shoes, but they're looking at themselves. You start | :22:22. | :22:26. | |
thinking about everything in terms of just yourself, what do they think | :22:27. | :22:34. | |
about me? I just started to tease me. It had a nice scan to it. Apart | :22:35. | :22:41. | |
from you can't have something called Mirror in the Bathroom. Did you not | :22:42. | :22:48. | |
like the title? No it was stupid, I was too embarrassed to tell anyone | :22:49. | :22:55. | |
in the group what it is called! David Steel bass player, genius had | :22:56. | :23:05. | |
an odd tune going on, with a bass part and my poem fitted to it. Quite | :23:06. | :23:13. | |
closely. So I worked on it a bit before I presented words. They | :23:14. | :23:16. | |
thought it was fine being called Mirror in the Bathroom. It reached | :23:17. | :23:23. | |
No 4 in the UK in 1980. Three years later they split up. Dave now lives | :23:24. | :23:31. | |
in California performing as The English Beat. They recently came to | :23:32. | :23:40. | |
England with the band. Big shoes to fill. I can't help but love the | :23:41. | :23:48. | |
experience. Touring. The music here feels more like part of English | :23:49. | :23:54. | |
heritage. We come here to do shows and everybody would sing the set | :23:55. | :23:57. | |
more than we would. Still today, Mirror in the Bathroom is a huge | :23:58. | :24:04. | |
crowd-pleaser. I enjoy playing it, but I enjoy the crowd's reaction and | :24:05. | :24:08. | |
people tell you after, what that song meant to them. And that I think | :24:09. | :24:13. | |
is the greatest honour you could hope for that people come and tell | :24:14. | :24:18. | |
you that they use some of your threads for their tapestry. You | :24:19. | :24:25. | |
can't get better than that really. Mirror in the Bathroom what were you | :24:26. | :24:30. | |
saying. It doesn't steam up. You have to have one. Now some wildlife. | :24:31. | :24:39. | |
When you're not designing clothes, hedgehogs are on your mind. I'm the | :24:40. | :24:47. | |
patron of the Hedgehog Society and this is hedgehog awareness week. Be | :24:48. | :24:53. | |
careful with your strimmers and lighting fires. We have lost 50% of | :24:54. | :24:59. | |
them. You know. So it is look out for the hedgehogs. We can't have | :25:00. | :25:05. | |
Britain without hedgehogs. And make holes in your fences. At this time | :25:06. | :25:10. | |
of year there is nothing like waking up to the song of bird song. One of | :25:11. | :25:17. | |
the joys of spring. Well... That is ideal... Unless it is the sound of | :25:18. | :25:23. | |
the Great Grey Shrike and you're a lizard or a mouse, so you may want | :25:24. | :25:26. | |
to stay in bed. Remote corners of our countryside | :25:27. | :25:31. | |
are draped with macabre decorations. These are the calling cards | :25:32. | :25:35. | |
of a rare visitor to our shores - The Great Grey Shrike has a grizzly | :25:36. | :25:39. | |
reputation, which is earned it Less than a hundred | :25:40. | :25:45. | |
visit Britain each year. They're song birds no bigger | :25:46. | :25:53. | |
than a blackbird, but they're also sharp-eyed predators | :25:54. | :25:56. | |
with the unusual habit of hanging their prey in bushes | :25:57. | :26:00. | |
to create a gruesome larder. I have come to the Forest of Dean, | :26:01. | :26:05. | |
where one of these rare This hawthorn I'm pretty sure | :26:06. | :26:08. | |
is where this Great Grey You can see a whole | :26:09. | :26:13. | |
bunch of feathers. It's obviously dismembered | :26:14. | :26:19. | |
a small bird here. What the birds are doing | :26:20. | :26:29. | |
is when they catch prey, they impale them on the thorns | :26:30. | :26:32. | |
and then use their bill to help prise the food apart and hang on, | :26:33. | :26:35. | |
just looking down here, A bit like owls, Shrikes | :26:36. | :26:37. | |
produce pellets. So small bones, feathers, | :26:38. | :26:45. | |
anything that is inedible will be swallowed down and then will come up | :26:46. | :26:50. | |
as a pellet. I think this Shrike has | :26:51. | :26:54. | |
been eating a blue tit. I'd love to get a glimpse | :26:55. | :26:57. | |
of the Shrike hunting so I have teamed up | :26:58. | :27:03. | |
with a wildlife cameraman. Now, you have been here for last | :27:04. | :27:05. | |
couple of days trying to track down the Shrike, | :27:06. | :27:07. | |
how has it been? It's been out and about perching | :27:08. | :27:09. | |
on trees, it's got definite spots So it's off to the woods on the look | :27:10. | :27:13. | |
out for an unlikely bird of prey. We have been here five minutes | :27:14. | :27:18. | |
scanning around and Toby has just They have got beautiful flickering | :27:19. | :27:21. | |
wings, it is like a bandit with that That what is they will do, | :27:22. | :27:30. | |
they will perch up there, spot prey and be down | :27:31. | :27:37. | |
quickly and on it. That is spectacular eye sight, | :27:38. | :27:39. | |
that was probably a flight of 60, 70 metres, spotting | :27:40. | :28:01. | |
something that size. Common lizards start | :28:02. | :28:04. | |
to emerge from hibernation on sunny spring days, | :28:05. | :28:09. | |
but in the cool temperatures Making them vulnerable | :28:10. | :28:12. | |
to the Shrikes. Over the next few hours our Shrike | :28:13. | :28:17. | |
makes several successful hunts. And in the undergrowth the butcher | :28:18. | :28:27. | |
bird may well be storing The Great Grey Shrike really is one | :28:28. | :28:29. | |
of our rarest visitors to these shores and not only have | :28:30. | :28:36. | |
we caught up with it today, we have seen the most amazing | :28:37. | :28:38. | |
behaviour of it catching lizards. What a fabulous | :28:39. | :28:41. | |
pint-sized predator. Oh. Nice colours. Listen thanks for | :28:42. | :28:55. | |
these photographs. Lots of people claiming to be Twiggy's boyfriend. | :28:56. | :29:00. | |
She is denying all knowledge. The people's history of pop starts on | :29:01. | :29:07. | |
Friday on BBC 4. Tomorrow we are here with Zoe Ball. See you then. | :29:08. | :29:10. | |
Thanks. | :29:11. | :29:12. |