Browse content similar to 08/09/2017. Check below for episodes and series from the same categories and more!
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I just can't do it, Alex, I can't go on tonight - sorry. | :00:20. | :00:22. | |
I'm so short sighted I can't read the autocue. | :00:23. | :00:24. | |
If I could see a friendly face it might put me at ease. | :00:25. | :00:29. | |
Hello, and welcome to The One Show with Cold Feet's Fay Ripley. | :00:30. | :00:49. | |
I'm only kidding about tonight's guests - I actually never | :00:50. | :01:01. | |
It's my great friends Jimmy Nesbitt, Leanne Best and Robert Bathurst! | :01:02. | :01:10. | |
Good to see it. Thank you for being with us. We are all very excited. | :01:11. | :01:21. | |
Cold Feet is back on our TV screens tonight and you were at a special | :01:22. | :01:25. | |
cast screening last night - how was that? | :01:26. | :01:31. | |
I was basically way too nervous to look at myself. | :01:32. | :01:34. | |
I didn't see it - was drinking wine with Hermione. | :01:35. | :01:40. | |
I had some rose and it wasn't too difficult. But you guys watch that? | :01:41. | :01:48. | |
Actually you're not really in the first one. | :01:49. | :01:48. | |
LAUGHTER It was all right. Jimmyl and I | :01:49. | :01:58. | |
cringed at the back. Leanne, what did you think? I thought it was | :01:59. | :02:09. | |
lovely, I had are tear in my eye. You haven't gotten cynical like us. | :02:10. | :02:16. | |
And one other thing I think we missed out with Cold Feet over the | :02:17. | :02:19. | |
years, we couldn't really watch it because we were in it. You couldn't | :02:20. | :02:24. | |
be objective. But having had such a gap for all those years, then coming | :02:25. | :02:29. | |
back last year, it feels fresh and nice to see you can see what the | :02:30. | :02:37. | |
other scenes are about that you're not in. Well, we will talk more | :02:38. | :02:39. | |
later on. I have a bone to pick | :02:40. | :02:43. | |
with you, Jimmy Nesbitt - we were in your neck of the woods | :02:44. | :02:46. | |
a few weeks ago on our Causeway Crawl in Northern Ireland - | :02:47. | :02:49. | |
where the hell were you? My second home is in Portrush. There | :02:50. | :03:02. | |
is no point having that if you can't make it on to The One Show! Jimmyl | :03:03. | :03:13. | |
owns Northern Ireland... You were sorely missed, some extent we will | :03:14. | :03:18. | |
beat you for every day, because you are the main attraction. A question | :03:19. | :03:24. | |
for you, do dogs feel guilt? Many owners say yes, including me I | :03:25. | :03:30. | |
think, but does the science agree? Here Angelika... -- here is | :03:31. | :03:38. | |
Angelica. When canine friends are guilty of | :03:39. | :03:48. | |
the owners tell us about it online, but do they really feel guilty about | :03:49. | :03:53. | |
their bad behaviour? This police officer Steve O'Callaghan regularly | :03:54. | :03:59. | |
posts pictures online offers mischievous mutts. Do you believe | :04:00. | :04:04. | |
they shall guilt? Really does show it, head down, looking guiltily at | :04:05. | :04:08. | |
you. A bit of a giveaway when they have done something naughty. Steve | :04:09. | :04:13. | |
is not alone. Around three quarters of dog owners believe their dogs can | :04:14. | :04:18. | |
feel guilt, but can they? I have come to a dog centre in Hull to get | :04:19. | :04:23. | |
to the bottom of this, to recreate some experiments originally carried | :04:24. | :04:27. | |
out by scientists in New York. We are testing of that classic look | :04:28. | :04:34. | |
with a dog might hide, dropped its ears or cower is symbolic of guilt. | :04:35. | :04:38. | |
The first thing we will do is bring the dogs and their owners in here | :04:39. | :04:42. | |
and we will ask the owners to place a treat in a ball and tell their | :04:43. | :04:49. | |
dogs to leave it. The owner will then leave the room. When they are | :04:50. | :04:52. | |
owed either the dog will eat the treat, like Eddie, we will remove it | :04:53. | :04:58. | |
from the bowl. When they come back, they will be asked to guess whether | :04:59. | :05:03. | |
the dog has eat in the treat or not. The challenge, can they owners guess | :05:04. | :05:06. | |
whether their dog has eaten the treat or not, based on their look | :05:07. | :05:11. | |
alone? We have rigged the experiment room with hidden cameras, and we | :05:12. | :05:16. | |
will be watching from the sidelines as the action unfolds. First in the | :05:17. | :05:21. | |
dock, Eddie. Remember, he did eat the treat after being told not to. | :05:22. | :05:28. | |
With his turning his head on me, yes. You think he is guilty? | :05:29. | :05:34. | |
Correct, he was. This is Barney has also eat in the treat after being | :05:35. | :05:39. | |
told not to. Straightaway. He was in there. Where's the treat? Where has | :05:40. | :05:44. | |
it gone? I would probably say guilty. They are both guilty of | :05:45. | :05:48. | |
eating the treat, and the owners think they can tell, but what will | :05:49. | :05:51. | |
happen when we take the treat away. Will the owners be able to tell | :05:52. | :05:56. | |
their dogs are innocent? I think Sampson has a very good poker face. | :05:57. | :06:03. | |
Samson, did you eat the treat? As soon as the owner thought he had | :06:04. | :06:09. | |
eaten it, his tail went back, and his tail was tucked in. Do you think | :06:10. | :06:16. | |
he is guilty? Yes. But he isn't. Will Morag's owner work it out? | :06:17. | :06:23. | |
Morag, what did you do? Oh, no. The dog started barking when the owner | :06:24. | :06:26. | |
asked the question, have you done something you shouldn't have done, | :06:27. | :06:29. | |
and the owner's body language changed at that point and the dog | :06:30. | :06:35. | |
responded. They think she's guilty? Guilty. All four thought their dogs | :06:36. | :06:40. | |
were guilty but only two actually were. The owners really can't tell | :06:41. | :06:43. | |
what their dogs have done. Dogs don't have a concept of guilt in the | :06:44. | :06:47. | |
way we understand it. We need to do another experiment to find out a | :06:48. | :06:51. | |
little bit more. But this time we are not going to be completely | :06:52. | :06:54. | |
truthful. Oscar is guilty. He couldn't wait to eat the treat, but | :06:55. | :07:00. | |
that is not what we are telling his owner. Was really good actually, | :07:01. | :07:06. | |
I've taken it away. Goodbye! She treat him as if he has been good, so | :07:07. | :07:13. | |
he act innocent. Because their behaviour changes depending on the | :07:14. | :07:16. | |
owner we know that their behaviour is about interaction with the owner | :07:17. | :07:20. | |
not about whether they have eaten or not it in the treat. Bigby, what did | :07:21. | :07:27. | |
you do? Dogs act guilty in response to their owner's body language | :07:28. | :07:30. | |
regardless of whether they are guilty or not. If we can demonstrate | :07:31. | :07:33. | |
to people that dogs don't know whether they have done wrong, that | :07:34. | :07:37. | |
little bit of understanding helps us teach our dogs what we want them to | :07:38. | :07:41. | |
do rather than punishing them for the things we don't -- that they | :07:42. | :07:45. | |
don't know wrong. What do our owners think about the results? Not what I | :07:46. | :07:52. | |
thought. Guilty looking, thought Id give things away, but it was just | :07:53. | :07:56. | |
the way I asked. Do you things, boys and girls, it is all down to your | :07:57. | :08:01. | |
owners, not you! STUDIO: Aw! My dog Barry is not the | :08:02. | :08:10. | |
brightest button, he is very fashionable, and he just has one... | :08:11. | :08:20. | |
He just does happy, that's it. When he is naughty, I call him Robert, | :08:21. | :08:24. | |
but normally he is Bobby. Occasionally I can refer to him as | :08:25. | :08:28. | |
Roberto sometimes. It sounds wrong but he sleeps in my bed. But he | :08:29. | :08:34. | |
sleeps with his head on the pillow. It is not wrong! -- that is all | :08:35. | :08:42. | |
wrong. No, because Bobby and I love it. When I go to work he says, good | :08:43. | :08:46. | |
luck with that. I will see you later. That was a real insight. | :08:47. | :08:49. | |
Let's go back to Cold Feet. In a couple of sentences, where did | :08:50. | :09:09. | |
we leave the characters before? Adam and Tina, it was Will they, won't | :09:10. | :09:15. | |
they? And it was left that they might. You kissed. I think there was | :09:16. | :09:24. | |
other kissing on that roof. I actually did more than kissing, in | :09:25. | :09:28. | |
the toilet. That was my favourite bit! Although you and Pete... Yes. A | :09:29. | :09:38. | |
lot of romance and hope and possibility, and David as well. | :09:39. | :09:47. | |
Rumack David left... Didn't you have a fight? -- David left. Yes, fight | :09:48. | :09:54. | |
with the art manager. Well, this series takes place ten months on | :09:55. | :09:58. | |
from the last series, and Adam is being interviewed for a new job, and | :09:59. | :10:02. | |
let's just say he is feeling his age. I was the job interview? Well, | :10:03. | :10:13. | |
I think you're CV is very impressive. Longer than yours, I | :10:14. | :10:22. | |
guess. They were all children? Prydie Young, none of them looked | :10:23. | :10:26. | |
like they had started shaving. We base it on preferences you have | :10:27. | :10:32. | |
expressed. A personal shopper? -- they were pretty young. Right. Said | :10:33. | :10:46. | |
Fred. I guess that was before your time. | :10:47. | :10:49. | |
APPLAUSE It is fair to say all the characters | :10:50. | :10:54. | |
are having a slight career crisis, especially Robert. Your character, | :10:55. | :11:01. | |
David? Yes, he was on remand in prison and he got off. At the | :11:02. | :11:06. | |
beginning of this series he is still in his pinstripe suit but pretty | :11:07. | :11:10. | |
much selling door-to-door. Very attached to that suit. What about | :11:11. | :11:16. | |
Jenny and Pete? We are at a bit of a crossroads. There was the Pete | :11:17. | :11:21. | |
depression storyline. And the shadow of that is on their marriage and | :11:22. | :11:29. | |
their relationship, it is there. Basically Jen is going hell-bent for | :11:30. | :11:32. | |
leather. It is unbelievable, but she is nearly 50. No! Basically he wants | :11:33. | :11:42. | |
to stay on the sofa and she wants to go for gold, and that is problematic | :11:43. | :11:46. | |
but the whole show is about relationships, and we all have them, | :11:47. | :11:50. | |
with mothers, children. You said on the roof, you were going for the | :11:51. | :11:55. | |
kids. What is happening now? Watch tonight, nine o'clock, on TV. You | :11:56. | :12:03. | |
have either briefed not to give too much away! But there are a lot of | :12:04. | :12:07. | |
characters like yourself, Leanne. Does that mean that one of you lot | :12:08. | :12:11. | |
will get bumped off? You did offer to, didn't you? I did and they said | :12:12. | :12:21. | |
no! But there are loads coming in, so do we need to do a cull? The | :12:22. | :12:26. | |
guillotine is hanging. They will not kill me off, they have decided not | :12:27. | :12:30. | |
to. Really? LAUGHTER | :12:31. | :12:35. | |
If you offered and they said no, you're definitely fine. John did not | :12:36. | :12:38. | |
jump over the cliff. They pulled him back. They will not kill you. You | :12:39. | :12:46. | |
are too new. And the already killed one of your ways. So it is between | :12:47. | :12:51. | |
you two. I will die of old age, I think. No! But if that's the way it | :12:52. | :12:58. | |
happens, that's the way it happens. It can't be Hermione because the | :12:59. | :13:04. | |
nation would not allow it. Yes, goodbye, Robert. Sorry! Cull starts | :13:05. | :13:11. | |
tonight at nine o'clock on ITV and we will have a little trivia quiz | :13:12. | :13:16. | |
based on Cold Feet later. Girls and boys. Can I ask The One Show a quick | :13:17. | :13:19. | |
favour? Don't put my kids on TV in 20 years' | :13:20. | :13:21. | |
time asking them what sort That's not a deal we made with | :13:22. | :13:25. | |
Coronation Street actor Bill Tarmey. So his children do get to say | :13:26. | :13:33. | |
what sort of a dad he was to them. Millions of people would recognise | :13:34. | :13:43. | |
our dad just from the sound of his voice. He was Bill Tarmey, better | :13:44. | :13:53. | |
known as Jack Duckworth off Coronation Street. Now I come second | :13:54. | :13:58. | |
to the lodger, do it? No, third. The dog comes before you! He was a bit | :13:59. | :14:05. | |
of a womaniser, loved his drink and his pigeons. My dad loved a couple | :14:06. | :14:14. | |
of pints, like Jack. Pigeons, no? Only in pies, son, only in pies. I | :14:15. | :14:22. | |
am pleased to say he was nothing like Jack. I devoted husband and | :14:23. | :14:28. | |
father. My dad's birth name was William Paddington. He came from an | :14:29. | :14:42. | |
Bradford, Manchester. -- Piddington. They got married when they were both | :14:43. | :14:47. | |
21. My brother came first, Vinnie after. This was the house where me | :14:48. | :14:56. | |
and Sara spent most of our lives. This -- then me after. He would wake | :14:57. | :15:02. | |
if he was out doing his gigs. And he could tell us about his night and | :15:03. | :15:07. | |
ask us about our day at school. He was a very hands-on dad, very | :15:08. | :15:11. | |
loving, but the tone of his voice and a certain look made us week in | :15:12. | :15:18. | |
our boots. As a sideline, he did extra work on Coronation Street in | :15:19. | :15:21. | |
the background. They were that pleased with him, they asked him, | :15:22. | :15:26. | |
did he want to play a part called Jack Duckworth? He first appeared in | :15:27. | :15:33. | |
1979 and he continued with that role for 31 years. Jack Duckworth was | :15:34. | :15:40. | |
married to Vera, and he loved her to pieces. It was in effect his second | :15:41. | :15:47. | |
wife. In many ways he probably spend more time with Liz than he did with | :15:48. | :15:52. | |
my own mum, and quite a few of the cast members including Nigel Pivaro | :15:53. | :15:56. | |
who played Perry, his son. He was always self-conscious of the fact | :15:57. | :16:00. | |
that he didn't have this acting background, that he didn't have to | :16:01. | :16:02. | |
worry about that, because I thought he was a very good and powerful | :16:03. | :16:06. | |
actor. Because he gave a lot of himself to the role in terms of a | :16:07. | :16:10. | |
lot of truth, a lot of sincerity. Have you got my money? He came from | :16:11. | :16:15. | |
that background similar to the Jack character. He was a very wise man as | :16:16. | :16:20. | |
well. He knew characters like Jack Duckworth, but he was not Jack | :16:21. | :16:26. | |
Duckworth. We moved into this house in 1988 and they lived here until | :16:27. | :16:30. | |
they both passed away. It was everything to them, a family home. | :16:31. | :16:35. | |
It was just a great social house. Anyone was welcome at any time. This | :16:36. | :16:39. | |
was dad 's favourite room in the house. | :16:40. | :16:43. | |
A lot of the time, because he brought his friends round, he would | :16:44. | :16:49. | |
actually be stood behind the bar, serving, like Jack used to Dave. | :16:50. | :16:58. | |
Without charging! Of course! In 2009, I got told I had a brain | :16:59. | :17:01. | |
tumour and could have 12 months to live. And I think it just crucified | :17:02. | :17:06. | |
me dad. Well, I know it did. He couldn't physically learn his lines. | :17:07. | :17:11. | |
He just break down and cry. So he'd come to that decision that he would | :17:12. | :17:16. | |
leave. And I cried my eyes out like it was my own dad, because I had two | :17:17. | :17:22. | |
dads. One was Jack Duckworth, and the other one was built Paddington. | :17:23. | :17:29. | |
It was awful. This was where our dad used to sing every other Wednesday. | :17:30. | :17:34. | |
He loved this place. It was where he could relax and be himself and think | :17:35. | :17:41. | |
it's kind of music. He wasn't Jack Duckworth, he was Bill. Bill the | :17:42. | :17:46. | |
Jazz Singer. I could have been in Las Vegas now, instead of flaming | :17:47. | :17:51. | |
Coronation Street! He was just a lovely human being, and everybody | :17:52. | :17:55. | |
adored him, because he was just a genuine person. My dad was my best | :17:56. | :18:00. | |
friend. We both have the same sense of humour. We could talk about | :18:01. | :18:04. | |
everything. I miss that more than anything. Thanks so much to Carl and | :18:05. | :18:13. | |
Saira. He was a lovely bloke. Really, really nice. | :18:14. | :18:14. | |
Who inspired you most growing up, Jimmy? | :18:15. | :18:18. | |
Probably always Northern Ireland, George Best, James Ellis, the | :18:19. | :18:25. | |
Northern Irish actor, Van Morrison, Michael O'Neill, the manager of | :18:26. | :18:28. | |
Northern Ireland, he inspires all of us in Northern Ireland. | :18:29. | :18:31. | |
Nevertheless, I would have to say my dad. He was my primary school | :18:32. | :18:35. | |
headmaster. And my mum. Oh, look! Destined for greatness! I won the | :18:36. | :18:42. | |
Butlins singing competition. And the prize was, a free week for me, my | :18:43. | :18:46. | |
mum and that had to take the entire family back! But my mum and dad, my | :18:47. | :18:50. | |
dad was a great teacher. What about you? On the entertaining side, I've | :18:51. | :18:58. | |
met Barbara Knox once, which was really is an. She was Rita, wasn't | :18:59. | :19:03. | |
she is blog I got all overwhelmed, childhood memories! My dad was a | :19:04. | :19:08. | |
stand-up comics and a singer. Was the? I didn't know that! I remember | :19:09. | :19:14. | |
him coming down the stairs, he would put his cuff links on and say, | :19:15. | :19:17. | |
right, I'm going to go and make them laugh. My dad was a musician, many | :19:18. | :19:22. | |
years sitting and watching my dad play. You said, Robert, that of | :19:23. | :19:31. | |
course Fay... We love you! He doesn't want to embarrass you! | :19:32. | :19:33. | |
Meet One Show viewers Thelma and Marie. | :19:34. | :19:35. | |
They like nothing more than a good night out at the bingo. | :19:36. | :19:38. | |
Where are you? Hello, there! There they are! | :19:39. | :19:45. | |
So, when we heard bingo is now being played in nightclubs, | :19:46. | :19:48. | |
we asked them along to give it a try. | :19:49. | :19:59. | |
This is the bingo that we know and love. It beamed back in the 60s and | :20:00. | :20:09. | |
70s, and even now, 800,000 pupils to play internationally at clubs every | :20:10. | :20:14. | |
week. But tonight, I'm taking two bingo mad ladies to a type of bingo | :20:15. | :20:17. | |
night that they've never seen before. Are you all set for the | :20:18. | :20:27. | |
bingo, ladies? Oh, yes, looking forward to it. Well, I'm taking you | :20:28. | :20:31. | |
to a slightly different kind of bingo night to night. It is called | :20:32. | :20:41. | |
Bongo's bingo! Do you like prizes? Oh, yes! Well, there's plenty of | :20:42. | :20:46. | |
them. Do you like dancing? Well, sometimes... Well, give it a try. | :20:47. | :20:56. | |
Come on, let's go. Johnny Bongo is the creative force behind Bongo's | :20:57. | :21:01. | |
bingo. It started here in Liverpool is to kill at its heart, | :21:02. | :21:06. | |
quintessentially it is bingo. -- at its heart. But woven in between is a | :21:07. | :21:12. | |
bit of a techno rave and a bit of a cheesy pop going on. Bingo in itself | :21:13. | :21:16. | |
is unbelievable. You know, is a game. We've put our own stamp on it | :21:17. | :21:20. | |
and put a little bit of energy and creativity into it to sort of maybe | :21:21. | :21:25. | |
make it appeal to a wider audience. Staying alive is number five... | :21:26. | :21:33. | |
Apparently you have sold 750 tickets for tonight's show. Why do you think | :21:34. | :21:37. | |
it is so popular? I think at its core it is just good fun. Times can | :21:38. | :21:42. | |
be quite tough these days, and people just want to let loose and go | :21:43. | :21:45. | |
well, that's what Bongo's bingo is all about. Thelma, what do you love | :21:46. | :21:50. | |
about bingo? I just like going, because there's a lot of people that | :21:51. | :21:54. | |
we know there and we have a good time. And if we win, it's a bonus. | :21:55. | :21:59. | |
What is the biggest prize that you have won? ?3500. The top cash prize | :22:00. | :22:08. | |
is ?500 here. Chicken feed! But there is a variety of other prizes, | :22:09. | :22:16. | |
including a stuffed unicorn... No! In mobility scooter. That'll do me. | :22:17. | :22:22. | |
I did take a re-home on the back of it! I'm not sure it's a two seater. | :22:23. | :22:25. | |
Are we ready to play Bongo's bingo? Are we ready? Let's go! As it | :22:26. | :22:36. | |
starts, things aren't looking that different from a Saturday night at | :22:37. | :22:40. | |
Gala bingo, except the age. But as soon as somebody wins a line, bingo | :22:41. | :22:48. | |
etiquette goes out the window. The next number... For that Henry Hoover | :22:49. | :22:59. | |
with three interchangeable nozzles... Who would have thought | :23:00. | :23:04. | |
it?! # I would walk 500 miles... | :23:05. | :23:15. | |
# And I would walk 500 more... #. That's a big prize! How was it | :23:16. | :23:22. | |
for you, ladies? Fantastic! Fabulous. Thoroughly enjoyed it. I | :23:23. | :23:26. | |
could see you, you were focused completely on the numbers. It was | :23:27. | :23:32. | |
fun, it was completely different to what Mary bingo, but so much more | :23:33. | :23:37. | |
entertaining. Next time -- to ordinary bingo is. Next time my | :23:38. | :23:39. | |
daughter goes, I'm going with them! Thelma and Louise... I knew I was | :23:40. | :24:00. | |
going to do it! Selma and Marie. You must have tried about it? My auntie | :24:01. | :24:05. | |
said she went there and had a ball. It's the 20th anniversary | :24:06. | :24:14. | |
of the show this year. So you'd think you would know each | :24:15. | :24:16. | |
other pretty well by now. Leanne, as you're the new girl, | :24:17. | :24:19. | |
we'll cut you some slack! How well do you really | :24:20. | :24:22. | |
know each other? We've split you into two teams - | :24:23. | :24:23. | |
Boys versus Girls. Do you know this? I think I know | :24:24. | :24:46. | |
this. I think this is Jimmy Nesbitt... Was this a part-time job | :24:47. | :24:50. | |
that you had, Jimmy? It wasn't a job! Are used to live with Jerome, | :24:51. | :24:56. | |
and Jerome used to give me money to reply to his multi-million fan mail! | :24:57. | :25:04. | |
Brilliant. You can work for John now, he gets much more than any of | :25:05. | :25:07. | |
us! First point to you guys. Boys... What's fishy about this image taken | :25:08. | :25:14. | |
from a scene in series five? What's funny about that is in many | :25:15. | :25:21. | |
ways that really shows the comedy, that's me pouring the Ashes right | :25:22. | :25:27. | |
into the sea. But, you know, the funny thing is, that's supposed to | :25:28. | :25:33. | |
be Fay at the end playing Jenny. But actually, at the end of the line-up, | :25:34. | :25:37. | |
I think it's Janet was field from make up. That is the correct answer! | :25:38. | :25:46. | |
Because Fay ask for too much money to go all the way for this! | :25:47. | :25:49. | |
Which action hero character did Robert audition for in 1986? | :25:50. | :25:57. | |
I don't know this one. 1986... I don't think he was even alive then, | :25:58. | :26:08. | |
shall be! Was it somebody, maybe Doctor Who? I'm going to go for | :26:09. | :26:17. | |
James Bond. You are absolutely right! | :26:18. | :26:19. | |
APPLAUSE Which cast member's | :26:20. | :26:21. | |
aunt had this 1964 hit? Twinkle! Yes! Cold Feet is three | :26:22. | :26:27. | |
popular all over the world. In South Africa, Cold Feet is known | :26:28. | :26:43. | |
as Love, Life and Everything Else. But what was the show | :26:44. | :26:46. | |
almost called In the UK? Baby adults is just wrong, surely! I | :26:47. | :27:02. | |
don't know. I'm going to say consenting adults, would you say? | :27:03. | :27:09. | |
Yes. No, it was young adults. Boys, who we go. -- here we go. | :27:10. | :27:13. | |
Jimmy, you and Leanne are on-screen partners, | :27:14. | :27:15. | |
so you're used to looking at each other pretty closely. | :27:16. | :27:17. | |
Look at this picture - Leanne with her identical | :27:18. | :27:19. | |
Listen, I haven't got a clue... Is it the blackball the -- the | :27:20. | :27:36. | |
blackball the green lipstick? Leanne is the black lipstick, I would say | :27:37. | :27:41. | |
that. That's a trick question, because I can't tell! I think... I | :27:42. | :27:50. | |
don't know! We're going to have to award you the point! | :27:51. | :27:55. | |
APPLAUSE The next one is a quickfire round, | :27:56. | :27:58. | |
fastest finger on the buzzers. She was instrumental | :27:59. | :28:01. | |
in creating a much-loved character in the series | :28:02. | :28:07. | |
- which one? Lives, our unique? -- Liz, are you | :28:08. | :28:26. | |
may? She is indeed! -- are you me. I had a vague memory that her name was | :28:27. | :28:34. | |
Liz. You can have a chat later! One more, OK. Fingers on buzzers. | :28:35. | :28:35. | |
He played Matthew. No, you need the buzzer! Sorry! He played Matthew. He | :28:36. | :28:59. | |
did indeed, well done! That's the end of the quiz. And the scores | :29:00. | :29:03. | |
are... Three to the girls, but for to the boys! | :29:04. | :29:06. | |
APPLAUSE -- but four to the boys. So, you win | :29:07. | :29:18. | |
a The One Show mug. Cold Feet starts tonight on ITV and 9pm. | :29:19. | :29:20. | |
Thanks to Jimmy, Leanne and Robert, and of course to Fay. | :29:21. | :29:22. | |
Good luck with the series On Monday, we're celebrating 40 years | :29:23. | :29:25. | |
Fiona Bruce and experts from the show will be in, | :29:26. | :29:28. | |
If you've wanted to throw something out for ages, | :29:29. | :29:33. |