Browse content similar to 07/09/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker. | :00:15. | :00:16. | |
Tonight we're joined by two guests who complement | :00:17. | :00:21. | |
And the other is the Queen of Latin and Strictly's newest judge | :00:22. | :00:35. | |
who can tell you if you're doing it right. | :00:36. | :00:38. | |
# I love, I love, I love my calendar girl each and every day of the girl. | :00:39. | :00:55. | |
# And of the sea, and and the sea #. Please welcome Neil Sedaka and | :00:56. | :01:01. | |
Shirley Ballas! That was brilliant. Neal, the shock on your face when | :01:02. | :01:07. | |
you saw yourself. I was 22 but I have not changed a bit! Not a bit. | :01:08. | :01:15. | |
Shirley knows everything there is to know about dams, how would you rate | :01:16. | :01:23. | |
yourself out of ten, Neal? Just dancing in general? I loved the | :01:24. | :01:29. | |
cha-cha, the mambo and the tangle. Right up your street, Shirley. I | :01:30. | :01:34. | |
love the cha-cha cha. Could you teach me? Absolutely, I could check | :01:35. | :01:41. | |
and Europe and make sure you are moving your bits and bobs. Have you | :01:42. | :01:47. | |
heard of the waterbug? This might even be anyone on you, Shirley. | :01:48. | :01:55. | |
Let's have a look. -- this might be a new one on you. That was my movie | :01:56. | :02:04. | |
career. That was good! I had a brief movie career, two movies that were | :02:05. | :02:10. | |
both flops. That was one of them. What did you make of the waterbug, | :02:11. | :02:17. | |
Shirley? It was interesting, I don't think I've ever seen anything like | :02:18. | :02:19. | |
that. Wait till next week! Well it's a busy weekend | :02:20. | :02:30. | |
for the both of you - we'll be talking all things Strictly | :02:31. | :02:33. | |
later with Shirley, and thankfully Neil, | :02:34. | :02:35. | |
you'll be sitting down I'll be doing short medley, then add | :02:36. | :02:42. | |
the Albert Hall on the 18th and then on Sunday at Gateshead, we have | :02:43. | :02:46. | |
seven cities. Gateshead is a great place to start! | :02:47. | :02:49. | |
Tonight we'll also be celebrating the British Harvest | :02:50. | :02:56. | |
and we want to see your crops, so whether it's your combines | :02:57. | :03:02. | |
Harvesters or you pupil numbers, send in your photos to the usual | :03:03. | :03:09. | |
address -- your cucumbers. We would share your pictures later. | :03:10. | :03:11. | |
They may divide opinion when it comes to the landscape - | :03:12. | :03:14. | |
but there's no denying the power of wind farms. | :03:15. | :03:16. | |
Last year the UK generated more power from wind than coal. | :03:17. | :03:19. | |
Kevin Duala has been to see what it takes to keep the green | :03:20. | :03:22. | |
The world's largest wind turbines. My goodness, look at the size of it. | :03:23. | :03:30. | |
Just four miles off the coast of Merseyside. 195 metres tall, bigger | :03:31. | :03:38. | |
than the Clerkin in London. This is a brand-new breed of tall powerful | :03:39. | :03:43. | |
wind farms, its blades began spinning in the spring providing | :03:44. | :03:50. | |
clean energy per 250,000 homes. What does it take to keep these turbines | :03:51. | :03:58. | |
spinning. We are about to find out. 6am at a famous shipyard in | :03:59. | :04:03. | |
Birkenhead and my date is beginning. HMS Ark Royal was built here. S | :04:04. | :04:09. | |
there's a new industry now, cutting edge green technology and issue has | :04:10. | :04:14. | |
been invited to take a first look as they carry out maintenance. There is | :04:15. | :04:21. | |
my boat taking us out to the wind turbines, so all aboard. It's a | :04:22. | :04:25. | |
voyage down the River Mersey four Miles out to sea, the field of new | :04:26. | :04:30. | |
turbines covers 15 square miles and they have already made an impact. | :04:31. | :04:36. | |
For the first time on a blustery day in June wind farms produced 10% of | :04:37. | :04:42. | |
our electricity but by 2020 and this should be the norm. And this is the | :04:43. | :04:49. | |
key to it. Meet Charlie three, a new super wind turbine, so big that a | :04:50. | :04:53. | |
double-decker bus could fit in the base of each blade. One revolution | :04:54. | :04:57. | |
of those blades could power your house for 24 hours. As we arrive it | :04:58. | :05:03. | |
is a pause for maintenance so that means no power generation so these | :05:04. | :05:07. | |
guys are up against the clock. Former Navy engineer David and | :05:08. | :05:13. | |
ex-Army electrician Stuart Brown are part of a team of engineers here | :05:14. | :05:17. | |
seven days a week, weather permitting. Today we are doing the | :05:18. | :05:22. | |
three months service, they have been running for three months or a little | :05:23. | :05:26. | |
over so we need to check everything is OK. And not allowed inside for | :05:27. | :05:32. | |
safety reasons but we've kitted David and Stuart with mini cameras | :05:33. | :05:35. | |
so we can get an insight and they will keep you up-to-date with | :05:36. | :05:39. | |
walkie-talkies. First a 30 metre climb just to get onto the | :05:40. | :05:45. | |
structure. Then tools are winched to the lower deck of the turbines. What | :05:46. | :05:51. | |
are you working on today. Checking the bulbs in the tower and the | :05:52. | :05:57. | |
cooling system that it does at the correct temperatures. They need to | :05:58. | :06:00. | |
work quickly. We are looking for leaks, the cracks. Next they | :06:01. | :06:06. | |
dismantle the high-pressure cooling system at the heart of the turbine. | :06:07. | :06:10. | |
Switching this filter will keep the blades turning and the power | :06:11. | :06:17. | |
flowing. You might like to change the coolant and the air filter on | :06:18. | :06:22. | |
your car, but this is how you change it on a wind turbine. The UK | :06:23. | :06:25. | |
produces more wind power at sea than any other nation. The first offshore | :06:26. | :06:31. | |
wind farms appeared 17 years ago. Now we've got around 30 providing | :06:32. | :06:35. | |
more than five jiggle watts of power, enough to switch on 5 million | :06:36. | :06:40. | |
light bulbs. There are plans to double our wind power over the next | :06:41. | :06:44. | |
three years. The next big offshore project will be 75 miles off the | :06:45. | :06:54. | |
coast of Yorkshire and will dwarf this field. More than 170 giant wind | :06:55. | :06:57. | |
turbines, enough to power 1 million homes. As wind farms get bigger and | :06:58. | :07:01. | |
better, are they any cheaper? Ben Sykes is from Dong energy. When will | :07:02. | :07:12. | |
the households see the return on what they pay? We are now seeing the | :07:13. | :07:16. | |
costs tumbling so we will be able to build new power stations to replace | :07:17. | :07:20. | |
coal and other ageing power stations that will be coming off the system | :07:21. | :07:24. | |
in the next few years very affordably. Absolutely it is | :07:25. | :07:28. | |
delivering for UK consumers and generating jobs as well. Dexter | :07:29. | :07:34. | |
their success comes at a cost to the landscape. In the beginning they | :07:35. | :07:40. | |
were blocked on the landscape but we are used to them now and they are | :07:41. | :07:45. | |
doing good job. I could take them or leave them but I think I would | :07:46. | :07:50. | |
prefer it without them. And Charlie three after 40 minutes work is | :07:51. | :07:57. | |
complete, Dave and Stuart feel that they are doing a good job. We are | :07:58. | :08:02. | |
moving towards green energy and it's definitely the way forward. We're | :08:03. | :08:07. | |
well on the way to cementing our reputation as world leaders in wind | :08:08. | :08:15. | |
power. Shirley that is your neck of the Woods so it must be a familiar | :08:16. | :08:20. | |
sight when you go home. Yes, I see it by the Mersey and they have very | :08:21. | :08:26. | |
straight arms! Ideal for a Strictly judge. We've moved to the piano, | :08:27. | :08:31. | |
Neil, because we hope that as you talk you will give as the piano. And | :08:32. | :08:40. | |
attached to my piano. Shirley was very excited that you were going to | :08:41. | :08:43. | |
be on the show, let's start with her favourite song. | :08:44. | :08:51. | |
# I hear laughter in the rain # Walking hand in hand with the one | :08:52. | :08:54. | |
I Love... #. Isn't that lovely! | :08:55. | :09:00. | |
APPLAUSE Neal Com you are going on this UK | :09:01. | :09:05. | |
tour but is spent a lot of time in the UK in the 60s. I felt that if | :09:06. | :09:09. | |
the Beatles came to New York I should return the favour and go to | :09:10. | :09:16. | |
London! I did a programme in 1961 called Sunday Night At The Palladium | :09:17. | :09:22. | |
and this is what I blade. And they said is that rock and roll? Although | :09:23. | :09:28. | |
you did write a song that was inspired by John Lennon. Yes, he was | :09:29. | :09:34. | |
a good friend and was having trouble getting a green card. I wrote and | :09:35. | :09:41. | |
recorded a song dedicated to him. # There was a time when strangers | :09:42. | :09:46. | |
were welcome here... # It was called The Immigrant. | :09:47. | :09:50. | |
# Music would play, they tell me the days were sweet and clear... #. | :09:51. | :09:58. | |
Listen to the reaction to that. We had a radio show together, people | :09:59. | :10:02. | |
usually ask me for favours but no one ever wrote a song for me, he | :10:03. | :10:07. | |
said. He was touched. We were surprised that you have written | :10:08. | :10:14. | |
about 800 songs. Not all heads! It doesn't matter, it's the quantity, | :10:15. | :10:21. | |
not the quality! And you learned by listening to the same three songs. | :10:22. | :10:26. | |
Being a studying musician I would look at the number one record in all | :10:27. | :10:30. | |
the countries of the world and I would see what the guitar lick was, | :10:31. | :10:33. | |
what the drum beat was, what the chorus line was. And I sang | :10:34. | :10:42. | |
# Oh! Carol, I am but a fool # Darling I love you, though you | :10:43. | :10:49. | |
treat me cruel... #. What was your first big hit? The | :10:50. | :10:56. | |
first big one was # I go ape every time I see you | :10:57. | :11:02. | |
smile... #. Jerry Lee Lewis, eat your heart out! | :11:03. | :11:09. | |
And a key factor has been Howard Greenfield. We rode many songs | :11:10. | :11:15. | |
together. You met a very young. I started writing when I was 13, he | :11:16. | :11:19. | |
was 16, and we wrote one song every day. I was in love with writing. I | :11:20. | :11:26. | |
won't play the first song because it was terrible. | :11:27. | :11:31. | |
# My life's devotion is loving you only | :11:32. | :11:36. | |
# My heart says to you, I'll always be true | :11:37. | :11:41. | |
# You'll never be lonely #. What was the matter with that! It is | :11:42. | :11:47. | |
not bad for 13. And now you have grandchildren. Three grandchildren | :11:48. | :11:50. | |
and they love your songs but they are not happy with the words. They | :11:51. | :11:55. | |
made me change them to make it a child friendly. So I wrote, waking | :11:56. | :12:03. | |
up is hard to do, and... Lunch Will Keep Us Together... And they sing | :12:04. | :12:13. | |
the backing vocals! I have twins, 14, and a boy of eight. Of a | :12:14. | :12:22. | |
musical? I tried to teach them the piano but No, not really. But they | :12:23. | :12:28. | |
like lunch. They like lunch. On tour you are not taking an orchestra. I | :12:29. | :12:33. | |
do it at the piano and it is very personal. I tell the people why and | :12:34. | :12:40. | |
how I write. And it brings back wonderful memories, people say, I | :12:41. | :12:44. | |
grew up with this song, I remember who I was dating at this particular | :12:45. | :12:52. | |
time, music brings it all back. Can you give us a flavour of the show | :12:53. | :12:57. | |
for the people coming to see you, what do you start with. Calendar | :12:58. | :13:03. | |
Girl, Sweet Little 16, Laughter In The Rain, That's When The Music | :13:04. | :13:11. | |
Takes Me... It is amazing how your audience is so receptive, they sing | :13:12. | :13:17. | |
along. And you are going to play a medley for us later. An abridged | :13:18. | :13:25. | |
version. And you are 78. Don't make me older than I... Yes, I am! How | :13:26. | :13:31. | |
are your fingers, we read that you got arthritis. I do but I can still | :13:32. | :13:38. | |
play! He's fine! APPLAUSE | :13:39. | :13:46. | |
Is it important to keep playing. The more you play with arthritis, the | :13:47. | :13:52. | |
better you are. Keep them moving, is it. That's right. When I get up in | :13:53. | :13:56. | |
the morning it isn't great and I crawled to the shower. You have had | :13:57. | :14:02. | |
a busy day because I heard you on the Ken Bruce show. You heard the | :14:03. | :14:06. | |
new song. You do it for the applause and I guess that is why you are | :14:07. | :14:14. | |
still going. The new song comes out tomorrow at the Internet and it is | :14:15. | :14:18. | |
on iTunes and my website so I have done my plug for the day. | :14:19. | :14:23. | |
Whilst Neil takes to the road this weekend, Shirley will be | :14:24. | :14:26. | |
taking her seat behind the Strictly judges table. | :14:27. | :14:28. | |
To show us how she got there, Shirley's been back to the streets | :14:29. | :14:31. | |
where she grew up to introduce us to the people who have been | :14:32. | :14:34. | |
The Shirley Ballas, and I have been dancing all my life. I'm three times | :14:35. | :14:54. | |
world Latin American champion, and ten times United States Champion, | :14:55. | :14:59. | |
but it all started here on the Wirral in Merseyside. I grew up here | :15:00. | :15:08. | |
on the Leasowe housing estate, and I have come to see my mum, Audrey. | :15:09. | :15:13. | |
There was my mother, my brother, David, and myself. David was a | :15:14. | :15:19. | |
rascal, you said. I don't really know how my mother did it, she | :15:20. | :15:24. | |
raised two children on her own, and we were on welfare. I owe her | :15:25. | :15:30. | |
everything. It is because of her I am who I am, and all the sacrifices | :15:31. | :15:33. | |
that she made so that I could dance will forever be in my heart. Growing | :15:34. | :15:39. | |
up on the Leasowe housing estate was never easy, and people used to say, | :15:40. | :15:43. | |
once you get on that housing estate, you never get off. I used to live in | :15:44. | :15:47. | |
a block of flats over there, and then I moved here when I was six or | :15:48. | :15:52. | |
seven. I used to get everybody in the front yard, all the kids from | :15:53. | :15:56. | |
the neighbourhood, and line them all up and be doing the cha-cha-cha, | :15:57. | :16:00. | |
bossing them about. I would be the judge. From a very young age, show | :16:01. | :16:06. | |
them the steps and then I would be doing the judging! We are now at | :16:07. | :16:10. | |
Saint chads church where it all started when I was seven years old, | :16:11. | :16:14. | |
and haven't been back here since I left at 11. I am eating my very | :16:15. | :16:19. | |
first dance partner, Irene Hamilton, we danced the all girls together | :16:20. | :16:20. | |
when I was seven years old. Here is a trip down memory lane, | :16:21. | :16:32. | |
isn't it! Where it all began, when we were little. Many, many years | :16:33. | :16:36. | |
ago. Still looks the same. Same floor, | :16:37. | :16:47. | |
great flaw. Going to dancing in the church hall, I remember it was 15p | :16:48. | :16:52. | |
per class, back then that was a lot of money, and the dance class for me | :16:53. | :16:56. | |
was an escape, it was just another world, it was like being in Disney, | :16:57. | :17:02. | |
it was amazing for me. # moon river... | :17:03. | :17:17. | |
It feels just like it did when we were kids! Same routine, same place! | :17:18. | :17:26. | |
That's the routine we did as children. I got the girl part, but | :17:27. | :17:33. | |
she was a better leader than me, I still don't have any leading skills! | :17:34. | :17:38. | |
I'm still working on them. I got my first lucky break when I was about | :17:39. | :17:42. | |
11 and I got the opportunity to attend the amazing crown Studios | :17:43. | :17:46. | |
with Margaret Redmon to be taught by her. It truly felt I'd arrived. What | :17:47. | :17:53. | |
you remember about me as a young girl? I remember you being very | :17:54. | :17:57. | |
eager. You always came prepared for your class, and I think actually you | :17:58. | :18:04. | |
were so easy to teach. OK, sometimes, a little rebellious, but | :18:05. | :18:08. | |
mainly very, very easy to teach. I could see that you had something | :18:09. | :18:11. | |
that was going to take you along way in the dancing world. She was my | :18:12. | :18:18. | |
first competitive coach, and she became a huge influence on my life, | :18:19. | :18:23. | |
she taught me about life, she gave me confidence and truly made me | :18:24. | :18:27. | |
believe that any dream I set for myself, it was possible, even if I | :18:28. | :18:33. | |
came from a council estate. I'm hoping that my mother will come and | :18:34. | :18:38. | |
watch the first live show, but she, like everybody else in the country, | :18:39. | :18:41. | |
she wants to watch it from her living room. So what you think about | :18:42. | :18:46. | |
this next part of the journey? It's a bit nerve-racking, isn't it? But I | :18:47. | :18:49. | |
think you'll be fine, you'll enjoy it. Do know what is the most | :18:50. | :18:54. | |
exciting part about Strictly? Enjoying this journey with you, | :18:55. | :18:57. | |
because without you, there would be no Strictly journey. Thank you. | :18:58. | :19:03. | |
APPLAUSE And Shirley's mamma is here with you | :19:04. | :19:19. | |
tonight. She has got a 10 paddle! Enjoy Strictly this weekend. And now | :19:20. | :19:29. | |
you have got your son into the world of entertainment, and mark, as far | :19:30. | :19:35. | |
as Dancing With The Stars is concerned, has he won that wise? Yes | :19:36. | :19:40. | |
Scotland he is going to do Dancing With The Stars over there while I am | :19:41. | :19:46. | |
doing Strictly over there. And what has he said to you about all of | :19:47. | :19:50. | |
this? He gave me a little bit of a nudge and said, why don't you try, I | :19:51. | :19:57. | |
have heard that Lenny is wanting to retire, maybe you could have a go, | :19:58. | :20:02. | |
maybe you could qualify and enjoy it, and he was the first person I | :20:03. | :20:06. | |
called one I got the job, and an face time when it opened up, he just | :20:07. | :20:10. | |
looked and said, you got it, didn't you, mummy? Every day we were | :20:11. | :20:16. | |
exchanging and sharing. And the people in charge of Strictly | :20:17. | :20:18. | |
obviously thought that you will more than qualified, because you are not | :20:19. | :20:24. | |
just going on as a judge, you are head judge, aren't you? So what | :20:25. | :20:30. | |
pressure comes with that? I don't think it particularly comes with | :20:31. | :20:33. | |
pressure, because my job is to be as honest as I can, and critiqued | :20:34. | :20:37. | |
exactly what I'm seeing at the moment and to give people a good | :20:38. | :20:40. | |
critiques so that they can carry forward each week. And I'm looking | :20:41. | :20:47. | |
forward to the journey of each person. And do you have a thing, a | :20:48. | :20:51. | |
thing that really gets you? Craig can't bear thumbs. Craig can't bear | :20:52. | :21:00. | |
anything! Darcey is very into the arms. And Bruno is into the Passion. | :21:01. | :21:04. | |
And I'm very much into grounding your weight and the technical aspect | :21:05. | :21:08. | |
of it, is it your heel or your toe, you're inside edge, how do you pass | :21:09. | :21:14. | |
your feet? And I love synchronisation because your arms | :21:15. | :21:17. | |
are as long as your legs, see you have to call would make the upper | :21:18. | :21:20. | |
half with the lower half and then you have to have chemistry, and then | :21:21. | :21:24. | |
you have to bring the performance of a lifetime every week. So not much, | :21:25. | :21:31. | |
really(!) I love ballroom dancing. I love the Argentine tango, and the | :21:32. | :21:42. | |
Viennese waltz. You are the Latin Queen, that is going to be the thing | :21:43. | :21:48. | |
for you, isn't it? I started off in the ballroom, I danced with a | :21:49. | :21:52. | |
gentleman called Nigel Tiffany, the ballroom champion at the time, and | :21:53. | :21:57. | |
we were in the semifinal, and way back in the Latin, and then I got | :21:58. | :22:01. | |
spotted by my dance coach who said, I feel you have a flair for Latin, | :22:02. | :22:05. | |
and I got an opportunity when I was 17 to dance with Sammy Stothard who | :22:06. | :22:12. | |
taught me all about it. And is it right that you can tell by looking | :22:13. | :22:16. | |
at somebody within two seconds whether they are going to be any | :22:17. | :22:20. | |
good at Latin? I can tell when they walk down the stairs. Well, we have | :22:21. | :22:27. | |
a picture of this year's cast. Without giving anything away, tell | :22:28. | :22:31. | |
us who do you think might be the king and queen of Latin, just by | :22:32. | :22:37. | |
lucking. I think they are all kings and Queen's. When I watched them all | :22:38. | :22:41. | |
walk down the stairs the other day, they all just had a stride in their | :22:42. | :22:45. | |
step and they came out and they did their little group number and they | :22:46. | :22:48. | |
were all having so much fun that I was just taken with the moment. So I | :22:49. | :22:54. | |
think for me, I think they are all kings and queens. We are going to | :22:55. | :23:04. | |
see some former contestants having a dance, we are not asking you to | :23:05. | :23:17. | |
judge. This is you! Back in the day when I was a lad. That is | :23:18. | :23:25. | |
impressive, lovely arm there. And then we are into... Have you | :23:26. | :23:30. | |
studied, or is that natural? That is very natural! And a bit of passion | :23:31. | :23:40. | |
going. So you have both done it? That was in Wembley, that particular | :23:41. | :23:43. | |
show, it was nerve-racking. APPLAUSE | :23:44. | :23:51. | |
Really enjoyed it, and the contestants this year are in for a | :23:52. | :23:57. | |
treat, it is such a fantastic show to do. And we are still dancing! | :23:58. | :24:03. | |
Anyway, it is all good. Good luck with it all. Thank you. | :24:04. | :24:06. | |
Strictly isn't the only time-honoured tradition | :24:07. | :24:08. | |
With farmers having worked hard throughout the summer, now | :24:09. | :24:11. | |
is the time they get to reap their rewards. | :24:12. | :24:13. | |
Here are some stunning shots of this year's harvest. | :24:14. | :24:24. | |
I'm Nathan Delecour, and we are harvesting sweetcorn. I am Allie | :24:25. | :24:35. | |
Capper, and I'm a partner at stocks farm in Worcestershire, we are hops | :24:36. | :24:39. | |
and apple farmers. That's what we do. I am Colin McGregor from | :24:40. | :24:44. | |
McGregor farms, and we are harvesting wheat. Harvest is all | :24:45. | :24:52. | |
about the pressure of did I get it right? Sweetcorn is not sweetcorn | :24:53. | :24:56. | |
unless it is sweet. We try and pick it on the right day, but within 48 | :24:57. | :25:00. | |
hours, the right day has left the field, so we have got to get the | :25:01. | :25:05. | |
timing right. To see if you like the fruits of our labour from the year, | :25:06. | :25:09. | |
it is a good feeling, and then there are other sights and smells, so it | :25:10. | :25:14. | |
is a very sensory experience, the harvest. It is exciting, there is a | :25:15. | :25:21. | |
lot happening, it is busy. It is accumulation of year's work. No | :25:22. | :25:26. | |
harvest, no business. The two machines we are watching harvesting | :25:27. | :25:29. | |
have over the last any is replaced what would now take probably 250 | :25:30. | :25:34. | |
people to harvest. The worst case in RA, a wheel falls off one of the | :25:35. | :25:38. | |
machines, and if a wheel falls off one of the other one as well we | :25:39. | :25:41. | |
would have to go back to hand harvesting techniques, but I hope we | :25:42. | :25:48. | |
don't have that to content with. The weather is absolutely critical to | :25:49. | :25:52. | |
harvest. Wet days, it doesn't happen, and the crop deteriorates, | :25:53. | :25:55. | |
so if it gets wetter, the combines can't harvest it, and the moisture | :25:56. | :26:00. | |
content is high so that we have to dry it, which is a big expense. The | :26:01. | :26:05. | |
biggest stress for us when it comes to this time of year is making sure | :26:06. | :26:08. | |
we have the right people in the right place at the right time. We | :26:09. | :26:12. | |
don't relax in harvest, it is seven days a week and it is long days. | :26:13. | :26:19. | |
Farmers love planting seeds. There is immense pride in going shopping | :26:20. | :26:23. | |
and watching people put something you've produced into their shopping | :26:24. | :26:28. | |
basket. Fundamentally it is a simple task. Get everybody to eat something | :26:29. | :26:35. | |
twice. The worst harvest was in 2012, it just kept raining raining, | :26:36. | :26:40. | |
the crop deteriorated, and we saw the legacy from that of the 23 years | :26:41. | :26:45. | |
in terms of the yield. If we don't produce enough food in the UK, we | :26:46. | :26:49. | |
have to import, and that can affect prices for the consumer in the | :26:50. | :26:56. | |
shops. British hops are special. We grow varieties here in the UK that | :26:57. | :27:01. | |
can't be successfully grown anywhere else in the world, and it is that | :27:02. | :27:04. | |
complexity of flavour that gives you the drink ability in the beer, that | :27:05. | :27:08. | |
makes you want to go back for another glass. At harvest, you hear | :27:09. | :27:17. | |
the chatter of the crop and you smell the unique aroma as the crop | :27:18. | :27:20. | |
harvesters move through the crop, you can smell that sweetness. My | :27:21. | :27:28. | |
wife is good to us all, she brings us a hot meal early evening, | :27:29. | :27:32. | |
lasagne, shepherds pie, whatever, we have it out in the field, and that | :27:33. | :27:37. | |
makes a big difference, you can keep going until the small hours. | :27:38. | :27:43. | |
And here we are in a stuffy studio! Get me back to the fields! | :27:44. | :27:46. | |
Earlier we asked for pictures of your harvest, | :27:47. | :27:48. | |
Surely, you have got a lovely one. Barry has grown these onions from | :27:49. | :27:58. | |
seeds in his garden in Hertfordshire. Good lad, Barry. He | :27:59. | :28:04. | |
knows his onions. This is Chris with his grandson Harry, and this is | :28:05. | :28:08. | |
Harry's first trip in the combine. And this is Louis and his giant | :28:09. | :28:14. | |
courgette. What's the secret! Letters now! What a show it has | :28:15. | :28:22. | |
been. We are almost done, but not before we hear some music. | :28:23. | :28:24. | |
Strictly starts on Saturday at 7pm, and Neil begins his | :28:25. | :28:27. | |
Tomorrow, Fay Ripley will be keeping Matt's seat warm | :28:28. | :28:34. | |
when the cast of Cold Feet will be here, but we leave you now with Neil | :28:35. | :28:38. | |
# Strolling along country roads with my baby | :28:39. | :28:59. | |
# It starts to rain, to pour # I feel the warmth of her hand in | :29:00. | :29:07. | |
mine # I hear laughter in the rain | :29:08. | :29:12. | |
# Walking hand-in-hand with the one I love | :29:13. | :29:21. | |
# How I love the rainy day in a happy way | :29:22. | :29:23. | |
# I feel inside # Oh, Carole. | :29:24. | :29:28. | |
# I am but a fool # Darling, I love you | :29:29. | :29:36. | |
# Though you treat me cruel # You hurt me | :29:37. | :29:42. | |
# And you make me cry # But if you leave me | :29:43. | :29:50. | |
# I will surely die. And then I wrote | :29:51. | :29:57. | |
# Is this the way to Amarillo? # Every night I've been hugging my | :29:58. | :30:00. | |
pillow # Dreaming dreams of Amarillo | :30:01. | :30:04. | |
# And sweet Marie who waits for me # Show me the way to Amarillo | :30:05. | :30:10. | |
# I've been weeping like a willow # Crying over Amarillo | :30:11. | :30:17. | |
# And sweet Marie who waits for me # And sweet Marie who waits for me | :30:18. | :30:22. | |
# And sweet Marie who waits... Big finish! | :30:23. | :30:34. | |
# For me # Sha-la-la... | :30:35. | :30:43. | |
I believe your husband called us about a valuation on your prop... | :30:44. | :30:47. |