Browse content similar to 06/09/2017. Check below for episodes and series from the same categories and more!
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Welcome to the One Show with Matt Baker | :00:18. | :00:19. | |
Tonight we are joined by Indian movie star Ali Fazal and - | :00:20. | :00:27. | |
in her own words - "jobbing actor" Dame Judi Dench! | :00:28. | :00:32. | |
CHEERING AND APPLAUSE We are delighted to have you with us | :00:33. | :00:39. | |
this evening. Dame Judi, can you confirm | :00:40. | :00:43. | |
it is in fact you sat on the sofa? The reason I ask is | :00:44. | :00:46. | |
because of this headline It'sTracy Ullman doing | :00:47. | :00:48. | |
an impression of you! You are a fan of her impression? I'm | :00:49. | :01:16. | |
a huge fan. It gets me in trouble. As I was looking at vegetables a guy | :01:17. | :01:24. | |
said "watch it." Maybe you haven't seen this. Let us enjoy it together. | :01:25. | :01:31. | |
Here we go. Oi, I saw that. Do you want me to call the police? I don't | :01:32. | :01:36. | |
know what you mean. Oh, it's you, isn't it? If you mean, is it Dame | :01:37. | :01:42. | |
Judi Dench then, yes, it is. How nice to meet There must be you. | :01:43. | :01:45. | |
Something wrong with the security camera. They can be tempermental. I | :01:46. | :01:50. | |
loved you in James Bond. Oh, we tried to tell a good story and thank | :01:51. | :01:55. | |
you. What was I thinking. Dame Judi Dench wouldn't shoplift you're a | :01:56. | :02:02. | |
national treasure. Exactly! Oh, my word. That's so good. It's so good. | :02:03. | :02:15. | |
We will talk about your new film, Victoria and Abdul. We saw it this | :02:16. | :02:16. | |
morning and we loved it. We did. But first we turn to another member | :02:17. | :02:20. | |
of the Royal Family, Princess Diana. Her funeral, 20 years ago today, | :02:21. | :02:24. | |
was watched by 31 million people in the UK and an estimated | :02:25. | :02:28. | |
2 billion people worldwide. But the four people we're | :02:29. | :02:30. | |
about to meet all have a very special reason to remember | :02:31. | :02:33. | |
where they were on that day. You'd wave and you'd say good | :02:34. | :02:45. | |
morning and she would reply with a wave and a smile. The Royal funerals | :02:46. | :02:50. | |
are written and to a degree we can prepare, but obviously this was | :02:51. | :02:59. | |
totally unexpected. There was no second text, it was Sir Elton John | :03:00. | :03:07. | |
and the piano. The mobile went I said, "yes" the voice said "would | :03:08. | :03:11. | |
you tune the piano for Elton John." It was like any other job, "that's | :03:12. | :03:18. | |
fine, great." Then I sat down... It hit me like a thunder bolt - I was | :03:19. | :03:23. | |
worried actually at first because Sir Elton wanted the piano done on | :03:24. | :03:27. | |
the Saturday morning. Oh, that was the day of the funeral. If anything | :03:28. | :03:32. | |
unexpected had gone, there was no error of margin. Fortunately he had | :03:33. | :03:39. | |
a change of mind. I went there on the Friday, I wanted to look good | :03:40. | :03:45. | |
for Diana. I was walking up that long aisle and I seen the piano in | :03:46. | :03:53. | |
the distance, sitting there. I was really nervous. I kept going over it | :03:54. | :03:59. | |
and checking everything. I had to keep my emotions on hold until the | :04:00. | :04:07. | |
next day, when Elton had played. # Goodbye England's rose, may you | :04:08. | :04:11. | |
ever grow in our hearts... # Once everything was fine, no | :04:12. | :04:14. | |
comeback, no phone calls, nothing, then I could relax and grieve like | :04:15. | :04:18. | |
everybody else. Which I did. That was my day. | :04:19. | :04:29. | |
Diana used to use Kensington Gardens a lot. She would take the boys | :04:30. | :04:35. | |
around the park, we saw her push them in the pushchair and take them | :04:36. | :04:39. | |
up to the playground. She was part of the park community. People were | :04:40. | :04:44. | |
turning up in their thousands. There were more and more flowers, candles | :04:45. | :04:50. | |
appearing. We had to make plans for the funeral route coming from | :04:51. | :04:54. | |
Kensington Palace. The whole of the world was going to see this. I never | :04:55. | :05:02. | |
stopped. On the Saturday morning, I thought, well, before the funeral | :05:03. | :05:06. | |
starts, if there are any issues, I'll sit-in my car and I'll be able | :05:07. | :05:12. | |
to go to any point as quickly as possible. I listened to the funeral | :05:13. | :05:21. | |
on the radio. And the gun carrage with the coffin. As I did that, I | :05:22. | :05:28. | |
nodded off, I was exhausted. -- carriage. We rehearsed, we | :05:29. | :05:33. | |
practiced. We were feeling very nervous, anticipating what was to | :05:34. | :05:37. | |
come. We went down to Kensington Palace on the morning of the | :05:38. | :05:40. | |
funeral. We probably had that point three or four hours to prepare. It | :05:41. | :05:45. | |
was my responsibility to clamp the coffin on to the funeral board. It | :05:46. | :05:51. | |
was the one that had played on my mind throughout the week and the | :05:52. | :05:55. | |
rehearsals. As we exited the grounds of Kensington Palace and hit the | :05:56. | :05:59. | |
crowd for the first time, the wailing and the screaming started. | :06:00. | :06:04. | |
Physically I felt myself take a sharp intake of breath. Mark and I | :06:05. | :06:09. | |
marched behind the gun, I on the left hand side and Mark on the right | :06:10. | :06:15. | |
hand side of the horses. Personally the emotion, I found it quite | :06:16. | :06:18. | |
difficult. I thought a lot about the Princes behind and what they must be | :06:19. | :06:22. | |
going through. Once we arrived at the Abb why and the Welsh Guards | :06:23. | :06:27. | |
took the coffin off, it was a ept mo of big relief. It was a real feeling | :06:28. | :06:32. | |
of emotion, but also of almost satisfaction that we'd carried her | :06:33. | :06:35. | |
safely to the Abbey and we were proud of what we did. | :06:36. | :06:39. | |
A week after the funeral came the time for removing all the tributes | :06:40. | :06:49. | |
that had been laid. The soft toys were distributed amongst children's | :06:50. | :06:57. | |
hospitals and all the cards were taken up to Althorp. The flowers | :06:58. | :07:00. | |
were kept here in Kensington Gardens. We had them composted. We | :07:01. | :07:05. | |
ended up putting that back on to our flowerbeds. I think she would have | :07:06. | :07:08. | |
loved that because she did like the gardens and that would have been a | :07:09. | :07:09. | |
fitting tribute. It's hard to believe that it was 20 | :07:10. | :07:22. | |
years ago. O Isn't it. Can you remember watching the funeral, Judi? | :07:23. | :07:29. | |
Yes. I remember most of all the day she died and thinking my daughter, | :07:30. | :07:33. | |
coming out into the garden where I was hanging out some clothes and | :07:34. | :07:38. | |
telling me the news. I'm sure for everybody it was so shocking. It is | :07:39. | :07:43. | |
that moment that everybody remembers where they were, don't they? Yes. | :07:44. | :07:47. | |
You said you were only ten? I remember my mum and my grandmother, | :07:48. | :07:52. | |
there was lots of noise in the house. The TV was on. We were back | :07:53. | :07:58. | |
in India. I was woken up. It was the middle of the night. I don't | :07:59. | :08:00. | |
remember the time. I remember being woken up. It was just tears in my | :08:01. | :08:06. | |
mother's eyes. I knew something was awfully wrong. Then of course I saw | :08:07. | :08:12. | |
the TV. We all knew who she was. We will move on to brighter things and | :08:13. | :08:18. | |
talk about the new film. In 1997 you were playing Victoria back then. | :08:19. | :08:22. | |
Here we are now, 20 years on, you are playing her again. The film | :08:23. | :08:27. | |
takes place in her Golden Jubilee year, with this very unexpected | :08:28. | :08:31. | |
meeting. Really when the film starts she's in a very dark place, it | :08:32. | :08:37. | |
seems? Yes. She's in a sad, dark place. She's, you know, in her 80s | :08:38. | :08:45. | |
and, she says in it, all her friends are dropping off all around her. She | :08:46. | :08:52. | |
has nobody, I think, to be a confidante and to talk to and to | :08:53. | :08:58. | |
laugh with and share things. Excuse me. It's four years after John Brown | :08:59. | :09:06. | |
has died. So she's kind of giving up a bit. When you hear all that she | :09:07. | :09:14. | |
has every day, it's like she has at the moment, so many things to do | :09:15. | :09:18. | |
every day. She doesn't have the luxury to think, I have two-days up, | :09:19. | :09:22. | |
put my feet up the chimney, you know! Her luck changes, in a sense? | :09:23. | :09:31. | |
It certainly does. By the arrival... By the arrival of the very handsome | :09:32. | :09:41. | |
Abdul. Ali, you play Abdul... Just tell us a bit about him. It's a | :09:42. | :09:45. | |
story not many people will know before they see the film? Yes, it's | :09:46. | :09:50. | |
shocking. History conveniently decided to sort of shove it aside. | :09:51. | :09:54. | |
On both sides. In India nobody seems to know about this. I knew very | :09:55. | :10:03. | |
little. This is 15 years the last phase of Queen Vic tore ya's life. | :10:04. | :10:06. | |
This man walked in, this wonderful friendship starting brewing. It | :10:07. | :10:10. | |
wasn't just friendship, it is was a weird one. There was something, | :10:11. | :10:20. | |
wasn't there, more than - Intimate, respect. It was a tender and | :10:21. | :10:24. | |
beautiful relationship that they had. Judi, did you know anything | :10:25. | :10:30. | |
about this. These diaries, Abdul's diaries were only discovered - They | :10:31. | :10:35. | |
were destroyed after he was uncertificate moaniously sent | :10:36. | :10:41. | |
packing after she died. So we know nothing - we knew nothing about it, | :10:42. | :10:46. | |
you know. They were found, a trunk was found with some letters in it. | :10:47. | :10:52. | |
So that's how we know that this existeded in anyway. Let us have a | :10:53. | :10:58. | |
look then at the film. Here is one of the moments that Victoria and | :10:59. | :11:01. | |
Abdul shared behind closed doors with the household in panic | :11:02. | :11:08. | |
wandering what was going on. Meh. Meh. Rani. Rani. Rani. Um. Oh. Um. | :11:09. | :11:26. | |
Um, um, um. He's teaching her Hindu. Is that allowed? Oh, my goodness me! | :11:27. | :11:37. | |
APPLAUSE You play a great character, Ali, you | :11:38. | :11:42. | |
really do. Isn't she so good. You picked it up so well. The way you | :11:43. | :11:49. | |
cut through all that somehow your character and everything that is | :11:50. | :11:52. | |
going around the pomp and ceremony and everything, somehow you come in | :11:53. | :11:55. | |
and cut through it all. Which is what Victoria seems to love so much. | :11:56. | :11:59. | |
How did you get this part, how did it all happen? Oh, God with, it was | :12:00. | :12:05. | |
like a video game. Lots of levels I had to cross. Right. Stephen Frears | :12:06. | :12:10. | |
is at the end of it somewhere, he's this haze. I was sitting with a | :12:11. | :12:16. | |
friend of mine, in India, she said the auditions were happening last | :12:17. | :12:19. | |
week, you're late are. Why don't you try it out. I remember we recorded | :12:20. | :12:23. | |
the scene, two scenes, on my phone. Right. I got a caught 30 days later | :12:24. | :12:32. | |
that Stephen Frears was am coulding to India to go through different | :12:33. | :12:36. | |
actors, Bollywood actors and everything. There was a series of | :12:37. | :12:39. | |
things that happened. I came to London, my, God, it was to the point | :12:40. | :12:45. | |
of becoming delusional about it. I don't know how I would react if I | :12:46. | :12:50. | |
didn't get the part. Really, really? It all worked out. How much did you | :12:51. | :13:04. | |
know about David -- Dame Judi before you got to London? Nothing. I would | :13:05. | :13:10. | |
stand in the mirror like that. There is great chemistry between you off | :13:11. | :13:14. | |
and on screen that works so well. It's lucky that happens. We met, I | :13:15. | :13:18. | |
think was it the day before. A couple of days before we had lunch. | :13:19. | :13:23. | |
Yes, we were quite nervous. There was no need to be nervous or anxious | :13:24. | :13:31. | |
or anything. You were nervous! I was. My God. Is that nervous! You | :13:32. | :13:37. | |
were pretty cool about it, I thought. That really comes across in | :13:38. | :13:41. | |
in the film. A lovely relationship between you. Was there apprehension | :13:42. | :13:47. | |
in playing her again, Judi, Victoria, obviously we had Mrs Brown | :13:48. | :13:53. | |
and here you are again We had a lovely time doing that with John | :13:54. | :14:00. | |
Madden. I think if we hadn't - if this was an episode that I had known | :14:01. | :14:04. | |
about, it would have been given. Not knowing about it and not many people | :14:05. | :14:10. | |
knowing about it, it seemed a wonderful chance. I thought Lee's | :14:11. | :14:16. | |
script was wonderful. I have worked with Stephen five times. It seemed | :14:17. | :14:19. | |
to take her life on a bichlt I think, I've done the homework about | :14:20. | :14:25. | |
this person already, so it's just a question of telling this bit of | :14:26. | :14:29. | |
story. I was very pleased to be asked to do it. You must be pleased | :14:30. | :14:39. | |
with the outcome? Well... Now I can't do anything about it. There's | :14:40. | :14:47. | |
no need to worry. It's brilliant. It's fantastic. We will chat more. | :14:48. | :14:53. | |
Time for a wildlife film now and everything's | :14:54. | :14:56. | |
connected on this show, because here's a film that wouldn't | :14:57. | :14:59. | |
be possible without the Victorians love for a small bird | :15:00. | :15:01. | |
that was originally brought to the UK from Ali's homeland. | :15:02. | :15:03. | |
Originally from the tropics, these parakeets were first brought over as | :15:04. | :15:18. | |
pets in the Victorian era. Over time many have escaped and have bred | :15:19. | :15:21. | |
successfully and now they are a common sight in the south-east of | :15:22. | :15:25. | |
England. During early spring they are in the mood for love and start | :15:26. | :15:29. | |
their courtship displays. Fascinating behaviour to watch, but | :15:30. | :15:34. | |
what really interests me is where these birds will choose to nest. | :15:35. | :15:42. | |
Normally the use holes entries but recently they have been using them | :15:43. | :15:45. | |
closer to home. I have seen them coming out of roof spaces so in a | :15:46. | :15:49. | |
wildlife first I have decided to try to film some parakeet checks in | :15:50. | :15:53. | |
someone's attic. Finding a wrist space I can get into with my | :15:54. | :15:57. | |
cameras, a whole other matter. I have teamed up with local bird | :15:58. | :16:02. | |
enthusiast Nick Mitchell, who has devised a custom-made camera that | :16:03. | :16:08. | |
should do the job. I like the reinforcement you have read the | :16:09. | :16:12. | |
cables. That will be important? Yes, to prove the Lee Mack protect | :16:13. | :16:18. | |
against the big sharp beak of the parakeet. And in the roof of a | :16:19. | :16:23. | |
pub... He has a quick look and, sure enough, a parakeet is nesting. | :16:24. | :16:31. | |
Landlady Dora is quite excited about her feathery tenants who have been | :16:32. | :16:33. | |
squatting here for the last couple of years. Any idea you had parakeets | :16:34. | :16:38. | |
nesting in Europe? When I came into work there was a load of wood on the | :16:39. | :16:42. | |
floor checked and I thought someone was hacking at the door to try to | :16:43. | :16:46. | |
get in -- did you have any idea you had parakeets nesting in your roof? | :16:47. | :16:57. | |
For the next few hours, they put cables around the pub and then try | :16:58. | :17:01. | |
to install the camera, but getting the correct angle proves difficult | :17:02. | :17:05. | |
as the nest is tucked behind one of the beams. He can't get the camera | :17:06. | :17:09. | |
in close enough. Guys, what does it look like? We do need to be quite a | :17:10. | :17:16. | |
bit closer. But the adult parakeet is getting agitated. Nick works | :17:17. | :17:19. | |
quickly to make a couple more adjustments. You can just see a | :17:20. | :17:26. | |
slight brownish white shape on the edge of the screen there, and that | :17:27. | :17:33. | |
is an egg, so we are on track for filming baby parakeets. Sadly a | :17:34. | :17:37. | |
couple of weeks later the nest feels and the chicks hatched don't | :17:38. | :17:42. | |
survive, but as parakeets can have another batch in the same season, | :17:43. | :17:47. | |
just over a month later it is second time lucky. A little baby! Dora, who | :17:48. | :17:55. | |
has been monitoring their activity for us, thinks she notices something | :17:56. | :17:59. | |
different in the parents' behaviour. Dad has not been coming in so much | :18:00. | :18:03. | |
and she has been left alone to do it all by yourself. The first time the | :18:04. | :18:06. | |
mail kept coming in and trying to get involved, and it didn't work. | :18:07. | :18:13. | |
The baby must have got smothered and died, quite sad. But this time he | :18:14. | :18:19. | |
stayed away and she has done a good job. The insight into that | :18:20. | :18:22. | |
relationship between the male and female is fascinating. We wouldn't | :18:23. | :18:27. | |
know it without the cameras. Yes, nice to see it. Dora wants to share | :18:28. | :18:31. | |
her excitement with the locals in the pub so everyone can see her new | :18:32. | :18:37. | |
regulars. Are you ready, Nick? Here we go! The parakeet certainly spark | :18:38. | :18:46. | |
interest with her punters. Will they be back next year? Dora say they | :18:47. | :18:53. | |
have been here three years in a row, so, yes, maybe longer. I reckon | :18:54. | :18:57. | |
these ones will be permanent residents. I think so. Are you | :18:58. | :19:00. | |
charging them rent? No! LAUGHTER | :19:01. | :19:05. | |
As the chicks become more settled and bigger, we move the camera and | :19:06. | :19:10. | |
slowly introduce a light, so we can see them in their full glory. The | :19:11. | :19:15. | |
light is pretty much bang on the nest and the great thing is you can | :19:16. | :19:19. | |
see the parakeet checks turning green, so it is the perfect time to | :19:20. | :19:24. | |
get that light on them. So we have success, I wildlife first, and in | :19:25. | :19:29. | |
colour! Wild parakeet checks in a nest. These four will stay here for | :19:30. | :19:33. | |
around a month and a half before they fledge, so for while you can | :19:34. | :19:40. | |
come down to the pub, have a paint and a parakeet. | :19:41. | :19:42. | |
STUDIO: What about that! They are cute. And there is an update, | :19:43. | :19:47. | |
because the littlest one actually fell out of the nest, but everything | :19:48. | :19:53. | |
is fine- don't worry! It is actually being looked after by Dora in the | :19:54. | :19:57. | |
pub, and there is the proof, nesting on her head! Quite a typical site, | :19:58. | :20:04. | |
though, when you were at school, Ali? Yes, and they would lock their | :20:05. | :20:14. | |
beaks together, like this. I was at a boarding school at the foothills | :20:15. | :20:18. | |
of the Himalayas, and we would see them around. Of course they would | :20:19. | :20:23. | |
destroy our fruit! LAUGHTER | :20:24. | :20:26. | |
And these noisy things. God forbid, humans start training them, and they | :20:27. | :20:31. | |
are the ones who also make a noise, aren't you? | :20:32. | :20:36. | |
are the ones who also make a noise, aren't they? | :20:37. | :20:42. | |
That is another business. We will get Richard on that, don't worry! | :20:43. | :20:49. | |
And earlier on we saw a very good clip, from Murder on the Orient | :20:50. | :20:57. | |
Express. We just have the picture here, not the clip. We saw a clip | :20:58. | :21:00. | |
earlier which we obviously can't play! | :21:01. | :21:05. | |
LAUGHTER I was just completely still. | :21:06. | :21:08. | |
LAUGHTER It was a 15 second clip, wasn't it? | :21:09. | :21:14. | |
But in that 15 seconds was yourself, Johnny Depp, Michelle Pfeiffer... | :21:15. | :21:22. | |
Ali, you need to get on board. Orient Express 2, you need to be in | :21:23. | :21:38. | |
it! A fantastic cast. Yes, it was. And it was nice to play someone | :21:39. | :21:44. | |
fictional? Yes, two dogs and Olivia Goldman. | :21:45. | :21:45. | |
LAUGHTER Did you embroider any interesting | :21:46. | :21:53. | |
phrases on any cushions for any of the cast members? I can't do that | :21:54. | :22:00. | |
any more, can't see to do it! Well, we didn't know that it was a thing, | :22:01. | :22:06. | |
but you used to make cushions with quite rude phrases on them. I did | :22:07. | :22:11. | |
make some quite polite ones as well! Did you? We were surprised at some | :22:12. | :22:20. | |
of the phrases. Quite. I'm not allowed to see them here... You | :22:21. | :22:29. | |
can't even... Ali, what will you be going back onto after this? We | :22:30. | :22:32. | |
understand there is a comedy series you work on? I am doing something | :22:33. | :22:38. | |
with Amazon in India which is very exciting. I have a film coming out | :22:39. | :22:44. | |
cold Fukrey, part two. The first one was a big hit back in India, so we | :22:45. | :22:48. | |
just finished filming it, so that is the comedy -- it | :22:49. | :23:01. | |
is called 's Fukrey and it comes out at the end of the year. And we have | :23:02. | :23:11. | |
heard that Daniel Craig is reprising his role as Bond. What would you | :23:12. | :23:18. | |
like to see, Dame Judi, happening to Bond in this one? The ghost of M to | :23:19. | :23:23. | |
walk in. LAUGHTER | :23:24. | :23:28. | |
Here is hoping! We would all like to see that. I just look forward to | :23:29. | :23:39. | |
seeing another Bond film. Well, we spoke about the orient Express. This | :23:40. | :23:54. | |
isn't that one, but the Midland Line from Redditch to Birmingham. | :23:55. | :23:55. | |
Dom's been riding it and he might not witness a murder, | :23:56. | :23:57. | |
but he does find some bad behaviour that's landing some | :23:58. | :24:00. | |
I am working with officers tasked with stamping out anti-social | :24:01. | :24:04. | |
behaviour. They will be enforcing little-known bylaws are some of | :24:05. | :24:08. | |
which date back to Victorian times. I am keen to see the reaction... | :24:09. | :24:14. | |
These have been around for years but are not enforced by many train | :24:15. | :24:18. | |
companies, suffer the past three months London Midland has been | :24:19. | :24:23. | |
running a scheme, issuing warnings to passengers displaying a range of | :24:24. | :24:26. | |
bad behaviours, and after today they can result in a fine or even | :24:27. | :24:30. | |
prosecution. Right, what sort of things are you looking for? People | :24:31. | :24:34. | |
with feet on the seats, smoking, loud music, swearing, being abusive | :24:35. | :24:44. | |
to anyone else. The 22 bylaws range from going up escalators the wrong | :24:45. | :24:47. | |
way, not allowing passengers to get off the train before you get on, and | :24:48. | :24:52. | |
even not having a valid ticket for your pet. In fact anything | :24:53. | :24:58. | |
considered anti-social. There is one very annoying by law being broken | :24:59. | :25:04. | |
more than any other. Kenny Britt your feet down, please? Almost half | :25:05. | :25:09. | |
of all the warnings given it so far have been to people with their feet | :25:10. | :25:18. | |
up -- can you put your feet down, please. That is actually classed as | :25:19. | :25:25. | |
anti-social behaviour. If you think someone has their feet on the sick, | :25:26. | :25:28. | |
do you think finding them is a bit over the top? No, because it causes | :25:29. | :25:32. | |
discomfort to other passengers because they may have to stand up | :25:33. | :25:36. | |
for their journey because they feel uncomfortable asking someone to take | :25:37. | :25:39. | |
it down. Secondly, you don't know what you're putting on the seat. As | :25:40. | :25:44. | |
for the next guy we come across, his feet on the seats are about to get | :25:45. | :25:48. | |
him into even more trouble. Brian takes off the train for failing to | :25:49. | :25:53. | |
purchase a ticket for his journey. Step over here, a second. I just | :25:54. | :26:00. | |
received a ticket from the officer. Jumping on the train without a | :26:01. | :26:04. | |
ticket. Do you know why he came during the first place? He spotted | :26:05. | :26:09. | |
you had your feet on the seats. A lot of people commit anti-social | :26:10. | :26:14. | |
behaviour do it willingly and a lot of the time they will not have | :26:15. | :26:17. | |
purchased tickets. But some people become across, they have tickets, | :26:18. | :26:20. | |
but they just fall into the bracket of doing something silly. Before | :26:21. | :26:24. | |
getting back on the train Brian spot somebody smoking on the platform. | :26:25. | :26:28. | |
Just about right in front of the card. -- he did that right in front | :26:29. | :26:37. | |
of the guard! Can you put that out for me, please? I am seeing how | :26:38. | :26:41. | |
little people adhere to these bylaws. It is the smoker from the | :26:42. | :26:45. | |
platform again. Get your feet down off the seats. He has only gone and | :26:46. | :26:52. | |
caught him with his feet on the seats. I tell you what, you'll be | :26:53. | :27:01. | |
out of pocket soon. Go on, tell him off. At the moment the scheme is | :27:02. | :27:09. | |
just on the Cross city south line which runs from Redditch to | :27:10. | :27:12. | |
Birmingham, but they say it will be expanded across all London Midland | :27:13. | :27:17. | |
lines by the end of the year, so do the passengers approve? Do you think | :27:18. | :27:20. | |
it is wrong to put your feet on the seats? Yes. Why did you do it? I | :27:21. | :27:30. | |
don't see the massive issue. It is not nice for other train passengers, | :27:31. | :27:35. | |
I suppose, so, yes, all for it. It is just human nature. People like to | :27:36. | :27:40. | |
be comparable. I feel a bit like a child getting told off, basically. | :27:41. | :27:45. | |
That is how I felt. Little misdemeanours, compared to other | :27:46. | :27:48. | |
things on the train, it is a bit daft. It has been a busy few months | :27:49. | :27:53. | |
for Brian and the team with more than 500 warnings handed out, but | :27:54. | :27:56. | |
they say they can already see a different customer satisfaction. One | :27:57. | :28:00. | |
bit of advice to passengers right now about what is happening, in one | :28:01. | :28:11. | |
sentence. Take you are travelling. It all seems pretty clear to me, if | :28:12. | :28:14. | |
you don't want a fine, don't do the crime. Is that right, Brian? Yes! | :28:15. | :28:20. | |
Midland Line they have a series there. -- yes, they have a series | :28:21. | :28:27. | |
there. Would you... No, you wouldn't, would you, Judi? Certainly | :28:28. | :28:36. | |
not, dear. You can bet your feet up and Yes because we are finished, out | :28:37. | :28:37. | |
of time. That's all we have time for - | :28:38. | :28:40. | |
thank you so much to Victoria Abdul is out | :28:41. | :28:42. | |
next Friday the 15th. Thanks for your company tonight. | :28:43. | :28:47. | |
Wonderful stuff. Tomorrow we're joined | :28:48. | :28:49. | |
by the new Strictly judge Shirley Ballas in her first TV | :28:50. | :28:51. | |
interview, and Neil Sedaka will be perfoming live - | :28:52. | :28:53. | |
see you at 7! | :28:54. | :28:56. |