Browse content similar to 08/10/2012. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. And Matt Baker. | :00:20. | :00:23. | |
Tonight's guest has already made it big in British TV, with dramas like | :00:23. | :00:27. | |
Cutting It, Mistresses, and Monroe. And now she's made it big in | :00:27. | :00:31. | |
America too, starring opposite Kevin Costner in her latest show. | :00:31. | :00:41. | |
:00:41. | :00:48. | ||
Khedive name. Welcome. Nice to have you on the sofa. -- good evening. | :00:48. | :00:55. | |
We will talk about starring beside Kevin Costner. First of all will | :00:55. | :01:02. | |
talk about trains. I get the train every other day from Basingstoke to | :01:02. | :01:07. | |
London. I'm on the train a lot. I'm not a big fan because a lot of the | :01:07. | :01:12. | |
time I pay for a ticket and do not get a seat. There is something | :01:12. | :01:18. | |
romantic about train travel. I like them. Well, I travelled in today on | :01:18. | :01:28. | |
:01:28. | :01:34. | ||
a train owned by this man. Richard Branson. On that short journey I | :01:34. | :01:42. | |
had a chat with some of his customers. I think the rail network | :01:42. | :01:47. | |
is too complicated. The whole ticketing system is too complicated. | :01:47. | :01:51. | |
Privatisation can be cured. By I cannot believe the amount of money | :01:51. | :01:57. | |
it costs to go through the tender process. -- it I cannot believe. I | :01:57. | :02:02. | |
am disappointed that Virgin has lost the franchise. The trains will | :02:02. | :02:10. | |
go but the price of the ticket is ridiculous. What is your question | :02:10. | :02:15. | |
full Richard Repp -- Richard Branson? Why should we bring back | :02:15. | :02:21. | |
British Rail? She then some of the profits go back into the trains. | :02:21. | :02:30. | |
Isn't there a way of simplifying the pricing structure? Well, I have | :02:30. | :02:36. | |
to say, first of all, everyone was very positive about the trouble. | :02:36. | :02:40. | |
Why shouldn't we renationalise the railways and bring back British | :02:40. | :02:48. | |
Rail? Good to talk to you. 15 years ago, if people can remember that | :02:48. | :02:55. | |
far back, British Rail ran the West Coast Main Line. It was dilapidated. | :02:55. | :03:01. | |
The trains did break down all the time. It was not a great experience. | :03:01. | :03:08. | |
Only about 10 million people use them. Over the last 15 years, the | :03:08. | :03:12. | |
team and Virgin trains have transformed the network. We have | :03:12. | :03:17. | |
three times as many people using them. Over the next 10 years, | :03:17. | :03:23. | |
became get that up to 50 million people. Lots of less people using | :03:23. | :03:28. | |
cars. Lots of people using the trains. By and large, people are | :03:28. | :03:33. | |
happy with the experience. I am sure there are still areas we can | :03:33. | :03:38. | |
improve on but it is completely and utterly different from when it was | :03:38. | :03:42. | |
run by the Government. Governments are not that great at running | :03:43. | :03:47. | |
companies. Last year was the first time you have repaid a premium to | :03:47. | :03:51. | |
the Government. One of your customers would like to know, why | :03:51. | :03:56. | |
should we pay a subsidy and you make a profit? It is a good | :03:56. | :04:01. | |
question. Before Virgin took over, it was costing the Government | :04:01. | :04:07. | |
billions to run the West Coast Main Line. We have offered to pay the | :04:07. | :04:11. | |
Government over 11 billion over the length of the new franchise. | :04:11. | :04:17. | |
Because there are so many extra passengers using the West Coast | :04:17. | :04:21. | |
franchise, instead of it being subsidised by the tax payer, the | :04:21. | :04:25. | |
tax payer now can literally get billions back. That is because we | :04:25. | :04:31. | |
managed to get so many extra people to use the trains. Is it possible | :04:32. | :04:38. | |
to simplified the price structure? People say, one day it cost this. | :04:38. | :04:44. | |
It is cheaper buying online than from the counter. What we have | :04:44. | :04:50. | |
tried to do is compete with airlines. Bringing in airline type | :04:50. | :04:55. | |
of travel so that elderly people, students, who do not have to travel | :04:55. | :05:01. | |
at peak times, like the business person has to, can get really cheap | :05:01. | :05:07. | |
fares. The average fare on Virgin is actually very low. Effectively, | :05:07. | :05:12. | |
what is happening, it is the businesses, who have business | :05:12. | :05:16. | |
travellers travelling at peak times are subsidising asked to be able to | :05:16. | :05:20. | |
bring in really cheap travel when the trains are often reasonably | :05:20. | :05:28. | |
empty. I think you do meet that mixture. Otherwise what happens is | :05:28. | :05:34. | |
you have massive overcrowding. People standing at peak times. What | :05:34. | :05:38. | |
we're trying to do is bread the amount of people out throughout the | :05:38. | :05:48. | |
:05:48. | :05:50. | ||
day. Thank you very much, Richard. -- is spread. Now, the RSPCA say | :05:50. | :05:53. | |
the Dangerous Dogs Act doesn't work and innocent dogs are being put | :05:53. | :05:56. | |
down without having done anything wrong. Declan Lawn caught up with a | :05:56. | :05:59. | |
man whose fighting to save his dog after it was seized when he was | :05:59. | :06:03. | |
taking it for a walk. Over the last four years, the number of recorded | :06:03. | :06:09. | |
attacks by dangerous Dogs has leapt by nearly 40%. In fact, there are | :06:09. | :06:15. | |
about 6000 dog attacks every year. It makes you wonder why. We have | :06:15. | :06:18. | |
strange and dangerous dogs legislation to stop that from | :06:18. | :06:23. | |
happening. Clearly, something is not right there. More than 20 years | :06:23. | :06:32. | |
ago, have dug attack on a six-year- old made the Government have the | :06:32. | :06:37. | |
dangerous job -- the Dangerous Dogs Act. Some say it was rushed onto | :06:37. | :06:42. | |
the statute books without due consideration. It is now said the | :06:42. | :06:50. | |
actor is not fit for purpose. In July, I filled with animal welfare | :06:50. | :06:53. | |
officers in East London as they seized suspected illegal pit-bull | :06:53. | :06:58. | |
dogs. We are from animal welfare. Do you want to stop a minute? | :06:58. | :07:05. | |
was stopped in strap that when he was walking his dog. It does not | :07:05. | :07:11. | |
matter is -- if it is chipped and muzzled. If it looks like a pit- | :07:11. | :07:17. | |
bull type, it is taken in. It was deemed to be a pitbull. The last | :07:17. | :07:21. | |
time I saw you who were having your dog sees from you are on the street. | :07:21. | :07:27. | |
What was that like? Heartbreaking. They can stop puke at any time and | :07:28. | :07:33. | |
take your dog. They turn up with the police and welfare takes them. | :07:33. | :07:39. | |
You have no say in it. Illegal breed dogs are usually destroyed. | :07:39. | :07:43. | |
Occasionally owners can apply to the courts to keep them. Scott | :07:43. | :07:49. | |
decided he was going to fight for his dog. He was told he had to | :07:49. | :07:53. | |
attend a dog behaviour training course to work on the dog's | :07:53. | :07:58. | |
aggression. Sit. She will not be able to sit in this situation | :07:58. | :08:02. | |
because she is really anxious. she completes the course | :08:02. | :08:07. | |
successfully, Scott can applied for an exemption under the Dangerous | :08:07. | :08:13. | |
Dogs Act to get her back. In London last year, nearly 1000 dogs of | :08:13. | :08:16. | |
dangerous breeds were seized under the Dangerous Dogs Act and nearly | :08:16. | :08:20. | |
half were put down. Critics say many of these deaths were a | :08:20. | :08:27. | |
necessary because most dogs are destroyed due to their breed. The | :08:27. | :08:31. | |
RSPCA has teamed up with 20 other organisations to call for reform of | :08:31. | :08:37. | |
the Act. The RSPCA thinks the current legislation is not | :08:37. | :08:41. | |
effective. If the situation was that you punish the actual deed | :08:41. | :08:45. | |
rather than the breed, you could be more effective in protecting the | :08:45. | :08:51. | |
public and improving animal welfare. When you get a dog that is a | :08:52. | :08:56. | |
pitbull, are they more aggressive? Not that vets and nurses have | :08:56. | :09:01. | |
noticed. The fact of the matter is, they are friendly, placid and good | :09:02. | :09:05. | |
natured dog that of being put down just because they looked like a | :09:05. | :09:10. | |
certain type of dog. There are four band breeds but by far the most | :09:10. | :09:15. | |
common in the UK is the pit bull terrier. The Government department | :09:15. | :09:19. | |
responsible for this law is DEFRA. They have told us they currently | :09:19. | :09:24. | |
have no plans to change breed specific legislation. They say it | :09:24. | :09:29. | |
is helping the police to tackle dangerous Dogs before they can | :09:29. | :09:33. | |
attack people. Police say this legislation is necessary to protect | :09:33. | :09:39. | |
the public. The pit bull terrier does feature in a large number of | :09:39. | :09:46. | |
very serious attacks. It is a strong, powerful, tenacious dog. If | :09:46. | :09:50. | |
we have better education and training it would be geared to | :09:50. | :09:54. | |
repeal this legislation. At the moment, I cannot see how that could | :09:54. | :09:59. | |
be done. There are clearly many responsible dog owners out there | :09:59. | :10:04. | |
who believe their dogs are not dangerous, regardless of breed. | :10:04. | :10:08. | |
With so many horrendous attacks happening every year, this debate | :10:08. | :10:12. | |
about whether banning certain types of dog is the best way to protect | :10:12. | :10:18. | |
the public, is likely to continue for some time. For Scott, the | :10:18. | :10:22. | |
weight is finally over. Three months after she was seized, she is | :10:23. | :10:29. | |
finally going home. There is a good girl! Following the de behaviour | :10:29. | :10:36. | |
course, he has been to court and can now keep her. She has been to | :10:36. | :10:43. | |
toot and muted and Must Always wear a muzzle and be kept on a lead in | :10:43. | :10:48. | |
public. She is not dangerous. They should take each dog and owner on | :10:48. | :10:54. | |
its own case - its own merit. They should not be able to take people's | :10:54. | :11:01. | |
dogs because of the breed they are. Lovely to see the effort he is | :11:01. | :11:09. | |
putting him to get the dog back. is very difficult. I am a big dog | :11:09. | :11:17. | |
lover. Wearied dog-loving nation. I its own two dogs. -- we are paid to | :11:17. | :11:26. | |
of clubbing nation. I have a big dog. To me, he would not hurt a fly. | :11:26. | :11:32. | |
It puts us in a very difficult position. I love Macro dogs. I | :11:32. | :11:37. | |
often think, is it the way they are bread? Is it the way they are | :11:37. | :11:47. | |
:11:47. | :11:47. | ||
trained? A lot of bought and used to fight, aren't they? You are | :11:47. | :11:53. | |
starring opposite Kevin Costner and playing his wife. It is called | :11:53. | :11:58. | |
Hatfields & McCoys. It is based on a true story, isn't it? It is a | :11:58. | :12:04. | |
very famous American story about two feuding families that live up | :12:04. | :12:11. | |
in the appellation mountains during the civil war. They fell out over a | :12:12. | :12:20. | |
peak. Right. Because of this falling out, they basically ended | :12:20. | :12:24. | |
up killing each other over the course of 20 years. They | :12:24. | :12:30. | |
slaughtered each other. Within that story There is a Romeo and Juliet | :12:30. | :12:37. | |
story. You have this beautiful love story. It is a great epic Western. | :12:37. | :12:44. | |
It has been described as... It is epic. Of all the parts I would ever | :12:44. | :12:49. | |
play, I never imagined I would be in a western. You know the Romeo | :12:50. | :12:54. | |
and Juliet story line, he is you telling the girl she was no longer | :12:54. | :13:04. | |
:13:04. | :13:05. | ||
welcome in your family. You need to go back where you belong. I can see | :13:05. | :13:14. | |
you are not a bad person. This whole same is not right. Are you | :13:14. | :13:24. | |
:13:24. | :13:27. | ||
asking me to leave? And don't you Your accent is absolutely | :13:27. | :13:31. | |
incredible. It is like you were born and raised there. When we went | :13:31. | :13:35. | |
for the audition, we were given an linked to some voices on the | :13:35. | :13:39. | |
internet we could listen to. It was a series of different women from | :13:39. | :13:45. | |
West Virginia. I picked the oldest one eye could find, she was about | :13:45. | :13:52. | |
80 years old. Whenever I hear my voice on there, I sound so old, I | :13:52. | :14:00. | |
think. I think I got away with it. You do age on the programme there. | :14:00. | :14:07. | |
I start at 21. Myself and the other lady on the cast, I started at 21 | :14:07. | :14:17. | |
and aged 270. I never looked 21 when I was 21. The hair and make-up | :14:17. | :14:21. | |
people thought, we're going to have to make her look 21 and it will be | :14:21. | :14:27. | |
a nightmare. They scraped your head back and put the skull cap on. They | :14:27. | :14:32. | |
would get hold of the back of your hair and twist it like a wind up | :14:32. | :14:40. | |
toy. I kind of looked like Joan Rivers. For the whole day. They | :14:40. | :14:45. | |
were long filming days. At the end of the day, you'd look like one of | :14:45. | :14:52. | |
those dogs was dug it must have given you a massive headache. | :14:52. | :14:58. | |
those dogs. I had three scenes when I was 21 and that was enough. | :14:58. | :15:04. | |
Costner looks great as an older man. The boys just look fantastic all | :15:04. | :15:09. | |
the way through. We went through the ropes with make-up. He looks | :15:09. | :15:13. | |
great. You had quite a passionate scene with him. How nervous were | :15:13. | :15:20. | |
you? Really nervous. By the time that was felled, it was right at | :15:20. | :15:25. | |
the end of the filming process. -- films. They were threatening to | :15:25. | :15:30. | |
bring it might at the beginning. I said, at least, please let me have | :15:30. | :15:35. | |
a cup of tea with him before I fling myself into his arms. We did | :15:35. | :15:41. | |
not have been easier to go straight in? I do not know. I was still | :15:41. | :15:48. | |
thinking, it is Cayenne Cost love. Last time seen in the bodyguard. -- | :15:48. | :15:53. | |
Kevin Costner. Within a day, you are sitting down, having an | :15:53. | :16:03. | |
:16:03. | :16:10. | ||
excellent and talking about your We have revealed the UK's biggest | :16:10. | :16:14. | |
cave. It took an hour and a half for Miranda to get back to the | :16:14. | :16:19. | |
service. And in another equally fascinating film, the problem is | :16:19. | :16:23. | |
staying in, not getting out. Deep inside the hard core of the | :16:23. | :16:27. | |
said land, the sea has forced its way through a fracture in the rock | :16:27. | :16:34. | |
and carved a secret cavern. The cave of Jaws is the hidden beauty | :16:34. | :16:44. | |
:16:44. | :16:46. | ||
that I am after, and it is right beneath my feet. -- cave of jewels. | :16:46. | :16:51. | |
But the problem is the huge tidal range, rising and falling up to 10 | :16:51. | :16:57. | |
metres, flooding the cave and leaving me with just one way in. We | :16:57. | :17:02. | |
are just going up to the entrance now. Timing is critical. There is | :17:02. | :17:05. | |
only 20 minutes of slack water between tides before the current | :17:05. | :17:12. | |
becomes too strong again, making it impossible to stay in the cave. I | :17:12. | :17:21. | |
am keeping with all my might. -- kicking. I have always wanted to go | :17:21. | :17:25. | |
diving in this cave. I am full of expectation about what we might see. | :17:25. | :17:35. | |
:17:35. | :17:37. | ||
Beautiful. So many different species. Elegant and fluffy | :17:37. | :17:42. | |
tentacles. Normally it is a deep- water species and I am only in five | :17:42. | :17:46. | |
metres of water. There must be something very special about this | :17:46. | :17:55. | |
cave. This is just something else. They feed by relying on whatever | :17:55. | :17:58. | |
comes past them in this crazy current that we are trying to work | :17:58. | :18:04. | |
in. They have stinging cells in the tips of their tentacles. They | :18:05. | :18:11. | |
immobilise their prey. They pass into the mouth in the centre. So | :18:11. | :18:17. | |
one thing that makes this cavers so unique, it is open at both ends. | :18:17. | :18:21. | |
There is a constant stream of food racing through on the tide and it | :18:21. | :18:27. | |
is pretty tough going for me, too. You can feel the power of the surge. | :18:27. | :18:33. | |
I cannot even stay still. It is just grazing. I knew I was in for | :18:33. | :18:38. | |
an adventure but I did not expect it to be like this. We will see | :18:38. | :18:42. | |
what is around the corner here. But looks like the cave is open to the | :18:42. | :18:50. | |
surface. There is light flooding in. My word! That is something truly | :18:50. | :18:56. | |
beautiful. I don't think I have ever seen it so many. That is | :18:56. | :19:06. | |
:19:06. | :19:07. | ||
astonishing. These are the ones that you find in rock pools. The | :19:07. | :19:11. | |
walls are just encrusted with them. The position of the cave, geology | :19:11. | :19:16. | |
and massive tidal range, have all helped create the perfect habitat | :19:16. | :19:23. | |
for these huge colonies. The colours are amazing. The offspring | :19:23. | :19:27. | |
inherit their colour from their parents. This colony is likely to | :19:27. | :19:33. | |
be one big family. One way that they reproduce his by forming but, | :19:33. | :19:43. | |
:19:43. | :19:45. | ||
Chloe, at their base. -- is by forming a club clone at their base. | :19:45. | :19:49. | |
For ammunition, they release toxins from this beautiful necklace of | :19:49. | :19:56. | |
delicate but deadly Beaves. Even as the tide changes and the water | :19:56. | :20:00. | |
level drops, the air above the surface is still damp and the | :20:00. | :20:05. | |
temperature is constantly cool. When they are exposed, they can | :20:05. | :20:11. | |
close up and survive until the tide covers them again. This is a deep- | :20:11. | :20:16. | |
water species normally found much deeper than this. They are so at | :20:16. | :20:20. | |
home, thriving in the shallow waters of the cave. It makes this | :20:20. | :20:26. | |
place even more unique. With their stunning colours and droplets on | :20:26. | :20:33. | |
the tips of their tentacles, they looked just like a crown of jewels. | :20:33. | :20:37. | |
That current is really surging and it is about to drag me out of the | :20:37. | :20:41. | |
cave. Our narrow window of time is nearly up and we will have to leave | :20:41. | :20:50. | |
the secrets behind. It is time to go. As far as treasure hunts go, | :20:50. | :21:00. | |
:21:00. | :21:00. | ||
that was definitely the best. How brave! Incredible. Beautiful | :21:00. | :21:05. | |
visibility. You do a lot of diving, Sarah. How much have you done | :21:05. | :21:10. | |
around UK? I have done no diving around the UK and now I have seen | :21:10. | :21:14. | |
that, I will. Usually you do not want to go diving in the UK because | :21:14. | :21:21. | |
it is cold and you think the visibility will be bad. How was the | :21:21. | :21:29. | |
temperature, Miranda? It was cool. I was wearing a dry suit. You could | :21:29. | :21:35. | |
have a sweater and a pair of jeans on! As long as you let out the air | :21:35. | :21:42. | |
first! I was wondering how on earth you measure the cave? The one that | :21:42. | :21:46. | |
I was exploring on Friday, they took this massive scanner down, | :21:46. | :21:50. | |
like a printer that you would have at home. When we were going through | :21:50. | :21:54. | |
the last hole before the big cavern, there was a lump hammer and they | :21:54. | :21:59. | |
have to make that hole bigger to get this piece of equipment in. It | :21:59. | :22:03. | |
was a very expensive piece of equipment, basically a laser to | :22:03. | :22:07. | |
scan the inside of the cave. They get an idea of the area of the | :22:07. | :22:10. | |
floor of the cave and that is currently how they measure the size | :22:10. | :22:15. | |
of it. Everybody wants to have the biggest cave, so there are debates, | :22:15. | :22:19. | |
but this one has the biggest floor area in the UK at the moment. | :22:19. | :22:24. | |
have become our cave Correspondent! If I do not want to be known for | :22:24. | :22:33. | |
doing cavers! But they were all amazing. What was it like, that | :22:33. | :22:38. | |
murmured, when you lit up that enormous cavern? -- that moment? | :22:39. | :22:43. | |
was phenomenal. You can only see a few metres ahead of you, and then | :22:43. | :22:47. | |
suddenly we could light the whole cave. You have no idea how enormous | :22:47. | :22:52. | |
it is. Even these pictures do not do it justice. Incredible for you, | :22:52. | :22:57. | |
but for the people that had been down there for years? Yes, because | :22:57. | :23:00. | |
they had been excavating for 40 years and nobody really knew how | :23:00. | :23:04. | |
big it was until that moment when we put the lights on and took down | :23:04. | :23:09. | |
the film crew. There was this big sharp intake of breath, magical. | :23:09. | :23:14. | |
How do they know which way to go, the cavers? I think they have got | :23:14. | :23:18. | |
the 6th sense, really. They look for two things, the scallop a | :23:18. | :23:25. | |
pattern on the cave ball, formed when the flow of the ancient | :23:25. | :23:29. | |
underground river. -- the scallop pattern on the cave wall. They can | :23:29. | :23:33. | |
work out the way that the river was flowing. If they find a crack in | :23:33. | :23:40. | |
the corner of the cave, they sense a draft. We went into one corner. | :23:40. | :23:43. | |
The chap said that there was a howling draught, and you cannot | :23:43. | :23:48. | |
feel a thing, but they can sense it, indicating another Kavan beyond. | :23:48. | :23:54. | |
Then they can excavate through and find it. Astonishing. The good news | :23:54. | :24:00. | |
is that we have found another cave! That is all for now, don't worry! | :24:00. | :24:05. | |
And talking about amazing things, Phil Tufnell has seen some amazing | :24:05. | :24:11. | |
art on The One Show but he could not believe his eyes when he saw | :24:11. | :24:17. | |
these pieces from a Norwegian artist. Glaswegian! They are quite | :24:17. | :24:21. | |
something. He took them out onto the street to see if anybody was as | :24:21. | :24:27. | |
surprised as him. Look at these images. They are nice. | :24:27. | :24:34. | |
Very nice. Would you so that they are photographs or drawing? -- | :24:35. | :24:42. | |
would you say? Photographs. photographs. Would it surprise you | :24:42. | :24:46. | |
if I told you that they were drawing? Yes. They are very | :24:46. | :24:54. | |
realistic and accurate. The hair on his face, you cannot see any pencil | :24:54. | :25:04. | |
:25:04. | :25:12. | ||
marks. It's they look nothing like roarings. -- drawings. Paul has an | :25:12. | :25:18. | |
unusual style. He draws with pencil, and they are so realistic that they | :25:18. | :25:22. | |
look like photographs. This is a master of high surrealism. No | :25:22. | :25:29. | |
chucking paint around. It requires a high for detail, a steady hand | :25:29. | :25:34. | |
and a very sharp pencil. When I was a child I used to buy lots of | :25:34. | :25:38. | |
comics and I used to spend hours replicating them in detail. I don't | :25:38. | :25:45. | |
know why. It was a way of capturing the life of the comic. I practise | :25:45. | :25:49. | |
them for hours, may be drawing tanks and battleships. I got the | :25:49. | :25:57. | |
knack. You copying photographs? photographers copying life? For me | :25:57. | :26:03. | |
the photograph is the jumping of point. It is the inspiration. | :26:03. | :26:13. | |
:26:13. | :26:15. | ||
surrealism was popularised in the 60s by Chuck Close. Paul follows | :26:15. | :26:19. | |
their tradition by imitating the accuracy of photographs to create | :26:19. | :26:25. | |
lifelike drawings. Piper realist artists use many tricks to achieve | :26:25. | :26:31. | |
this amazing degree of detail. Paul uses the grid technique. He draws | :26:31. | :26:37. | |
lines over an image to create smaller sections. Each little one | :26:37. | :26:41. | |
becomes its own painting. We are breaking them down so it is easier | :26:41. | :26:46. | |
to work through at each stage. scrutinises the tones and textures | :26:46. | :26:51. | |
in each section to get as much visual information as possible. It | :26:51. | :26:58. | |
is this extra layer of detail that creates hyper-real work. Does it | :26:58. | :27:08. | |
:27:08. | :27:09. | ||
affect your eyes? Yes. I use this, like a jeweller's magnifying glass. | :27:09. | :27:14. | |
It gives you extra detail. I'm getting short-sighted. You will see | :27:14. | :27:20. | |
the difference if you get right up close. It is very good. You can use | :27:20. | :27:25. | |
a microscope next! Do you have to use special pencils and paper? | :27:25. | :27:31. | |
went through various types of paper, watercolour, and so on, but I found | :27:31. | :27:39. | |
recycled cartridge paper was the best. They are standard pencils. | :27:39. | :27:48. | |
You have any special equipment? find this, it looks quite strange, | :27:48. | :27:57. | |
but I can use it to highlight. You can really make it pop with that. | :27:57. | :28:05. | |
Some people use a little scalpel. But that is more powerful. It can | :28:05. | :28:10. | |
take Paul up to two months to complete these complex drawings. | :28:10. | :28:13. | |
Are you trying to trick people into believing that they are | :28:13. | :28:17. | |
photographs? It was never about tricking people. It was never an | :28:17. | :28:22. | |
illusion. You are creating a new reality. I am trying to intensify | :28:22. | :28:26. | |
the normal. You can discuss whether it is a picture or not, which is | :28:26. | :28:30. | |
fun, but the viewer will always have an emotional reaction. That | :28:30. | :28:34. | |
reaction could just be that it is well done, which is fine. I'm not | :28:34. | :28:40. | |
trying to trick anybody. Paul might not intentionally set out to trick | :28:40. | :28:44. | |
us, but to create a version of reality we would never find in a | :28:44. | :28:49. | |
photograph. Very thick Norwegian accent! The | :28:49. | :28:53. |