Browse content similar to 08/12/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones... | :00:11. | :00:31. | |
Matt Baker and, for one night only, we're being helped out | :00:32. | :00:35. | |
by the oldest eight-year-old in the world, Charlie Brown - | :00:36. | :00:37. | |
It is wonderful to have you both with us tonight. | :00:38. | :00:56. | |
Could you bring on our guest, please, guys? | :00:57. | :00:58. | |
never really quite grown up - Ian Hislop. | :00:59. | :01:05. | |
You do not mind. You know what is coming next. Let's split screen it. | :01:06. | :01:15. | |
It could not be more perfect. I will have to buy that one. Snoopy was my | :01:16. | :01:21. | |
first journalistic idol. He had a typewriter with a press hat on. We | :01:22. | :01:24. | |
said that. Now if, like Ian, you or a family | :01:25. | :01:27. | |
member are like a Peanuts character, Or maybe you're a faithful beagle | :01:28. | :01:30. | |
like Snoopy. Send us a photo and the real Charlie | :01:31. | :01:37. | |
and Snoopy will judge the best after we've had a look at their brand new | :01:38. | :01:41. | |
Peanuts Movie. The police are warning that computer | :01:42. | :01:50. | |
hacking is now so easy that children of primary | :01:51. | :01:53. | |
school age are starting to do it. We're about to meet a lad, | :01:54. | :01:56. | |
who started on the slippery slope to serious hacking when he was just | :01:57. | :01:59. | |
11 and ended up in jail. Ryan is now advising parents | :02:00. | :02:06. | |
on what to look out for. Cyber hacking is big news and it is | :02:07. | :02:18. | |
not always down to organised criminal gangs. Hackers appear to be | :02:19. | :02:25. | |
getting younger and younger and freely available software opens up | :02:26. | :02:29. | |
cyber crime to almost anyone with a bit of computer know-how. Now, 28, | :02:30. | :02:37. | |
Ryan Ackroyd started out breaking basic computer programs when he was | :02:38. | :02:43. | |
just 11. By 2011 he was in jail for his part in a notorious hacking | :02:44. | :02:50. | |
group. That targets included the NHS, the Serious Organised Crime | :02:51. | :02:55. | |
Agency and even the CIA. You have a slogan, laugh at your security. We | :02:56. | :03:00. | |
were laughing at the state of security, how poor it was, how weak | :03:01. | :03:06. | |
it was, and how easy it was to overcome and compromise. Nowadays | :03:07. | :03:12. | |
Ryan works with the law to expose security weaknesses that still | :03:13. | :03:15. | |
exist. Within minutes he has shown me a common flaw that he thinks any | :03:16. | :03:22. | |
young hacker could exploit, making thousands of firms vulnerable. There | :03:23. | :03:29. | |
we are, it has installed on 122,000 web servers. It is not just | :03:30. | :03:34. | |
businesses. These are all government agencies. If someone broke into | :03:35. | :03:39. | |
there, it would be quite serious. If we were the bad guys, how far away | :03:40. | :03:44. | |
are we from taking over their websites? Just a couple of clicks. | :03:45. | :03:51. | |
That is all it would take. We will not reveal the details of that | :03:52. | :03:54. | |
security flaw and we have passed Ryan's find in onto the national | :03:55. | :04:00. | |
crime agency. Richard Jones is the head of cyber crimes prevention. He | :04:01. | :04:05. | |
says the average age of suspect fibre, North has dropped from 24 to | :04:06. | :04:11. | |
just 17. More serious cyber criminals have recruited younger, | :04:12. | :04:14. | |
technically skilled individuals for hacking. Also we have seen people as | :04:15. | :04:22. | |
young as 12 purchasing cyber crime products from the internet. The | :04:23. | :04:26. | |
National crime agency has launched a campaign aimed at persuading | :04:27. | :04:29. | |
youngsters to use their talents to protect our cyber security and not | :04:30. | :04:34. | |
undermine it was that it is working closely with computer security | :04:35. | :04:37. | |
experts like Doctor David Dave. Certainly now there is an | :04:38. | :04:44. | |
identification of the need to get youngsters to take a different | :04:45. | :04:47. | |
path. It stops lives and Palin is being wasted. Doctor Day has put his | :04:48. | :04:56. | |
students skills to the test. They have some unlikely competition, from | :04:57. | :05:02. | |
me. I have no computer programming skills. Ryan reckons with freely | :05:03. | :05:07. | |
available software, even I can get hacking. I am going head to head | :05:08. | :05:12. | |
with the students as we raced to hack each other's computer. It does | :05:13. | :05:19. | |
not take long, even for me. I am in. I have managed to hack into | :05:20. | :05:25. | |
their computers, just like a scammer would put anything on their | :05:26. | :05:28. | |
keyboards, banking information, passwords... Absolutely everything. | :05:29. | :05:37. | |
Ryan wants to show how easy it is to get to grips with the software used | :05:38. | :05:49. | |
to hack on TalkTalk. That is it. You are in. Basically, now, I am the | :05:50. | :05:54. | |
administrator. If this were a real cyber attack I could access customer | :05:55. | :06:00. | |
details and private documents. I am really surprised. I thought there | :06:01. | :06:05. | |
would be staged after stage. It is that easy. You would be surprised to | :06:06. | :06:12. | |
know how many websites are vulnerable to that. That is | :06:13. | :06:15. | |
frighteningly simple. That's implicitly makes it all too easy for | :06:16. | :06:20. | |
teenagers to get drawn into illegal hacking. It is a wake-up call for | :06:21. | :06:25. | |
parents. Just because your child is not out on the streets, they may not | :06:26. | :06:30. | |
be safe. They may be in their bedrooms, on their computers, | :06:31. | :06:32. | |
committing cyber crime right now. Danvers others he taken aback at how | :06:33. | :06:42. | |
easy it was. Can you believe this goes on and so easily? -- Dan was | :06:43. | :06:57. | |
obviously taken aback. We are so illiterate at privatise no 1 can get | :06:58. | :07:00. | |
in because we do not have any computers. Let's start with targets. | :07:01. | :07:10. | |
-- Private Eye. You announce that Rupert Murdoch had died. At the | :07:11. | :07:20. | |
time, the Sun newspaper was a controversial target. They were in | :07:21. | :07:24. | |
the news what they did with the mobile phones, hacking voice mails | :07:25. | :07:28. | |
and things. At the time, we thought would be ironic to hack them. Is it | :07:29. | :07:36. | |
a challenge to get into it or see the reaction when you do? What is | :07:37. | :07:41. | |
the driver? It was a challenge thank you your city. Being able to do it | :07:42. | :07:49. | |
myself. There were serious consequences to your curiosity. You | :07:50. | :07:54. | |
ended up in jail. How and when did you eventually get caught? I was | :07:55. | :08:01. | |
arrested in 2011 and I were sentenced in 2013. How did they find | :08:02. | :08:14. | |
out? What were the clues? Mike -- my computer basically failed. I gave it | :08:15. | :08:19. | |
a good bash and they managed to retrieve my information out of it. | :08:20. | :08:27. | |
How serious are the sentences? The maximum sentence is ten years. There | :08:28. | :08:32. | |
are other consequences, such as restriction of internet use and | :08:33. | :08:37. | |
stuff like that. We heard in the film, Dan was using software he had | :08:38. | :08:41. | |
got on the internet. How come it is so easy to get hold of that | :08:42. | :08:47. | |
software? Why aren't you doing more to stop that stuff becoming easily | :08:48. | :08:53. | |
accessible? We will arrest people for doing this. We will take down | :08:54. | :08:57. | |
the criminal infrastructure. We're working with partners here and | :08:58. | :09:01. | |
overseas. We have our Prevent campaign to stop young people | :09:02. | :09:06. | |
getting into this in the first place. Making them understand risks | :09:07. | :09:10. | |
and getting them to work with kids to understand what the skills are | :09:11. | :09:17. | |
really like and they can have positive reasons and careers. They | :09:18. | :09:21. | |
can work for the Government and other law enforcement agencies. Lots | :09:22. | :09:25. | |
of good stuff they can do with their careers instead. That would be your | :09:26. | :09:31. | |
message, I presume, having been on both sides. There is a penetration | :09:32. | :09:37. | |
test. You can earn anything between ?30,000, all the way up to ?70,000, | :09:38. | :09:43. | |
?80,000 a year. That is if you go to university and get the | :09:44. | :09:46. | |
qualifications and actually choose that good path rather than the path | :09:47. | :09:52. | |
that I chose. Thank you both. Very interesting. | :09:53. | :09:55. | |
Now when we decided to send a One Show team to compete at the UK | :09:56. | :09:59. | |
But, we realised we've never been more | :10:00. | :10:13. | |
Charlie, Snoopy, you best cover your ears. | :10:14. | :10:16. | |
I have rallied the best three voices in the one show family. Richard | :10:17. | :10:29. | |
Mannering, Joe Crowley and Riley. We are going to meet a master of | :10:30. | :10:33. | |
harmony to quit us into shapes for the barbershop Championships in | :10:34. | :10:39. | |
Llandudno. # There is a song in my heart for | :10:40. | :10:48. | |
you, my love! # not the reaction I was hoping for. | :10:49. | :11:08. | |
Help is on hand in the form of this 40-year-old veteran on the | :11:09. | :11:12. | |
barbershop scene. First we need to work out who was singing -- who will | :11:13. | :11:14. | |
be singing which part. Your first barbershop called. Well | :11:15. | :11:25. | |
done! We actually sound all right but can | :11:26. | :12:08. | |
we cope with our competition piece. The melody stays on the single note. | :12:09. | :12:14. | |
It is held across. The other parts moved to a different chord. Despite | :12:15. | :12:21. | |
being the One Show's resident is it man, Richard is struggling. There | :12:22. | :12:24. | |
are odd harmonies in the middle and you have to link notes which you do | :12:25. | :12:26. | |
not expect. # There is a song in my heart for | :12:27. | :12:33. | |
you, my love. # I am just sitting there, watching | :12:34. | :12:48. | |
them, thinking, I am going to have to start singing and I have no idea | :12:49. | :12:50. | |
what to do. # There is a song in my heart for | :12:51. | :12:57. | |
you, my love. Everyone is putting a brave face on | :12:58. | :13:11. | |
this but we still have not got it. When it comes to presentation, I | :13:12. | :13:19. | |
have asked covered. Come on! I do not believe it. We do not wear this | :13:20. | :13:26. | |
stuff at all. This is last year. A young quartet. It makes a mark. It | :13:27. | :13:36. | |
brings us together, doesn't it? It gives a corporate spirit. We will be | :13:37. | :13:44. | |
performing in front of thousands. He is clear that we face our fears and | :13:45. | :13:47. | |
face the audience. # It soon is a hymn to your brains. | :13:48. | :13:55. | |
# Come forward to the book lives. Nice | :13:56. | :14:14. | |
spacing. We come up now. -- beef but lights. With just two weeks to the | :14:15. | :14:22. | |
competition, it feels like we are starting to gel at last. There is a | :14:23. | :14:30. | |
song in my heart for you, and to you, and you. -- and you. Did it get | :14:31. | :14:42. | |
worse the more they practised? It started strong and then they went | :14:43. | :14:49. | |
downhill rapidly. Ian, if we needed an emergency replacement, we have | :14:50. | :14:52. | |
the proof you could do it. Here we go. | :14:53. | :14:58. | |
# Don't leave me this way... # It is what we would want. A | :14:59. | :15:07. | |
beautiful falsetto section. It is ideal. Jimmy Somerville strikes the | :15:08. | :15:12. | |
again. That is the only thing I can do. Only the whole I do Jeremy | :15:13. | :15:17. | |
Corbyn during the National Anthem. Right. Yes. Private Eye is back on | :15:18. | :15:22. | |
the shelves the annual. Again. And the magazine this year has sold more | :15:23. | :15:26. | |
than it has in the last 30 years. Unbelievable. Unbelievable. Not | :15:27. | :15:32. | |
unbelievable. Brilliant. Why then, do you think that 2015 has been such | :15:33. | :15:36. | |
rich pickings? Everything got interesting. Because all the | :15:37. | :15:40. | |
forecasts were wrong. The wrong people won the election, the wrong | :15:41. | :15:43. | |
people won in Scotland. Jeremy Corbyn won, no-one saw that coming, | :15:44. | :15:49. | |
he won the by-election, no-one sawing in coming. Everyone got it | :15:50. | :15:53. | |
wrong, so that is funny. In terms of planning does that make it harder | :15:54. | :15:57. | |
for you? You are trying to predict a bit in front of, you know, what... | :15:58. | :15:59. | |
bit in front of, you know,what... whatIsh. We are more reactive. | :16:00. | :16:03. | |
Something funny happens and we go for it. Yes, it was a very good | :16:04. | :16:07. | |
year, because everything is up in the air, and no-one knows what is | :16:08. | :16:10. | |
going on. It is lovely, we were talking about the internet and cyber | :16:11. | :16:14. | |
crime and all that, but to have that thing, that annual, that old school, | :16:15. | :16:18. | |
just an annual or a magazine, that says a lot in the last 30 years you | :16:19. | :16:23. | |
have sold more. Than before the internet was invented. Our website | :16:24. | :16:29. | |
says go and buy the magazine. That is perfect. That is shows how | :16:30. | :16:34. | |
sophisticated we have got. Miliband and Nick Clegg have gone. Now we | :16:35. | :16:39. | |
have Corbyn and far Ron. Has that been a good trade? It is not a bad | :16:40. | :16:44. | |
trade. Miliband, if anybody remember, he used to be the person | :16:45. | :16:47. | |
who was left-wing before Corbyn, and then we revised that, the Liberal | :16:48. | :16:52. | |
Democrats got wiped out, Tim Farron is, is now head of, head of all six | :16:53. | :16:59. | |
of them. And Scotland went entirely SNP so we have Nicola Sturgeon who | :17:00. | :17:03. | |
is new and feisty, and so everything change, which is great for us, | :17:04. | :17:07. | |
because it means all the relationships change. Cameron is | :17:08. | :17:11. | |
still there, but you know, he is on holiday a lot, so... | :17:12. | :17:16. | |
LAUGHTER I am being balanced here. We are on | :17:17. | :17:21. | |
the BBC! What do you like then, because... I didn't mention Nigel | :17:22. | :17:31. | |
Farage. I forgot. Oh, no time. Deadline Day yesterday, what are you | :17:32. | :17:35. | |
as an editor like leading up to the final few hours after the magazine | :17:36. | :17:39. | |
is put together? I need a good joke for the cover and a really good | :17:40. | :17:43. | |
story, to lead on off the back of what we have, so in the last minutes | :17:44. | :17:46. | |
before we go to press, everyone is trying to get their joke on the | :17:47. | :17:50. | |
cover, I am sitting there trying to say what about mine, I bet it is | :17:51. | :17:55. | |
really funny? They are not laughing and the journalists are saying I | :17:56. | :18:00. | |
have a good story about the floods or a good story about training | :18:01. | :18:03. | |
pilots, as we send them off to where ever that I have gone this time, so | :18:04. | :18:08. | |
those are the combination, it is jokes and journalism. How important | :18:09. | :18:12. | |
is that cover, for you? Do you sell more copies off the back a really | :18:13. | :18:20. | |
good coffer? Yes. -- cover. If we fail you can see it. Some PMQ want | :18:21. | :18:26. | |
the see on the cover. Which covers... I think we have the cover. | :18:27. | :18:31. | |
You have brought with you for, so yes, here is the story from the | :18:32. | :18:35. | |
issue which will be on London shelves today. We haven't got that | :18:36. | :18:41. | |
now. Sorry. It is a secret. I thought you brought it with you. | :18:42. | :18:45. | |
Which one stands out to you then, from 2015? The one that sold most | :18:46. | :18:50. | |
was the one after the election, a wonderful picture of David Cameron | :18:51. | :18:52. | |
standing in front of his new team and they are standing with their | :18:53. | :18:56. | |
hands by their sides and Cameron is saying hands up who thought we would | :18:57. | :19:02. | |
win? It proved popular. My other favourite was Jeremy Corbyn saying I | :19:03. | :19:07. | |
love Marx. It's where I get all my vests. | :19:08. | :19:12. | |
Is this it? From tomorrow? No. OK. Let's move on. It is going well! It | :19:13. | :19:18. | |
is obviously my influence. We will have to buy it to find out. The | :19:19. | :19:24. | |
Private Eye annual is out now. Here is an idea that unlike the | :19:25. | :19:31. | |
barbershop quartet did look good on paper and it still does. Baubles, | :19:32. | :19:39. | |
shimmering Christmas trees and miles of light. The art of Christmas is | :19:40. | :19:42. | |
usually about sparkle and shine. What if I told you all you needed to | :19:43. | :19:48. | |
conjure up the ultimate Christmas masterpiece was a sheet of white | :19:49. | :19:54. | |
Pape? Also, the Japanese traditional art of Kirigami. | :19:55. | :20:00. | |
Most people have heard of origami the Japanese craft of paper folding | :20:01. | :20:08. | |
but possibly not Kirigami which uses a similar technique but allows you | :20:09. | :20:13. | |
to make cuts and folds. Mark has been conjuring models off paper | :20:14. | :20:19. | |
since he was a child. He has crafted models which have | :20:20. | :20:23. | |
seen him become Britain's leading Kirigami artist. Tell me about the | :20:24. | :20:27. | |
rules of Kirigami? It is one sheet of paper. You can't glue anything to | :20:28. | :20:33. | |
it. You can't add extra bits, you have to make sure everything stands | :20:34. | :20:38. | |
up by itself. These two are made of one sheet of paper. What is this one | :20:39. | :20:43. | |
This is from my recent Star Wars Kirigami exhibition. Lighting plays | :20:44. | :20:51. | |
a big part. Yes, it is crucial. It creates that wonderful little world. | :20:52. | :20:56. | |
It is thought that Kirigami was first used in Japanese temp -- | :20:57. | :21:01. | |
temples as a way of making offerings to to gods. It became a popular past | :21:02. | :21:07. | |
time for Japanese upper classes because paper was a luxury items and | :21:08. | :21:13. | |
they symbolised wealth and elegance. Today Mark is bringing this craft | :21:14. | :21:18. | |
into the 21st century with a one off model for The One Show of BBC | :21:19. | :21:22. | |
London's Broadcasting House. This is such a complicated building. | :21:23. | :21:27. | |
I can't quite get my head round how you are going to make a curved | :21:28. | :21:31. | |
building from a flat sheet of paper. First step for me is to work out | :21:32. | :21:35. | |
what the basic shape of the building is and see how I can reduce those | :21:36. | :21:41. | |
curved edges to flat fronts. That way we will get a wonderful effect | :21:42. | :21:44. | |
of this sweeping edge the billing has. It must be a challenge? Yes, I | :21:45. | :21:49. | |
am always up for a challenge. The next step is for Mark to use a | :21:50. | :21:53. | |
computer programme to turn his sketches into a detailed | :21:54. | :21:56. | |
architectural plan. Then, we are ready to get snipping. | :21:57. | :22:01. | |
There she goes. We are off and running. | :22:02. | :22:06. | |
Do you think I could have a go? Of course you can. Crikey, I need my | :22:07. | :22:15. | |
glasses. Oh. You tidy it up for me. I better leave that to the master. | :22:16. | :22:22. | |
It is amazing howent Kate you have to be. Making the cuts is the first | :22:23. | :22:28. | |
part of any Kirigami masterpiece. Next comes the folding. | :22:29. | :22:33. | |
The folding element is the part that brings it to life, and that creates | :22:34. | :22:39. | |
the illusion of a 3-D building. All in the folding. I can't see how you | :22:40. | :22:47. | |
are going to create this 3-D building from a flat sheet of paper. | :22:48. | :22:51. | |
I can't get my head round it. Just starring to see how how it is | :22:52. | :22:56. | |
getting the depth. Starting to lift off the page. Yes. That is the best | :22:57. | :23:02. | |
bit. It is amazing. So there we go. I think that is it | :23:03. | :23:09. | |
all folded now. Right and then it should go... And you have forgot one | :23:10. | :23:14. | |
thing. There we go. We have a Christmas tree. | :23:15. | :23:20. | |
After all, it is Christmas. A One Show festive model is nearly | :23:21. | :23:25. | |
finished but we have one final trick up our sleeve to bring it to life. | :23:26. | :23:33. | |
Right. Here we go. I suppose this is the moment of truth. It is amazing. | :23:34. | :23:42. | |
You must be happy with how that has turned out I am pretty pleased. It | :23:43. | :23:46. | |
picks out the reindeer and the Christmas tree. Amazing what you can | :23:47. | :23:50. | |
achieve with just a blank sheet of white paper. | :23:51. | :24:00. | |
That is absolutely fantastic isn't it. It is beautiful. It looks so | :24:01. | :24:04. | |
real when you consider where we are sitting right now. Beautiful. Thank | :24:05. | :24:10. | |
you very much Tuffers. It is great. There is the reality of it. OK, now, | :24:11. | :24:15. | |
thank you for sending in all of the pictures you have done with your | :24:16. | :24:19. | |
Peanuts characters look a like, there we are. So this is Helen's | :24:20. | :24:29. | |
dog. There you have Snoopy, look. Six months old Teddy starring at | :24:30. | :24:32. | |
Charlie Brown sent in by mum Kate. Another version of you Snoopy. Carl | :24:33. | :24:37. | |
from Lowestoft has a dog that looks like you. It goes to show how | :24:38. | :24:41. | |
popular the characters still are after so many years and our Lucy, | :24:42. | :24:45. | |
not the bossy one went to find out why. | :24:46. | :24:52. | |
Charlie Brown you block head. That of course is Charlie Brown, the | :24:53. | :24:58. | |
insecure boy who just wanted to be liked. And the main character in one | :24:59. | :25:05. | |
of the most read comic strips of all time Peanuts. Good grief. It was | :25:06. | :25:10. | |
created in 1950 by Charles Schultz. And was based on the lives of | :25:11. | :25:16. | |
charily, his dog Snoopy and their friends. It became a phenomenon and | :25:17. | :25:20. | |
helped secure it as the norm throughout the world. | :25:21. | :25:26. | |
By the mid-sixties it reached its peak as a popular TV series too, | :25:27. | :25:32. | |
with a Championship's Christmas being seen by nearly half the | :25:33. | :25:36. | |
American pub ling on its first showing. Charlie Brown is a block | :25:37. | :25:41. | |
head, but he did get a nice tree. And this Christmas after so long | :25:42. | :25:47. | |
away they are back. Yes. Snoopy, Charlie Brown, and friends are about | :25:48. | :25:52. | |
to delight a new generation and for the very first time, they are in | :25:53. | :26:03. | |
3-D? Hu? Snoopy. I am a big Peanuts fan. I group up with the character, | :26:04. | :26:09. | |
I wanted to bring those pose, those expressions, that emotion to life on | :26:10. | :26:13. | |
the screen. What I love about Charles Schultz, | :26:14. | :26:18. | |
there is a beauty in his pen, that little wiggle and that led us to a | :26:19. | :26:22. | |
style for Charlie Brown's face, the eyes are really like two ink | :26:23. | :26:27. | |
droplets and the mouth looks like a wiggly pen line so we felt like we | :26:28. | :26:31. | |
were connected -- connecting to the characters we have always loved. | :26:32. | :26:36. | |
What do you want? Peanuts was more nan a cartoon for children. It was | :26:37. | :26:42. | |
unique in it used an adult frame of reference in world where there were | :26:43. | :26:47. | |
no adults. I can recommend a book, painting or song but I can't explain | :26:48. | :26:54. | |
love. It is psychological overtones struck a chord with the audience. | :26:55. | :26:59. | |
She looked at me. Charlie Brown it is true, you need me to point out | :27:00. | :27:04. | |
your faults Charlie Brown. These characters deal with the human | :27:05. | :27:07. | |
condition, they are reflection of us. I see myself in Charlie Brown, | :27:08. | :27:13. | |
often. Which character relates most closely to you? Snoopy I would say. | :27:14. | :27:18. | |
As you can see, just because he is witty, he likes to get into trouble. | :27:19. | :27:25. | |
There is a bit of Charlie Brown in all of us. He is shy, he is | :27:26. | :27:30. | |
thoughtful. The dog loves you for who you are, it is nice to have | :27:31. | :27:35. | |
someone who will listen to you. Marcie. Why? Because I really like | :27:36. | :27:44. | |
books and sometimes he is an I knows me a lot. Marcie you have made egg | :27:45. | :27:52. | |
soup! So, what about this new movie. Time to make a ruling. Snoopy, what | :27:53. | :27:56. | |
makes you think it is legal to dress up as a pilot and fly a plane? It | :27:57. | :28:07. | |
was what I was raised on. I used to buy Charlie Brown books when I was a | :28:08. | :28:10. | |
kid. I thought it was fabulous. Loved it. Love Snoopy, love Charlie | :28:11. | :28:16. | |
Brown. Remind me of my childhood. My grand daughter is looking forward to | :28:17. | :28:21. | |
it. I fell in love with the characters in the '70s. Knew they | :28:22. | :28:26. | |
would love Woodstock and Snoopy. This film captures the nostalgia of | :28:27. | :28:29. | |
what I experienced watching the cartoons. | :28:30. | :28:40. | |
Good grief! It looks so affectionately done. You | :28:41. | :28:43. | |
should be proud of you, the pair of you. Look at this last one. Looking | :28:44. | :28:52. | |
out of the cat flap. Send in by Sara. You will like this one. Here | :28:53. | :28:58. | |
is who is behind door number eight on the advent calendar. This is Beth | :28:59. | :29:03. | |
Smith. Her Christmas will be extra special because her dog Belle had | :29:04. | :29:06. | |
puppies last week which are doing well. There they are. It will be | :29:07. | :29:11. | |
more than special. It will be chaotic. Snoopy and Charlie Brown, | :29:12. | :29:17. | |
the peanuts movie is out on December 21st. Thank you for coming in. They | :29:18. | :29:22. | |
didn't put a foot wrong. Thanks to Ian, the Private Eye annual... With | :29:23. | :29:28. | |
more adult cartoons. It is out now. With us tomorrow is Tim Roth, and | :29:29. | :29:32. | |
one of the world's best singers Placido Domingo, we will see you at | :29:33. | :29:35. | |
7.00. Good night. | :29:36. | :29:38. |