Browse content similar to 09/12/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Alex Jones And Matt Baker. On | :00:17. | :00:23. | |
tonight's show we have the very best and worst of entertain am. Sglp we | :00:24. | :00:26. | |
will start with potentially the best much we will give you the chance to | :00:27. | :00:30. | |
vote for the BBC Song of the Year award. With the help of some One | :00:31. | :00:37. | |
Show viewers. At the other end of the scale, while the One Show | :00:38. | :00:43. | |
Barbershop Quartet. This four will be competing in the World | :00:44. | :00:45. | |
Championships. How is that going to go? Onto the movie side of things | :00:46. | :00:52. | |
first. Danger Dad, Andy Kirkpatrick is making a family film inspired by | :00:53. | :00:57. | |
an iconic movie. As we are talking cinema and song. Let us bring out | :00:58. | :01:04. | |
two masters of their craft. This is a robbery. Desperate words from a | :01:05. | :01:07. | |
desperate man. You have to love those mash-ups. | :01:08. | :01:26. | |
Please welcome Tim Roth and Placido Domingo. | :01:27. | :01:33. | |
APPLAUSE. What a sofa tonight. Welcome both. Great to have you. | :01:34. | :01:38. | |
Between you, you have flown 6,500 to be with us tonight. Thank you very | :01:39. | :01:44. | |
much. We are honoured. All good. Was it chicken or beef? What did you go | :01:45. | :01:52. | |
for? Chicken or beef The inflight meal on the way here? I had | :01:53. | :01:58. | |
sandwiches. Smart move. I do... My wife has a rule. Never eat the main | :01:59. | :02:02. | |
thing. The actual thing. Eat around the edges. Really? Yes. I eat all | :02:03. | :02:07. | |
the bits and piece, neverle actual beef or chicken. I ditch that. Oh. | :02:08. | :02:14. | |
I'm a PC person. Good for you. All right. Later on Placido will be | :02:15. | :02:20. | |
joined by French singing superstar, Vincent Niclo. They will be | :02:21. | :02:24. | |
performing one of the many duets on Placido's new album. Which is | :02:25. | :02:28. | |
lovely. Singing live. Thank you. Especially last night I was singing | :02:29. | :02:33. | |
in Valencia. I was singing Macbeth. Were you? Macbeth is very hard. | :02:34. | :02:40. | |
Yeah. The drama isn't bad. He's so bloody, you know. I tell you, I hope | :02:41. | :02:47. | |
I have voice today. It's quite a difference. It is. Macbeth and now | :02:48. | :02:59. | |
to sing a Christmas carol. It is the good part of me. We are relaxed. | :03:00. | :03:05. | |
Don't worry about any off notes. Tim might join in No problem. I have | :03:06. | :03:09. | |
your back. We are moving on to driving. 0mph is the speed lip l | :03:10. | :03:17. | |
limit on British roads. Should 70 be the upper age limit for driving. | :03:18. | :03:23. | |
With recent calls for the over 70s to have compulsory retesting every | :03:24. | :03:27. | |
three years, John Sergeant and Jennie Bond have volunteered to put | :03:28. | :03:30. | |
their driving skills to the test. Fasten your seatbelts this is going | :03:31. | :03:42. | |
to be a bumpy ride. Yeah. I'm one of the 4.3 million drivers in the UK | :03:43. | :03:46. | |
who are over the age of 70. According to research, our reaction | :03:47. | :03:51. | |
times are 22% slower, apparently increasing our chances of being | :03:52. | :03:55. | |
involved in an accident. I'm not convinced that's the case. Yes, we | :03:56. | :04:00. | |
are slower in our reactions, but we're more cautious, not like those | :04:01. | :04:06. | |
crazy youngsters! The road safety organisation BRAKE say it is's the | :04:07. | :04:11. | |
under-25s who have a disproportionately high number of | :04:12. | :04:14. | |
serious accidents. Should us oldies have our driving skills reassessed? | :04:15. | :04:19. | |
The can county of Hampshire thinks we ought to. Jennie Bond is 65, I'm | :04:20. | :04:26. | |
71, we are putting our driving to the test. Hello. Nice to see you. | :04:27. | :04:31. | |
This is a horrible test? I know. I'm nervous about it. As you got older | :04:32. | :04:35. | |
have you found anything trickier in driving? No. At night-time in | :04:36. | :04:40. | |
someone in dark clothes rushes across the road I think - I did not | :04:41. | :04:48. | |
see them. People can get their sight tested and their reactions. They can | :04:49. | :04:51. | |
signup for a full driving assessment. Currently, when you get | :04:52. | :04:57. | |
to 70 you have to reapply for your licence every three years there. Is | :04:58. | :05:01. | |
no test. You simply confirm in writing that you are fit to drive. | :05:02. | :05:05. | |
This business of you self-sign you are fit to drive much can you do | :05:06. | :05:09. | |
that until you can't see the paper you are writing on. Do you have an | :05:10. | :05:14. | |
age in which you might consider - No. I have a complete mental block | :05:15. | :05:22. | |
on that. Me too. We will have our knowledge of the Highway Code | :05:23. | :05:27. | |
tested. It's been a while since I looked at the copy. What is the | :05:28. | :05:33. | |
stopping distance for a are car travelling at 30mph. We are doing | :05:34. | :05:37. | |
OK. Jennie is giving me most of the answers. We are struggling to get | :05:38. | :05:42. | |
two or three out of seven, I would say. Yes. It's the classroom | :05:43. | :05:54. | |
atmosphere. I feel a bit tense. 2035 the number 70s on the road is set to | :05:55. | :05:59. | |
double to over nine million. If we don't do right they say we should be | :06:00. | :06:02. | |
off the road. I won't agree with that. I am not nervous. We will find | :06:03. | :06:10. | |
out how we've done later. First, some more tests. You have done the | :06:11. | :06:14. | |
eye test. I have. I think people might be a little bit scared to have | :06:15. | :06:17. | |
tests like this because you might suddenly be told - you can't drive | :06:18. | :06:21. | |
any more. Which would be terrified, wouldn't it? It certainly would. You | :06:22. | :06:25. | |
have to know, haven't What do you you. Think about the idea of people | :06:26. | :06:28. | |
doing these tests? I have done the driver awareness. I found it | :06:29. | :06:34. | |
extremely helpful. I have to do the the test. How do you think I will | :06:35. | :06:39. | |
get on? I think you will pass with flying colours. She doesn't look | :06:40. | :06:51. | |
could con convinced? Are older drivers a risk? Gradual changes take | :06:52. | :06:57. | |
place and really the ability to deal with complex situations. For | :06:58. | :07:00. | |
example, right turns across busy roads. Right turns. Do you do right | :07:01. | :07:05. | |
turns? I do. That is why it's important to get the skills up | :07:06. | :07:09. | |
again. That's right. Yeah. Time for Graham to put our driving under the | :07:10. | :07:12. | |
spotlight and see if it's up to scratch. Shall I start? Start the | :07:13. | :07:17. | |
engine when you are ready. Among the things Graham is assessing is our | :07:18. | :07:21. | |
awareness of others on the road. If this lorry broke down here, would | :07:22. | :07:25. | |
you be able to get round him. You think I'm too close to him? I was | :07:26. | :07:29. | |
perhaps a little too close. There is our use of mirrors. Sometimes the | :07:30. | :07:33. | |
left mirror is not always being checked as much as it could. Our | :07:34. | :07:38. | |
reactions? Stop. Thank you very much. How was that? Drive off when | :07:39. | :07:43. | |
you are ready. Good reactions there. It's my turn. The pressure is on. | :07:44. | :07:48. | |
What happens if you fail me? Can I lose my licence? No. This is not a | :07:49. | :07:52. | |
test. Completely confidential. Just advice. I nearly hit that car. We | :07:53. | :07:59. | |
can't get out. You have a few problems here. If I fail it will be | :08:00. | :08:05. | |
a disaster. These things happen After briefly mount sometimes. | :08:06. | :08:08. | |
Mounting the kerb, John partly blocks a keep clear zone. After his | :08:09. | :08:15. | |
early hiccups John completes the assessment without further incident. | :08:16. | :08:20. | |
The good news is we got five out of seven on the Highway Code. While | :08:21. | :08:24. | |
Graham has no concerns about my driving, he would like a quiet word | :08:25. | :08:31. | |
with you, John. Left is here. Graham and John are with us now. Graham, | :08:32. | :08:34. | |
it's time to spill the beans then. What did you need to tell John? | :08:35. | :08:39. | |
Well, actually John showed me a really good drive. There were one or | :08:40. | :08:44. | |
two - There you are. Let us focus on the hairy moments? Let us focus on | :08:45. | :08:51. | |
the good bits. Getting in the keep clear box and blocking that van was | :08:52. | :08:54. | |
a problem. These things can be resolved. Overis all I felt safe | :08:55. | :08:59. | |
with him. John, in general, was it useful? What did you take away from | :09:00. | :09:04. | |
it would you advice going on this? Was useful was that it was friendly. | :09:05. | :09:07. | |
You didn't feel it's a test that is going to ruin your life. That's | :09:08. | :09:12. | |
important. I think the other thing is that there were small things. | :09:13. | :09:17. | |
Like, what do you do with all these cyclists. Check the left-wing | :09:18. | :09:21. | |
mirror. Which many people forget to do. Things like that which you get | :09:22. | :09:28. | |
into the habit of not doing that. You really ought to because of | :09:29. | :09:32. | |
course the cyclists are coming up often very quickly on your inside. | :09:33. | :09:38. | |
It may seem, oh, do I have to do? I must say, I thought it was helpful. | :09:39. | :09:43. | |
For lots of people, particularly those who are nervous and think - I | :09:44. | :09:47. | |
wonder if I should be driving? That's a paradox. Perhaps you | :09:48. | :09:51. | |
shouldn't be driving. Graham might say, you are doing well. He said | :09:52. | :09:54. | |
that about me. You did well, John. I'm walking on air. Lots of people | :09:55. | :09:58. | |
at home, Graham, may have a member of the family who they are a little | :09:59. | :10:02. | |
bit concerned about and may think that they should consider stopping | :10:03. | :10:06. | |
driving. It is a hard subject to broach, isn't it, somebody losing | :10:07. | :10:10. | |
their independence. How is the best way to raise it? It's a difficult | :10:11. | :10:14. | |
subject. If you tell a person who feels they are a good driver that | :10:15. | :10:17. | |
they shouldn't be driving any more it's a massive shock to them thechl | :10:18. | :10:20. | |
are not likely to listen. You introduce it gently. You might bring | :10:21. | :10:25. | |
in a few little examples about - why did that person honk the horn there? | :10:26. | :10:29. | |
It seems to be happening more regularly. You seem to be getting | :10:30. | :10:33. | |
caught out by situations and reacting suddenly more so than you | :10:34. | :10:36. | |
used to do. You are getting them used to the fact that their skills | :10:37. | :10:39. | |
are not as sharp as they once were. That's much more easier to take. | :10:40. | :10:45. | |
Placido, you are 74, aren't you? Do you - I'm sure you have a show fair, | :10:46. | :10:50. | |
do you drive often? Do you like to drive? Yes, I like to drive. I like | :10:51. | :10:55. | |
to drive when I'm relaxed, you know. When I don't have to be in a hurry. | :10:56. | :11:02. | |
But I drive quite a lot in New York, in Los Angeles and when | :11:03. | :11:21. | |
I'm I would like to find more time. Once I was in Monte Carlo they gave | :11:22. | :11:29. | |
me a driving licence, I couldn't understand why because it was given | :11:30. | :11:34. | |
to to me about maybe 20 years agricultural, something. More. They | :11:35. | :11:46. | |
said it's good until the 21st January of - wait a moment, 2011. I | :11:47. | :12:01. | |
said - why? I realised that 2011 was my 70th birthday. There you go. I | :12:02. | :12:06. | |
don't understand how can they give you a licence for 20 years. But they | :12:07. | :12:13. | |
say - when you are 70 you cannot have that licence any more. One | :12:14. | :12:17. | |
group who are not letting age slow them down are the residents of | :12:18. | :12:22. | |
Shenley Wood Retirement Village in Milton Keynes who, I'm off to go and | :12:23. | :12:28. | |
meet now. Off you go. Every year they star in a charity calendar and | :12:29. | :12:34. | |
last year the theme was classic films. June was a film you know | :12:35. | :12:40. | |
well, Tim. Reservoir Dogs. They look pretty good, don't they. Looking | :12:41. | :12:44. | |
snappy. They are looking really snappy. This year they have a brand | :12:45. | :12:48. | |
new theme. Matt let us find out what that is. They look snappy. This is a | :12:49. | :12:54. | |
musical theme. If you don't mind we veil your months. We will have a | :12:55. | :12:58. | |
look inside. We have everything here from the the Spice Girls through to | :12:59. | :13:02. | |
Queen. Look at Queen, for goodness sake. We are have Kiss. We have | :13:03. | :13:11. | |
Wham. Ted, you are at the back, my friend. Whose idea was this? Where | :13:12. | :13:16. | |
did it come from? The concept was put forward by one of our residents | :13:17. | :13:21. | |
in our village called Peter Mercer. It was taken up by the Village | :13:22. | :13:29. | |
Entanmentes Manager. Our first calendar was so successful we | :13:30. | :13:33. | |
produced the second one. The imagesages are brilliant. Which one | :13:34. | :13:38. | |
of Kiss are you here? This one. That is you down there. Tremendous. You | :13:39. | :13:44. | |
are a wonderful village. It's the village calendar. I'm surprised you | :13:45. | :13:49. | |
haven't re-enacted this group. # Young men... # | :13:50. | :13:53. | |
It is the Village People. We set up a photo studio just outside the One | :13:54. | :13:56. | |
Show studio. You will zip across there now. Re-enact this famous | :13:57. | :14:03. | |
scene here and we will see how you get on at the end of the show. Let | :14:04. | :14:09. | |
us have a round of applause for the residents of Shenley Wood Retirement | :14:10. | :14:12. | |
Village. Good luck with it all. Tremendous. Looking forward to | :14:13. | :14:18. | |
seeing the results later. Tomorrow night the BBC's very own music | :14:19. | :14:22. | |
awards is taking place in Birmingham. The winner of one | :14:23. | :14:25. | |
category, Song of the Year, will be decided by you. You can vote for | :14:26. | :14:30. | |
your favourite Song of the Year online free by registered at: Or via | :14:31. | :14:42. | |
SMS by texting the word SONG followed by the number of your | :14:43. | :14:44. | |
favourite track. We have asked our One Show viewers to | :14:45. | :15:10. | |
help us. Remember you have voting for the song not the lip-synch | :15:11. | :15:12. | |
performance. Number one We have Ed Sheeran. For | :15:13. | :15:40. | |
Love Me Like You Do by Golding gold text SONG2 for Take Me To Church by | :15:41. | :15:50. | |
Hozier text SONG3. -- Ellie Goulding. For Want To Want Me by | :15:51. | :15:54. | |
Jason Derulo text SONG4. You've only got till the end | :15:55. | :18:10. | |
of the show to vote... Remember, you're voting | :18:11. | :18:17. | |
for the song, You can vote for your | :18:18. | :18:23. | |
favourite Song of the Year online for free by registering | :18:24. | :18:28. | |
at bbc.co.uk/musicawards or via SMS by texting the word SONG | :18:29. | :18:31. | |
followed by the number Texts will be charged | :18:32. | :18:33. | |
at your standard message rate, Voting is limited to 1 | :18:34. | :18:39. | |
vote per mobile number, additional votes will not count | :18:40. | :18:44. | |
but will be charged. Please don't vote | :18:45. | :18:48. | |
if you are watching on demand, and you can see | :18:49. | :19:02. | |
who wins tomorrow night, Having heard that, what is your | :19:03. | :19:17. | |
opinion on modern pop music? The youth is so strong, I think, a | :19:18. | :19:21. | |
fantastic generation. The pop music is fantastic. I like it, I like | :19:22. | :19:26. | |
something that says something. Sometimes it is only the rhythm, | :19:27. | :19:30. | |
which can be wonderful, beautiful rhythm, but they do not say | :19:31. | :19:37. | |
anything. I think it has to be something, unfortunately for us, for | :19:38. | :19:41. | |
the classic music, we have two fight. Music should be mandatory in | :19:42. | :19:51. | |
schools. It is a nice way to teach the children. -- we have to fight. A | :19:52. | :20:00. | |
whole other story. They do not need to know that it is classical music. | :20:01. | :20:05. | |
It is intelligent, writers, they can come with something that the | :20:06. | :20:11. | |
children will grow up with. So they have the chance to know there is | :20:12. | :20:17. | |
something else. Talking of intelligent writing, moving to your | :20:18. | :20:18. | |
recent project... a western called "The Hateful | :20:19. | :20:23. | |
Eight". We know Tarantino doesn't | :20:24. | :20:30. | |
follow the rules, so we guess this is not a sequel | :20:31. | :20:31. | |
to The Magnificent Seven? Two bounty hunters are on the road, | :20:32. | :20:44. | |
they are in the snow, in the Nant tins of Wyoming, there is a blizzard | :20:45. | :20:49. | |
chasing them. -- in the mountains of Wyoming. One of them has a prisoner | :20:50. | :20:55. | |
chained to his wrist, the other is... Be careful what you wish for! | :20:56. | :21:02. | |
For people and up in a stagecoach, they hide out from the blizzard in a | :21:03. | :21:06. | |
haberdashery, in the mountains, which is where everything unravels. | :21:07. | :21:11. | |
And the onion is peeled back. It is like Reservoir Dogs but kind of like | :21:12. | :21:19. | |
a Western. Jennifer Jason Leigh, Samuel L. Jackson. Her character is | :21:20. | :21:24. | |
a monster! Of all of The Hateful eight, she may be the most hateful! | :21:25. | :21:30. | |
You are all incredibly talented, but what a group of people to have in | :21:31. | :21:34. | |
one place at one time, what is that like, to be a part of that. We | :21:35. | :21:40. | |
worked on it, we had rehearsed it almost like a play. It felt like a | :21:41. | :21:46. | |
play, because it was shot on 70 mm, on the big widescreen thing, and we | :21:47. | :21:50. | |
were in the cabin... We got to hang out, and even when we were not | :21:51. | :21:56. | |
working, per se, when we were off-camera, we would hang around and | :21:57. | :22:00. | |
watch each other perform. The conversations that took place, the | :22:01. | :22:06. | |
downtime, they were extraordinary. It was like a masterclass, every | :22:07. | :22:10. | |
day. We became very tight, we have a text in groupthink. We are doing | :22:11. | :22:16. | |
today. Completely ridiculous. What are you taxing Samuel L. Jackson? | :22:17. | :22:25. | |
That is off the record! LAUGHTER But wherever we are, we keep it | :22:26. | :22:29. | |
going, it was an unusual group of actors, wonderful. You play a | :22:30. | :22:33. | |
hangman. Oswaldo Mobray. If the relatives and the loved ones | :22:34. | :22:48. | |
of the person you murdered were outside of that door, right now, and | :22:49. | :22:52. | |
after busting down that door, they drag you out into the snow and they | :22:53. | :22:57. | |
hung you up by the neck, that would be frontier justice. It does not | :22:58. | :23:06. | |
matter what you do, to get satisfaction from your death, it is | :23:07. | :23:13. | |
my job. It is not just about big blockbusters for you, you have been | :23:14. | :23:17. | |
doing low-budget stuff as well, with Chronic, very interesting film... It | :23:18. | :23:24. | |
is the opposite end of that kind of world. It is about a hospice nurse, | :23:25. | :23:30. | |
and the patients that he is helping towards their end, and also, it is | :23:31. | :23:38. | |
about how he has an internal battle, over his youngest son, who is now | :23:39. | :23:45. | |
deceased. It is a very different animal. You like to keep the two | :23:46. | :23:53. | |
bubbling together? Yes, you do the stuff for love, that you do because | :23:54. | :23:58. | |
it is fabulous and for yourself and personal, like Chronic and the | :23:59. | :24:02. | |
hateful eight, and you do the clap, like... The World Cup movie... That | :24:03. | :24:10. | |
nonsense! Which was garbage! LAUGHTER | :24:11. | :24:16. | |
You played Sepp Blatter. You have got to keep a roof over the head of | :24:17. | :24:21. | |
the family. You have got to get the kids through college, otherwise the | :24:22. | :24:24. | |
student loan comes... It comes to bite them in the backside! Do you | :24:25. | :24:34. | |
regret it? Not at all, but he is a monster, I did it for the money, | :24:35. | :24:38. | |
everything that comes to him... But he seems to be able to skate through | :24:39. | :24:44. | |
this stuff, extraordinarily. It was one of those things, I had two boys | :24:45. | :24:49. | |
going into college, and that is that! That is it. You are not really | :24:50. | :24:55. | |
a fan of Sepp Blatter? Did he forget your name? Forget my name? No, he | :24:56. | :25:03. | |
did not forget my name, but once, he said... It was some kind of small | :25:04. | :25:14. | |
problem, not the big problem it was, he was kissing Johan Cruyff and | :25:15. | :25:23. | |
myself... He said that he wanted us to be in Fifa to be able to control | :25:24. | :25:35. | |
and see that things were clean. But it was a big thing, in every | :25:36. | :25:41. | |
newspaper. It never happens... I was thrilled, because since 1982I had | :25:42. | :25:49. | |
been in every World Cup, always. I'm a really great fan of football. I | :25:50. | :25:54. | |
had been watching every World Cup, and I said, I would love to be | :25:55. | :25:58. | |
there, I would love to see how we can help. I had tickets for every | :25:59. | :26:08. | |
match in that last World Cup, for my children and for me, I didn't go to | :26:09. | :26:12. | |
a single one, I could not... Such a shame, I had always wanted to go, | :26:13. | :26:17. | |
when I got the script, I thought, great, Expose on Sepp Blatter, and | :26:18. | :26:24. | |
then... (!) LAUGHTER I was singing in the concert, in the | :26:25. | :26:29. | |
World Cup, and tickets, they will always fantastic for me. To | :26:30. | :26:37. | |
everybody that we were... But we have got to see now. The hateful | :26:38. | :26:48. | |
eight, in cinemas. And, Chronic, that is out on the 16th of February. | :26:49. | :26:53. | |
Now we are going to a man has decided to make his own little | :26:54. | :26:57. | |
family film, danger dad, Andy Kirkpatrick. For this dad, even | :26:58. | :27:03. | |
holidays have to be extreme, and I should know! | :27:04. | :27:09. | |
SHOUTING Lean back, lean back, nobody said it | :27:10. | :27:16. | |
would be easy. Many of you may remember Andy Kirkpatrick, he led me | :27:17. | :27:21. | |
up the buttress in Utah, Banksy your generosity it raised a staggering | :27:22. | :27:27. | |
?1.9 million for sport relief, I was in good hand, Andy is one of the | :27:28. | :27:31. | |
UK's and indeed the world's top climbers. I am not a normal climber, | :27:32. | :27:38. | |
I don't look like a climber, I looked like a bin man! As a father | :27:39. | :27:43. | |
of two, he believes that his children, as part of their | :27:44. | :27:46. | |
upbringing, should be exposed to some of the risks and hardships that | :27:47. | :27:51. | |
he experiences. We care too much about how they feel... You have got | :27:52. | :27:54. | |
to give them the space to work out how they feel themselves, and to | :27:55. | :27:59. | |
show that they are independent. This winter he has taken his 16-year-old | :28:00. | :28:04. | |
and 13-year-old on a hard-core adventure, ironically, the activity | :28:05. | :28:08. | |
and when you are inspired by a war film, which Labour will be would | :28:09. | :28:11. | |
have called on repeat if they stayed at home with their feet up, the | :28:12. | :28:17. | |
heroes of Telemark! The biggest quality is their ability to thrive | :28:18. | :28:21. | |
in that environment, an environment which was very hostile. The film is | :28:22. | :28:25. | |
based on the real-life commando raid by the Norwegian army in the Second | :28:26. | :28:30. | |
World War, they spent a month ski trekking through the mountains of | :28:31. | :28:33. | |
Telemark, in the depths of winter, to destroy the factory at the heart | :28:34. | :28:39. | |
of the atomic process. It is in heroic tale of daring, and it | :28:40. | :28:44. | |
influenced an entire generation. I want them to have that same sense... | :28:45. | :28:48. | |
It will be hard but I want them to feel the value of being there. Andy | :28:49. | :28:53. | |
is going to recreate the spirit of the experience in the wilderness. We | :28:54. | :28:58. | |
will go out for four days, we have three different places we will camp, | :28:59. | :29:03. | |
one of them is in a ten, on the snow, you have never slept on snow | :29:04. | :29:06. | |
before, it should be quite cool(!) -- tent. I don't know how to ski, it | :29:07. | :29:13. | |
is going to be interesting, it is going to be good to learn. We will | :29:14. | :29:19. | |
be digging pits, it is quite important that you are not there | :29:20. | :29:26. | |
just as tourists. I would like to go on a proper skiing holiday, hot | :29:27. | :29:30. | |
chocolate in a large...! The full proper skiing holiday but obviously | :29:31. | :29:35. | |
not! Obviously we are the Kirkpatrick family, we have got to | :29:36. | :29:39. | |
go off to some mountain and do abseiling and skiing and not using | :29:40. | :29:46. | |
toilets! LAUGHTER Schools out for the Christmas | :29:47. | :29:49. | |
holidays, some of Ella's friends come to hang out before her big | :29:50. | :29:54. | |
adventure. It is going to be 30 degrees below freezing, so cold, so | :29:55. | :29:57. | |
I have got so much specialist gear that has been given to me. Fun | :29:58. | :30:04. | |
goggles... You are going to looks stunning(!) it is not just Andy who | :30:05. | :30:12. | |
thinks mixing kids with risky play has its benefits. We grow up with | :30:13. | :30:16. | |
people around us all of the time, it is good to be exposed to some risk. | :30:17. | :30:21. | |
Also like, using individual, but we are worrying about ringing up for a | :30:22. | :30:24. | |
pizza! LAUGHTER They arrive in Norway. They learn to | :30:25. | :30:37. | |
ski in just two-days. You are supposed nod not to go backwards. | :30:38. | :30:41. | |
Because they will carry their own food for four days they need to get | :30:42. | :30:46. | |
to grips with the local cuisine. This looks like reindeer. It's | :30:47. | :30:52. | |
really good for you. It will give you hoofs. They waste no time in | :30:53. | :30:56. | |
hitting the mountains. We have to come back alive. We have to come | :30:57. | :31:02. | |
back friends and successful. No. But in the recertificates order. The | :31:03. | :31:06. | |
four day loop starts and finishes at the former Nazi atomic plant. On | :31:07. | :31:12. | |
this first day the plan is to ski five miles before camping. Skiing | :31:13. | :31:18. | |
three or four hours is tiring. At this time of year the Kirkpatricks | :31:19. | :31:26. | |
have six hours to ski. Light is fading fast. It's horrible. I hate | :31:27. | :31:33. | |
it. With the kids exhausted and weather worsening, will the next few | :31:34. | :31:38. | |
days on the mountain prove to be too much for the Kirkpatricks? Well - | :31:39. | :31:48. | |
It's not really a holiday, is it, let's face it. It's for Andy. They | :31:49. | :31:53. | |
are trying to recreate the epic journey seen in the Heroes of | :31:54. | :31:56. | |
Telemark. We will see how they get on later on. You don't have to go to | :31:57. | :32:00. | |
the extremes if you want a holiday that is seen on the silver screen. | :32:01. | :32:05. | |
We are joined by film critic, Antonia Quirke, who has agreed to | :32:06. | :32:08. | |
turn travel agent for one night only. We are going to discuss | :32:09. | :32:12. | |
holidays in the movie zone, we are calling it. The Kirkpatricks, not an | :32:13. | :32:18. | |
easy one to say, we saw them there. Quite an extreme situation. Say they | :32:19. | :32:22. | |
wanted something exciting but a little bit more relaxing. Maybe a | :32:23. | :32:28. | |
driving holiday Definitely not relaxing would be The Italian Job. | :32:29. | :32:35. | |
Yes. You can do tours of the centre of Turin in a Mini. When they made | :32:36. | :32:39. | |
the original film in 1969 they didn't have the money to stop | :32:40. | :32:43. | |
everything in the middle of Turin. They had to be creative and had | :32:44. | :32:48. | |
cameras at variouses vantage points. They sent in their catering truck to | :32:49. | :32:57. | |
create this traffic jam. They waited and waited as it compounded. Sent in | :32:58. | :33:02. | |
the bullion truck and the Land Rover and off they went. That would be | :33:03. | :33:06. | |
fun. Closer to home that might bring in one of our guests Maybe the | :33:07. | :33:10. | |
highlands with Rob Roy. There you go. Is it true some of those | :33:11. | :33:19. | |
locations were so remote you had to be helicoptered in with all your | :33:20. | :33:27. | |
equipment? A lot they would go into I highland and hand carry the | :33:28. | :33:33. | |
equipment up there the crew. Like sherpas. You could go so high and | :33:34. | :33:38. | |
then he had to walk it up. What about Drummond Castle. John Hurt | :33:39. | :33:43. | |
lived in the movie. You can visit the gardens. Commoners are not | :33:44. | :33:46. | |
allowed in the house still though. Our next one. This has been inspired | :33:47. | :33:52. | |
by my mother-in-law. She sent photos back. My son couldn't believe his | :33:53. | :33:56. | |
eyes when he saw foe Yeos from Tunisia. You will explain why? The | :33:57. | :34:02. | |
original Star Wars movies were found in the desert in the Tunisia. A lot | :34:03. | :34:06. | |
of the set is standing there and in good condition. You can sleep in | :34:07. | :34:10. | |
Luke Skywalker's house for ?6 a night. A bargain. You can wonder the | :34:11. | :34:23. | |
area bumping into vaporator s. It's called set jetting. I hope it has | :34:24. | :34:28. | |
given you ideas. City Hospital is a show that I and many of you will | :34:29. | :34:32. | |
remember. You will when you hear the theme music. Showing everything | :34:33. | :34:37. | |
morning on BBC One it brought us tales of home and outbreak. Joshua | :34:38. | :34:41. | |
Gook was one child who captured all of our hearts. Here is Sarah with | :34:42. | :34:50. | |
his story. This is hard work. I'm quite out of breast. It's completely | :34:51. | :34:55. | |
normal if you are exercising. If you get breathless when you are not | :34:56. | :34:59. | |
exercising, that should set alarm bells ringing particularly when it | :35:00. | :35:07. | |
happens to a six-year-old. Back in 1999 Joshua Gook became a star on | :35:08. | :35:14. | |
the BBC series City Hospital. In your nativity play what did you play | :35:15. | :35:17. | |
A Shepherd's family. The whole family? No. His TV career was | :35:18. | :35:24. | |
happening for all the wrong reasons. Joshua was unusually breathless on | :35:25. | :35:29. | |
holiday. Mum, Natasha, thought it the might be asthma. The he was sent | :35:30. | :35:34. | |
for a routine X-ray they were about to be given the worse possible news. | :35:35. | :35:38. | |
We came into hospital on the 8th September. Within a couple of days | :35:39. | :35:49. | |
they diagnosed cancer. It attacks the immune system. He had a 60% | :35:50. | :35:55. | |
chance. Immediately you think - about 40 merz means that your child | :35:56. | :36:00. | |
isn't going to live. It was all awful. Jan was Joshua's consultants. | :36:01. | :36:10. | |
He had a mass in his chest which was pressing on the Tubes going to the | :36:11. | :36:16. | |
lungs. It was causing him to be increasingly breathless without | :36:17. | :36:19. | |
urgent treatment that could have fatal consequences. Joshua already | :36:20. | :36:26. | |
had advance stage three cancer. He would need months of intensive | :36:27. | :36:30. | |
chemothearpy. I would prefer to stay at home. I would prefer to go to | :36:31. | :36:34. | |
school than go to hospital. In hospital he seemed to be coping | :36:35. | :36:38. | |
well, even with the extra medicines he needed. It doesn't taste too bad. | :36:39. | :36:43. | |
Not too bad. Take a little drink. I don't need a That was good drink. . | :36:44. | :36:48. | |
Natasha knew everything depended on the chemo working. I can't deep | :36:49. | :36:56. | |
about it at the moment. It's a difficult time. Joshua spent many | :36:57. | :37:00. | |
weeks in hospital and was in and out over the Christmas period. The | :37:01. | :37:05. | |
Christmas holiday was great that year because we had a bit of hope. | :37:06. | :37:10. | |
You are not ever celebrating, just continually worried for a long, | :37:11. | :37:17. | |
long, long time. Joshua continued chemothearpy for two years and was | :37:18. | :37:22. | |
closely monitored after that. He was discharged from hospital aged 17. | :37:23. | :37:27. | |
Josh is fit and healthy he is now a tennis coached and playing at | :37:28. | :37:32. | |
national level. That was fantastic. Did you ever imagine all those years | :37:33. | :37:37. | |
ago that you would be doing this incredibly physical job? Not at the | :37:38. | :37:41. | |
time, no. When I was struggling to move around. I guess I'm lucky to do | :37:42. | :37:46. | |
something that is very physical. Josh is looking fot future. He and | :37:47. | :37:50. | |
his mum have never forgotten the hospital that saved his life. Hello, | :37:51. | :37:55. | |
Josh. Good to see you. Great to see you. It's been a while. We found | :37:56. | :38:02. | |
this the other day. A map, six years old I was when I made this. Detailed | :38:03. | :38:06. | |
map of the ward. I remember going round measuring this one day. I love | :38:07. | :38:12. | |
your spelling. School room - I was only six! Josh b Josh has come back | :38:13. | :38:17. | |
to the -- Josh has come back to the ward to see the young people still | :38:18. | :38:24. | |
in the middle of their treatment. It's strange being back. I stayed in | :38:25. | :38:28. | |
room while I was here. How long have you been here Three weeks. I haven't | :38:29. | :38:33. | |
been in here that long. I have a tumour going down the side of my | :38:34. | :38:37. | |
leg, I've got an operation soon to take it out in January. Hopefully, | :38:38. | :38:41. | |
everything is OK. How do you feel now having gone through it? I know | :38:42. | :38:45. | |
you were young at the time? Yeah, it's quite a strange one. I'm lucky | :38:46. | :38:51. | |
that today there are kind of no, kind of ill affects. Day-to-day I | :38:52. | :38:56. | |
can live my life as I want. Which is, I guess, the aim of it all, | :38:57. | :39:03. | |
isn't it? I would never dare to think that that would be the outcome | :39:04. | :39:09. | |
at that time. He's so fit and healthy and enjoying his life. It's | :39:10. | :39:16. | |
lovely. As miss hum said it's lovely to see he has gone on to do | :39:17. | :39:19. | |
something to physical, isn't it? He has made a success of himself. | :39:20. | :39:25. | |
Wonderful. Placido, you are here in our very christmassy set to talk | :39:26. | :39:29. | |
about an album that is so fitting My Christmas. Let us have a lilliesen. | :39:30. | :39:38. | |
Here we go. OK. # Silent night | :39:39. | :39:51. | |
# Holy night # All is calm | :39:52. | :39:56. | |
# All is bright... # | :39:57. | :40:03. | |
APPLAUSE How does singing Christmas songs compare to your usual set? I | :40:04. | :40:09. | |
tell you, to sing opera is difficult, but to singsongs it make | :40:10. | :40:13. | |
it is more difficult for everybody to judge because, of course, opera, | :40:14. | :40:17. | |
not everybody can sing. That's true. Everybody sitting here in the | :40:18. | :40:21. | |
studio, everybody can sing Silent Night. Everyone has an opinion - | :40:22. | :40:26. | |
They have their own opinions. I don't like it this way. I like this, | :40:27. | :40:32. | |
I like that. It's very much difficult to sing the most popular | :40:33. | :40:38. | |
things because the opera, it's not - not many at the theatre can do what | :40:39. | :40:42. | |
I'm doing, you know. Maybe there are three or four of my colleagues | :40:43. | :40:47. | |
sitting in the public. Otherwise, the public cannot. The songs, | :40:48. | :40:51. | |
anybody can sing, you know. I do it better, they say! The album has some | :40:52. | :40:57. | |
lovely duets on it. The Piano Guys are on it. Izina Menzel, lovely | :40:58. | :41:02. | |
choice. The younger audience will know her as the voice of Elsa from | :41:03. | :41:08. | |
Frozen and then there is your and your son, Placido Domingo Junior. We | :41:09. | :41:11. | |
have a photo of him there. How easier is it to sing with him than | :41:12. | :41:16. | |
the rest. Is it a natural thing, I suppose, because you are father and | :41:17. | :41:21. | |
son? I'm very proud of him hechl has the voice to sing opera, but he | :41:22. | :41:25. | |
didn't have the dedication at the beginning. He has been a wonderful | :41:26. | :41:33. | |
composure. He wrote many songs, film music. About four years agricultural | :41:34. | :41:39. | |
he said - I want to sing. He is singing opera and concerts. He was | :41:40. | :41:44. | |
singing now in Ireland, just three days agricultural. He's going to | :41:45. | :41:49. | |
tour in Germany. He is singing wonderful. I think he sings | :41:50. | :42:00. | |
beautifully in English. Good there at the eye tunes Festival last year. | :42:01. | :42:06. | |
Jack has followed in your footsteps. Neither of you went to drama school. | :42:07. | :42:10. | |
Actors tend to follow the same path. How much advice did you give him | :42:11. | :42:14. | |
along the way On and off, you know, I mean he is his own guy. But he... | :42:15. | :42:22. | |
Yeah, he applied to college and I can't remember, I think he got into | :42:23. | :42:24. | |
a couple of them. I did the same thing. There was always a job that | :42:25. | :42:31. | |
was coming up that. You know, he would rather be on stage than | :42:32. | :42:36. | |
pretending in transit, as it were. It's good. He is doing great. Really | :42:37. | :42:41. | |
well. Staying with the family feel, you dedicated this album, haven't | :42:42. | :42:45. | |
you, to your sister? Yeah. Why of all of the things have you done have | :42:46. | :42:49. | |
you dedicated this Christmas album for her? Because unfortunately we | :42:50. | :42:55. | |
lost her in June, you know. It is of course Christmas time when we all | :42:56. | :43:01. | |
get together. It's going to be very difficult Christmas, you know. It | :43:02. | :43:05. | |
was... It was very difficult year, really. I want just to say to | :43:06. | :43:12. | |
everybody how much I love her. How much everybody in the family miss | :43:13. | :43:17. | |
her. I guess, as a singer as well, having the life experience that you | :43:18. | :43:23. | |
do, I mean that adds to so much depth to the songs that you are | :43:24. | :43:26. | |
singing and how the tone must change throughout all of your career with | :43:27. | :43:29. | |
the emotion you are singing with? Yeah, that's right, you know. During | :43:30. | :43:37. | |
this time, May and June, which we were really all the time at the | :43:38. | :43:44. | |
hospital, you know. So I had to cancel some performances in Covent | :43:45. | :43:48. | |
Garden here, I was telling you before, yesterday it was 44 years of | :43:49. | :44:00. | |
my debut, my first performance on the 8th December 1971. Last century | :44:01. | :44:04. | |
- you know! Military APPLAUSE. You deserve a round of | :44:05. | :44:08. | |
applause for that. Wonderful 44 years. It's a lovely album. With the | :44:09. | :44:14. | |
help of Vincent Niclo, of course, you will perform Have Your self A | :44:15. | :44:20. | |
Merry Little Christmas. We are excited about hearing. I can't wait. | :44:21. | :44:25. | |
It's time too open another door on our One Show Advent Calendar. Behind | :44:26. | :44:34. | |
door number nine is Brian this was sent in by his son Kevin. He has had | :44:35. | :44:39. | |
throat cancer. We had an email from Kevin to say he had the all clear | :44:40. | :44:44. | |
just today. A very merry Christmas. Such good news. If you would like to | :44:45. | :44:50. | |
feature in our calendar you can email us at the usual address. From | :44:51. | :44:56. | |
one calendar to another now. Shall we see how our Shenley Wood Village | :44:57. | :45:01. | |
People have been getting on re-enacting this wonderful album | :45:02. | :45:03. | |
cover from the Village People. They have been plugging in a lot of | :45:04. | :45:07. | |
lights. What has been happening as far as the costumes are concerned. | :45:08. | :45:11. | |
Interesting hair dress there. Indian. Maybe we should leave them | :45:12. | :45:17. | |
to to it. I would like them to do the routine as well as taking the | :45:18. | :45:21. | |
picture taken. Full on performance. Maybe the backing decommissions for | :45:22. | :45:25. | |
Placido, who knows! We will see the results later on. | :45:26. | :45:33. | |
With the world's most famous tenor right here on the sofa, there | :45:34. | :45:37. | |
couldn't be a better time for the third and final film from our One | :45:38. | :45:40. | |
Show Barbershop Quartet. Today's the day that they have been working | :45:41. | :45:42. | |
toward, will there are vocals lead them to victory? Put your fingers in | :45:43. | :45:49. | |
your area is, Placido probably not! VOICEOVER: I am on a mission to lead | :45:50. | :45:53. | |
our very own barbershop quartet to glory in the British barbershop | :45:54. | :45:59. | |
championships here in land at no, the cream of the barbershop world is | :46:00. | :46:00. | |
here. They come in all shapes and sizes. | :46:01. | :46:24. | |
And then, there is asked... -- us. There is around 6000 barbershop | :46:25. | :46:29. | |
singers in the UK, more than anywhere else in the world outside | :46:30. | :46:36. | |
of the US. It is a close-knit community, but in this world, the | :46:37. | :46:43. | |
judges take no prisoners. They are scoring between zero and 100. Vocal, | :46:44. | :46:50. | |
music, characteristics, believability, and suitability as a | :46:51. | :46:55. | |
performer. The quartet will spend upwards of a year preparing. | :46:56. | :47:01. | |
Usually, at least once a month, sometimes more frequently depending | :47:02. | :47:04. | |
upon how close they live to each other, and your quartet have not had | :47:05. | :47:09. | |
very long, as far as I'm aware. Certainly, the arrivals do not seem | :47:10. | :47:12. | |
that impressed. Listening to them, they... Look... | :47:13. | :47:31. | |
Good(!) ready to go! As the audience take their seats, and we do | :47:32. | :47:34. | |
last-minute preparation, it is time for the appropriately named The One | :47:35. | :47:38. | |
Show barbershop quartet to make their debut. Ladies and gentlemen, | :47:39. | :47:42. | |
one team, one dream! APPLAUSE With a song in my heart... I behold | :47:43. | :48:00. | |
your adorable face... VOICEOVER: We are off to a strong start! | :48:01. | :48:05. | |
And now, wish me luck, for my solo... | :48:06. | :48:09. | |
But I always knew that I'd leave life through with a song in my heart | :48:10. | :48:28. | |
for you. -- live life through. CHEERING | :48:29. | :48:31. | |
APPLAUSE Incredibly, we have gone down a | :48:32. | :48:33. | |
storm. Where we any good? I think that we | :48:34. | :48:50. | |
were, we had some nice moments! They went for it, that was good great | :48:51. | :48:56. | |
fun. What did the judges make of it? Bob Hodges is a representative of | :48:57. | :48:59. | |
the US Association of barbershop singers. You had good support for | :49:00. | :49:03. | |
each other throughout, the wheels never fell off. So that anything was | :49:04. | :49:10. | |
not recoverable... For you to do that the first marvellous. Do the | :49:11. | :49:18. | |
judges scores tell the same story? Out of a possible 900, you have got | :49:19. | :49:21. | |
394. As you predicted, presentation is | :49:22. | :49:34. | |
your highest score. Has any buddy scored that low today...? You guys | :49:35. | :49:41. | |
did! Back next year? I think you should! I would love it. STUDIO: It | :49:42. | :49:47. | |
was never going to go brilliantly, but it was a good effort! On the | :49:48. | :49:51. | |
singing theme, we have got Vincent Niclo with us, lovely to have you | :49:52. | :49:55. | |
here, you will be singing later, with Placido Domingo, over there, so | :49:56. | :50:01. | |
you have swapped, as we have lost placid though, he has come in your | :50:02. | :50:16. | |
place. You did a duet on the album. But do you have something in your | :50:17. | :50:19. | |
contract where you do not ever get to meet each other(!) the first time | :50:20. | :50:32. | |
we sang together two weeks ago. It is such an honour to sing with him. | :50:33. | :50:37. | |
Time is tight. You were inspired by another ten, to get into the world | :50:38. | :50:44. | |
are singing. Yes, Pavarotti. I turned on the radio, I heard Nessun | :50:45. | :50:49. | |
Dorma, I heard his voice and it's changed my life. I was not supposed | :50:50. | :50:56. | |
to go that way, and when I listened to the opera, I was saying to | :50:57. | :51:01. | |
myself, I want to do that. I took lessons, lessons, lessons, for | :51:02. | :51:06. | |
years. My teacher said, I think you can do it, that was the best day of | :51:07. | :51:12. | |
my life. You sang with him, you are singing with Placido Domingo | :51:13. | :51:17. | |
tonight, and then lastly, Carreras. May be, why not. Everyday is | :51:18. | :51:25. | |
Christmas for me! Are on Christmas time now, but for three years, I | :51:26. | :51:29. | |
have been singing with such big stars like Celine Dion, as a | :51:30. | :51:34. | |
deadening go, many others... -- Placido Domingo. You have an album | :51:35. | :51:45. | |
next March. Out in the UK. The beginning of March, my first English | :51:46. | :51:49. | |
album, here in the UK. It is a big deal, and I hope the audience here | :51:50. | :51:53. | |
is going to like my work. And we shall see. That whole inspiration | :51:54. | :51:57. | |
thing is an interesting one, it was not really a person that got you | :51:58. | :52:02. | |
into acting, it was an incident with your bicycle! It was a lucky | :52:03. | :52:07. | |
accident, I was working in the West End, probably quite close to here, | :52:08. | :52:11. | |
selling advertising to people who could not afford it(!) over the | :52:12. | :52:15. | |
phone, cycling back to where I lived. I got a flat tire, I stopped | :52:16. | :52:20. | |
in at a theatre, they told me about auditions going on. I was looking | :52:21. | :52:24. | |
for a pump for my bicycle. They were telling me about auditions for a | :52:25. | :52:29. | |
television film, I auditioned a few times, and I got the job. Around the | :52:30. | :52:33. | |
corner. What was the production? Made In Britain. About a skinhead. | :52:34. | :52:41. | |
That is fate playing its hand! I read that in order to make sure you | :52:42. | :52:45. | |
got the part, you turned up and you are messing around in the | :52:46. | :52:49. | |
playground? I went early for the audition, the third audition, I knew | :52:50. | :52:52. | |
that they would tell me to take a break, get me later... I went | :52:53. | :52:58. | |
outside, I said I will wait in the park... Soho Square... I knew that | :52:59. | :53:05. | |
they would be watching me, I did a bit of bad behaviour! A mate of | :53:06. | :53:11. | |
mine, from a punk band, they stopped us. I knew that they would be | :53:12. | :53:19. | |
watching. That is why I got the job! You must have had an feeling that | :53:20. | :53:23. | |
you fancy trying your hand at acting. When I was at school I | :53:24. | :53:28. | |
auditioned for a musical, Dracula spectacular! We all know that one! | :53:29. | :53:36. | |
It was a joke, I auditioned as a joke, it backfired, I got the job, | :53:37. | :53:42. | |
then I had to do it in front of all of the bullies. Then this incredible | :53:43. | :53:46. | |
woman, Joe will Walker, a teacher, she pushed me to do community | :53:47. | :53:52. | |
better, pub theatre. That is how I got it. -- Jo Walker. Judging by | :53:53. | :54:00. | |
this, I'm surprised you did not go down a musical route... You've got | :54:01. | :54:06. | |
this one going, have you? Appalling! This is not that bad! It is pretty | :54:07. | :54:13. | |
bad... LAUGHTER One of those old school films, I | :54:14. | :54:17. | |
thought it was lovely. I did it because of my wife, she is crazy | :54:18. | :54:20. | |
that musical so I thought that I would have a go, and I wanted to | :54:21. | :54:25. | |
know what it felt like when you are singing and then you go into | :54:26. | :54:29. | |
dialogue... And vice versa... I wanted to know what that was like. | :54:30. | :54:35. | |
With Woody, as well. This, Placido Domingo is on the other side of this | :54:36. | :54:48. | |
Judeo. -- other side of this studio. Thank you very much, round of | :54:49. | :54:55. | |
applause. Well, the Shenley Wood Village People are back in the | :54:56. | :55:00. | |
studio, looking hilarious, this is the original, we wanted them to | :55:01. | :55:06. | |
copy, and here is what they have created... | :55:07. | :55:10. | |
That is almost all that we have got time for tonight, are you... What | :55:11. | :55:26. | |
are your plans? Are you heading back to Los Angeles? We are doing the | :55:27. | :55:30. | |
tour for the hateful eight, off to Paris, for a couple of days, the | :55:31. | :55:35. | |
premiere tomorrow... In London, at the Odeon, Leicester Square. Doing | :55:36. | :55:40. | |
that, New York, back to Los Angeles. You spend all of your time over in | :55:41. | :55:43. | |
Los Angeles, must be lovely for you to come to the heart of Britain... | :55:44. | :55:48. | |
Hasek, Leicester Square cinema. I saw alien at the opening night of | :55:49. | :55:54. | |
alien, and I remember, I had the cheap seats, front row. -- Alien. I | :55:55. | :55:59. | |
think there is going to be a bit of that tomorrow night! Proper cinema. | :56:00. | :56:08. | |
Thank you so much for your company. Tim Roth! January eight, The Hateful | :56:09. | :56:19. | |
eight is in cinemas. And thanks too to Placido Domingo and Vincent | :56:20. | :56:21. | |
Niclo. Placido's album My Christmas is in shops now. Here they are, | :56:22. | :56:27. | |
singing live with "Have Yourself A Merry Little Christmas'. | :56:28. | :56:45. | |
# Have yourself a merry little Christmas | :56:46. | :56:48. | |
# From now on our troubles will be out of sight | :56:49. | :57:07. | |
# Have yourself a merry little Christmas | :57:08. | :57:13. | |
# From now on our troubles will be miles away | :57:14. | :57:33. | |
# Faithful friends who are dear to us | :57:34. | :57:50. | |
# Until then we'll have to muddle through somehow | :57:51. | :58:25. | |
Hello, I'm Elaine Dunkley with your 90 second update. | :58:26. | :58:56. | |
The unexpected deaths of more than a thousand people weren't | :58:57. | :58:58. | |
That's according to a scathing report seen by the BBC. | :58:59. | :59:04. | |
It blames a failure of leadership at Southern Health. | :59:05. | :59:06. | |
?5000 each for flood-hit families and businesses. | :59:07. | :59:12. | |
That's what Chancellor George Osborne has promised those affected | :59:13. | :59:15. | |
It's to protect properties from future flooding. | :59:16. | :59:19. | |
Petrol for less than ?1 a litre before Christmas. | :59:20. | :59:23. | |
It's put the drop in prices at the pumps down to | :59:24. | :59:28. |