Browse content similar to 10/12/2015. Check below for episodes and series from the same categories and more!
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Hello. It's the One Show. Matt Baker and Alex Jones. There has been a | :00:26. | :00:37. | |
terrible incident. It's the snowman, he has come to a watery end and we | :00:38. | :00:44. | |
have no idea who has melted him. Listen, we are going to need a top | :00:45. | :00:49. | |
detective to solve this. And we need him now. And he's here, welcome | :00:50. | :00:54. | |
Luther himself, Idris Elba! APPLAUSE Idris, welcome. Hello, how are you? | :00:55. | :01:10. | |
Thanks for doing that. A bit of acting there! Really impressive. I | :01:11. | :01:17. | |
was feeling for the snowman. A big congratulations for your nomination | :01:18. | :01:20. | |
for the Golden Globe. APPLAUSE Thank you. Was it today that you | :01:21. | :01:26. | |
found out? I found out three hours ago. I was in my office. I was on | :01:27. | :01:34. | |
the phone, and somebody tapped me and gave me my phone and said, there | :01:35. | :01:40. | |
were 100 texts saying congratulations. It's a good | :01:41. | :01:45. | |
feeling. I'm sure it is. The Duke of Cambridge today presented 160 Army | :01:46. | :01:49. | |
medics with medals to recognise their work to help fight the deadly | :01:50. | :01:56. | |
Ebola disease in Sierra Leone. We went on to meet some recipients on | :01:57. | :02:01. | |
this significant day in history. When they told me I was going I was | :02:02. | :02:08. | |
nervous as anything. If we get told to go out there we just go out and | :02:09. | :02:14. | |
do it. I was nervous about going over there. It is something totally | :02:15. | :02:17. | |
different to what we are used to as medics. We are trained to use | :02:18. | :02:24. | |
rifles, not dealing with bodies and things like that. People were very | :02:25. | :02:35. | |
nervous. The family were very supportive. There were some | :02:36. | :02:44. | |
questions that I could not answer. The Foreign Office personnel sent | :02:45. | :02:47. | |
their families home and just as they were doing that we were going into | :02:48. | :02:51. | |
the country to face one of the most deadly diseases known to man. We | :02:52. | :02:58. | |
were very well on the bus journey to the location and everybody seemed | :02:59. | :03:04. | |
grateful for us being there. It was slightly tricky, wearing the suit, | :03:05. | :03:13. | |
the cap, goggles, visors and blurbs. It was tough. -- gloves. It made you | :03:14. | :03:21. | |
feel restricted about communicating with people because people can only | :03:22. | :03:28. | |
see your eyes. I was always holding people's hands and trying to | :03:29. | :03:33. | |
reassure them in that way. For those who we could not save, we consoled | :03:34. | :03:38. | |
ourselves with the fact that we offered the best end of life care in | :03:39. | :03:43. | |
Sierra Leone as well. I felt emotional. When I saw the first | :03:44. | :03:48. | |
patient who was Ebola free going out of the facility, I was so happy I | :03:49. | :03:52. | |
could have cried myself. It's a really nice feeling to know that we | :03:53. | :03:57. | |
have possibly help that person. Ever so grateful. I was there for six | :03:58. | :04:01. | |
months and I could see the difference, the changes. When we | :04:02. | :04:06. | |
first went out there, there was a lot of patience, but as we | :04:07. | :04:11. | |
progressed, the numbers went down and down. We had an interpreter from | :04:12. | :04:15. | |
the beginning called Mohammed who developed a dance and we would do a | :04:16. | :04:21. | |
survival dance for everybody who came out of the facility. I'm quite | :04:22. | :04:28. | |
happy that we have done the work and Ebola has gone. We started to get | :04:29. | :04:34. | |
ahead of the disease, it was like watching a City come to life comes | :04:35. | :04:39. | |
you get up early in the morning. But instead it was watching a country | :04:40. | :04:43. | |
come to life. The medals Parade today is a fabulous opportunity to | :04:44. | :04:47. | |
put every individual who we could get hold of in the spotlight to say | :04:48. | :04:52. | |
thank you and also a large number of family and friends travelling to see | :04:53. | :04:55. | |
them receiving medals from the Duke of Cambridge. He kept in touch with | :04:56. | :05:01. | |
the unit throughout the deployment, initially before we went and then | :05:02. | :05:05. | |
sent Christmas messages and regular updates on progress. Not many people | :05:06. | :05:10. | |
can say they have gone out and done something like that, people say they | :05:11. | :05:14. | |
want to do something and help the world but I have actually done it | :05:15. | :05:20. | |
now. Idris, we were just talking about what you did during the crisis | :05:21. | :05:25. | |
to raise awareness. I tried as much as I could to raise awareness, and | :05:26. | :05:29. | |
it is interesting because watching the film, ... Our focus on the | :05:30. | :05:36. | |
awareness campaign I did was for the health workers and it was a salute | :05:37. | :05:39. | |
to those guys because it is a thankless job, risking their lives | :05:40. | :05:44. | |
every day. Seeing a lot of people dying as well. I wanted to do | :05:45. | :05:49. | |
something for them to show that at that time when I did the campaign we | :05:50. | :05:54. | |
needed more people. It was a film to encourage people to help. Calling | :05:55. | :05:59. | |
health workers heroes. They are, aren't they? That is where your dad | :06:00. | :06:06. | |
is from? My parents are from Sierra Leone and we still have extended | :06:07. | :06:10. | |
family there, thank God they are safe. Obviously Ebola was close to | :06:11. | :06:15. | |
me and my family. As well as those recognise that the ceremony today it | :06:16. | :06:19. | |
seems only fitting to acknowledge the huge efforts made by the local | :06:20. | :06:25. | |
community. Including great examples. This is George on a Bangoura who | :06:26. | :06:30. | |
visited communities to provide counselling for those affected. -- | :06:31. | :06:38. | |
Georgina. And this man had to organise the huge number of burials | :06:39. | :06:45. | |
in Freetown. And finally, this woman volunteered for the Red Cross having | :06:46. | :06:49. | |
been treated for Ebola herself. You know of many cases like that, people | :06:50. | :06:57. | |
who go back in even after they were affected? Once they had caught it | :06:58. | :07:01. | |
people were not scared to go back and help others, that is such a | :07:02. | :07:05. | |
beautiful selfless thing to do. Very brave. Many will not get enough | :07:06. | :07:11. | |
credit. That is true. Thankfully it is now gone. The new series of | :07:12. | :07:18. | |
Luther which we will talk about later is an epic, nail-biting | :07:19. | :07:23. | |
2-parter. First the resolution of our own epic 2-parter. Which we | :07:24. | :07:28. | |
started last night and we will now rejoin one of the world's top | :07:29. | :07:32. | |
climbers Andy Kirkpatrick and his children as they embark on a wintry | :07:33. | :07:38. | |
adventure with a difference. As dawn breaks the weather is looking | :07:39. | :07:43. | |
unsettled. This morning we had an ice storm and it rained and now the | :07:44. | :07:47. | |
temperature is dropping really quickly. We need to clear the ice | :07:48. | :07:52. | |
from everything, skis and tense and everything. It's never dull in the | :07:53. | :07:58. | |
mountains. At this time of year, they have just six hours of | :07:59. | :08:02. | |
daylight. It's really hard to see what you are doing especially when | :08:03. | :08:07. | |
you have huge gloves on. I don't know if he has picked up on this but | :08:08. | :08:11. | |
it's nice when someone does it for you. They cover another eight miles | :08:12. | :08:15. | |
and as they make it to the camp conditions are worsening. | :08:16. | :08:26. | |
During the night the winds hit Gayle Andy has to try to stop the tents | :08:27. | :08:34. | |
from being buried in the snow. -- hit Gail force. About midnight I | :08:35. | :08:46. | |
woke up and the tent was almost completely buried under the snow | :08:47. | :08:50. | |
which could mean that we would suffocate or the tent might break so | :08:51. | :08:55. | |
we had to get up and spend 40 minutes digging the tent out and | :08:56. | :08:59. | |
building a wall to have liked some of the wind. It seems to do the | :09:00. | :09:03. | |
trick. The tent was only one third buried. Being buried alive in a tent | :09:04. | :09:09. | |
is not on top of my list of things to do. Experience is like this are | :09:10. | :09:14. | |
needed to build character. If someone said I was irresponsible for | :09:15. | :09:19. | |
going to the middle of nowhere with my kids I would say that it was | :09:20. | :09:23. | |
irresponsible not to. There is a risk but that is who we are, we are | :09:24. | :09:27. | |
those people and we have to grow into people who can manage risks. | :09:28. | :09:31. | |
Are you happy to go skiing on the ice? Yes. If anybody goes in, just | :09:32. | :09:36. | |
pretend you are Bear Grylls! We have rock-hard, frozen salami and | :09:37. | :10:01. | |
tomatoes. Is that good? No. In a four day loop the Kirkpatrick family | :10:02. | :10:04. | |
are back on the edge of the plateau and only a day away from their | :10:05. | :10:08. | |
starting point. The former Nazis atomic plant. Where are we going? We | :10:09. | :10:16. | |
will go that way. This time there is no handy cable car to get them back | :10:17. | :10:20. | |
to the valley but there is no handy route at all. I am not enjoying | :10:21. | :10:25. | |
myself at all. This is great! Imagine walking in mud up to your | :10:26. | :10:32. | |
knees. You think your foot is on solid ground and then you fall | :10:33. | :10:37. | |
straight down to your thighs. Instead of taking five minutes it | :10:38. | :10:43. | |
will take 15. I was really proud of you today, when everything was going | :10:44. | :10:47. | |
fine you were horrible to me and complaining and whingeing and when | :10:48. | :10:50. | |
things get difficult you suddenly snap into gear. Despite his | :10:51. | :10:58. | |
challenges he can look back with a sense of achievement. These things | :10:59. | :11:04. | |
will help me in future life. It is going to be windy so this has to be | :11:05. | :11:10. | |
secure. In my day to day life I am not averse to risks, let's just | :11:11. | :11:16. | |
experience it for what it is. After 22 miles and four days in freezing | :11:17. | :11:20. | |
subzero temperatures they are finally making it to the former | :11:21. | :11:25. | |
Nazis atomic plant. We are almost at the factory and we will try to sneak | :11:26. | :11:30. | |
in like the saboteurs. Where is the door? It is just over there. The | :11:31. | :11:34. | |
disabled access! Although getting inside is slightly | :11:35. | :11:46. | |
easier now than it was for the heroes of Telemark. Straight into | :11:47. | :11:55. | |
the gift shop! Absolutely. Well done to the Kirkpatrick family, I think | :11:56. | :12:00. | |
it will stand them in good stead in the future. He is a great bloke but | :12:01. | :12:05. | |
he's take them somewhere hot and sunny! Two and a half years since we | :12:06. | :12:11. | |
saw Luther, DCI John Luther, and he was in a bad place at the end of | :12:12. | :12:17. | |
series three. A little bit down. Is he happy now? Has he regained his | :12:18. | :12:24. | |
lust for life? Is Luther happy?! We did want to show that he is a human | :12:25. | :12:29. | |
being. Without spoiling it, at the start of this season we actually see | :12:30. | :12:33. | |
the effects of what has happened over the last season. We find him in | :12:34. | :12:37. | |
a place where he has too absorbed some rest time and chill out. He has | :12:38. | :12:45. | |
had a lot of bad luck. Is the 2-parter a good thing? It was really | :12:46. | :12:49. | |
good because we didn't have much time and we wanted to give the fans | :12:50. | :12:53. | |
something else having left it in a bad place. You know, I have been | :12:54. | :12:57. | |
saying in the press that I would love to see a film version and the | :12:58. | :13:02. | |
BBC have been saying we should do a two our special. It is really one | :13:03. | :13:07. | |
massive story and it's great. Here is a taste of what we can expect | :13:08. | :13:11. | |
next week and despite the iconic code not being new, you have a | :13:12. | :13:18. | |
Parker this time, it is still the same, really. | :13:19. | :13:23. | |
Good afternoon, I would like to speak to George Cornelius please. | :13:24. | :13:31. | |
I'm sorry, he's not in. Yes, he is. Hurry up. | :13:32. | :13:41. | |
You rang, my lord? George Cornelius? You know I am. Come with me, please. | :13:42. | :13:56. | |
Who are you again? Police. Which police? The police. It is as full on | :13:57. | :14:06. | |
as ever and you watch trailers at the moment and they are graphic. | :14:07. | :14:10. | |
When you are on set and when you see it cut together, does it even | :14:11. | :14:17. | |
surprise you? Is it intends on set? It is intense, shooting in London | :14:18. | :14:21. | |
and its very real on the street. When I see it back I am fascinated. | :14:22. | :14:28. | |
Where did we shoot that? All of these buildings in London look | :14:29. | :14:31. | |
amazing and that's what I love about it. It does surprise me. It's | :14:32. | :14:36. | |
petrifying. I will watch this at home but I have to prepare myself | :14:37. | :14:40. | |
because it is scary and I have to know when to drink my wine normally. | :14:41. | :14:42. | |
Is it scary? Nation it is over two nights, the | :14:43. | :14:52. | |
first night, and then the second night. | :14:53. | :14:53. | |
We returned to form, the DNA which makes Luther a thriller, it is | :14:54. | :15:01. | |
scary, all of the bad guys ask airy, you will be happy that there is no | :15:02. | :15:04. | |
one sleeping under your bed this time! I cannot bear it! Now you can | :15:05. | :15:10. | |
make the comparison between working here in Britain and also in the | :15:11. | :15:13. | |
United States, because your career, it is going incredibly well over | :15:14. | :15:18. | |
there, with movies, how do you find the two compare? This is home, you | :15:19. | :15:24. | |
always feel a sense of... I don't know... You get a deeper sense of | :15:25. | :15:28. | |
satisfaction when you come home and you have done well. America, they | :15:29. | :15:42. | |
are so celebratory, the real winner. Where is here it is more like, hello | :15:43. | :15:47. | |
mate! LAUGHTER You have got Finding Dory, you have | :15:48. | :15:51. | |
got Star Trek, Finding Dory is the follow-up to finding Nemo, and you | :15:52. | :15:57. | |
have Jungle book, that is a coup to be a part of that. Is there one of | :15:58. | :16:00. | |
those you are particularly excited about? -- Finding Nemo. The Jungle | :16:01. | :16:05. | |
Book, definitely. You are playing the Tiger! It is Jon Favreau, he did | :16:06. | :16:16. | |
the first iron man film, and the second, he has done a new iteration | :16:17. | :16:21. | |
of The Jungle Book, and he is a good director and a great actor as well | :16:22. | :16:25. | |
stop what you have got to get your character across through your voice. | :16:26. | :16:32. | |
They always say, Idris, come on. When you are playing a Tiger... And | :16:33. | :16:38. | |
I'm crawling about, and they say, we cannot record you if your head is | :16:39. | :16:43. | |
moving too much! LAUGHTER I loved it, and I wanted to do it | :16:44. | :16:48. | |
because I have kids, my kids cannot see all of my films, so something | :16:49. | :16:51. | |
like Finding Dory, The Jungle Book, they can see that. And judging from | :16:52. | :16:55. | |
the past films, those characters will live on! Concealers on the 15th | :16:56. | :17:02. | |
of December, 9pm, BBC One, second part, the following week. -- you can | :17:03. | :17:06. | |
see Luther on the 15th of December, 9pm. As a fan of speed, we hope that | :17:07. | :17:13. | |
you will like this next film, Marty is going to meet somebody who is | :17:14. | :17:17. | |
hoping to go faster than anybody else on two wheels. VOICEOVER: Back | :17:18. | :17:21. | |
in 1999, Richard Brown of Britain came near to the Bonneville salt | :17:22. | :17:25. | |
flats in the United States to break the world record for the fastest | :17:26. | :17:31. | |
thing on two wheels. He smashed it, travelling at almost 333 mph. To | :17:32. | :17:40. | |
qualify as a record, he had to do it twice! There was a problem... We | :17:41. | :17:47. | |
have blown the rear tire... On the second pass, disaster struck, with | :17:48. | :17:51. | |
the rear tyre blown, his record attempt was shattered. As they say, | :17:52. | :17:59. | |
that's all, folks. In September 2010, an American team raised the | :18:00. | :18:04. | |
bar, and set the record at 376 point 363 mph. Now, after 16 years, he is | :18:05. | :18:12. | |
back to try again. I believe that this record should be held by a | :18:13. | :18:17. | |
Brit, it is a perfect great British endeavour, we have got to do it! -- | :18:18. | :18:23. | |
376.363 mph! The new bike is lighter, and it has an extra | :18:24. | :18:28. | |
stabilising wheel, and tougher tyres, but it is what lies under the | :18:29. | :18:31. | |
bonnet that makes this bike a potential record-breaker. Most | :18:32. | :18:37. | |
motorcycles use, you know, a motor, to drive the back wheel. There is | :18:38. | :18:41. | |
another way to propel something forward... Richard's bike uses a jet | :18:42. | :18:49. | |
engine, similar to those found in commercial airliners, to give it | :18:50. | :18:53. | |
more power, it has something called an afterburner. An afterburner | :18:54. | :18:58. | |
injects extra fuel into the hot exhaust fumes, this fuel ignites, to | :18:59. | :19:05. | |
create an explosive force, that will more than triple the engine's | :19:06. | :19:10. | |
thrust. How do you feel about being strapped into a missile? And | :19:11. | :19:15. | |
launched down a track! Reggie Dem nervous! But it is part of the job. | :19:16. | :19:20. | |
Today, Richard and his team are about to test whether or not the | :19:21. | :19:25. | |
afterburner works. When they tried it last time, it failed to fire, so | :19:26. | :19:33. | |
the pressure is on today. It is a tense moment, if Richard's new jet | :19:34. | :19:37. | |
reaction bike is to break the current speed record, the | :19:38. | :19:41. | |
afterburner absolutely has to work. It all hinges on this. This is it, | :19:42. | :19:48. | |
the moment of truth! Will be afterburner work? Only one way to | :19:49. | :19:56. | |
find out. -- will the afterburner work? Only one way to find out! | :19:57. | :20:15. | |
Richard! Well done! How was that? Absolutely fantastic! I am no expert | :20:16. | :20:41. | |
but it looked like you got some afterburner! Yes, really really did | :20:42. | :20:48. | |
it! It is fast before the afterburner, you go to the | :20:49. | :20:51. | |
afterburner, it is warp drive! Today's test was successful, the | :20:52. | :20:58. | |
afterburner worked, the bike reached 118 mph, but Richard will need to | :20:59. | :21:03. | |
top 376 to break the record in the USA! If he does, he will be the | :21:04. | :21:11. | |
first Briton to do so since 1937. -- 180 mph. STUDIO: Good luck! Good | :21:12. | :21:17. | |
luck indeed. What we always try to match films with guests, we have got | :21:18. | :21:22. | |
some which matched personally. This is the flying mile... This is the | :21:23. | :21:29. | |
seven mile Beach, basically, I tried to make a record that Sir Malcolm | :21:30. | :21:33. | |
Campbell owned for a long time, this is in Pendine Beach. It is doing a | :21:34. | :21:41. | |
measured mile, one way that way, he did it 172 mph, I did it at 183 mph. | :21:42. | :21:51. | |
The Bentley, that is like a bungalow on wheels! It is a bit boxy. I did | :21:52. | :21:56. | |
not know they could go that fast. It is a very fast car, we were going at | :21:57. | :22:02. | |
110 mph, and that is when it begins to hydroplane, echoes of the water | :22:03. | :22:05. | |
on the beach, it is literally flying, but I went 180 mph! We had | :22:06. | :22:12. | |
one shot, a helicopter, his downwind was pushing my car! | :22:13. | :22:15. | |
LAUGHTER If I had known you were down there, | :22:16. | :22:24. | |
I would have come to wave the flag! As Luther hits our screens, you have | :22:25. | :22:27. | |
a character album out as well, you did this before, when you played | :22:28. | :22:32. | |
Nelson Mandela, but a lot of people will not know what a character album | :22:33. | :22:39. | |
is. It is a love letter from me, the actor, to the character, and then | :22:40. | :22:46. | |
written in music. Well! It is also, my love affair with music, very | :22:47. | :22:51. | |
public, and I was trying to find ways that I could do good work as an | :22:52. | :22:56. | |
actor and as a musician, this is it, writing songs about John Luther, | :22:57. | :23:01. | |
writing about the experience of being a murder detective, writing | :23:02. | :23:03. | |
about the aesthetic of the show, writing a show about Alice. I met a | :23:04. | :23:09. | |
producer, Fred Cox, talented producer, and we visualised Luther. | :23:10. | :23:15. | |
We made it into... Not visualise, sorry we turned it to music. We got | :23:16. | :23:20. | |
a very interesting eight track album. As a guest on The One Show, | :23:21. | :23:28. | |
would you be able to music ... Could you put us to music, could you | :23:29. | :23:35. | |
"musicalise" The One Show? You would have songs about sofas... A bit of | :23:36. | :23:43. | |
Elaine Paige musicals... Definitely! Neil Diamond. Soft rock, power | :23:44. | :23:51. | |
ballads. Dad rock, and some food, because you cook every now and | :23:52. | :23:57. | |
again. We should work on that, next time, work on that and next time | :23:58. | :24:02. | |
coming and we will have a listen! Speaking of music. We sent Gyles on | :24:03. | :24:09. | |
the hunt for some Christmas mood music and guess what, he ended up in | :24:10. | :24:11. | |
the park! SINGING. VOICEOVER: While shepherds | :24:12. | :24:23. | |
watched, one of the best-known carols, but near Sheffield, here, | :24:24. | :24:26. | |
they sing it a little differently, and not in a church... The sportsman | :24:27. | :24:33. | |
Inn, licence to sell an uncommon brand of Christmas spirit! | :24:34. | :24:46. | |
This is a Sheffield Carroll in full swing. You will recognise the words | :24:47. | :24:58. | |
from while shepherds watched, but the tune is totally different. -- | :24:59. | :25:05. | |
carol. How long has this been going on? Generations, my parents had this | :25:06. | :25:10. | |
pub, when I was a little girl, they kept me awake, I was trying to sleep | :25:11. | :25:15. | |
upstairs! I could hear their singing. It raises the roof. I hear | :25:16. | :25:22. | |
it is due the demolition anyway(!) you sing yourself? A little bit. | :25:23. | :25:27. | |
Around here, locals gather in pubs between Armistice Day and Christmas, | :25:28. | :25:31. | |
to belt out songs known as Sheffield carols, like this secure version of | :25:32. | :25:35. | |
while shepherds, which you are unlikely to hear anywhere else. | :25:36. | :25:40. | |
Professor Ian Russell is a leading authority. This is the hundreds | :25:41. | :25:45. | |
years old! Why isn't this the version that I know and recognise?! | :25:46. | :25:51. | |
Song in my parish church? Victorians played a trick on you, Gyles | :25:52. | :25:56. | |
abolishing this sort of Christmas Carol. What was the motive? | :25:57. | :26:01. | |
Sacrilegious about this, it is a wonderful celebratory Christmas | :26:02. | :26:05. | |
Carol. It was just too much fun, I think! They thought it was decadent, | :26:06. | :26:11. | |
you have got to be prim and proper. Truman driven out of the churches, | :26:12. | :26:16. | |
into the pubs. They loved it so much. They did not want to lose this | :26:17. | :26:21. | |
music, so they went and took it to the pubs, and why not, because the | :26:22. | :26:26. | |
pub is such a welcoming place. -- driven out of the churches, into the | :26:27. | :26:32. | |
pubs. Sheffield carols are being kept alive by local pub goers, who | :26:33. | :26:35. | |
passed the songs down over generations. Once they are in your | :26:36. | :26:40. | |
blood, you cannot stay away from them. I was coming here when I was | :26:41. | :26:47. | |
five years old... So you have been coming here 50 years. 60, almost! It | :26:48. | :26:53. | |
makes Christmas very nice. Whether they will survive the copy shop area | :26:54. | :26:56. | |
is anybody's guess(!) but there is new blood waiting in the wings. I | :26:57. | :27:03. | |
often come here with my grampa. Will using the carols one day? Yes! Long | :27:04. | :27:12. | |
live the Sheffield carols, that's what I say, one more chorus, | :27:13. | :27:17. | |
Yorkshire style! Don't expect to hear this version in a shopping | :27:18. | :27:21. | |
centre near you, the Sportsman Inn, on a Monday, one of the few places | :27:22. | :27:23. | |
it belongs this Christmas. STUDIO: Thank you, Gyles We were | :27:24. | :27:37. | |
trying to do the original... Listening to that, it has gone. | :27:38. | :27:40. | |
Speaking of a Christmas Carol, is there somebody exhibiting | :27:41. | :27:47. | |
Scrooge-like behaviour in your family? We want to name and shame | :27:48. | :27:52. | |
them, get in touch. Terry Gardiner has been in touch, his 11-year-old | :27:53. | :27:58. | |
grandson, Lee, has been very ill for a very long time, the good news is, | :27:59. | :28:03. | |
he's able to go back to school, on Monday, for the best part of term, | :28:04. | :28:12. | |
the games! We wish in the best of luck and a happy Christmas from all | :28:13. | :28:18. | |
of us at The One Show. Idris what is the perfect Christmas for you? | :28:19. | :28:22. | |
Honestly, sitting in front of the Xbox, playing Fifa! It really is! | :28:23. | :28:29. | |
LAUGHTER I am that guy, another inspired, | :28:30. | :28:35. | |
please! So it is all about games. Yes, and just at home, chilling out. | :28:36. | :28:42. | |
To be honest, that is what we will be doing! Listen, Idris thank you so | :28:43. | :28:47. | |
much for your company, one more time, Idris Elba! , looking forward | :28:48. | :28:57. | |
to Luthur which starts on 15th December at 9pm right here on BBC | :28:58. | :29:00. | |
One and his album 'murdah loves john' is out then too. Tomorrow, | :29:01. | :29:03. | |
Jasper Carrot will be co-hosting with me, Nadiya Hussain is backed by | :29:04. | :29:07. | |
popular demand, and we will be chatting to East Enders's Danny | :29:08. | :29:09. | |
Dyer! There once was a sprout | :29:10. | :29:20. | |
with love to give Looking for friends | :29:21. | :29:22. | |
to spend Christmas with | :29:23. | :29:27. |