Browse content similar to 08/12/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show
with Patrick Kielty. | 0:00:15 | 0:00:19 | |
And Alex Jones. | 0:00:19 | 0:00:29 | |
This Christmas, she'll be
stinking up our screens | 0:00:51 | 0:00:52 | |
in David Walliams' Ratburger
and filling our stockings | 0:00:52 | 0:00:54 | |
with her album of show
tunes and standards. | 0:00:54 | 0:01:04 | |
It is Sheridan Smith. Look, thanks
for joining us. You are so busy. I | 0:01:34 | 0:01:47 | |
am sure you are here for a rest.
They have let me come away. I am | 0:01:47 | 0:01:57 | |
filming for an ITV drama. You will
be singing for us later, City Of | 0:01:57 | 0:02:05 | |
Stars From La La Land. The project
you are filming for ITV is a | 0:02:05 | 0:02:16 | |
complete contrast. I play a cleaner.
Was that much of a stretch? Not at | 0:02:16 | 0:02:28 | |
all. I am a scrubber, aren't I?
Also, you have the showbiz | 0:02:28 | 0:02:40 | |
Hollywood's singing, you have the
BAFTAs and the Olivier awards. | 0:02:40 | 0:02:45 | |
Keeping your feet on the ground can
you like to hang out with stars like | 0:02:45 | 0:02:49 | |
Barry Manilow. Who else do we have?
Dolly Parton. Barbara Streisand. | 0:02:49 | 0:02:56 | |
They are my dogs. When your dogs
have those names. You have seven but | 0:02:56 | 0:03:08 | |
you have brought two tonight. Which
one is that? That is Pandora and | 0:03:08 | 0:03:17 | |
little dumbo with his ears, but bold
one. And that is Leslie, my make up | 0:03:17 | 0:03:23 | |
artist. I love that they have just
been on the show. That is cool. | 0:03:23 | 0:03:33 | |
A new Hollywood film about a little
boy with a facial condition that | 0:03:33 | 0:03:36 | |
leads to other children bullying him
has proved a hit around the world. | 0:03:36 | 0:03:39 | |
Wonder may be a drama
but the struggles he has fitting | 0:03:39 | 0:03:42 | |
in and being accepted
are based on fact. | 0:03:42 | 0:03:44 | |
Every now and then film comes along
offering people a glimpse into a | 0:03:44 | 0:03:49 | |
unique struggle. Wonder is one such
film. Next week I start fifth grade. | 0:03:49 | 0:03:54 | |
Since I have never been to a real
school before, I am petrified. It | 0:03:54 | 0:04:00 | |
tells the story of a ten-year-old
boy with a rare facial difference as | 0:04:00 | 0:04:05 | |
he starts mainstream school for the
first time. Dear God, please make | 0:04:05 | 0:04:10 | |
them be nice to him. It is a
heart-warming tale of acceptance | 0:04:10 | 0:04:14 | |
also a story some families in the UK
can directly relate to. I think | 0:04:14 | 0:04:18 | |
we're all done if you want to get
dressed and do your teeth. That is | 0:04:18 | 0:04:23 | |
fine. This is Stuart Fulton he is 12
and living with a rare neurological | 0:04:23 | 0:04:27 | |
disorder. His sixth and seventh nerd
don't work for this area. It bunches | 0:04:27 | 0:04:36 | |
his tongue and makes him struggle
with his teeth. Tell me about the | 0:04:36 | 0:04:44 | |
anxiety you feel as a parent with
him going out into the world. Things | 0:04:44 | 0:04:47 | |
like when he started secondary
school, I was worried about people | 0:04:47 | 0:04:52 | |
making comments. Will it affect him?
When people look they do not know | 0:04:52 | 0:04:56 | |
what is wrong with him. Some of them
up and ask sometimes. You can | 0:04:56 | 0:05:01 | |
explain it to him. Once his
personality punches through and you | 0:05:01 | 0:05:05 | |
realise he is a cheeky kid who is a
bit different. Mrs Taylor told me | 0:05:05 | 0:05:10 | |
you did really well in PA yesterday.
See you later. Love you. According | 0:05:10 | 0:05:17 | |
to the reality, Changing Faces,
15,000 children are born each year | 0:05:17 | 0:05:23 | |
with a physical difference. Stuart
attends mainstream school and it has | 0:05:23 | 0:05:28 | |
a learning assistant. Tell me about
how things are at school? He says | 0:05:28 | 0:05:42 | |
that it is Taylor is always there
for me. Thank you. -- Mrs Taylor. If | 0:05:42 | 0:05:49 | |
they need explaining, I explain to
them. How difficult can it be for | 0:05:49 | 0:05:54 | |
children with facial differences? In
mainstream school, it is very | 0:05:54 | 0:05:58 | |
difficult. Not many people have a to
one. They are vulnerable. You not | 0:05:58 | 0:06:06 | |
ugly. You would say that. You are my
man. Because I am your mamma, I know | 0:06:06 | 0:06:15 | |
you the most. What do Stewart and
his family make of it? You thought | 0:06:15 | 0:06:22 | |
it was very good. He made a lot of
friends in the end out of what | 0:06:22 | 0:06:30 | |
happened. I connected with on so
many levels. Once I started getting | 0:06:30 | 0:06:36 | |
into it you realise that so much of
that film does ring true. Did you | 0:06:36 | 0:06:47 | |
get that? It is not what you look
like, it is how you are in now. | 0:06:47 | 0:06:59 | |
Thanks to Stuart and his family. | 0:06:59 | 0:07:05 | |
You have played lots of people based
on real-life characters. Is it | 0:07:05 | 0:07:09 | |
tougher creating a character from
scratch? How does it work? I love | 0:07:09 | 0:07:16 | |
playing real people. You have
cemetery such that you lose yourself | 0:07:16 | 0:07:19 | |
in it for that this is hard for me,
the whole kind of being me think. I | 0:07:19 | 0:07:25 | |
like to lose myself in characters.
When they are real people you get to | 0:07:25 | 0:07:29 | |
know them. The lovely Lisa who I
played in the C Word, you just get a | 0:07:29 | 0:07:39 | |
connection. All these characters
have the fact in, the -- in common | 0:07:39 | 0:07:46 | |
that they are not scared to stand up
for other people's rights. I will | 0:07:46 | 0:07:54 | |
batter you. Go on, try me. This
place is all wrong. They are not the | 0:07:54 | 0:08:00 | |
least bit interested in the young
redhead from Liverpool. I don't want | 0:08:00 | 0:08:06 | |
to think about all the benefits of
having a baby. I thought about that. | 0:08:06 | 0:08:12 | |
Love and satisfaction. No, the
benefit. Child benefit. Family | 0:08:12 | 0:08:18 | |
credit. I hate you but I refused to
let this family go under. There we | 0:08:18 | 0:08:25 | |
go.
APPLAUSE | 0:08:25 | 0:08:28 | |
Is it funny when you watch yourself
back? You started doing so much | 0:08:28 | 0:08:33 | |
comedy. Gavin and Stacey, Two Pints
Of Lager, and now you are a serious | 0:08:33 | 0:08:41 | |
actor. I am just grateful I'm
getting to have a go at all | 0:08:41 | 0:08:47 | |
different things. David doing
Ratburger, I looks like an idiot. | 0:08:47 | 0:08:52 | |
Then doing serious dramas. I am very
lucky. Is a real mix. It has been 20 | 0:08:52 | 0:08:59 | |
years he had been on our screens
doing amazing roles. Now doing these | 0:08:59 | 0:09:07 | |
big, serious, meaty roles. Did you
get your work ethic from your | 0:09:07 | 0:09:11 | |
parents? You have talked about them
throughout your career. They are | 0:09:11 | 0:09:16 | |
real heroes. My mum and dad are a
country and western duo. He used a | 0:09:16 | 0:09:20 | |
gig with them and sing with them.
They were grafters, working class | 0:09:20 | 0:09:25 | |
families. I got my work ethic from
them. That is a brilliant picture. I | 0:09:25 | 0:09:32 | |
have a picture. There I am full
little me. That is proper show | 0:09:32 | 0:09:37 | |
business. It actually is for the lad
has what it is all about. Getting up | 0:09:37 | 0:09:42 | |
there and doing a turn night after
night. I guess. That was my | 0:09:42 | 0:09:46 | |
training. I never went to drama
school. Going with them from such a | 0:09:46 | 0:09:51 | |
young age but that was my training.
Your dad was the motivation behind | 0:09:51 | 0:09:56 | |
this new, lovely album you have.
Absolutely. I had always said, it is | 0:09:56 | 0:10:02 | |
weird when actors do albums. But my
dad said, why can't you do it? His | 0:10:02 | 0:10:08 | |
voice was ringing in my ear when
they asked me this time. I do want | 0:10:08 | 0:10:12 | |
to dedicate it to my pops. There is
a sleeve inside with a dedication to | 0:10:12 | 0:10:17 | |
him. Had he suggested some of the
things? He did not know I was going | 0:10:17 | 0:10:22 | |
to make it but I am sure he will be
very proud. Absolutely. You lost | 0:10:22 | 0:10:29 | |
your dad last year and you are doing
this album now. It is a top ten | 0:10:29 | 0:10:34 | |
album. He was a singer. He said, you
should sing as well as actor because | 0:10:34 | 0:10:39 | |
he would have twice as much chance
to get work. All the tracks on the | 0:10:39 | 0:10:52 | |
album, they tell the story. Where
are you taking us from beginning to | 0:10:52 | 0:10:58 | |
end? Tell us about the process,
darling? Simon that it is all new to | 0:10:58 | 0:11:03 | |
me for three get to see these
lovely, amazing musicians. -- It is | 0:11:03 | 0:11:11 | |
all new. Each song has a different
bit of my personality. There are | 0:11:11 | 0:11:17 | |
some vulnerable ones. That is you
singing Crazy. What is that telling | 0:11:17 | 0:11:25 | |
you? It is telling me I had a bit of
a meltdown. That is the first track. | 0:11:25 | 0:11:34 | |
You were in Funny Gal and I thought
you were great. When your dad passes | 0:11:34 | 0:11:43 | |
you cannot take time of a show.
Everyone goes through grief. I am | 0:11:43 | 0:11:48 | |
happy that I am back and I hope he
likes this album. You will be | 0:11:48 | 0:11:54 | |
singing at the end of the show was
that we have been hamming it all | 0:11:54 | 0:11:57 | |
day. Really badly at singing, you do
not want to hear that. | 0:11:57 | 0:12:12 | |
When it comes to women's clothing, I
find it difficult to get the right | 0:12:12 | 0:12:16 | |
fit. In the tights I am wearing now
I am a size eight. | 0:12:16 | 0:12:25 | |
I think Ruth can help. Our clothes
sizing system can be deeply | 0:12:25 | 0:12:32 | |
frustrating. It is particularly bad
in women's fashion. A dress size | 0:12:32 | 0:12:36 | |
that fits you perfectly well in one
shop can be really quite wide of the | 0:12:36 | 0:12:40 | |
mark in another. It was not always
meant to be like this. 60 years ago, | 0:12:40 | 0:12:46 | |
the first, large scale survey of
British women's do sizes tried to | 0:12:46 | 0:12:51 | |
overhaul the dress size system of
getting the measure of 5000 women. I | 0:12:51 | 0:12:58 | |
find the clothes are too big in the
hip and the bust. It was the | 0:12:58 | 0:13:03 | |
brainchild of Philip kewn it. What
would it be like in the late 40s, | 0:13:03 | 0:13:11 | |
early 50s, as a customer? It was
going into the high street shops at | 0:13:11 | 0:13:17 | |
that time. Everyone had their own
codes for sizing. I have a couple of | 0:13:17 | 0:13:23 | |
old things here. There is a label on
it. To fit, OS. 95 to 105 | 0:13:23 | 0:13:30 | |
centimetres. These are both about
the same size. There are three | 0:13:30 | 0:13:38 | |
different sizes for two garments
that are both the same size. He was | 0:13:38 | 0:13:42 | |
convinced we needed a simple set of
standard sizes to fit real women. He | 0:13:42 | 0:13:49 | |
needed to find out what thousands of
the measured and he could not do it | 0:13:49 | 0:13:53 | |
alone. June McAfee was one of the
measure is. Her daughter still has | 0:13:53 | 0:14:00 | |
the scrapbooks. This is your mum,
this lady. She would start as a | 0:14:00 | 0:14:09 | |
machinist and work her way up. Your
mother would have been measuring all | 0:14:09 | 0:14:15 | |
these various measurements. Bust,
Ark, anterior. So the call to front | 0:14:15 | 0:14:23 | |
waste. So much more of an involved
process than I had ever expected. He | 0:14:23 | 0:14:35 | |
gathered 200,000 individual
measurements. He hired models to | 0:14:35 | 0:14:38 | |
represent the average body shapes he
recovered. Mrs Short, Mrs average, | 0:14:38 | 0:14:45 | |
Mrs medium, and Ms Wall, modelled by
June herself. This is your mother? | 0:14:45 | 0:14:54 | |
Yes, Miss Tool was my mum. This
system is simplified to just a | 0:14:54 | 0:15:04 | |
handful of standard sizes. They were
named after a string of arbitrary | 0:15:04 | 0:15:08 | |
numbers. The ones we know today. So,
why? Despite the ground-breaking | 0:15:08 | 0:15:15 | |
research, why is British sizing is
still so indifferent. An extremely | 0:15:15 | 0:15:20 | |
good question. It is a guideline and
not the law. Retailers were quite | 0:15:20 | 0:15:25 | |
content with making a living as they
were going. Some of them are not | 0:15:25 | 0:15:30 | |
willing to change from the old
systems to the new system. The dream | 0:15:30 | 0:15:34 | |
of better fishing -- fitting fashion
lives on at the University of | 0:15:34 | 0:15:40 | |
Manchester. It is believed we need
to move more to bespoke clothing | 0:15:40 | 0:15:47 | |
fitted to our unique shapes. Rather
than using tape measures like they | 0:15:47 | 0:15:52 | |
did in 1957, what are you using now?
We use a body scan it using infrared | 0:15:52 | 0:15:58 | |
sensors. They project infrared light
onto the body surface as a pattern. | 0:15:58 | 0:16:03 | |
They are used to render the curve of
the body to a virtual person. Simeon | 0:16:03 | 0:16:14 | |
and his team run opens coming days
so anyone can access their | 0:16:14 | 0:16:17 | |
measurements and I are going to give
it a go. Visually you have | 0:16:17 | 0:16:22 | |
indications of posture and
relationships of body parts to one | 0:16:22 | 0:16:25 | |
another and all the measurements you
would need to understand the sizing. | 0:16:25 | 0:16:30 | |
According to his data in the 1950s I
would have been a medium statue | 0:16:30 | 0:16:34 | |
woman with a medium bust. Could
these sizes be a thing of the past? | 0:16:34 | 0:16:40 | |
And like to be in a position where
we could use this technology to | 0:16:40 | 0:16:47 | |
bodies patterns which represent
specific dimensions of individuals | 0:16:47 | 0:16:48 | |
submit could help the industry move
towards mass customisation and | 0:16:48 | 0:16:52 | |
made-to-measure. It is a way
forward. | 0:16:52 | 0:16:58 | |
Sheridan, are you like me and try
on something in one shop... | 0:16:58 | 0:17:02 | |
Two you want me to leave, this
sounds like a girl thing. There can | 0:17:02 | 0:17:07 | |
be one food that has lovely food and
in another shop, everyone is so | 0:17:07 | 0:17:14 | |
thin! My weight goes up and down
like a yo-yo. You are looking | 0:17:14 | 0:17:23 | |
incredibly stylish tonight. Can you
talk us through this other | 0:17:23 | 0:17:29 | |
contemporary look from the runway
this season? This is you in | 0:17:29 | 0:17:34 | |
Ratburger with David Walliams. We
like that look. It is a good look. | 0:17:34 | 0:17:41 | |
We saw the picture on your social
media feed and are now fancy one of | 0:17:41 | 0:17:44 | |
these. What's that? It is a blanket
but you are a mermaid, I am such a | 0:17:44 | 0:17:54 | |
child, it is ridiculous! So when you
have your bottle of wine and you are | 0:17:54 | 0:18:01 | |
on the sofa how do you get up and
pee? You just drop it! Last time you | 0:18:01 | 0:18:14 | |
came on we remember that you didn't
have any tattooists. | 0:18:14 | 0:18:21 | |
You told us you weren't
considering getting any either | 0:18:21 | 0:18:23 | |
because you were worried
about a certain someone's reaction. | 0:18:23 | 0:18:26 | |
I would not like that because Matt
mum will kill me, she will ring me | 0:18:26 | 0:18:32 | |
up straight afterwards and say, you
are not getting a tad too! That was | 0:18:32 | 0:18:40 | |
2011. What does Amman make of your
body art? I love tattoos. Now I've | 0:18:40 | 0:18:48 | |
got them all over me. My mum does
not know about a lot of them but she | 0:18:48 | 0:18:57 | |
hates the mother passion. She went
absolutely mad. My lovely make up | 0:18:57 | 0:19:02 | |
artist who you saw earlier with the
dogs, she covers it in seconds so we | 0:19:02 | 0:19:08 | |
are fine now. Your mum is watching
tonight, isn't she. What is she | 0:19:08 | 0:19:13 | |
called? Marilyn. Marilyn, she has
said it all. | 0:19:13 | 0:19:21 | |
You've played so many different
parts but what is your dream role? | 0:19:21 | 0:19:27 | |
Comedy, drama, stage, screen? Who
would you love to play. Dolly | 0:19:27 | 0:19:31 | |
Parton. I think you've got some
tough competition. Guilty. That was | 0:19:31 | 0:19:42 | |
amazing. He did a brilliant Nine To
Five. What is it about Dolly? I just | 0:19:42 | 0:19:53 | |
love her music and I have grown up
with country music so she is my | 0:19:53 | 0:19:57 | |
idol. If I ever got married I would
have my hen party at Dollywood. | 0:19:57 | 0:20:06 | |
Great idea. | 0:20:06 | 0:20:16 | |
You know that she wrote Nine To Five
when she was sitting in her trailer, | 0:20:19 | 0:20:22 | |
tapping her nails. Pour myself a cup
of ambition...! I think shed and has | 0:20:22 | 0:20:33 | |
the edge. It would be great to see
you as Dolly, let's hope it happens | 0:20:33 | 0:20:37 | |
-- I think that Sheridan has the
edge. Sheridan will be singing the | 0:20:37 | 0:20:51 | |
beautiful City Of Stars from La La
Land. | 0:20:51 | 0:20:54 | |
On Monday we'll finally be filling
the studio with some festive cheer | 0:20:54 | 0:20:57 | |
when we put up our decorations -
not before time in my opinion. | 0:20:57 | 0:21:00 | |
So stand by for plenty of Christmas
films from around the country. | 0:21:00 | 0:21:03 | |
Tonight's is different as we look
at how people of other faiths - | 0:21:03 | 0:21:06 | |
and none - celebrate
the holiday season. | 0:21:06 | 0:21:07 | |
I am Ariane. And Graham, and we are
atheists. We are the Sangu family | 0:21:07 | 0:21:14 | |
and we British seek. I am Kate and I
at Wycombe high priestess. I'm a | 0:21:14 | 0:21:21 | |
Hindu. I'm a Buddhist. And Debbie,
and we are rabbis. Is a Muslim I | 0:21:21 | 0:21:28 | |
look forward to Christmas, I feel it
is the only opportunity we have is a | 0:21:28 | 0:21:32 | |
country to breathe and think about
life, a chance to meet my neighbours | 0:21:32 | 0:21:36 | |
and be happy. I think it is
something that transcends religions | 0:21:36 | 0:21:40 | |
and for the past few years I've been
invited by my local church to take | 0:21:40 | 0:21:47 | |
part in the Christmas service where
I have been asked to read parts of | 0:21:47 | 0:21:50 | |
the old Testament. It has taken me
out of my comfort zone and placed me | 0:21:50 | 0:21:54 | |
into a congregation of Christians.
And to be part of something that is | 0:21:54 | 0:22:00 | |
really important for them has become
special for me. I think it is a | 0:22:00 | 0:22:03 | |
relationship that has helped us as a
community. As a reformed Wood | 0:22:03 | 0:22:10 | |
Christmas is a lovely time of year
but it is not a religious | 0:22:10 | 0:22:13 | |
celebration. -- as a reformed due.
We have just done eight days of | 0:22:13 | 0:22:29 | |
Hanukkah so we're pretty much
partied out. When we had finished it | 0:22:29 | 0:22:34 | |
and watched the Queen's Speech we
could light the candles and | 0:22:34 | 0:22:37 | |
celebrate. I kind of embrace it as a
cultural phenomenon. It's | 0:22:37 | 0:22:44 | |
traditionally celebratory time of
year but that in itself can bring | 0:22:44 | 0:22:48 | |
its own sense of expectation, that
we should be happy. It almost | 0:22:48 | 0:22:55 | |
highlights what we may feel is
lacking in our life, I think it is | 0:22:55 | 0:22:59 | |
good to know that others are
suffering and develop compassion. | 0:22:59 | 0:23:03 | |
Just because they are not Christian
does not mean they cannot celebrate | 0:23:03 | 0:23:07 | |
love, togetherness and family, these
things are universal. You don't need | 0:23:07 | 0:23:12 | |
to go to church pray to do that.
Ariane started buying Christmas | 0:23:12 | 0:23:18 | |
decorations in September! Calendars
and sparkly things. I even like | 0:23:18 | 0:23:23 | |
Christmas carols, I started working
on the music, the other day, didn't | 0:23:23 | 0:23:28 | |
yes! The Christmas tree was a
tradition when I was a child in | 0:23:28 | 0:23:34 | |
India growing up, we have put up the
tree on Christmas eve and then it | 0:23:34 | 0:23:41 | |
will be Santa Claus time. I love
cooking the traditional dinner but | 0:23:41 | 0:23:45 | |
with a bit of a twist and that twist
is with those of spices. Christmas | 0:23:45 | 0:23:53 | |
has become too commercialised in my
opinion. It has to be brought back | 0:23:53 | 0:23:57 | |
to its spiritual roots of being
loving, kind and humble to each | 0:23:57 | 0:24:00 | |
other. As Wiccans we celebrate you
look, before Christmas. It heralds | 0:24:00 | 0:24:14 | |
the onset of spring, and many of the
traditions of Yule celebrate | 0:24:14 | 0:24:23 | |
Christmas, we have the Yule on the
fire and the chocolate log on the | 0:24:23 | 0:24:26 | |
table. Whereas for Christians
Christmas is the celebration of the | 0:24:26 | 0:24:31 | |
birth of the son of God. Wiccans and
pagans celebrate the birth of the | 0:24:31 | 0:24:36 | |
Sun which brings light and warmth
and fire to the land. As a British | 0:24:36 | 0:24:42 | |
seek family the way we view
Christmas is not necessarily on a | 0:24:42 | 0:24:47 | |
spiritual or religious level but
more of a cultural one. With the | 0:24:47 | 0:24:52 | |
kids Christmas begins with the day
they open the first door on the | 0:24:52 | 0:24:55 | |
Advent calendar on December the 1st.
My favourite thing at Christmas when | 0:24:55 | 0:24:59 | |
I open my presence. Giving and
sharing. When not only have advent | 0:24:59 | 0:25:06 | |
calendars, we put up a Christmas
tree and decorations so they are | 0:25:06 | 0:25:10 | |
very excited. Yuletide blessings to
all. Have a happy atheist Christmas. | 0:25:10 | 0:25:22 | |
Merry Christmas. Have a very
peaceful Christmas. Merry Christmas! | 0:25:22 | 0:25:37 | |
Thank you to everyone who took part
in the film, we are getting down and | 0:25:37 | 0:25:41 | |
the tinsel from the attic as soon as
we go off air this evening. Are we | 0:25:41 | 0:25:45 | |
getting into the Christmas spirit?
Come on! | 0:25:45 | 0:25:48 | |
That's about it from us for tonight
- on Monday's show Matt | 0:25:48 | 0:25:51 | |
and I will be joined by Sarah Parish
and Robbie Williams. | 0:25:51 | 0:25:54 | |
Now we leave you with the
multi-talented Sheridan Smith and | 0:25:54 | 0:25:56 | |
and City of Stars from her
new album, Sheridan. | 0:25:56 | 0:26:00 | |
Thank you! | 0:26:00 | 0:26:03 | |
# City of stars | 0:26:03 | 0:26:07 | |
# Are you shining just for me? | 0:26:07 | 0:26:17 | |
# City of stars | 0:26:18 | 0:26:19 | |
# There's so much that I can't see | 0:26:19 | 0:26:23 | |
# Who knows? | 0:26:23 | 0:26:31 | |
# I felt it from the first
embrace | 0:26:31 | 0:26:33 | |
# I shared with you | 0:26:33 | 0:26:34 | |
# That now our dreams | 0:26:34 | 0:26:36 | |
# They've finally come true | 0:26:36 | 0:26:43 | |
# City of stars | 0:26:43 | 0:26:50 | |
# Just one thing everybody wants | 0:26:50 | 0:26:55 | |
# There in the bars | 0:26:55 | 0:27:01 | |
# And through the smokescreen
| 0:27:01 | 0:27:08 | |
# Of the crowded
restaurants | 0:27:08 | 0:27:11 | |
# It's love | 0:27:11 | 0:27:14 | |
Yes, all we're looking
for | 0:27:14 | 0:27:15 | |
# Is love from someone
else | 0:27:15 | 0:27:16 | |
# A rush | 0:27:16 | 0:27:17 | |
# A glance | 0:27:17 | 0:27:19 | |
# A touch | 0:27:19 | 0:27:21 | |
# A dance | 0:27:21 | 0:27:31 | |
# A look in somebody's eyes | 0:27:53 | 0:27:57 | |
# To light up the skies | 0:27:57 | 0:27:59 | |
# To open the world | 0:27:59 | 0:28:00 | |
# And send it reeling | 0:28:00 | 0:28:02 | |
# A voice that says | 0:28:02 | 0:28:05 | |
# I'll be here | 0:28:05 | 0:28:07 | |
# And you'll be alright | 0:28:07 | 0:28:11 | |
# I don't care if I know | 0:28:11 | 0:28:14 | |
# Just where I will go | 0:28:14 | 0:28:16 | |
# 'Cause all that I need | 0:28:16 | 0:28:18 | |
# Is this crazy feeling | 0:28:18 | 0:28:22 | |
# A rat-tat-tat of my heart | 0:28:22 | 0:28:26 | |
# Think I want it to stay | 0:28:26 | 0:28:36 | |
# City of stars | 0:28:36 | 0:28:46 | |
# Are you shining just for me? | 0:28:47 | 0:28:49 | |
# City of stars | 0:28:49 | 0:28:52 | |
# You never shined so brightly # | 0:28:52 | 0:29:02 |