Browse content similar to 11/12/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to
the One Show with Alex Jones. | 0:00:16 | 0:00:18 | |
And Matt Baker. | 0:00:18 | 0:00:20 | |
It's two weeks to go until the big
day, so it was time to get | 0:00:20 | 0:00:23 | |
the Christmas set in. | 0:00:23 | 0:00:30 | |
The fear is lit. Look at this place.
It is mental. | 0:00:30 | 0:00:35 | |
Work has been going on all day and
the man who has been up in the loft | 0:00:35 | 0:00:39 | |
and put this together is just
finishing up now. | 0:00:39 | 0:00:51 | |
The times are hard, I am getting
fifty notes. I do love an an gel | 0:00:51 | 0:00:57 | |
instead. You can feel me and let me
entertain you. Hopefully it won't | 0:00:57 | 0:01:01 | |
take a millennium. | 0:01:01 | 0:01:12 | |
Whilst Robbie finishes work,
let's meet our first guest, | 0:01:17 | 0:01:19 | |
whose CV shines as bright as any
Christmas lights - | 0:01:19 | 0:01:21 | |
everything from Cutting It
to Atlantis and Broadchurch. | 0:01:21 | 0:01:23 | |
And, of course, she recently played
the very important roles of BBC Head | 0:01:23 | 0:01:26 | |
of Output and Director of Better
in W1A - it's Sarah Parish! | 0:01:26 | 0:01:29 | |
APPLAUSE
Give it to Robbie, he will do | 0:01:29 | 0:01:35 | |
something with it.
? I'm on it, thank you darling. | 0:01:35 | 0:01:39 | |
Welcome. You are always in the BBC.
Hello Sarah. It is like coming home. | 0:01:39 | 0:01:47 | |
He has just plonked it on top of
there. I guess you used your pass to | 0:01:47 | 0:01:52 | |
get in. They know who I am. Am. They
are terrified of me here. It is | 0:01:52 | 0:01:56 | |
right that the show is coming to an
end? I think it is. Yes. Never say | 0:01:56 | 0:02:01 | |
never but I have a feeling that that
was the last one, John just likes to | 0:02:01 | 0:02:05 | |
finish things and you know, he has
done that show for a long time now, | 0:02:05 | 0:02:08 | |
and I think he wans to move on. We
were heartbroken because we, you foe | 0:02:08 | 0:02:13 | |
we loved the characters. We have
loved it as well. It is like factual | 0:02:13 | 0:02:19 | |
entertainment for us. I don't know
if the BBC finds it funny. Somehow | 0:02:19 | 0:02:25 | |
you managed to miss the snow
yesterday, but you are going on a | 0:02:25 | 0:02:29 | |
trip on Sunday where there is
guaranteed snow. I am going to | 0:02:29 | 0:02:32 | |
Lapland. Lucky one, lucky. To see
Santa. I am so excited. I am taking | 0:02:32 | 0:02:39 | |
my eight-year-old daughter and my
husband. She is not remotely excited | 0:02:39 | 0:02:44 | |
but I feel like my head is going to
blow off. We go on a husky safari. | 0:02:44 | 0:02:50 | |
It has been like that here. Not in
oldsed for. Here is a snow man I | 0:02:50 | 0:02:56 | |
built yesterday with my children, we
smoothed it out. It is that perfect | 0:02:56 | 0:03:01 | |
snow that compresses. Had you have
said I would have come over to your | 0:03:01 | 0:03:05 | |
house, we had nothing where we were,
look at that, you have a massive | 0:03:05 | 0:03:09 | |
snow man. That was a perfect snow
man. Yeah. We have been sent loads | 0:03:09 | 0:03:18 | |
of videos so we will show you those
later and there be lots more from | 0:03:18 | 0:03:23 | |
Robbie, no Sarah, and from Robbie
who is over there finishing the | 0:03:23 | 0:03:27 | |
tree. | 0:03:27 | 0:03:27 | |
tree. | 0:03:27 | 0:03:28 | |
Many people will be buying Scottish
smoked salmon this Christmas, | 0:03:28 | 0:03:31 | |
perhaps unaware of the growing
concern about the huge | 0:03:31 | 0:03:33 | |
numbers of fish that
are having to be destroyed | 0:03:33 | 0:03:35 | |
because of parasites and disease. | 0:03:35 | 0:03:36 | |
Latest figures show more than one
in four fish are dying | 0:03:36 | 0:03:39 | |
and the Scottish Government has
ordered an inquiry | 0:03:39 | 0:03:41 | |
to be held next year. | 0:03:41 | 0:03:42 | |
Here's Joe. | 0:03:42 | 0:03:49 | |
Scotland's famous salmon run as wild
salmon make their way up stream to | 0:03:49 | 0:03:52 | |
spawn.
But there is also a salmon run you | 0:03:52 | 0:03:58 | |
haven't heard of on a scale that is
hard to imagine, the dead salmon | 0:03:58 | 0:04:02 | |
run. The beautiful islands and Lochs
along the west coast of Scotland are | 0:04:02 | 0:04:11 | |
home to salmon fanning, it is big
business, not only does it stock the | 0:04:11 | 0:04:16 | |
supermarket shelves it's the number
one food export with overseas sales | 0:04:16 | 0:04:21 | |
eggs expected to exceed £500 million
this year. | 0:04:21 | 0:04:24 | |
The salmon are dying on the farms in
their millions, mostly due to | 0:04:24 | 0:04:29 | |
disease and sea lice, in fact
figures show an average of one in | 0:04:29 | 0:04:33 | |
four salmon are dying. It is getting
worse. | 0:04:33 | 0:04:37 | |
While the salmon in our supermarkets
is perfectly safe to eat, the high | 0:04:37 | 0:04:41 | |
number of salmon mortalities is
affecting farms up and down the | 0:04:41 | 0:04:44 | |
country. I have received a tip-off
that the operation at Scottish sea | 0:04:44 | 0:04:49 | |
farms limited is having problems
with a disease outbreak, and I want | 0:04:49 | 0:04:53 | |
to see it for myself.
What we are seeing is a forklift | 0:04:53 | 0:04:59 | |
tipping big industrial bins, just
full of dead salmon, into this skip. | 0:04:59 | 0:05:03 | |
I can see some of them are are
really big, the fish, they are | 0:05:03 | 0:05:08 | |
mature fish.
This is the dirty side of the salmon | 0:05:08 | 0:05:16 | |
farming industry, tonnes of fish
that have died that will have to be | 0:05:16 | 0:05:20 | |
legally disposed of. Food waste on
an astonishing scale. A lorry has | 0:05:20 | 0:05:25 | |
turned up to pick up that skip full
of dead fish, I didn't expect a | 0:05:25 | 0:05:29 | |
tanker as well. They are simply
vacuuming vast quantities of dead | 0:05:29 | 0:05:35 | |
fish and you can hear the weight of
them rattling and banging as they | 0:05:35 | 0:05:39 | |
are sucked up this big tube and into
the tanker. Last year, nearly | 0:05:39 | 0:05:45 | |
22-and-a-half thousand tonnes of
salmon died on Scottish farms, | 0:05:45 | 0:05:48 | |
double what it was just three years
earlier. Some were affected by sea | 0:05:48 | 0:05:53 | |
lice, that feed on the salmon
weakening or killing them. | 0:05:53 | 0:05:58 | |
In total we see four lorries turn up
at the farm. What I am seeing here | 0:05:58 | 0:06:02 | |
is shocking but it isn't illegal,
nor uncommon. OK, the tanker and the | 0:06:02 | 0:06:09 | |
first skipper lorry have left the
farm. They are full of salmon, in | 0:06:09 | 0:06:13 | |
fact I can see some horrible fluid
coming out of the back of one of | 0:06:13 | 0:06:17 | |
them and it smells vile. We will
follow them and see where they end | 0:06:17 | 0:06:21 | |
up. It seems the salmon run takes
place by road not just river. And | 0:06:21 | 0:06:28 | |
that is a serious concern for
campaigners like Don who runs the | 0:06:28 | 0:06:33 | |
global alliance against industrial
aqua culture. We are farming too | 0:06:33 | 0:06:37 | |
many salmon in too confined a space,
the mortality problem is simply | 0:06:37 | 0:06:43 | |
symptomatic of overproduction. How
big a deal is this? There will | 0:06:43 | 0:06:49 | |
always been mortalities inning.
There would be a public outcry if a | 0:06:49 | 0:06:54 | |
quarter of chickens or cows or
speech were dying each year, that is | 0:06:54 | 0:06:59 | |
the case with salmon farming, the
scale of mortalities in Scottish | 0:06:59 | 0:07:04 | |
salmon farming is huge, you are
cramming a migratory species into | 0:07:04 | 0:07:08 | |
the cages. Back on the road and
after nearly three hours the trucks | 0:07:08 | 0:07:13 | |
pulled up for the night.
Early next morning they are off | 0:07:13 | 0:07:19 | |
again. 6.30 and our four lorries are
just leaving Fort William. The dead | 0:07:19 | 0:07:27 | |
salmon run is on again.
There are something very stark about | 0:07:27 | 0:07:33 | |
this really ugly cargo, this dead
fish winding its way through this | 0:07:33 | 0:07:39 | |
beautiful majestic countryside.
Nearly 300 miles south of the Loch | 0:07:39 | 0:07:44 | |
where the lorries left salmon farm
it reaches its final destination in | 0:07:44 | 0:07:48 | |
Dumfries. This is it, the end of the
dead salmon run, the lorries are | 0:07:48 | 0:07:52 | |
going in there, it is a chemical
processing plant. They will try to | 0:07:52 | 0:07:56 | |
extract some of the oil from the
fish. All these tonnes of fish | 0:07:56 | 0:08:01 | |
getting dumped here, out of the food
chain. We contacted Scottish sea | 0:08:01 | 0:08:06 | |
farms limited from where we filmed
truck loads of salmon being disposed | 0:08:06 | 0:08:09 | |
of. They said they don't farm upon
an intensive scale, the situation at | 0:08:09 | 0:08:15 | |
the Loch was an isolated incident
caused by an environmental charge, | 0:08:15 | 0:08:19 | |
the problem was spotted and
specialist fish veterinarians were | 0:08:19 | 0:08:23 | |
consulted. They add fish health and
welfare is the top prior yourty, the | 0:08:23 | 0:08:28 | |
sites have been emptied of fish and
they will continue to find solutions | 0:08:28 | 0:08:32 | |
to the challenges in order to meet
the demand for high quality salmon | 0:08:32 | 0:08:37 | |
grown in a sustainable way.
On tomorrow's programme, we hear | 0:08:37 | 0:08:40 | |
from those behind the Scottish
salmon farming industry. The | 0:08:40 | 0:08:45 | |
mortalities are the highest they
have been, we as farmers are aware. | 0:08:45 | 0:08:49 | |
It is out of control. ? It is not
out of control. However shocking | 0:08:49 | 0:08:54 | |
that was, the fact is that that fish
farm was disposing of those dead | 0:08:54 | 0:08:58 | |
fish correctly, and tomorrow, Joe is
going to be here to shed more light | 0:08:58 | 0:09:02 | |
on how we have ended up in this
situation. | 0:09:02 | 0:09:13 | |
My husband was doing an interview, I
Kent remember for what Pape | 0:09:15 | 0:09:21 | |
earthquake he said what is the
greatest moment of your life. You | 0:09:21 | 0:09:23 | |
would say it was my wedding day or
the birth of my child. -- paper. The | 0:09:23 | 0:09:34 | |
greatest day of his life is the day
he caught his first salmon. I can't | 0:09:34 | 0:09:39 | |
lie. It was a very ferocity evening
at home I can tell you that. You are | 0:09:39 | 0:09:46 | |
here the talk about Bancroft, the
new series, and the filming of that | 0:09:46 | 0:09:50 | |
brought about happy memories. It
did. We were filming in and round | 0:09:50 | 0:09:56 | |
Manchester, and, they got me a
little flat in the northern quarter, | 0:09:56 | 0:09:59 | |
if I looked out of my balcony and
turned right I could see the flat | 0:09:59 | 0:10:03 | |
lived in when I first met Jim in
Cutting It He had such a great time | 0:10:03 | 0:10:11 | |
on that job and made great mates I
still know and love now, it was | 0:10:11 | 0:10:14 | |
lovely being back. So Bancroft is
starting tonight. The brilliant | 0:10:14 | 0:10:18 | |
thing is it is on every night for
four nights, we can gorge on it. It | 0:10:18 | 0:10:25 | |
is a proper binge thriller, so that
is great. They stripped it across. | 0:10:25 | 0:10:30 | |
It is hard though, to explain what
happens without giving the game | 0:10:30 | 0:10:33 | |
away, how much do you want to say
Sarah? Put it back to you. It is, it | 0:10:33 | 0:10:38 | |
is difficult because you don't want
to give away too much. It is a story | 0:10:38 | 0:10:46 | |
about a fantastic detective,
Elizabeth Bancroft, very focussed | 0:10:46 | 0:10:49 | |
and ambitious, ruthless, a dark
character, very layered, she is a | 0:10:49 | 0:10:55 | |
real control freak, and you
basically see this woman fall apart | 0:10:55 | 0:11:00 | |
during the series, a cold case is
brought back from the deepfreeze she | 0:11:00 | 0:11:04 | |
thoughted that been buried locking
a, it involves her, it gathers a lot | 0:11:04 | 0:11:08 | |
of heat in the station, and through
the four hours you see her kind of | 0:11:08 | 0:11:13 | |
just being brought down. It is
great. It is a real unravelling. Let | 0:11:13 | 0:11:18 | |
us look at that moment when she
realises that old case is being | 0:11:18 | 0:11:22 | |
re-opened. Years ago in 1990. The
thing is there is something odd | 0:11:22 | 0:11:28 | |
about it. It doesn't feel right. Why
not? Well, it was a burglary, and it | 0:11:28 | 0:11:40 | |
was vicious. Burglars can kill, if
they get disturbed or something goes | 0:11:40 | 0:11:47 | |
wrong. She was bitten. That is what
I don't get. There was no sexual | 0:11:47 | 0:11:54 | |
assault, but she was bitten.
APPLAUSE | 0:11:54 | 0:12:01 | |
We only have about an hour and 45
minutes before the start. That That | 0:12:01 | 0:12:09 | |
made me go goosebumpy. It is quite a
scary piece. You say you don't get | 0:12:09 | 0:12:15 | |
offered this type of role, what do
you mean She is dark. I have been | 0:12:15 | 0:12:20 | |
playing a lot of, doing comedy or
lighter parts. The hero ports, she, | 0:12:20 | 0:12:28 | |
there is nothing redeemn't about
her. It is nice to play somebody who | 0:12:28 | 0:12:31 | |
is just bad. And she is bad, you
know, but you kind of love her and | 0:12:31 | 0:12:34 | |
you want her to succeed, in the
police force but you don't want her | 0:12:34 | 0:12:39 | |
to be taken down, you know she is
bad. When these things go across the | 0:12:39 | 0:12:45 | |
week, do you watch them? I won't
watch it, no. I will bo going away, | 0:12:45 | 0:12:51 | |
it is our anniversary, we are going
to go away and I will ring up and | 0:12:51 | 0:12:57 | |
ask what the viewing figures are.
Happy anniversary. Get out to | 0:12:57 | 0:13:02 | |
Lapland. | 0:13:02 | 0:13:03 | |
Get out to Lapland. | 0:13:03 | 0:13:04 | |
This year Mike Dilger has
brought us plenty of images | 0:13:04 | 0:13:06 | |
of wildlife in action -
this time he's concentrating on just | 0:13:06 | 0:13:09 | |
one still animal painting. | 0:13:09 | 0:13:10 | |
But it's the talented artist
behind the brush who's | 0:13:10 | 0:13:12 | |
the true star of this film. | 0:13:12 | 0:13:18 | |
Having spent a lifetime exploring
Britain's diverse wildlife I love | 0:13:18 | 0:13:22 | |
seeing animals celebrated in art.
From the startling close ups of | 0:13:22 | 0:13:29 | |
photographer Bence. To David
Shepherd's portraits of African | 0:13:29 | 0:13:33 | |
elephants. They have the power to
change the way we see the natural | 0:13:33 | 0:13:37 | |
world around us. But not only are
they great to look at, they also | 0:13:37 | 0:13:43 | |
have an about to shine a spotlight
on some of the world's most | 0:13:43 | 0:13:48 | |
endangered malls.
One artist doing just that is | 0:13:48 | 0:13:53 | |
29-year-old Leanne, whose work has
been exhibited in the Royal Academy | 0:13:53 | 0:13:57 | |
of Arts. But Leanne is a wildlife
artist with a difference, one who | 0:13:57 | 0:14:02 | |
paints with only the use of her
mouth. Born with a rare genetic | 0:14:02 | 0:14:09 | |
condition, Leanne has never been
able to use her hands or legs. | 0:14:09 | 0:14:13 | |
I can never really think back to a
time when I didn't paint and didn't | 0:14:13 | 0:14:18 | |
enjoy it. I was raised by my
grandmother, she has nerve really | 0:14:18 | 0:14:23 | |
seen me as disabled but anything I
wanted to do she has supported anden | 0:14:23 | 0:14:28 | |
kujed and let me do it basically.
Leanne put a pen in her mouth when | 0:14:28 | 0:14:35 | |
she was three and started drawing. I
couldn't believe it when I saw what | 0:14:35 | 0:14:39 | |
she was doing. My life I have been
fascinated by animals and I have had | 0:14:39 | 0:14:44 | |
a lot of art so the two have
naturally combined. | 0:14:44 | 0:14:49 | |
Over the years Leanne has painted
all kind of animals, from the | 0:14:49 | 0:14:53 | |
exotic, to the familiar.
But the subject of her next portrait | 0:14:53 | 0:14:57 | |
is one that holds a special
significance for her. So much better | 0:14:57 | 0:15:03 | |
when you can see the animal yours,
what is the one species you would | 0:15:03 | 0:15:08 | |
like to get up close to. I have
always wanted to see a wolf. It is | 0:15:08 | 0:15:13 | |
an animal of wild places and you
probably have limited opportunity. | 0:15:13 | 0:15:16 | |
It is really difficult to get into
areas with a wheelchair. | 0:15:16 | 0:15:23 | |
The One Show has arranged for Leanne
to visit the wolf conservation site | 0:15:23 | 0:15:30 | |
in Reading, allowing her to get up
close with these compelling | 0:15:30 | 0:15:33 | |
creatures. There's one male and two
females. That's the boss at the | 0:15:33 | 0:15:38 | |
back. Leanne uses a specially
adapted camera, that she controls | 0:15:38 | 0:15:43 | |
with her mouth and the resulting
photo will form the basis of her | 0:15:43 | 0:15:46 | |
portrait. You're at the perfect eye
level, look at her checking you out. | 0:15:46 | 0:15:51 | |
Fantastic. You've got the subjects,
you've got the technology and will | 0:15:51 | 0:15:58 | |
leave you to it. Look forward to
seeing the photos later. You will | 0:15:58 | 0:16:02 | |
find it hard to drag me away from
here! Wolf packs once roamed across | 0:16:02 | 0:16:07 | |
Britain but today the only ones left
are in centres like this one, which | 0:16:07 | 0:16:11 | |
worked to raise awareness about this
enigmatic and endangered animals. | 0:16:11 | 0:16:17 | |
The public can come and see what the
natural behaviour of the wolf is | 0:16:17 | 0:16:21 | |
like. Do you get them howling? Yes.
Will it get them howling if I try? | 0:16:21 | 0:16:30 | |
You can try. How could you not love
an animal that makes a noise like | 0:16:30 | 0:16:37 | |
that?! That is amazing.
Whilst I've been channelling my | 0:16:37 | 0:16:45 | |
inner wolf, Leanne has been
photographing them. Did you hear the | 0:16:45 | 0:16:49 | |
wolves Cowling? It was fantastic,
amazing. How have the photographs | 0:16:49 | 0:16:55 | |
gone? I really like this one. That's
lovely, really nice light. This is | 0:16:55 | 0:17:00 | |
that the panda picture you're
looking for for the painting? | 0:17:00 | 0:17:03 | |
Definitely. Hopefully I do justice.
Over the next three weeks, Leanne | 0:17:03 | 0:17:10 | |
works on her painting, first
creating a sketch and then adding | 0:17:10 | 0:17:14 | |
shade and colour until finally her
portrait is complete. A majestic | 0:17:14 | 0:17:20 | |
picture of a truly majestic animal. | 0:17:20 | 0:17:23 | |
Absolutely amazing. Isn't it? | 0:17:27 | 0:17:30 | |
Now, I'm happy to report he's
finished with our Christmas tree, | 0:17:30 | 0:17:39 | |
So let's welcome Robbie Williams to
the One Show sofa! CHEERING AND | 0:17:39 | 0:17:43 | |
APPLAUSE
I-mate, you all right? Nice to see. | 0:17:43 | 0:17:49 | |
Roumat to see you. Hello, nice to
see you. Nice to see you. You know | 0:17:49 | 0:17:58 | |
each other, no need to make
introductions? We met once. A long | 0:17:58 | 0:18:03 | |
time ago in a different century and
different place. They say your body | 0:18:03 | 0:18:11 | |
regenerates over years so we are
different people. In the heady days | 0:18:11 | 0:18:15 | |
of the 90s, a little place they
chose to call the Groucho club. | 0:18:15 | 0:18:19 | |
That's where we met. We had dinner
there. Our friend Charlie and my | 0:18:19 | 0:18:23 | |
boyfriend. Shout out to Charlie! It
was great. That Robbie was back in | 0:18:23 | 0:18:30 | |
the autobiography and now you have
another book out called Reveal. The | 0:18:30 | 0:18:33 | |
writer of this book is not you but
is with us tonight? Chris? Yes, | 0:18:33 | 0:18:39 | |
that's the road to Chris in the
audience. You've brought your | 0:18:39 | 0:18:43 | |
biographer! He's also Father
Christmas! How does this | 0:18:43 | 0:18:51 | |
relationship work? Chris is a really
good mate of mine and we've known | 0:18:51 | 0:18:54 | |
each other for a long time. Our job
to take us all around the world and | 0:18:54 | 0:18:59 | |
you don't get to spend a lot of time
with those you love. It's just | 0:18:59 | 0:19:04 | |
another excuse to spend a lot of
time with Chris, to be honest. He | 0:19:04 | 0:19:08 | |
follows me around and he puts on his
phone. Because I've been saying he | 0:19:08 | 0:19:14 | |
takes me but people don't take any
more, do they? He sticks on his | 0:19:14 | 0:19:19 | |
phone, press 's record on record and
records absolutely everything that I | 0:19:19 | 0:19:22 | |
say. So I've got to him, because...
There is an unofficial book he could | 0:19:22 | 0:19:30 | |
write, very, very explosive. This
book covers the last decade, really. | 0:19:30 | 0:19:36 | |
During the book you transition from
a man with Demons to a family man. | 0:19:36 | 0:19:40 | |
So tell us now held your wife, the
lovely Ayda, saved your life really? | 0:19:40 | 0:19:48 | |
It's kind of how it goes in a
different slant. She kind of did and | 0:19:48 | 0:19:53 | |
kind of didn't, to be honest.
Meeting her was a big thing. Very | 0:19:53 | 0:19:59 | |
transformative, because my only
commandment was thou shalt not get | 0:19:59 | 0:20:04 | |
married or have children. You have
broken both. I broke both. She came | 0:20:04 | 0:20:09 | |
into my life and how could I not? I
fell in love. She makes me laugh and | 0:20:09 | 0:20:14 | |
her personality just beguiled me and
there we were and here we are now, | 0:20:14 | 0:20:20 | |
ten years later, two children in
seven years of marriage. And yes, | 0:20:20 | 0:20:26 | |
she's transformed my life. I did
have my Demons and I do have my | 0:20:26 | 0:20:30 | |
Demons, I still do, but most of my
life has been spent being sober and | 0:20:30 | 0:20:36 | |
being a good boy, and I think the
bits where it punctuates that being | 0:20:36 | 0:20:43 | |
a naughty boy goes against that have
been few and far between. But she | 0:20:43 | 0:20:47 | |
did come into my life and we got
married, we've had the children and | 0:20:47 | 0:20:51 | |
it has transformed me. It sharpens
the attention, sharpens the focus | 0:20:51 | 0:20:56 | |
having children. Everything becomes
about them. Life is very, very | 0:20:56 | 0:21:00 | |
different. Yeah. Teddy is five years
old, and it's no coincidence that I | 0:21:00 | 0:21:08 | |
have toured more than I've ever
toured in the last five years! | 0:21:08 | 0:21:12 | |
LAUGHTER
How convenient. I've just been | 0:21:12 | 0:21:17 | |
working, working, working, providing
for the family. Of course. When you | 0:21:17 | 0:21:22 | |
think back to that commandment when
you said you wouldn't have children, | 0:21:22 | 0:21:25 | |
do you understand that you thought
that back then? Yeah, even more now! | 0:21:25 | 0:21:31 | |
LAUGHTER
No, that's not true. Yeah, all the | 0:21:31 | 0:21:35 | |
way through my 20s I just wanted
somebody to fix me, wanted somebody | 0:21:35 | 0:21:40 | |
to come into my life... I heard the
songs, take my breath away... You're | 0:21:40 | 0:21:44 | |
at school when you think someone is
going to come and take your breath | 0:21:44 | 0:21:48 | |
away. Fill in all of the blank then
you're going to live happily ever | 0:21:48 | 0:21:52 | |
after. I set about trying to find
her, whether she was going to be, | 0:21:52 | 0:21:56 | |
for a decade and I didn't. Then I
was like, hang on, I'm all right. I | 0:21:56 | 0:22:01 | |
get to do all of this stuff but I
like doing and nobody can tell it | 0:22:01 | 0:22:06 | |
that I can't watch two games of
football on a Sunday, and I still | 0:22:06 | 0:22:11 | |
hold the remote control. The only
thing different now is I still hold | 0:22:11 | 0:22:14 | |
the remote control but don't choose
what's on the TV! And not long after | 0:22:14 | 0:22:19 | |
meeting your wife, you've then got a
chance to reunite with Take That | 0:22:19 | 0:22:23 | |
after quite a long time, didn't you?
You left in 1996 and this was about | 0:22:23 | 0:22:29 | |
2010. You say in the book the first
meeting didn't go brilliantly? No, | 0:22:29 | 0:22:35 | |
because I still had hangover left
from mine and Gary Barlow's, the | 0:22:35 | 0:22:40 | |
lovely Gary's relationship. Our
first meeting was at a hotel in Los | 0:22:40 | 0:22:44 | |
Angeles and I came out of Take That
all guns blazing and saying this, | 0:22:44 | 0:22:50 | |
that and the other about them and
the manager and everything and it | 0:22:50 | 0:22:53 | |
caused a bit of a stink. A lot of it
was induced, let's say. Then we had | 0:22:53 | 0:22:59 | |
a meeting in Los Angeles, went to
the hotel. The reason that meeting | 0:22:59 | 0:23:04 | |
actually happened, that first
meeting... There was a huge elephant | 0:23:04 | 0:23:08 | |
in a room and that wasn't Jason
Orange. Which kind of be like, yeah, | 0:23:08 | 0:23:16 | |
Howard, Gary Barlow's over there.
Yeah, Mark... Maybe you had to go | 0:23:16 | 0:23:22 | |
through that to end up where you
did. Days later the lads came up to | 0:23:22 | 0:23:29 | |
my house in LA and we had a meeting
around the fire, and the | 0:23:29 | 0:23:35 | |
conversation came about and I said
everything I wanted to say to Gaz | 0:23:35 | 0:23:42 | |
and he said everything he wanted to
me. And then instantly we were | 0:23:42 | 0:23:47 | |
literally rolling about the floor
laughing in the kitchen. Something | 0:23:47 | 0:23:50 | |
made us both laugh and we instantly
got to the place that we've always | 0:23:50 | 0:23:53 | |
wanted be. And it was for many
occasions during my time in Take | 0:23:53 | 0:23:59 | |
That. There is so much in the book
thanks to how open you are and | 0:23:59 | 0:24:02 | |
thanks to Chris. I note your taking
notes tonight, you never know, we | 0:24:02 | 0:24:07 | |
might be in the next book! We've
been talking about the weather and | 0:24:07 | 0:24:11 | |
the amount of snow. We threw out to
the One Show family and here is the | 0:24:11 | 0:24:17 | |
story of what's happened in the last
24 hours with all the snow. | 0:24:17 | 0:24:21 | |
Welcome to a snowy East London. The
snow to come to London and then to | 0:24:24 | 0:24:33 | |
stick is such a rare occurrence. | 0:24:33 | 0:24:36 | |
The weather forecast said that the
weather, the snow is going to get | 0:24:40 | 0:24:48 | |
worse as the morning progresses, so
I'm quite eager to get on the road | 0:24:48 | 0:24:55 | |
and get warm. | 0:24:55 | 0:24:57 | |
The inclement weather played havoc
with sporting fixtures right across | 0:25:02 | 0:25:08 | |
Northern Ireland, but not in the
garden of my niece. Game on! Good | 0:25:08 | 0:25:14 | |
save!
# Snow is falling, all around me | 0:25:14 | 0:25:19 | |
# Children playing, having fun...
It's pretty ironic the only guy on | 0:25:19 | 0:25:27 | |
the team whose name is Snow is in
the only place where there is no | 0:25:27 | 0:25:32 | |
snow at all.
So here's an example of how much | 0:25:32 | 0:25:39 | |
snow is here. Nice! | 0:25:39 | 0:25:44 | |
There's a bit of smoke coming out of
the sky but it's melting before it | 0:25:47 | 0:25:51 | |
gets to the ground, so the kids are
gutted. -- a bit of snow coming out | 0:25:51 | 0:25:57 | |
of the sky. I've just read and 56
miles from Liverpool and I haven't | 0:25:57 | 0:26:01 | |
seen a single snowflake. | 0:26:01 | 0:26:04 | |
I'm in Aberdeenshire, we got off a
lot lighter than other parts of the | 0:26:14 | 0:26:17 | |
UK. I know for farmers in this part
of the world it has been a bit of a | 0:26:17 | 0:26:22 | |
nightmare, because they are trying
to get to sheep flocks and other | 0:26:22 | 0:26:25 | |
livestock outside, to feed them.
Come on, sheep. Look how deep it is. | 0:26:25 | 0:26:35 | |
That is brilliant!
Here we are from Coventry. Winning | 0:26:35 | 0:26:44 | |
the city of culture, we thought that
was our only Christmas present, but | 0:26:44 | 0:26:48 | |
the boys are loving this snow today.
Don't helped me! You horrible kids! | 0:26:48 | 0:26:58 | |
The big question is, is more snow on
the way will it fall when we all | 0:26:58 | 0:27:01 | |
want it to, on Christmas morning? | 0:27:01 | 0:27:03 | |
BBC Weather's Nick Miller is here. | 0:27:03 | 0:27:07 | |
Are you sitting on the fence and is
there snow on the top rail of it? I | 0:27:07 | 0:27:12 | |
know what you want me to say... So
say it. I have do stay true to the | 0:27:12 | 0:27:18 | |
full cost of snow now doesn't mean
it will be snowing on Christmas Day. | 0:27:18 | 0:27:21 | |
BOOING
Oh yes he did! I'm still not going | 0:27:21 | 0:27:28 | |
to say it! It may seem like
Christmas is close, but in the world | 0:27:28 | 0:27:33 | |
of weather it is a long way away. It
looks as if next week out weather | 0:27:33 | 0:27:36 | |
we'll be turning milder again.
Nobody wants mild! LAUGHTER | 0:27:36 | 0:27:43 | |
Although it is still not set in
stone, it's probable at the moment | 0:27:43 | 0:27:47 | |
for much of the UK that it will be
mild on Christmas Day, so green | 0:27:47 | 0:27:51 | |
rather than white. I have to say
again, it's still a long way off to | 0:27:51 | 0:27:55 | |
absolutely keep checking the
forecast. But, for example Sarah I | 0:27:55 | 0:27:58 | |
think you will be in Hampshire for
Christmas, I'd be very surprised | 0:27:58 | 0:28:02 | |
looking at the forecast now. Robbie,
you have family in Stoke, again I'd | 0:28:02 | 0:28:07 | |
be surprised at this moment, but it
could change. I'm not ruling it out | 0:28:07 | 0:28:13 | |
completely. I don't want to take all
the joy out of Christmas. For people | 0:28:13 | 0:28:17 | |
with bikes, that's the only plus.
Scrooge sat on Robbie, you've been | 0:28:17 | 0:28:27 | |
keeping a close eye on the news
recently. In LA where your family | 0:28:27 | 0:28:32 | |
are, incredibly wild fires. How
affected your family? Well, the fire | 0:28:32 | 0:28:37 | |
was less than a mile away from our
home. All the animals had to be | 0:28:37 | 0:28:41 | |
evacuated. My sun has got croup so
the air quality's terrible and at | 0:28:41 | 0:28:49 | |
the moment he's having to stay
indoors. And a little close up. It | 0:28:49 | 0:28:55 | |
is very scary, isn't it? Terrifying.
As long as the animals are all | 0:28:55 | 0:28:59 | |
right, I'm all right. For sure.
Robbie, thanks to joining us, thank | 0:28:59 | 0:29:04 | |
you Sarah and Nick. Bancroft begins
tonight at 9pm on ITV. The book | 0:29:04 | 0:29:08 | |
Reveal is out now. | 0:29:08 | 0:29:11 | |
Tomorrow actors Kristin Scott Thomas
and Lily James will be here, | 0:29:11 | 0:29:14 | |
but before we go we wanted to say
how sorry we were to hear | 0:29:14 | 0:29:17 | |
of the death of Keith Chegwin,
who died at the age of 60. | 0:29:17 | 0:29:20 | |
He was a big part of many people's
childhoods and we all want | 0:29:20 | 0:29:24 | |
to say goodbye Cheggers. | 0:29:24 | 0:29:25 | |
See you at 7pm tomorrow. | 0:29:25 | 0:29:26 | |
Goodbye. | 0:29:26 | 0:29:28 |