Browse content similar to 09/05/2014. Check below for episodes and series from the same categories and more!
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Tonight's guest presents a series on car renovations, | :00:00. | :00:00. | |
Do you think you can get this clapped-out old classic back to | :00:00. | :00:17. | |
As it's you, Alex, I'll give it a go. | :00:18. | :00:39. | |
Hello and welcome to The One Show with a spit-and-polished | :00:40. | :00:42. | |
Well, let's give our guest a proper welcome. | :00:43. | :00:51. | |
APPLAUSE That took ages, didn't it? I have | :00:52. | :01:07. | |
been here since three o'clock shooting that. The car that you are | :01:08. | :01:19. | |
featuring in this Sunday's new series is the great British mini, | :01:20. | :01:24. | |
which is timely. It has just been crowned as Britain's West car. You | :01:25. | :01:33. | |
agree? I do. I know we bandy the word around a lot, but I do think it | :01:34. | :01:40. | |
is a work of genius. I have it on good authority that Enzo Ferrari, | :01:41. | :01:50. | |
when he was first brought to people's attention, he was asked | :01:51. | :01:55. | |
what he would change about the mini, and he said he wouldn't change | :01:56. | :02:01. | |
anything. Also tonight, we have a birthday boy in the house, Paul | :02:02. | :02:06. | |
Heaton. Along with Jacqui Abbott, his former partner in crime from the | :02:07. | :02:10. | |
Beautiful South, back together for a new album, and they will be singing | :02:11. | :02:15. | |
for us later. But first, one of the cheapest ways | :02:16. | :02:19. | |
to have fun in your garden this summer is the classic slide, light | :02:20. | :02:24. | |
flats and put washing up liquid on it and slide down it. It has been | :02:25. | :02:31. | |
super-sized for the city street, and it could be coming to a town near | :02:32. | :02:39. | |
you. In 1922, Charles Wicksteed | :02:40. | :02:43. | |
transforms childhood when he invented the slide. Ever since, | :02:44. | :02:53. | |
slide designers have striven to build the best. This takes the slide | :02:54. | :02:59. | |
out of the playground somewhere you never expect. Artist Mick Jeremy is | :03:00. | :03:07. | |
better known for public projects such as the sky Orchestra playing | :03:08. | :03:11. | |
music from balloons to the city and in. His latest project is a 90 | :03:12. | :03:17. | |
metres slide on one of the busiest streets in Bristol. Nearly 100,000 | :03:18. | :03:23. | |
people have signed up for the chance to get one of just 360 turns. | :03:24. | :03:28. | |
Understanding the physics behind how water slides work is vital to making | :03:29. | :03:32. | |
it as thrilling as possible while still safe to use. So how do you | :03:33. | :03:39. | |
start? There are two macro forces involved when you go down the slide. | :03:40. | :03:43. | |
The first is gravity that pulls you down, but the second is friction | :03:44. | :03:53. | |
between the you and the slide, and it is the combination of these | :03:54. | :03:55. | |
forces that will determine the speed. We have to get it right, | :03:56. | :04:00. | |
because I am going to be the first member of the public to go down it. | :04:01. | :04:07. | |
Paolo has put particle physics aside for the day and come up with a canny | :04:08. | :04:11. | |
formula to estimate my speed on the slide. So my final velocity is the | :04:12. | :04:20. | |
square root of two times gravity, H is the drop, and this is how much | :04:21. | :04:26. | |
energy you will lose because of friction. This is the length of the | :04:27. | :04:33. | |
slide. And that is the inclination of the street, 6 degrees. So what do | :04:34. | :04:43. | |
we get? About 20 mph. That is quite fast and! And how we measure this? I | :04:44. | :04:48. | |
will be at the bottom of the slide with a speed camera, so I will | :04:49. | :04:54. | |
measure it. Let's go! As I make my way up to the top of the slide, I | :04:55. | :04:59. | |
start to wonder what I have let myself in for. Thousands of people | :05:00. | :05:07. | |
are waiting and watching, but before I hit the slippery slope, I want a | :05:08. | :05:12. | |
quick word with the man responsible, Luke Jeremy. Why and how? I have an | :05:13. | :05:20. | |
office on Park Street, and in the middle of the heatwave, it was | :05:21. | :05:25. | |
awful, and I thought, wouldn't it be great to be able to commute home on | :05:26. | :05:35. | |
a water slide. This is it. I am kind of hoping we don't do 20 miles an | :05:36. | :05:41. | |
hour. But so did you get the full experience, I am going to wear this | :05:42. | :05:47. | |
camera on my head. I think they are ready for me. Here we are! | :05:48. | :06:03. | |
That was brilliant, but how fast was I going? 14 miles per hour. You lost | :06:04. | :06:25. | |
some speed bumping into the sides. But it is not too far from what we | :06:26. | :06:34. | |
expected. It certainly felt fast. But that didn't stop anyone else | :06:35. | :06:40. | |
trying. So what did they think? I think taking the slide to work every | :06:41. | :06:46. | |
day would be a brilliant idea. Why not? It would save my legs and my | :06:47. | :06:51. | |
spider strength. When the slide was invented, it was just a plank of | :06:52. | :06:56. | |
wood, but innovators like Luke Jeremy have taken the slide into the | :06:57. | :06:59. | |
street, and I think Charles Wicksteed would have loved it. I | :07:00. | :07:05. | |
know I did. The best One Show assignment ever. | :07:06. | :07:11. | |
How many kids are wondering why we sent a grown-up to do that. He is | :07:12. | :07:16. | |
the most grown-up person we have on the show, that's why he's got an | :07:17. | :07:18. | |
action figure. So, Phil, as well as your car show, | :07:19. | :07:40. | |
you're in a big new BBC drama Why has the series been described | :07:41. | :07:44. | |
as a love letter to Manchester? It is a 3-part drama, and it is set | :07:45. | :08:05. | |
near the Arndale Centre. The story that follows is really about if | :08:06. | :08:13. | |
family, and the emotional aftermath and how they cope. And my character | :08:14. | :08:20. | |
is a central figure to the story, basically. There is a lot of stuff | :08:21. | :08:29. | |
going on. And it is about the Manchester bombing and the World | :08:30. | :08:33. | |
Cup, and you go in the space of three hours, we go from 1996 through | :08:34. | :08:40. | |
to the millennium. Let's see the clip. Something happens in your | :08:41. | :08:47. | |
head, you are driving a fellow victim home from the bomb that day. | :08:48. | :08:53. | |
You will have to direct me from here. Turn left, and we are at the | :08:54. | :08:57. | |
end. It's not that bad, is it? No, I | :08:58. | :09:13. | |
think are used to live around here. Using Judy? Yes, I did. | :09:14. | :09:21. | |
APPLAUSE And that is where the journey | :09:22. | :09:30. | |
begins. I worked with Liz White on Life on | :09:31. | :09:41. | |
Mars, so I had definitely been around there! All of the drama was | :09:42. | :09:49. | |
filmed in Manchester, and you recreated the scenes on the streets. | :09:50. | :10:08. | |
We couldn't tell which photograph was from the film and which was from | :10:09. | :10:16. | |
the real bombing. That is good, isn't it? We closed off a street in | :10:17. | :10:25. | |
Manchester in the Northern Quarter, and we turned up on set, and the | :10:26. | :10:30. | |
production design had done an incredible job and put all these | :10:31. | :10:38. | |
stuffed dummies in shop windows, because we basically reimagined it | :10:39. | :10:41. | |
as much as we could, because when it happened, people thought they saw | :10:42. | :10:49. | |
dead bodies, and it was mannequins. It is a week on Thursday. 9pm, BBC | :10:50. | :10:52. | |
One. In a moment, we'll be talking to | :10:53. | :10:56. | |
Paul Heaton, whose first ever album with his band The Housemartins was | :10:57. | :11:00. | |
called London 0 Hull 4. It celebrated the underdog, | :11:01. | :11:03. | |
and as a city, Hull can certainly But it has since been declared City | :11:04. | :11:15. | |
of Culture, has a brilliant aquarium, and a week on Sunday, they | :11:16. | :11:22. | |
play Arsenal in the cup final. Phil's team. You make me sound like | :11:23. | :11:35. | |
the new manager! Here is a Hull version of Happy Hour. | :11:36. | :11:43. | |
# It's happy hour again # A loving place to be | :11:44. | :12:00. | |
# The meaning of style is a night out with the boys | :12:01. | :12:06. | |
# If you don't win, then you've lost # What a good place to be | :12:07. | :12:11. | |
# Don't believe it # Don't believe it | :12:12. | :12:21. | |
# The best thing about Hull is the accident. The people make it. The | :12:22. | :12:29. | |
feel-good factor in the town is all good stuff. Everything happening, | :12:30. | :12:35. | |
the City of Culture. They get a bad press from the people in the South. | :12:36. | :12:43. | |
# What a good place to be # Don't believe it | :12:44. | :12:53. | |
# Don't believe it. # Happy hour again and again and | :12:54. | :13:09. | |
again # Happy hour again #. | :13:10. | :13:20. | |
APPLAUSE We always have to do that line of | :13:21. | :13:24. | |
people on the telephone when we do a video like that. | :13:25. | :13:27. | |
Do we take them with us? And the irony is, Paul, you are not from | :13:28. | :13:35. | |
Hull. No, but I lived there for 20 years. To give them the feel-good | :13:36. | :13:44. | |
factor, we let them win the semifinal. Well, thank you, or we | :13:45. | :13:54. | |
couldn't have made that video. So you are not a Hull fan? Excellent. | :13:55. | :14:02. | |
Jackie and Paul are back together, working on a new album. But you are | :14:03. | :14:09. | |
not the beautiful size, are you? -- the Beautiful South. This is an | :14:10. | :14:17. | |
extension of my solo career, not connect it to the Beautiful South. | :14:18. | :14:23. | |
And you described finding Jackie again like... ? Opening up a garage | :14:24. | :14:32. | |
and finding an old Rolls-Royce. Tellers about how met again. I | :14:33. | :14:38. | |
hadn't seen him for 11 years, and I drove across to meet up with him. I | :14:39. | :14:43. | |
think both of us were terrified. I got out of the taxi outside the pub, | :14:44. | :14:48. | |
and we were soon reminiscing again. How come you have a pub? It has its | :14:49. | :14:56. | |
own recording studio upstairs, and we were recording there, not | :14:57. | :14:58. | |
drinking there, and we found it was going to be sold, so it was a sort | :14:59. | :15:05. | |
of rescue package. And how is it going? It is going well. It has a | :15:06. | :15:11. | |
beautiful theatre upstairs and is doing well. | :15:12. | :15:26. | |
going to sing them, apparently. We have ladies who are called that in | :15:27. | :15:34. | |
the studio. # Jennifer, Alison, Philippa, Sue | :15:35. | :15:39. | |
# Deborah, Annabel, too... # There are other names in that song. | :15:40. | :15:51. | |
What were the other names? You sung my bit and the other bit was sung by | :15:52. | :15:57. | |
Dave. Cathy. Cathy. Jane. We have those names but we haven't got time | :15:58. | :16:01. | |
for them. Everybody has sang the wrong words and put whatever names | :16:02. | :16:05. | |
they want in. So, with your new single, it is called DIY? That's | :16:06. | :16:11. | |
right. Johnny Vegas directed the video. How did that happen? How long | :16:12. | :16:16. | |
did it take? He was very professional. He was great. He put | :16:17. | :16:22. | |
his director's hat on. It came about because he's been doing quite a bit | :16:23. | :16:26. | |
of radio work for Radio 4 and he asked me to help with a few theme | :16:27. | :16:30. | |
tunes and I did that. He returned the favour. He rung me up and said, | :16:31. | :16:36. | |
"Do you fancy me doing a video for you?" It is an ironic title - it is | :16:37. | :16:48. | |
not about home improvements? Yes. Phil, Beautiful South fan? Yes. He | :16:49. | :17:01. | |
is not going to say no? I go back to The Housemartins and Caravan of | :17:02. | :17:05. | |
Love. You left the band to look after your two kids. What is their | :17:06. | :17:10. | |
reaction to mum going back? Did they know? Most of my family didn't know | :17:11. | :17:15. | |
until it was in a local paper and they all rang me mum. My God, is it | :17:16. | :17:20. | |
really back properly? It does seem like you have never been away. You | :17:21. | :17:25. | |
look maybe better than you did before! You knew me in my wild days! | :17:26. | :17:28. | |
Back on tour as well. People can see you. I heard this morning - I read | :17:29. | :17:37. | |
it on Twitter - has the tour sold out? I think it is sold out. There's | :17:38. | :17:44. | |
the odd ticket flying around. There were eight dates and they added four | :17:45. | :17:48. | |
more. Lovely to have that sound back. | :17:49. | :17:49. | |
Paul and Jacqui will be singing for us later on. They will. Now, we know | :17:50. | :18:00. | |
Phil doesn't do wimpy characters so no chance of him playing this man. | :18:01. | :18:07. | |
No. He's Popeye's friend. That's J Wellington Wimpy whose name inspired | :18:08. | :18:11. | |
a famous burger joint that is making a bit of a comeback. | :18:12. | :18:18. | |
Today you can have your burger any way you like it - fast and cheap, | :18:19. | :18:23. | |
gourmet, trendy and with a multitude of toppings. The market has come a | :18:24. | :18:34. | |
long way in over half a century. 60 years on, Wimpy is still here. It's | :18:35. | :18:38. | |
still sticking to its way of doing things. While the menu may be | :18:39. | :18:44. | |
glossier than I recall, there are still items on it that I remember | :18:45. | :18:50. | |
from back in my childhood. The wimpy Grill. And the sundae. Wimpy opened | :18:51. | :19:02. | |
in London in 1954. Its low prices created a whole new market in eating | :19:03. | :19:06. | |
out. It took its name from J Wellington Wimpy, a burger-loving | :19:07. | :19:13. | |
character from the Popeye cartoons. Come on, hurry up... Throughout the | :19:14. | :19:18. | |
'60s, it grew to have around 600 stores in Britain. It dominated the | :19:19. | :19:23. | |
UK burger market and was part of the cultural fabric providing a backdrop | :19:24. | :19:31. | |
for Dudley Moore. For six years now, I have been in love with you. I only | :19:32. | :19:37. | |
live to hear your voice. One cheeseburger, one shandy... But the | :19:38. | :19:45. | |
good times couldn't roll forever. This bit of British Americana was | :19:46. | :19:55. | |
under threat. In 1974, the first McDonald's opened. And their speedy | :19:56. | :20:03. | |
counters started to make Wimpy's waitress service looked | :20:04. | :20:07. | |
old-fashioned. Even the management were impressed with the American way | :20:08. | :20:11. | |
of doing things. It showed us how popular catering could be done. We | :20:12. | :20:14. | |
didn't think it was possible to achieve the sorts of standards of | :20:15. | :20:19. | |
service and hygiene that is typical in America. And so we quickly looked | :20:20. | :20:24. | |
at what we were doing and set about changing it. So, they emulated | :20:25. | :20:32. | |
McDonald's counter-style service. Those branches were taken over by | :20:33. | :20:39. | |
Burger King. Today, there are 1,700 McDonald's and Burger Kings | :20:40. | :20:43. | |
competing with the remaining table-service Wimpies. There were | :20:44. | :20:47. | |
many branches of Wimpy. There are now 100. Are you trying to trade on | :20:48. | :20:52. | |
a certain nostalgia? We can't walk away from 60 years of history. What | :20:53. | :20:57. | |
we can do is look towards the future, menu design, restaurant | :20:58. | :21:01. | |
design, our offering and build on that offering. There is no thought | :21:02. | :21:07. | |
of trying to ape the other fast-food restaurants and put your burgers on | :21:08. | :21:11. | |
a tray and get people to do self-service? No, we are | :21:12. | :21:15. | |
table-service. We are waiters and waitresses. You want a cup of tea? | :21:16. | :21:20. | |
You will get a cup of tea in a china cup served in a teapot. There is | :21:21. | :21:24. | |
something different about Wimpy. And their die-hard customers do seem a | :21:25. | :21:31. | |
loyal bunch. For me, it's from childhood and given the option, this | :21:32. | :21:35. | |
is where I will bring my children. I'm 91. Rose is 94. How often do you | :21:36. | :21:41. | |
come? Once a week. Sometimes twice a week. Upmarket sit-down burger | :21:42. | :21:46. | |
chains have emerged as further competition. But while a burger and | :21:47. | :21:51. | |
chips there can cost up to a tenner, at Wimpy prices are closer to | :21:52. | :21:54. | |
fast-food outlets at less than a fiver. So, does that combination of | :21:55. | :22:03. | |
the fast-food prices and table service appeal to a younger | :22:04. | :22:06. | |
generation of diners that I have invited from a local college? Good | :22:07. | :22:11. | |
burger? Bad burger? It is a really good burger. It tasted like proper | :22:12. | :22:17. | |
meat. Would they eat here again? No. I don't have the time to come in and | :22:18. | :22:22. | |
sit down. Kat? I would. There's a definite need for sitting around the | :22:23. | :22:26. | |
table and the quality time with your friends. Zoe? There is nothing wrong | :22:27. | :22:30. | |
with the food. It is great. I would want to take it away with me. Will | :22:31. | :22:36. | |
Wimpy survive? It is a historic brand on the British high street. I | :22:37. | :22:40. | |
like to think that after 60 years, it still has a future. | :22:41. | :22:48. | |
Oh, doesn't that look nice? Now, this is one of the beautiful cars | :22:49. | :22:52. | |
that you have restored as part of the series. Tell me what is so | :22:53. | :22:58. | |
special about this Land Rover? Well, the fact that it's a Series 1. It is | :22:59. | :23:08. | |
dating from 1958. It was a - well, not a wreck. It had been unloved. We | :23:09. | :23:17. | |
sort of just - it is his favourite car. OK. It is a piece of British - | :23:18. | :23:22. | |
it is like the Border Collie of cars. Gorgeous. There is a plaque on | :23:23. | :23:30. | |
the dashboard which says, "Tom's." Who is Tom? How do I describe Tom? | :23:31. | :23:37. | |
He is Lawrence of Arabia had camels, Tom had Land Rovers. He was an | :23:38. | :23:43. | |
explorer? He's been all over the world. He is 81 now and he still is | :23:44. | :23:50. | |
exploring and he is looking to go back to Algeria, I think. Right. He | :23:51. | :23:57. | |
is the most extraordinary man. We thought it would be fitting to put a | :23:58. | :24:02. | |
plaque in. Land Rovers have been his life. I love this car. How much? You | :24:03. | :24:08. | |
know, I'd do a deal with you. The problem is we haven't put it to | :24:09. | :24:12. | |
auction yet. It hasn't been out. We have to wait for it to go to | :24:13. | :24:16. | |
auction. Got anything else? There is a little number over there. Go on, | :24:17. | :24:21. | |
then. Skip over. What about this, baby? Same colour as my first Mini. | :24:22. | :24:31. | |
This is gorgeous. Isn't it? You have various standards to live up to. One | :24:32. | :24:36. | |
of the particular groups - you have to be so careful towards - are the | :24:37. | :24:43. | |
enthusiasts. Who are these guys? Well, basically, there's a | :24:44. | :24:47. | |
particular engine in this. It is made by a family called the Harris | :24:48. | :24:52. | |
family. You do not want to get on the wrong side of them. That is the | :24:53. | :24:57. | |
Harris family. They are keen to check out the car. Hopefully, I had | :24:58. | :25:03. | |
to bargain for the engine. They did us a deal. Alright. Let's talk a | :25:04. | :25:08. | |
deal. As I said, we haven't gone to auction with it yet. Oh no. What | :25:09. | :25:12. | |
else have you brought? Get yourself on the phone. I will give you the | :25:13. | :25:16. | |
number. What else have you got? There is a green number over there. | :25:17. | :25:20. | |
This is from Sunday's show. She is so gorgeous. I love Minis. You have | :25:21. | :25:26. | |
restored this one. I love this car as well. This is its original | :25:27. | :25:31. | |
colouring. Original fittings and everything. This is a Mini Cooper | :25:32. | :25:39. | |
1964. Perfect. Here is what you and Ant said when you first got your | :25:40. | :25:44. | |
hands on her. This is incredibly collectible. I will find it really | :25:45. | :25:48. | |
hard when this car is finished to let it leave the workshop. It will | :25:49. | :25:53. | |
be a recommission. All these beautiful gauges need to be put back | :25:54. | :25:56. | |
to how they were when it left the factory. The steering needs to be | :25:57. | :26:01. | |
recommissioned sensitively. If you did a bit of a spit-and-polish, how | :26:02. | :26:07. | |
much would that increase the value? So, you are talking about tart it up | :26:08. | :26:14. | |
and flip it? Yeah. Oh, Philip! Don't tell us. Not for sale, yeah? Yes. | :26:15. | :26:25. | |
Alright. That is all for today. You can see From There To Here on BBC | :26:26. | :26:30. | |
One on Thursday 22nd May at 9.00pm. Kylie is here on Monday. We have to | :26:31. | :26:34. | |
say go Molly at tomorrow's Eurovision. Now from the album, What | :26:35. | :26:38. | |
Have We Become, it is Paul Heaton and Jacqui Abbott with DIY. | :26:39. | :26:48. | |
# Some girls lose their boys after years | :26:49. | :26:51. | |
# Standing in line, it's a question of time | :26:52. | :26:55. | |
# Who's gonna be the next broken heart | :26:56. | :26:57. | |
# My heart belonged to a love so strong | :26:58. | :26:58. | |
# I would love him 'til the day that I die | :26:59. | :27:01. | |
# But I didn't lose my love to the Lord above | :27:02. | :27:03. | |
# D - she was so determined to take him right out of my hands | :27:04. | :27:12. | |
# I - if you're idle enough they can steal from the very first dance | :27:13. | :27:16. | |
# Y - she was young and pretty and young and pretty is better than I | :27:17. | :27:20. | |
# But we gave them all our kisses Now they found another Mrs | :27:21. | :27:23. | |
# Some women feel if you put her on a seal it will keep your fella | :27:24. | :27:30. | |
# But it ain't always so if you can grab him from below | :27:31. | :27:34. | |
# That's a lesson every woman can teach | :27:35. | :27:36. | |
# But my man was just the sort you could trust | :27:37. | :27:38. | |
# You could look a fella right in the eye | :27:39. | :27:40. | |
# If it wasn't for deceiving But suddenly he was leaving | :27:41. | :27:42. | |
# D - she was so determined to take him right out of my hands | :27:43. | :27:49. | |
# I - if you're idle enough they can steal from the very first dance | :27:50. | :27:54. | |
# Y - she was young and pretty and young and pretty is better than I | :27:55. | :27:58. | |
# But we gave them all our kisses Now they found another Mrs | :27:59. | :28:01. | |
# Come on girls, if she's wearing a dress | :28:02. | :28:10. | |
# She got high heels and he couldn't care less | :28:11. | :28:14. | |
# H - I - S - T - O - R - Y Come on folks, just an ordinary guy | :28:15. | :28:32. | |
# D - she was so determined to take him right out of my hands | :28:33. | :28:36. | |
# I - if you're idle enough they can steal from the very first dance | :28:37. | :28:40. | |
# And young and pretty is better than I | :28:41. | :28:45. | |
# But we gave them all our kisses Now he found another Mrs | :28:46. | :28:47. |