Browse content similar to 09/12/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the wonderful, wonderful one show with Alex Jones. | :00:15. | :00:48. | |
And this week's wonderful co-host, the man behind the Citizen Kane | :00:49. | :00:53. | |
beard, Adil Ray. Lovely to see you. Thank you, lovely to be here. It is | :00:54. | :00:59. | |
a triple bill this evening. Citizen Kane and then Have I Got News For | :01:00. | :01:04. | |
You. I might even do the weather after the news! I could not have | :01:05. | :01:08. | |
picked a better day to be here, Katie Melua will be back performing | :01:09. | :01:11. | |
with the hauntingly beautiful voices of the langur later in the show. -- | :01:12. | :01:20. | |
this evening is the man who has once again managed to transfix an entire | :01:21. | :01:23. | |
nation by showing us the wonders of planet Earth. It's impossible not to | :01:24. | :01:31. | |
be impressed by the sheer grandeur and splendour of the natural world. | :01:32. | :01:53. | |
That footage is quite something. Please welcome, of course, Sir David | :01:54. | :02:00. | |
Attenborough. Lovely to see you, nice to have you back. Well, we have | :02:01. | :02:06. | |
lots to talk about because of the huge success of Planet Earth II but | :02:07. | :02:10. | |
of course, we haven't seen you since you celebrated your 90th birthday so | :02:11. | :02:16. | |
congratulations on that. Thank you. The same year, of course, as Her | :02:17. | :02:18. | |
Majesty The Queen and we have a lovely picture of you two, last | :02:19. | :02:23. | |
month, sharing a little joke. Do we know what the conversation was? I | :02:24. | :02:29. | |
wouldn't dare tell you! Come on! I can't remember. She is very nice and | :02:30. | :02:36. | |
charming. You must know that quite well by now. Well, I used to produce | :02:37. | :02:42. | |
the Christmas broadcast. This is it. I saw her regularly come every year, | :02:43. | :02:46. | |
but that was a long time ago. We heard that back in the day that one | :02:47. | :02:51. | |
year, you had to pick her outfit. It was the very first year, actually, | :02:52. | :02:56. | |
when we were trying to work out which room in Buckingham Palace we | :02:57. | :03:02. | |
were going to use. And actually, it was a room with green wallpaper. I | :03:03. | :03:11. | |
then said, "What will the Queen be wearing?" And I was told it was a | :03:12. | :03:15. | |
green outfit. It's never going to work is it? I said it wouldn't work | :03:16. | :03:19. | |
and they asked me to suggest what would work. So I suggested a rather | :03:20. | :03:26. | |
sort of rusty kind of red thing. Rusty? Not rusty! It was a kind | :03:27. | :03:34. | |
of... I don't know what you'd call it. Festive, red and green, lovely. | :03:35. | :03:41. | |
It was not so festive, it was sort of maroon. That's all right. | :03:42. | :03:47. | |
Oatmeal? That's a lovely colour. That kind of thing. You heard it | :03:48. | :03:52. | |
here first, Sir David Attenborough went through the Queen's draws. We | :03:53. | :03:56. | |
will be talking all about Planet Earth II in just a minute and if you | :03:57. | :03:59. | |
have seen the Diaries segment at the end of each episode, you know the | :04:00. | :04:03. | |
extraordinary lengths the team go to to film it. Sunday's episode is all | :04:04. | :04:07. | |
about cities so we have asked one of the team's cameraman to add some | :04:08. | :04:13. | |
Planet Earth Magic to one of Edinburgh's biggest spectacles. | :04:14. | :04:19. | |
I'm Rob Whitworth, a photographer and film-maker. I known for taking a | :04:20. | :04:23. | |
new visual approach making builds, many of which have gone viral. My | :04:24. | :04:26. | |
ambition is to tell the story in one amazing, single-shot. To achieve it, | :04:27. | :04:33. | |
I usually shoot with multiple cameras, simultaneously capturing | :04:34. | :04:34. | |
the same scene from different angles. After the shoot, I blend the | :04:35. | :04:42. | |
images together to create a seemingly impossible journey through | :04:43. | :04:48. | |
space and time. The final film incorporates a range of shots from | :04:49. | :04:54. | |
synapses to zoom in detail shots. -- from time lapses. On the BBC series | :04:55. | :05:02. | |
Planet Earth II I really tried to push the boundaries. In one | :05:03. | :05:10. | |
sequence, I film from every floor of a skyscraper to create this | :05:11. | :05:16. | |
impossible rising shot, as Knight becomes day. In this decade, the | :05:17. | :05:20. | |
urban environment is predicted to grow by nearly 30%. | :05:21. | :05:29. | |
Now The One Show has set me the challenge of capturing the Royal | :05:30. | :05:33. | |
Edinburgh military Tattoo as you have never seen it before, in one | :05:34. | :05:35. | |
single, flowing movement. The cameras are in place. Let's do | :05:36. | :05:44. | |
this. Job done! | :05:45. | :07:52. | |
Just like that, job done, but we spoke to rob the cameraman and he | :07:53. | :07:56. | |
said it took five cameras, three days rehearsal and the main thing | :07:57. | :07:59. | |
against him was the weather in Edinburgh. They had a huge storm but | :08:00. | :08:04. | |
then it clear and they managed it. Brilliant footage. Scottish weather, | :08:05. | :08:09. | |
though, isn't it? People say that about Wales. It is so annoying. It | :08:10. | :08:13. | |
is sometimes very sunny in Scotland and Wales, all right? Once a year. | :08:14. | :08:17. | |
Sunday's episode is all about cities. Why did you choose that for | :08:18. | :08:22. | |
this series? A very important environment, we all live there, of | :08:23. | :08:26. | |
course, well, over half the human race lives in towns these days. And | :08:27. | :08:30. | |
they occupy a very significant part of the earth's surface. And we have | :08:31. | :08:36. | |
to share them. Animals come in because there are lots of good | :08:37. | :08:39. | |
things to be had, like fish and chips and chicken dinners among | :08:40. | :08:43. | |
other things. Tasty things. There are wild animals in this city, of | :08:44. | :08:47. | |
course, not just rats necessarily but Fox is all over the place. -- | :08:48. | :08:54. | |
foxes all over the place. Cities all over the world are being colonised | :08:55. | :09:01. | |
by different animals, monkeys in India for example, they live in | :09:02. | :09:04. | |
cities all the time and manipulate cities. They know where the markets | :09:05. | :09:09. | |
are, they know where there is good food. We have lovely footage of the | :09:10. | :09:13. | |
monkeys you are talking about, here they are, free running across | :09:14. | :09:20. | |
rooftops of jodhpur in India. He has chased off the bachelors away. But a | :09:21. | :09:24. | |
splinter group has looped back and is harassing his females. | :09:25. | :09:30. | |
APPLAUSE Fantastic. Great. One of the many | :09:31. | :10:01. | |
scenes that captured the nation's imagination, really, and became a | :10:02. | :10:05. | |
real talking point was the baby iguana running away from the race | :10:06. | :10:09. | |
are snakes. It was footage the crew stumbled upon white mistake by all | :10:10. | :10:15. | |
accounts. -- by the racer snakes. I've been on the Galapagos half a | :10:16. | :10:19. | |
dozen times over the years, I think but I had never heard of these | :10:20. | :10:24. | |
snakes waiting for the emergence of the baby turtles, marine iguanas, I | :10:25. | :10:30. | |
mean. It is how they all come out, it is just amazing. Yes, and when | :10:31. | :10:36. | |
they do, this is what happens. I was on the edge of my seat like | :10:37. | :10:41. | |
everybody else, I think. I'm not that scare. Snakes but when I watch | :10:42. | :10:45. | |
this, I had to put my feet up, it was so scary! Why do you think it | :10:46. | :10:49. | |
captured everyone's imagination? What was it about this footage? To | :10:50. | :10:57. | |
start with, only happens for a very short period in the year and I don't | :10:58. | :10:59. | |
know any other Galapagos cameraman who has ever captured it before but | :11:00. | :11:03. | |
isn't it intensely dramatic? And if I may say so, it is beautifully | :11:04. | :11:08. | |
edited by the editors of the series. And given to refit music. -- | :11:09. | :11:14. | |
terrific music. All of the factors, all of the skills which you could | :11:15. | :11:17. | |
have in film-making have been focused on that and produce an | :11:18. | :11:22. | |
effect which absolutely gripped the nation. It certainly gripped me when | :11:23. | :11:26. | |
I first saw it. You mention the music and you listen to it and at | :11:27. | :11:29. | |
times it is like watching a Hollywood blockbuster. It is written | :11:30. | :11:32. | |
by a Hollywood composer, Hans Zimmer. Heeded Pearl Harbor, | :11:33. | :11:38. | |
gladiator. What difference does the music make? What impact does it | :11:39. | :11:42. | |
have? Good music can add greatly to the drama of the film. Not everyone | :11:43. | :11:48. | |
enjoys it. I get some letters from people who say they don't like the | :11:49. | :11:53. | |
music. Really? Yes. You don't have to like it but I think the | :11:54. | :11:58. | |
overwhelming majority of people find that it adds hugely to the drama. | :11:59. | :12:03. | |
Hugely, yeah. You were saying about the first time you see the footage | :12:04. | :12:07. | |
because of course you write and narrate the series. When does it | :12:08. | :12:10. | |
come to you? When it is very raw or when it has been edited? In the old | :12:11. | :12:15. | |
days, I used to go out with one cameraman and we would try to make a | :12:16. | :12:18. | |
series, back in the 1950s, I'm talking about. These days, there are | :12:19. | :12:26. | |
over 20 cameramen working on a series like this so the stuff comes | :12:27. | :12:29. | |
in. There is a masterplan which has evolved as to what the sequences | :12:30. | :12:34. | |
are, and then it comes in and it is edited and it is a big team effort. | :12:35. | :12:38. | |
I don't come in until right at the end when I write the commentary and | :12:39. | :12:43. | |
record it. But you are the icing on the cake! LAUGHTER | :12:44. | :12:48. | |
We have a little girl who is two and has had a go at putting her own | :12:49. | :12:52. | |
commentary on some of the series. Let's have a look at this. It is a | :12:53. | :13:03. | |
buzzy bee! A polar bear. It is a goat. What is that? A square role. | :13:04. | :13:10. | |
Oh, a scroll. I can see more squirrels. It is a bear. -- a | :13:11. | :13:17. | |
squirrel. I can see two bears. She is only two! Do you think Juno has | :13:18. | :13:27. | |
potential? You might have to retire. It is remarkable, aged two, she | :13:28. | :13:30. | |
cannot have seen any of these creatures except on TV and perhaps | :13:31. | :13:34. | |
not even then. But she has been such a hit on social media, we thought we | :13:35. | :13:38. | |
would get her in and she has had a look at the episode that goes out on | :13:39. | :13:41. | |
Sunday to see what she thought. This was her reaction. Oh, look, that's a | :13:42. | :13:50. | |
monkey. He's jumping over the wall. Oh, look, he's eating. A crisp! | :13:51. | :14:01. | |
Look, he's going like this. Oh, look, there's a baby one. APPLAUSE | :14:02. | :14:13. | |
Amazing. She is only two? And she recognised that that was a baby | :14:14. | :14:16. | |
monkey. That's extraordinary. I mean, that is really very clever and | :14:17. | :14:21. | |
perceptive. Very much so and she would have loved to have stayed and | :14:22. | :14:24. | |
met tube but it was well past their bedtime so unfortunately, dad Adam, | :14:25. | :14:28. | |
thanks for bringing her in but he had to take home. And she has a | :14:29. | :14:32. | |
meeting with her agent to discuss her next TV deal! Planet Earth II is | :14:33. | :14:37. | |
out on DVD and you can see the final episode of the series on Sunday at | :14:38. | :14:39. | |
8pm on BBC One. He is one of 2016's unlikeliest | :14:40. | :14:52. | |
stars but Ted McDermott has become one of the unlikeliest stars. We | :14:53. | :14:58. | |
sent Lucy to make peace on a minute man. | :14:59. | :15:06. | |
L is for the way you look at me... Millions of people have enjoyed | :15:07. | :15:13. | |
watching videos of Ted and his son after videos of them singing in the | :15:14. | :15:17. | |
car went viral online. But sadly Ted doesn't know of his fame as he was | :15:18. | :15:25. | |
diagnosed with outsiders in 2013. # My darling, tell me when... | :15:26. | :15:34. | |
They call him the song a minute man and I'm here to meet him. | :15:35. | :15:46. | |
# How much I love you... Ted has been an entertainer all his | :15:47. | :15:54. | |
life. He was a Butlins redcoat and then travelled the country singing | :15:55. | :15:59. | |
in the bars and clubs. I met him in Blackpool in 1974 and I went to the | :16:00. | :16:07. | |
national at Blackpool and he was singing there. What did you think? I | :16:08. | :16:11. | |
thought his voice was absolutely amazing. Did you think, that is the | :16:12. | :16:19. | |
man for me? Not initially! I was just dumbstruck by his voice! When I | :16:20. | :16:28. | |
was a kid I was quite embarrassed about it because he was an | :16:29. | :16:33. | |
entertainer and I was like... But he has got a gift and when he started | :16:34. | :16:39. | |
for debt -- forgetting those songs, I thought, my dad is going to | :16:40. | :16:42. | |
disappear and disappear into obscurity, and we would never hear | :16:43. | :16:46. | |
his voice again, and I didn't want that to happen. There are days when | :16:47. | :16:50. | |
he doesn't know me or my mum at all. He can get quite aggressive. I don't | :16:51. | :16:57. | |
think people realise with Alzheimer's how difficult it can be | :16:58. | :17:01. | |
if you are in with that confusion and the confusion often has anger. | :17:02. | :17:09. | |
As soon as he is happy and singing, the darkness is cleared for a bit | :17:10. | :17:14. | |
and he is more joyful, really. So your dad was a tenor. I use the | :17:15. | :17:27. | |
same? -- are you the same? # In my heart! As well as singing | :17:28. | :17:36. | |
every day, Ted has already recorded a single. | :17:37. | :17:43. | |
# You make me feel so young... Simon is now crowdfunding to release an | :17:44. | :17:48. | |
album of Ted's songs, with some of the proceeds going to the | :17:49. | :17:53. | |
Alzheimer's Society. # Such a happy individual | :17:54. | :18:05. | |
# I want to go play hide-and-seek... I get a buzz out of the fact that he | :18:06. | :18:10. | |
knows there's something going on. What does music mean to you? I don't | :18:11. | :18:21. | |
know. It brings you joy. If you don't bring joy to people there | :18:22. | :18:24. | |
something wrong with you. # I'm dreaming of a white Christmas | :18:25. | :18:32. | |
# Just like the ones I used to know... | :18:33. | :18:37. | |
# Tree tops glistened... If you are watching and you are | :18:38. | :18:52. | |
available on Boxing Day I would love to but you! He's from the city of | :18:53. | :18:59. | |
the stars, my city, Birmingham! Katie Melua has joined us in the | :19:00. | :19:04. | |
studio. Hello. Your album is finally out but it's been a while coming. It | :19:05. | :19:10. | |
has been, but can I say, before we get onto that, this is such an | :19:11. | :19:14. | |
honour to meet you and sit with you. So, guessed, it seems a bit crazy to | :19:15. | :19:19. | |
just chat about my album now! -- so, yeah. But my album is out. My record | :19:20. | :19:31. | |
is out. This is just lovely! It took a while to make it because it was | :19:32. | :19:35. | |
made in quite a different way to the other records I made. How? I parted | :19:36. | :19:42. | |
ways with my previous collaborator. I have a great creative partner but | :19:43. | :19:48. | |
as I neared my 30s, our creative goals drifted and I also discovered | :19:49. | :19:53. | |
a choir from my home country of Georgia, and they are called the | :19:54. | :19:57. | |
Gori Women's Choir. They are here with me and we will be performing at | :19:58. | :20:02. | |
the end of the show. It is a very unique sound, this, Katie, isn't it? | :20:03. | :20:09. | |
How would you describe it? Well, the traditional polyphonic singing is on | :20:10. | :20:13. | |
the UNESCO intangible list because it is very unique and they have very | :20:14. | :20:19. | |
rich harmonies. This record In Winter we have teamed up with a | :20:20. | :20:22. | |
brilliant British composer and he did a fantastic job because I have | :20:23. | :20:27. | |
been back home and it's a very rich sound, but for the record, I'm a | :20:28. | :20:31. | |
British singer in a sense, and I moved over here when I was eight. | :20:32. | :20:36. | |
And the record's about my perspective of the two different | :20:37. | :20:41. | |
cultures. And how I view life in the West from the Georgian perspective | :20:42. | :20:46. | |
and vice versa, because it's really fascinating to have these dual | :20:47. | :20:52. | |
perspectives. And In Winter is the most beautiful record for this time | :20:53. | :20:56. | |
of year. And you will be performing with the choir, won't you? Yes, it | :20:57. | :20:59. | |
is a Ukrainian song we discovered. Many people know it as the famous | :21:00. | :21:07. | |
Carol Of The Bells, but its roots are Ukrainian. We look forward to | :21:08. | :21:13. | |
that very much. This weekend marks the 80th | :21:14. | :21:15. | |
anniversary of one of the most famous radio broadcasters, when King | :21:16. | :21:23. | |
Edward VIII announced his abdication from the throne, choosing love over | :21:24. | :21:30. | |
his royal duty. Wallis Simpson was described as the life of -- life and | :21:31. | :21:33. | |
soul of the party, but her later years tell a very different tale. | :21:34. | :21:41. | |
On the 24th of April 19 86, Wallis Simpson died here in how opulent | :21:42. | :21:45. | |
villa in Paris. She had married into the British Royal Family but by the | :21:46. | :21:49. | |
time she died, her closest companion was her lawyer. She was the | :21:50. | :21:54. | |
glamorous American divorcee whose love affair with King Edward VIII | :21:55. | :21:58. | |
caused a constitutional crisis in the 30s that inspired Hollywood for | :21:59. | :22:03. | |
years to come. You certainly know the name to a woman's heart. | :22:04. | :22:09. | |
In 1936, Edward chose to turn his back on all of this and abdicate | :22:10. | :22:13. | |
rather than give up the woman he loved. The story is well known. The | :22:14. | :22:18. | |
Royal Family shunned them, the nation was divided, but Edward was | :22:19. | :22:20. | |
obsessed with his exotic good time girl. She was so chic. There eat -- | :22:21. | :22:27. | |
there's a reason why she earned the reputation for being one of the best | :22:28. | :22:30. | |
dressed women on Earth. She really was. When she married, she became | :22:31. | :22:36. | |
the Duchess of Windsor. She was never treated like a member of the | :22:37. | :22:40. | |
Royal Family in life but her will was classified as Royal. That means | :22:41. | :22:44. | |
the full contents might never be revealed. But there's plenty of | :22:45. | :22:47. | |
speculation about it. What we do know is that when she died, she left | :22:48. | :22:51. | |
behind a considerable fortune, mostly jewellery. It was auctioned | :22:52. | :22:57. | |
the following year and it fetched ?31 million, equivalent to ?100 | :22:58. | :23:05. | |
million in today's money. That money was all given to a French research | :23:06. | :23:09. | |
charity with which she had no obvious connection. | :23:10. | :23:13. | |
Edward had died in 1972 and some have speculated that in her final | :23:14. | :23:17. | |
years, she was being manipulated by the lawyer who took care of her | :23:18. | :23:22. | |
affairs. Her gatekeeper and all prisoner, depending how you look at | :23:23. | :23:31. | |
it, was a French lawyer who stopped allowing Wallis Simpson's friends | :23:32. | :23:35. | |
from going to see her. She had absolute control over everything to | :23:36. | :23:40. | |
do with her. She was interviewed by the BBC in 1982. For seven years | :23:41. | :23:51. | |
now, she has been bedridden... Being only able to be taken to an armchair | :23:52. | :24:01. | |
in front of the windows to look at the trees. This woman is supposed to | :24:02. | :24:07. | |
be her lawyer and it was a great power trip, and I think a very sick | :24:08. | :24:14. | |
one, too. The journalist has written a biography of the Duchess of | :24:15. | :24:19. | |
Windsor. I think Suzanne was a bit in love with Wallis, wanted to | :24:20. | :24:24. | |
protect her and convey what she believed were her wishes. The jewels | :24:25. | :24:33. | |
of the Duchess of Windsor... Within a year of the Duchess' death, she | :24:34. | :24:36. | |
organised this amazing sale of the century of all of Wallis' jewellery, | :24:37. | :24:44. | |
but these were iconic pieces and raised ?31 million. Let's have a | :24:45. | :24:51. | |
look at some of the jewellery. Ah, that beautiful diamond and Onyx | :24:52. | :25:00. | |
Panther. I was inspired to try on this fabulous bracelet. It's | :25:01. | :25:03. | |
wonderfully liked and articulated and it moves as you move. It is a | :25:04. | :25:10. | |
stunning collection and it raised the equivalent today of ?100 | :25:11. | :25:13. | |
million, and that then remarkably was given to this French charity. | :25:14. | :25:18. | |
What happened after that? We had Suzanne telling reporters this is | :25:19. | :25:24. | |
her version in her discussions of Wallis' wishes. Without a will it is | :25:25. | :25:31. | |
hard to know if these were her actual wishes or if Suzanne chose | :25:32. | :25:34. | |
the charity herself. There was no obvious connection. It is | :25:35. | :25:40. | |
mysterious. We just don't have a document which has Wallis' | :25:41. | :25:44. | |
signature. Once renowned of the life and soul of the party, at the end, | :25:45. | :25:49. | |
Wallis was a silent recluse. There is little doubt in my mind Wallis | :25:50. | :25:59. | |
wanted to be isolated. This was a woman who loved people. She was | :26:00. | :26:06. | |
buried in winter alongside her beloved Edward. -- in Windsor. | :26:07. | :26:13. | |
That dual array was absolutely beautiful, wasn't it? Speaking of | :26:14. | :26:17. | |
which, we are going to hear from Katie and acquire shortly. And look | :26:18. | :26:23. | |
at that coat! She has named it! On Wednesday's show, as you or somebody | :26:24. | :26:29. | |
you know still got a letter they wrote to Santa as a child? Get in | :26:30. | :26:34. | |
touch via the usual ways and send us a photo of the letter, and you could | :26:35. | :26:40. | |
appear on Wednesday's show. That is it for tonight. Thanks to Sir David | :26:41. | :26:47. | |
Attenborough. Planet Earth II is out now on DVD. Have a very Merry | :26:48. | :26:52. | |
Christmas, Adil. More great guests on the show next week, including | :26:53. | :26:56. | |
Liam Neeson and Jamie Oliver, talking all about Christmas food. | :26:57. | :27:02. | |
And don't forget, Citizen Khan is on tonight at 8pm! Thank you! Now it is | :27:03. | :27:10. | |
Katie Melua and the Gori Women's Choir. Have a fantastic weekend. | :27:11. | :27:12. | |
Goodbye. CHEERING AND APPLAUSE | :27:13. | :27:16. | |
# Shchedryk shchedryk, shchedrivochka | :27:17. | :27:17. | |
# Stala sobi shchebetaty Hospodarya vyklykaty | :27:18. | :27:21. | |
# Shchedryk shchedryk, shchedrivochka | :27:22. | :27:49. | |
# Stala sobi shchebetaty Hospodarya vyklykaty | :27:50. | :27:53. | |
# Vyydy, vyydy, hospodaryu Podyvysya na kosharu | :27:54. | :27:57. | |
# Maty mirku hroshey six V tebe tovar ves? | :27:58. | :28:13. | |
# Shchedryk shchedryk, shchedrivochka | :28:14. | :28:25. | |
# Stala sobi shchebetaty Hospodarya vyklykaty | :28:26. | :28:27. | |
# Vyydy, vyydy, hospodaryu Podyvysya na kosharu | :28:28. | :28:29. | |
# Shchedryk shchedryk, shchedrivochka | :28:30. | :28:53. |