Browse content similar to 08/12/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show. Tonight, the tale of the German | :00:19. | :00:29. | |
prisoner of war who fell in love with the Scottish village in which | :00:30. | :00:32. | |
he was held captive and has just left them ?400,000 in his will. We | :00:33. | :00:40. | |
have got a story about a ridiculous killer fish that was nearly a movie. | :00:41. | :00:47. | |
But thankfully didn't become one. And we have got tonight's guest who | :00:48. | :00:51. | |
has never starred in a movie but would love to. Shall we make his | :00:52. | :00:57. | |
dreams come true? Definitely. Please welcome the star of good Phil | :00:58. | :01:06. | |
hunting... It is Phillip Schofield! Good | :01:07. | :01:14. | |
evening. We are going to frame them for you. Thank you. If there was a | :01:15. | :01:22. | |
this morning movie, who would play you? For me, I would like it to be | :01:23. | :01:30. | |
George Clooney. It would probably be Ryland. We thought maybe Steve | :01:31. | :01:35. | |
Martin. Michael Douglas, potentially. And Holly? Scarlett | :01:36. | :01:48. | |
Johansson. Wouldn't be a romcom? I think it would be a romcom. | :01:49. | :01:54. | |
Hollywood like that. We are looking forward to talking more. We have | :01:55. | :01:58. | |
learned this week that police will soon be given new powers to help | :01:59. | :02:02. | |
tackle the crime that leads to victims living in fear and anxiety. | :02:03. | :02:12. | |
Here is Kevin Duala. Every year, more than 1 million | :02:13. | :02:16. | |
people experience stalking. For most, it's someone they know. Annex | :02:17. | :02:24. | |
that can't excepted is over. One in ten are stalked by a stranger. I'm | :02:25. | :02:29. | |
terrified about what he is going to do next. Repeated unwanted attention | :02:30. | :02:33. | |
causing distress, harassment or worse. Stalking is incredibly | :02:34. | :02:40. | |
dangerous, one of the most dangerous behaviours. Asking how long after | :02:41. | :02:49. | |
somebody disappears, as their dead? What is it like to be stalked? And | :02:50. | :02:54. | |
what is being done about it? I have come to meet a Cheltenham GP. She | :02:55. | :02:59. | |
has been stalked by a former patient since 2006. Initially it was cards | :03:00. | :03:07. | |
and flowers sent to me at surgery. I got a Boco Freddie for red roses. It | :03:08. | :03:10. | |
was debris 15th, day after Valentine's Day. -- Abe OK of red | :03:11. | :03:19. | |
roses. Did you think, this is wrong? I think we've looked at it as, I | :03:20. | :03:24. | |
wish you hadn't done it, but it is flowers and a card. It is doing no | :03:25. | :03:31. | |
harm. Ellie was due to have a baby, but then things took a sinister -- | :03:32. | :03:36. | |
sinister turn. I came out of work one week and there was blue over my | :03:37. | :03:42. | |
car. He was seen driving out of the car park. We looked on CCTV and it | :03:43. | :03:48. | |
was his face. This is Ellie's stalker, pensioner Raymond tonight. | :03:49. | :03:51. | |
He was arrested four times over eight years. He followed me to | :03:52. | :03:58. | |
visits, he followed me home. He set outside the surgery for hours. | :03:59. | :04:04. | |
Restraining orders did not work. He had hundreds of pictures of me on | :04:05. | :04:12. | |
his camera. The night the tag came off, I drove out of my drive and he | :04:13. | :04:17. | |
was outside my house. My family and I went away on holiday. This was | :04:18. | :04:25. | |
June 20 12. We got a call on the last day of the holiday sing our | :04:26. | :04:33. | |
house had burned down. -- saying. There was no evidence found to link | :04:34. | :04:37. | |
the stalker to the fire. But Raymond Knight was eventually jailed for | :04:38. | :04:43. | |
five years for sending threatening letters. He had to stay out of | :04:44. | :04:47. | |
Gloucestershire. Frustrated at being powerless to impose a longer | :04:48. | :04:51. | |
sentence, the trial judge urged Ellie to campaign for a change in | :04:52. | :04:55. | |
the law. She wants a 10-year sentence. There has been progress. A | :04:56. | :04:59. | |
new Stalking Protection Order. It will target so-called stranger | :05:00. | :05:04. | |
stalking in England and Wales, allowing people -- police and courts | :05:05. | :05:08. | |
to intervene and ban contact earlier, even before an arrest. But | :05:09. | :05:12. | |
will it work? I have, good to find out more about stalking behaviour. I | :05:13. | :05:18. | |
have come to meet an expert at the University of Los Disher. Doctor | :05:19. | :05:21. | |
Jane Moulton Smith is a criminologist and former police | :05:22. | :05:25. | |
officer. Today she is doing some forensic training. How dangerous is | :05:26. | :05:29. | |
stalking? It is incredibly dangerous, one of the most dangerous | :05:30. | :05:34. | |
behaviours. We found from statistics that where people have died, | :05:35. | :05:39. | |
stalking behaviour has been found in 90% of those cases. Will the new | :05:40. | :05:44. | |
water help? We have had orders in the past. Unless all of the | :05:45. | :05:51. | |
professionals use a consistent approach and always enforce these | :05:52. | :05:54. | |
orders, and the courts have the powers to deal with breaches, they | :05:55. | :06:00. | |
will not be any good. There is evidence that intervening in the | :06:01. | :06:04. | |
first couple of weeks does help. The new orders allow that. Ellie is | :06:05. | :06:08. | |
continuing her campaign to double the maximum jail sentence. Her | :06:09. | :06:12. | |
stalker is due to be released from prison next year. It is difficult | :06:13. | :06:18. | |
because his human rights appear on many occasions to come are both mine | :06:19. | :06:22. | |
and my family's. If I can get the penalty to stalking to be ten years, | :06:23. | :06:28. | |
I get longer respite the next time he goes into prison. At the moment I | :06:29. | :06:32. | |
am only save as long as he is detained. Let's hope those orders | :06:33. | :06:39. | |
make a big difference and give some respite to those affected. Earlier | :06:40. | :06:44. | |
today, we saw a clip of you doing something that we were very | :06:45. | :06:52. | |
impressed by. Let's share it. The views are stunning but it is about | :06:53. | :06:53. | |
to get a lot more topsy-turvy. LAUGHTER. | :06:54. | :07:16. | |
APPLAUSE. Wow! What was that like? It was the best. The thing is, this | :07:17. | :07:25. | |
is all for the programme I'm doing on Monday with the Duke of Edinburgh | :07:26. | :07:32. | |
awards. As part of the Diamond challenge, if the Duke of Edinburgh | :07:33. | :07:35. | |
awards scheme didn't come up on your radar when you were younger, we had | :07:36. | :07:42. | |
it in my school but I was out it a lot. I lived in Cornwall. I do not | :07:43. | :07:46. | |
know it is something I would have needed. If you didn't do it then, | :07:47. | :07:51. | |
you can take your Diamond challenge on the 60th anniversary. You can do | :07:52. | :07:56. | |
anything. You can learn a language. You can play an instrument. You can | :07:57. | :07:59. | |
work for a charity. I thought all of that is great but it will not look | :08:00. | :08:04. | |
very interesting for the telly. I thought, what about a wing walk? So | :08:05. | :08:11. | |
on a beautiful sunny day I got strapped to the top of the plane and | :08:12. | :08:16. | |
reset off and the pilot was out of central casting. He was like | :08:17. | :08:24. | |
Biggles. We did the circuit and landed. It was exciting. I said, is | :08:25. | :08:31. | |
that it? He said, no, we can do more. At which point the crew and | :08:32. | :08:34. | |
producers were saying, brilliant, fantastic. I said, no, we can do | :08:35. | :08:42. | |
more. He said, you can do loops and stalls. Right, get back up and do it | :08:43. | :08:47. | |
again. Which we did. You deserve that pin. Yes, I was proud of it. | :08:48. | :08:54. | |
All the wife was thinking about was insurance. You spent a year with | :08:55. | :09:03. | |
Prince Philip. What was that like? What were your preconceived ideas of | :09:04. | :09:11. | |
him? He is a remarkable man. He is 95 years old. I have met him a | :09:12. | :09:14. | |
couple of times before at awards ceremonies. He walks into a room and | :09:15. | :09:20. | |
you have a group of youngsters who are all there to get their gold | :09:21. | :09:25. | |
awards. Their shoulders are up and they are nervous. He will walk in | :09:26. | :09:29. | |
and say something funny, probably inappropriate. And they burst out | :09:30. | :09:34. | |
laughing. You see all of those moments where you think, what has he | :09:35. | :09:40. | |
said? I think it is said to put people at their ease. He has a razor | :09:41. | :09:44. | |
sharp sense of humour. He has a memory like you can't believe. We | :09:45. | :09:51. | |
had our own James Bond. He was a commander in the Navy. A very | :09:52. | :09:56. | |
attractive guy, obviously. Now he doesn't give interviews. And he | :09:57. | :10:00. | |
doesn't talk about himself. So if you're going to spend a year with | :10:01. | :10:04. | |
him, and talk to him, then you start off from quite a tricky, what do we | :10:05. | :10:13. | |
talk about? Or you nervous? Server was the first thing I said. I was | :10:14. | :10:18. | |
nervous. If you are going to send -- spent a year with someone, this is | :10:19. | :10:23. | |
someone who doesn't give interviews. It is a series of moments. It is | :10:24. | :10:27. | |
principally about these extraordinary awards which he | :10:28. | :10:33. | |
started. They are his awards. I think I got on really well with him. | :10:34. | :10:39. | |
I did. What relationship now at the end of the real Prince Philip? He is | :10:40. | :10:48. | |
what I expected him to be. He is the Queen's right-hand man. He is how | :10:49. | :10:52. | |
rock, our foundation and a massive support. He is a man in his own | :10:53. | :10:57. | |
right with his own interests and passions, which even now, at 95, he | :10:58. | :11:08. | |
devours. I followed him over a period of several days in one | :11:09. | :11:13. | |
segment. He shook about ?5,000. The next day he did it again, and the | :11:14. | :11:18. | |
next day. My back was aching and my feet were sore and he bounded over | :11:19. | :11:22. | |
to me and said, here you are again. I thought, I can't believe this. | :11:23. | :11:27. | |
This is how I want to be at 95, disengaged. This is why he wants all | :11:28. | :11:34. | |
of these 14 to 25-year-olds to go out and explore. It could not be | :11:35. | :11:42. | |
more relevant now. It is not dated. It is not posh. If you look at the | :11:43. | :11:53. | |
films you show of people. If you are stuck on your phone and you were | :11:54. | :11:56. | |
attacked on social media and your life as a teenager becomes insular, | :11:57. | :11:59. | |
suddenly this is the enemy and your best friend, it pulls you out of | :12:00. | :12:07. | |
that and gives you the great outdoors and teamwork and | :12:08. | :12:10. | |
confidence. I learnt a lot about that. You can watch When Phillip met | :12:11. | :12:18. | |
Prince Philip on Monday night at 9pm. That is ITV. Time for an update | :12:19. | :12:23. | |
on a remarkable story that we first featured seven years ago. Just | :12:24. | :12:29. | |
before our time. It has recently been given one final twist. Steve | :12:30. | :12:34. | |
brown has been to the Scottish village about to benefit from the | :12:35. | :12:37. | |
kindness of a former war veteran. In 2009, The One Show met a former | :12:38. | :12:46. | |
Nazi soldier who, despite being held here as a prisoner of war, left | :12:47. | :12:49. | |
nearly ?400,000 to the village when he died. George Carson's late mother | :12:50. | :12:58. | |
befriended Heinrich when he was in prison. My mother met him when she | :12:59. | :13:06. | |
was a child. There were a limited amount of prisoners allowed to go | :13:07. | :13:09. | |
out and work in the communities. He would have been in the working | :13:10. | :13:15. | |
party. The scenario is strange. A prisoner of war so comfortable in | :13:16. | :13:18. | |
his embodiment that he wants to repair the village? Heinrich always | :13:19. | :13:22. | |
said he was very lucky that he was captured by the Scots. A young boy, | :13:23. | :13:26. | |
he had experienced the horrors of war. We probably saved his life. It | :13:27. | :13:31. | |
was a life changing experience coming here. After my mother died, | :13:32. | :13:35. | |
Heinrich came back to visit my dad. He said to my dad, could you do me a | :13:36. | :13:41. | |
favour? When I die, I want to leave my money to the elderly people of | :13:42. | :13:47. | |
the village. I want my ashes to be scattered in the hills. Could you | :13:48. | :13:55. | |
help? It must have been strange? My dad felt under pressure. He didn't | :13:56. | :13:58. | |
know what to do. He wanted to leave all his money to the village. They | :13:59. | :14:02. | |
worked out between themselves while Henrik was here. -- Heinrich. Now we | :14:03. | :14:09. | |
have the difficult task of how the money is spent. Now that the money | :14:10. | :14:17. | |
is in the trust account, how long will it be before it's released to | :14:18. | :14:23. | |
the village? It is the village bus money. They were now need to set up | :14:24. | :14:29. | |
a new group to deal with this money. All the different groups that work | :14:30. | :14:32. | |
with the elderly in the village should all send someone to represent | :14:33. | :14:37. | |
them. And get on this committee. It's for the old folk. Where will | :14:38. | :14:45. | |
they draw the line of what the old folk are? I don't know. It is very | :14:46. | :14:54. | |
tricky. It is another headache! I have memories of the German | :14:55. | :14:58. | |
prisoners arriving at the station. These poor men who had been like our | :14:59. | :15:03. | |
men, battle weary. We felt so sorry for them. How was the village's | :15:04. | :15:11. | |
attitudes towards them? They were accepted, weren't they? There was | :15:12. | :15:16. | |
somebody's children, as my mum used to say. The money that has been | :15:17. | :15:21. | |
left, how do you want to see it spent? Wisely, without politicians | :15:22. | :15:30. | |
getting involved. Do you look at helping the generation here now that | :15:31. | :15:37. | |
part of the reason why that funding and the trust is here? We have to | :15:38. | :15:44. | |
look after the elderly here now. OK, there will be money left and that | :15:45. | :15:47. | |
will have to be invested for the future. But we are only going to get | :15:48. | :15:51. | |
the chance to look after these people once. I have done the maths. | :15:52. | :15:56. | |
It works out at about ?200 a head. Have you thought about doing it that | :15:57. | :16:03. | |
way?! Does everybody wants to come and live here?! | :16:04. | :16:09. | |
Those smiles say it all, if you had to leave all of your wealth to one | :16:10. | :16:17. | |
place, where would it go? I assume you don't want family so, bearing in | :16:18. | :16:22. | |
mind where that was shot I am going to say I will leave it all to my | :16:23. | :16:27. | |
favourite Scottish distillery and leave a note, thank you for the good | :16:28. | :16:34. | |
times. Quite mag very good. Very good answer. The other day I noticed | :16:35. | :16:42. | |
on your Twitter feed, you are watching the Jungle programme as I | :16:43. | :16:47. | |
was and enjoying the montage. It was amazing. We know you want your own | :16:48. | :16:51. | |
montage and have never had one. Please tell me you have not done the | :16:52. | :16:57. | |
one? Here are your best bets. I hope the music is right. People ask what | :16:58. | :17:02. | |
do you love about The One Show and I would say definitely the passion, | :17:03. | :17:07. | |
the drama, the stars, so vote for The One Show, love that show. Vote | :17:08. | :17:12. | |
for The One Show. Just pointing it out. Stop, this is not right. | :17:13. | :17:17. | |
CHEERING APPLAUSE | :17:18. | :17:24. | |
Hats off. Thank you, very kind of you. I am happy to give it to you. | :17:25. | :17:37. | |
Nicely done. In the summer of 1975 this sound... Struck fear into the | :17:38. | :17:43. | |
hearts of cinemagoers around the world. Of course, Jaws was a huge | :17:44. | :17:52. | |
hit and it inspired someone to take them on at their own game. Did he | :17:53. | :17:59. | |
succeed? No. A perfect day for relaxing on the water with a book. | :18:00. | :18:05. | |
But this is not any book, in the 1980s this book almost came to life! | :18:06. | :18:15. | |
Now that we are sitting comfortably, I am going to tell you a story that | :18:16. | :18:19. | |
would be hard to believe if it was not entirely true and it all begins | :18:20. | :18:22. | |
with an ambitious showmen from Manchester. He was a nightclub | :18:23. | :18:29. | |
bouncer and music composer, stuntman, actor, writer and | :18:30. | :18:34. | |
director. He was a legend in his hometown, reportedly friends with | :18:35. | :18:37. | |
superstar Richard Gere and frequently making fantastical films | :18:38. | :18:42. | |
which went straight to video. One of his most ambitious film project | :18:43. | :18:45. | |
would see him write the screenplay to his own book, potentially compose | :18:46. | :18:53. | |
the soundtrack and take the lead role. It had parallels with the | :18:54. | :19:01. | |
feature film Jaws where a small committee is terrorised by a shark. | :19:02. | :19:08. | |
In this novel Windermere is Jaws terrorised by a 12 foot man eating | :19:09. | :19:19. | |
pike. It's one down in searing agony away from the shore, chewing | :19:20. | :19:24. | |
savagely on tendon and grating on bone. To make a big noise with his | :19:25. | :19:31. | |
film of The Pike Cliff would need big bucks. He set about making | :19:32. | :19:35. | |
everyone frightened of official which in real life only grows to a | :19:36. | :19:38. | |
maximum of five foot and which might bite us but not kill us. Is it in | :19:39. | :19:46. | |
anyway based on fact albeit loosely? No, the largest ever caught was 19 | :19:47. | :19:50. | |
foot and they can be dangerous, no two ways about it. Cliff was not | :19:51. | :19:55. | |
going to let facts get in the way of a good idea, he needed a stunt to | :19:56. | :20:00. | |
get the industry talking and investors opening their wallets. | :20:01. | :20:03. | |
Size mattered. He commissioned artist Charles and submarine | :20:04. | :20:11. | |
manufacturer George to make two 12 feet pike, one of which is still | :20:12. | :20:18. | |
here on Lake Windermere. She looks in good net cover such an old lady. | :20:19. | :20:24. | |
I had had no experience whatsoever, I was expecting another artist to be | :20:25. | :20:29. | |
involved. I finished working with George and his engineers. He said I | :20:30. | :20:34. | |
would like one which can swim, the jaws opening and closing. The team | :20:35. | :20:39. | |
rushed to finish it in time for what Cliff hoped would be the biggest | :20:40. | :20:45. | |
moneyspinner, he press conference with proposed star Joan Collins. And | :20:46. | :20:50. | |
other water, it's always frightening and nightmarish. People like to be | :20:51. | :20:55. | |
frightened. Andrew Wilson was writing for the local paper when the | :20:56. | :21:00. | |
media circus came to town. Somebody rang me from the hotel and said Joan | :21:01. | :21:06. | |
Collins is actually here, and I thought we will take an interest in | :21:07. | :21:11. | |
that. She performed brilliantly. The same cannot be said of the pike, | :21:12. | :21:17. | |
they could not get it to work. A non-functioning fish meant the big | :21:18. | :21:21. | |
money never arrived, just like the fictional victims of his killer fish | :21:22. | :21:26. | |
the film was dead in the water. But we want to resurrect The Pike for | :21:27. | :21:31. | |
one small scene. We asked Joan Collins to star and surprisingly she | :21:32. | :21:37. | |
was unavailable so we have enlisted local actors and the original pike | :21:38. | :21:41. | |
to help us recreate a scene from the film which never was. It features | :21:42. | :21:48. | |
Cliff's might and Joan Collins's character Emma stranded on the water | :21:49. | :21:52. | |
at night, sitting ducks for the pike. I am getting frightened. Is | :21:53. | :21:58. | |
there a distress pistol on board? . It! Get on your feet and hang on for | :21:59. | :22:10. | |
dear life! It's hitting the whole again! Hold tight! | :22:11. | :22:23. | |
You are a brave girl, the bravest. APPLAUSE | :22:24. | :22:35. | |
Got to be done, got to be done. Alex Riley is here because not only is | :22:36. | :22:39. | |
here a big fan but he has a lot of information about other preposterous | :22:40. | :22:44. | |
films which were not made. Yes and there are quite a few of them, get | :22:45. | :22:49. | |
some popcorn and enjoy my guide to almost made movies. | :22:50. | :22:58. | |
I am pleased with that. It went on about! Anyway, starting in the 60s, | :22:59. | :23:10. | |
John, George, Paul and Ringo had just made Help and needed help to | :23:11. | :23:16. | |
make another film. Lord of the rings, John Lennon as Gollum, Paul | :23:17. | :23:20. | |
McCartney as Frodo, Ringo as some eyes. And George Harrison as | :23:21. | :23:29. | |
Gandalf. Stanley Kubrick was approached to direct but... I am | :23:30. | :23:35. | |
looking at this like it could be real. It almost was. That is a | :23:36. | :23:41. | |
poster they made at the time! Well spotted! But they did not get the | :23:42. | :23:49. | |
rights to do it so it was vetoed. Could have made a great album. I | :23:50. | :24:04. | |
like this one. Salvador Dali, seal a stick -- it was difficult to pin | :24:05. | :24:07. | |
down what the plot was about but it did involve a 60 foot bed, lots of | :24:08. | :24:13. | |
candelabras, giraffes wearing gas masks, someone riding a bike with | :24:14. | :24:17. | |
loaves balanced on his head and presumably some horses and some | :24:18. | :24:21. | |
salad. He wanted to get the Marx Brothers to do it, apparently | :24:22. | :24:24. | |
Harbaugh was keen but never said anything! -- Harpo was keen but | :24:25. | :24:34. | |
never said anything! Doctor Who and the cricket men, they were an army | :24:35. | :24:40. | |
of killer androids who wanted to destroy all life on the universe. | :24:41. | :24:45. | |
Some of them escaped and they needed to get a key to let out the rest of | :24:46. | :24:49. | |
the Army, one of the parts of the key was the Ashes, the little urn. | :24:50. | :25:00. | |
It was something about the war they had being like a game of cricket. | :25:01. | :25:04. | |
Douglas Adams wrote the script, it was vetoed but some of the plot was | :25:05. | :25:12. | |
used in one chip -- in one of his hitchhiker 's books, do you like | :25:13. | :25:19. | |
that one? Out of all of them I like that on the best. We have got time | :25:20. | :25:23. | |
for the last one, look at lower slain! -- Lois Lane. Is this why | :25:24. | :25:40. | |
Nicholas Cage pulled out? Tim Burton came up with this, he get a fitting | :25:41. | :25:47. | |
of a costume and if you look with the hair, he looks just like Elmer | :25:48. | :25:53. | |
Bonham Carter! Tim Burton written all over it. Thank you very much | :25:54. | :25:59. | |
Alex. Time for a look through one of your windows as we continue our | :26:00. | :26:05. | |
series of films, a room with a view. This is the world as Priscilla sees | :26:06. | :26:06. | |
it. My name is Priscilla and this is my | :26:07. | :26:19. | |
view. My view, to me, means anything is possible. I live in a high-rise | :26:20. | :26:26. | |
council flat. Some might look at where I live and think it's actually | :26:27. | :26:31. | |
quite poverty ridden. I guess over the decades hits, it could have been | :26:32. | :26:37. | |
quite a dangerous place. The reason there is netting for people trying | :26:38. | :26:41. | |
to commit suicide, also burglaries. And as well the pigeons coming in. | :26:42. | :26:48. | |
When I look out here I can think a lot and I like coming here when I | :26:49. | :26:53. | |
cannot sleep. It's usually about four or 5am, before I have to go to | :26:54. | :26:59. | |
work, seen the sun come up, it is beautiful and it calms me right | :27:00. | :27:04. | |
down. When I first arrived I was really scared of heights but as time | :27:05. | :27:08. | |
went on I enjoyed coming out here. I bring my daughter out here as well. | :27:09. | :27:14. | |
I am the highest blot on the estate, if there is any trouble you can | :27:15. | :27:18. | |
definitely see it. My view teaches never to judge whether someone is | :27:19. | :27:24. | |
coming from. In my job as a social worker I come across different | :27:25. | :27:28. | |
lifestyles, different family dynamics. Doesn't matter where you | :27:29. | :27:33. | |
are, what you are, where have come from, you can be what everyone to be | :27:34. | :27:36. | |
and that is what I tell the children I work with and what I tell my own | :27:37. | :27:42. | |
child. 2016 has been a very challenging year for me and my | :27:43. | :27:47. | |
family. We have had a lot of bereavement. However my view has | :27:48. | :27:50. | |
always been a place for me during those times to come out here, | :27:51. | :27:56. | |
sometimes to sometimes to speak to those people that I no longer with | :27:57. | :28:01. | |
us, or have that moment for myself. I really love where I live. I come | :28:02. | :28:06. | |
out here and remember why I am where I am and encourage myself to push | :28:07. | :28:09. | |
forward. For me it is home. A big thank you to Priscilla and | :28:10. | :28:19. | |
good luck because we hear she went into Labour this morning! She did | :28:20. | :28:26. | |
not! Ukip that from the! -- you kept that from me! Good luck. She might | :28:27. | :28:34. | |
have had the baby! We tried to check. That's pretty much it, a big | :28:35. | :28:41. | |
thank you to Phillip Schofield! CHEERING | :28:42. | :28:42. | |
APPLAUSE Tomorrow myself and Adil Ray will be | :28:43. | :28:56. | |
joined by the great Sir David Attenborough. Have a lovely evening. | :28:57. | :29:00. | |
MUSIC: Jump Around by House Of Pain | :29:01. | :29:04. |