Browse content similar to 10/01/2012. Check below for episodes and series from the same categories and more!
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Hello, welcome to The One Show with Anita Rani... And Matt Baker. | :00:20. | :00:24. | |
Tonight's guest has played some pretty nasty baddies. He's been a | :00:24. | :00:29. | |
heartless thief, threatening to kill Harrison Ford's family... | :00:29. | :00:34. | |
murderous monk trying to kill Tom Hanks... And a nasty gangster. | :00:34. | :00:38. | |
latest character is an investment banker. Just saying! It's Paul | :00:38. | :00:46. | |
Bettany. Is that the general reaction you get when you tell | :00:47. | :00:51. | |
people you're playing an investment banker? No, it hasn't been. | :00:51. | :00:55. | |
wanted to stop the show with a happy birthday. This is a wonderful | :00:55. | :00:59. | |
picture from Beryl Flynn's 85th birthday party in Cardiff with the | :00:59. | :01:03. | |
family. A surrounded by her nearest and dearest. An astonishing 13 | :01:03. | :01:10. | |
children, 48 grandchildren and 73 great-grandchildren. Birthdays and | :01:10. | :01:13. | |
remembering names must be a nightmare. Can you imagine that a | :01:13. | :01:20. | |
family that be? It's ridiculous! It is a bit like my Christmas. We have | :01:20. | :01:26. | |
this place up in Vermont, and I invite the whole of England, all of | :01:26. | :01:31. | |
my friends over. Did you do that this Christmas? Yes, we had about | :01:31. | :01:37. | |
25 people living there for about two weeks. We do all of the cooking | :01:37. | :01:41. | |
and cleaning. It is like running a hotel, it's a nightmare. I'm not | :01:41. | :01:45. | |
doing it any more. I wish you had brought a picture. We are asking | :01:45. | :01:49. | |
the viewers to send in pictures of your big family get-togethers. We | :01:49. | :01:53. | |
will show the best ones at the end of the programme. We had a picture | :01:53. | :01:58. | |
of your lovely family, there. That is a little bit bigger with the | :01:58. | :02:04. | |
addition of Agnes? Yes. A beautiful. And you're beautiful, Oscar-winning | :02:04. | :02:09. | |
wife, Jennifer Connelly. We'll be talking more about Paul's new film, | :02:09. | :02:13. | |
Margin Call, later forced of Birmingham has been included in a | :02:13. | :02:17. | |
list of the top places to visit in 2012 by the New York Times, a local | :02:18. | :02:20. | |
paper, because of its brilliant restaurants. | :02:20. | :02:24. | |
In a moment we will be talking to the City's curry king, on a | :02:24. | :02:27. | |
controversial subject raging through the industry. Simon Boazman | :02:28. | :02:31. | |
has been to another: Re Capital to investigate the hottest of hot | :02:31. | :02:40. | |
topics. -- culinary capital. This is Demi from Yorkshire. She is | :02:40. | :02:44. | |
taking part in the challenge of a lifetime. I think I can cook a | :02:44. | :02:51. | |
curry as good as anybody. But this man thinks he can do better. Are | :02:51. | :03:00. | |
you confident? I certainly am. are getting ready for a curry off. | :03:00. | :03:10. | |
:03:10. | :03:13. | ||
Demi is trained, but he's got curry in his DNA. We've got a lot of | :03:13. | :03:17. | |
cooks from Bangladesh, Pakistan and India in the UK. There are plans to | :03:17. | :03:21. | |
replace them with people from non Asian backgrounds, but it's not to | :03:21. | :03:24. | |
everybody's taste. A tough immigration laws mean that | :03:24. | :03:27. | |
restaurants are finding it harder to source their chefs, so they are | :03:27. | :03:33. | |
having to turn closer to home. But can local chefs be taught the | :03:33. | :03:38. | |
flavours of Asia? Chris Grayling thinks so. To go with my colleague, | :03:38. | :03:42. | |
Eric Pickles, I have been in discussions about getting a curry | :03:42. | :03:47. | |
college up and running. We are keen to see home-grown chefs with the | :03:47. | :03:49. | |
kind of chef's skills that we have had to import from other parts of | :03:49. | :03:57. | |
the world. We want skills to be developed here. Ahmed has three | :03:57. | :04:00. | |
restaurants and employs 100 staff. He thinks that chefs from overseas | :04:00. | :04:05. | |
have that extra ingredient. Do you think somebody that grow up on a | :04:05. | :04:08. | |
Western diet can make a good, authentic curry? I would like to | :04:08. | :04:13. | |
think so, but I don't think it's possible. It's just the cultural | :04:13. | :04:16. | |
background and experience. If you have grown up with a certain diet, | :04:16. | :04:20. | |
that does not consist of spice and flavour that we using Asian cooking, | :04:20. | :04:29. | |
that will always be missing. This country, I've not got it around my | :04:29. | :04:32. | |
head how we cover that. Whether we send students overseas or something, | :04:32. | :04:37. | |
I don't know. Now, he believes that those brought up on a Western diet | :04:37. | :04:41. | |
will not have the sense of spice that is required to be a top Asian | :04:41. | :04:45. | |
chef. But there is a college just 500 metres from his restaurant that | :04:45. | :04:48. | |
believes they can produce the next generation of curry chefs, no | :04:48. | :04:52. | |
matter where they are from. The International Food Academy at | :04:52. | :04:55. | |
Bradford College of trains chefs of all races and nationalities how to | :04:55. | :05:00. | |
cook dishes from all over the world. We are an international food | :05:00. | :05:06. | |
Academy, we teach all sorts of things. We get experts to help us. | :05:06. | :05:12. | |
Today, we have someone from a highly acclaimed restaurant. She is | :05:12. | :05:16. | |
teaching students Asian cookery. wife was cooking from the age of | :05:16. | :05:20. | |
six. It's one hell of a learning curve. She trained at Bradford | :05:20. | :05:23. | |
College, she learned professional cooking and health and safety, so | :05:23. | :05:29. | |
it is a complete circle. Bradford the other day, two guys | :05:29. | :05:32. | |
were talking about the Spice combination that should be in a | :05:32. | :05:37. | |
bhuna. Here is the punchline, one was English and one was Polish. | :05:37. | :05:42. | |
That is Bradford for you! We are not talking about the colour of | :05:42. | :05:46. | |
people's skin, everybody likes curry here. Demi is one of the star | :05:46. | :05:50. | |
pupils. The single mother has never set foot in the Indian sub- | :05:50. | :05:54. | |
continent, but she believes she has got what it takes to make a | :05:54. | :05:58. | |
brilliant career. Do you think you could make a career as good as a | :05:58. | :06:03. | |
Pakistani or Bangladeshi chef? the right training and help, yes. | :06:03. | :06:08. | |
So, she thinks she is good enough to be a professional chef. They are | :06:08. | :06:12. | |
short of a chef or two, so the answer seems to be obvious. But is | :06:12. | :06:17. | |
she good enough? Well, as Gregg Wallace would say, curry cooking | :06:17. | :06:27. | |
:06:27. | :06:29. | ||
does not get any tougher than this. We have sent Demi and an apprentice | :06:29. | :06:34. | |
a traditional dish to make, using the same recipe. But the experience | :06:34. | :06:38. | |
gap is huge. This is the second day of me doing this, they have been | :06:38. | :06:42. | |
doing it a lifetime. As long as they say it is on the right spot or | :06:42. | :06:47. | |
whatever, yes. Were you having these spices in your food from an | :06:47. | :06:53. | |
earlier age? Yes. So, two days practice, compared to a lifetime. | :06:53. | :06:57. | |
This is going to be tough board Demi. The moment of truth. For | :06:57. | :07:03. | |
fairness, we are blindfolded and we are fed the dishes. It tastes nice, | :07:03. | :07:13. | |
This one is really nice. Which one would you want to serve at the | :07:13. | :07:19. | |
restaurant? They are both good. I think it would be... The first one. | :07:19. | :07:29. | |
They were both really good. At one had slightly more fake -- flavour, | :07:29. | :07:33. | |
but they were both good. Maybe with a little bit of trading, Demi could | :07:33. | :07:37. | |
get a job? A bit more practice and experience, of course. In the right | :07:38. | :07:45. | |
hands. Well, in the right hands. Love that, curry and Bradford | :07:45. | :07:50. | |
rolled into one. A perfect film. We mentioned that the New York Times | :07:50. | :07:53. | |
is wreck -- recommending that people does it Birmingham to sample | :07:53. | :08:00. | |
the food. In particular, Aktar Islam's restaurant. Congratulations. | :08:00. | :08:05. | |
Did you know they had come round and sampled your food? No. We had | :08:05. | :08:08. | |
an image request, they said they would send a photographer. We | :08:08. | :08:14. | |
didn't know what it was far. A lot of times you hope it will be good, | :08:14. | :08:18. | |
and it is. Do you need to have lived and breathed curry to make a | :08:18. | :08:23. | |
decent one? It gives you a head start. With any cuisine, it is | :08:23. | :08:29. | |
about passion and love for it. With effort, that, and time, anybody can | :08:29. | :08:37. | |
master it. Of course, Gordon Ramsey has been here, so you don't want to | :08:37. | :08:43. | |
say that anyone from here cannot master a curry? Come on, you lie a | :08:43. | :08:47. | |
curry fan command you? You have had European and Asian chefs in your | :08:47. | :08:53. | |
restaurant, have they been equally as good? Everybody has their | :08:53. | :08:56. | |
different skill sets. European chefs, I have had friends that have | :08:56. | :09:00. | |
spent time in my kitchen and taken certain elements away. They are | :09:00. | :09:04. | |
doing that really well. To do it in the entirety, you need years and | :09:04. | :09:10. | |
years of experience. Anyone can do it, it is just time. It is | :09:10. | :09:18. | |
beautiful. It is venison? It is teatime. He is obviously hungry. | :09:18. | :09:25. | |
my God! Everybody just shut up! I live in New York, there is no good | :09:25. | :09:32. | |
curry. Just be quiet, everybody. Birmingham might miss me. But we | :09:32. | :09:38. | |
have got venison, from her Royal Highness's Balmoral estate. We have | :09:38. | :09:48. | |
:09:48. | :09:48. | ||
pumpkin, gravy, caramelised shallots. Well, it has his seal of | :09:48. | :09:53. | |
approval. Apparently it is going to New York. I will book my ticket. | :09:53. | :10:02. | |
Wow! He is picking up the bill, anyway. Do you want to get married? | :10:02. | :10:07. | |
Well, our official small Ireland Correspondent Ben Fogle has been on | :10:07. | :10:13. | |
his travels again. Tonight, he is in Argyll and Bute, looking at a | :10:13. | :10:23. | |
:10:23. | :10:24. | ||
mysterious island that holds a Just a few miles off the west coast | :10:24. | :10:29. | |
of Scotland lies the island of Daavar Island. At low tide, it is a | :10:29. | :10:35. | |
short walk across this natural spit. There is little to distinguish it | :10:35. | :10:41. | |
from any number of rocky outcrops along the coast. Apart from a | :10:41. | :10:45. | |
caretaker, the Ireland's only other inhabitants are wild goats and a | :10:45. | :10:51. | |
flock of sheep. But back in August 1887, hundreds of people flocked | :10:51. | :10:57. | |
here to what had all the hallmarks of a miracle. It was an astonishing | :10:57. | :11:03. | |
sight. The discovery was made by a yachtsman, sheltering in one of the | :11:03. | :11:09. | |
caves. He had come in to light his pipe, out of the wind and rain. | :11:09. | :11:12. | |
What he saw by the light of his flickering match made him feint on | :11:12. | :11:21. | |
the spot. The very next day, as news spread to the mainland of this | :11:21. | :11:25. | |
mysterious discovery, curious townsfolk from Campbeltown crossed | :11:25. | :11:31. | |
the water along here to see for themselves what the yachtsman had | :11:31. | :11:37. | |
discovered. As they crowded into the cave, they could not believe | :11:37. | :11:42. | |
their eyes. On the wall, in front of them, was a life-sized image of | :11:42. | :11:50. | |
Christ. Just imagine what the locals would have made of this 125 | :11:50. | :11:56. | |
years ago. Back then, they were God-fearing folk. The appearance of | :11:56. | :12:01. | |
an 8 foot painting of the Son of God innate cave caused quite a stir. | :12:02. | :12:08. | |
Like the weeping statues in Ireland, this was seen as a profound | :12:08. | :12:14. | |
Christian message. In short, it was a miracle. The news spread like | :12:14. | :12:19. | |
wildfire. People came from across the country on pilgrimages to see | :12:19. | :12:24. | |
for themselves this mysterious painting. But one local man knew | :12:24. | :12:30. | |
that this was no miracle. This was not the work of God. Archibald | :12:30. | :12:36. | |
Heikkinen was the local art teacher. And he had a secret. This was his | :12:36. | :12:42. | |
handiwork. Archibald maintains that he woke in the morning and he first | :12:42. | :12:46. | |
started to paint from a dream in which he had seen our saviour in | :12:46. | :12:52. | |
this setting, on that particular wall. Surreptitiously, over the | :12:52. | :13:00. | |
summer months of 1887, he created this painting. Nobody knew that he | :13:00. | :13:06. | |
had done it. The concept was she her genius, finding this site and | :13:06. | :13:12. | |
putting that image on it. It is world class. Archibald had used | :13:12. | :13:15. | |
school supplies to paint the picture. He was worried he might be | :13:15. | :13:20. | |
done for theft. He left his home for a new life, South of the Border | :13:20. | :13:25. | |
in England. Only there, far from the island, did he pluck up the | :13:25. | :13:30. | |
courage to reveal that he was the mysterious painter. Ever since the | :13:30. | :13:35. | |
original picture in 1887, local Campbeltown art teachers have been | :13:35. | :13:38. | |
caring for the painting, retouching it and protecting it from the | :13:38. | :13:45. | |
elements. John McCamley, in the 1950s, John McKinnon Crawford in | :13:45. | :13:54. | |
the 1960s, and bomblets told Mary since the 1970s, each adding a | :13:54. | :14:01. | |
remark. Archibald came back to retouch it in June 1994. He | :14:01. | :14:06. | |
returned to a hero's welcome, a far cry from the simmering anger of | :14:06. | :14:09. | |
1887. He died less than a year after the final visit. But he will | :14:10. | :14:15. | |
never be forgotten. Archibald not only left an indelible mark on the | :14:15. | :14:25. | |
:14:25. | :14:26. | ||
walls of the cave, but in the pages A remarkable story. Isn't it | :14:26. | :14:31. | |
absolutely incredible. Are you an outdoors man or more like a City | :14:31. | :14:35. | |
slicker like your character in Margin Call? I am a city boy. But | :14:35. | :14:42. | |
my wife loved the outdoors. Consequently, I do a lot of hiking. | :14:42. | :14:48. | |
I mean, proper hiking up in the mountains. Her reason for that is | :14:48. | :14:54. | |
that you never get paparazzi up there. If you do, you can kill them | :14:54. | :15:00. | |
and bury them and nobody would ever know. That is Vermont? Well, we | :15:00. | :15:05. | |
have a place that we go to in Vermont. But there is so much great | :15:05. | :15:08. | |
hiking to be done in America. One of the great things about America | :15:08. | :15:13. | |
is the outdoors. It's great for the kids, as well. You have come up | :15:13. | :15:16. | |
with an interesting way of dividing up the babysitting duties, haven't | :15:16. | :15:26. | |
:15:26. | :15:30. | ||
We try and do it one on at one off, which is simple, but hardly ever | :15:30. | :15:35. | |
works. There last film is a good example of it not working. Yes, it | :15:35. | :15:40. | |
didn't work. The movie I am talking about tonight, he came up, it was a | :15:40. | :15:46. | |
great script and she was working in Michigan and I met the director and | :15:46. | :15:49. | |
I really wanted to do it, because it had Kevin Spacey in, and I | :15:49. | :15:54. | |
really wanted to do it. Their work night time shoots, so consequently | :15:54. | :16:00. | |
I had my kids on the set with main -- for their work night-time shoots. | :16:00. | :16:05. | |
It was a tiny movie and I had this little office space in the trading | :16:05. | :16:10. | |
floor we were shooting on. I had an inflatable mattress in there with | :16:10. | :16:16. | |
my kids sleeping in their, and my dog... The life of a Hollywood | :16:16. | :16:23. | |
actor, sleeping on a Lilo with a dog. I would go out for breakfast | :16:23. | :16:28. | |
in the morning, go and run the dock ragged for a bit, and then go and | :16:28. | :16:32. | |
get some sleep and then let the kids play too many computer games. | :16:32. | :16:39. | |
The cast is incredible. Kevin Spacey, and just before you think | :16:39. | :16:49. | |
:16:49. | :16:50. | ||
it is all over, Jeremy Irons turns up. And Demi Moore. Tell us what it | :16:50. | :16:57. | |
is about. It is about the crash, the financial crash of 2008. Don't | :16:57. | :17:06. | |
let that put you off though. It takes the form of a thriller and it | :17:06. | :17:13. | |
is a kid's who discovers that the formula they have been using his | :17:13. | :17:19. | |
fundamentally flawed and is not working and that they are actually | :17:19. | :17:22. | |
so lathered up that they have borrowed more than the company is | :17:22. | :17:28. | |
worth. It is told from the bankers perspective, which makes you put it | :17:28. | :17:31. | |
in a different light. He was a little clip of how you spend the | :17:31. | :17:41. | |
:17:41. | :17:45. | ||
money in your Lavis lifestyles. The mortgage takes 300 grand, and I | :17:45. | :17:52. | |
send 150 home for my parents. So what is that? 800. I spend 150 on a | :17:52. | :18:01. | |
car. 75 on restaurants, 50 on close, I put 400 away for a rainy day. | :18:01. | :18:06. | |
Smart as it turns out, because it looks like the storm is coming. | :18:06. | :18:10. | |
does sound like he has a ridiculous amount of money, but you do feel | :18:10. | :18:14. | |
sorry for these guys when you watch. What has been the reaction from the | :18:14. | :18:21. | |
bankers? I don't know. They feel it is a fairly fair portrayal and I | :18:21. | :18:27. | |
think the film makes people who are not bankers justifiably angry. I | :18:27. | :18:31. | |
went to meet a lot of these guys, and I shadowed a guy that did the | :18:32. | :18:35. | |
job I am pretending to do, and you have a preconception of how they | :18:35. | :18:40. | |
will be, but you get in there and go into the office and there are | :18:40. | :18:44. | |
pictures of their kids, they are married, and they have mortgages. | :18:44. | :18:49. | |
It is confounding, but there is a truth. They do talk about toxic | :18:49. | :18:53. | |
assets and may have this jargon that distances them from the | :18:53. | :18:59. | |
reality, and that reality is that eight toxic -- a toxic asset is | :18:59. | :19:02. | |
someone defaulting on their mortgage and being thrown out of | :19:02. | :19:07. | |
their house and they are distant from that. It is a brilliant script, | :19:07. | :19:12. | |
brilliantly acted. We really enjoyed it. Margin Call is in | :19:12. | :19:16. | |
cinemas this Friday. Now, for 75 years, the 999 service has been | :19:16. | :19:19. | |
helping people faced with life or death situations. But a quarter of | :19:19. | :19:22. | |
calls don't turn out to be real emergencies. This has prompted the | :19:22. | :19:25. | |
police to launch a new phone line across England and Wales, and Lucy | :19:25. | :19:35. | |
:19:35. | :19:50. | ||
Siegle's been given exclusive Let's be clear, if you need a taxi, | :19:50. | :19:54. | |
cooking advice or rescue a pigeon, you should not call 999. It sounds | :19:54. | :20:00. | |
obvious, but those are real-life examples. In Brighton, 999 call | :20:01. | :20:05. | |
handler Tim it is on a busy shift. What are some of the more | :20:05. | :20:08. | |
ridiculous calls you have dealt with? My gerbil is giving birth. | :20:08. | :20:15. | |
Mike Catt is ill. Burst water pipe. If only someone had not rung the | :20:15. | :20:19. | |
number of a Peter being late, we could have answered the real court | :20:19. | :20:25. | |
later -- their dinner being late. This business is happening now, so | :20:25. | :20:30. | |
do they need a blue right -- blue light response? The government is | :20:30. | :20:34. | |
launching a new non-emergency number, 101, across England and | :20:34. | :20:38. | |
Wales. For the first time there will be an easily memorable number | :20:38. | :20:42. | |
that people can ring if they want to get hold of the police but it is | :20:42. | :20:46. | |
not an emergency. So it is not watering down the 999 system? | :20:46. | :20:51. | |
will still be available. If they ring the non-emergency number and | :20:51. | :21:01. | |
:21:01. | :21:11. | ||
the police judge it is an emergency, I am about to see how the police | :21:11. | :21:14. | |
respond to 101 calls on patrols. This telephone call came in about | :21:14. | :21:18. | |
three hours ago, and now he has gone missing and his wife cannot | :21:18. | :21:21. | |
find him, we can see that that is an emergency because she does not | :21:21. | :21:27. | |
know where he is or he might get lost. 999 is just when you need the | :21:27. | :21:30. | |
police immediately. Luckily the missing person was found before | :21:30. | :21:35. | |
nightfall and the officers spoke to him and caught up with his wife. | :21:35. | :21:39. | |
many people are dialling 999 and getting in a way of real | :21:39. | :21:43. | |
emergencies. How did the police respond, do you think? They were | :21:43. | :21:48. | |
marvellous. They alerted all the bus drivers and a bit later two | :21:48. | :21:52. | |
police officers came up here and spoke to me. Did you feel more | :21:52. | :21:58. | |
comfortable? Using that number? did, really. It has all worked out | :21:58. | :22:03. | |
very well. I absolutely wonderfully. A happy ending in the end. Lucy, to | :22:03. | :22:10. | |
clear it up, what is the difference between 101 and 9999? 999 is when | :22:10. | :22:14. | |
you need the police there. That is a blue light emergency situation. | :22:14. | :22:17. | |
Someone who was a criminal is still in the house, of violent struggle | :22:17. | :22:23. | |
is going on, someone is in danger, something the police can do if they | :22:24. | :22:28. | |
get there. One no one is when there is not an immediate danger to you | :22:28. | :22:33. | |
or another member of the public -- won a one is when there is no. | :22:33. | :22:36. | |
Suppose your house had been burgled a week before while you're on | :22:36. | :22:40. | |
holiday, it might seem like an emergency to you, but the police | :22:40. | :22:43. | |
cannot do anything of their war then. It is also for ongoing | :22:44. | :22:47. | |
problems like anti-social behaviour and things you need to talk to the | :22:47. | :22:50. | |
police about the there is no point coming there and then. It is about | :22:50. | :22:55. | |
taking pressure off the system. I should say the one A1 at number | :22:55. | :23:01. | |
costs 15 p, but it is a flat rate number -- will 101 and number. | :23:01. | :23:06. | |
if you call and it is an emergency? Having been in both call centres, I | :23:06. | :23:10. | |
can tell you these are experts and if they hear a call that they think | :23:10. | :23:15. | |
is an emergency, they will upgrade it. All the time they are listening | :23:15. | :23:18. | |
for signs it is an emergency, so do not worry that it will not be | :23:18. | :23:23. | |
upgraded. While You were Here, you will last the viewers for some help. | :23:23. | :23:27. | |
We have had various stories about councils switching of street | :23:27. | :23:30. | |
lighting at certain times to save money, and we want to look further | :23:30. | :23:34. | |
into the story. If this is happening in your area, we would | :23:34. | :23:38. | |
love to know about it. Please get in touch with us with details, and | :23:38. | :23:42. | |
the e-mail addresses on the screen now. Arthur Smith likes to sleep | :23:42. | :23:46. | |
over at famous people's houses for The One Show. But on his latest | :23:46. | :23:49. | |
visit he wasn't too pleased to be offered the couch for the night. | :23:49. | :23:51. | |
That was until he realised the house belonged to legendary | :23:51. | :24:01. | |
:24:01. | :24:02. | ||
If in 1938, the London suburb of Hamstead became one of the RFU's -- | :24:02. | :24:07. | |
refuge of one of the great men of the 20th century, Sigmund Freud, | :24:07. | :24:10. | |
the father of psychoanalysis. Tonight I am sleeping in his own | :24:10. | :24:15. | |
house, and given that his master work is a book called the | :24:15. | :24:19. | |
Interpretation of dreams, I hope that my own dreams will have added | :24:19. | :24:26. | |
intensity and we shall interpret them in the morning. Now a museum, | :24:26. | :24:31. | |
this was Freud's sanctuary. Aged 82, he had escaped from Nazi | :24:31. | :24:38. | |
persecution in Vienna. He brought his family here to north London | :24:38. | :24:46. | |
where he could live out his days in Freud had begun his career working | :24:46. | :24:50. | |
with a scalpel and a microscope in the field of Neurology. But his | :24:50. | :24:56. | |
fascination with the mind led him to a new kind of treatment, which | :24:56. | :24:59. | |
she called Psycho analysis. Freud believed that if you have a problem, | :24:59. | :25:06. | |
you should talk about it -- he called psychoanalysis. He uncovered | :25:06. | :25:10. | |
the thoughts of the 20th century, the way that human beings were not | :25:10. | :25:16. | |
people who performed calculatingly, they had an unconscious, they were | :25:16. | :25:21. | |
prone to a rational forces. His great invention was that the | :25:21. | :25:25. | |
patient would lie down and start talking, and in that process of | :25:25. | :25:30. | |
what he called Free Association, talking randomly and allowing the | :25:30. | :25:35. | |
unwitting to emerge, somehow, a deeper picture of what was | :25:35. | :25:42. | |
troubling the individual would come out. This is where it happened, | :25:42. | :25:47. | |
Freud's consulting couch, where his patients lay and revealed their | :25:47. | :25:51. | |
deepest all. Freud, meanwhile, sat in the original psychiatrist's | :25:51. | :25:59. | |
Chair, out of sight, making notes. Freud continued to see four | :25:59. | :26:03. | |
patients a day in England, but his work was restricted by illness. A | :26:03. | :26:07. | |
heavy cigar smoker all his life, he had a mouth cancer and was in a | :26:07. | :26:11. | |
great deal of pain. Despite poor health, Freud was very sociable | :26:11. | :26:17. | |
when he was here. He received many eminent guests. The writer H G | :26:17. | :26:23. | |
Wells was a friend and came for tea, as did Virginia Woolf. And the | :26:23. | :26:27. | |
artist Salvador Dali, who penned this sketch. Apparently Salvador | :26:27. | :26:31. | |
Dali saw Freud's brain as being like a snail. His brain, he said, | :26:31. | :26:36. | |
is in the form of a spiral. I guess from Salvador Dali that was a kind | :26:36. | :26:41. | |
of compliment. Freud is often portrayed as stern and unsmiling, | :26:41. | :26:45. | |
but he had a much softer and humorous side. He was a father of | :26:45. | :26:53. | |
six, a great family man and loved his home life. His son inherited | :26:53. | :26:58. | |
the house, and he said it was the most beautiful house they had ever | :26:58. | :27:02. | |
lived in. Their future Myhrer of England, loved it, thought it was | :27:02. | :27:07. | |
the language of -- the land of freedom -- he was a huge admirer of | :27:07. | :27:12. | |
England. He loved reading fiction and read a few pages every night to | :27:12. | :27:16. | |
get into a dream of mood. You have heard of Freudian slips. But these | :27:16. | :27:22. | |
are Freudian slippers. I think they are going to keep me nice and comfy | :27:22. | :27:28. | |
for the overnight stay. Freud said that the interpretation of dreams | :27:28. | :27:31. | |
is the royal road to knowledge of the unconscious activities of the | :27:31. | :27:41. | |
:27:41. | :27:45. | ||
mind. So let's see what is in my Good morning. I'm not sure what | :27:45. | :27:51. | |
expressions of the subconscious I had, but a child could tune I | :27:51. | :27:56. | |
remembered coming into my head. I wish I was a spaceman, the fastest | :27:56. | :28:01. | |
guy alive. I'm not sure what that means, but if anyone could explain | :28:01. | :28:10. | |
it, it probably would have been Thanks, Arthur. Lovely Freudian | :28:10. | :28:14. | |
slippers. Earlier we asked you for pictures of your big families and | :28:14. | :28:18. | |
you have not disappointed. You have crashed at the BBC e-mail system. | :28:18. | :28:23. | |
Unbelievable. We managed to get these before it went down. Paul, | :28:23. | :28:28. | |
start us off. This is from Robert Ward, and their location is unknown. | :28:28. | :28:32. | |
You could do that with your family. You can get into decent -- | :28:32. | :28:40. | |
different positions when you're in Vermont. Different shapes! Here is | :28:40. | :28:44. | |
a family at a wedding in 2008. Absolutely beautiful. Very nice. | :28:44. | :28:49. | |
This is from Stephanie Johnson celebrating her grandmothers 60th | :28:49. | :28:56. | |
birthday in Malaga. Wicked! The Wilson family from Aberdeen in | :28:56. | :29:00. | |
Boxing Day 2011. That is from Kathleen. This is Jack from | :29:00. | :29:04. | |
Northern Ireland with his family, having a super time. Sent in by | :29:04. | :29:13. | |
John, thank you very much. Paul, thank you ever so much indeed. | :29:13. | :29:18. |