Browse content similar to 10/01/2013. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. And fresh from her | :00:23. | :00:28. | |
Comic Relief visit to Malawi, look who's back, Alex is here! So nice | :00:28. | :00:33. | |
to be back. It was a sobering experience for the top of the year. | :00:33. | :00:39. | |
I'm sure. Where's your tan? Sorry. Hang on, who's that mystery voice | :00:39. | :00:43. | |
that we haven't introduced yet? Well, our guest tonight, you | :00:43. | :00:48. | |
wouldn't want to be next to him in a hotel. No he's forever holding | :00:48. | :00:51. | |
parties in his room with laughter every Friday night. You wouldn't | :00:51. | :00:57. | |
want to stay in room 102. You've seen him, it's that funny bloke | :00:57. | :01:03. | |
from Room 101, Frank Skinner. APPLAUSE | :01:03. | :01:11. | |
Sorry. I went early. I started about 6.55, I was hilarious then. | :01:11. | :01:16. | |
You two had a little meeting on the show. Yeah we did. Hold it. We did, | :01:16. | :01:22. | |
yeah. Alex.show. She did Room 101. She put you in Matt. You never | :01:22. | :01:30. | |
mentioned that. You, the BBC. The English. Don't say things like that. | :01:30. | :01:34. | |
No, she didn't. I did have good choices. You didn't pick any of | :01:34. | :01:38. | |
them in fairness. You picked the seagull, which is one of the | :01:38. | :01:44. | |
noblest of creatures. I'm sorry, it's flying vermin. This is why we | :01:44. | :01:48. | |
don't like them. They do things like this. They nick people's | :01:48. | :01:53. | |
sandwiches and live for 40 years, which is the worst bit. They chase | :01:53. | :01:58. | |
dogs which is brilliant. They're a postman all -- there are postmen | :01:58. | :02:06. | |
going "hooray ". John Craven, I can't believe he put the marrow in | :02:06. | :02:13. | |
there. Yes, a cub trifile person. Every -- Countryfile person. | :02:13. | :02:18. | |
couldn't believe it. He always turns up with fruit and veg. | :02:18. | :02:22. | |
way, now the last few weeks in Belfast has fallen back into the | :02:22. | :02:26. | |
type of street violence not seen in many years. Families, businesses | :02:26. | :02:30. | |
and tourists have enjoyed over a decade of relative peace. Has their | :02:30. | :02:40. | |
:02:40. | :02:43. | ||
faith in the new Belfast been It seems like this -- it's scenes | :02:43. | :02:46. | |
like this that the people of Northern Ireland had hoped were | :02:46. | :02:49. | |
consigned to the past. With the protest with no sign after baiting | :02:49. | :02:51. | |
here, I've come to find out the impact on the everyday people of | :02:52. | :02:57. | |
Belfast. The morning after, I head back to the scene of last night's | :02:57. | :03:05. | |
disturbances. Like most people in this part of East Belfast, chip | :03:05. | :03:09. | |
shop manager Stuart diz agrees with the decision to restrict the flying | :03:09. | :03:14. | |
of the flag. At the moment we're down about �2,000 a week on average. | :03:14. | :03:19. | |
That's over the whole six weeks. One example would be last Saturday. | :03:19. | :03:24. | |
We were actually down �1,000 in one day. We actually had to close the | :03:24. | :03:27. | |
doors because they were rioting outside the front of shop. People | :03:27. | :03:32. | |
are afraid to come out and are afraid to come this side of town. | :03:32. | :03:35. | |
Now that is really interesting, because you would think a riot | :03:35. | :03:40. | |
happens for a couple of hours in the evening, how can that have an | :03:40. | :03:44. | |
impact on businesses? But Stuart says his business is down by 50% | :03:44. | :03:48. | |
because people are too scared to come down this road. | :03:48. | :03:52. | |
The protests may be limited to just a handful of flash points, but | :03:52. | :03:56. | |
their impact has been felt in the wider community. In the city centre, | :03:56. | :04:00. | |
many shops and restaurants have seen customers staying away, while | :04:00. | :04:03. | |
business leaders estimate the recent disturbances could have cost | :04:03. | :04:08. | |
the local economy up to �15 million. It has stopped me from coming into | :04:08. | :04:13. | |
town. I've been in a couple of times. The last time the buses were | :04:13. | :04:17. | |
cancelled and I had to walk from the town. I suppose I can see why | :04:17. | :04:22. | |
people wouldn't come down, but me personally, because I know the city, | :04:22. | :04:25. | |
it's only certain areas where the hassle is going on. It wouldn't put | :04:25. | :04:29. | |
me off. It does actually. We don't know whether we can get home at | :04:29. | :04:35. | |
night. Even at work, I work usually till about 6pm, I've had to leave | :04:35. | :04:38. | |
early to ensure I can get a bus home. Not everyone I talk to wanted | :04:38. | :04:42. | |
to be filmed. There was concern that the protests will escalate. | :04:42. | :04:46. | |
That would be bad news for those who've benefited from the rising | :04:46. | :04:50. | |
visitors since the peace process began, like Joe Turner who runs bus | :04:50. | :04:53. | |
tours. It's already had quite an impact on our business. The | :04:53. | :04:58. | |
weekends at this time of year would be when we earn a lot of our money. | :04:58. | :05:02. | |
We've found that I lot of people are stay ago way because of it. | :05:02. | :05:07. | |
the riots continue, what could that mean for the future? For us, it | :05:07. | :05:12. | |
could be diabolical. It would put us out of business. The sight- | :05:12. | :05:16. | |
seeing business within Belfast is tailing off at moment as it is. | :05:16. | :05:18. | |
Politicians on all sides have condemned the violence and say | :05:18. | :05:23. | |
they're trying to find a solution. That can't come quick enough for | :05:23. | :05:28. | |
this restaurant owner. We lost the lunch time business on the days the | :05:28. | :05:31. | |
protests have been held. We've had cancellations ats the nighttime. | :05:32. | :05:35. | |
What's happened hasn't been about people being afraid to come into | :05:35. | :05:39. | |
the city centre, it's the hassle factor. People are thinking, can I | :05:39. | :05:43. | |
get a bus home or a taxi home? do you say to those thinking of | :05:43. | :05:46. | |
coming to Northern Ireland for the weekend? Please come. You'll have a | :05:46. | :05:50. | |
ball. You won't see any trouble at all. You'll have a fantastic time | :05:50. | :05:55. | |
and it's great value. Many people we've spoken to agree with Bob. But | :05:55. | :05:58. | |
the hassle factor is most frustrating. Though most want the | :05:58. | :06:03. | |
violence to stop, Belfast is trying to get on with life as normal. | :06:03. | :06:10. | |
Simon's here. Back in the 90s you stayed next to the Royal Opera | :06:10. | :06:13. | |
House which had just been bombed. Yeah, in those days, I don't know | :06:13. | :06:17. | |
if it was like it all the time, but it was like Bonfire Night. You know | :06:17. | :06:21. | |
that smoky smell? You used to get soldiers this those tanks, where | :06:21. | :06:27. | |
like a platform on the top. It was scary. But I think, one of the | :06:27. | :06:32. | |
problems with islands is if they stagger a bit, people think it's | :06:32. | :06:35. | |
going back to the old days. We have to stop thinking that and believe | :06:35. | :06:39. | |
in the process more. You've been over there, what were your | :06:39. | :06:43. | |
impressions then? I think it's important to point out there's a | :06:43. | :06:46. | |
lot of people being hurt by this trouble. But it is isolated to a | :06:46. | :06:52. | |
hand fl of very specific areas of the city. It's not everywhere. | :06:52. | :06:54. | |
People of Northern Ireland are quite resilient and humorous about | :06:54. | :06:58. | |
it. We were there on Tuesday night and along with the bricks and | :06:58. | :07:02. | |
bottles, there were a lot of golf balls thrown at the police by the | :07:02. | :07:08. | |
rioters. In the midst of the riot two little old ladies came walking | :07:08. | :07:13. | |
through the ranks of the riot. As they pass, all the media and police | :07:13. | :07:17. | |
cowering behind the armoured cars, the golf balls around them, one | :07:17. | :07:24. | |
said," Rory McIlroy is unhappy about something." Then carried on | :07:24. | :07:27. | |
their way. The cost to businesses is �15 million. There's a lot of | :07:27. | :07:32. | |
other costs involved as well. police already saying it's cost | :07:32. | :07:36. | |
them �7 million so far to deal with all this. But the real worry for | :07:36. | :07:40. | |
people in Northern Ireland is the cost to the wider economy. Along | :07:40. | :07:46. | |
with investors being put off... a big year as well. 2013 is meant | :07:46. | :07:52. | |
to be a big year for tourist with Derry being the City of Culture. | :07:52. | :07:57. | |
The Titanic museum is opening. A lot of hopes for this year. Now in | :07:57. | :08:01. | |
50 years' time, when telly is obsolete and The One Show is | :08:01. | :08:04. | |
downloaded straight into your brains, hopefully we can get your | :08:04. | :08:08. | |
little boy to do one of our growing up with films for us. Yes, that | :08:08. | :08:15. | |
would be brilliant. You don't even know what it is yet. I'm figure ing | :08:15. | :08:22. | |
will I be alive? We asked children of fame ougs personalities to talk | :08:22. | :08:29. | |
about their childhood. # I've got that photograph of you | :08:29. | :08:32. | |
# It's in my head # My father was Spike Milligan, who | :08:32. | :08:37. | |
was an expressive and wonderful genius, poet, compassionate, | :08:38. | :08:44. | |
vegetarian, lunatic, tea drinking, trumpet-playing, wonderful dad you | :08:45. | :08:53. | |
could possibly hope for. He wasn't an outrageous figure, but he was | :08:53. | :08:56. | |
very chilled and mellow, sensitive man. Around the house he liked | :08:56. | :09:03. | |
routine. He liked things to be very ordered. He was a soldier. We lived | :09:03. | :09:10. | |
in a very organised and tidy house, not a chaotic, eccentric genius' | :09:10. | :09:18. | |
house at all. I was born in the late 60s. He was at the peak of his | :09:18. | :09:23. | |
fame. I have three older siblings who are quite a bit older than me. | :09:24. | :09:28. | |
Their mum and our dad separated and my father gained custody of the | :09:28. | :09:34. | |
three kids, which was quite rare in those days. I'm glad he did, | :09:34. | :09:43. | |
because then I got to grow up with them. I went to the animal stare, | :09:43. | :09:48. | |
the birds and bees were there... had an intercom in our house. We | :09:48. | :09:53. | |
all had different numbers u, because it was quite big. He would | :09:53. | :09:58. | |
buzz you and say, "Come and hear this poem. I've written a good | :09:58. | :10:03. | |
poem." If I could write words like leaves on an Autumn forest floor, | :10:03. | :10:06. | |
what a bonfire my letters would make." | :10:06. | :10:11. | |
The children help me by the sheer simplicity and lovingness and not | :10:11. | :10:17. | |
wanting anything sceptd love or a story. When dad was down, he just | :10:17. | :10:26. | |
would rather see a little child than somebody complex. We were | :10:26. | :10:30. | |
privy to a lot of this so-called terrible depression which, when you | :10:30. | :10:35. | |
went into his room and it was all dark and he was in his pajamas, he | :10:35. | :10:39. | |
would give you the biggest smile. To me, I thought, he's in control | :10:39. | :10:49. | |
:10:49. | :10:53. | ||
This is Spike's last car, which he bought when he moved to Rye. He | :10:53. | :10:57. | |
bought it in bright yellow so that he'd be able to see it in the dark | :10:57. | :11:03. | |
he was a bit of a speed freak. He would park anywhere. He would leave | :11:03. | :11:07. | |
very funny messages or if he couldn't get somewhere, he would | :11:07. | :11:11. | |
drive all offer the pavement, which as a small child, I thought, was | :11:11. | :11:14. | |
brilliant. When I was about eight, my parents spotted this house which | :11:15. | :11:23. | |
was in need of a lot of work and they spent years doing it up. But | :11:23. | :11:26. | |
Spike wasn't very security conscious. The front door was often | :11:26. | :11:32. | |
not very well locked. He said the world was burglar mad and that kind | :11:32. | :11:38. | |
of behaviour attracted more fear. He wasn't a big locky up the house, | :11:38. | :11:43. | |
locky up the car kind of guy. It was a lovely place to grow up. We | :11:43. | :11:48. | |
were never bothered here. When we first moved in in 1974, all the | :11:48. | :11:51. | |
properties that they have built around, well it was mine, I was | :11:52. | :11:57. | |
just eight. I used to run wild. I was Tarzan. | :11:57. | :12:03. | |
My mum died when I was just short of my 12th birthday and I can | :12:03. | :12:08. | |
remember very clearly him sitting me down and saying right, now mum | :12:08. | :12:13. | |
is gone, I need to be with you more and so I'm going to come and work | :12:13. | :12:17. | |
from home, so we can be together more. He spoiled me rotten. We | :12:17. | :12:22. | |
spent a lot of time going to see live music and shows. He took me on | :12:22. | :12:25. | |
tour with him a couple of times as well. | :12:25. | :12:30. | |
# I've got this photograph of you... In the past ten years since he's | :12:30. | :12:36. | |
died, people have written things, focusing on his depression and his | :12:36. | :12:42. | |
difficult side. But look at what he left us. He left us incredible | :12:42. | :12:46. | |
writing and incredible humour. There's so much, isn't there, of | :12:46. | :12:52. | |
Spike, his legacy. Excuse me constable, have you seen the payoff | :12:52. | :12:57. | |
to this comedy sketch? That was no lady, that was my wife, going by on | :12:57. | :13:04. | |
a cycle. Thank you. How did he know I was a constable? What a lovely | :13:04. | :13:10. | |
film. Brilliant. Thanks so much to Jane for telling us her story. | :13:10. | :13:15. | |
She's turned out to be a chip off the old block, currently in Hansel | :13:15. | :13:18. | |
and Gretel in best fall. You went to an audience with Spike Milligan. | :13:18. | :13:22. | |
I did. What did you ask him? don't know if you know, this | :13:22. | :13:25. | |
audience with, they come up to you before and say would you ask a | :13:25. | :13:28. | |
question. Here's the question. He was about 70-odd at time. The | :13:28. | :13:32. | |
question was, "Can you remember the first time you made someone laugh | :13:32. | :13:37. | |
on purpose?" I said, is it good to have a the word "remember" in it | :13:37. | :13:42. | |
for a man in his 70s. They said, no he knows about. It he went yes? I | :13:42. | :13:46. | |
said, "Can you remember the first time you made someone laugh on | :13:46. | :13:53. | |
purpose?" And he went. Next question. I felt so terrible. That | :13:53. | :13:57. | |
was my one contact with Spike Milligan. It was a disaster. It | :13:58. | :14:03. | |
wasn't my fault. What was lovely is that you said after Jane's mum died | :14:03. | :14:06. | |
that he consciously spent more time at home to be with the children. Do | :14:06. | :14:10. | |
you feel like that now that you have Buzz. I hope my girlfriend is | :14:10. | :14:14. | |
not watching this. Now that you have Buzz... If I'd watched that | :14:14. | :14:18. | |
film a year ago, I'd have thought, that's a nice film and I was | :14:18. | :14:22. | |
actually watching it, and that bit with the little girl, it's really | :14:22. | :14:28. | |
made me sad. I like the idea that, if you're a comedian and a dad you | :14:28. | :14:32. | |
can use some of your professional skills to keep the kids. I'm doing | :14:32. | :14:37. | |
dances and stuff at home. I'm doing some of my less adult material. At | :14:37. | :14:47. | |
:14:47. | :14:49. | ||
But I wonder if Spike did all of that stuff? He probably did. | :14:49. | :14:55. | |
I'm sure. I saw footage of Charlie Chaplin, when he makes the bread | :14:55. | :14:59. | |
rolls dance. He did it at home with the kids. | :14:59. | :15:07. | |
I like my kids to see me do The One Show each morning. Yes, and | :15:07. | :15:14. | |
tomorrow, Countryfile. Who is going to be John Craven! Brilliant stuff. | :15:14. | :15:18. | |
As Frank is the gate keeper of Room 101, I know something that I'm sure | :15:19. | :15:23. | |
millions of people would love to put into it. It is of course the | :15:23. | :15:29. | |
winter vomiting bug, Norovirus. AKA hell. If you have not had it, | :15:29. | :15:34. | |
you are likely to know somebody who has. As we find out, we have | :15:34. | :15:38. | |
ourselves to blame. The number of Norovirus cases | :15:38. | :15:41. | |
jumped 72% over the Christmas period compared to last year. The | :15:41. | :15:45. | |
outbreak is showing no signs of slowing down. What we can do to | :15:45. | :15:51. | |
stop it spreading is to of course wash our hands. 99% of us claim to | :15:51. | :15:55. | |
wash our hands each time we visit the bathroom but is this really | :15:55. | :15:59. | |
true? Today we are finding out how clean the hands of people in | :15:59. | :16:03. | |
Manchester are. We are taking samples from the people here in the | :16:03. | :16:08. | |
city centre. Right, do I take this? We are testing for signs of faecal | :16:08. | :16:13. | |
matter. It is worth saying if you do test positive, it does not | :16:13. | :16:16. | |
necessarily mean you have not washed your hands. They could have | :16:17. | :16:20. | |
picked it up anywhere. When did you last wash your hands? | :16:20. | :16:26. | |
Six hours ago. Less than an hour. Three hours... About an hour ago. | :16:26. | :16:30. | |
Do you wash after going to the toilet? Yes. Yes. | :16:30. | :16:37. | |
Thank you for being so honest! I will not shake your hand now! No- | :16:37. | :16:42. | |
one is immune from the Norovirus, but it is the very young and the | :16:42. | :16:44. | |
elderly most vulnerable when they catch it. | :16:44. | :16:49. | |
This year we are in a much worse situation. We have seen 4,000 | :16:49. | :16:54. | |
reported cases. They are the tip of the iceberg. So that 4,000 | :16:54. | :16:57. | |
represents over 1 million people infected since the gaining of last | :16:57. | :17:00. | |
year. You can catch it easily? Yes, in a | :17:00. | :17:05. | |
number of ways. From touching a surface that is contaminated with | :17:05. | :17:10. | |
the virus. By eating food or drinking water contaminated by | :17:10. | :17:14. | |
somebody who is ill and in some circumstances inhaling drop let's | :17:14. | :17:19. | |
in the air that carry the infection. Because it is so infectious, | :17:19. | :17:23. | |
hospitals have been forced to close wards with thousands of beds | :17:23. | :17:29. | |
affected. This hospital in Stoke fought hard to contain its recent | :17:29. | :17:34. | |
outbreak over the Christmas period. We have had up to six wards closed | :17:34. | :17:37. | |
with Norovirus. How many beds does it affect? | :17:37. | :17:41. | |
can affect at any one time 40 to 60 beds. Over Christmas it was about | :17:41. | :17:46. | |
And the fact it is in the hospital make it is even more serious than | :17:46. | :17:52. | |
it would be for any of us getting it? In hospital, you are already | :17:52. | :17:56. | |
ill, vulnerable. For our patients it can be more of an issue for them. | :17:56. | :18:01. | |
So we want to prevent it at all costs. Please don't come in until | :18:01. | :18:06. | |
after 48 hours if you have had contact with symptoms or had the | :18:06. | :18:10. | |
symptoms yourself. If cow come in, please don't bring in food... | :18:10. | :18:15. | |
If they have been in the home and pick it up. | :18:15. | :18:19. | |
It can come in on the food? Yes, the best thing to do is wash your | :18:20. | :18:24. | |
hands. So, what about the 100 people we | :18:24. | :18:29. | |
tested in Manchester city centre? How clean were their hands? You | :18:29. | :18:32. | |
have the samples in with interesting results? Yes. What I | :18:32. | :18:37. | |
found is that there are about 50 people who had obviously washed | :18:37. | :18:40. | |
their hands with low numbers of organisms on. | :18:40. | :18:44. | |
That is about half. The other half had high numbers of organise | :18:44. | :18:50. | |
anymores on or 30 of these. So 30 out of the 100 had fiekal organisms | :18:50. | :18:56. | |
on the hands. They could have got it from not | :18:56. | :19:02. | |
washing hands or from other places as well? That's right. | :19:02. | :19:05. | |
Of the 30 people two thirds were men. | :19:05. | :19:10. | |
Really? That is horrible. Now the results do not mean that the p% | :19:10. | :19:14. | |
carry the Norovirus, but as it is passed on through contact with | :19:14. | :19:19. | |
vomit Orpheusis, it shows how easily that the virus can spread -- | :19:19. | :19:21. | |
30%. The good thing is that lots of | :19:21. | :19:27. | |
people were washing their hands but perhaps others don't get it? Is | :19:27. | :19:31. | |
that right? I think so. When you wash your hands, warm water, soap | :19:31. | :19:35. | |
and start to wash them in all of the creases. | :19:35. | :19:41. | |
Make sure that you wash them well. Rinse them well, and apply more | :19:41. | :19:46. | |
soap and usually sing Happy Birthday, really to ensure that I | :19:46. | :19:49. | |
have washed my hands for long enough. | :19:49. | :19:53. | |
Val Edwards-Jones may not be shocked that 30% of the people | :19:53. | :19:59. | |
tested had faecal bacteria on their hands it shows you how much a | :19:59. | :20:03. | |
difference it makes just to wash your hands. She's watching, so I | :20:03. | :20:10. | |
will do it. That is your fifth go, Frank? | :20:10. | :20:15. | |
the last film made me want to cry, this one frightened me to death. | :20:15. | :20:22. | |
I do wash my hands, to make it clear but I think that I gave it to | :20:22. | :20:28. | |
Lionel Richie! Did you, what a brilliant person to give it to. | :20:28. | :20:33. | |
Well, it was his fault, he went in for a kiss on the lips. He was | :20:33. | :20:41. | |
dicing with death! The trouble is I am going home by skiing... That is | :20:41. | :20:45. | |
definitely going into Room 101, but let's have a look to see what is | :20:45. | :20:49. | |
happening this Friday. I don't like people who are naked | :20:49. | :20:56. | |
in public changing rooms. It is worse in a bloke's gym, imagine? | :20:56. | :21:01. | |
What do you mean you imagine? You don't know? No!? But it is hard to | :21:01. | :21:07. | |
compare, obviously. With men, how can I put this delicately at this | :21:07. | :21:12. | |
hour. With men size... With women, I don't know if women have made up | :21:12. | :21:18. | |
their mind about themselves, what is sewer earior, with the men, the | :21:18. | :21:26. | |
votes have been counted! APPLAUSE Are you agreeing with the naked | :21:26. | :21:33. | |
females? I don't mind a quick drop of the towel and the undies on but | :21:33. | :21:41. | |
when the cream is going on, it is too much! Can I get that on DVD?! I | :21:41. | :21:46. | |
cannot cope. I will go in, swim, then go home soaking wet rather | :21:46. | :21:53. | |
than be seen. I'm an old man. I look like I have not been ironed! | :21:53. | :21:58. | |
Frankenstein! Now, we wanted to give the viewers a chance to give | :21:58. | :22:02. | |
something to put in Room 101. We are on a very appropriate bus, so | :22:02. | :22:10. | |
have a look at this. Right. Frank, I would like to put clowns | :22:10. | :22:14. | |
in Room 101. They are creepy. want to put in cheap possibility | :22:14. | :22:20. | |
paper. There is no point in it. What-related annoys me is people | :22:20. | :22:26. | |
who wear socks and sandals. You think, why are you doing that? | :22:26. | :22:31. | |
I -- what I would like to put into Room 101 is everybody younger than | :22:31. | :22:35. | |
myself! I think what you really need to put into Room 101 is | :22:35. | :22:40. | |
annoying camera cruise that turn up when you are clearly having a bad | :22:40. | :22:48. | |
hair day! A super job. Some good ones there. | :22:48. | :22:55. | |
What do you reckon to all of that lot, Frank? I used to be at a | :22:55. | :22:59. | |
school where we had toilet paper that could be used as tracing paper. | :22:59. | :23:04. | |
We had a thing you could not take the roll. You had to say how many | :23:04. | :23:10. | |
sheets you needed. Honestly. So, you would say I would have, | :23:10. | :23:16. | |
seven...? And then come back in and say make that nine! I bet Norovirus | :23:16. | :23:23. | |
was rife in your school! I don't think it came to our school! Clowns | :23:24. | :23:31. | |
I can't put in as I feel that I am part of that team. Sandals and | :23:31. | :23:37. | |
socks? I don't do that, the Room 101 is not big enough for them! | :23:37. | :23:42. | |
yes, I think that I will put in sandals and socks. As terrifying | :23:42. | :23:48. | |
that feet can be, we must be confronted by the truth of humanity. | :23:48. | :23:52. | |
Has anyone ever said that on the One Show before? I would like to | :23:52. | :24:00. | |
put in the One Show theme into Room 101, I think Frankenstein?! Some | :24:00. | :24:07. | |
people love it. It is a real trumpeter! I know but when you | :24:07. | :24:17. | |
watch the Million Pound Drop, it does not repeat the number... Nor | :24:17. | :24:21. | |
the Magnificent Seven... Seven... Len Goodman could do that theme! | :24:21. | :24:28. | |
Well, you have two ones in the title of your show, so you cannot | :24:28. | :24:32. | |
disour show! I know but we have come up with a tune. | :24:32. | :24:37. | |
Well, you can see what goes into Room 101 tomorrow at 8.30pm on BBC | :24:37. | :24:41. | |
One. On Monday's show we heard from you | :24:41. | :24:47. | |
about the terrible Christmas presents you received. There is a | :24:48. | :24:52. | |
lovely gallery. What did you pick out? Crafting with cat hair caught | :24:52. | :24:56. | |
my eye. Our photographer jaimswraim jaim | :24:56. | :25:01. | |
has the best way to get value from the worst gifts. | :25:01. | :25:06. | |
-- Jamie Crawford. If you are selling Christmas | :25:06. | :25:11. | |
presents, a good photo can lift the price. This is the same vase, | :25:12. | :25:16. | |
photographed well and badly. Let's see which people think is more | :25:16. | :25:26. | |
:25:26. | :25:26. | ||
valuable? About �150. How about this one? About �2,000? Ten euros. | :25:26. | :25:32. | |
OK, the second one? 500 euros. That is conclusive, a good picture | :25:32. | :25:38. | |
can pay. Peter is the head Auxerre at an | :25:38. | :25:43. | |
auction house. I have come to pick his brains. Can his techniques be | :25:43. | :25:50. | |
used to get the best prices for the gifts that did not cut the mustard? | :25:50. | :25:57. | |
So, two lights, on the table. The white backing. There is shadows | :25:57. | :26:01. | |
that are reflected and then a reflector to shoften the shadows. | :26:01. | :26:07. | |
Then a lighter on the top. That is not on the piece, it gives depth | :26:07. | :26:09. | |
between the object and the background. | :26:10. | :26:14. | |
Surprisingly, Peter shoots from well back on a long lens. | :26:14. | :26:19. | |
If you use wide angle lens it is close to the object and distorted. | :26:19. | :26:24. | |
The finished photo shows the detail. That spotlight on the background is | :26:24. | :26:29. | |
effective in creating depth. This is a professional set-up with | :26:29. | :26:34. | |
expensive equipment but the ideas can be Boroeded to attract | :26:35. | :26:39. | |
morbiders and get higher prices for the unwanted Christmas gifts. To | :26:39. | :26:48. | |
prove a point, I am off to help a keen internet auctioneer to take | :26:48. | :26:51. | |
photographs of her stuff. Claire has been selling online for | :26:51. | :26:55. | |
eight years. I have a cupboard full of stuff. | :26:55. | :27:00. | |
When I have time I load it up. And go and buy yourself something | :27:00. | :27:07. | |
with the proceeds? Yes. But Claire admits, that her photos | :27:07. | :27:12. | |
can be rub urb. She is not alone. This seller is not showing the item | :27:12. | :27:17. | |
at its best. The taty box does not fetch a lot and this is fingers and | :27:18. | :27:23. | |
thumbs. I end up selling for 99p, when you | :27:23. | :27:27. | |
could sell it for a fiver. This is a home studio. It is a | :27:27. | :27:34. | |
steal at �30. It can use it to copy Peter's techniques. | :27:34. | :27:37. | |
The light will bounce off the back so you don't have that, that is | :27:37. | :27:42. | |
what you get? Exactly. Lots of photos that people take, | :27:42. | :27:47. | |
they take with a standing level, but you want to see this in the | :27:47. | :27:51. | |
best light. So get level and steady yourself up with the camera. You | :27:51. | :27:57. | |
can see it is wide. It is lost in the photo. So use the zoom and hone | :27:57. | :28:02. | |
in on it. Nice and steady and keep the flash off. Then fire away. | :28:02. | :28:08. | |
It looks nice. I don't want to sell it now! Without a home studio you | :28:08. | :28:14. | |
can get better pictures easily with an ordinary white sheet it | :28:14. | :28:20. | |
declutters the shot, focuses the attention where it should be and | :28:20. | :28:25. | |
diffuses the light. Avoiding the flash as it can be harsh. Use a | :28:25. | :28:30. | |
tripod if possible and a longer exposure. The timer on the camera | :28:30. | :28:36. | |
is useful here. So don't catch the -- touch the | :28:36. | :28:40. | |
camera. Then hit go, you have two seconds to get out of the way. | :28:40. | :28:46. | |
Perfect. That looks really nice. I will buy one of those, please! Some | :28:46. | :28:51. | |
super tip there is. Another good example of how to make a relatively | :28:51. | :28:56. | |
ordinary object look special, here it is! There we go! Can you get | :28:57. | :29:03. | |
those on eBay? Can you get a home kit for photographing stuff on | :29:03. | :29:08. | |
eBay? I don't know. It looks like you could spend more on the | :29:08. | :29:13. | |
photography stuff? You can use a little white sheet and a torch U | :29:13. | :29:19. |