Browse content similar to 10/03/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Matt Baker. | :00:18. | :00:20. | |
And with Alex and her crew on Day 4 of their Hell | :00:21. | :00:23. | |
on High Seas Sport Relief challenge, I've found a rather sporty | :00:24. | :00:25. | |
Tonight's guest is also pretty active, just think of the calf | :00:26. | :00:39. | |
muscles she must have developed, with all that cycling every Sunday | :00:40. | :00:41. | |
Very good evening, did you cycle here? I didn't, I'm terrible. | :00:42. | :00:54. | |
Helen, you must be an expert on two wheels by now? | :00:55. | :00:57. | |
I thought I would be but I'm really not and also the bikes we use our | :00:58. | :01:05. | |
vintage bikes, they are heavy. I am always falling off them. Even after | :01:06. | :01:06. | |
five years. We've got to talk about Pam Ferris's | :01:07. | :01:09. | |
shock exit, even though you obviously knew it was coming, | :01:10. | :01:11. | |
were you as upset as the viewers? The nation is gutted. We all are, | :01:12. | :01:19. | |
all of the cast. So sad. Five years since I started. She was there from | :01:20. | :01:23. | |
the beginning and I was nervous because it was my first regular TV | :01:24. | :01:28. | |
part and she took me under her wing and explained what everyone's jobs | :01:29. | :01:32. | |
were on set. She talked me through it. She means a lot to me. Must be | :01:33. | :01:37. | |
the odd moment when you see it written down and you are like, this | :01:38. | :01:42. | |
is it, she's gone. "O No they didn't" they did. | :01:43. | :01:47. | |
We'll talk more about Call the Midwife and your new play. | :01:48. | :01:53. | |
After we've caught up with Alex, Doon, Hal, Suzi, Angellica | :01:54. | :01:56. | |
and the rest of the crew of on board the Dong Feng. | :01:57. | :01:59. | |
And as the whole challenge is about raising money | :02:00. | :02:01. | |
for Sport Relief, Helen would you help us remind how | :02:02. | :02:05. | |
To support the Hell on High Seas challenge, you can donate ?5 | :02:06. | :02:10. | |
Or to donate ?10 text the word HELP to 70010. | :02:11. | :02:16. | |
Text messages will cost your donation, plus your standard network | :02:17. | :02:19. | |
message charge and all your donation will go to Sport Relief. | :02:20. | :02:22. | |
You must be 16 or over and please ask the bill payers permission. | :02:23. | :02:26. | |
For full terms and conditions, or to donate any amount you want, | :02:27. | :02:29. | |
Let's pick up the story. I was on my tracker, watching and waiting for | :02:30. | :02:45. | |
them to leave Plymouth, here is what happens next. As we prepare to set | :02:46. | :02:54. | |
sale, the crew enjoyed their last moments of relaxation. We are doing | :02:55. | :03:01. | |
the tango. They have totally lost the plot and we are only halfway | :03:02. | :03:05. | |
through. It doesn't bode well for the rest of us. In half an hour we | :03:06. | :03:11. | |
will be hanging on for dear life. I don't know why I am laughing, it's | :03:12. | :03:17. | |
not funny. I can see two swarms, that is a good omen for our journey. | :03:18. | :03:25. | |
-- swans. I gave, wished to Neptune. I asked for a smooth passage, a bit | :03:26. | :03:30. | |
of wind and everyone to stay alive. -- I paid homage. | :03:31. | :03:37. | |
# Moon River # I'm crossing you in style someday | :03:38. | :03:41. | |
# There is also time for some | :03:42. | :03:42. | |
reflection. It has been a long time since I have | :03:43. | :03:48. | |
been pushed out of my comp that zone. | :03:49. | :03:51. | |
In three days I have done so much more than I have done in years. | :03:52. | :03:57. | |
When you have a family, a lot of things change in your life, you do | :03:58. | :04:03. | |
not take risks. You just think, you know what, sometimes you just got | :04:04. | :04:11. | |
to... It really hard. -- it's really hard. To realise so many people out | :04:12. | :04:18. | |
there go through real hardship. And a bit of moaning... And, you know, | :04:19. | :04:27. | |
thinking I would rather be in a warm bed is so insignificant. As | :04:28. | :04:32. | |
expected, soon out of the harbour we face the rash of the English | :04:33. | :04:40. | |
Channel. -- the wrath. Suddenly, we have turned the boat and the wind | :04:41. | :04:43. | |
direction changed dramatically and now we are racing. It's quite | :04:44. | :04:49. | |
exciting. The only thing is, the boat is at a massive angle, we are | :04:50. | :04:54. | |
going at a phenomenal speed and water is smashing over the deck and | :04:55. | :05:00. | |
it feels quite scary. We are speeding through the English Channel | :05:01. | :05:05. | |
at 32 knots. That is world record pace, that is incredible. We are | :05:06. | :05:13. | |
going the speed of a motor boat. The sea is high behind you and coming | :05:14. | :05:19. | |
down. It is just fantastic. It's quite fun although downstairs, not | :05:20. | :05:23. | |
so much because you literally have to brace yourself against | :05:24. | :05:26. | |
everything. It is pretty impossible to put anything away once we get to | :05:27. | :05:29. | |
bed. As the sun rises, we are still | :05:30. | :05:38. | |
making great headway towards the soul and. This morning, the seas are | :05:39. | :05:45. | |
quite rough. We just hear big bangs as you smack into waves. | :05:46. | :05:49. | |
And you come up here and it is like being in a virtual reality hilarious | :05:50. | :05:57. | |
funfair ride. But this makes it all worth it. It is beautiful. Some | :05:58. | :06:01. | |
setting across the South coast of England. It is absolutely gorgeous. | :06:02. | :06:08. | |
Our spirits are soon lifted by welcome visitors offering support. | :06:09. | :06:15. | |
And I have to admit, out here, I was never expecting to see a bat boat, | :06:16. | :06:24. | |
twin hydrofoil that can go up to speeds of 50 mph. That is so Ben | :06:25. | :06:31. | |
Haim slate -- that is sir Ben Ainslie. You can't get a better | :06:32. | :06:33. | |
escort. I am pleased to see a bit of a smile | :06:34. | :06:42. | |
on their face and breaking from that willingness seasickness. It was | :06:43. | :06:47. | |
relentless. I feel inspired by that. If you can get online there is a | :06:48. | :06:53. | |
tracker, they have just gone past Eastbourne. Hopefully we will talk | :06:54. | :06:58. | |
to Alex live. You know this water. You have wrote it? I did a stretch | :06:59. | :07:06. | |
of it. -- you rode. There you are in action. How was that? | :07:07. | :07:12. | |
I really felt you had to focus all the time, no respite, you had to | :07:13. | :07:20. | |
keep concentrating. Four novices in the boat, John Bishop had done the | :07:21. | :07:26. | |
cycling challenge from Paris to Calais. If you didn't concentrate | :07:27. | :07:32. | |
you would hit your oars. And then you would have to stop, compose and | :07:33. | :07:36. | |
go again. It was the mental fatigue. Would you rather row or yacht? | :07:37. | :07:44. | |
Yachting looks... I like the idea that sort of challenge but just | :07:45. | :07:48. | |
watching that footage... They are going through so much and the | :07:49. | :07:52. | |
emotional toil must be really hard. Just seeing that water, over and | :07:53. | :07:58. | |
slamming down... Keep doing what you are doing. Fingers crossed we can | :07:59. | :08:00. | |
speak to them shortly. Alex and the rest of the team | :08:01. | :08:03. | |
are doing all this to raise money for Sport Relief and your donations | :08:04. | :08:06. | |
make a real difference to people Angellica's been to see | :08:07. | :08:09. | |
how your money is helping families come to terms with | :08:10. | :08:13. | |
life-changing news. One of the most difficult things any | :08:14. | :08:23. | |
family has to cope with is a bereavement or being told that a | :08:24. | :08:25. | |
family member doesn't have long to live. As a mother and wife myself, I | :08:26. | :08:31. | |
just can't imagine how I would feel if I was given that news. | :08:32. | :08:35. | |
This is Finley. He's two. This is his brother, Alfie, he is six, his | :08:36. | :08:46. | |
mum, Sarah, and his dad, Mike. Finley was born with meningitis B | :08:47. | :08:49. | |
and doctors said he had just two weeks to live. Someone tells you | :08:50. | :08:53. | |
that your newborn son might not survive... And there's nothing you | :08:54. | :08:57. | |
can do to make that better... We planned his funeral. No parent | :08:58. | :09:07. | |
wants to do that. Especially when they are just a few days old. Finley | :09:08. | :09:13. | |
's brother Alfie is six and he lives under a constant shadow of losing | :09:14. | :09:18. | |
his brother. That worries me. It would be a strain on Alfie, to have | :09:19. | :09:23. | |
to look after his brother, sometimes. Last time Finley had a | :09:24. | :09:27. | |
seizure, Alfie laid down next to him, to talk to him. | :09:28. | :09:30. | |
That is incredible, for a six-year-old. Fortunately, the | :09:31. | :09:38. | |
family had support from Eleanor. A local charity, that with the help | :09:39. | :09:41. | |
from sports relief assists families having to deal with terminal | :09:42. | :09:42. | |
illness. It helped Alfie understand it. They | :09:43. | :09:50. | |
arranged Alfie to have play therapy so he could get out his feelings | :09:51. | :09:54. | |
about it all. I don't think Finley would have got where he is today | :09:55. | :09:58. | |
without it. Finley was told two weeks and now he is over two. They | :09:59. | :10:06. | |
haven't let us go. Eleanor is a charity that provides hospice care | :10:07. | :10:09. | |
for people of all ages. We care for the whole family throughout their | :10:10. | :10:14. | |
journey. That care doesn't stop when somebody dies. The money from sports | :10:15. | :10:18. | |
relief gave us much needed funding to support our counselling and | :10:19. | :10:25. | |
bereavement team. The charity helps parents and children prepare and see | :10:26. | :10:28. | |
them through the most difficult times that any family can possibly | :10:29. | :10:33. | |
face. Like Kerry and her five-year-old son, Ethan. | :10:34. | :10:37. | |
One year ago, they lost their husband and father, Nicky, to | :10:38. | :10:40. | |
cancer. He was 35 years old. The way I saw it, I was so lucky to | :10:41. | :10:53. | |
have Nicky. That if I only got him for 15 years, we were together, I | :10:54. | :10:57. | |
had him for 15 years. Which is more than lots of people get. Charity | :10:58. | :11:02. | |
Eleanor helped nurse Nikki at home until his death. The Eleanor hospice | :11:03. | :11:06. | |
was just fabulous. Jackie was my counsellor. Gwyneth was even's play | :11:07. | :11:13. | |
therapist and Mickey's nurse used to visit. Now you are on your own as a | :11:14. | :11:18. | |
single mother, how has your life changed? It is hard work to keep my | :11:19. | :11:22. | |
job is going and a little one. There is a lot of feeling that I should be | :11:23. | :11:27. | |
there for him. And I am busy. And he is forced to other people. If it was | :11:28. | :11:33. | |
Nicky, he would still have a parent with him. Do you remember your dad? | :11:34. | :11:37. | |
Yeah, I do. He's grown up with Nicky being | :11:38. | :11:43. | |
unwell. Lots of other kids go and have their | :11:44. | :11:56. | |
dads go and watch them play football whereas we used visit Nicky in | :11:57. | :12:02. | |
hospital. It has been nearly a year since Mickey's death but the charity | :12:03. | :12:06. | |
still give support and care to Kerry and even as they grieve -- Nicky's | :12:07. | :12:09. | |
death. Thank you very much to those | :12:10. | :12:22. | |
families for sharing their stories. And thank you so much to everyone | :12:23. | :12:25. | |
who has already donated to Sport This year in the past also. What you | :12:26. | :12:36. | |
have seen would have been a result of previous donations. | :12:37. | :12:37. | |
Yes, your donations make a huge difference, so please give | :12:38. | :12:40. | |
Let's find out how the Hell on High Seas team are getting on, we think | :12:41. | :12:47. | |
the satellite gods are with us. Hopefully you can hear us. Hello, I | :12:48. | :12:58. | |
hope you are both well. It is really still here. In America or has | :12:59. | :13:02. | |
occurred and the wind has completely dropped as we make our way towards | :13:03. | :13:08. | |
Dover and home -- a miracle has occurred. 12 hours ago, the | :13:09. | :13:14. | |
situation was... As you saw in the film, we left Plymouth harbour and | :13:15. | :13:18. | |
went down wind. The boat increased in speed dramatically. We were doing | :13:19. | :13:24. | |
29 knots at one point, which I can only describe as being in a | :13:25. | :13:27. | |
convertible going 100 miles an hour with the roof down. Exhilarating yet | :13:28. | :13:33. | |
terrifying at the same time. I came to the end of my watch, went | :13:34. | :13:37. | |
downstairs below deck and I was in the bank and you could hear the | :13:38. | :13:40. | |
water rushing past your head. -- I was in the junk. The excitement | :13:41. | :13:46. | |
turned to terror because the boat was leaping up and crashing down on | :13:47. | :13:50. | |
the waves. That was a horrible feeling. You can just imagine the | :13:51. | :13:57. | |
feeling, lying in a bunk. At 3:30am I tried to get dressed at a terrible | :13:58. | :14:02. | |
angle and got as far as the hatch and I saw Suzi Perry white as ace | :14:03. | :14:07. | |
sheet struggling to get her kit off because she was hot and | :14:08. | :14:12. | |
disorientated, how were you feeling. And how the couple hours I missed | :14:13. | :14:16. | |
below deck was like up here? The first two hours was beautiful, like | :14:17. | :14:21. | |
we were part of the water. This air was filled with water rushing | :14:22. | :14:24. | |
through. It was lovely and we were going really fast. It was just so | :14:25. | :14:29. | |
exciting. And then we had to go up wind and that is when things | :14:30. | :14:33. | |
changed. It was crashing over us and it was freezing because we were | :14:34. | :14:37. | |
going into the North wind. We were hanging on for grim life. It was so | :14:38. | :14:43. | |
terrifying and frightening. I was counting the minutes for two hours | :14:44. | :14:46. | |
to pass by so I could somehow get back down the hatch which is when | :14:47. | :14:52. | |
you saw me and clatter into bed. Everyone was clattering around | :14:53. | :14:55. | |
everywhere. Like heaven and hell in one night. Mike Armageddon, it was | :14:56. | :14:58. | |
like the film a perfect storm. Hal took a turn for the worse last | :14:59. | :15:08. | |
night. Yes I had the same thing, I went to bed just after you, I had | :15:09. | :15:13. | |
seen the beginning of the turn in the weather. It is so bad down | :15:14. | :15:17. | |
there, as soon as you get down I crawled on my hands and knees to get | :15:18. | :15:21. | |
in my bunk. I came off my bunk when it was lifting like that. It is | :15:22. | :15:26. | |
unbelievable. It, it was unbelievable, and the banging and | :15:27. | :15:30. | |
the feeling it does make you feel slightly ill. So we are grateful for | :15:31. | :15:35. | |
this tonight, a bit of calm and a bit of quietness, however, we are as | :15:36. | :15:39. | |
I said on the way home, we are coming in, cross finger, past Tower | :15:40. | :15:44. | |
Bridge at 6.15 tomorrow night and we will finish this epic journey, live | :15:45. | :15:52. | |
on The One Show at round 7.10 at HMS... HMS Belfast. If you want to | :15:53. | :15:59. | |
support us and say hello, we would love to see some friendly face, | :16:00. | :16:04. | |
please keep donating. We appreciate every penny and you will make this | :16:05. | :16:08. | |
so very worth it. Matt, I will speak to you tomorrow. I won't see you | :16:09. | :16:11. | |
tomorrow but I will see you on Monday but we will see the rest of | :16:12. | :16:15. | |
you tomorrow. Good night. We will talk to you shortly Alex, if | :16:16. | :16:19. | |
not on the phone, I will see you very soon. | :16:20. | :16:24. | |
The incredible team there, doing what they can for Sport Relief. | :16:25. | :16:28. | |
Thank goodness that they found a nice calm spot, to talk to us from. | :16:29. | :16:31. | |
To remind you, that if you would like to see the team, Alex got cut | :16:32. | :16:39. | |
off there, HMS Belfast. Helen, just before the team set sail, the | :16:40. | :16:42. | |
current series of Call the Midwife came to an end. Yes. Well, listen, | :16:43. | :16:48. | |
Trixie, your character seems like she is facing a lifetime on her own. | :16:49. | :16:54. | |
Let us look at a moment from last Sunday's episode It is not the lack | :16:55. | :16:59. | |
of a man that bothers me. When I see Tom and Barbara together now, I | :17:00. | :17:04. | |
don't see what I might have had, see what they have. They belong | :17:05. | :17:12. | |
somewhere. And they are contented. I can't tell you how much I would love | :17:13. | :17:17. | |
to feel like that. Oh, it was so emotional. I haven't seen that, | :17:18. | :17:21. | |
that, no, I haven't really, I watched some of the series but I | :17:22. | :17:24. | |
haven't watched it all, so it is interesting seeing that I have got | :17:25. | :17:29. | |
to catch up. The rest of the nation has. And they were in floods of | :17:30. | :17:34. | |
tears. What would you like to see happen to Trixie in the next series? | :17:35. | :17:41. | |
She needs a man. She needs a bit of love I am thinking we could get | :17:42. | :17:48. | |
Elvis written in, we are into the sixty, maybe The Beatleses along. | :17:49. | :17:51. | |
Celebrity boyfriend. Yes. When you have done a scene like that and you | :17:52. | :17:54. | |
are into it and crying, how long does it take you to get over it | :17:55. | :17:58. | |
after? It depends on the scene. Sometimes because you do the shot so | :17:59. | :18:01. | |
many times you are exhausted by the end, you are crying but there is no | :18:02. | :18:06. | |
liquid to come out, so you are exhausted, so you need a cup of tea | :18:07. | :18:10. | |
to sort of, think about something else, and listen to happy music. You | :18:11. | :18:17. | |
have a bit of time off now, in the meantime, you are preparing for this | :18:18. | :18:21. | |
new play After Miss Julie, which is on very shortly, now, tell us a bit | :18:22. | :18:25. | |
about this, because it is a classic play but for those that don't know. | :18:26. | :18:31. | |
It's a classic play don'ted by Patrick masher who brought us things | :18:32. | :18:35. | |
like Closer, he is a great British playwright. It's a very good | :18:36. | :18:42. | |
adaptation, it gets to grips with the classic text but pulls it in and | :18:43. | :18:48. | |
gets the original text is flowery and quite poetic in a way. He cuts | :18:49. | :18:54. | |
to the chase, and brings in a modern text to it. It's a really exciting | :18:55. | :19:00. | |
piece for me as an actress. Your character she is quite, how do you | :19:01. | :19:04. | |
say changeable. Was that mentally channelling for you to play? Or will | :19:05. | :19:10. | |
it be? Yes, I an hoping so. It is great to do theatre as well after | :19:11. | :19:16. | |
doing Midwife for so long, she is a very interesting character, she is | :19:17. | :19:21. | |
fiery and strong and she is the lady of this big estate and the play is | :19:22. | :19:26. | |
set on the evening of the Labour landslide in 1945, so is still a | :19:27. | :19:31. | |
vintage piece, there is a sort of heightened electricity in the air, | :19:32. | :19:36. | |
it is almost got a sort of Mayday madness about it, and, and this | :19:37. | :19:41. | |
relationship between her and the head-butt her and the cook, it is a | :19:42. | :19:46. | |
three hander in the kitchen by and large, like down town the kitchen. | :19:47. | :19:51. | |
It is huge. ? Just three of you. Is that good having such a small cast? | :19:52. | :19:55. | |
Yes, I like that. It It is exciting to work off each other. At the same | :19:56. | :20:01. | |
time if you are rubbish in it it is pretty obvious 6789 There is nowhere | :20:02. | :20:07. | |
to go. Exactly. Nowhere to hide. You are looking for somebody else to | :20:08. | :20:12. | |
cast, as your potential... It sounds like a plea. Potential partner, in | :20:13. | :20:19. | |
the play. Absolutely. I was going to say if you had your way who would | :20:20. | :20:25. | |
you might pick? Like dream casting? It has to be Tom Hardy. We have got | :20:26. | :20:30. | |
a picture of him. I think he looks more like Chris Packham there. I | :20:31. | :20:35. | |
don't know why I do, any way, there we are. I will have a word with | :20:36. | :20:40. | |
Chris. Listen, the tour of After Miss Julie starts with a run at | :20:41. | :20:45. | |
Theatre Royal Bath from the 24th May. It is worth turning up to see | :20:46. | :20:55. | |
who your lover is. Yes. Trixie in Call the Midwife follows all the | :20:56. | :20:59. | |
latest trends from keep fit... To fashion. There you go. So she would | :21:00. | :21:07. | |
probably have been one in first in the queue for the attentions of Mr | :21:08. | :21:10. | |
Teasy-Weasy. A lady having a hair do at the | :21:11. | :21:14. | |
salon, one of life's little luxuries. | :21:15. | :21:20. | |
While it is commonplace today, it wasn't always this way. Back just | :21:21. | :21:24. | |
after the war, women didn't have access to hair dressing boutiques, | :21:25. | :21:35. | |
but one man helped change all that. Raymond Bessone, burst on to the | :21:36. | :21:44. | |
nation's TV screens as resident hair stylist on Quite Contrary. With his | :21:45. | :21:48. | |
French accent. This is my sea of waves. Dress sense and camp manner | :21:49. | :21:55. | |
he symbolised a New World of outrageous exotic style. Soon, the | :21:56. | :22:00. | |
tabloids christened him Mr Teasy-Weasy. A brand he used to | :22:01. | :22:07. | |
promote his new chain of affordable high street hair salons offering | :22:08. | :22:11. | |
easy glamour for all. According to one of today's salon superstars | :22:12. | :22:15. | |
nothing was the same again. He decided to have a salon that was | :22:16. | :22:21. | |
more boudoir like, you felt you were in the bedroom, the dressing room, | :22:22. | :22:27. | |
you had banks of hairdryers where people sad sat for an hour, the idea | :22:28. | :22:31. | |
of o it being a social meeting place, we were back to glamour | :22:32. | :22:39. | |
again. The hair styles he pioneered meanwhile were revolutionary, | :22:40. | :22:44. | |
including the 60s bouffant and bright Dais. You would see pink | :22:45. | :22:47. | |
fetters in the hair and stuff like that. He certainly liked the idea of | :22:48. | :22:54. | |
pushing those boundaries. He was a pioneer, he was a trailblazer and | :22:55. | :22:59. | |
everybody has learned from that. Raymond's empire stretched to 38 | :23:00. | :23:04. | |
salons across the country. Each bringing a bit of continental style | :23:05. | :23:09. | |
into the lives of ordinary British women, but there is a Teasy-Weasy | :23:10. | :23:15. | |
twist. Unbeknown to his leans of fans Mr Teasy-Weasy wasn't what he | :23:16. | :23:23. | |
seemed. For starters his legal name wasn't Raymond Bessone it was Peter | :23:24. | :23:26. | |
Raymond, secondly he didn't have a French accent, he was from Brixton, | :23:27. | :23:31. | |
and finally, despite claiming live on TV to be the personification of | :23:32. | :23:36. | |
homosexuality that wasn't true either. He was married with kids. | :23:37. | :23:41. | |
Today, I am meeting two of his daughters. It is clear they remember | :23:42. | :23:46. | |
quite a different man behind closed doors. | :23:47. | :23:50. | |
The man at home, was very much Victorian. Like he wouldn't let me | :23:51. | :23:54. | |
wear lipstick, and he demanded loyalty. He could be a bit scary. If | :23:55. | :24:01. | |
something had happened and it wasn't to his liking, you would really | :24:02. | :24:07. | |
worry about it. He has this slightly camp pertoe that -- persona, what is | :24:08. | :24:11. | |
that about? That was put on. That was put on? An act? That was part | :24:12. | :24:19. | |
of, yes, the act. He wasn't gay. No. Well, with three girls? I know. I | :24:20. | :24:25. | |
thought I would ask. How did that he feel about going about with their | :24:26. | :24:29. | |
dad in character? There were occasions where one would cringe | :24:30. | :24:34. | |
because he would make quite a big show of say going into a restaurant | :24:35. | :24:40. | |
and he walk in and walk in very slowly and people would recognise | :24:41. | :24:46. | |
him. And say, that is Teasy-Weasy. So in the end other ladies -- are | :24:47. | :24:50. | |
the ladies proud or ashamed of his double life? He achieved a huge | :24:51. | :24:59. | |
amount in his life. Although we might feel uncomfortable about some | :25:00. | :25:02. | |
of those things you can't say he didn't make an impact. | :25:03. | :25:07. | |
Absolutely. An impact Her Majesty recognised in | :25:08. | :25:12. | |
1982 when she award him an OBE for his huge contribution to the hair | :25:13. | :25:16. | |
dressing industry. Or maybe it was because the Queen | :25:17. | :25:22. | |
was a personal fan of his most infamous creation. | :25:23. | :25:24. | |
The blue rinse. Lovely. | :25:25. | :25:31. | |
Shall we raise a glass? Let's. To Mr Teasy-Weasy. Teasy-Weasy. | :25:32. | :25:41. | |
And all of a sudden it has gone everywhere! | :25:42. | :25:44. | |
LAUGHTER. Any way, listen, here we are in The | :25:45. | :25:50. | |
One Show salon with our very own Mr Teasy-Weasy, Michael Douglas, we are | :25:51. | :25:55. | |
here to find out about vintage hair inventions. . Yes, first up is a | :25:56. | :26:00. | |
hairdryer. This picture is probably from about 1920 but the hairdryer | :26:01. | :26:07. | |
was pay tented in 1911 and invented by a chap called Alexander Godefroy. | :26:08. | :26:11. | |
He did it by creating an oven in the salon and attaching a chair, a gas | :26:12. | :26:14. | |
oven and then a hood came over the top. He had a hand crank that would | :26:15. | :26:18. | |
waft their hair with hot hair. Dangerous stuff. If you look at that | :26:19. | :26:23. | |
one there, it is not miles away from what you have here. That is true. It | :26:24. | :26:27. | |
is more restrictive. You would have to have a tight hair style to get | :26:28. | :26:31. | |
that in. Helen you know about this one. You said before we started. You | :26:32. | :26:37. | |
have one. On set we did. Trixie had a sort of all in one hairdryer thing | :26:38. | :26:46. | |
you plugged it in. They used to use a vacuum cleaner, it would blow out | :26:47. | :26:51. | |
warm air out the back. You would attach a sock to the back. To have | :26:52. | :26:57. | |
it at home. You can almost see it there. I have one in the salon, you | :26:58. | :27:01. | |
plug it in and blast away. They are round today. Things haven't moved on | :27:02. | :27:05. | |
as far as you would think. OK, let us look at your paddle. We have | :27:06. | :27:13. | |
moved on. This looks terrifying. It is a scene From Clockwork Orange. | :27:14. | :27:19. | |
This is a perming machine. This was invented back... Oh, hello! It is | :27:20. | :27:28. | |
like Desmond's. It is a perming machine, they were brass rods. You | :27:29. | :27:33. | |
wrapped the hair round them and put caustic soda on the hair. It is | :27:34. | :27:40. | |
volatile. This guy who invented it burnt his wire's hair off tries. I | :27:41. | :27:45. | |
could probably only do it once, I reckon, then I probably wouldn't | :27:46. | :27:48. | |
have a wife. Talking about burning the hair off. Let us gut the iron, | :27:49. | :27:54. | |
are these hair irons? These are kurning irons. I have used those | :27:55. | :28:01. | |
well into the '90s. I work on movie sets a lot and you see them. They | :28:02. | :28:05. | |
sit in an oven and heat up and they get to 200 degrees and your curl the | :28:06. | :28:10. | |
hair with them. They are good for curling wigs, but the technology is | :28:11. | :28:14. | |
the same, you warm them up with electricity now. They are a curling | :28:15. | :28:19. | |
iron. These are tiny one, they are for going moustaches but they have | :28:20. | :28:24. | |
been round since Elizabethan times, Queen Elizabeth was known to have | :28:25. | :28:27. | |
her hair curled with irons like this. There is something I know very | :28:28. | :28:32. | |
well there, but I wonder if Helen knows what that is To you know what | :28:33. | :28:38. | |
is it? There is a spirit level, maybe it is o judge where your hair | :28:39. | :28:43. | |
is even. You are absolutely right. APPLAUSE | :28:44. | :28:46. | |
This is the flat topper. You would have made sure it was level and | :28:47. | :28:50. | |
shaved across it. This was the reason I became a hairdresser. That | :28:51. | :28:53. | |
is perfect. What a note to finish on. That is all we have time for | :28:54. | :28:58. | |
tonight. A big thank you to you Helen, the tour of After Miss Julie | :28:59. | :29:03. | |
starts on 24th May, big thank you to you Denise, have you enjoyed | :29:04. | :29:06. | |
yourself? Yes. Tomorrow is the last day of Alex's challenge, we will | :29:07. | :29:11. | |
welcome her back on to dry land with Stephen Mangan, bye and doe it that | :29:12. | :29:13. | |
if you can. Good night. | :29:14. | :29:16. |