Browse content similar to 10/03/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Angela Scanlon. | :00:16. | :00:18. | |
And my co-host for tonight, the one and only Jeremy Vine! | :00:19. | :00:21. | |
Tonight we are welcoming one of Britain's most original directors, | :00:22. | :00:38. | |
and the start of her new film... You are needed in the studio in two | :00:39. | :00:51. | |
minutes, are you ready? Are we ready?... | :00:52. | :01:08. | |
13 minutes. Well, we'll do better next time! After all of that, he's | :01:09. | :01:21. | |
decided to go more casual! Please welcome Hugh Bonneville | :01:22. | :01:25. | |
and Gurinder Chadha. That look like quite a production in | :01:26. | :01:33. | |
and of itself, getting into those costumes every day. Lord Mountbatten | :01:34. | :01:37. | |
loved a bit of finery, he loved his uniforms. Absolutely, yes. He did | :01:38. | :01:42. | |
not want to spend more than two minutes pressing, and so he got his | :01:43. | :01:45. | |
staff, particularly when he was out in India to fast track him, and he | :01:46. | :01:52. | |
got zippers into the Navy, elastic to lace ups on issues, he would slip | :01:53. | :01:56. | |
them on. Very practical man, great inventor. The joy of going to a | :01:57. | :02:01. | |
different time and a different place, the joy of period. I had | :02:02. | :02:07. | |
never before done a period film, so to go back to 1937... I have watched | :02:08. | :02:12. | |
a lot of period films but I have never seen Indians in period | :02:13. | :02:17. | |
costume. -- 19 47. So I freak out when I see Indians with round | :02:18. | :02:21. | |
glasses, you know, in 1940s costumes. But obviously, the big | :02:22. | :02:27. | |
man, Lord Mountbatten, was very particular about his medals. -- | :02:28. | :02:29. | |
1947. And so was my costume designer. It looks very | :02:30. | :02:34. | |
straightforward, but you do not know the choreography that was involved | :02:35. | :02:38. | |
in all of those medals! What we were allowed to use, how we had to do it. | :02:39. | :02:42. | |
You wear it very well! To demonstrate, it's all to do | :02:43. | :02:46. | |
with instant custard. I promise it will be | :02:47. | :02:53. | |
a trifle exciting. It'll be an exciting | :02:54. | :02:56. | |
day tomorrow too for Lincoln City fans | :02:57. | :03:00. | |
when they become the first non-league team to play | :03:01. | :03:02. | |
in the quarter finals of the FA Ahead of the big match | :03:03. | :03:04. | |
against Arsenal, sports reporter Mark Clemmit has | :03:05. | :03:07. | |
been to meet the brothers managing swapping school sports fields | :03:08. | :03:10. | |
for the Emirates stadium. Here in this bourbon exes -- this | :03:11. | :03:26. | |
suburban Essex street, two brothers are planning one of the biggest | :03:27. | :03:32. | |
upsets in British football history, world months ago, they were PE | :03:33. | :03:35. | |
teachers at a school in Essex, then they gambled everything by quitting | :03:36. | :03:40. | |
their day jobs and moving almost 150 miles away to manage Lincoln City, | :03:41. | :03:46. | |
they are the Cowley brothers and they have led the club on an | :03:47. | :03:52. | |
unbelievable run in the FA Cup, even claiming the scalp of Premier League | :03:53. | :03:56. | |
Burnley. LAUGHTER This is one of the great shocks in | :03:57. | :03:59. | |
the competition, Lincoln City have made history! VOICEOVER: The first | :04:00. | :04:03. | |
non-league club in over a century to contest a quarterfinal in the FA | :04:04. | :04:08. | |
Cup, they play Arsenal tomorrow in the game of their lives. Nice to see | :04:09. | :04:12. | |
you. Can you quite believe everything that has happened over | :04:13. | :04:16. | |
the last 12 months? It has been crazy, definitely it has been manic. | :04:17. | :04:21. | |
This time last year, preparing for GCSEs! It has been a bit of an | :04:22. | :04:24. | |
adventure since then. People will be watching this and think, they gave | :04:25. | :04:29. | |
up a secure teaching job for the precarious world of football | :04:30. | :04:32. | |
management, what were you thinking. You only have one life, it is about | :04:33. | :04:37. | |
making the most of it. We have always wanted to be in professional | :04:38. | :04:41. | |
football, having the opportunity to manage full-time at Lincoln City was | :04:42. | :04:44. | |
one that was too good to turn down. Behind the brotherly management | :04:45. | :04:49. | |
team, another management team, mum and dad, Jill and Steve. Almost from | :04:50. | :04:54. | |
when they were walking, kicking a sponge ball around, yeah. Danny is | :04:55. | :04:58. | |
three years older, Nicky was an extra one, for the team! To go to | :04:59. | :05:03. | |
the park. Has there been any moment you have ever known where they have | :05:04. | :05:07. | |
fallen out. They have had arguments and little scraps, they have been | :05:08. | :05:11. | |
pulled apart a couple of times! LAUGHTER | :05:12. | :05:15. | |
But, no, nothing that has gone into the next day. Do you make the | :05:16. | :05:18. | |
connection between little boys kicking a little ball about, and | :05:19. | :05:24. | |
what they are now doing? No, you just... You don't make the | :05:25. | :05:26. | |
connection. It's still really seems... It is surreal, because it | :05:27. | :05:34. | |
has happened so quickly, but every now and again, it will hit you, | :05:35. | :05:38. | |
you'd pick up the newspaper, turn to the back page, you see their faces | :05:39. | :05:43. | |
on it. Or, when they won at Burnley, the front pages! And it is a | :05:44. | :05:49. | |
complete shock. What if a really big opportunity came along for one of | :05:50. | :05:53. | |
you but not the other...? No, I would never do that. I really | :05:54. | :05:57. | |
wouldn't. If anybody could not see that our relationship was the reason | :05:58. | :06:02. | |
why we have had the success we have had, then they would not be the | :06:03. | :06:06. | |
right people to work for. How big an impact is the brothers success | :06:07. | :06:09. | |
having on their wives, Lauren and Kate? It is exciting, but I'm | :06:10. | :06:16. | |
expecting it to end, I think the bubble might burst, but we will be | :06:17. | :06:21. | |
the ones bursting. Kids are so excited. Do you think the kids know | :06:22. | :06:27. | |
what is going on? With school and things, have you been getting other | :06:28. | :06:30. | |
kids coming up and saying, your dad is Danny Cowley and all of that? | :06:31. | :06:36. | |
Yeah, yeah. Makes it all worth it. All the hard work is paying off. | :06:37. | :06:40. | |
Staggering, how far they have come. For us, it is great, that we have | :06:41. | :06:45. | |
the support of the family, because without that, it just wouldn't be | :06:46. | :06:47. | |
what it is. STUDIO: Follow the match | :06:48. | :06:50. | |
on Five live tomorrow. As the director of Bend It | :06:51. | :06:53. | |
Like Beckham could the Cowleys' I think it is a beautiful story, | :06:54. | :07:03. | |
look at the lovely parents, everyone so proud, if the team need to go | :07:04. | :07:06. | |
further, they need to get in an Indian girl, who can bend it... | :07:07. | :07:10. | |
LAUGHTER When we made the film, I had to show | :07:11. | :07:16. | |
it to David Beckham first, so we went up to Manchester, and the | :07:17. | :07:25. | |
cinema was laid on, free popcorn, free nachos and David Beckham was | :07:26. | :07:29. | |
getting all of this, he brought these two young kids with him, I | :07:30. | :07:34. | |
asked my husband... My husband said, it is Gary and Phil Neville! | :07:35. | :07:40. | |
LAUGHTER They looked like little boys! | :07:41. | :07:42. | |
Presumably the boys approved as well. Well, they had their free | :07:43. | :07:45. | |
nachos and they went in. Let's go back to Viceroy's House, | :07:46. | :07:49. | |
you play Lord Mountbatten who was given the task of giving | :07:50. | :07:52. | |
India back to her people. It is about partition, it is about | :07:53. | :07:54. | |
independence. He was a naval man, a man of action, | :07:55. | :08:08. | |
really, I suppose, and he was not a natural diplomat. And he said to the | :08:09. | :08:12. | |
king, he said, I don't think I can do this, what if I fail? Was a man | :08:13. | :08:18. | |
on used to failure, in his eyes. And the king apparently said, yes, but | :08:19. | :08:22. | |
what if you succeed, and that was enough to spur him on, he was a man | :08:23. | :08:26. | |
who likes to be at the centre of things. The British would agree that | :08:27. | :08:29. | |
they would hand back India but they ran into the quicksand and could not | :08:30. | :08:33. | |
get people to talk to each other and Lord Mountbatten, for any other | :08:34. | :08:37. | |
faults he may have had, he was good at getting people to talk together | :08:38. | :08:41. | |
and getting people to trust him and get round the table. The logjam was | :08:42. | :08:43. | |
broken. Here you are, with your | :08:44. | :08:45. | |
wife Lady Edwina, played by the lovely Gillian | :08:46. | :08:49. | |
Anderson, discussing the task ahead. I could not be blessed with a more | :08:50. | :08:55. | |
active, able wife, but sometimes we have to accept what we cannot | :08:56. | :09:00. | |
change. I know, but we can change a lot, Dickey, we really can, and we | :09:01. | :09:05. | |
absolutely have two. These problems are not just political, they are | :09:06. | :09:08. | |
social and economic, almost half the baby is born here die before age | :09:09. | :09:13. | |
five, that cannot be the British leave India after three centuries. | :09:14. | :09:18. | |
We have enough time to improve the infrastructure... That is not why we | :09:19. | :09:21. | |
are here. You will wear yourself out. APPLAUSE | :09:22. | :09:30. | |
Really, really, really hot that they! It looked lovely. | :09:31. | :09:35. | |
Gurinder, this film isn't just about the politics but also how | :09:36. | :09:38. | |
which is very personal to you isn't it? | :09:39. | :09:41. | |
I grew up in London under this shadow of the partition, the | :09:42. | :09:49. | |
foothills of the Himalayas, my ancestral homeland, that became a | :09:50. | :09:53. | |
new country, Pakistan, all my family had to leave. They became refugees | :09:54. | :09:58. | |
overnight, to cross over into India. That had always been a shadow over | :09:59. | :10:02. | |
me and the fact I never had a village, grandparents house where I | :10:03. | :10:07. | |
could say, that is where come from. It was only when I did my episode of | :10:08. | :10:12. | |
food you think you are, that I went back, and I went back to my | :10:13. | :10:16. | |
grandfather's house, I was a bit reticent about going, because it was | :10:17. | :10:19. | |
a different country. -- Who Do You Think You Are?. But when I got | :10:20. | :10:22. | |
there, I was overwhelmed with the welcome that I received, and the | :10:23. | :10:26. | |
whole town came out and said, you are our daughter, and coming, this | :10:27. | :10:29. | |
is your home, they threw flower petals at me, they gave me a shawl | :10:30. | :10:35. | |
and really welcomed me. And I saw how much pain there was with them as | :10:36. | :10:39. | |
well as on the other side. And at that point I felt I wanted to make a | :10:40. | :10:44. | |
film about the effects of 1947, and the partition of India, that nobody | :10:45. | :10:49. | |
really knows about, 40 million people became refugees overnight. I | :10:50. | :10:53. | |
wanted to make a film about the ordinary people and what had | :10:54. | :10:57. | |
happened to them. As you reregister story, did you think, hello, what I | :10:58. | :11:03. | |
was told school was not right? I learned that there is no such thing | :11:04. | :11:06. | |
as objective history, every author has an angle often depending upon | :11:07. | :11:10. | |
their surname and the country they come from. And so it was... It was a | :11:11. | :11:17. | |
horrible mess in many ways. It was inevitable that there was going to | :11:18. | :11:22. | |
be some tension but no one foresaw the bloodshed and the scale of the | :11:23. | :11:28. | |
refugee crisis. You sometimes wonder if we have ever learn from history. | :11:29. | :11:31. | |
You met the daughter of Mountbatten, to get a sense of that, was she | :11:32. | :11:39. | |
helpful him thinking you -- wishy helpful in helping new research? For | :11:40. | :11:44. | |
me, he had a ways been an establishment figure, central the | :11:45. | :11:47. | |
Royal family for so long, Mountbatten, though it was a bit of | :11:48. | :11:52. | |
a myth... To hear some family stories, to watch footage, home | :11:53. | :11:56. | |
movies of him lurking about at Christmas, that humanised him. We | :11:57. | :12:00. | |
wonder whether the Queen will watch it. I know that you have had a bit | :12:01. | :12:05. | |
of contact with Prince Charles. A few years back, when we were writing | :12:06. | :12:11. | |
the script, I met Prince Charles. I said I was making a film about his | :12:12. | :12:15. | |
uncle, and he was very interested about what we were basing it on, we | :12:16. | :12:19. | |
had a detailed chat, he mentioned other texts that we should look at, | :12:20. | :12:22. | |
apart from what I was already looking at. He has always been | :12:23. | :12:27. | |
interested, and when I saw him again a few times, he would say to me, | :12:28. | :12:32. | |
make sure the actor does this, my uncle did this, all the time! | :12:33. | :12:36. | |
Started giving us tips, directing tips. It was only when I went to the | :12:37. | :12:44. | |
Palace recently, for the celebrations, the celebrations | :12:45. | :12:46. | |
between Britain and India for the anniversary of independence, that I | :12:47. | :12:51. | |
did my usual... With everybody, waiting, shaking hands with the | :12:52. | :12:56. | |
Queen, and... She was told who I was, and about my film, and she | :12:57. | :13:00. | |
said, I have seen the trailer, when can I see the film? Well, she can | :13:01. | :13:07. | |
see it! Viceroy 's house is in cinemas now. | :13:08. | :13:13. | |
Our next film celebrates a food that was a real | :13:14. | :13:15. | |
And chef Tony Singh loves it so much, he's dressed as one | :13:16. | :13:19. | |
There is a British puddings celebrating a very special | :13:20. | :13:27. | |
anniversary this year, happy 50th birthday, Angel delight! First | :13:28. | :13:36. | |
launched in 1967, those very same people that brought ask us to | :13:37. | :13:40. | |
powder, Bird's, we have been stocking this instant desert in | :13:41. | :13:44. | |
kitchen cupboards for 50 years. -- brought us. It epitomised the | :13:45. | :13:49. | |
instant food revolution which included other favourites such as | :13:50. | :13:57. | |
Smash and Cup-a-Soup. By the 1970s, they had double the market for | :13:58. | :14:01. | |
instant desert, as this cheap and convenient powder pudding became a | :14:02. | :14:04. | |
hit with households up and down the country. The thing about Angel | :14:05. | :14:08. | |
delight, is that it tastes deliciously creaming. But does it | :14:09. | :14:13. | |
still have a place in the 21st-century kitchen? How do you | :14:14. | :14:17. | |
keep Angel Delight up to date, modern, what are you doing now, what | :14:18. | :14:20. | |
is different? We are launching a ready to eat Angel delight in pots. | :14:21. | :14:26. | |
A sick, whisk it up, pop it in the fridge, what is the difference? The | :14:27. | :14:32. | |
pots are made from the same ingredients as the sashays but we | :14:33. | :14:35. | |
have added the milk and we have with it and he did the product so that it | :14:36. | :14:40. | |
has a long shelf life without any preservatives. As if the package one | :14:41. | :14:44. | |
convenient enough. -- and we have heated the product. Angel Delight | :14:45. | :14:49. | |
Has cropped up in a variety of flavours, including black cherry, | :14:50. | :14:55. | |
peach, popcorn, and even bubble gum! So, can it be made into any flavour? | :14:56. | :14:59. | |
What about my signature desert, passion fruit powder over? You went | :15:00. | :15:06. | |
from this... To this... We have, would you like to taste it? I would | :15:07. | :15:10. | |
love to, it smells of passion fruit. -- passion fruit pavlova. The Angel | :15:11. | :15:14. | |
delight starter is an unflavoured mix. -- Angel Delight. The passion | :15:15. | :15:18. | |
fruit and Moran flavouring is added to it. You can tell it is passion | :15:19. | :15:20. | |
fruit. -- passion fruit and merangue. | :15:21. | :15:32. | |
Growing up, Strawberry was my favourite flavour. Still the most | :15:33. | :15:35. | |
popular, we launched with that in 1967. | :15:36. | :15:46. | |
The most delightful taste around! Let's face it, this is no desert | :15:47. | :15:52. | |
worthy of serving in my restaurant, but could it be given a makeover by | :15:53. | :15:57. | |
using it as an ingredient in something as Scots consider quite | :15:58. | :16:02. | |
classy, I am going to make the national desert of Scotland, one | :16:03. | :16:07. | |
that is definitely worthy of a birthday celebration, but instead of | :16:08. | :16:10. | |
whipped cream, I am going to be using Strawberry Angel delight. | :16:11. | :16:16. | |
Fresh raspberries... A dollop of honey... And of course, the Angel | :16:17. | :16:19. | |
Delight. Honey, loads of fruit, dead light, | :16:20. | :16:31. | |
lovely. It's usually made with whisky but not today. Mine is going | :16:32. | :16:39. | |
to be family-friendly. So what will the good people make of it? And will | :16:40. | :16:44. | |
anybody be able to guess that I made it with angel delight? Yoghurt of | :16:45. | :16:52. | |
some sort? No. You like it? Have a taste. Yoghurt and oats. Can you | :16:53. | :16:59. | |
guess what it is? No. It's nice and light. Angel Delight. You've got it | :17:00. | :17:06. | |
- on the nose. If I was to say we've got Angel Delight in there. Wow. | :17:07. | :17:14. | |
Nice ain't it? Very nice. Only one person guessed I used Angel Delight | :17:15. | :17:18. | |
but everyone seemed to like it. Well, almost everyone. There you | :17:19. | :17:24. | |
have it, an empty pot says it all. Here's to another 50 years of Angel | :17:25. | :17:30. | |
Delight. That was pure joy. Another Angel Delight lover Joe is here to | :17:31. | :17:36. | |
tell us about more instant food. You have got some Angel Delight here. | :17:37. | :17:41. | |
What is your favourite flavour? We used to fight over the strawberry. | :17:42. | :17:47. | |
Angela's never had Angel Delight, not even rehearsing today. So let's | :17:48. | :17:49. | |
just watch this. It's nice. Do you like that? Nice | :17:50. | :18:08. | |
actually. Joe, you have the coffee one. I have camp coffee that goes | :18:09. | :18:16. | |
all the way back to 1876. It has a link to India. It's thought it was | :18:17. | :18:20. | |
requested by the Gordon Highlanders who were fighting imperial battles | :18:21. | :18:24. | |
overseas and they wanted something a bit more practical than grinding up | :18:25. | :18:27. | |
coffee beans on the field. They wanted something that could be mixed | :18:28. | :18:30. | |
with hot water and they drink this coffee. So that's where it came | :18:31. | :18:34. | |
about. What is interesting is, we have got a picture of the label. | :18:35. | :18:38. | |
That is what I was going to say, I remember the label. That is the very | :18:39. | :18:43. | |
original one. You see a Highlander sitting being served his camp coffee | :18:44. | :18:50. | |
by a Sikh man servant thought to be the soldier, general Sir Major | :18:51. | :18:57. | |
Hector McDonald. When you go forward a few decades, that's seen adds | :18:58. | :19:03. | |
imperialist, it raises issues about being racist, offensive. The label's | :19:04. | :19:10. | |
changed. They change it subtly and take out the tray which maybe | :19:11. | :19:14. | |
doesn't do a lot. Then in 2006, you have this. The soldier sitting side | :19:15. | :19:20. | |
by side with the Sikh. As recently as 2006? Yes, both have coffee in | :19:21. | :19:29. | |
their hands, no-one's served anyone. We should talk about the man behind | :19:30. | :19:34. | |
Birds because we are going to get to the custard explosion soon which I | :19:35. | :19:38. | |
know everyone is excited about. He was an interesting chap? Al freshed | :19:39. | :19:43. | |
Bird came up with custard powder in 1837, his first big success. The key | :19:44. | :19:49. | |
to it was it was egg free. His wife was allergic to eggs, I suspect it | :19:50. | :19:52. | |
was a labour of love therefore. He wanted to share the joy of custard | :19:53. | :19:57. | |
with his wife. He created this egg-free powder and it was a huge | :19:58. | :20:02. | |
success. The joy of custard! It was a very popular desert that his wife | :20:03. | :20:06. | |
had been denied unfortunately. This was her first opportunity. It was | :20:07. | :20:11. | |
very successful, it outsold many of the egg-based custards that were on | :20:12. | :20:14. | |
sale but it has this unusual quality that in powdered form, it's | :20:15. | :20:18. | |
explosive, it's very, very flammable. In all seriousness, there | :20:19. | :20:26. | |
was an explosion at the Banbury factory in 1881 and people were | :20:27. | :20:35. | |
hurt. Stuart, are you safe to proceed with this explosion of | :20:36. | :20:38. | |
custard? Thumbs up. Please, please, don't try this at home. Ready? | :20:39. | :20:41. | |
Three, two, one... That's custard exploding. Amazing. | :20:42. | :20:54. | |
Let us see that again in slow motion. Watch that again, right to | :20:55. | :20:59. | |
the top of Broadcasting House. And that is a very small amount of | :21:00. | :21:05. | |
custard powder as well. 300 grammes. Be careful with that stuff. Does it | :21:06. | :21:12. | |
work with Angel Delight? We don't dare try. What about Birds | :21:13. | :21:21. | |
Trifle? Next week. From instant food to instant success for the band who | :21:22. | :21:26. | |
raised their first single Tainted Love. Gary's been to say hello and | :21:27. | :21:33. | |
wave goodbye to Soft Cell. The Soho of days gone by. That Neon-lit back | :21:34. | :21:42. | |
street Bohemia was the inspiration for a young northerner experiencing | :21:43. | :21:45. | |
London night life for the first time. Marc a Almond of Soft Cell. | :21:46. | :21:52. | |
The hit record Say Hello, Wave goodbye, was set in Soho. I thought | :21:53. | :21:57. | |
Soho was London, that was it. I thought it was a magical place. He | :21:58. | :22:07. | |
formed a band with Dave Ball after they met at art college in Leeds. | :22:08. | :22:12. | |
Their reworking of an old track went on to become the best-selling single | :22:13. | :22:22. | |
of 1981. Dave was the musical mastermind behind the trademark | :22:23. | :22:25. | |
sound. Teenage years was northern soul. When I heard Craft work, it | :22:26. | :22:32. | |
was the sound of the synthesizer and I was like, I wanted to know how the | :22:33. | :22:36. | |
sound was made and it was the idea of the machine with the soul singer, | :22:37. | :22:43. | |
the blueprint for Soft Cell. Soft Cell were ambitious to make their | :22:44. | :22:52. | |
music go further. Say Hello, Wave goodbye was one of the main songs we | :22:53. | :22:58. | |
did. We wanted the vibe to sound a bit 60s, so I did what Phil Spector | :22:59. | :23:06. | |
would do with a synthesizer. It was like a power ballad, I suppose. Set | :23:07. | :23:11. | |
it in a Soho scene and the influences were 60s films, the | :23:12. | :23:14. | |
black-and-white ones, tabloid headlines like the Politician and | :23:15. | :23:21. | |
the Dancer or the Lord and the Show girl. I wanted it to be a song which | :23:22. | :23:26. | |
told the story of characters, having an illicit affair. She's being needy | :23:27. | :23:31. | |
and embarrassing, so he's singing, go away, I'm finished with you now, | :23:32. | :23:34. | |
I've had a good time, so wave goodbye and she's left standing in | :23:35. | :23:38. | |
the rain. Always strikes me it's a dark song? I like bitter sweet | :23:39. | :23:43. | |
songs. They have that pop sound to them but they are also quite dark, | :23:44. | :23:47. | |
have a dark edge to the lyrics as well. The Neon-infused video was | :23:48. | :23:54. | |
directed by Tim Pope, also a fan. That was their sound and Marc's | :23:55. | :23:59. | |
slightly off key vocals and the arrangement and drama and the sort | :24:00. | :24:03. | |
of delightly parochial quality that I think the lyrics had got were | :24:04. | :24:08. | |
fascinating and interesting. Just wonderful atmospheric, almost like | :24:09. | :24:12. | |
film music in a way which enables me to cut my teeth and film it in an | :24:13. | :24:17. | |
interesting and dark sort of way. It was the edgier side to Soft Cell | :24:18. | :24:21. | |
that attracted criticism, not to mention the eye liner. I remember | :24:22. | :24:31. | |
when the Say Hello Wave Goodbye on Top of the Pops, I took the glasses | :24:32. | :24:35. | |
off and there were loads of complaints about the make-up. It was | :24:36. | :24:40. | |
like walking down the street, getting hurled abuse at you, it was | :24:41. | :24:44. | |
scary but thrilling. We empowered a lot of people. Marc was very daring | :24:45. | :24:49. | |
and brave to do what he did. I think that's fantastic. 35 years on, the | :24:50. | :24:54. | |
original song has been covered many times by other artists. Marc himself | :24:55. | :24:58. | |
has recorded several versions. Today, it's a special performance | :24:59. | :25:00. | |
back in Soho just for The One Show. # Standing at the door of the Pink | :25:01. | :25:12. | |
Flamingo # Crying in the rain... # | :25:13. | :25:20. | |
. It was always a favourite with the fans. We always finished a set with | :25:21. | :25:25. | |
it. # Take your hands off me | :25:26. | :25:32. | |
It's a song that I felt in my heart was last as a Soft Cell classic, | :25:33. | :25:36. | |
more than other sings. That's the song that sums me up as an artist I | :25:37. | :25:41. | |
think. # Say hello, goodbye. | :25:42. | :25:48. | |
# Say hello, wave goodbye. # Say hello, then wave goodbye. | :25:49. | :25:53. | |
. Brilliant. The Best of Marc Almond | :25:54. | :26:05. | |
and Soft Cell is out today. We have seen you around the office. We have | :26:06. | :26:12. | |
got a very exclusive clip that we are going to show, featuring none | :26:13. | :26:16. | |
other than Sir Lenny Henry now. It's great that you could come in for | :26:17. | :26:20. | |
this, Lenny. In terms of things for you on the night itself, Siobhan has | :26:21. | :26:25. | |
been doing... You see this year the idea is funny. Funny. You are so | :26:26. | :26:31. | |
going to love this. Brilliant. Brilliant. Right OK put it on. I'm | :26:32. | :26:37. | |
not wearing that OK. The thinking is Lord Lenny, it's like Lord Nose. No. | :26:38. | :26:43. | |
I'm not wearing that OK. He's not a Lord, Siobhan, he's a Sir. I'm | :26:44. | :26:48. | |
sorry, I'm not doing this OK. OK well it's good to have clarity on | :26:49. | :26:52. | |
this. Is it? So that's all good. APPLAUSE. | :26:53. | :26:56. | |
What would the BBC's head of values make of this show tonight? I think | :26:57. | :27:01. | |
bearing in mind that every problem is a solution waiting to happen, I | :27:02. | :27:06. | |
think this is one enormous solution and you have triumphed with it. | :27:07. | :27:12. | |
Triumphed again. What about that? ! What a shoe to work on. We enjoy it | :27:13. | :27:17. | |
immensely don't we? Of course you started in the Beeb? At radio WM at | :27:18. | :27:24. | |
Pebble Mill. I used to read the travel news, the weather and the M1 | :27:25. | :27:30. | |
junction 16 was the bane of my life. Still the bane of many people's | :27:31. | :27:35. | |
lives. That show is very funny. If you have ever had any associations | :27:36. | :27:41. | |
with the BBC... It's not a comedy, it's a documentary. It's very | :27:42. | :27:45. | |
affectionate though. Very hard to walk in here though and not to go, | :27:46. | :27:49. | |
are we not going to Frankie Howard's, we end up saying all that, | :27:50. | :27:53. | |
don't sghe Absolutely! We have had a brilliant week of guests and there's | :27:54. | :27:59. | |
more to come next week. Next week on the one show: Harry | :28:00. | :28:05. | |
Hill. Jake gillen Hall. Rebecca Ferguson. Ryan Reynolds. Sheena | :28:06. | :28:12. | |
eastern. Dan Stevens. And not forgetting The One Show team entry | :28:13. | :28:17. | |
to Let's Sing Dance for Comic Relief. That's almost it for | :28:18. | :28:23. | |
tonight. A huge thank you to Hugh and Gurinder. | :28:24. | :28:32. | |
# Do, do, do, come on and do the Conga... | :28:33. | :28:40. | |
What's going on? Firstly, who blows up custard? ! We do. Just the once. | :28:41. | :28:47. | |
That's madness. I'm here to tell you, Red Nose Day starts in two | :28:48. | :28:51. | |
weeks, 24th March, download your starter pack from the website, raise | :28:52. | :28:56. | |
money, anything at all, pence or pounds, we'll take anything. We are | :28:57. | :29:06. | |
Conga-ing, come on, get up! # Do, do, do, come on and do the | :29:07. | :29:09. | |
Congo... | :29:10. | :29:15. |