Browse content similar to 10/04/2014. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. And Matt Baker. | :00:16. | :00:21. | |
Everyone is very excited about tonight's guest being on the show. | :00:22. | :00:26. | |
Earlier just outside the entrance to our studio these were the scenes. | :00:27. | :00:30. | |
SCREAMING. Those girls were here for The Vamps on Radio 1 earlier. | :00:31. | :00:44. | |
So we sent him round the back way. Please welcome Alan Titchmarsh! It's | :00:45. | :00:49. | |
nice to be here. Even if that wasn't my welcome. This is boring for you, | :00:50. | :00:58. | |
these days. It's tedious. You are now celebrating 50 years since you | :00:59. | :01:02. | |
started as a trainee gardener. Yes, 50 years this year since becoming an | :01:03. | :01:10. | |
apprentice gardener. What are you planting to mark the occasion? I've | :01:11. | :01:14. | |
not thought about that. An oak tree, it may last longer than me. We've | :01:15. | :01:19. | |
all been enjoying scenes of Prince George on the television today. He's | :01:20. | :01:23. | |
so adorable. I can't get over how like his father he is. Now you have | :01:24. | :01:28. | |
two grandchildren, Daphne and Zachary. Three now. They keep on | :01:29. | :01:34. | |
coming. This is a familiar theme for you. The Duchess of Cambridge does | :01:35. | :01:41. | |
not hold mine. The most marvellous cheeks he has got. Anyway, in about | :01:42. | :01:49. | |
an hour, the Irish president Michael D Higgins will be at the Albert Hall | :01:50. | :01:54. | |
to enjoy a concert celebrating Irish music, culture and dance. But how do | :01:55. | :02:00. | |
Irish performers feel about taking part in Tonight Show? And how | :02:01. | :02:04. | |
significant for them is their presidents visit? Anita Rani's been | :02:05. | :02:11. | |
to find out. They come three is after the Queen laid a wreath and | :02:12. | :02:14. | |
two years after she shook hands with Sinn Fein's Martin McGuinness. | :02:15. | :02:21. | |
In just a few hours, a full-blown concert will take place here. It | :02:22. | :02:30. | |
will mark the end of the President's visit. In true One Show | :02:31. | :02:34. | |
style, we've got backstage access. This is Philip, the organiser. | :02:35. | :02:52. | |
Within the last five minutes, he is name-dropped Seamus Heaney, Johnny | :02:53. | :02:56. | |
Marr, Guy Garvey. Tell me how this has come together. The president is | :02:57. | :03:01. | |
steeped in culture. We sat down together and he wondered wooden | :03:02. | :03:06. | |
event which shared our culture be the thing to do? Dashwood and | :03:07. | :03:12. | |
event? We thought, yes, that would be fantastic. The fact of the Queen | :03:13. | :03:18. | |
came to Dublin, that was a great step in the right direction. Very | :03:19. | :03:26. | |
brave of her. It's a great thrill Michael D Higgins is on a state | :03:27. | :03:29. | |
visit and have stayed concert I'm thrilled. # I cannot control these | :03:30. | :03:39. | |
ever-changing ways. What was the atmosphere like at the state dinner? | :03:40. | :03:43. | |
An amazing long table and beautiful lights. Then they brought the lights | :03:44. | :03:48. | |
down and 12 papers walked around this giant table. In that moment, I | :03:49. | :03:52. | |
felt Ireland became one country. Such a privilege to be in this room | :03:53. | :04:03. | |
listening to these fantastic musicians rehearsing. What is it | :04:04. | :04:07. | |
about this Irish music that makes you feel, I can't even explain it, | :04:08. | :04:16. | |
something quite wonderful? What it does, to quote Seamus Heaney, it | :04:17. | :04:22. | |
captures the heart of a person and blows it open. That's pretty cool. | :04:23. | :04:32. | |
What you think about the Irish flag in Windsor? I never ever thought I'd | :04:33. | :04:40. | |
see the day. The horse guards and the tricolour, it's hard to believe. | :04:41. | :04:47. | |
My parents would've loved to have seen this. Do you feel quite | :04:48. | :04:54. | |
emotional about it? Oh, yeah. How does it feel to be part of this | :04:55. | :04:59. | |
event? It's historic full sum everybody knows it's a big deal, how | :05:00. | :05:03. | |
much it means to everybody. I'm married to an English manner. My | :05:04. | :05:07. | |
daughter is half Irish, half English, so it's nice for our | :05:08. | :05:13. | |
families as well. Well it all kicks off at 8:30pm tonight, the president | :05:14. | :05:17. | |
will be sitting in one of these beautiful boxes alongside | :05:18. | :05:22. | |
dignitaries and royalty. This is an event people never thought they | :05:23. | :05:30. | |
would see in their lifetime. The honour of being here is enormous. It | :05:31. | :05:33. | |
should have happened years ago, of course, but it's happening now and | :05:34. | :05:36. | |
it's fantastic it's happening now because it's holding a bridge into | :05:37. | :05:42. | |
existence which will be recognised by the two countries. I think it's a | :05:43. | :05:50. | |
wonderful thing. The past has been better and bloody between the two | :05:51. | :05:53. | |
countries but this is a real moment in history and, having spent time | :05:54. | :05:57. | |
with the musicians, their passion and pride of contagious. And | :05:58. | :06:01. | |
tonight, there won't be a dry eye in the house. Well, probably right. | :06:02. | :06:08. | |
Very much so. You've had a passion for music all your life. I did four | :06:09. | :06:15. | |
years of the Proms for the BBC. It's a wonderful atmosphere in there. | :06:16. | :06:22. | |
They will play live, and we know it's been there since the year dot. | :06:23. | :06:26. | |
You still do your classic FM show every Saturday. I used to buy LPs | :06:27. | :06:34. | |
when I was a kid and I used by the classical ones. My mates have a | :06:35. | :06:38. | |
Rolling Stones and the Beatles and I would have brown plastic bags they | :06:39. | :06:43. | |
can see my classical music records so it was a treat to be allowed to | :06:44. | :06:48. | |
do it. OK, on we go. By law everybody in this country has the | :06:49. | :06:52. | |
right to defend their land, home and family using reasonable force. But | :06:53. | :06:55. | |
what is reasonable force and how far would you go if you discovered | :06:56. | :06:58. | |
somebody on your property? Lucy Siegle's been to meet a father of | :06:59. | :07:02. | |
five who was forced to answer that question. Imagine coming across | :07:03. | :07:09. | |
thieves on your property. In the dead of night. Would you take them | :07:10. | :07:14. | |
on? It's frightening even to think about it, isn't it? Coming | :07:15. | :07:17. | |
face-to-face with danger when things can get out of hand very quickly. | :07:18. | :07:22. | |
The police don't advise you confront a burglar or a thief, but still, but | :07:23. | :07:27. | |
hasn't stopped some people from taking action to defend themselves | :07:28. | :07:31. | |
and their property. Andrew Woodhouse knows what it's like to be targeted | :07:32. | :07:36. | |
by thieves. His yard is in broken into many times and lasted, they | :07:37. | :07:42. | |
struck again. I was lying in bed, my wife was asleep, my phone went off, | :07:43. | :07:47. | |
and alerted me that there was somebody in the yard. He jumped in | :07:48. | :07:52. | |
his van and drove there to find out what was going on. I pulled up my | :07:53. | :07:59. | |
van by here. I came to the gates. I heard noises towards the back of the | :08:00. | :08:04. | |
yard. I thought I had disturbed them. They were making off over the | :08:05. | :08:10. | |
fields. So they were somewhere over here? In the, somewhere, yes. And | :08:11. | :08:16. | |
what did you do? I chased them up the field. Over the fence. As I came | :08:17. | :08:23. | |
through the whole, I could see them loading the back of the car. I was | :08:24. | :08:31. | |
angry, frustrated. I was scared. A lot of emotions going through my | :08:32. | :08:35. | |
mind that night. When he caught up in the two thieves, one of them | :08:36. | :08:38. | |
attacked him with a large bit of wood. I felt a blow to my hand, my | :08:39. | :08:46. | |
shoulder, we had a bit of a scuffle. Luckily, I managed to get the wood | :08:47. | :08:53. | |
off one of them and once I got it, I was just lashing out. When police | :08:54. | :08:58. | |
arrived, they found Kevin Green line on the ground badly injured. Two | :08:59. | :09:02. | |
broken legs and a broken arm. I was gutted. For myself onto him, because | :09:03. | :09:10. | |
I wouldn't wish on any man. And yet, you inflicted that on him? But come | :09:11. | :09:15. | |
at the time, I didn't realise what I'd done. Things happen so quickly | :09:16. | :09:22. | |
that night. It was over in seconds. I just didn't want to be the victim, | :09:23. | :09:28. | |
lying on the floor. And be left for dead by them. The two thieves were | :09:29. | :09:34. | |
arrested that night but they weren't the only ones. The police also | :09:35. | :09:40. | |
arrested Andrew. He was later charged with GBH with intent, Julie | :09:41. | :09:44. | |
would decide his guilt or innocence. If found guilty, he was | :09:45. | :09:50. | |
facing prison. The trial started in January this year and after three | :09:51. | :09:54. | |
days, the Julie were sent out to deliberate. But the jury took just | :09:55. | :09:58. | |
20 minutes to clear Andrew, which has left some asking just how the | :09:59. | :10:01. | |
case even got to court in the first place. Anyone looking at this case | :10:02. | :10:09. | |
held that cold date would say he should not been prosecuted and the | :10:10. | :10:11. | |
state should not have spent thousands of pounds and a great deal | :10:12. | :10:15. | |
of man hours trying to secure a conviction a very serious case next | :10:16. | :10:21. | |
down from attempted murder in terms of severity. That's how serious | :10:22. | :10:25. | |
allegation was he faced. Nevertheless, the inflicted serious | :10:26. | :10:29. | |
injury full is why shouldn't he be prosecuted? They came to him with a | :10:30. | :10:33. | |
weapon, a piece of wood. He was able to disarm men and then used it to | :10:34. | :10:42. | |
defend himself. The CPS has defended its decision to prosecute, saying | :10:43. | :10:46. | |
Andrew's actions went beyond what the law allows in terms of self | :10:47. | :10:52. | |
defence. 14 years ago, Tony Martin went to prison for shooting dead a | :10:53. | :10:58. | |
burglar. Businessman Mr Hussein attacked and intruder with a cricket | :10:59. | :11:03. | |
bat but was released on appeal. The fact of the jury took so little time | :11:04. | :11:08. | |
to return a not guilty verdict has led some commentators to believe | :11:09. | :11:10. | |
attitudes to crimes like these are changing. The CPS thought they had | :11:11. | :11:16. | |
to bring this case as they saw it, Andrew Woodhouse didn't use | :11:17. | :11:19. | |
reasonable force but went way over the top. The Julie's verdict sends a | :11:20. | :11:25. | |
signal to the CPS that people don't care much about burglars but if this | :11:26. | :11:32. | |
goes to lead to vigilantes, people taking the law into their own hands, | :11:33. | :11:35. | |
if it gets to that stage, Parliament will have to intervene bashed Julie. | :11:36. | :11:43. | |
The thieves both received a ?75 fine for the theft of diesel. Andrew says | :11:44. | :11:47. | |
the months leading up to the trial were held for him, his wife and his | :11:48. | :11:52. | |
five children. You can't sleep at night because you're always thinking | :11:53. | :11:55. | |
about that night. You think about, what could happen. Poor man. It's | :11:56. | :12:02. | |
hard to know. What would you do if you're faced with it? As part of | :12:03. | :12:12. | |
your 50th year, as a gardener, the RHS have asked you to design a | :12:13. | :12:16. | |
garden and exhibit it at Chelsea. What do come up with? Celebrating 50 | :12:17. | :12:22. | |
years in gardening for living, also 50 years of Britain in Bloom, I | :12:23. | :12:27. | |
didn't know we were born at the same time. We started at the same time. | :12:28. | :12:33. | |
Have you tied it all in? Yes, 1960s, up to 2014, but 1960s was all lawns | :12:34. | :12:41. | |
and those beds. I did it from the Yorkshire moors where I started. We | :12:42. | :12:47. | |
can see a little sketch here. It spills its way with head and pines | :12:48. | :12:50. | |
and purchase through dry stone walls, were seen at the front, a | :12:51. | :12:55. | |
sort of seaside garden with a beach hut and lapping waves because I | :12:56. | :12:59. | |
garden on the Isle of Wight now by the sea. It's my journey. Yes. | :13:00. | :13:06. | |
Britain in Bloom, it's also by the sea. Wouldn't you just love to sit | :13:07. | :13:12. | |
there and read a good book. Funny you should say that. You have | :13:13. | :13:16. | |
written a stack of books but you got a brand-new one. It's called Bring | :13:17. | :13:20. | |
Me Home. I'd only read the first two chapters so far but you leave | :13:21. | :13:24. | |
everybody in suspense from the off. The first one, the main character, | :13:25. | :13:30. | |
he's obviously got a secret. Give us a flavour of it. His name is Charlie | :13:31. | :13:34. | |
commonly inherited a castle in Scotland and he it. It's set in the | :13:35. | :13:43. | |
Highlands. The Scottish Highlands. He throws a wine glass against the | :13:44. | :13:49. | |
wall of the castle. We don't know why. I like mysteries. Romantic | :13:50. | :13:55. | |
mysteries. I didn't realise I like them until the first one. I write | :13:56. | :13:59. | |
these mysteries about relationships and people. I didn't know when I | :14:00. | :14:06. | |
wrote it. Remarkably, they are a mystery for you. It is weird. Some | :14:07. | :14:12. | |
authors must have it completely plotted but I have the place, my | :14:13. | :14:15. | |
characters, I put them in a situation. I have a vague idea that | :14:16. | :14:19. | |
something has to go wrong but I don't know why they've done that but | :14:20. | :14:23. | |
then I go back to a childhood and followed through his life, as | :14:24. | :14:26. | |
romances, his stepmother, that sort of thing. It's a weird thing to do. | :14:27. | :14:37. | |
You) to leave. How old do you do all of this because you present a TV, | :14:38. | :14:41. | |
and author, Gardner, so where do you find time to put all of this into a | :14:42. | :14:49. | |
weekly schedule? The art of cloning. There are six of me. Dolly the sheep | :14:50. | :14:54. | |
and I have a lot of common. When the chat show was on I can't do it. I am | :14:55. | :14:59. | |
fulltilt, but in between times, you can't do one day a week. You have | :15:00. | :15:04. | |
got to do for five days of writing and working your way through it so I | :15:05. | :15:08. | |
do it in downtime from TV, really. I love it. It's an escape and I like | :15:09. | :15:12. | |
to write the kind of books I like to read. I'm a storyteller and I'm | :15:13. | :15:17. | |
chasing Jeffrey archer. He's number one and I number four. James | :15:18. | :15:23. | |
Patterson and Danielle steel arbitrariness. | :15:24. | :15:31. | |
Talking of television, this will be the 15th series. Why have you | :15:32. | :15:41. | |
decided... It was eight years, I would rather give up before I am | :15:42. | :15:46. | |
asked to leave. Three o'clock in the afternoon, over a million folk | :15:47. | :15:50. | |
watching. I love doing it. There are other things to do, I feel I need to | :15:51. | :15:55. | |
move on. You have been a master of quitting at the right time. You will | :15:56. | :16:00. | |
never see me again. Many of us have relatives who fought | :16:01. | :16:04. | |
during World War I, but not many have seen actual footage of family | :16:05. | :16:09. | |
members in action on the front line. We bought some viewers together for | :16:10. | :16:17. | |
a very special screening. For one day only the Ritzy Cinema in Brixton | :16:18. | :16:20. | |
is showcasing one of the most successful films of all time. When | :16:21. | :16:25. | |
it was first released 20 million people went to see this film during | :16:26. | :16:30. | |
a six-week run. It held the British cinema audience record for over 60 | :16:31. | :16:34. | |
years and even then was only beaten by Star Wars, and I can remember | :16:35. | :16:38. | |
what a global phenomenon that was. I bet you have never even heard of | :16:39. | :16:44. | |
this film. Shot amongst the dirt, danger and despair of the real-life | :16:45. | :16:48. | |
front line, the film captures on celluloid were the most infamous | :16:49. | :16:52. | |
battles of the First World War The Battle of Somme. In July 1916 the | :16:53. | :17:00. | |
Allies launched one of the largest attacks of the war in France. The | :17:01. | :17:06. | |
cameras rolled as British firms pummelled German lines to break the | :17:07. | :17:12. | |
stalemate on the Western front. The War office commissioned this | :17:13. | :17:14. | |
documentary to capture footage of what they believed would be a great | :17:15. | :17:20. | |
victory. Plans Corporal Walter Little more features as one of the | :17:21. | :17:24. | |
600,000 British men who marched into battle. His son David and his three | :17:25. | :17:29. | |
great grandson 's are about to get a flavour of the cinematic experience | :17:30. | :17:35. | |
from 1916. He was in the Royal Artillery. You must be excited to be | :17:36. | :17:39. | |
seeing him here on the big screen. Yes. Embedded with the troops during | :17:40. | :17:45. | |
the march to the front line in the bombardment of the Germans and the | :17:46. | :17:48. | |
fighting itself with two official cameramen. For Geoffrey Malins and | :17:49. | :17:55. | |
JB McDowell it was unchallenged as the Imperial War Museum North crop | :17:56. | :18:02. | |
was research associate explained. The cameramen must have been working | :18:03. | :18:06. | |
under the most diabolical conditions. Absolutely, imagine | :18:07. | :18:11. | |
sharing all the hardships the soldiers were exposed to, the same | :18:12. | :18:16. | |
risks, and not firing back. All I have got to shoot back with is a | :18:17. | :18:20. | |
camera. It is extraordinary they produced results like that with this | :18:21. | :18:23. | |
equipment. The footage they shot was edited | :18:24. | :18:28. | |
into a propaganda coup, far from the great victory expected the first day | :18:29. | :18:31. | |
of the battle turned into the darkest day of British military | :18:32. | :18:34. | |
history with nearly 60,000 British Army casualties. This depressing | :18:35. | :18:40. | |
truth rarely features in the film, there are masses of German corpses | :18:41. | :18:44. | |
but images of British casualties are brief, fleeting moments. Yet for all | :18:45. | :18:49. | |
the propaganda spread the film is a fascinating insight into the reality | :18:50. | :18:55. | |
of the war. And for Captain Douglas Kate's great nephew this means a new | :18:56. | :19:00. | |
perspective on somebody he has seen footage of today. He was always just | :19:01. | :19:05. | |
a name in history, but to see the face makes it much more real, you | :19:06. | :19:09. | |
identify a member of the family and you feel that awful sense of irony | :19:10. | :19:14. | |
that here he is, strong, young and brave and within a year he will be | :19:15. | :19:18. | |
dead. He survived the battle but not the full wall. | :19:19. | :19:23. | |
Walter did survive, he features as a stretcher bearer. My dad saw that | :19:24. | :19:30. | |
shot in the cinema like this at Southend-on-Sea and he shouted out, | :19:31. | :19:35. | |
that is me. Everybody looked round. I must read this, most are wrote me | :19:36. | :19:42. | |
this note to mention over 40 years after 1918, he still has bad | :19:43. | :19:48. | |
nightmares when he thought he was being buried in a collapsing trench | :19:49. | :20:01. | |
and shouting for help. Thank you. Otherwise I wouldn't be here, he did | :20:02. | :20:08. | |
survive. What they did, what they sacrificed, didn't and right there, | :20:09. | :20:14. | |
people carried the wounds and the psychological damage. For years on | :20:15. | :20:22. | |
after the war. The film vividly captures thousands more men like | :20:23. | :20:28. | |
Douglas and Walter who took part in the battle. This summer the | :20:29. | :20:32. | |
centenary of the outbreak of the great War gives all of us an | :20:33. | :20:34. | |
opportunity to honour their sacrifice. | :20:35. | :20:43. | |
To bring all those people together and to have experienced that in one | :20:44. | :20:47. | |
afternoon. It was an extraordinary thing to sit there with the people | :20:48. | :20:51. | |
whose family was therefore stop you find yourself looking at them | :20:52. | :20:56. | |
wondering how they will respond. Three generations of one family. | :20:57. | :21:02. | |
Quite something. As you said in the film, most of the film was filmed | :21:03. | :21:06. | |
during the actual battle, but they did recreate one scene from the | :21:07. | :21:12. | |
battle. When there were going over the top, it was too dangerous, the | :21:13. | :21:21. | |
mode, equipment was very heavy, it was too dangerous. Not after the | :21:22. | :21:24. | |
thing of the cameramen, but goodness me. | :21:25. | :21:27. | |
Let's have a look on the table, you have brought in some pieces that | :21:28. | :21:30. | |
were brought back from the front line. This is a bugle used in the | :21:31. | :21:36. | |
first battle of the Somme and was recovered from romance land in | :21:37. | :21:44. | |
September 19 16 -- no man's land. It has been loaned to us by the Western | :21:45. | :21:49. | |
front Association. You regard these things as musical instruments, | :21:50. | :21:52. | |
strategically they were important because they signalled, time to get | :21:53. | :22:02. | |
up, advance, retreat. You think what it has been to. When you think that | :22:03. | :22:08. | |
gave direction. And some viewers have sent in other artefacts. | :22:09. | :22:16. | |
Identification tags here from Chris Hart, these belong to his dad, but, | :22:17. | :22:29. | |
-- Bert Hart, interesting the day-to-day entries. Chris believes | :22:30. | :22:35. | |
his father was moved up to the Somme in July, 1916. All the entries start | :22:36. | :22:41. | |
to sort of disappear, they don't really... Could they say where they | :22:42. | :22:48. | |
work? Were they allowed to say where they work? It says it is the soldier | :22:49. | :22:54. | |
's own diary so I am sure they will all issued with something like this. | :22:55. | :23:00. | |
Received news of wedding from home, enemy exploded big nine at 730 PM, | :23:01. | :23:07. | |
60 killed. That was in April, 1916. Amazing. | :23:08. | :23:13. | |
We are getting so many things sent in from our viewers. Thank you to | :23:14. | :23:17. | |
everybody that is sending them in and sharing your treasures. Is it | :23:18. | :23:22. | |
fair to say Percy Thrower was a bit of a hero of yours? I eventually | :23:23. | :23:30. | |
became his editor when he wrote books. Later on in life I became his | :23:31. | :23:38. | |
editor and got to know him. Tonight his home-grown seedlings, his three | :23:39. | :23:41. | |
daughters, share their experience of growing up with a great man. | :23:42. | :23:49. | |
Good evening and welcome to gardeners world. Our dad was Percy | :23:50. | :23:57. | |
Thrower, the presenter of gardeners world. The first gardener to become | :23:58. | :24:02. | |
a TV star. The wisteria is a problem plant. His full-time position was | :24:03. | :24:10. | |
Park Superintendent in this park. This is right in the centre of the | :24:11. | :24:16. | |
park. After the war he restored it to the formal planting it is now. It | :24:17. | :24:21. | |
must have been such a mess when he came to take it over. He was the | :24:22. | :24:27. | |
youngest park superintendent at that time in the country. One of the | :24:28. | :24:35. | |
producers of the archers also did a country calendar on the radio, saw | :24:36. | :24:43. | |
how beautiful it was, and invited him to do a segment in the studio | :24:44. | :24:48. | |
and gardening. He did gardening club for a number of years and it became | :24:49. | :24:55. | |
gardeners world. A lot of people go wrong with a pruning. I don't think | :24:56. | :24:58. | |
he had any conception about the power of television. At the end of | :24:59. | :25:02. | |
one of his programmes he said we are having the garden open for the local | :25:03. | :25:06. | |
church on Sunday. 9000, 10,000 people descended that Sunday on to | :25:07. | :25:15. | |
what was less than an acre of garden. He couldn't believe people | :25:16. | :25:18. | |
would want to come and see the garden. . Quarry Lodge was our home | :25:19. | :25:26. | |
and where he worked. This was the dining room. I remembered mum and | :25:27. | :25:32. | |
dad having lots of parties. It was always busiest on Tuesday. The | :25:33. | :25:39. | |
farmers market. The wives would be shopping, they would come up for a | :25:40. | :25:42. | |
cup of tea and the men would want something a little bit stronger. And | :25:43. | :25:46. | |
then the parties would go on until the early hours of the morning. The | :25:47. | :25:52. | |
cards usually came out. I can remember sitting here watching the | :25:53. | :25:55. | |
shrews brief lull in show, that's highlight of the year -- Shrewsbury | :25:56. | :26:07. | |
flower show. Waving like royalty. At an early age he started us off | :26:08. | :26:14. | |
flower arranging wild flowers and he used to carry the arrangements down | :26:15. | :26:18. | |
to the marquee to put them into their positions and we would have to | :26:19. | :26:22. | |
get them down the hole so we haven't lost anything. I was no good at it. | :26:23. | :26:31. | |
Need and say any more. He used to say this is my daughter Susan and | :26:32. | :26:35. | |
she doesn't know her daffodil from a dandelion. He was very protective of | :26:36. | :26:42. | |
us girls. We had times to come on, if we went out in the evening, I | :26:43. | :26:46. | |
remember one night I went out to dance, I home just past midnight, | :26:47. | :26:51. | |
and he was sitting in his favourite chair in the kitchen, cleaning his | :26:52. | :26:56. | |
gun. Which freaked out the gentleman I was with. I don't think that | :26:57. | :27:03. | |
actually realised what he was doing. I don't know, knowing dad! He was | :27:04. | :27:11. | |
contacted to ask if he would like to do gardening on Blue Peter, and I | :27:12. | :27:15. | |
can remember him coming back and shaking his head and saying, you | :27:16. | :27:19. | |
really cannot plant seeds in a garden with an unruly dog. | :27:20. | :27:25. | |
But that a foot apart. In the early part of 1988 his health declined, he | :27:26. | :27:38. | |
was taken into hospital. Britain's best-known Gardner has died at the | :27:39. | :27:42. | |
age of 75. He became a national celebrity. When dad died the sense | :27:43. | :27:49. | |
of loss, how great it is for anybody, seemed greater, because of | :27:50. | :27:54. | |
the media and the attention that he was given. It is a nice tribute to | :27:55. | :28:02. | |
have his bust looking at the area he was so passionate about. Gardening | :28:03. | :28:08. | |
is around you anyway, he is there all the time. | :28:09. | :28:16. | |
We have this lovely picture of the pair of you, 1981 this was taken. | :28:17. | :28:27. | |
Look about her. -- look at that hair. He had the most amazing | :28:28. | :28:31. | |
charisma. That voice still does it for me, measured delivery. He knew | :28:32. | :28:37. | |
what was doing. And you have it as well. You know what you are doing as | :28:38. | :28:42. | |
well. Lots of people will be going out into the garden this weekend, | :28:43. | :28:49. | |
what should we be doing? A bit of feed, such a wet winter, Deadhead | :28:50. | :28:55. | |
your daffodils, things like that. Get something nice planted. | :28:56. | :29:00. | |
Thank you for advice, that is all we have got time for. Alan's book Bring | :29:01. | :29:07. | |
Me Home, is out now. Tomorrow we will be joined by Paddy McGuiness. | :29:08. | :29:10. | |
Good luck getting past this lot. | :29:11. | :29:15. |