Browse content similar to 11/04/2014. Check below for episodes and series from the same categories and more!
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A host of Morris and miners and Dolly, Britain's eldest barmaid. Are | :00:16. | :00:23. | |
you looking forward to meeting Paddy McGuinness? I would love one. | :00:24. | :00:44. | |
Welcome to The One Show. Dolly the delectable barmaid will be back | :00:45. | :00:49. | |
later on when we find out how she has been doling them over in | :00:50. | :00:51. | |
Wendover since the Second World War. | :00:52. | :00:56. | |
While she is here she might as well audition for a new show which | :00:57. | :01:00. | |
pitches younger contestants against older ones, it is called Amazing | :01:01. | :01:05. | |
Greys and it is hosted by Paddy McGuinness. | :01:06. | :01:19. | |
Welcome to the show. Hello, Paddy. Nice to have you back. In the new | :01:20. | :01:28. | |
place, lovely and very nice. We will talk about your new show later. We | :01:29. | :01:34. | |
are used to seeing you on Take Me Out with the young girls. Which do | :01:35. | :01:40. | |
you prefer so far? Amazing Greys. When I do Take Me Out, I just get | :01:41. | :01:46. | |
Lamborghini thrown at me. So it is nice to have a break from VAT. | :01:47. | :01:57. | |
Talking of different ages, this Sunday young and old will take part | :01:58. | :02:00. | |
in the London Marathon - other marathons are available. And tonight | :02:01. | :02:03. | |
we're challenging you to find one runner from each of the age groups | :02:04. | :02:07. | |
running this weekend. So we need one runner in their teens. Joanna | :02:08. | :02:17. | |
Gothard running for the multiple sclerosis trust. We have Paul | :02:18. | :02:23. | |
Friedman, running for Saint Francis Hospice, he is 89 years old. He has | :02:24. | :02:29. | |
been running marathons that 69 years. We need to feel -- fill the | :02:30. | :02:39. | |
gaps. One in their 20s. One in their 30s. One in their 40s. One in their | :02:40. | :02:44. | |
50s, all the way up to runners in their 80s. Send us a photo and put | :02:45. | :02:54. | |
your age in the subject line. Now to find out more of our guest of | :02:55. | :02:59. | |
honour, Dolly. Pouring the perfect pint is an | :03:00. | :03:04. | |
artform, but it helps if you have a few years experience. In Wendover in | :03:05. | :03:11. | |
the Chilterns, locals have been enjoying a pint in the old red lion | :03:12. | :03:15. | |
hotel for over 400 years. For most of the last century, they have been | :03:16. | :03:23. | |
served by the same barmaid. Dolly has been pulling pints since the | :03:24. | :03:30. | |
1930s. She is always jolly. She is the life and soul of the pub. There | :03:31. | :03:38. | |
is only one Dolly. With her 100th birthday just around the corner, I | :03:39. | :03:44. | |
wanted to celebrate. Dolly, how long have you been working in this pub? | :03:45. | :03:50. | |
Over 70 years. What is the best thing about working here? Meeting | :03:51. | :03:58. | |
all of the people, I love it. Over the years, Dolly has shared a joke | :03:59. | :04:02. | |
with more than just the regulars. Who is this? Sir Stanley Matthews. | :04:03. | :04:10. | |
That is me sitting next to him. There you go. That is a good-looking | :04:11. | :04:17. | |
chap. Piers Brosnan 's, he was lovely. James Bond. Since Dolly | :04:18. | :04:27. | |
started pulling pints, Britain has been through a world war and 14 | :04:28. | :04:32. | |
prime ministers, but Dolly's tastes have not changed. Did you have a | :04:33. | :04:41. | |
tipple? W and tonic water. Is that your secret to success? To celebrate | :04:42. | :04:46. | |
her long service, we have arranged to have her portrait painted. This | :04:47. | :04:52. | |
artist exhibits around the world and paints using surprisingly quids. | :04:53. | :05:01. | |
This looks like my kind of art. These are the materials I will use | :05:02. | :05:05. | |
to paint a portrait of Dolly. I paint with alcohol and tea and even | :05:06. | :05:11. | |
things like that. When did you first get into painting with alcohol? When | :05:12. | :05:20. | |
I decided on my career, I poured a large glass of brandy and somehow | :05:21. | :05:23. | |
the brush ended up in the brandy and it ended up on the page. I start off | :05:24. | :05:31. | |
with a pencil drawing, get a bit of a likeness so hopefully Dolly can | :05:32. | :05:35. | |
recognise herself. Then I build up in layers. We use calligraphy ink to | :05:36. | :05:40. | |
pick out areas that will be blurred by the alcohol. Then we can start | :05:41. | :05:46. | |
adding layers with the alcohol and let it dry. It just gives a bit of | :05:47. | :05:55. | |
yellow colour. They create this interesting colour effect because | :05:56. | :06:00. | |
they dry quicker than water as well. You can really see that now. As he | :06:01. | :06:09. | |
cracks on with Dolly's portrait, the locals are keen to see how he | :06:10. | :06:14. | |
captures their favourite barmaid. She is lovely. She does not look | :06:15. | :06:23. | |
99, she looks like she is in her 70s, so I hope the artist captures | :06:24. | :06:28. | |
that. I hope they capture her pillow and just Dolly. I just hope they get | :06:29. | :06:35. | |
it spot on. After a few hours, a glass of whiskey and run, it is time | :06:36. | :06:41. | |
to see if Dolly approves. Ladies and gentlemen, on behalf of The One | :06:42. | :06:49. | |
Show, and in honour of Dolly's 76 years of service here, I would like | :06:50. | :06:55. | |
to present her with her portrait. There you go, Dolly. What do you | :06:56. | :07:04. | |
think? I think it is wonderful. All painted in alcohol as well. Whiskey? | :07:05. | :07:12. | |
A little bit of whiskey in there and a bit of beer in there as well. | :07:13. | :07:20. | |
Congratulations, you deserve it. The very lovely Dolly is here with | :07:21. | :07:25. | |
us. Welcome to the studio. Isn't that a lovely picture of you? Yes, I | :07:26. | :07:33. | |
think so. What are you going to do for your birthday? They are having a | :07:34. | :07:39. | |
party at the red lion for May, which I think is very good. Do you get the | :07:40. | :07:47. | |
night off? I don't work on Saturdays. In 76 years you have had | :07:48. | :07:56. | |
some very famous people at the pub, including Margot Fontaine, what | :07:57. | :07:59. | |
happened when she came in? When she came in, my boss's wife said, " | :08:00. | :08:11. | |
Dolly, guess who is in" ? I said, " I don't know". I was cooking at the | :08:12. | :08:19. | |
time. She told me it was Margaret Fontaine. She told me to take my | :08:20. | :08:26. | |
whites off, when you have cooked her scampi, you can take it into her. I | :08:27. | :08:31. | |
thought that was lovely and we had a good chat. You have chatted to lots | :08:32. | :08:37. | |
of people, the boys from the RAF during the Second World War. How did | :08:38. | :08:44. | |
you keep those guys at day? They were very, very good. Someone would | :08:45. | :08:51. | |
come in the saloon bar and they would say, " Dolly, would you like | :08:52. | :09:01. | |
to make a date with me" ? They asked what day I had off, I told them | :09:02. | :09:06. | |
Wednesday. He said, " I would like to take you out". I asked where to | :09:07. | :09:16. | |
meet. He said, I will meet you up by the railway station. That will be | :09:17. | :09:21. | |
one of the boys. Some of the others would come in and say, " hello, | :09:22. | :09:28. | |
Dolly, what are you doing on your day off"? I told them I did not | :09:29. | :09:35. | |
know. And they would ask if they could make a date with me. So I said | :09:36. | :09:43. | |
yes. So they said, where shall I meet you? I would make the date at a | :09:44. | :09:51. | |
different road. Then another one would come in and asked to make a | :09:52. | :09:57. | |
date. And then I would say, meet me by the clock tower. When the time | :09:58. | :10:03. | |
came, I did not turn up to see any of them. You big tease. Your | :10:04. | :10:12. | |
favourite drink is a whiskey and tonic. We have a bartender to bring | :10:13. | :10:24. | |
it over for you. Welcome to Alex. Whiskey and tonic. Three cheers for | :10:25. | :10:37. | |
Dolly. Cheers Dolly. Hang on, something | :10:38. | :10:49. | |
wrong here. I will get another one for you. Dolly, what did you used to | :10:50. | :10:59. | |
say to the customers at the end of the night? I used to say, time, | :11:00. | :11:06. | |
ladies and gentlemen, please. Now is the time for you all to go home and | :11:07. | :11:12. | |
to go home to your feather beds. Perfect. Last week, Voice finalists | :11:13. | :11:23. | |
were in this studio singing their hearts out. But there could only be | :11:24. | :11:27. | |
one winner - Jermain Jackman. After his win Jermain isn't just hoping to | :11:28. | :11:31. | |
reach number one he's got his sights set on number ten. Anita has been to | :11:32. | :11:36. | |
see why he's on the way to being a very political pop star. Jermain | :11:37. | :11:40. | |
Jackman has an incredible boys but he is not your average talent show | :11:41. | :11:45. | |
winner. His ambitions lay beyond a sold-out arena tour. He wants to be | :11:46. | :11:51. | |
the first ever singing black Prime Minister. So I have come to hack me | :11:52. | :11:54. | |
to find out more about this fascinating young man. | :11:55. | :12:11. | |
Jermain. Welcome to Hackney. This is where I was brought up. How has your | :12:12. | :12:20. | |
life changed? It is surreal. I cannot believe it. You are an | :12:21. | :12:24. | |
aspiring politician, a lot of politicians have been getting in | :12:25. | :12:28. | |
touch with you? Ed Miliband, Ed Balls and I believe David Cameron | :12:29. | :12:35. | |
has said my name a couple of times and is interested in meeting up with | :12:36. | :12:41. | |
me. They are people I grew up with watching on television, and now they | :12:42. | :12:44. | |
are saying my name. Who are we meeting first? The Reverend and | :12:45. | :12:52. | |
going to church. Since the riots in 2011, Hackney has struggled to | :12:53. | :12:56. | |
rebuild its image. Hackney is one of the most diverse boroughs in the | :12:57. | :13:04. | |
country. This street sums up Hackney the meat. Brand-new apartments going | :13:05. | :13:11. | |
for a lot of money. And then opposite you have a council estate. | :13:12. | :13:17. | |
What do you think? As well as pumping money into these high-rise | :13:18. | :13:23. | |
flats, let's pump some money into the Hackney residents who have lived | :13:24. | :13:28. | |
here for over 30, 40 years. How important is this church to your | :13:29. | :13:34. | |
singing career? This place keeps me grounded and humble because I know | :13:35. | :13:39. | |
my gift came from God. He cares about people, passionate about what | :13:40. | :13:44. | |
goes on in his community. I have watched him growing up, he wants to | :13:45. | :13:50. | |
say to younger people, your script does not have to be negative, it can | :13:51. | :13:55. | |
be positive. My role is to promote positivity. So people looking in on | :13:56. | :14:00. | |
Hackney thinking they are just rioters, criminals and | :14:01. | :14:05. | |
troublemakers. No they are not, actually. We can achieve great | :14:06. | :14:10. | |
things. Islington arts and media school is where he met his mental, | :14:11. | :14:20. | |
Sonia. Tell me, was he a golden pupil? I was stunned when I heard | :14:21. | :14:28. | |
him sing will stop I said, do you know the song, I Wish? | :14:29. | :14:43. | |
Community centres are of vital importance which is why Jermain | :14:44. | :14:52. | |
volunteers at this one. He has been coming here for about five or six | :14:53. | :14:55. | |
years. He will come and play the drums and dance. Showing the | :14:56. | :15:00. | |
children it is possible to get to where you want to be. Why are places | :15:01. | :15:07. | |
like this important? It is the future of our community. We get to | :15:08. | :15:12. | |
know one another and grow up to be friends. Is that number one on the | :15:13. | :15:21. | |
agenda, bring back youth clubs? Definitely, people can learn | :15:22. | :15:26. | |
socially and learn what life is really like, being in touch with the | :15:27. | :15:34. | |
community. Coming back to Hackney, has everything changed? No, it is | :15:35. | :15:40. | |
the same Hackney and I am still Jermaine Jackman. People might | :15:41. | :15:42. | |
recognise me, but it is the same place. They were all brilliant. You | :15:43. | :15:49. | |
can now apply to audition for the next series of The Voice via their | :15:50. | :15:55. | |
website. And if you fancy auditioning as a judge as well, | :15:56. | :15:58. | |
because they are Kylie down, please go ahead. Very sad news. I have got | :15:59. | :16:05. | |
the answer - only. Get her on, get the gold hot pants on her, it would | :16:06. | :16:13. | |
be fantastic. Calm down, Paddy! Go on, Dolly! Now, your Amazing Greys, | :16:14. | :16:21. | |
which Jolly good audition for, starts on Saturday at 8:30pm. You | :16:22. | :16:24. | |
are pitting the young generation against the older generation, is it | :16:25. | :16:29. | |
like The Generation Game? No. I don't know where that has come | :16:30. | :16:33. | |
from. We do play big games on set and what have you, but the Amazing | :16:34. | :16:39. | |
Greys are made up of people like Sir Geoff Hurst, the only player in | :16:40. | :16:41. | |
history to score in the World Cup final. Then we have got a | :16:42. | :16:48. | |
67-year-old, five foot tall power lifter. She weighs about eight | :16:49. | :16:54. | |
stone. When she comes on, the young contestants think it will be easy, | :16:55. | :16:58. | |
and then they realise. It is a mixture of people. It is just a lot | :16:59. | :17:06. | |
of fun, but it will surprise people. Let's have a taster. What about | :17:07. | :17:09. | |
weightlifting challenge between 26-year-old and a -year-old? Are you | :17:10. | :17:15. | |
still feeling good? Yeah, I am roughly a third of his age. I would | :17:16. | :17:19. | |
like to think my strength outdoes his. He has clearly got the | :17:20. | :17:22. | |
experience and I respect that, but I am younger. I am more pumped for it | :17:23. | :17:28. | |
and I am going to take him down. Has he got you worried? He is a big must | :17:29. | :17:36. | |
wrong boy. He certainly is. -- a big, strong boy. Terrific | :17:37. | :17:41. | |
determination, but will that be enough to take on this man? It is | :17:42. | :17:48. | |
all about the speed as much as anything else. | :17:49. | :17:53. | |
It is a cliffhanger! We will leave it there. Watch the show if you want | :17:54. | :17:57. | |
to know. What was your challenge about working with the older | :17:58. | :18:00. | |
generation? It was not so much a challenge, but when I first met | :18:01. | :18:04. | |
them, they did not have a clue who I was, so it was about trying to gain | :18:05. | :18:12. | |
their trust. But like I say, we have got gold medal winners and world | :18:13. | :18:18. | |
champions, and they are so humble. They will be sweetness and light in | :18:19. | :18:20. | |
the corner of the studio. The young people come on, follow bravado. The | :18:21. | :18:27. | |
older people are very difficult to beat. It is about finding someone | :18:28. | :18:32. | |
who can take them on and win. We had one lad in a bike challenge should, | :18:33. | :18:37. | |
and he was 23 years old and he took on a blog called Derek who was 70. | :18:38. | :18:44. | |
There he is. -- a bloke called Derek. And he just beat Derek by one | :18:45. | :18:51. | |
metre after having a 50 metre head start. And when we finished | :18:52. | :18:56. | |
recording, we had to take a break because the lad on the bike, the | :18:57. | :18:59. | |
young lad was killing over and he needed gas and air -- he was keeling | :19:00. | :19:10. | |
over. Whereas Derek just jumped off. You gave away who won! Oh, yeah! We | :19:11. | :19:19. | |
also saw our very own amazing grey, Angela Rippon. She is your co-host. | :19:20. | :19:25. | |
She is. It is mad working with her, because when I was growing up, I | :19:26. | :19:28. | |
used to watch her on the telly and the news. Whenever you are in her | :19:29. | :19:33. | |
company and she is talking to you, you are just thinking, it is Angela | :19:34. | :19:38. | |
Rippon. You don't even listen. You just think, I'm working with Angela | :19:39. | :19:42. | |
Rippon. She is fantastic. She is like the team captain for the grace. | :19:43. | :19:49. | |
We have challenged you to find London Marathon runners from every | :19:50. | :19:55. | |
age group to fill in between our teen runner Georgina and our | :19:56. | :19:59. | |
89-year-old runner Paul. Let's put some faces on the board. The | :20:00. | :20:04. | |
presenting the 30s, we have got that covered with Debbie Hampton, 37. She | :20:05. | :20:10. | |
is running in aid of charity that supports families affected by the | :20:11. | :20:14. | |
loss of a baby. Representing the 40s age bracket, we have John Gray Shaw, | :20:15. | :20:22. | |
49. He is running for the NSPCC. We are still missing everybody else. | :20:23. | :20:25. | |
The reason is because our printer has broken. That is the truth of the | :20:26. | :20:36. | |
matter. Send them anyway. Now, Arthur Smith has been at it again, | :20:37. | :20:40. | |
having a sleepover in someone else's house. Tonight, he is | :20:41. | :20:43. | |
ruffling the feathers bed sheets of a British motoring legend. | :20:44. | :20:50. | |
This car gives a clue to the man whose house I am staying in tonight. | :20:51. | :20:53. | |
He was one of the richest people in the world and one of the most | :20:54. | :20:58. | |
parsimonious. Most of his fortune, he gave away. His name was William | :20:59. | :21:05. | |
Morris, and he kick-started Britain's motor industry 100 years | :21:06. | :21:10. | |
ago. He lived here in Oxfordshire 30 years until his death in 1963. It is | :21:11. | :21:16. | |
in the parish of Nuffield, and he called the house Nuffield Place. So | :21:17. | :21:19. | |
when he was given a peerage, he naturally chose to be Lord Nuffield. | :21:20. | :21:25. | |
He and his wife Elizabeth lived a quiet and comfortable life. Despite | :21:26. | :21:29. | |
his huge wealth, he was not given the spending much money on himself. | :21:30. | :21:36. | |
Look at his pantry. It is like a time capsule for the 1930s. He could | :21:37. | :21:41. | |
have built himself a palace, but this is the sort of home a country | :21:42. | :21:46. | |
doctor might have had. During his life, he gave away over 30 million. | :21:47. | :21:53. | |
Around 700 million today. He endowed Nuffield College in Oxford. He gave | :21:54. | :21:55. | |
a lot of money to Oxford University generally, to things like hospitals | :21:56. | :22:01. | |
as well. He was interested in medicine, education. Why did he do | :22:02. | :22:11. | |
that? He was just a nice bloke. I am guessing he was a punctual man. He | :22:12. | :22:15. | |
certainly liked a grandfather clock. In this hallway, there are four | :22:16. | :22:25. | |
grandfather clocks. This is Lord Nuffield's bedroom. And look under | :22:26. | :22:30. | |
here. The carpet is made from stitched together fragments of | :22:31. | :22:37. | |
Morris Minor car carpets. Morris's origins were humble. He left school | :22:38. | :22:42. | |
at 14. With capital of ?4, he sold bicycles from his mother's parlour, | :22:43. | :22:48. | |
but he had cars in mind, and in 1913 built his first, the Oxford Morris. | :22:49. | :22:53. | |
By the 30s, he was selling cars for as little as ?100. And he introduced | :22:54. | :23:00. | |
a cost cutter he had seen in America, the production line. Is | :23:01. | :23:06. | |
this doomed. -- is Nice boomed. I like to sleep on the houses of my | :23:07. | :23:11. | |
subject, because it gives me a certain communality with them. This | :23:12. | :23:16. | |
is the sun room, where Lord Nuffield used to sleep in the summer. And it | :23:17. | :23:20. | |
is where I am sleeping tonight. Good night. I have woken up in the middle | :23:21. | :23:30. | |
of the night to have a bit of a poke around to see if I can find what | :23:31. | :23:34. | |
makes this man tick stop and look what I have found in his wardrobe, a | :23:35. | :23:41. | |
whole workshop in miniature, with source, little players, hammers. | :23:42. | :23:49. | |
There is even a device for mending shoes. Anyway, I am going back to | :23:50. | :24:01. | |
bed. I don't think I would have been suited to Lord Nuffield's slippers. | :24:02. | :24:05. | |
I am not very good at saving and I don't even drive. I sailed through | :24:06. | :24:10. | |
my driving test. That is why I failed it. Lord Nuffield have a | :24:11. | :24:15. | |
favourite pastime, and every morning, he would pursue it. He | :24:16. | :24:19. | |
would nip round to the local golf course for a quick round. And not | :24:20. | :24:28. | |
just any golf course, James Bond told Goldfinger that he was a member | :24:29. | :24:34. | |
here. What a journey. From mending bicycles to becoming one of the | :24:35. | :24:38. | |
richest men in the world. It strikes me, if you have got a lot of money, | :24:39. | :24:41. | |
there are three things you can do. You could build a big palace and | :24:42. | :24:47. | |
have parties for your friend. Or you could park it in some foreign bank. | :24:48. | :24:52. | |
Or you could use it to help other people. And it strikes me that more | :24:53. | :24:55. | |
field made the best of those choices. | :24:56. | :25:01. | |
Lord Nuffield would be proud, because we have got some might live | :25:02. | :25:05. | |
isn't Morris Minor is together with some marvellous Morris Minor owners | :25:06. | :25:11. | |
-- some magnificent Morris Minor is. Bring in the first car. This is a | :25:12. | :25:16. | |
former postal and Telegraph worker, Paul Wood. He is 75 and his Morris | :25:17. | :25:23. | |
Minor Royal Mail van is here, with his former colleague Brian in the | :25:24. | :25:26. | |
back-seat. When did you get your Morris? 1992. Your wife was not | :25:27. | :25:34. | |
happy, was she? What the heck have you bought now, she said. She can't | :25:35. | :25:40. | |
stay out of it now. We have been down to Gibraltar, France, Germany, | :25:41. | :25:47. | |
Luxembourg. Next, we have Morris mad mum and | :25:48. | :25:51. | |
daughter Gail and Rohan Battison! How cool is this? Wow. Evening, | :25:52. | :25:59. | |
ladies. How Morris mad are your family? Mildly obsessed. Our loft | :26:00. | :26:06. | |
had about 20 gearboxes in it. And when did you start working on them? | :26:07. | :26:11. | |
My dad handed me an angle grinder when I was about eight. This is a | :26:12. | :26:19. | |
fantastic Kafir festivals. -- a fantastic Kafir festivals. | :26:20. | :26:27. | |
Onto the next one. Thanks, girls! Coming up next, we have the rally | :26:28. | :26:33. | |
Morris which opened the show in the spectacular title sequence filmed in | :26:34. | :26:36. | |
London this afternoon. Alan Smith has this. Where has the car been? It | :26:37. | :26:43. | |
spent 40 years in Jersey, trundling around. Then the owner decided to go | :26:44. | :26:47. | |
on a journey of a lifetime, from Peking to Paris. And where have you | :26:48. | :26:54. | |
been? I have been to the Monte Carlo rally three times in this car. And | :26:55. | :27:01. | |
car number four? It belongs to Claire Edgecombe and her husband | :27:02. | :27:07. | |
David. They don't have an engine, so Paddy is kindly pushing it in. Go | :27:08. | :27:22. | |
on, Paddy! Excellent job. Typical! Claire, you lost this, but you got | :27:23. | :27:30. | |
her back. Yes, my husband found her for me again after 30 years and I | :27:31. | :27:35. | |
bought her for my 50th birthday. And the engine was not even in it until | :27:36. | :27:40. | |
recently? It was working fine and I took it out on Saturday and then you | :27:41. | :27:45. | |
guys rang me on the Tuesday. Thank you for bringing her along. Well, no | :27:46. | :27:51. | |
cars left, so Paul and Georgina, let's have our marathon board. | :27:52. | :28:02. | |
Hopefully, we have got all the representatives of the decades. | :28:03. | :28:06. | |
Representing the 20s, we have Mary Moore. For the 30s, we have Debbie. | :28:07. | :28:13. | |
40s, John. 60s, we have got Ian Wood. And of course you, Paul, | :28:14. | :28:18. | |
representing the 80s. 70s, we still have a gap, unfortunately. Are you | :28:19. | :28:24. | |
all right, Paul? Which one do you fancy? None of them! Oh, good! | :28:25. | :28:36. | |
Paddy, thanks for being on the programme. Thank you to Dave | :28:37. | :28:41. | |
Comolli, and Kelly, who have been training me at Oulton Wanderers for | :28:42. | :28:48. | |
the match which is in June. And are you working with Peter Kay again? | :28:49. | :28:51. | |
Absolutely, but not immediately after. Amazing Greys is on Saturday | :28:52. | :28:58. | |
at 8:30pm on ITV. I will be back on Monday with Fern Britton. See you | :28:59. | :29:00. | |
then. Bye! | :29:01. | :29:04. |