Browse content similar to 10/11/2015. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show, with Alex Jones. | :00:16. | :00:19. | |
And look who's back, in Children in Need week, it's Nick Grimshaw! | :00:20. | :00:25. | |
Thanks Alex, and what a night to be here! | :00:26. | :00:28. | |
I love being here on the television with you, we have such a nice time. | :00:29. | :00:33. | |
A huge star as our guest so how do we introduce her? | :00:34. | :00:38. | |
Get on with it! LAUGHTER We have a big introduction, we have | :00:39. | :00:46. | |
rehearsed for six months! Not many people have six Academy award | :00:47. | :00:52. | |
nominations... This is a big, big guest. Abs we should recreate one of | :00:53. | :00:57. | |
her most iconic scenes... We tried that earlier, did not go so well... | :00:58. | :01:05. | |
She was meant to be Leo, she got it wrong... She got the memo wrong... | :01:06. | :01:09. | |
You are going to enjoy this. Winchester, take it away! | :01:10. | :01:16. | |
# "My Heart Will Go On" - Celine Dion. | :01:17. | :01:23. | |
# I believe that the heart does go on | :01:24. | :01:30. | |
We know you are sick of that song but in Hampshire they | :01:31. | :01:33. | |
I don't mind you mentioning the six Academy award nominations, IM very | :01:34. | :01:43. | |
proud of that, I forgot to tell you, never I hear the song, I was in a | :01:44. | :01:47. | |
wedding once, this is a funny moment, I have been too many | :01:48. | :01:50. | |
weddings, but one particular wedding, the pianist began to play | :01:51. | :01:54. | |
that song... And did me the microphone! As if to say, do you | :01:55. | :02:00. | |
want to do your party piece? As if I sang the song... ! LAUGHTER | :02:01. | :02:04. | |
When we put on the outfits, to film the bit being Kate Winslet, which | :02:05. | :02:09. | |
has been cut, by the way... We immediately began singing it! We | :02:10. | :02:16. | |
began singing the song... Near, far... LAUGHTER | :02:17. | :02:21. | |
Stop now... We have been told by the producers to stop. | :02:22. | :02:23. | |
Thanks to all the lovely people of Winchester, | :02:24. | :02:25. | |
we'll be back with you when the rickshaw arrives there later on. | :02:26. | :02:28. | |
The celebrity memorabilia business has grown | :02:29. | :02:30. | |
rapidly in the last 15 years, with fans increasingly prepared | :02:31. | :02:32. | |
to pay silly money for items signed by their idols. | :02:33. | :02:36. | |
I think you'll find we already are... | :02:37. | :02:38. | |
when you get those done you can start signing Kate's. | :02:39. | :02:48. | |
Signed celebrity memorabilia can be a real draw for fans wanting to own | :02:49. | :02:55. | |
something touched by their favourite star but how do you know that what | :02:56. | :03:00. | |
you are buying is the real deal? Forgery is a big problem, especially | :03:01. | :03:05. | |
in an industry where trust is key, unfortunately, there is people out | :03:06. | :03:08. | |
there, on scrupulous people, who see the industry as a fast buck. Taxi | :03:09. | :03:14. | |
driver Jim Conway is one collector left counting the cost of falling | :03:15. | :03:21. | |
for a fraudster. -- unscrupulous. He thought that this was a famous | :03:22. | :03:26. | |
booking, when Graham poll cautioned the same player three times in a | :03:27. | :03:32. | |
World Cup game between Croatia and Australia. What is it worth? I do | :03:33. | :03:39. | |
not have a clue, the guy who sold me this, and many of my other items, he | :03:40. | :03:43. | |
was selling forgeries. -- Graham Poll. Either this is an iconic | :03:44. | :03:49. | |
moment or this is a piece of card with a bit of scribble on it. | :03:50. | :03:55. | |
Exactly right. He has bought more than ?5,000 worth of collectables | :03:56. | :03:59. | |
from this man, Steve Pearson, as a stadium announcer for Portsmouth FC, | :04:00. | :04:02. | |
he took a starring role in the 2008 FA Cup 's abrasions but he later set | :04:03. | :04:09. | |
up by one-man production line. -- 2000 date -- 2008 FA Cup | :04:10. | :04:18. | |
celebrations. Finally he would sell onto unsuspecting collectors forged | :04:19. | :04:20. | |
items, all for big profits. Money for old rope. Pearson did have some | :04:21. | :04:26. | |
genuine items, but nearly three quarters of what he was selling was | :04:27. | :04:32. | |
fake. He even faked the signature of Muhammad Ollie, on this glove, not | :04:33. | :04:35. | |
just conning collectors but stealing from them as well. This lady wanted | :04:36. | :04:43. | |
to sell off one of her prize signed photos of Muhammad Ali to sell to a | :04:44. | :04:53. | |
children's charity. She said he sold it for 175, I paid ?700 for it in | :04:54. | :04:58. | |
Atlantic City, I have not seen any of the money. Was any of the | :04:59. | :05:02. | |
memorabilia Pearson sold to Jim Conway genuine? We have asked a | :05:03. | :05:06. | |
professional autograph authenticator to take a look through the | :05:07. | :05:13. | |
collection. The Graeme Pollock yellow card... Let's assume somebody | :05:14. | :05:17. | |
brought that into my store, even to be authenticated... I could not do | :05:18. | :05:25. | |
it. I would have too declined that, I do not know the province. -- | :05:26. | :05:31. | |
Graham Poll. We checked with the man himself, and he still owns the | :05:32. | :05:34. | |
yellow card, if it had been the sale, it would be ?1000. Bad news | :05:35. | :05:42. | |
and there is more to come. That Brazilian shirt, there is eight | :05:43. | :05:46. | |
signatures on their that are without doubt all by the same hand, and that | :05:47. | :05:51. | |
is certainly not the signature of Pele. I feel let down and | :05:52. | :05:56. | |
disappointed. 12 days ago, Pearson was given a 14 month prison sentence | :05:57. | :06:01. | |
for fraud and theft, nowadays he is not so keen on appearing on camera. | :06:02. | :06:05. | |
How can we protect ourselves from dodgy dealers like Pearson? Check | :06:06. | :06:11. | |
out the people, make sure that they belong to an organisation, the | :06:12. | :06:17. | |
autograph collectors club, or the autograph their trade association. | :06:18. | :06:19. | |
You would not buy a car without making sure it had a solid MOT with | :06:20. | :06:21. | |
it. Why do it with an autograph? Kate we thought we'd | :06:22. | :06:28. | |
take a look online. and on one popular auction site | :06:29. | :06:30. | |
alone there were 92 items claiming look how many different signatures | :06:31. | :06:33. | |
you have! A lot of different Kate Winslets. I | :06:34. | :06:47. | |
will not tell you which ones are and which one are not, there are | :06:48. | :06:50. | |
three... Four which definitely are not... Five! Half of those are not | :06:51. | :06:59. | |
me. One of those says Katie... It is not me at all. Some of them are | :07:00. | :07:03. | |
complete the different. What does happen to me, if I sign a titanic | :07:04. | :07:08. | |
picture, and an autograph hunter already has Leonardo Di Caprio, I | :07:09. | :07:11. | |
can see very clearly, honestly, eight times out of ten, it is not | :07:12. | :07:16. | |
the signature of Leonardo Di Caprio, obviously I know his signature very | :07:17. | :07:22. | |
well. And I do say, that is not Leo. It was probably gave. Days! | :07:23. | :07:30. | |
LAUGHTER Your new film, The Dressmaker, she | :07:31. | :07:36. | |
goes back to a middle of nowhere place in Australia, there is a dark | :07:37. | :07:44. | |
reason for her return. It is set in the 50s, it is predominantly a | :07:45. | :07:47. | |
comedy but it has a twisted site as well, slightly dark, my mother, | :07:48. | :07:52. | |
played by Judy Davis, a senile old bat who has gone mad, upon the hill, | :07:53. | :07:56. | |
because her daughter has been away for a long time. As a child, Tilly | :07:57. | :08:00. | |
was sent away from the child, -- sent away from the town, she was | :08:01. | :08:05. | |
wrongfully accused of the death of a schoolmate, the film returns when | :08:06. | :08:08. | |
she comes back, she wants answers and revenge and she has come back to | :08:09. | :08:14. | |
find her mother. All hell breaks loose. She gets her revenge through | :08:15. | :08:18. | |
fashion, does she inflict terrible double denim on people (!) socks and | :08:19. | :08:25. | |
sandals... Purple chiffon! Pleats at the waist. LAUGHTER | :08:26. | :08:31. | |
She befriends the townsfolk, who hate her, really hate her and do not | :08:32. | :08:36. | |
want her back, by making them wonderful clothes, they live in | :08:37. | :08:40. | |
middle of nowhere, they pretty much where a version of the same outfit | :08:41. | :08:44. | |
every day, they have no clue about fashion but wish to God that they | :08:45. | :08:49. | |
did. One by one she transforms them, which is them, gets them under her | :08:50. | :08:52. | |
spell, and they give information about events as they happened years | :08:53. | :08:57. | |
ago. She pieces together the truth of what happens to the school | :08:58. | :09:00. | |
friend, and perhaps she was not responsible for what happened in the | :09:01. | :09:05. | |
end. It is very clever. It is kind of like a very dark Gok Wan of the | :09:06. | :09:11. | |
1950s! And we have got a very tasty Lee Holmes were in there as well... | :09:12. | :09:16. | |
Lo and behold, the genius does make them look different, less like | :09:17. | :09:20. | |
themselves and more like they want to be. You just called me Tilly. | :09:21. | :09:29. | |
Just then. I never. And this morning. -- Liam Hemsworth. Sells | :09:30. | :09:35. | |
but this is most important piece of clothing that I'm ever going to own | :09:36. | :09:38. | |
LAUGHTER APPLAUSE | :09:39. | :09:45. | |
-- sounds like. When I told my daughter that we were shooting that | :09:46. | :09:49. | |
scene, she is 15, and she was speechless... ! Um... Er... Ah.. It | :09:50. | :09:57. | |
was just a series of sounds! I took it to be jealously. It is very | :09:58. | :10:06. | |
funny, I felt bad for Liam, he is looking all gorgeous commonly was | :10:07. | :10:09. | |
quite nervous, it is not easy to keep on taking your shirt off, and | :10:10. | :10:13. | |
Judy and I were giggling away. Judy and I having a great time. Lee, he | :10:14. | :10:18. | |
is a sweet guy. Then you are doing this film you ticked off something | :10:19. | :10:22. | |
you always wanted to do. Of all of the things that Kate Winslet has | :10:23. | :10:26. | |
achieved, this will be on the list, that was a big surprise to me. You | :10:27. | :10:33. | |
wanted to learn how to sew. I want to be able to make dungarees and | :10:34. | :10:37. | |
teddy bears, curtains... Now I can do those things. It is amazing. So, | :10:38. | :10:43. | |
I work on an old Singer sewing machine in the film, and I had to | :10:44. | :10:48. | |
learn how to do it, I was determined that they would not have hand | :10:49. | :10:51. | |
doubles, and it was fantastic, lots of tuition, and I can rustle up | :10:52. | :10:56. | |
something fantastic. What about my out fit tonight, she make this out | :10:57. | :11:05. | |
of a couple of napkins (!) apart from the poppy, of course. The film | :11:06. | :11:10. | |
is in cinemas from Friday, November 20, The Dressmaker. | :11:11. | :11:21. | |
I'm sure Kate has worked with many excellent film directors, | :11:22. | :11:24. | |
but not many of them could compete with the brilliant Stanley Kubrick, | :11:25. | :11:26. | |
a man often described as obsessive, egocentric and a recluse. | :11:27. | :11:29. | |
His eldest daughter, Katherina, remembers him | :11:30. | :11:30. | |
My father, Stanley Kubrick, who directed 2001: A Space Odyssey, Dr | :11:31. | :11:36. | |
Strangelove, A Clockwork Orange, Full metal jacket, he had his family | :11:37. | :11:40. | |
around him all of the time, it was very hurtful when there were stories | :11:41. | :11:44. | |
in newspapers about him being egocentric, misogynist, a maniac... | :11:45. | :11:51. | |
And so I am going back to see my old house, where we used to live for 12 | :11:52. | :11:56. | |
Years a Slave! And we left in 1979... I have not seen it since. -- | :11:57. | :12:05. | |
where we used to live for 12 years. I did not even see that! They have a | :12:06. | :12:16. | |
plaque! A blue plaque! This is where I used to live. And this is where | :12:17. | :12:19. | |
the editing happened, and the offices were. Great to see it again. | :12:20. | :12:27. | |
My father was a New Yorker, he and my mother and my two younger | :12:28. | :12:30. | |
sisters, they moved to England in 1960. They loved it so much that we | :12:31. | :12:38. | |
stayed. And this was the garage. Is is where A Clockwork Orange was | :12:39. | :12:46. | |
edited. -- this is. And he made so me others as well. | :12:47. | :12:50. | |
Full of steam back editing tables, and monitors... Stanley was in here | :12:51. | :13:07. | |
all of the time, with his editing tables, his cats, this was his | :13:08. | :13:13. | |
favourite room. -- Steenbeck editing tables. So nice of the owners to let | :13:14. | :13:19. | |
me come to see the house. I remember so clearly, one Sunday, some girls | :13:20. | :13:22. | |
came to the door, and daddy opened it, he said, is Stanley Kubrick | :13:23. | :13:30. | |
here, and he said, no, Newsnight home. I was laughing at the top of | :13:31. | :13:34. | |
the stairs! My friends used to think it was really cool coming here, they | :13:35. | :13:38. | |
thought that I had a movie star lifestyle, always meeting famous | :13:39. | :13:41. | |
people... Jack Nicholson, Tom Cruise... Nicole When I was a | :13:42. | :13:49. | |
teenager, my father was a nightmare, even though I was in A Clockwork | :13:50. | :13:53. | |
Orange, when I was 16, for a nanosecond, in the record shop, I | :13:54. | :13:56. | |
was not allowed to see it until I was 18, he was quite a strict | :13:57. | :14:05. | |
father. He was a pain, actually (!) my father was very surprised at the | :14:06. | :14:11. | |
reaction to A Clockwork Orange. It was blamed for a lot of the social | :14:12. | :14:14. | |
ills going on at the time. It was a scary time, he even got a ticking | :14:15. | :14:20. | |
parcel once... As it turned out, it was a ticking... A Clockwork Orange! | :14:21. | :14:25. | |
This house brings back 1 million memories. -- it was a ticking... | :14:26. | :14:36. | |
Clockwork Orange. I was cast as one of the sisters in Barry Lyndon, and | :14:37. | :14:39. | |
in the back there, Eyes Wide Shut, I was playing the mother. When I was | :14:40. | :14:45. | |
18, I was weeping, he said, make a list of all of the things that you | :14:46. | :14:50. | |
want to do. Photography, art, and it led to the art department in the | :14:51. | :14:54. | |
film industry, and I went onto other films, Muppet movie, dark Crystal, | :14:55. | :14:58. | |
midnight express, when I got pregnant with my first child, I | :14:59. | :15:02. | |
began working again, my first love, oil painting. | :15:03. | :15:07. | |
The depth and the detail, just brilliant. Stanley loved these | :15:08. | :15:18. | |
paintings, and those of his wife. Stanley's Executive Producer for 30 | :15:19. | :15:22. | |
years, my uncle. I worked with infrared very good reason, I enjoy | :15:23. | :15:25. | |
very much, I worked with him for a very long time. Many of her | :15:26. | :15:29. | |
paintings are seen in Eyes Wide Shut. It was a lovely and Q2 us, I | :15:30. | :15:35. | |
think. He was warm, loving, supportive. -- it was a lovely thank | :15:36. | :15:42. | |
you to us. He was a loving husband and father and grandfather and when | :15:43. | :15:47. | |
he died, suddenly, it was like this umbrella that had been protecting us | :15:48. | :15:52. | |
just disappeared. We were getting wet. | :15:53. | :15:59. | |
Katherina followed her father into the film industry. | :16:00. | :16:04. | |
How would you feel if any of your kids decided they wanted to | :16:05. | :16:07. | |
These are things I hear all the time. Honestly, I would encourage | :16:08. | :16:16. | |
it. It's a brilliant job. It's to fantastic. You get to work with | :16:17. | :16:20. | |
really wonderful, interesting people, and you learn so much all | :16:21. | :16:24. | |
the time. That's the great thing, I feel I never stop learning. And you | :16:25. | :16:29. | |
see the world in really safe ways. You travel with groups of people, | :16:30. | :16:33. | |
film crews are very protective. Actors are a great laugh. I would | :16:34. | :16:37. | |
never stand in the way of anything they wanted to do, and particularly | :16:38. | :16:41. | |
not that. It is so refreshing to hear an actor say that. There are | :16:42. | :16:46. | |
huge risks but there's risks with everything, there really are. You | :16:47. | :16:50. | |
can't live your life worrying about the risks you may or may not be | :16:51. | :16:57. | |
about to take. Just go for it. Would they be as insistent as you in | :16:58. | :17:01. | |
getting a part? You famously sent an endless stream | :17:02. | :17:04. | |
of letters and flowers to James Cameron to get the part in Titanic, | :17:05. | :17:07. | |
and you were just as determined when it came to landing your other big | :17:08. | :17:10. | |
film of the moment, Steve Jobs? Part?. I was working on The | :17:11. | :17:15. | |
Dressmaker. The woman doing hair and make-up got the gig doing hair and | :17:16. | :17:20. | |
make-up on the Steve Jobs film. I thought, how brilliant. I said, | :17:21. | :17:25. | |
stop! First of all, what's it about? She was so excited to be a part of | :17:26. | :17:28. | |
this project with interesting people. She described it to me and I | :17:29. | :17:32. | |
thought, my God, that's amazing. I said, and what's the girl's part? | :17:33. | :17:39. | |
And with the two of us went, ooh. She described Joanna Hoffman to me. | :17:40. | :17:43. | |
I thought, I've got to do it. In a timely manner, I think, I put a big | :17:44. | :17:49. | |
on my head and took a selfie and I sent it to the producer, who I know. | :17:50. | :17:54. | |
It worked for me and they sent me the script. Danny Boyle came to | :17:55. | :17:57. | |
Australia where we were filming, we had a meeting and that was it. So | :17:58. | :18:01. | |
Danny Boyle was serious about it before you flew to Australia? | :18:02. | :18:06. | |
Hopefully. I look nothing like the real Joanna Hoffman, so I can | :18:07. | :18:12. | |
understand, maybe not. But I proved them wrong. And it all started with | :18:13. | :18:18. | |
a selfie. What an amazing way to get a job I thought, I'll send that, | :18:19. | :18:24. | |
have that in your inbox, got rid. And you've done so many amazing | :18:25. | :18:26. | |
things. You were recently in Snowdonia with | :18:27. | :18:29. | |
Bear Grylls - and even on the side of a mountain, he made | :18:30. | :18:32. | |
you re-enact a scene from Titanic? You would love Bear, he's fantastic. | :18:33. | :18:43. | |
Hi, Bear. He's wonderful. I was asked to do it when we were still | :18:44. | :18:50. | |
filming Steve Jobs in San Francis o. I thought it would be like a weekend | :18:51. | :18:57. | |
break. Go up a mountain with Bear. Genuinely, it was a bit of a break | :18:58. | :19:01. | |
actually. I had a lovely time. I really want to do it. Not that, but | :19:02. | :19:06. | |
I want to do it. Well, I think you should do it. None of that was | :19:07. | :19:13. | |
planned and when Bear knew the lines after my lines I thought, you are | :19:14. | :19:18. | |
quite weird. Why would you know those lines?! Kate, it's been | :19:19. | :19:25. | |
amazing. Thank you so much. Kate Winslet everybody! | :19:26. | :19:26. | |
CHEERING AND APPLAUSE. Time to say goodbye to Kate now | :19:27. | :19:28. | |
as we hand over to Matt and Yes, I'm hear in Winchester, 74 | :19:29. | :19:46. | |
miles from where I started, along with Team Rickshaw we left at | :19:47. | :19:51. | |
2.00am, so apologies if I start to speak a little bit of gobbledegook. | :19:52. | :19:56. | |
Quite a few people have turned out to meet us here! | :19:57. | :20:01. | |
CHEERING. And that's because shortly Team Rickshaw will be turning on | :20:02. | :20:08. | |
Winchester's Christmas lights. But before all of, that let's catch up | :20:09. | :20:13. | |
with their challenge so far. This is all happening 91 miles away, | :20:14. | :20:18. | |
yesterday afternoon in the very beautiful Cheddar Gorge. Team | :20:19. | :20:27. | |
Rickshaw has travelled through some of this country's most beautiful | :20:28. | :20:31. | |
scenery, and today we are in for another treat. Cheddar Gorge in | :20:32. | :20:36. | |
Somerset. At its entrance we make a quick stop to gorge on some cheese. | :20:37. | :20:38. | |
It's famous for it, you know. And the honour of cycling the | :20:39. | :20:54. | |
rickshaw through the gorge is Amira's. This morning was our | :20:55. | :21:04. | |
earliest start yet, and George Dixon, who tragically lost his | :21:05. | :21:08. | |
father in a road accident, is in the saddle. It is 2 o'clock in the | :21:09. | :21:13. | |
morning and we are about to cycle 74 miles all the way to Winchester. I | :21:14. | :21:18. | |
can't say I've done anything like this before. I don't think there'll | :21:19. | :21:21. | |
be that many people out to cheer us on. I don't either. But we are | :21:22. | :21:27. | |
wrong. It is a quarter past two in the morning and this lovely couple | :21:28. | :21:31. | |
have joined us on a tandem. This is incredible. And that support is | :21:32. | :21:35. | |
welcome. George is one of our strongest riders, but some of these | :21:36. | :21:42. | |
hills are real beasts. A bit tricky here. The things are slipping. Whoa! | :21:43. | :21:48. | |
But George remains positive about the challenge. We are only halfway | :21:49. | :21:53. | |
and it's already been one of the best four days of my life. What | :21:54. | :21:59. | |
we've seen so far, seeing that total yesterday, mine blowing. It is a | :22:00. | :22:05. | |
huge lodgist cal task travelling almost 500 miles, and we really rely | :22:06. | :22:09. | |
on the support team that come along with us. This is the basic set-up. | :22:10. | :22:15. | |
We have got this vehicle here which Team Rickshaw can relax in when they | :22:16. | :22:19. | |
are not riding, if there's any physio that needs to be done. And we | :22:20. | :22:24. | |
have another van with our kit. In sorry if you've been stuck behind | :22:25. | :22:31. | |
us. These are the med diction-bikes. Bikes. These have trained | :22:32. | :22:37. | |
paramedics. What's the best thing for you? Meeting new friends. You | :22:38. | :22:43. | |
are only saying that because you're filming. Lucy, who is 168, has | :22:44. | :22:49. | |
cerebral palsy and is partially deaf, but she has faced it all with | :22:50. | :22:57. | |
a can-do attitude. I don't listen to them. I just turn my head away. I | :22:58. | :23:03. | |
just turn my back on them and I don't care what they think. They try | :23:04. | :23:08. | |
to make you feel down about yourself. My family tell me to | :23:09. | :23:17. | |
accept my disability. I wouldn't change my life for the world. And | :23:18. | :23:22. | |
I'm sure that you brighten every day for them. Yeah. If Lucy, somebody is | :23:23. | :23:28. | |
watching in that isn't feeling so positive right now, what would you | :23:29. | :23:33. | |
say to them? I would say, look at me. I've had cerebral palsy. Don't | :23:34. | :23:44. | |
think about the bad. Always look on the bright side. There's one word | :23:45. | :23:49. | |
they use up North that would describe this perfectly. Mint. Mint. | :23:50. | :24:03. | |
Do you know what, I just love cycling alongside this lot. I am | :24:04. | :24:06. | |
sure that you can understand why. Listen, if you want to text and show | :24:07. | :24:11. | |
your support to these wonderful people, just pick up the phone and | :24:12. | :24:18. | |
text the word Team to 70705. That's for a donation of ?5. If you are | :24:19. | :24:25. | |
feeling more generous and want to donate ?10, text the word Team to | :24:26. | :24:29. | |
70710. Texts will cost | :24:30. | :24:33. | |
your donation plus your standard All of your donation will | :24:34. | :24:35. | |
go to Children in Need. You must be 16 or over - and please | :24:36. | :24:38. | |
ask for the bill payer's permission. For more information | :24:39. | :24:42. | |
and full terms and conditions, where you can also donate online if | :24:43. | :24:43. | |
you want to give a different amount. There is one person missing from | :24:44. | :24:53. | |
Team Rickshaw. That is because George is just around the corner. | :24:54. | :24:57. | |
I'm going to have a word with his mum, Sarah. He doesn't know that you | :24:58. | :25:03. | |
are here, mum. We've got brother Fred here as well, uncle, aunty and | :25:04. | :25:08. | |
grandpa. This must have been difficult for you. We heard that you | :25:09. | :25:13. | |
lost your husband Andrew and George lost his father in a traffic | :25:14. | :25:16. | |
accident, a cycling incident on the road. Here he is cycling from Land's | :25:17. | :25:21. | |
End to the studio in London. How is this for you? I think it was a very | :25:22. | :25:26. | |
poignant moment. I'm so proud of him and I know his dad will be watching | :25:27. | :25:30. | |
over him with his smiling eyes all the time and be so proud of him. | :25:31. | :25:35. | |
Listen, he's so incredibly strong. The miles that he can chew up on | :25:36. | :25:39. | |
that rickshaw are incredible. He told me he has the speed record as | :25:40. | :25:44. | |
well. He has. Often that note, what do you see in George that's been | :25:45. | :25:48. | |
passed on from your husband, Andrew? Determination. He is just like a | :25:49. | :25:52. | |
mini version of Andy. Kind and generous, a great kid. In the last | :25:53. | :25:56. | |
few days that's what I've experienced from him. Will you be | :25:57. | :26:01. | |
delighted to see your son coming round this corner and bringing the | :26:02. | :26:05. | |
rickshaw home after 74 miles. There you go. Get in there. | :26:06. | :26:13. | |
CHEERING AND APPLAUSE. There you go. Brother Fred, uncles here as well. | :26:14. | :26:17. | |
We have got the godmother and grandpa. This is what it is all | :26:18. | :26:22. | |
about, so please do text and show your support, if you can. | :26:23. | :26:26. | |
CHEERING. While they enjoy that moment I'm going to go to our other | :26:27. | :26:30. | |
George, because I'm sure you are aware, as well as peddling this | :26:31. | :26:34. | |
rickshaw, our riders have to make a speech. And where better to send our | :26:35. | :26:40. | |
favourite musical man than the stage of his favourite musical? | :26:41. | :26:45. | |
It's my first time being on the big, big stage. I'm going to really enjoy | :26:46. | :26:55. | |
this. Pudsey, on stage, try and remember where you're going. So | :26:56. | :27:00. | |
please, ladies and gentlemen, please welcome to the stage the wonderful | :27:01. | :27:03. | |
George and Pudsey! CHEERING AND APPLAUSE. Hello, I'm | :27:04. | :27:13. | |
George. I have Down's sin droll. This means that sometimes learning | :27:14. | :27:21. | |
things can be really hard. I can appear confused and nervous. It | :27:22. | :27:27. | |
makes me feel excluded, but music helps me to relax. | :27:28. | :27:40. | |
APPLAUSE. I'm here to talk about playing the Corda, it has made me | :27:41. | :27:45. | |
more confident. I've now written my first musical. It's called Before | :27:46. | :27:55. | |
Matilda Before. I'm working on my second musical, Before Annie. I'm | :27:56. | :28:02. | |
proud to be part of this year's Rickshaw Challenge. Your donations | :28:03. | :28:08. | |
can make a huge difference, so please give your money if you can to | :28:09. | :28:13. | |
help support people like me. CHEERING AND APPLAUSE. Well, George, | :28:14. | :28:22. | |
one word, please, so sum up that wonderful moment for you on stage in | :28:23. | :28:30. | |
Annie. It's been, it makes me happy. I feel so grateful. And that's what | :28:31. | :28:36. | |
we want to say to anyone who has donated. Thank you so much. Thank | :28:37. | :28:40. | |
you so much. Thank you so much. Thank you. Aaron? Thank you so much. | :28:41. | :28:45. | |
Listen, the crowd here at Winchester are going to be thanking you | :28:46. | :28:49. | |
shortly, because you are here to turn on their Christmas lights. | :28:50. | :28:52. | |
Lucy, you come forward and push that down for us the. Ready? 3, 2, 1... | :28:53. | :29:00. | |
Go! CHEERING. And you can see them all | :29:01. | :29:10. | |
in the distance. That's it from Winchester. We hope you can join us | :29:11. | :29:14. | |
from Brighton tomorrow. Follow us on the website. | :29:15. | :29:17. |