Browse content similar to 09/11/2015. Check below for episodes and series from the same categories and more!
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My guest co-host tonight put his holiday plans on hold when he heard | :00:18. | :00:24. | |
I did, Alex Jones. I am so pleased that Matt is in Bristol with the | :00:25. | :00:41. | |
rickshaw. I get to meet the two men whose latest film The Lady In The | :00:42. | :00:46. | |
Van is a cinematic triumph, funny, moving. I loved it. Please welcome | :00:47. | :00:53. | |
Alan Bennett and Alex Jennings. Great to have you with us. During | :00:54. | :00:58. | |
the course of the interview we will determine which one is which. Alex, | :00:59. | :01:06. | |
quite a daunting prospect for an actor to play a person who is very | :01:07. | :01:10. | |
much with us but also the person who has written the play and the | :01:11. | :01:14. | |
screenplay. Did you ask for any advice? I played Alan in two short | :01:15. | :01:21. | |
pieces that he wrote, one called Home and one called Almac cocktail | :01:22. | :01:30. | |
Sticks. I had got it out of the cupboard before doing the film. That | :01:31. | :01:36. | |
gave me confidence for the film. I am very easy to imitate. He had been | :01:37. | :01:42. | |
doing it for years before it went on the stage. Is that right? I think | :01:43. | :01:49. | |
that probably is right. When did you first realise that you were somebody | :01:50. | :01:55. | |
who could be imitated? As soon as I realised my accent. It is a bit like | :01:56. | :02:02. | |
me being Welsh. It is easy. Which attributes do you think he got | :02:03. | :02:09. | |
spot-on? I used along to the filming and when I would be sitting there | :02:10. | :02:12. | |
when they were filming and occasionally he would pass the door | :02:13. | :02:17. | |
and I would think, he does look like me. Otherwise I do not see it, | :02:18. | :02:22. | |
really. His hair was quite difficult to get right on the stage. They dyed | :02:23. | :02:28. | |
his hair and he ended up looking like Veronica Lane. On the film it | :02:29. | :02:34. | |
is much more realistic. Because it is a wig. Alan has won Olivier | :02:35. | :02:43. | |
awards and Baftas and his workers on the National Curriculum and I | :02:44. | :02:47. | |
studied him at university. Only a full would try to sum up the work of | :02:48. | :02:54. | |
one of Britain's prolific playwrights in a minute and a half, | :02:55. | :02:58. | |
so here we go. Alan Bennett's love of the absurd claim to the public | :02:59. | :03:07. | |
notice in 1960 when he found almost -- instant fame and success. A TV | :03:08. | :03:12. | |
series was a major influence on Monty Python. Goody-goody gumdrops, | :03:13. | :03:22. | |
I want to sign it. GG gumdrops would be cheaper? His plays and films have | :03:23. | :03:29. | |
often reflected life in the north of England, revealing the humour hidden | :03:30. | :03:39. | |
inside the mundane. Fancy. There is a cream cracker under the city. | :03:40. | :03:43. | |
Successful plays have become cinematic triumphs. The history boys | :03:44. | :03:48. | |
launched the careers of young British talents like Dominic Cooper | :03:49. | :03:59. | |
and James cordon. This Friday the two-storey of a lady who lived in a | :04:00. | :04:04. | |
van for nearly 15 years is to be adapted for the big screen. I think | :04:05. | :04:11. | |
I am about to be taken short. Can I use your lavatory? No. The flashes | :04:12. | :04:18. | |
on the blink. I do not mind. Where is it? Alan, as we heard, the story | :04:19. | :04:30. | |
in the move film is about this lady who parked on your driveway. She was | :04:31. | :04:35. | |
supposed to be there for three month and it turned into 15 years. How did | :04:36. | :04:46. | |
that come about? Won it takes place is on a slope and the van started | :04:47. | :04:51. | |
parked at the top and gradually she led to drift down and I am at the | :04:52. | :04:56. | |
bottom so she ended up opposite my house. It is opposite the Bay Mendel | :04:57. | :05:01. | |
where I work. I used to see everything that went on. She used to | :05:02. | :05:07. | |
get not quite rough cut but persecuted and aggravated by people. | :05:08. | :05:12. | |
I found I was watching out for her. I sometimes had to go out and scare | :05:13. | :05:20. | |
people off rather ineffectually. I was looking at her and it distracted | :05:21. | :05:25. | |
me from my work, so eventually I said to her, listen, running into | :05:26. | :05:35. | |
the drive, the drive is about here to the monitor, see what happens, | :05:36. | :05:41. | |
thinking it would be about three month and it turned into 15 years. | :05:42. | :05:46. | |
It was my own fault I asked her in. You should perhaps have set a time | :05:47. | :05:51. | |
limit. It would have made no difference. She was very strong | :05:52. | :05:54. | |
willed. She knew she was going to stay and she did. When did you first | :05:55. | :05:59. | |
think there might be a play in this? I used to keep notes. She was so | :06:00. | :06:06. | |
close to me. If anything happened I would write it down. Anything funny. | :06:07. | :06:11. | |
I could not do anything when she was still alive and she died in 1989 and | :06:12. | :06:20. | |
it was after that... In the van. In the van. I thought I might be able | :06:21. | :06:24. | |
to do something. This is one of the many moments that Miss Shepherd gets | :06:25. | :06:30. | |
the attention of many of the residents. You have to mix it. I | :06:31. | :06:36. | |
have mixed it. I have Madeira cake in it. All of her vehicles ended up | :06:37. | :06:42. | |
looking as if they had been given a coat of clustered or scrambled egg. | :06:43. | :06:48. | |
There were a few occasions on which once saw how genuinely happy she was | :06:49. | :06:53. | |
and one of these was when she was putting paint on. Jackson Pollock | :06:54. | :07:03. | |
could not have done it better. Alan, and some ways this film could be | :07:04. | :07:08. | |
subtitled The Man In Your House because it is about you observing | :07:09. | :07:13. | |
the lady in the van and your reaction to her and the reaction of | :07:14. | :07:16. | |
the residents to her. Why did you put yourself into this? You could | :07:17. | :07:22. | |
have made it a fictional neighbour. She used to aggravate me. If it had | :07:23. | :07:30. | |
been a nice sweet film or sweet story where I was a nice | :07:31. | :07:35. | |
compassionate person and I asked her in because I felt charitable... It | :07:36. | :07:40. | |
was not like that. She used to irritate me to a great degree. You | :07:41. | :07:46. | |
are very clear in the film that you are not a saint. You swear, you get | :07:47. | :07:53. | |
annoyed. That is not modest. She was a real pain. Not only is there one | :07:54. | :08:03. | |
Alan, there are really two. Your task with playing both. One is the | :08:04. | :08:07. | |
writer, one of the landlord. They are very different. They are. The | :08:08. | :08:16. | |
clues are there in Alan's writing. The writer is tougher and more | :08:17. | :08:20. | |
objective about her and prodding the Alan living the life to have a more | :08:21. | :08:29. | |
exciting life I suppose. Alan is kind of hard on himself I think in | :08:30. | :08:35. | |
that his life... We are very grateful that you have lived the | :08:36. | :08:38. | |
life you have lived because you have given us this extraordinary work. | :08:39. | :08:47. | |
And observation of the quirks and strangeness of people. Good you | :08:48. | :08:53. | |
almost look the arrival of Miss Shepherd as a kind of gift? She was | :08:54. | :09:00. | |
a gift. If you are a writer anything is a gift. I have been doing | :09:01. | :09:06. | |
something with a Danish writer whose name I forget but he specialises in | :09:07. | :09:10. | |
boredom and boredom is a gift to him. We filmed it on the Crescent in | :09:11. | :09:20. | |
Alan's house, the van was there, and the physical closeness, literally | :09:21. | :09:23. | |
you open the door and the van is there. And the smell. Our van was | :09:24. | :09:31. | |
not smelly and Maggie was not smelly. You have to go round the van | :09:32. | :09:35. | |
to get in the street. Extraordinary to be shooting in the same house | :09:36. | :09:40. | |
looking at the same window. People used to come and see me and very | :09:41. | :09:45. | |
often did not mention the van. This was extraordinary because you have | :09:46. | :09:50. | |
to squeeze past it. The best occasion was choral brown, who was | :09:51. | :09:57. | |
married to Vincent Price, and they came and had supper, no mention of | :09:58. | :10:03. | |
this terrible van. When they were leaving they balls have quite loud | :10:04. | :10:08. | |
voices and were talking as they left and as they past there was a voice, | :10:09. | :10:20. | |
make less din. The incident prize nearly jumped. It was very | :10:21. | :10:25. | |
satisfying. Maggie Smith has done a fabulous job. Three fantastic | :10:26. | :10:32. | |
central performances. The film is out on Friday. We want you to get in | :10:33. | :10:36. | |
touch of there something on your drive you thought would only be | :10:37. | :10:39. | |
there for a few months but has been there for years. Relatives not | :10:40. | :10:44. | |
included. Take a picture, send it in, and we will look at the end of | :10:45. | :10:48. | |
the show. It is time to catch up with Matthew. If you are mourning | :10:49. | :10:52. | |
about how your Monday has been going this is when you realise it is | :10:53. | :10:58. | |
nothing compared to what Team Rickshaw are putting themselves | :10:59. | :11:01. | |
through. After some of the worst weather Team Rickshaw have had to | :11:02. | :11:04. | |
face we are hoping that the weekend would be drier. It is very windy | :11:05. | :11:11. | |
this morning and we are expecting a lot of rain. Anyway, heads down. | :11:12. | :11:22. | |
By! Get in the zone. That is great, Amira. As predicted it was not long | :11:23. | :11:28. | |
before the heavens opened. This is absolutely ridiculous. It is verging | :11:29. | :11:37. | |
on painful rain. If anybody is in two minds, Amira, about whether to | :11:38. | :11:44. | |
text, what would you say? Text! Eventually the rain stops but the | :11:45. | :11:50. | |
pain sets in. Making it hard for one of our riders who suffers from | :11:51. | :11:55. | |
severe arthritis. How is your need? If I am putting pressure on it it is | :11:56. | :12:01. | |
a bit more swollen. How are you doing on pain? About four going up | :12:02. | :12:07. | |
hills. Because she is so tough we have had to work out a way of | :12:08. | :12:12. | |
gauging the pain level she has had. We started on three and are up to | :12:13. | :12:16. | |
four. We will stop when we get to five. We do stop. Her team-mates | :12:17. | :12:23. | |
step in to give her a helping hand. Are we ready? Yes! Being a member of | :12:24. | :12:34. | |
Team Rickshaw is never easy and four George Griffiths the hills are one | :12:35. | :12:40. | |
thing... That is the top of the hill... He is also feeling homesick. | :12:41. | :12:55. | |
I want dad. I miss him. George's brother Henry is providing the | :12:56. | :13:05. | |
family support. I have a quick word. He really misses his dad. I am not | :13:06. | :13:09. | |
sure if there is any chance of getting him off. We will get him. I | :13:10. | :13:20. | |
miss you. Tell them what you just did. I went up really high hills. | :13:21. | :13:31. | |
Two years ago when he was 14 Elliott from Essex was diagnosed with | :13:32. | :13:36. | |
cancer. He is in remission but it still remains a worry for his | :13:37. | :13:41. | |
family. What do you remember about the day when they told you the news? | :13:42. | :13:48. | |
The enormity of it hit me. I cried like ten tears I think and then I | :13:49. | :13:53. | |
was basically saying I have to be strong for my family. As a parent I | :13:54. | :14:00. | |
cannot imagine what that must feel like. It must have affected them so | :14:01. | :14:06. | |
badly, psychologically. At the beginning you sort of feel like you | :14:07. | :14:13. | |
are the only teenager with cancer. But even though everything might | :14:14. | :14:17. | |
seem like it is lost it is not so there is no point letting it get you | :14:18. | :14:22. | |
down, you have to stay positive. I am sure lots of people are watching | :14:23. | :14:26. | |
that are in a similar position and to hear you say that must give them | :14:27. | :14:32. | |
an enormous amount of strength. Yes. What did you make of the rest of | :14:33. | :14:39. | |
Team Rickshaw? I love it. It is like a family. Everybody has been talking | :14:40. | :14:44. | |
about their charity. You have this common thread of being incredibly | :14:45. | :14:50. | |
determined. That determination lends itself to great support. In | :14:51. | :14:54. | |
Bridgwater we have an impressive escort. | :14:55. | :15:00. | |
The Fire Brigade have joined us, and Pudsey is hitching a ride! Next | :15:01. | :15:13. | |
stop, Clifton suspension Bridge. And look at this for an image to draw | :15:14. | :15:22. | |
day four to a close. George riding across Clifton Suspension bridge, | :15:23. | :15:31. | |
and here are the whole family here, his dad and mum. Mark, you go on | :15:32. | :15:38. | |
over there. George, look who's here! | :15:39. | :15:46. | |
This is just the most beautiful sight. George has been waiting for | :15:47. | :15:59. | |
this moment for so long. Kate, I know you are going to be with us | :16:00. | :16:02. | |
now, because Henry is going to go home, but can you sum up what that | :16:03. | :16:06. | |
was like, hearing those words of what your George was saying. I know | :16:07. | :16:11. | |
it has been really tough. It is a rickshaw challenge. But you don't | :16:12. | :16:16. | |
really realise how hard it is, especially with the weather and | :16:17. | :16:19. | |
everything, but I am so proud and amazed. Look at this. You see? That | :16:20. | :16:29. | |
is what it is all about. What did I say, George? Is this good enough for | :16:30. | :16:37. | |
you? It's great! You are going to have lovely night. Have another big | :16:38. | :16:43. | |
family cuddle. Have you seen who is over here, as well! It's practically | :16:44. | :16:48. | |
all of George's family who have turned out. I don't know where you | :16:49. | :16:53. | |
all staying! You have a lovely time while I talk to all the viewers at | :16:54. | :16:57. | |
home, because it isn't just about peddling, this rickshaw challenge. | :16:58. | :17:02. | |
Our riders also have to make a speech in front of a group. And the | :17:03. | :17:10. | |
dancer, Amira, Totora famous dance floor. I am backstage at Strictly to | :17:11. | :17:16. | |
give my speech for the rickshaw challenge. It is a massive | :17:17. | :17:22. | |
achievement to do something like this. 12 months ago she would have | :17:23. | :17:27. | |
been huddled in a corner. Ladies and gentlemen, we would like to welcome | :17:28. | :17:30. | |
somebody very special to the dance floor. This is Amira. One of the | :17:31. | :17:35. | |
most important people in my life is my big sister. I always felt sure | :17:36. | :17:39. | |
that she would have a bright future. All of this changed to years ago | :17:40. | :17:43. | |
when she had a brain haemorrhage. She was only 16, and suddenly she | :17:44. | :17:49. | |
was fighting for her life. It is still unbearable to think that the | :17:50. | :17:53. | |
times when I thought I might lose her. Eventually her condition | :17:54. | :17:58. | |
stabilised, but she had severe rain damage which meant she couldn't move | :17:59. | :18:05. | |
or communicate. We needed to find somewhere to help Elle to continue | :18:06. | :18:07. | |
to get better. The children's trust didn't just care for Elle, they | :18:08. | :18:13. | |
cared for the whole family. We had hard times coming to terms with | :18:14. | :18:18. | |
this, and for awhile, I lost my confidence. Without the children's | :18:19. | :18:25. | |
trust and Children in Need, we wouldn't be where we are now, so | :18:26. | :18:31. | |
please make a donation because it can really make a difference to | :18:32. | :18:32. | |
families like ours. I have to say, Amira, what you did | :18:33. | :18:46. | |
today, at Cheddar Gorge, all the viewers will see that in the next | :18:47. | :18:50. | |
few days, how you cycled up there, but to get that inner strength as | :18:51. | :18:54. | |
well, that couldn't have been easy to go on Strictly and talks the way | :18:55. | :19:00. | |
you did. To be fair, that was the biggest challenge, but it is all | :19:01. | :19:04. | |
worth it. And you are doing this to raise money, to get as much support | :19:05. | :19:09. | |
as you can for all those other youngsters, and Lucy, Erin, come | :19:10. | :19:14. | |
over here, I am now going to reveal this total. Turnarounds are every | :19:15. | :19:17. | |
body at home can see you. I asked what you hoped the total would be, | :19:18. | :19:26. | |
and you said hopefully ?50,000. The total is behind us, and all these | :19:27. | :19:29. | |
lovely people of Bristol are going to reveal it now. Can you lift up | :19:30. | :19:37. | |
the total to reveal what Team Rickshaw paso raised so far. | :19:38. | :19:49. | |
?582,000! High-5! Are you happy with that? So happy. We're not finished | :19:50. | :19:59. | |
any means. We are now halfway. Amira, we're not even finished the | :20:00. | :20:03. | |
day yet, so you keep going, and I will tell everybody what happening | :20:04. | :20:07. | |
tomorrow. We are leaving this area at 2am, and this is the route that | :20:08. | :20:15. | |
we will be going. It is 74 miles long, so there will be lots of fun | :20:16. | :20:20. | |
and games along the way. We will be taking in Warminster, Wilton and | :20:21. | :20:23. | |
Stockbridge. If you would like to track us, just go to the website and | :20:24. | :20:31. | |
you will find it. That is just remarkable, ?582,000 so far. Please | :20:32. | :20:38. | |
keep giving. Let's get this over a million. We will see you in | :20:39. | :20:42. | |
Winchester tomorrow night to turn on the Christmas lights! | :20:43. | :20:47. | |
Thank you to Matt and the team, what a total and incredibly moving to | :20:48. | :20:54. | |
watch. If you haven't yet donated... | :20:55. | :20:56. | |
Here's how you can support Team Rickshaw and Children in Need. | :20:57. | :20:59. | |
To donate ?5 to Children in Need, text the word TEAM to 70705. | :21:00. | :21:02. | |
Or to donate ?10, text TEAM to 70710. | :21:03. | :21:05. | |
Texts will cost your donation plus your standard | :21:06. | :21:07. | |
All of your donation will go to Children in Need. | :21:08. | :21:12. | |
You must be 16 or over, and please ask for the bill payer's permission. | :21:13. | :21:15. | |
For more information and full terms and conditions go to | :21:16. | :21:18. | |
where you can also donate online if you want to give a different amount. | :21:19. | :21:30. | |
Alan has often written about isolated people living | :21:31. | :21:32. | |
And we've found a family who chose to become exactly | :21:33. | :21:36. | |
that when they upped sticks and moved to a tiny Welsh island. | :21:37. | :21:43. | |
I think many of us dream about getting away from it all and living | :21:44. | :21:49. | |
somewhere really remote, but imagine if that place had no cars, no | :21:50. | :21:53. | |
flushing toilets, know what water, limited electricity, where eight | :21:54. | :21:58. | |
trip to the supermarket meant a boat ride back to the mainland. This is | :21:59. | :22:03. | |
the island of Hardy of the North Wales coast. It's only permanent | :22:04. | :22:20. | |
human residents are the Porter family who are the caretakers. How | :22:21. | :22:24. | |
did you make the decision to move out here? We had been coming here | :22:25. | :22:30. | |
for visits for quite a long time, so we knew a lot of the residents. | :22:31. | :22:39. | |
Having been home-schooled throughout his GCSEs and A-levels, Ben is about | :22:40. | :22:44. | |
to join his older sister Lucy who is away at university. It will make | :22:45. | :22:57. | |
things harder for his parents,. It is very satisfying to be able to sit | :22:58. | :23:01. | |
down to a meal that is entirely from the island. We sometimes catch fish, | :23:02. | :23:06. | |
and we grow potatoes and vegetables to Ben has lent me his bedroom for | :23:07. | :23:10. | |
my stay here, and he has explained there are a few things I need to get | :23:11. | :23:14. | |
used to. Head torches, limited electricity, going outside for the | :23:15. | :23:19. | |
toilet. It is a compost loo. We use grass or | :23:20. | :23:25. | |
sawdust. So in the middle of the night if I need a week, I have to | :23:26. | :23:34. | |
come all we are out here? Yes. It is so peaceful here, I slept | :23:35. | :23:37. | |
extremely well, but it has been an early awakening. Steve was the | :23:38. | :23:41. | |
member of the family with the most worries about coming here. He | :23:42. | :23:46. | |
enjoyed his job as an instructor in outdoor pursuits, and he loved to | :23:47. | :23:49. | |
travel, so the island can feel very small. There is a time at the end of | :23:50. | :23:54. | |
the winter most years where I feel like I have had enough. It is a | :23:55. | :24:01. | |
long, soggy, windy, muddy winter. But then spring comes and there is | :24:02. | :24:06. | |
so much new life on the visitors return and the season's new | :24:07. | :24:09. | |
possibilities arrive. Everyone has to muck in on the farm, but the | :24:10. | :24:12. | |
family have learned to use the island's resources in their own way | :24:13. | :24:16. | |
to of the time. How important is it to have focus | :24:17. | :24:22. | |
and structure? Really important. You are not in control, it is the | :24:23. | :24:26. | |
weather, and you do have to fit in with that rhythm of the tides and | :24:27. | :24:30. | |
the weather and the seasons. And if you could change any of this, a hot | :24:31. | :24:36. | |
shower or something, what would it be? | :24:37. | :24:41. | |
I am stumped there. That's brilliant! I think I am quite | :24:42. | :24:50. | |
satisfied. They look really happy, don't they. | :24:51. | :24:52. | |
Alan, the Porters are in self-imposed isolation. | :24:53. | :24:54. | |
Miss Shepherd isolates herself in her van parked on your drive | :24:55. | :24:56. | |
It is important for a writer to isolate themselves to write? I am | :24:57. | :25:12. | |
quite isolated in Yorkshire, but I have to come back to London, I can't | :25:13. | :25:17. | |
write there. It would drive me mad being on an island, isolated. Miss | :25:18. | :25:25. | |
Shepherd wasn't a recluse. And she wasn't a hermit. She lived in the | :25:26. | :25:29. | |
middle of a community, and even though she didn't have much to do | :25:30. | :25:34. | |
with Abel, she a recluse. And you do get the impression that she quite | :25:35. | :25:38. | |
liked the closeness of having you there, even though not in the same | :25:39. | :25:42. | |
house, necessarily, she knew that there was somebody keeping an eye on | :25:43. | :25:48. | |
her. Alex, we saw you playing Prince Charles opposite Helen Mirren in the | :25:49. | :25:58. | |
Queen. UI now about to embark on playing the Duke of Windsor in this | :25:59. | :26:10. | |
mammoth series for Netflix called the Round. Do you think it is | :26:11. | :26:16. | |
easier, or does it come with more baggage, playing somebody who has | :26:17. | :26:22. | |
actually existed? It is a different process to playing Hamlet or Henry | :26:23. | :26:25. | |
Higgins, both of which I have done. You listen and you what should the | :26:26. | :26:30. | |
way, you can now go on you Tube and there is a lot of information out | :26:31. | :26:33. | |
there, and that is a process I have used when I have played these real | :26:34. | :26:42. | |
people. It is slightly different, because you don't want to be the | :26:43. | :26:50. | |
Spitting Image puppet version of Alan! | :26:51. | :26:56. | |
LAUGHTER Is it a bit late in the day for | :26:57. | :26:59. | |
that? The Duke of Windsor has been dead | :27:00. | :27:02. | |
for a long time, so there is less baggage. With Prince Charles, I have | :27:03. | :27:08. | |
a huge amount of respect for him, and I didn't want to stitch up. I | :27:09. | :27:13. | |
didn't Camilla say to you, what was it like playing my husband? She did | :27:14. | :27:18. | |
ask me what it was like, and I said it was tricky, and she said, yes, | :27:19. | :27:23. | |
I'm sure it was! But she was delightful and very twinkly about | :27:24. | :27:25. | |
it, she said that when Charles hadn't actually seen it. In future | :27:26. | :27:30. | |
film roles, if you got offered a part in Star Wars, and the director | :27:31. | :27:33. | |
of the last-minute said, could you do it as Alan Bennett... I think | :27:34. | :27:42. | |
that is all I am going to be doing! I play the Duke of Windsor as Alan | :27:43. | :27:45. | |
Bennett! In homage to The Lady In The Van, we | :27:46. | :27:52. | |
asked for your pictures of things that have been in your driveway for | :27:53. | :27:56. | |
longer than necessary. We have some brilliant pictures here. Dan from | :27:57. | :28:02. | |
Belfast has had this bath in his driveway for 13 years. | :28:03. | :28:10. | |
Abigail has had this boat in her driveway so long, people ask her if | :28:11. | :28:17. | |
she lives in the house with the boat. Gosselin has had this on her | :28:18. | :28:24. | |
driveway for 13 years. This one is a good one. Andrew has had this | :28:25. | :28:29. | |
caravan in his driveway for six years. Not the one I was thinking | :28:30. | :28:33. | |
of. Another Andrew has sent us this | :28:34. | :28:38. | |
picture of his parents' driveway, that is the plane. No idea how it | :28:39. | :28:43. | |
got there. Plenty of inspiration there for some | :28:44. | :28:47. | |
new players! Right!. Lots of parts for Maggie Smith. It has been | :28:48. | :28:54. | |
marvellous to see you all. The Lady In The Van is out on Friday. And | :28:55. | :29:02. | |
thank you to Paul, you have been wonderful. | :29:03. | :29:02. | |
My pleasure. Nick Grimshaw will be | :29:03. | :29:04. | |
in my place tomorrow, and Kate Join us on BBC One for a truly epic | :29:05. | :29:06. | |
night of entertainment, featuring your favourite stars | :29:07. | :29:14. | |
and shows. | :29:15. | :29:18. |