
Browse content similar to 10/11/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show,
where tonight I'm sharing the sofa | 0:00:15 | 0:00:18 | |
with the wonderful Sally Phillips. | 0:00:18 | 0:00:23 | |
Thank you, Alex -
lovely to be back. | 0:00:23 | 0:00:28 | |
This evening's guest manages
to squeeze an awful lot | 0:00:28 | 0:00:30 | |
into his waking hours. | 0:00:30 | 0:00:31 | |
By day, he's a TV quizmaster,
but by night, he's one of Britain's | 0:00:31 | 0:00:34 | |
biggest selling music artists. | 0:00:34 | 0:00:36 | |
But then again, with
a Tardis at his disposal - | 0:00:36 | 0:00:39 | |
time travel is no problem. | 0:00:39 | 0:00:41 | |
Although he does have an issue
making an entrance. | 0:00:41 | 0:00:44 | |
Mr Bradley Walsh! It's Bradley
Walsh! Welcome. Where did you get | 0:00:52 | 0:01:09 | |
that? Our researchers can get
anything. Snakes and ladders filmed | 0:01:09 | 0:01:14 | |
in America. The producer said, I'm
going to put you up there, Bradley. | 0:01:14 | 0:01:18 | |
They said, don't worry, they'll
catch you. They didn't. All! Sally, | 0:01:18 | 0:01:25 | |
congratulations, you must be good.
Second night in a row... The last | 0:01:25 | 0:01:29 | |
time I did it, that was it, the end
of my career on the One Show. | 0:01:29 | 0:01:33 | |
They've never had me back. We
weren't going to mention it, but you | 0:01:33 | 0:01:36 | |
brought it up. Moving on... The new
album and Doctor Who? The release of | 0:01:36 | 0:01:48 | |
the second album, I'm thrilled. The
success of the last one was great, | 0:01:48 | 0:01:52 | |
getting on the 140,000 copies, which
I didn't expect. It was thrilling. | 0:01:52 | 0:01:59 | |
Wow! We did all right. We actually
ended up outselling certain people, | 0:01:59 | 0:02:05 | |
didn't know it would happen, and so
the second album was obviously on | 0:02:05 | 0:02:09 | |
the cards, and I'm thrilled that
Sony Music gave me the opportunity. | 0:02:09 | 0:02:13 | |
We will hear some of it a little
later. I'm excited about Doctor Who. | 0:02:13 | 0:02:19 | |
I love it, don't I? She really does.
Seriously? | 0:02:19 | 0:02:25 | |
What I love about Doctor Who are
some of the names they give | 0:02:25 | 0:02:28 | |
to the companions and characters -
River Song, Nardole, | 0:02:28 | 0:02:30 | |
K9, Dodo Chaplet... | 0:02:30 | 0:02:32 | |
So, what's your name, Bradley? | 0:02:32 | 0:02:35 | |
Graham. Graham? ! Graham. Well, we
will talk about Graham's adventures | 0:02:35 | 0:02:47 | |
and Bradley's musical super stardom
in a few minutes. Team Rickshaw | 0:02:47 | 0:02:51 | |
don't have the luxury but others to
get to their destination. They are | 0:02:51 | 0:02:56 | |
24 hours into their Children In Need
challenge. When we said goodbye to | 0:02:56 | 0:03:00 | |
you last night, we had 81 miles to
go to our destination Banbury, which | 0:03:00 | 0:03:05 | |
is tonight. What a day it has been.
We still have just over ten miles to | 0:03:05 | 0:03:10 | |
go, but all of Team Rickshaw at
putting a sterling effort today, | 0:03:10 | 0:03:13 | |
they have all had a go in the bike.
Greg is in the Zabaleta moment, and | 0:03:13 | 0:03:17 | |
I'm sure he's going to get us there
on time. Come on, Greg! You can do | 0:03:17 | 0:03:23 | |
this, buddy. See you soon,
hopefully. He can definitely do it. | 0:03:23 | 0:03:33 | |
Can't wait to catch up with them
later in the show. Bradley, your | 0:03:33 | 0:03:36 | |
album has classics by Frank Sinatra
and Tony Bennett, but what did you | 0:03:36 | 0:03:39 | |
like in your clubbing days? Funk and
soul in the late 70s, I was into | 0:03:39 | 0:03:44 | |
that. I was in a funk dance troupe
called the Watford Bomb Squad. There | 0:03:44 | 0:03:53 | |
was nothing you haven't done.
Nothing!. We used to play Wigan | 0:03:53 | 0:03:59 | |
Casino in places like that. It was
like flash dancing is now. We used | 0:03:59 | 0:04:05 | |
to do that with 25-40 people, giving
our staff. You will love this text, | 0:04:05 | 0:04:11 | |
because Michelle has been back to
her old stomping ground. | 0:04:11 | 0:04:22 | |
Archaeologists are hard at work in
Manchester uncovering a piece of the | 0:04:22 | 0:04:26 | |
city's history. They are not looking
for medieval or Roman remains, | 0:04:26 | 0:04:30 | |
they're digging up a dance floor.
This was once home to one of the | 0:04:30 | 0:04:41 | |
greatest dance clubs in Manchester.
It was like one big family. It | 0:04:41 | 0:04:46 | |
brought a lot of people together.
The Reno was a soul and funk club in | 0:04:46 | 0:04:52 | |
Moss side until 1986. It was buried
and the building knock-down that | 0:04:52 | 0:04:58 | |
yet, but it is being dug up again
due to its huge cultural | 0:04:58 | 0:05:03 | |
significance to the mixed-race
community of the time. We were | 0:05:03 | 0:05:07 | |
rejected in every way - work,
nightlife, entertainment. They were | 0:05:07 | 0:05:11 | |
just shutting the doors in our
faces, saying, sorry, no Afros | 0:05:11 | 0:05:15 | |
allowed. We had white people calling
us Black so one sos, then the West | 0:05:15 | 0:05:22 | |
Indians saying, you are mixed you
got no country. In there, we had no | 0:05:22 | 0:05:28 | |
trouble. It was our place. The Reno
gave us a home. Linda Brogan was a | 0:05:28 | 0:05:34 | |
Reno devotee. She has convinced the
arts Council to fund a big to | 0:05:34 | 0:05:41 | |
preserve its place in history. I
knew there was a thousand stories in | 0:05:41 | 0:05:45 | |
the Reno. In order to release them
voices, I had to release the club. | 0:05:45 | 0:05:56 | |
There was a huge wall sized mirror
where you could check yourself out, | 0:05:56 | 0:05:59 | |
you could turn right into the
kitchen, all left into the dance | 0:05:59 | 0:06:02 | |
floor. I had the view was Persian,
the DJ with his DJ box. Vendor has | 0:06:02 | 0:06:10 | |
enlisted the help of a team of
archaeologists and former clubgoers, | 0:06:10 | 0:06:13 | |
and they have uncovered some true
1970s treasures. A couple of bottles | 0:06:13 | 0:06:19 | |
of perfume. My God! It still smells
quite nice. That's really strong. | 0:06:19 | 0:06:27 | |
Things like vodka, and Jamaican hot
sauce bottles. This is one of the | 0:06:27 | 0:06:30 | |
star finds Cole on a beautiful pair
of Lady's flares. That is what I | 0:06:30 | 0:06:36 | |
called flares. -- star finds: A
beautiful pair... How much further | 0:06:36 | 0:06:46 | |
back and we go? We're not going to
get the dance floor. Sarah steps in | 0:06:46 | 0:06:53 | |
with a spade. There is your dance
floor. That is the edge of the dance | 0:06:53 | 0:07:00 | |
floor. This is the dance floor. | 0:07:00 | 0:07:07 | |
And the dancing is set to continue
at a party on site tonight. And I'm | 0:07:14 | 0:07:21 | |
bringing along a special guest of my
own, another big fan of the club, my | 0:07:21 | 0:07:27 | |
mum, Mavis. When you got to the
Reno, the great thing was, you felt | 0:07:27 | 0:07:30 | |
at home. When you are going into
Manchester and getting the door | 0:07:30 | 0:07:36 | |
turned in your face, going to the
Reno, you felt, yes. It's going to | 0:07:36 | 0:07:40 | |
be so exciting, going back. Hundreds
of former regulars have been invited | 0:07:40 | 0:07:45 | |
to party in a pop-up club next to
the original dance floor. And even | 0:07:45 | 0:07:54 | |
the resident DJ, Persian, is back on
the decks. It is a chance to catch | 0:07:54 | 0:07:58 | |
up with old friends. I've not seen
you per about four years. It is so | 0:07:58 | 0:08:04 | |
nice to see you, it's like meeting
your old mates. And there is one | 0:08:04 | 0:08:08 | |
make my mum is over the moon to see.
I've not seen Helen for 38 years. | 0:08:08 | 0:08:21 | |
She was one of my best friends, and
she ended up going out with my | 0:08:21 | 0:08:25 | |
brother. It's amazing. And it's
still there. I've met so many people | 0:08:25 | 0:08:33 | |
I used to dance with. And the love
and friendship are still there. My | 0:08:33 | 0:08:41 | |
goodness! We love Michelle's mum.
She looks so young. She really does. | 0:08:41 | 0:08:46 | |
She must be about ten, Michelle!
Bradley, we will talk about your | 0:08:46 | 0:08:50 | |
album. We would like to run through
the competition first, because it is | 0:08:50 | 0:08:54 | |
stiff. Obviously, there is Shane
Ritchie with his Country So. And | 0:08:54 | 0:09:01 | |
there is no bulls, Nick, not
Beyonce! A couple of chances, Taylor | 0:09:01 | 0:09:07 | |
Swift, Elton John. He is a young
chance! Does the competition worry | 0:09:07 | 0:09:11 | |
you? No. Bring it on, I say. I love
a bit of competition. It is perfect. | 0:09:11 | 0:09:25 | |
It is great, I love it, why not? I
have no interest in Elton John's yaw | 0:09:25 | 0:09:32 | |
diamonds, I just want to hear you,
Bradley. I will pay you later! | 0:09:32 | 0:09:36 | |
Thanks for that. | 0:09:36 | 0:09:38 | |
# Oh, the good life
# Full of fun | 0:09:42 | 0:09:47 | |
# Seems to be the idea
# The good life | 0:09:47 | 0:09:59 | |
# Lets you hide all the sadness that
you feel | 0:09:59 | 0:10:04 | |
#... | 0:10:04 | 0:10:05 | |
APPLAUSE
It sounds great. For ten points, who | 0:10:08 | 0:10:15 | |
wrote that song? Don't know. Tony
Bennett? Sasha Distel. Tony sang it | 0:10:15 | 0:10:24 | |
but Sasha Distel wrote it. There is
a track called When You're Smiling, | 0:10:24 | 0:10:33 | |
which we put in as a medley, it is
more upbeat, but it was always going | 0:10:33 | 0:10:37 | |
to be song she grew up with. You
want people in their 30s thereby and | 0:10:37 | 0:10:41 | |
they didn't grow up with it. Was it
hard to sing with all that dry ice | 0:10:41 | 0:10:47 | |
in the room? Yes, there was a file,
a ship on its way in. Your fans, | 0:10:47 | 0:10:53 | |
they mean the world to you, we know
that. You let them choose a song for | 0:10:53 | 0:10:58 | |
the album as well? That's right. A
lady called Catherine got picked out | 0:10:58 | 0:11:02 | |
of the hat. I think there was
2500-3000 entries, and they were | 0:11:02 | 0:11:09 | |
picked out of the hat, and the song
was The Very Thought Of You, and as | 0:11:09 | 0:11:15 | |
luck had it, it is a song I love, so
we did it. She came down and watched | 0:11:15 | 0:11:19 | |
as work in the studio with a 54-
piece orchestra. Strings and big | 0:11:19 | 0:11:24 | |
band. Then she watched us play and
sing it. It was great to meet her, | 0:11:24 | 0:11:30 | |
and she sat and had a bite to eat. A
lovely day. It was lovely to see and | 0:11:30 | 0:11:36 | |
I wanted to thank her for picking a
beautiful song. And it is a family | 0:11:36 | 0:11:40 | |
affair, your son Barney taking part.
Yes. And he looks like you. He | 0:11:40 | 0:11:48 | |
worked on Guy Ritchie's King Arthur
film this year. He is a great | 0:11:48 | 0:11:51 | |
pianist. He worked with me on the
London Palladium show, giving One | 0:11:51 | 0:11:57 | |
For My Baby. We asked him if he
wanted to play, and that was it. | 0:11:57 | 0:12:06 | |
Good to get the family involved.
Bradley famously played an on-screen | 0:12:06 | 0:12:09 | |
detective in Law And Order UK.
Correct, two points. But as we know, | 0:12:09 | 0:12:15 | |
real-life mysteries can take longer
to solve than TV crime dramas would | 0:12:15 | 0:12:20 | |
have us believe. It's like a quiz!
That is the case for our neck story, | 0:12:20 | 0:12:26 | |
which had one family baffled for
decades. He is Camilla ruse. Ann | 0:12:26 | 0:12:33 | |
Kear was just seven when her brother
Carl drowned. But his death affected | 0:12:33 | 0:12:37 | |
someone else deeply, as a Mr Read
visitor has been leading gift on his | 0:12:37 | 0:12:42 | |
grave for the last 70 years, and Ann
is desperate to find them. When I | 0:12:42 | 0:12:48 | |
come here, I wonder what will be on
there today. Someone walks past, and | 0:12:48 | 0:12:51 | |
I think, is it you? There are three
hydrangea heads there, and their | 0:12:51 | 0:12:58 | |
results of a red rose which I swear
wasn't there on Sunday. There have | 0:12:58 | 0:13:03 | |
also been messages and poems with
his name on them. What was it about | 0:13:03 | 0:13:07 | |
this boy that lead someone to do all
of this? I have tried everything, | 0:13:07 | 0:13:15 | |
left a typewritten message asking if
the person giving it would like to | 0:13:15 | 0:13:19 | |
speak to me. If they took the
trouble to do all these things, they | 0:13:19 | 0:13:24 | |
might be able to tell me about him.
He must have made a big impression | 0:13:24 | 0:13:27 | |
on that person. Carl died on the 1st
of August 1947 in Wales. He was only | 0:13:27 | 0:13:36 | |
12. He had been out camping with a
Scout troop. The leader went on to | 0:13:36 | 0:13:41 | |
buy food and one boy sneaked into
the sea, one never coming out. They | 0:13:41 | 0:13:46 | |
found him face down in the shallows.
The verdict was death caused by | 0:13:46 | 0:13:51 | |
accidental drowning. We need to find
out who was with him on the day he | 0:13:51 | 0:13:55 | |
drowned. At the Gloucestershire
archives, we found photos of Carl at | 0:13:55 | 0:14:00 | |
the time. We also came across names
of the Boy Scouts and the | 0:14:00 | 0:14:03 | |
photographer asked to contact, which
we do. No wonder we find knows where | 0:14:03 | 0:14:12 | |
Carl is buried of who might be
visiting his grave. So, no luck yet | 0:14:12 | 0:14:15 | |
that he was leaving the flowers, but
I'm still hoping the poems found | 0:14:15 | 0:14:19 | |
hold a clue. Professor Stephen
Reagan is a specialist in poetry. | 0:14:19 | 0:14:25 | |
All merciful, the David doom were
fine... This person clearly knows | 0:14:25 | 0:14:34 | |
that Carl drowned. I think that's
clear. The professor tells that | 0:14:34 | 0:14:39 | |
whoever is leaving the poems is
changing words and missing outlines, | 0:14:39 | 0:14:43 | |
making them personal to Carl, which
indicates it is very likely that | 0:14:43 | 0:14:46 | |
they knew him. I arranged a meeting
with the churchwarden Linda, who | 0:14:46 | 0:14:55 | |
brought some friends. I remember it
was a great tragedy when this | 0:14:55 | 0:14:58 | |
happened, and all the village was
upset. We have hidden, trying to see | 0:14:58 | 0:15:04 | |
anybody coming. Some people have
said, oh, you could set up a camera. | 0:15:04 | 0:15:09 | |
I thought, no, I didn't like that. | 0:15:09 | 0:15:14 | |
Was it somebody on the beach when it
happened? We must be missing | 0:15:14 | 0:15:19 | |
something. There is one other name
cropping up, a boy who shared a tent | 0:15:19 | 0:15:22 | |
with Karl the night before he died.
All trace of him disappears in 2014 | 0:15:22 | 0:15:28 | |
but then a chance discovery. He
remarried and changed his surname. I | 0:15:28 | 0:15:34 | |
spoke to somebody called Ronald
Westbrook, who was there on the day | 0:15:34 | 0:15:37 | |
that Karl died and he spoke at the
inquest. When I saw his name on the | 0:15:37 | 0:15:43 | |
list of people who went to the
funeral, then I thought I'd find | 0:15:43 | 0:15:46 | |
him. I called him and he said he has
been visiting the grave for most of | 0:15:46 | 0:15:52 | |
his life and that he'll come and
meet you tomorrow. Oh! Grateful, | 0:15:52 | 0:15:59 | |
aren't we? | 0:15:59 | 0:16:02 | |
70 years after her brother's death,
the moment that Ann hoped for is | 0:16:06 | 0:16:13 | |
here. Modelled recounts the day her
brother Karl died. There were so | 0:16:13 | 0:16:19 | |
many of us running around. We all
ran like hell down to the beach, we | 0:16:19 | 0:16:27 | |
dragged him out. You and it? Yes,
things like that stick in your mind. | 0:16:27 | 0:16:34 | |
Ronald didn't know that Karl had a
sister and now they each have | 0:16:34 | 0:16:37 | |
someone else to share their memories
with. One aspect is unsolved, the | 0:16:37 | 0:16:43 | |
poems. Ronald has only ever left
flowers. It surprises me that there | 0:16:43 | 0:16:51 | |
could have been other mystery
visitors. Really lovely. Can I | 0:16:51 | 0:16:55 | |
putted there? -- put it there. Still
going to be a mystery. Of course it | 0:16:55 | 0:17:03 | |
is. What a wonderful story and you
can see the full version of the | 0:17:03 | 0:17:08 | |
stranger at my brother's grave on
BBC iPlayer tonight. So, Bradley. | 0:17:08 | 0:17:15 | |
Call me Brad. Brad, my friend, I'm
so jealous of you now, because you | 0:17:15 | 0:17:24 | |
are in Doctor Who. How did you score
that? I just got asked. I hate you! | 0:17:24 | 0:17:32 | |
Very aggressive! When you're sitting
with an actress... Who wanted... Who | 0:17:32 | 0:17:39 | |
pretended hard on Twitter to be
called in for an audition but wasn't | 0:17:39 | 0:17:45 | |
asked. I think it's brilliant, I
think it's great that it's a female | 0:17:45 | 0:17:50 | |
Doctor and I'm privileged and proud
to be part of it. Someone mentioned | 0:17:50 | 0:17:55 | |
to me the other day, I posted Sunday
night at the Palladium, it's be | 0:17:55 | 0:18:02 | |
going for 50 years, then I was in
Coronation Street since 1960, and | 0:18:02 | 0:18:08 | |
then Line Or The, the longest
running crime series in America, and | 0:18:08 | 0:18:14 | |
now Doctor Who, so right across the
board and great to be back with the | 0:18:14 | 0:18:17 | |
BBC. And you'd been a funk dancer.
We want to know about Graham. Yes, | 0:18:17 | 0:18:25 | |
Graham. You say that you aren't
allowed to say very much. We've seen | 0:18:25 | 0:18:31 | |
Jodie's character and outfit.
Culottes. We like that. What can you | 0:18:31 | 0:18:39 | |
tell us about Graham? Firstly Let Me
Tell You how covert it is, it is the | 0:18:39 | 0:18:43 | |
most extraordinary show. When I went
to meet them and we had the first | 0:18:43 | 0:18:49 | |
script meeting... You didn't have to
audition? No. Chris Chibnall, who | 0:18:49 | 0:18:54 | |
runs the show, asked me if I fancied
being in the show. We went to meet | 0:18:54 | 0:19:01 | |
and what interesting, it's filmed in
Cardiff. I walked in, I had to go | 0:19:01 | 0:19:06 | |
through a scanner, I had to have my
IV with me. Like an airport? Just | 0:19:06 | 0:19:12 | |
like an airport. -- my
identification with me. A bloke | 0:19:12 | 0:19:18 | |
said, hello, Bradley. Welcome to
Doctor Who. He said, have you got | 0:19:18 | 0:19:25 | |
identification? I said, you called
me by my name, and he said, I know, | 0:19:25 | 0:19:30 | |
I've got to check it. He said, date
of birth. I said, full of June, | 0:19:30 | 0:19:36 | |
1960. He said, yeah, it's you. I had
to go through a scanner and you're | 0:19:36 | 0:19:41 | |
taken into a big room, a massive
warehouse, painted black and eight | 0:19:41 | 0:19:45 | |
of us sitting around the table, in
the middle, with a light on the top. | 0:19:45 | 0:19:50 | |
What a privilege to be in a show
that has so much secrecy because | 0:19:50 | 0:19:55 | |
it's such a big deal. Black
envelopes with the script, your name | 0:19:55 | 0:19:59 | |
stabbed in gold, you open them at
the same time -- is stamped in gold. | 0:19:59 | 0:20:05 | |
At the end we stood up and sang
Delilah by Tom Jones. You didn't! | 0:20:05 | 0:20:12 | |
Me, a couple of Cybermen, a Dalek, I
was holding their thing like that. | 0:20:12 | 0:20:18 | |
It's like being in the Masons!
You're so full of it! Looking | 0:20:18 | 0:20:23 | |
forward to seeing it. Good luck with
it. But bless you both. Since the | 0:20:23 | 0:20:28 | |
interview started? Nearly 24 hours,
we waved off Team Rickshaw on their | 0:20:28 | 0:20:37 | |
epic journey to Glasgow. In a moment
we are going to catch up with Matt | 0:20:37 | 0:20:41 | |
and the riders after we see how they
got on after day one. | 0:20:41 | 0:20:45 | |
Last night, Luke from the Wirral
Road The Rickshaw Challenge of | 0:20:47 | 0:20:52 | |
London and we immediately received
welcome support on our doorstep. | 0:20:52 | 0:20:55 | |
Hello! Evening! First couple of
miles down. Yeah. Seven miles in, | 0:20:55 | 0:21:02 | |
our first problem. And it's a big
one. The rickshaws down. The disc is | 0:21:02 | 0:21:11 | |
very tight inside the two sides and
its grinding as we go along. We're | 0:21:11 | 0:21:15 | |
going to take off the wheel and
hopefully put it back together | 0:21:15 | 0:21:18 | |
again. Should be fine. But it
wasn't. One hour behind schedule. If | 0:21:18 | 0:21:25 | |
we are to get any sleep, the next
rider, then, has to get us to our | 0:21:25 | 0:21:30 | |
beds overnight and it isn't going to
be easy -- the next rider, Ben. | 0:21:30 | 0:21:37 | |
Literally work at that place. Good
job, fist pump for that. The next | 0:21:37 | 0:21:43 | |
morning, leaving Pinner, bleary
eyed, it is the turn of Liv to | 0:21:43 | 0:21:48 | |
kick-start the rickshaw. Banbury, 23
miles. Confidence is booming. I can | 0:21:48 | 0:21:56 | |
see you are a strong rider. Thanks.
A bit of drizzle is due this morning | 0:21:56 | 0:22:02 | |
but nothing that should slow us down
too much. Or so we think. After a | 0:22:02 | 0:22:07 | |
couple of miles, Liv has a dreaded
Hill. It's her first but won't be | 0:22:07 | 0:22:11 | |
her last. Keep turning your legs,
that's the key, just nice and slow. | 0:22:11 | 0:22:17 | |
I'm not going to let it beat me. I
know. 100 metres to go. Not going to | 0:22:17 | 0:22:23 | |
let it beat me! Easy! Too easy!
Shall we do it again? Yeah! We | 0:22:23 | 0:22:32 | |
escaped the confines of London but
nobody escapes riding The Rickshaw | 0:22:32 | 0:22:36 | |
Challenge are first day. And Greg
from Glasgow, a lover of basketball, | 0:22:36 | 0:22:41 | |
now must convert his ills of
dribbling into pedalling. -- his | 0:22:41 | 0:22:46 | |
skills. That's a good one! He soon
gets the hang of it, just as well as | 0:22:46 | 0:22:53 | |
we attracted a crowd. A big crowd.
Morning, all! CHEERING | 0:22:53 | 0:23:01 | |
How we doing? 16-year-old Ben is
riding the rich off for his sister, | 0:23:04 | 0:23:13 | |
Amy, who has a rare disorder
affecting her growth. He's also one | 0:23:13 | 0:23:17 | |
the carers. What has Amy made of you
doing this? When it came to me | 0:23:17 | 0:23:24 | |
leaving, she wouldn't let go of me.
What did she say? She told me she | 0:23:24 | 0:23:29 | |
loves me. Has she always been unwell
as long as you can remember? Yeah. | 0:23:29 | 0:23:39 | |
When she was born they only thought
she'd live until six months. And | 0:23:39 | 0:23:45 | |
then it was eight and now she's 26,
so... They don't really know how | 0:23:45 | 0:23:51 | |
long I've got with her, they don't
know either. She knows that her | 0:23:51 | 0:23:56 | |
friends are passing away. She has
said a few times that she wants to | 0:23:56 | 0:24:01 | |
go to heaven, when she's been really
bad. But I don't know how I'm | 0:24:01 | 0:24:07 | |
supposed to prepare for when she
isn't there. I don't know. She's | 0:24:07 | 0:24:15 | |
loving and living everyday. And
you're helping her to do that. In a | 0:24:15 | 0:24:20 | |
big way. She is going to be so proud
of you. And she sees you going up | 0:24:20 | 0:24:29 | |
those big hills, putting in that
effort for her. | 0:24:29 | 0:24:33 | |
High! | 0:24:36 | 0:24:38 | |
So, as always, incredibly
inspirational stories from | 0:24:44 | 0:24:46 | |
incredibly inspirational riders. We
all set off 24 hours ago and can you | 0:24:46 | 0:24:53 | |
believe that 19 of those hours have
been spent on the road? Phenomenal | 0:24:53 | 0:24:58 | |
effort from Team Rickshaw and a warm
welcome from Banbury Market Square! | 0:24:58 | 0:25:03 | |
CHEERING | 0:25:03 | 0:25:06 | |
They are here. A bit of trivia,
Banbury is home to a very famous | 0:25:08 | 0:25:14 | |
nursery rhyme and so we've been
practising, Team Rickshaw, are we | 0:25:14 | 0:25:17 | |
ready? You're going to start, Tim
Faye. Ride a horse to Banbury to see | 0:25:17 | 0:25:28 | |
a lady on a horse. This is the spot
where the cross used to stand. We | 0:25:28 | 0:25:35 | |
don't have a white horse but we have
a fine lady and a rickshaw so | 0:25:35 | 0:25:41 | |
hopefully we will soon be riding
down this yellow carpet. Fingers | 0:25:41 | 0:25:45 | |
crossed it's going to happen. We
know is going to happen, don't we? | 0:25:45 | 0:25:48 | |
ALL: yes! Greg was whipping through
Hertfordshire and we were telling | 0:25:48 | 0:25:55 | |
you how to donate. If you want to
show your support for this wonderful | 0:25:55 | 0:26:00 | |
team, all you have to do is text,
it's quite simple. | 0:26:00 | 0:26:04 | |
Those
texts will cost your donation | 0:26:16 | 0:26:18 | |
plus your standard network message
charge and all of your donation | 0:26:18 | 0:26:21 | |
will go to BBC Children in Need. | 0:26:21 | 0:26:23 | |
You must be 16 or over and please
ask for the bill payer's permission. | 0:26:23 | 0:26:32 | |
For full terms and conditions,
please go to bbc.co.uk/Pudsey - | 0:26:32 | 0:26:36 | |
Hello, how you doing? Donations in
the back. Thanks very much. I want | 0:26:41 | 0:26:47 | |
to second big thank you for everyone
who has donated and everyone who has | 0:26:47 | 0:26:50 | |
come out on the road, it's been
quite something. Sabah's family are | 0:26:50 | 0:26:57 | |
here, your daughter is going to be
here shortly. I want to start with | 0:26:57 | 0:27:01 | |
you, as the mum, as a baby, Sabah
lost both kidneys because of cancer, | 0:27:01 | 0:27:07 | |
and part of her lung and I'm sure
there was a time when you did not | 0:27:07 | 0:27:11 | |
think you would see your daughter
doing what she has done today. What | 0:27:11 | 0:27:15 | |
was it like from your perspective?
It was amazing, I can't explain. I | 0:27:15 | 0:27:21 | |
saw Sabah sitting on the rickshaw
and my heart stopped. It's | 0:27:21 | 0:27:24 | |
emotional. It's hard to explain.
When she was a baby... I think I'm | 0:27:24 | 0:27:32 | |
going to lose her. So today has made
my day. So, dad, there will be tears | 0:27:32 | 0:27:38 | |
in your eyes in a moment because
here comes your daughter. Come on | 0:27:38 | 0:27:42 | |
down, Sabah! | 0:27:42 | 0:27:44 | |
There we are, we have brothers and
sisters here as well to greet her. | 0:27:47 | 0:27:53 | |
Dad has hired a nine seater bus to
be here. That to me is what all of | 0:27:53 | 0:27:58 | |
this is about. Family all the way.
And you know what, might seem keep | 0:27:58 | 0:28:03 | |
raising money but the miles aren't
over yet because we're not going to | 0:28:03 | 0:28:10 | |
see you for three days. In the
meantime, you got to travel 191 | 0:28:10 | 0:28:14 | |
miles. Have a look, here is the
route. We're going to be heading | 0:28:14 | 0:28:22 | |
towards Canuck tomorrow, through
Warwick and Sutton Coldfield. | 0:28:22 | 0:28:26 | |
An easy day on Monday, only 57 miles
to go! | 0:28:32 | 0:28:36 | |
So, listen, from all of us here, for
now, have a good weekend. We're | 0:28:39 | 0:28:44 | |
going to do a little bit of cycling!
Goodbye! | 0:28:44 | 0:28:47 | |
Thanks, Matt, and the incredible
team. A big thank you to Bradley, | 0:28:51 | 0:28:58 | |
whose new album, When You're
Smiling, is out now. It certainly | 0:28:58 | 0:29:01 | |
is. And thank you too, Sally. Have a
great weekend, everyone. | 0:29:01 | 0:29:09 |