Browse content similar to 13/11/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to a brand
new week on The One Show | 0:00:17 | 0:00:20 | |
with Alex Jones. | 0:00:20 | 0:00:21 | |
And Michael Ball. | 0:00:21 | 0:00:22 | |
Welcome back. | 0:00:22 | 0:00:27 | |
It's nice to have you. Nice to be
back, it always is. | 0:00:27 | 0:00:34 | |
Michael, what have | 0:00:34 | 0:00:35 | |
you done with Alfie Boe, | 0:00:35 | 0:00:36 | |
is he hiding under the sofa? | 0:00:36 | 0:00:40 | |
We are on a break, I don't want to
discuss it! | 0:00:40 | 0:00:44 | |
Matt is out on the road
with Team Rickshaw of course | 0:00:44 | 0:00:46 | |
and here in the studio we're
doing our bit too, as we're joined | 0:00:46 | 0:00:49 | |
by some of our brilliant viewers
who've been inspired by the rickshaw | 0:00:49 | 0:00:52 | |
and have signed up to do
their own cycling challenges. | 0:00:52 | 0:00:55 | |
If you want to get involved, all
the information is on the website. | 0:00:55 | 0:00:58 | |
Later in the show the team will be
arriving in Morcambe where Eric | 0:00:58 | 0:01:01 | |
and Ernie are holding the fort. | 0:01:01 | 0:01:09 | |
Are we on? | 0:01:09 | 0:01:12 | |
Don't worry - we're here. | 0:01:12 | 0:01:13 | |
Right next to my statue
because you see I was | 0:01:13 | 0:01:16 | |
born here in Morecambe. | 0:01:16 | 0:01:17 | |
And I was born in Leeds. | 0:01:17 | 0:01:18 | |
Morecambe and Leeds, which sounds
like a cheap day return. | 0:01:18 | 0:01:21 | |
So I shortened my name
from Wiseman to Wise. | 0:01:21 | 0:01:23 | |
To match his height, you see. | 0:01:23 | 0:01:24 | |
Yeah, and there are actually
three statues of us. | 0:01:24 | 0:01:27 | |
Oh, yes, this one of me here. | 0:01:27 | 0:01:28 | |
One of me in Morely. | 0:01:28 | 0:01:30 | |
And another one of his
wallet in Peterborough. | 0:01:30 | 0:01:32 | |
A new one of us together
in Blackpool - famous for fish | 0:01:32 | 0:01:34 | |
and chips and kiss me quick hats. | 0:01:34 | 0:01:36 | |
Whereas here in Morecambe we have
kiss me slower hats. | 0:01:36 | 0:01:38 | |
They've got Blackpool tower... | 0:01:38 | 0:01:39 | |
And we haven't... | 0:01:39 | 0:01:41 | |
So come to Morecambe and do this. | 0:01:41 | 0:01:43 | |
It makes you feel good. | 0:01:43 | 0:01:45 | |
And it's free. | 0:01:45 | 0:01:45 | |
Do we get paid now? | 0:01:45 | 0:01:47 | |
No. | 0:01:47 | 0:01:48 | |
That's a shame. | 0:01:48 | 0:01:51 | |
I thought so. | 0:01:51 | 0:01:53 | |
Absolutely brilliant. | 0:01:56 | 0:02:00 | |
Thanks Eric and Ern, also known
as Jonty Stephen and Ian Ashpitel. | 0:02:00 | 0:02:06 | |
They are in Bury St Edmunds at the
end of the week. | 0:02:06 | 0:02:09 | |
Our guest tonight grew up
with the real Morecambe and Wise. | 0:02:09 | 0:02:12 | |
And now the star of Nativity,
Extras and Ugly Betty, | 0:02:12 | 0:02:14 | |
has a big BBC One show of her own. | 0:02:14 | 0:02:16 | |
It's Ashley Jensen. | 0:02:16 | 0:02:17 | |
Thank you for having me. Morecambe
underlies, a big part of your life | 0:02:17 | 0:02:24 | |
growing up. I grew up watching 1970s
comedy and sitcoms, Frank Spencer | 0:02:24 | 0:02:32 | |
and Morecambe and wise, the good
life. I didn't go to the theatre, | 0:02:32 | 0:02:36 | |
when I grew up in Scotland it was a
cultural void in the 1980s, we | 0:02:36 | 0:02:41 | |
didn't have a lot of theatre so it
was 1970s sitcoms. You can only take | 0:02:41 | 0:02:46 | |
one with you to the desert island,
which one will it be? For me, some | 0:02:46 | 0:02:53 | |
mothers do have them, Frank Spencer.
He is a hero of mine. We are going | 0:02:53 | 0:02:59 | |
to talk all about your new drama,
Love, Lies And Records in a moment | 0:02:59 | 0:03:04 | |
but first... | 0:03:04 | 0:03:07 | |
Sheffield Council's determination
to cut down thousands | 0:03:07 | 0:03:08 | |
of its mature trees is baffling. | 0:03:08 | 0:03:10 | |
Even the Environment Secretary
has asked them to stop. | 0:03:10 | 0:03:12 | |
Now 23 trees planted as a war
memorial are in the firing line. | 0:03:12 | 0:03:15 | |
Andy's been back to the city
to ask if nothing is | 0:03:15 | 0:03:18 | |
sacred there any more. | 0:03:18 | 0:03:21 | |
The battle for Sheffield's trees has
been raging for almost five years | 0:03:21 | 0:03:25 | |
now and in that time around 5000
have disappeared from streets like | 0:03:25 | 0:03:31 | |
this one. The council say they are
felling trees only considered | 0:03:31 | 0:03:36 | |
dangerous, diseased, damaging the
pavement or blocking access for | 0:03:36 | 0:03:40 | |
disabled people. With 400 due for
the chop by March next year | 0:03:40 | 0:03:45 | |
campaigners continue to protest
because they believe healthy trees | 0:03:45 | 0:03:49 | |
are being unnecessarily replaced
with new saplings. On Western Road | 0:03:49 | 0:03:54 | |
23 of these are due to be cut down,
a move that has proved particularly | 0:03:54 | 0:04:00 | |
controversial. These trees were
planted to commemorate 401 former | 0:04:00 | 0:04:09 | |
pupils of the local school who
served or died in World War I and | 0:04:09 | 0:04:13 | |
the trees are now recognised as a
living war memorial. | 0:04:13 | 0:04:20 | |
So today, more than 100 locals have
come together on Armistice Day to | 0:04:26 | 0:04:32 | |
pick up a brush to immortalise on
camera as the Western Road trees, | 0:04:32 | 0:04:37 | |
just in case they don't escape the
attentions of the council. How is | 0:04:37 | 0:04:47 | |
your tree going? Paul Johnson's
uncle is one of the young men who | 0:04:47 | 0:04:51 | |
the trees were planted to
commemorate. In 1914 he went and | 0:04:51 | 0:04:58 | |
joined up and unfortunately died in
1970, he took a direct hit from a | 0:04:58 | 0:05:03 | |
shelf. Carol's relative died during
the Battle of the song. I came today | 0:05:03 | 0:05:12 | |
to remember. The man behind the
event is this artist, who painted | 0:05:12 | 0:05:18 | |
the Queen and the last surviving
soldier of World War I, Harry patch. | 0:05:18 | 0:05:22 | |
I remember Harry patch talking about
memorials and how we treat them in | 0:05:22 | 0:05:27 | |
the future because he'll we have
living trees which embody a sense of | 0:05:27 | 0:05:32 | |
community. Can a painting helped to
change the council's mind? It can | 0:05:32 | 0:05:39 | |
have a very strong impact. They are
not allowed, shouting objects. Since | 0:05:39 | 0:05:49 | |
I was last here ten months ago,
Sheffield's urban warfare over the | 0:05:49 | 0:05:55 | |
trees has only intensified. The case
has been in the High Court twice, | 0:05:55 | 0:06:00 | |
the council winning both times.
Green Party councillor Alison Teale | 0:06:00 | 0:06:05 | |
was arrested, and just this month
another protester received a | 0:06:05 | 0:06:10 | |
suspended jail sentence. Even the
Environment Secretary Michael Gove | 0:06:10 | 0:06:14 | |
has visited Sheffield and described
the scheme as bonkers but the | 0:06:14 | 0:06:17 | |
council say the people of Sheffield
are already reaping the benefits | 0:06:17 | 0:06:22 | |
with improved roads, pavements and
street lighting - part of a £2 | 0:06:22 | 0:06:26 | |
billion deal designed with
contractors. Campaigners say the | 0:06:26 | 0:06:31 | |
huge costs involved may explain why
the council is reluctant to call a | 0:06:31 | 0:06:35 | |
halt to the scheme although a High
Court ruling found no evidence of | 0:06:35 | 0:06:39 | |
healthy trees being felled for
profit. I spoke to a veteran | 0:06:39 | 0:06:44 | |
journalist with a rather familiar
name. Why doesn't the council simply | 0:06:44 | 0:06:50 | |
stop this policy? I don't think they
can. They have tied themselves so | 0:06:50 | 0:06:55 | |
tightly into this contract that is
to pull-out would mean massive | 0:06:55 | 0:06:59 | |
financial penalties for the council.
What kind of penalties we don't know | 0:06:59 | 0:07:03 | |
because they won't let us see the
contract. Why the secrecy? A lot of | 0:07:03 | 0:07:11 | |
it has been redacted. The council
said some of the redacted material | 0:07:11 | 0:07:15 | |
will become available if no longer
considered commercially sensitive. | 0:07:15 | 0:07:19 | |
This local council is here today.
Are you embarrassed to be a | 0:07:19 | 0:07:27 | |
councillor in Sheffield at the
moment? It is tricky, isn't it, when | 0:07:27 | 0:07:33 | |
you've got people who come to you as
an elected representative and say | 0:07:33 | 0:07:36 | |
the policy you are putting forward
is not something we want. We have to | 0:07:36 | 0:07:41 | |
run the city in the interests of
everybody in the city. Can you say | 0:07:41 | 0:07:45 | |
unequivocally that none of these
trees will be cut down? They are | 0:07:45 | 0:07:50 | |
being treated as a special case, and
they will look at commissioning some | 0:07:50 | 0:07:54 | |
design work of what solutions can be
possible to keep the trees. So there | 0:07:54 | 0:07:59 | |
is still hope for the memorial trees
but with every week that passes, | 0:07:59 | 0:08:11 | |
more trees are designated for
felling sofa the people of Sheffield | 0:08:11 | 0:08:13 | |
this war is not over yet. We don't
think there's any need to take the | 0:08:13 | 0:08:16 | |
trees down. They want to plant them
in another place, it wouldn't be the | 0:08:16 | 0:08:19 | |
same.
Fingers crossed for those trees. | 0:08:19 | 0:08:25 | |
It's terrible, isn't it? This
compulsion to chop down trees is not | 0:08:25 | 0:08:32 | |
good. Marking all things important
is the premise to your new drama, | 0:08:32 | 0:08:39 | |
Love, Lies And Records, written by
Kay Mellor, and it takes place in a | 0:08:39 | 0:08:42 | |
registry office so we were thinking
when was the last time we were in a | 0:08:42 | 0:08:46 | |
registry office. For me it was when
I was registering my son. For me I | 0:08:46 | 0:08:52 | |
was singing as a wedding because
Miranda Hart rang me up and asked me | 0:08:52 | 0:08:57 | |
to do it as a surprise. He is so
showbiz! What about you, Ashley? We | 0:08:57 | 0:09:07 | |
went for a bit of research before we
did the show to meet with people who | 0:09:07 | 0:09:11 | |
did this job for the living and see
what kind of people they work and | 0:09:11 | 0:09:16 | |
the environment they worked in. It
was amazing to connect with the | 0:09:16 | 0:09:20 | |
people and find out what they were
like. They were very much people | 0:09:20 | 0:09:26 | |
people. They loved people's stories
and listening to people. Anyone in | 0:09:26 | 0:09:31 | |
particular stick out for you? There
was one lady there, I cannot | 0:09:31 | 0:09:37 | |
remember her name but she still got
incredibly emotionally involved in | 0:09:37 | 0:09:42 | |
every birth, marriage and death she
participated in. In one, someone had | 0:09:42 | 0:09:49 | |
died and they really embraced every
event they do. I suppose they are | 0:09:49 | 0:09:55 | |
present for all of our important
moments in our life. She went to | 0:09:55 | 0:10:01 | |
register the death of her dad and
then registered a wedding, she | 0:10:01 | 0:10:07 | |
looked around and thought this is an
amazing Place for the premise of a | 0:10:07 | 0:10:11 | |
drama. Because you not only have the
characters who work in the registry | 0:10:11 | 0:10:17 | |
office but all the different
characters coming in. And that is | 0:10:17 | 0:10:21 | |
what she has done so cleverly with
this script. You deal with the work | 0:10:21 | 0:10:28 | |
environment, then my character's
work environment. She tries to | 0:10:28 | 0:10:32 | |
juggle home and working life.
Another level again. There's lots of | 0:10:32 | 0:10:40 | |
levels in this show, sometimes there
is injury that takes you on a | 0:10:40 | 0:10:44 | |
journey. Then the writer takes a
sharp left that you weren't | 0:10:44 | 0:10:53 | |
expecting. There are guest actors
that would come in and register the | 0:10:53 | 0:10:58 | |
birth, marriage or death and then
you get closure on their story. It's | 0:10:58 | 0:11:02 | |
quite messy because there's a lot
going on, a lot of relationships and | 0:11:02 | 0:11:08 | |
storylines. You mentioned injury.
Let's see some of that. This is your | 0:11:08 | 0:11:13 | |
name on -- nemesis who has just lost
out on promotion. I don't want this | 0:11:13 | 0:11:22 | |
to undermine you and make you feel
you are not valued because you are, | 0:11:22 | 0:11:26 | |
and I'm really going to need your
help if I'm going to pull this off. | 0:11:26 | 0:11:29 | |
I will do the very best I can, like
I always have. Thank you. That it? | 0:11:29 | 0:11:39 | |
Yes, for now. | 0:11:39 | 0:11:46 | |
I have seen what happens after that
and it's not very nice, she's not a | 0:11:46 | 0:11:50 | |
nice character. She's not very happy
at all, that character. A lot of | 0:11:50 | 0:11:56 | |
people bought because I was in and
Rebecca Front was in it, it would be | 0:11:56 | 0:12:05 | |
a comedy. There is humour in it,
which is what Kay does so well, and | 0:12:05 | 0:12:11 | |
it's nice to have ladies in it that
are not 25, and real women. I was | 0:12:11 | 0:12:21 | |
insistent, let's not have our hair
done and get a manicure, just slap | 0:12:21 | 0:12:26 | |
on a bit of polish. She was a
working mother. Things like that | 0:12:26 | 0:12:31 | |
were quite important, that she was a
real woman struggling on a daily | 0:12:31 | 0:12:36 | |
basis, trying to juggle everything.
You can see Love, Lies And Records | 0:12:36 | 0:12:42 | |
on Thursday at nine o'clock on BBC
One. The rickshaw has crossed many | 0:12:42 | 0:12:46 | |
impressive bridges as it has
travelled across the UK. The next | 0:12:46 | 0:13:00 | |
route will take in the Wear crossing
in Sunderland. They will have to | 0:13:00 | 0:13:04 | |
finish at first though.
These derelict banks were once home | 0:13:04 | 0:13:08 | |
to a shipyard that closed in 1988
making thousands unemployed, but | 0:13:08 | 0:13:14 | |
change is on the horizon. This is
the new Wear Crossing, the | 0:13:14 | 0:13:19 | |
centrepiece of a new £117 million
plan to breed new life into the | 0:13:19 | 0:13:25 | |
area. Tim Sullivan is managing the
design of this mammoth project. Has | 0:13:25 | 0:13:32 | |
it all gone to plan? All of the
difficult stuff has gone very well. | 0:13:32 | 0:13:38 | |
One of the most challenging parts of
the construction so far has been | 0:13:38 | 0:13:42 | |
installing the pylon. The pylon is
one massive piece of steel, | 0:13:42 | 0:13:48 | |
assembled in a yard in Belgium. It
was shipped over here on a very | 0:13:48 | 0:13:54 | |
large barge, then two massive hinges
were attached and the whole thing | 0:13:54 | 0:13:58 | |
was winched into the air. It took
two days to lift the pylon | 0:13:58 | 0:14:03 | |
interposition and they can now begin
the work of supporting the bridge's | 0:14:03 | 0:14:07 | |
load. What is going on on the bridge
today? You can see behind us the | 0:14:07 | 0:14:15 | |
guys raising cables. And to see how
it works, Tim has arranged a special | 0:14:15 | 0:14:21 | |
trip for the One Show, 40 metres up.
This bridge is a cables day design | 0:14:21 | 0:14:26 | |
and the way it works is these cables
that they are fitting today will | 0:14:26 | 0:14:31 | |
transfer the weight of the bridge
itself and all of the traffic on it | 0:14:31 | 0:14:37 | |
up onto this massive steel pylon and
that force is then transferred down | 0:14:37 | 0:14:42 | |
the pylon and into the ground in the
middle of the river. The team are | 0:14:42 | 0:14:48 | |
just beginning to string the cables.
It's an enormous job, taking 20 | 0:14:48 | 0:14:53 | |
engineers. Tim, what are they doing
right now? This is the sheets for | 0:14:53 | 0:15:00 | |
the cable which will support the
bridge. They will be threaded | 0:15:00 | 0:15:09 | |
between 45 and 77 individual strands
of steel, they can take the weight | 0:15:09 | 0:15:14 | |
of seven tonnes, that 16 grand
pianos! When combined, one complete | 0:15:14 | 0:15:20 | |
cable could lift the International
Space Station. How long does it take | 0:15:20 | 0:15:23 | |
to assemble one of the cables from
the little individual strands? I | 0:15:23 | 0:15:28 | |
think it's about three days,
probably 100 miles altogether. As | 0:15:28 | 0:15:33 | |
well as getting to see the engineers
at work, from here you also get a | 0:15:33 | 0:15:37 | |
real sense of how the bridge will
improve the area. Down here, where | 0:15:37 | 0:15:43 | |
the old dockyards used to be,
there's plans to make a whole new | 0:15:43 | 0:15:47 | |
community. The idea is to replace
these wastelands with new houses and | 0:15:47 | 0:15:51 | |
shops to give this once lively part
of town a new lease of life. | 0:15:51 | 0:15:56 | |
78-year-old Billy has lived and
worked here through boom and bust. | 0:15:56 | 0:16:08 | |
Get industry down here, and
revitalise the area and get jobs. | 0:16:08 | 0:16:13 | |
Bridges so much more than a road
across a river. They allow you to | 0:16:13 | 0:16:20 | |
join communities together. While
this is a gorgeous example of bridge | 0:16:20 | 0:16:24 | |
engineering, by creating that link,
this bridge will allow the | 0:16:24 | 0:16:28 | |
regeneration of the South side of
the river in Sunderland. | 0:16:28 | 0:16:35 | |
All 28 cables have now been put up
and the bridge is on course | 0:16:35 | 0:16:38 | |
to open in Spring 2018. | 0:16:38 | 0:16:41 | |
We're just a few minutes away
from Team Rickshaw's big | 0:16:41 | 0:16:44 | |
arrival in Morecambe. | 0:16:44 | 0:16:45 | |
First, here's how, this weekend,
38 hours of pedal power took them | 0:16:45 | 0:16:48 | |
all the way from Oxfordshire
to Lancashire. | 0:16:48 | 0:16:56 | |
A cold, wet morning in Banbury, and
even this early, our young | 0:16:56 | 0:17:01 | |
supporters are out wishing us well.
But the rains have come down this | 0:17:01 | 0:17:04 | |
morning, and riding up hills is a
challenge. In through your nose, out | 0:17:04 | 0:17:11 | |
through your mouth. Come on, stay
with me, if you can. Brilliant. | 0:17:11 | 0:17:18 | |
Brilliant. That's how you write a
rickshaw up a hill. Over the | 0:17:18 | 0:17:23 | |
weekend, our plan was to ride the
rickshaw 132 miles, all the way to | 0:17:23 | 0:17:30 | |
Salford. As we arrived to
Shakespeare's County, here at | 0:17:30 | 0:17:36 | |
Warwick Castle, the donations come
in thick and fast. Thank you, | 0:17:36 | 0:17:41 | |
everybody, for coming. Look at this!
We are over that first 100 mile | 0:17:41 | 0:17:47 | |
mark, and the team spirit within
team rickshaw is riding high. In | 0:17:47 | 0:17:53 | |
celebration of the generosity, we
can't but help make a big song and | 0:17:53 | 0:17:58 | |
dance about it for the rest of the
day. | 0:17:58 | 0:18:02 | |
# Boom, boom, shake the room.
# Sweet Caroline... | 0:18:02 | 0:18:12 | |
Heading into Stoke on Trent, not
only do we get a brass band | 0:18:18 | 0:18:23 | |
accompaniment, we also received some
hospitality from the local fire | 0:18:23 | 0:18:27 | |
brigade, who are at the ready with
some local encouragement. You can't | 0:18:27 | 0:18:34 | |
come to Stoke-on-Trent without
sampling some of the delicacies. | 0:18:34 | 0:18:39 | |
That's great. Nice? Having
refuelled, the team take time out | 0:18:39 | 0:18:46 | |
for Remembrance. At 11am, we, along
with the rest of the country, | 0:18:46 | 0:18:57 | |
observed two minutes' silence for
those who lost their lives in war. | 0:18:57 | 0:19:06 | |
Early today, we left BBC breakfast
in Salford, and on this Monday | 0:19:06 | 0:19:11 | |
morning, there's a real
determination as the riders tag team | 0:19:11 | 0:19:16 | |
tackle hill after Hill after Hill.
It's a tough old climb, but there's | 0:19:16 | 0:19:24 | |
always a welcome crowd and a hard
not to far away. We missed you so | 0:19:24 | 0:19:32 | |
much that we turned up today. You
will be surprised when we turn up. | 0:19:32 | 0:19:39 | |
Loot is 17 and from the Wirral. He
has a twin named J. Luke was born | 0:19:39 | 0:19:46 | |
with cerebral palsy, which severely
affects his mobility. He had to have | 0:19:46 | 0:19:50 | |
a complex operation at 11, which
took a long time to recover from. | 0:19:50 | 0:19:56 | |
What do you remember about your
operation? It was to help me become | 0:19:56 | 0:20:03 | |
more independent and to help me stay
healthy for longer. It was so long. | 0:20:03 | 0:20:09 | |
It took me six weeks just to get
back to sitting up, and 12 months of | 0:20:09 | 0:20:14 | |
recovery. I was like, do I really
want to do this? I cried my eyes out | 0:20:14 | 0:20:22 | |
standing up the first time in three
months. It was so difficult. How did | 0:20:22 | 0:20:27 | |
your brother deal with it all? He
didn't like it at all. He's quite a | 0:20:27 | 0:20:33 | |
sensitive guy and he didn't like
seeing me in pain. From where I was | 0:20:33 | 0:20:37 | |
six years ago to now, it just feels
amazing. Just talking to Luke there, | 0:20:37 | 0:20:46 | |
and how hard it is for an
11-year-old to feel extreme pain, | 0:20:46 | 0:20:51 | |
and just trying to walk from one
side of the room to the other... | 0:20:51 | 0:20:57 | |
Luke was once a child in need, and
now he is a brave young adult that's | 0:20:57 | 0:21:03 | |
going forward. And the reason why he
feels the way he does is because of | 0:21:03 | 0:21:07 | |
the support he's had in the past. He
is doing all of this so that other | 0:21:07 | 0:21:12 | |
children can get that same support,
go forward, and be brave young | 0:21:12 | 0:21:20 | |
adults. That is what is so
inspiring, to me. | 0:21:20 | 0:21:26 | |
So emotional to be riding next to
such an inspiring team, but the good | 0:21:26 | 0:21:30 | |
news is that we have had our heads
down, and we have been heading to | 0:21:30 | 0:21:36 | |
the town that gave the name to the
taller one of Britain's's best | 0:21:36 | 0:21:41 | |
comedy duo. We have arrived in
Morecambe, everyone! We are here. | 0:21:41 | 0:21:47 | |
All of Team Rickshaw are here bar
one. Stay with us for that. We have | 0:21:47 | 0:21:54 | |
Morecambe and wise here. We haven't
been here that long. What do you | 0:21:54 | 0:21:58 | |
think of the rickshaw so far?
Rubbish! The whole idea of this is | 0:21:58 | 0:22:05 | |
for the general public to donate.
Can I leave that review? Eric, you | 0:22:05 | 0:22:10 | |
should have the numbers. Sorry? I've
got all the right numbers, but not | 0:22:10 | 0:22:20 | |
necessarily in the right order. You
fool. What about then? He seems like | 0:22:20 | 0:22:26 | |
a nice young man. Give him the job.
Then, shall we show everyone how | 0:22:26 | 0:22:32 | |
they can show their support? There
are three different amounts you can | 0:22:32 | 0:22:37 | |
support this year. | 0:22:37 | 0:22:38 | |
Those texts will cost your donation
plus your standard message charge, | 0:22:50 | 0:22:55 | |
and all of your donation will go to
BBC Children in Need. You must be 16 | 0:22:55 | 0:23:01 | |
or over, so ask the bill payer's
permission. All of our terms and | 0:23:01 | 0:23:06 | |
conditions are on our website. You
can also donate a different amount | 0:23:06 | 0:23:12 | |
online. Thank you. | 0:23:12 | 0:23:15 | |
Our North-west wonder
girl Liv will be riding | 0:23:15 | 0:23:17 | |
the Rickshaw in tonight. | 0:23:17 | 0:23:18 | |
Her family are here. | 0:23:18 | 0:23:22 | |
Mum Adele, brother Alex,
Aunt Dianne and Uncle Jonathan. | 0:23:22 | 0:23:26 | |
Adele, we know that
you lost your husband Roman | 0:23:26 | 0:23:28 | |
to cancer two years ago. | 0:23:28 | 0:23:37 | |
It was last June. OK, so you lost
him last June. You see so many | 0:23:37 | 0:23:49 | |
characteristics in Liv, going
through what she's going through | 0:23:49 | 0:23:52 | |
right now. Tell us a little bit
about that, and what you see in her | 0:23:52 | 0:23:58 | |
from him. Liv is just fun loving.
She is living every moment through | 0:23:58 | 0:24:03 | |
him. She is just quite dog-eared.
Have you noticed, going up the | 0:24:03 | 0:24:08 | |
hills? She is so determined. Before
this, she hadn't really ridden a | 0:24:08 | 0:24:14 | |
bike, and she wasn't really in to
keep fit. Her dad did teach her to | 0:24:14 | 0:24:19 | |
ride a bike, but she didn't really
take to it. She's got a real talent | 0:24:19 | 0:24:24 | |
there. Hasn't she? Alex, as a
brother, did you ever keep up with | 0:24:24 | 0:24:31 | |
her on the bike? Not really. She's
really, really determined, a really | 0:24:31 | 0:24:36 | |
determined girl, and this whole
talent has turned her around, and | 0:24:36 | 0:24:40 | |
given her so much confidence. She
will come back a different person. | 0:24:40 | 0:24:44 | |
Shall be bring her in? Yes, please.
Let's have a huge round of applause | 0:24:44 | 0:24:50 | |
for Liv! | 0:24:50 | 0:24:59 | |
MUSIC: Bring Me Sunshine
by Morecambe and Wise. | 0:24:59 | 0:25:07 | |
Bringing sunshine to Team Rickshaw.
We are in Morecambe, where it is | 0:25:07 | 0:25:10 | |
happening. We will let them have
their moment. Sabah, you are never | 0:25:10 | 0:25:19 | |
one to shy away from a challenge.
When we asked you to do a bit of | 0:25:19 | 0:25:24 | |
time travelling, you didn't shy away
from that either. As far as your | 0:25:24 | 0:25:29 | |
speech is concerned, you went off to
the Children In Need Rocks The | 0:25:29 | 0:25:33 | |
Eighties concert and you did your
speech in front of thousands of | 0:25:33 | 0:25:36 | |
people, in Wembley of all places! My
name is Sabah, and we are at | 0:25:36 | 0:25:42 | |
Wembley. I will be doing my speech
in front of 7000 people. I'm not | 0:25:42 | 0:25:48 | |
nervous at all. I'm quite a
confident person. Maybe a bit too | 0:25:48 | 0:25:54 | |
confident, borderline cocky! Please
welcome Sabah. Good evening, | 0:25:54 | 0:26:06 | |
Wembley. When I was very young,
cancer was found on both of my | 0:26:06 | 0:26:14 | |
kidneys. The doctors then found
cancer on my lung, and had only | 0:26:14 | 0:26:23 | |
given me a 13% chance of survival.
And somehow, I beat the cancer. Just | 0:26:23 | 0:26:38 | |
a few days after my sixth birthday,
I was given a kidney transplant. But | 0:26:38 | 0:26:43 | |
sadly, it didn't last. In 2013, my
kidneys stopped working properly, | 0:26:43 | 0:26:49 | |
and it had to be removed. It was a
dark time. I felt like my freedom | 0:26:49 | 0:26:55 | |
had been taken away from me. Now,
four years later, I'm still waiting | 0:26:55 | 0:27:01 | |
for a kidney, but I do try to get on
with things. I've been helped by | 0:27:01 | 0:27:08 | |
many people, and I would like to
show my thanks and raise money for | 0:27:08 | 0:27:13 | |
others. That's why I will be helping
to pull the rickshaw across the UK. | 0:27:13 | 0:27:20 | |
And if you are able to donate to
this brilliant cause, then please | 0:27:20 | 0:27:25 | |
give what you can. Thank you very
much. | 0:27:25 | 0:27:34 | |
Sabah, how was that for you?
Amazing. It felt so surreal. I had | 0:27:43 | 0:27:49 | |
so many people chanting my name, for
the first ever time. As we have had | 0:27:49 | 0:27:54 | |
all the way. Every time you get on
the bike, everybody just calls out | 0:27:54 | 0:27:59 | |
your name. You've been telling us
how dull your treatment sessions | 0:27:59 | 0:28:12 | |
are. Tell us about what happened
today. I was greeted by a very big | 0:28:12 | 0:28:18 | |
surprise. All of a sudden I had to
people come in my room from the | 0:28:18 | 0:28:23 | |
circus, it seemed. One of them was
like a fire juggler thing, and one | 0:28:23 | 0:28:29 | |
of them was like a real-life
hypnotic thing, like a dancer. | 0:28:29 | 0:28:37 | |
Basically, it was quite confusing.
This is something that will continue | 0:28:37 | 0:28:41 | |
as you go will on with your
dialysis. We will sort out some | 0:28:41 | 0:28:47 | |
entertainment for you. We've got to
travel across the lake District to | 0:28:47 | 0:28:51 | |
Penrith tomorrow night. Goodbye,
everybody! | 0:28:51 | 0:28:58 | |
Big thank you to Ashley. | 0:28:58 | 0:28:59 | |
Love Lies and Records starts
on Thursday at 9pm on BBC One. | 0:28:59 | 0:29:02 | |
And good luck to all our
Virtual Rickshaw riders too! | 0:29:02 | 0:29:04 | |
See you tomorrow, when
star of Peaky Blinders | 0:29:04 | 0:29:06 | |
Helen McCrory will be here -
and of course we'll be catching | 0:29:06 | 0:29:09 |