Browse content similar to 11/01/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with the lovely Matt Baker And our | :00:18. | :00:28. | |
fantastic red head presenter, Angela Scanlon. I think they should do the | :00:29. | :00:33. | |
whole show? I think so. Later on we will find out how these amacing | :00:34. | :00:39. | |
animatronics animals have been capturing wildlife footage no-one | :00:40. | :00:41. | |
has seen before. He has better hair than me. I love him. Whether this | :00:42. | :00:45. | |
chap can fool members of the public as well. Hello. Look, look. Is it a | :00:46. | :00:53. | |
robot? , no, it looks like a robot. Wonderful. Plus, we will be | :00:54. | :00:58. | |
welcoming two TV couples to the sofa, one duo spend their Sunday | :00:59. | :01:04. | |
nights delivering baby in a hit BBC drama the other delivers daily game | :01:05. | :01:09. | |
show goals. What happens when their world's collide. Let's meet today's | :01:10. | :01:16. | |
player. GP, licensed to practice medicine and secret agent... Name as | :01:17. | :01:21. | |
many properties on the monopoly board that do not contain the word, | :01:22. | :01:27. | |
"street." That was so convincing. Foods beginning with C? Camping! We | :01:28. | :01:33. | |
will see how popular it is. How many of our 100 people said "camping"? | :01:34. | :01:39. | |
That is wrong. That scores the maximum of 100 points. Unlucky guys. | :01:40. | :01:43. | |
I hope you got some of those at home. Please welcome our Pointless | :01:44. | :01:54. | |
guests Alexander Armstrong and Richard Osman and from Call the | :01:55. | :01:59. | |
Midwife Stephen McGann and Laura Main. 1,000 episodes of Pointless. I | :02:00. | :02:06. | |
mean, you guys are back with a new series of Call the Midwife. You are | :02:07. | :02:10. | |
on guessing roughly the 50 mark. Must be. Can you imagine getting to | :02:11. | :02:15. | |
1,000? We are hoping to. Would that take us to the present day? That is | :02:16. | :02:23. | |
a good point. To a future where there is only Dr Turner left. You | :02:24. | :02:27. | |
wouldn't be in it by then. You killed him off. Are you fans of | :02:28. | :02:34. | |
quizzes? Is I watch Pointless. The We all do. I didn't think I would be | :02:35. | :02:38. | |
taking part in a quiz though. I thought I was coming on the One | :02:39. | :02:42. | |
Show. They have not roped you into this celebrity version yet, have | :02:43. | :02:55. | |
they? No. You are on. Matt came on. I'm not going to blame anyone. That | :02:56. | :02:59. | |
was Al. She's actually watching! Have you ever delivered a baby? | :03:00. | :03:06. | |
Yeah. A couple of times! I have been there when a few have come out, as a | :03:07. | :03:11. | |
father, I don't go around maternity wards. Got to have a hobby, right? | :03:12. | :03:18. | |
Your dreams are about to come true. We will be playing some Pointless | :03:19. | :03:23. | |
quizzes, if you like. The Pointless One Show. Don't talk it down. The | :03:24. | :03:29. | |
Zero Show. We will mix up the teams, if that is all right. We will do | :03:30. | :03:31. | |
that later. Now though, with the pressure on NHS | :03:32. | :03:36. | |
dominating the headlines once again, time to go back to our campaign | :03:37. | :03:38. | |
to try and save the health Last year I launched a campaign to | :03:39. | :03:50. | |
try and get you, the public, to bring back the medical equipment you | :03:51. | :03:54. | |
no longer need to save the NHS millions. Boy, oh, boy, have I been | :03:55. | :03:59. | |
surprised at what I found out. I discovered that hospitals were | :04:00. | :04:03. | |
losing money on a daily basis. If we are giving out 25 pairs a day, we | :04:04. | :04:07. | |
get one be back, we are losing ?240 a day. You emailed saying you wanted | :04:08. | :04:16. | |
to return equipment but the hospital wouldn't take it. Look at that. It's | :04:17. | :04:21. | |
a new year. My campaign is gathering a new pace. Plenty of you are not | :04:22. | :04:24. | |
prepared to take no for an answer. It's starting to make a real | :04:25. | :04:28. | |
difference. That includes here, this GP surgery in Leeds. They contacted | :04:29. | :04:33. | |
me to say we'd given them a great idea. Liz, you are practice manager | :04:34. | :04:37. | |
here, you felt compelled to contact us at the One Show, is that right? | :04:38. | :04:41. | |
We saw your films. We felt inspired to do something to help. What are | :04:42. | :04:46. | |
you planning to do? We hope to have an equipment amnesty. Patients who | :04:47. | :04:50. | |
borrowed anything to the hospitals can return items to us and we will | :04:51. | :04:55. | |
will make sure it gets back to the right place. We will put up posters, | :04:56. | :04:59. | |
letters to patients and on the website. I'm here to help. Can we | :05:00. | :05:06. | |
start? Absolutely. The local NHS Trust recycles equipment, but if | :05:07. | :05:12. | |
they are a drop off point the surgery can turbo the equipment. | :05:13. | :05:20. | |
This is why we are doing the campaign. Absolutely. Liz has a room | :05:21. | :05:28. | |
at the surgery set aside for all that medical equipment that, fingers | :05:29. | :05:31. | |
crossed, is about to come back. This is brilliant. Wham a space this is. | :05:32. | :05:37. | |
Why is it best to bring it back to the GPs than to the hospitals? | :05:38. | :05:41. | |
Convenience. If patients go to hospital they pay for parking or get | :05:42. | :05:45. | |
on a bus or taxi. Patients who come to a doctor surgery on a regular | :05:46. | :05:49. | |
basis can drop it in as they go past. The local hospital Trust in | :05:50. | :05:54. | |
Leeds are keen to get involved with the GP scheme. Janice, head of fizz | :05:55. | :05:58. | |
Yeo at the hospital, has come down to the surgery today to meet Liz to | :05:59. | :06:02. | |
kick-start the campaign. How will it work, what is the plan? We will be | :06:03. | :06:06. | |
talking about where Liz would be best to bring the car to to drop the | :06:07. | :06:10. | |
equipment You will put off. The stuff in your own car. I thought you | :06:11. | :06:15. | |
would have a van and stuff, that is better. Do it ourselves. Why are you | :06:16. | :06:20. | |
doing? If we make a saving in one area we can spend more on something | :06:21. | :06:26. | |
else. Leeds Teaching Hospitals NHS Trust launched their equipment | :06:27. | :06:30. | |
amnesty in 2012, this is the first time they liaised with a local GP | :06:31. | :06:34. | |
surgery. Why aren't other hospitals doing the scheme? I don't know. It's | :06:35. | :06:38. | |
straight-forward to do. Phone calls with different partner organisations | :06:39. | :06:41. | |
across the city. Would you encourage other hospitals to do it? | :06:42. | :06:44. | |
Definitely. I've got another plan up my sleeve to help spread the word. | :06:45. | :06:49. | |
Hello, is that the Yorkshire Evening Post? Yes. I think I've got | :06:50. | :06:52. | |
something you might be interested in. Word starts to spread at the | :06:53. | :06:58. | |
surgery. I've crutches at home, never got them back to the hospital, | :06:59. | :07:01. | |
which I had last year. I didn't know you could. People could reuse them | :07:02. | :07:08. | |
again. We are sending letters to our patients explaining the new scheme. | :07:09. | :07:13. | |
Brilliant. We will be saving the NHS thousands, aren't we? Saving | :07:14. | :07:16. | |
thousands of pounds, yeah. People like to help the NHS. I think that | :07:17. | :07:19. | |
the patients will get on board and really want to do this, especially | :07:20. | :07:23. | |
to get the equip am out of their house. You know, watching this in | :07:24. | :07:28. | |
action strikes me just what a simple but effective idea this is. Could | :07:29. | :07:31. | |
others do the same? I'm going to find out. I've come to London to put | :07:32. | :07:38. | |
my plan to the Royal College of GPs, what can they do to help? Professor | :07:39. | :07:44. | |
Helen Stokes-Lampard is their Chair. Great to meet you. I have been to an | :07:45. | :07:51. | |
amazing surgery in Leeds they are trying to elect unwanted medical | :07:52. | :07:54. | |
aids. Couldn't all GPs do this? Some of the problems with all GP | :07:55. | :07:58. | |
surgeries getting involved they haven't got the space, the staff to | :07:59. | :08:01. | |
handle this equipment. Actually, where they have got the capacity I | :08:02. | :08:05. | |
think it's a really great idea. I'm sure there are plenty of surgeries | :08:06. | :08:09. | |
that would be liked to be involved in such a scheme. It makes sense for | :08:10. | :08:13. | |
the whole NHS. How do you get the message out there? I will he email | :08:14. | :08:18. | |
in my blog to GP members about this scheme. I think it's a great idea. | :08:19. | :08:22. | |
You could email your members on our behalf as well to ask them that? I | :08:23. | :08:26. | |
will certainly do that for you. That would be brilliant news. Of course, | :08:27. | :08:29. | |
any GP scheme like the one in Leeds is only going to work if the local | :08:30. | :08:33. | |
NHS Trust is willing to take the equipment. With help on offer like | :08:34. | :08:38. | |
this, surely at least some of those that don't will change their mind. | :08:39. | :08:44. | |
Now Now Kevin is with us, right over there. Practically in the green Just | :08:45. | :08:54. | |
with you room. . What has the response been like? Brilliant. Ten | :08:55. | :09:00. | |
items have been dropped off since Friday, a mixture of crutches and | :09:01. | :09:05. | |
zimmer frames. Crutches cost ?10 we have saved them ?100. It's great | :09:06. | :09:11. | |
news. We heard there that, what was I going to say - Liz is on crutches. | :09:12. | :09:18. | |
Lizzie, she snapped her tendon on her ankle there. The good news is | :09:19. | :09:22. | |
that Lizzie, bless her, she told us it will get to the appropriate | :09:23. | :09:25. | |
organisation. That is great. We heard there that obviously you can't | :09:26. | :09:29. | |
drop all your medical aids at every GP. We are asking all GPs, if they | :09:30. | :09:35. | |
do want to get involved, contact us, we will pop the details on the | :09:36. | :09:42. | |
websites. No other database allows this to happen. Helen from the Royal | :09:43. | :09:48. | |
College of GPs is sending herrer mail on Friday. That will go to | :09:49. | :09:52. | |
50,000s GPs across the UK. Fingers crossed that will be good news. It | :09:53. | :09:55. | |
will keep building, Kevin. Absolutely. | :09:56. | :10:01. | |
On the subject of saving money, Dom Littlewood was here last night | :10:02. | :10:03. | |
and he's got a new show called, Right on the Money. | :10:04. | :10:06. | |
He is looking to help One Show viewers save thousands. | :10:07. | :10:10. | |
If you want to take part, all you have to do is email | :10:11. | :10:13. | |
Our next film features some stunning scenery, | :10:14. | :10:16. | |
two beautiful wild animals and an animal trainer who has taken | :10:17. | :10:19. | |
on the challenge of taming them, and she's doing it all on a 10 day | :10:20. | :10:23. | |
100 mile trek across the Scottish highlands. | :10:24. | :10:24. | |
I'm Emma Massingale and I train horses in a special way without | :10:25. | :10:45. | |
reins or restraint. I have two unbroken be highland ponies to join | :10:46. | :10:49. | |
the horses I have back in Devon. Hey, boys. To build up a | :10:50. | :10:54. | |
relationship and understanding of these ponies I'm taking them to the | :10:55. | :10:58. | |
environment they were bred for, a trek across their home of the | :10:59. | :11:03. | |
Scottish Highlands. This is where our journey starts. I'm on the east | :11:04. | :11:07. | |
coast of Scotland. You can say the Bay behind me. Ahead of us we have a | :11:08. | :11:13. | |
100 mile hike that will take us 10 days before arriving at Journey's | :11:14. | :11:17. | |
End on the west Coates. They are bred to be Hardy and tough, but it | :11:18. | :11:25. | |
won't be easy. Oh. We will have to tackle bogs, fast flowing water and | :11:26. | :11:30. | |
mountainous terrain. By the end, I'm hoping that we will have bonded | :11:31. | :11:34. | |
enough for the ponies to let me ride them. Come on then, boys, let's go. | :11:35. | :11:39. | |
As we don't know each other yet, I have to use a lead to stop them | :11:40. | :11:44. | |
wandering off, which is something they're not used to. Extremely hard | :11:45. | :11:51. | |
work. Hector is much braver. Hughie is quite stubborn. Come on, Hughie. | :11:52. | :11:57. | |
Having him pull on the rope all the time make it double the effort. | :11:58. | :12:02. | |
Although the going is tough, we need to cover at least 10 miles a day. We | :12:03. | :12:07. | |
have come all the way down from the mownans and it's been an incredibly | :12:08. | :12:12. | |
hard day. I'm absolutely shattered. I think the ponies are, too. I think | :12:13. | :12:17. | |
I will try and find camp along the river somewhere tonight. As we are | :12:18. | :12:20. | |
building trust, the ponies need to be tethered to stop them running | :12:21. | :12:28. | |
away. Are you all right? Good boys. Unlike us, horses only need a couple | :12:29. | :12:33. | |
of hours sleep a day by 4.00am the next morning, the boys are ready to | :12:34. | :12:39. | |
leave the camp. I have this fetching hat to keep the midges at bay. | :12:40. | :12:47. | |
Ponies have nature on their side. They have a thick coat. Their skin | :12:48. | :12:52. | |
is thicker than any other pony I've ever experienced. As we continue on | :12:53. | :12:56. | |
our journey, leading these ponies don't get any easier. Oh oh. Horses | :12:57. | :13:07. | |
are hrd animals. Hector and Hugh have formed a strong bond. At the | :13:08. | :13:10. | |
moment, two is company, three is a crowd. I need to make some changes | :13:11. | :13:20. | |
so I'm not left out. So my plan for today is to try and pal up with | :13:21. | :13:24. | |
Hector. We will pick the nicest grass, offer him the best places to | :13:25. | :13:29. | |
stop and really try and build on my relationship with him, as it seems | :13:30. | :13:34. | |
to be we get on a little bit better than with Hughie. As for Hughie, I'm | :13:35. | :13:38. | |
taking a gamble and letting him off the lead and hoping as he sees me | :13:39. | :13:42. | |
and Hector having a good time he will want to stick with us. OK, it's | :13:43. | :13:47. | |
going quite well. Hughie is starting to know what his name is when I call | :13:48. | :13:55. | |
it he comes, which is good. Come on, Hughie, he is not wanting to do his | :13:56. | :14:00. | |
own thing too much. We have to cross a few rivers. Trying to encourage | :14:01. | :14:06. | |
the horses across unfamiliar conditions is a real challenge - | :14:07. | :14:15. | |
well, for some of us anyway. Shoot! Yes, I'm very wet! I decide to make | :14:16. | :14:21. | |
camp early to get warm and dry before the sunsets and the | :14:22. | :14:25. | |
temperature drops. As my relationship is blossoming with | :14:26. | :14:27. | |
Hector, I feel confident to let him off the lead as well. It's really | :14:28. | :14:33. | |
nice to see them loose. We've had a really good day today, perfect | :14:34. | :14:37. | |
ending. I spoke too soon. As darkness falls the weather takes a | :14:38. | :14:42. | |
turn for the worse and Hector and Hughie disappear. There is a bad | :14:43. | :14:46. | |
storm come in and frightened the ponies, they've both run off. I | :14:47. | :14:50. | |
can't find them anywhere. Hector, Hughie! If they've bolted, the | :14:51. | :14:55. | |
chances of finding them will be hard and a massive setback for us all. | :14:56. | :15:02. | |
Part two of that coming up later. Horses there, llamas, are they had | :15:03. | :15:13. | |
to control? Yes! I've got five. We thought we were only going to have | :15:14. | :15:16. | |
four and then a little baby appeared, I don't know how that | :15:17. | :15:22. | |
happened. It happens. I like llamas, not humans but I like llamas. Can | :15:23. | :15:29. | |
you lead them around? LAUGHTER Can you write one? They are very | :15:30. | :15:36. | |
lovely and you want to reach out and Pat and scratched them. They are | :15:37. | :15:41. | |
innately terrified, they just don't like humans at all, I'm afraid and | :15:42. | :15:47. | |
very strong. They sound great! Brilliant guarding animals. Box. | :15:48. | :15:54. | |
They keep foxes away, farmers have them for lambing. Let's get onto | :15:55. | :16:03. | |
Pointless. 1000 episodes. You have been filming seven years and we kind | :16:04. | :16:09. | |
of got onto conversation before we got on air, how it works during the | :16:10. | :16:14. | |
day. How many things our youth filming? Four a day. It works well, | :16:15. | :16:22. | |
when you get into the rhythm of it. The first one is fun, you turn up | :16:23. | :16:25. | |
and there's a lot of energy. The second one is nice because your | :16:26. | :16:31. | |
branch after it. The fourth one is nice because you're going home | :16:32. | :16:34. | |
afterwards. You don't want to be on the third one! Whenever I watch an | :16:35. | :16:39. | |
episode and think, they look a bit tired I think, that's episode three. | :16:40. | :16:45. | |
Do you get a bit crabby with the contestants? Never! Seriously, we | :16:46. | :16:51. | |
haven't. Sometimes we talk about them afterwards, but very rarely. We | :16:52. | :16:55. | |
usually say they were lovely. Delightful! For this 1000th episode | :16:56. | :17:02. | |
you've switched roles? We have. We wondered what to do and we thought | :17:03. | :17:05. | |
it would be nice to do something special. We were going to have Rich | :17:06. | :17:16. | |
carried by 1000 dogs. Or a llama! We thought we'd change places. We | :17:17. | :17:20. | |
thought it would be a tree if you've watched the show from the beginning | :17:21. | :17:28. | |
and it was funny, wasn't it? It was. Djibouti was a French territory | :17:29. | :17:38. | |
until 1977. As you were...! LAUGHTER I think we're both appreciating how | :17:39. | :17:48. | |
hard the other person works. Recently you have become a Pointless | :17:49. | :17:54. | |
question or answer? It's so funny, when we have friends who are | :17:55. | :17:58. | |
sometimes answers on the show we say you are on and you are Pointless | :17:59. | :18:02. | |
answer. Which means nobody knows them! I was a Pointless answer. The | :18:03. | :18:09. | |
question came up and took us by surprise, the top 50 selling albums | :18:10. | :18:14. | |
of 2015. Someone said, I don't know, I'm just going to say Alexander | :18:15. | :18:19. | |
Armstrong. Alex said, that's so sweet of you to say so. And he found | :18:20. | :18:25. | |
he was one of the top 50 selling albums of 2015. APPLAUSE | :18:26. | :18:34. | |
Your face is so lovely. Let's just remind ourselves of your wonderful | :18:35. | :18:40. | |
dulcet tones. Here we go. # I believe in a thing called love | :18:41. | :18:46. | |
# There's a chance we can make it now | :18:47. | :18:49. | |
# I believe in a thing called love #. | :18:50. | :18:55. | |
APPLAUSE Look at that! A slight change from | :18:56. | :19:02. | |
Fields of Gold. I liked that. I had my six-pack painted onto my costume. | :19:03. | :19:08. | |
I might do that more often as well. It was great fun. I think it is this | :19:09. | :19:12. | |
Friday at Sun, with Jimmy Carr. Not going to tell you what happens. We | :19:13. | :19:15. | |
are looking forward to the rock album! If you didn't know, Pointless | :19:16. | :19:22. | |
is on weekdays at 5:15pm. The 1000th episode is on Monday, but you don't | :19:23. | :19:26. | |
have to wait that long, because we are going to play it now. | :19:27. | :19:35. | |
So we need to mix up the teams a bit so - | :19:36. | :19:40. | |
if Richard and Laura you swap over please. | :19:41. | :19:45. | |
Laura and Stephen, we will just remind you of the rules. Just like | :19:46. | :19:50. | |
in the real Pointless we are not just looking for correct answers but | :19:51. | :19:53. | |
the most obscure answers, based on those given to us by 100 people. | :19:54. | :20:01. | |
Let's go through again, I get it! The first category we have is titles | :20:02. | :20:07. | |
of Pointless in other countries. We have five names of international | :20:08. | :20:11. | |
editions of pointless. If only one of the people worked for end of | :20:12. | :20:17. | |
Mull. Which country relates to which one? You can choose from... | :20:18. | :20:30. | |
So, team won. One of those is... You have two guests which country that | :20:31. | :20:51. | |
answer relates to. Choose a title and then try and team it with a | :20:52. | :20:55. | |
country of your choice. There is an obvious one there... Go for it. Team | :20:56. | :21:06. | |
won. I wouldn't. You can say one, two, three, four or five. The second | :21:07. | :21:13. | |
one down, I think that sounds fun apart from anything else. That's a | :21:14. | :21:18. | |
show I'd watch! LAUGHTER You know what I'm saying. I think | :21:19. | :21:26. | |
that comes from... I'm thinking that might be the Serbian version of the | :21:27. | :21:32. | |
show. You are going to say Serbia? I was just talking to Stephen and he | :21:33. | :21:35. | |
wanted to go for the same one because he doesn't think it is | :21:36. | :21:39. | |
Serbia. So you're going for number two, what country? Whisper it to me | :21:40. | :21:46. | |
again? Croatia, he's saying. So you're going for the second one | :21:47. | :21:52. | |
also. Let's find out if you are right, and most importantly which is | :21:53. | :21:55. | |
the most obscure. Team won, you said the second one and you said Serbia. | :21:56. | :22:01. | |
Is it correct? How many people said it? Oooh! I'm sorry. That is a | :22:02. | :22:13. | |
shame. Team number two, you chose the same answer, and you said | :22:14. | :22:22. | |
Croatia. Let's see. And if so, how many people said it. Oooh! This is | :22:23. | :22:33. | |
shameful, frankly. It was Czechoslovakia. The answers for you | :22:34. | :22:42. | |
at home if you are playing along. France, Czech Republic, Germany, | :22:43. | :22:47. | |
Croatia and Poland. That is like Vladimir Putin's to-do list. | :22:48. | :22:54. | |
LAUGHTER Interestingly Croatia's title is no | :22:55. | :23:00. | |
one thought of that. Now, how people find K White Way has been behind | :23:01. | :23:05. | |
many emotional reunions here on the One Show but this time she's | :23:06. | :23:08. | |
attempting to bring together to people who had met before. Their | :23:09. | :23:13. | |
only connection and object found in a second-hand store. Here is | :23:14. | :23:19. | |
Adebanji to tell us more. The walls of East London are dripping with | :23:20. | :23:26. | |
modern artistic energy. But I'm here to discover a different part of its | :23:27. | :23:29. | |
art heritage dating back to the First World War. That's a good one. | :23:30. | :23:36. | |
This book of pictures and poems was created by soldiers and refugees | :23:37. | :23:40. | |
during World War I, as a gift from a nurse who was looking after them in | :23:41. | :23:45. | |
a hospital in London. 40 years ago the book turned up in a second-hand | :23:46. | :23:50. | |
shop owned by Iris Simons. How come you didn't sell this book? I just | :23:51. | :23:57. | |
couldn't bring myself to sell it. It was just very special. I did feel | :23:58. | :24:02. | |
its rightful places with her family. What do we know about this nurse? | :24:03. | :24:10. | |
Her name is Violet Fountain. She was obviously very caring. Some of these | :24:11. | :24:13. | |
soldiers are French, some are Belgian. They just loved her. I'm | :24:14. | :24:19. | |
keen to try out this simple and elegant style for myself. If you | :24:20. | :24:27. | |
could, would you like to see a picture of her? Absolutely. Iris | :24:28. | :24:32. | |
asked us to help her find out more about Violet Fountain. So we called | :24:33. | :24:38. | |
in the people finding expert, Kat Whiteaway. The book only tells is | :24:39. | :24:43. | |
Violet's name, but luckily that name is quite unusual. There are only | :24:44. | :24:48. | |
seven people of that name on the 1911 census, and one of those was | :24:49. | :24:54. | |
born in London. After more research we discovered this person lived | :24:55. | :25:01. | |
within walking distance of an east London workhouse, which was | :25:02. | :25:03. | |
converted into a hospital for the wounded of World War I. It was | :25:04. | :25:06. | |
called St George 's in the east and matches the hospital named in the | :25:07. | :25:10. | |
book. I found a will for Violet. The will name is not only Violet's fun | :25:11. | :25:17. | |
but her two grandsons. When I looked at the electoral registers I spotted | :25:18. | :25:21. | |
one person of the right name. He confirmed Violet was his | :25:22. | :25:26. | |
grandmother. That grandson is Mark. We've brought him to St Peter's | :25:27. | :25:31. | |
church to meet Iris are just a stone's throw from where his mother | :25:32. | :25:37. | |
worked. This is the church she would have attended. Oh, it's beautiful. | :25:38. | :25:46. | |
We are following in her footsteps here. This is just where she would | :25:47. | :25:53. | |
have been. I can feel her. Yeah. And we have brought you... Violet's | :25:54. | :26:03. | |
grandson, who I know you would really love to meet. So there he is. | :26:04. | :26:09. | |
My goodness! Did you know your grandmother? No, no I didn't. She's | :26:10. | :26:16. | |
here. I know she would want you to have that. Now, at last, Violet's | :26:17. | :26:23. | |
book is back with her family. I've never seen anything like it. I'm | :26:24. | :26:28. | |
struggling not to be in tears. I had no idea, no idea that she was a | :26:29. | :26:33. | |
nurse. I knew nothing about her at all, so to have this, it means so | :26:34. | :26:38. | |
much. I'm so pleased. They must have really liked her to go to the effort | :26:39. | :26:44. | |
to do this. And when you read some of the sentiment, you'll realise how | :26:45. | :26:49. | |
much they cared for her and what a brilliant nurse she must have been. | :26:50. | :26:54. | |
After 40 years I risk now finally see what Violet looked like. That's | :26:55. | :27:02. | |
me, that's my grandmother. That must have been 1960. That is Violet. | :27:03. | :27:12. | |
Well... I never thought I'd see her. My goodness... I'm lost for words. | :27:13. | :27:18. | |
I've got one last surprise for Mark and Iris. It is a portrait I | :27:19. | :27:25. | |
sketched of Iris. All you need to do is insert that into the book and it | :27:26. | :27:30. | |
completes the whole of this journey. Thank you so much, everybody. It | :27:31. | :27:36. | |
feels great to see this priceless book return to the family where it | :27:37. | :27:40. | |
belongs. And to know it will be cherished by generations to come. | :27:41. | :27:48. | |
APPLAUSE What a gorgeous film. We have Mark | :27:49. | :27:52. | |
and Iris in the studio with us. You were watching at the first time. | :27:53. | :27:57. | |
It's wonderful, right? It is. Having shown the book to your family, what | :27:58. | :28:01. | |
do they think of the whole thing? It's so good to be able to connect | :28:02. | :28:05. | |
grandmother to my children, because we never knew who she was and now | :28:06. | :28:10. | |
we've got something that has us linked and it's really good. | :28:11. | :28:16. | |
Beautiful. And other strange coincidences have been uncovered | :28:17. | :28:19. | |
since you met? They certainly have. It turns out we actually live within | :28:20. | :28:27. | |
six miles of each other. And also on the 1939 register, which the | :28:28. | :28:33. | |
government did, Violet herself was actually living in Taunton, where I | :28:34. | :28:38. | |
live. Just a stone's throw away. Amazing. And I travelled down that | :28:39. | :28:45. | |
road every day. And added to this, Mark's wife is a schoolteacher and | :28:46. | :28:49. | |
it turns out she actually taught my grandson. Absolutely wonderful. Full | :28:50. | :28:55. | |
circle. That is brilliant. Thank you so much for coming in and sharing | :28:56. | :29:01. | |
your story. I will give you a little hug. Just extraordinary. From | :29:02. | :29:06. | |
wonderful nurses to midwives, let's talk about Call the Midwife, back on | :29:07. | :29:13. | |
Sunday evening, documenting some important social changes throughout | :29:14. | :29:17. | |
our history. We're up to 1962. What does that mean for your characters? | :29:18. | :29:23. | |
For the Turners, one of the great things about 1962, this series, the | :29:24. | :29:28. | |
Turners begin to look a little more 60s, without giving too much away. | :29:29. | :29:34. | |
Wow. This 60s begins to infuse into the Turners. Not miniskirts. Not | :29:35. | :29:40. | |
yet, we haven't got the Beatles, but it's there, the changes you've seen. | :29:41. | :29:45. | |
It's so clever, they move it forward so slowly that the changes become | :29:46. | :29:48. | |
very organic. And with Patrick and Shelagh, they have some sadness from | :29:49. | :29:53. | |
the previous year, when the formidable hide -- for Micah Hyde | :29:54. | :30:00. | |
outbreak came out. They have a bit of building up to do, getting back | :30:01. | :30:03. | |
on the bike and rediscovering what is they love about the medicine they | :30:04. | :30:06. | |
do and the care they give. There's part of that and frankly the changes | :30:07. | :30:11. | |
are welcome. It's like a new piece of sunlight coming through their | :30:12. | :30:15. | |
lives. Laura, is your character enjoying a husband with this 60s | :30:16. | :30:17. | |
vibe? Yeah. I think this year has been an | :30:18. | :30:25. | |
interesting year. They went to South Africa. Chris special. That was | :30:26. | :30:29. | |
quite an experience for them both, wasn't it? The nightie in South | :30:30. | :30:41. | |
Africa. A suit on the beach as well. Lots of There is big glamour. | :30:42. | :30:50. | |
Changes afoot at Nonnatus House with Jenny Agutter being replaced as the | :30:51. | :30:55. | |
Superior. The new Superior is rubbing people up the right way. I'm | :30:56. | :31:02. | |
sorry, Sister Ursula the half-hour timings has worked well enough. Is | :31:03. | :31:08. | |
well enough good enough? Before the Cottage Hospital was closed there | :31:09. | :31:14. | |
was accusations of inefficiency. I wouldn't like the clinic to be | :31:15. | :31:17. | |
subject to complaint. Most mothers don't mind if things run on. They | :31:18. | :31:22. | |
can attend talks and catch up with their friends over tea and biscuits. | :31:23. | :31:26. | |
Biscuits will be for fainters only. One of my favourite lines ever is, | :31:27. | :31:42. | |
biscuits are for fainters only. Policy we should implement around | :31:43. | :31:46. | |
here. How has it been to feel like you are being under pressure by that | :31:47. | :31:50. | |
doom nearing character? It's difficult for everybody because we | :31:51. | :32:00. | |
all admire and respect Sister played by Jenny Agutter. It ruffles | :32:01. | :32:05. | |
feathers. It's difficult. You are protective of her being cast aside | :32:06. | :32:10. | |
when you return from Cape Town after an amazing journey? She is normally | :32:11. | :32:15. | |
the one supporting all of us. Suddenly, she has a little bit of | :32:16. | :32:18. | |
difficulty in her life. Like you got to know everybody over the years. | :32:19. | :32:22. | |
You got to know and understand the structure and the order in the | :32:23. | :32:27. | |
house. Someone comes in. Dame Harriet Walter though, how wonderful | :32:28. | :32:32. | |
is that? She is the most wonderful, brilliant woman. Everyone adored | :32:33. | :32:36. | |
working with her. Call the Midwife starts a week on Sunday. You have a | :32:37. | :32:43. | |
documentary coming out. Yes. The real subjects covered in the drama. | :32:44. | :32:48. | |
That is right. That helped you from an actor's perspective? It's been | :32:49. | :32:51. | |
amazing. One of the funny things for me, without going into detail, my | :32:52. | :32:55. | |
academic background is science communication, the way things like | :32:56. | :32:59. | |
medical history, the social side of science and medicine mixes with the | :33:00. | :33:02. | |
public, the way they get it through, it might be television, might be | :33:03. | :33:06. | |
documentaries and the way they feel about it. How the two sides come | :33:07. | :33:09. | |
together. I' been interested in this type of thing. When the opportunity | :33:10. | :33:13. | |
to play Dr Turner has been amazing for me because of that. When they | :33:14. | :33:18. | |
came along and said - we would like to do a documentary that looks, take | :33:19. | :33:21. | |
as journey through those real stories of real people out there who | :33:22. | :33:24. | |
were there at this time, would you be interested? Of course, I bit | :33:25. | :33:28. | |
their hand off. I loved it. While I was filming the series I was running | :33:29. | :33:33. | |
up-and-down the country doing this. It was a labour of love for me. We | :33:34. | :33:37. | |
are joined in the audience by somebody you know well. She is in | :33:38. | :33:40. | |
the documentary. This is her birth certificate. Let me show you this | :33:41. | :33:48. | |
before I run over. 5th July 1948. Aneira was the first baby born in | :33:49. | :33:53. | |
the NHS. Let's have a round of applause. Good evening to all our | :33:54. | :34:02. | |
midwives. What did your mum tell you about your birth being the first | :34:03. | :34:09. | |
baby born in the NHS? As a child I remember her introducing me as my | :34:10. | :34:13. | |
national health baby. Being a child I didn't understand the significance | :34:14. | :34:18. | |
of the national health. Yeah. As I started growing up I was curious. I | :34:19. | :34:24. | |
asked her so many questions. She said she was about to give birth to | :34:25. | :34:34. | |
me and on midnight on 4th July I was baby number seven. It was hold on, | :34:35. | :34:39. | |
hold on. The NHS hadn't started yet - wait until tomorrow! It was coming | :34:40. | :34:44. | |
up to midnight. She held Forlan one minute to make sure it was a Welsh | :34:45. | :34:51. | |
baby born. I was born at that time. My brother reckoned they pushed me | :34:52. | :34:55. | |
back in for one minute! Your beautiful name then. Where does that | :34:56. | :35:00. | |
come from? Is that connected? Yes. Because the doctor and nurses asked | :35:01. | :35:05. | |
my mother could they name me. She said, "why?" It was the vision of | :35:06. | :35:14. | |
creating the National Health Act by Areurin Bevan a Labour MP at the | :35:15. | :35:18. | |
time. It was a great day for Great Britain. That is how the name came | :35:19. | :35:21. | |
about. Lovely to meet you. It really is. I wished I had asked her what | :35:22. | :35:27. | |
she would have named me. She lived until she was 95. I never asked her. | :35:28. | :35:31. | |
It was a wonderful thing at the time she left us a legacy. We have to | :35:32. | :35:35. | |
preserve, protect it and keep it safe at all costs. Wonderful work | :35:36. | :35:40. | |
that you all do. Thank you so much. A little round of applause for that. | :35:41. | :35:44. | |
APPLAUSE You can see the document Call the | :35:45. | :35:53. | |
Midwife: The Casebook on Sunday BBC One 5.0 # 5pm. The new series of | :35:54. | :36:03. | |
Call the Midwife starts Sunday 22nd January on BBC One. | :36:04. | :36:06. | |
Our wildlife team are always on the look out for animal | :36:07. | :36:08. | |
exclusives to film and George has heard of some incredible | :36:09. | :36:11. | |
new behaviours being displayed at a local reserve. | :36:12. | :36:13. | |
We will, I've come to this nature reserve because I've heard about the | :36:14. | :36:20. | |
sighting of some very rare primate activity. Rangers have reported an | :36:21. | :36:25. | |
orang-utan has been exhibiting some highly unusual and sophisticated | :36:26. | :36:28. | |
tool use behaviour. I'm really hoping that our camera team will be | :36:29. | :36:35. | |
the first to capture it. UNNing I think I can hear something down | :36:36. | :36:44. | |
there. Fingers crossed. That is incredible. I've never seen anything | :36:45. | :36:50. | |
like that. It's left handed, like me. I'm going to let you into a | :36:51. | :36:58. | |
secret. It's actually a robot - sorry! This orang-utan robot is just | :36:59. | :37:05. | |
one of the stars of the fourth coming BBC series Spy in the Wild. | :37:06. | :37:11. | |
Each life-like spy robot has a tiny camera built into its eye to capture | :37:12. | :37:17. | |
unique behaviour from the real animals that encounter it. Now, | :37:18. | :37:24. | |
Matt, you are one of the operate objects of these incredible spy | :37:25. | :37:27. | |
cameras. What's the point of them? Well, the point was to get these spy | :37:28. | :37:32. | |
creatures into the animal world to plunge the viewer into their world | :37:33. | :37:35. | |
and reveal astonishing behaviours and show how like us they really | :37:36. | :37:39. | |
are. Making them move in a believable way, that must be the | :37:40. | :37:42. | |
sort of hardest part? Absolutely. They had to look really, realistic. | :37:43. | :37:48. | |
When we went to film the orang-utans we had to go that little bit | :37:49. | :37:58. | |
further. We mimics their facial expresses. Baring the teeth was | :37:59. | :38:03. | |
threatening we didn't want to do that. We had to move, blink the | :38:04. | :38:10. | |
eyes, as you can see. Was she accepted by the wild orang-utans? | :38:11. | :38:13. | |
Yes, absolutely. They kind of knew that it wasn't real, but they needed | :38:14. | :38:17. | |
to get that closer look. I often think it's like when we go to Mad | :38:18. | :38:23. | |
Tam actual odds, you know they are not real. You want to take a closer | :38:24. | :38:27. | |
look to make sure for yourself. Heat let's do just that. We thought we | :38:28. | :38:31. | |
would like to put this technology to the test with a special One Show | :38:32. | :38:38. | |
challenge here at this zoo. Can zoo visitors tell the difference between | :38:39. | :38:42. | |
a robotic orang-utan and the real deal? This is the zoo's orang-utan | :38:43. | :38:48. | |
island, home to Marley and her baby. It's got to be the perfect setting | :38:49. | :38:54. | |
to test our robot. Although, the real orang-utans don't seem that all | :38:55. | :39:00. | |
sure about their visitor. We've got our robotic orang-utan set up on the | :39:01. | :39:05. | |
island, the guys controlling it are just up there. It takes two of them | :39:06. | :39:12. | |
to work all the robots facial muscles. The camera is over there. | :39:13. | :39:17. | |
We have to wait and see what the members of the public make of it. I | :39:18. | :39:27. | |
love orang-utans. Is that one real? Yeah. No. | :39:28. | :39:34. | |
Hello, hello. No, it's not. Is it not? No. Is it real? Definitely. His | :39:35. | :39:46. | |
mouth is moving. It's not. Really? Is no. Look at. That Oh, my God. Oh, | :39:47. | :39:56. | |
heck. Look, look. Is it a robot? No, it looks like a robot. What do you | :39:57. | :40:03. | |
think? Oh, you scared me. He looks kind of like a robot. Yes, it is a | :40:04. | :40:09. | |
robot. I knew it! It's a robot. Is it? Yeah. Well, that's really | :40:10. | :40:19. | |
interesting. When it's not moving it's not very believable. When it | :40:20. | :40:23. | |
moves its eyes and its lips and its head, people get drawn in very, very | :40:24. | :40:30. | |
easily. Standing here, watching it, it's pretty impressive. Let us talk | :40:31. | :40:39. | |
more about this new series, Spy in the Wild. We have Matt Gordon the | :40:40. | :40:46. | |
series producer in from the film and John donor the creator of these | :40:47. | :40:51. | |
wonderful filming techniques. Did you expect that reaction from the | :40:52. | :40:56. | |
zoo? Everyone was not at least sure it wasn't real or not. It was a | :40:57. | :41:00. | |
great deal. John, let us have a word on the cast here. Where do you want | :41:01. | :41:04. | |
to start? Where have they been in the world? That has been to Botswana | :41:05. | :41:10. | |
and meeting wild dogs. It's a wild dog puppy. It has a camera in its | :41:11. | :41:16. | |
eye. It does this play bow, it makes the right signals to be accepted by | :41:17. | :41:22. | |
the pack. The meerkat doesn't need any introduction, really. He ended | :41:23. | :41:26. | |
up being one of the meerkat baby-sitters. Ultimate acceptance. | :41:27. | :41:30. | |
We have seen him. The camera is in the right eye here. That is what we | :41:31. | :41:38. | |
try and do. There we go. You can see my hand there. You get eye-contact. | :41:39. | :41:44. | |
You get the feeling you are part of the family and connecting with them. | :41:45. | :41:50. | |
That is what they tend to do. We decided not to make a big elephant, | :41:51. | :41:56. | |
transportation costs. He lives among elephants. He is a egret. He is not | :41:57. | :42:04. | |
a threat. None of the animals are designed to be threats. They are | :42:05. | :42:13. | |
always accepted. Down here, he went into the rainforest. He can walk | :42:14. | :42:18. | |
around. You can meet others. He looked at jungle medicines. Right on | :42:19. | :42:23. | |
the end there is a spy tortoise. He was a star, especially in the first | :42:24. | :42:29. | |
show, he met all kind of creatures including chimpanzees. The animals | :42:30. | :42:32. | |
they are interacting with are working with their senses. Is the | :42:33. | :42:36. | |
idea to get a different angle as far as the camera work is concerned or | :42:37. | :42:40. | |
to see how creatures go up to something if they are freaked out by | :42:41. | :42:43. | |
it? They are doing so many different things. That is interesting. We have | :42:44. | :42:48. | |
lots of different spy cameras that aren't animal throngics. These ones | :42:49. | :42:52. | |
are extraordinary because the animals really relate to them | :42:53. | :42:54. | |
because they look like them. They are curious and you get this | :42:55. | :42:59. | |
incredible reaction when they first meet them they readily accept them | :43:00. | :43:02. | |
because they look like them, but they are not a threat. That's what | :43:03. | :43:11. | |
is wonderful about this. We have footage of langur monkeys in India. | :43:12. | :43:14. | |
Talk us through what is happening. You didn't expect this, did you? Not | :43:15. | :43:19. | |
at all. We had been filming for several dayses the spy monkey had | :43:20. | :43:22. | |
been accepted into the group. Near the end of the shoot this langur | :43:23. | :43:26. | |
monkey came over and picked it up and then accident Ali dropped it. At | :43:27. | :43:30. | |
that moment, because they saw it was motionless they thought it was | :43:31. | :43:33. | |
lifeless. So they all came round and gathered. As you can see they | :43:34. | :43:41. | |
groomed it, kissed it -- accidentally. The scientists said | :43:42. | :43:46. | |
when they lose their young naturally they come round and grieve and touch | :43:47. | :43:50. | |
it. This is what they do. They then started to hug each other. It was at | :43:51. | :43:55. | |
that moment we noticed we captured something really magical. You layer | :43:56. | :44:00. | |
it with music, narrative as well to go along with this. The programmes | :44:01. | :44:03. | |
are themed. You have one on love as well where | :44:04. | :44:06. | |
the prairie dogs are featured as well. I mean, how confident are you | :44:07. | :44:10. | |
that what they are going through and what they are feeling are the same | :44:11. | :44:15. | |
kind of complex e-Megses that we do whether or not they feel them in the | :44:16. | :44:19. | |
same way - emotions? The series is trying to make people look at | :44:20. | :44:22. | |
animals differently, as scientists are. Nowadays the intense of working | :44:23. | :44:27. | |
in the field with these animals, you can't pretend there is no connection | :44:28. | :44:32. | |
between humans and animals. We have looking at the kind of | :44:33. | :44:36. | |
behaviour that we would relate to. It shows our closeness to other | :44:37. | :44:40. | |
animal life. We are animals. They are animals. There's obviously a | :44:41. | :44:44. | |
connection between us. We are highlighting those areas. Yeah. We | :44:45. | :44:49. | |
will show you footage of a baby crocodile. Sure. You get the POV of | :44:50. | :44:55. | |
what it's like inside a crocodile's mouth here. We We had spy | :44:56. | :45:03. | |
hatchlings. This is the basis of a mother's love. Starting those years | :45:04. | :45:10. | |
ago with crocodile and reptilian love. It's the strongest form we | :45:11. | :45:14. | |
think - we are special. You go back that far, they are still looking | :45:15. | :45:17. | |
after and tending their young. Listen, thank you both for coming | :45:18. | :45:21. | |
in. Thanks to all of the cast. We throughly enjoyed your company. Spy | :45:22. | :45:26. | |
in the Wild starts tomorrow night, 8.00pm, BBC One. | :45:27. | :45:32. | |
Wonderful, I saw them all with the remote controls earlier on. I would | :45:33. | :45:37. | |
like to see that version of robot wars. | :45:38. | :45:40. | |
OK, it's time now for our second round of One Show Pointless | :45:41. | :45:43. | |
Five different 'spy' animals are hiding in some famous films. | :45:44. | :45:46. | |
All you need to do is name the film, and, of course, find | :45:47. | :45:49. | |
You know the drill, you are back in your teens. This orangutan loves to | :45:50. | :46:00. | |
sing, but which film is this? Don't say anything yet. Let's go back to | :46:01. | :46:14. | |
B. It's harder than it looks! Which film is this sloth taking part in. | :46:15. | :46:21. | |
What about the film this meerkat is taking part in? Let's take a look at | :46:22. | :46:28. | |
this acrobatic crocodile. That's my favourite! And which film is the | :46:29. | :46:35. | |
baby monkey sitting in? So, what are you going to go for, | :46:36. | :46:46. | |
team won? I think C is the one I'm struggling with. Unfortunately it is | :46:47. | :46:54. | |
asked to go first, because you went first last time! I think you will | :46:55. | :47:00. | |
find we are in charge of this game. We quickly need another answer. Can | :47:01. | :47:07. | |
I just confirm, are you going with the meerkat and seven year itch? | :47:08. | :47:16. | |
Yes, we are. We will go for E, Forrest Gump. Let's see if you are | :47:17. | :47:18. | |
right and more importantly which is the most obscure. Team won, the | :47:19. | :47:26. | |
meerkat and seven year itch. Is it correct? It is correct, anyway. How | :47:27. | :47:36. | |
many people... APPLAUSE Very good. Team two, you went for E, | :47:37. | :47:42. | |
monkey and Forrest Gump. Is it correct and if so, how many people | :47:43. | :47:54. | |
said it? It is correct. Oooh! Sorry. As the guy who makes the show, it's | :47:55. | :47:58. | |
a poor performance. He makes it as well. If you want to know the | :47:59. | :48:07. | |
answers at home, there you are. Dirty dancing was the crocodile. A | :48:08. | :48:11. | |
two to one reptile, fabulous! Back to Emma's epic journey now | :48:12. | :48:15. | |
to see whether she can gain I'm Emma Massingale and I'm about | :48:16. | :48:30. | |
halfway through my challenge of walking and training two unbroken | :48:31. | :48:33. | |
highland ponies hector and tempt one Mac in Scotland. Using my gentle | :48:34. | :48:41. | |
techniques. I hope by the end of my journey they will allow me to write | :48:42. | :48:48. | |
them without rains all restraints. Last night I set them loose for the | :48:49. | :48:52. | |
first time, but then a storm hit and I lost them. I can't find them | :48:53. | :48:58. | |
anywhere, I'm going to have to go and get some shelter myself and try | :48:59. | :49:02. | |
to find them at first light. But my way back to the camp... I just found | :49:03. | :49:09. | |
the ponies. Thank goodness for that. Even an experienced horse would find | :49:10. | :49:13. | |
this rather scary, so the fact my boys have stayed rather close to the | :49:14. | :49:16. | |
camp makes me feel they've accepted me their herd. | :49:17. | :49:23. | |
We'll stick together, boys. After another early start, it's not long | :49:24. | :49:28. | |
until we hit our first obstacle of the day. Peat bogs dominate the | :49:29. | :49:31. | |
Highlands and we have no choice but to go through them. With their short | :49:32. | :49:35. | |
and strong legs, Highland ponies have naturally adapted to dealing | :49:36. | :49:39. | |
with this landscape but Hughie and Hector have never been through a | :49:40. | :49:43. | |
blog before, so it's taking a bit of getting used to. Once we are on more | :49:44. | :49:50. | |
solid land we come across a stone hut. These offer Shelford to -- | :49:51. | :49:57. | |
shelter to weary travellers like us. I've never been as thrilled to see a | :49:58. | :50:02. | |
roof in all my days. No midges, ticks, wind or rain. And also the | :50:03. | :50:08. | |
perfect place to step up my training with my more agreeable pony, Hector. | :50:09. | :50:13. | |
What I don't want Hector to be is frightened of me getting on him for | :50:14. | :50:16. | |
the first time. I'm going to reprogram him a bit by teaching him | :50:17. | :50:21. | |
that when he is frightened for some -- of something, best to keep his | :50:22. | :50:25. | |
feet still. I will shake something next him and only remove it when he | :50:26. | :50:29. | |
doesn't try to move away. That's a good boy. After a while Hector | :50:30. | :50:35. | |
learns to standstill, which I need him to do when I try to get on his | :50:36. | :50:39. | |
back. This is a dangerous but special moment, as it's the first | :50:40. | :50:44. | |
time he's ever been ridden. Good boy. Stand still. | :50:45. | :50:53. | |
After a little more coaxing... Good boy, good boy. Walk on, walk | :50:54. | :51:01. | |
on. Hector is coming along really well and I feel really confident on | :51:02. | :51:05. | |
him. It's a case of now giving him enough time to build his experience | :51:06. | :51:10. | |
and confidence. As for Hughie, I might have to admit defeat. Hughie | :51:11. | :51:16. | |
I'm leaving a little bit, I'm just going to focus on Hector now. | :51:17. | :51:21. | |
Hughie's personality is a bit odd, I'm not quite sure what's going on | :51:22. | :51:26. | |
with him. Ever since we started, he's been | :51:27. | :51:28. | |
very difficult and I don't think he's ready for me to ride. So for | :51:29. | :51:37. | |
the next couple of days I focus on riding Hector, but on our last day | :51:38. | :51:40. | |
we have one final challenge to overcome. I'm hoping he'll let me | :51:41. | :51:46. | |
ride him across this wide river without him bolting or throwing me | :51:47. | :51:54. | |
off. Ride on. Good boy. It's amazing how Hector has accepted | :51:55. | :51:57. | |
me riding him in such a short time. A few days ago I could never have | :51:58. | :52:00. | |
done this. Yes! Good boy. | :52:01. | :52:08. | |
Safely on dry land, it's not long before our end goal is in sight. | :52:09. | :52:13. | |
Finally, after 100 miles in ten gruelling days we reached the West | :52:14. | :52:17. | |
Coast of Scotland. We made it, boys. We made it. | :52:18. | :52:23. | |
Although there is more work to be done with Hughie I'm very confident | :52:24. | :52:27. | |
to introduce my new ponies to my other horses when we get back to | :52:28. | :52:30. | |
Devon. Wow, that was so much harder than I | :52:31. | :52:34. | |
thought it was ever going to be. I started off thinking it was going to | :52:35. | :52:38. | |
be about training horses aren't going across Scotland, but this | :52:39. | :52:42. | |
journey turned out to be more about the relationship you can build with | :52:43. | :52:47. | |
a horse over time, and the fact that each day they got a little closer to | :52:48. | :52:51. | |
me, and each day they seemed to want to stay with me more and more was | :52:52. | :52:58. | |
really special. It's been epic! That's right up my street. Love it, | :52:59. | :53:03. | |
it looks idyllic. Steven is not the only one who has | :53:04. | :53:08. | |
been doing documentaries. You have been flying around and in the | :53:09. | :53:12. | |
tunnels of Italy. Yes, underneath Italy. Tonight we are in Venice. 9pm | :53:13. | :53:19. | |
tonight. Not ideal, going through tunnels as a claustrophobic man. | :53:20. | :53:25. | |
Going under Naples... Most of the tunnels under the labels were huge | :53:26. | :53:29. | |
but we went down a tiny little crevice, about 200 metres into the | :53:30. | :53:33. | |
side of the hill. It's fine, we were all doing it together, you can see | :53:34. | :53:36. | |
the footage now. There's nothing like having a camera on you to make | :53:37. | :53:42. | |
you bold. We were all doing it together. After about 40 minutes I | :53:43. | :53:45. | |
suddenly thought, actually, I think I can do about five more minutes of | :53:46. | :53:51. | |
this and then that's it. Legs shaking or palpitations? Three | :53:52. | :53:54. | |
others on the crew said, me as well. We all ran. We said... The roof of | :53:55. | :54:04. | |
the tunnel came down as well, so you were kind of going sideways and | :54:05. | :54:08. | |
crouching. Welcome to my world! LAUGHTER | :54:09. | :54:17. | |
just a day on the tube for Richard. We have the midwives in, so before | :54:18. | :54:20. | |
we go, have you got any questions for the cast of Call the Midwife? | :54:21. | :54:30. | |
Were you given any training before? We had quite intensive rehearsals, | :54:31. | :54:35. | |
didn't we? We did. We had Terry Coates, who inspired the memoirs and | :54:36. | :54:39. | |
is with us all the way through, still with a sunset. All of our | :54:40. | :54:47. | |
training is her. She shouted at me, because I'm clueless. I never | :54:48. | :54:50. | |
remember anything to stop cheese with having to go back, even taking | :54:51. | :54:55. | |
a pulse. I just have to look like a doctor but I'm quite terrible in | :54:56. | :54:59. | |
real life. Is it right you left a baby on a table after a tape and | :55:00. | :55:06. | |
walked away? Yes! The best way to describe what I'm actually like... | :55:07. | :55:11. | |
I'm looking, I'm looking the part, it's beautiful. I'm really soppy, I | :55:12. | :55:16. | |
love babies. But I'm doing this scene, I intend as Doctor Turner. I | :55:17. | :55:23. | |
turn around and leave the baby. Everyone can see the baby gently | :55:24. | :55:26. | |
starts to roll down. All I heard was, Stephen! I wasn't even in that. | :55:27. | :55:32. | |
It was the first thing I was told in the make up chair. It's true. On | :55:33. | :55:38. | |
that bombshell, moving onto our final round of One Show Pointless | :55:39. | :55:45. | |
for Richard, we are going to let you go first. | :55:46. | :55:47. | |
Is it 1-1? 1-0. No, you are both useless on that first round. | :55:48. | :55:58. | |
This one is baby related. Midwife team-mates might have a slight | :55:59. | :56:06. | |
advantage. Babies and their celebrity parents. We will show the | :56:07. | :56:10. | |
names of five children of celebrities and you just have to | :56:11. | :56:12. | |
name one of their parents, and as usual, we are looking for the most | :56:13. | :56:16. | |
obscure answers. Here we go, you can choose from... | :56:17. | :56:26. | |
Let's go for team that two this time. We will go for blue IV and | :56:27. | :56:39. | |
Beyonce. Is that the most of this cure? -- obscure. The bottom two we | :56:40. | :56:48. | |
know... I think we have to take a punt. I think we have do say... | :56:49. | :56:59. | |
Shall we go River Rocket? No, Moroccan, Johnny Depp, something | :57:00. | :57:04. | |
like that? Take a punt on that? Sorry, you need an answer, there is | :57:05. | :57:09. | |
a schedule! Let's go with River Rocket and Johnny Depp. River Rocket | :57:10. | :57:14. | |
and Johnny Depp sounds good. Is it the right answer? Team won, your | :57:15. | :57:20. | |
answer first, you said River Rocket and Johnny Depp, is it right and if | :57:21. | :57:22. | |
so, how many people? No, no, I'm sorry. Team two, Richard | :57:23. | :57:40. | |
and Stephen, you said Blue Ivy and Beyonce. Is it correct and how many | :57:41. | :57:48. | |
people said it? Yes! An honourable draw. APPLAUSE | :57:49. | :57:59. | |
Well done. It's a draw, well done! The good news is neither of you get | :58:00. | :58:06. | |
a prize. Jamie Oliver and River Rocket, love is a herb. How are you | :58:07. | :58:21. | |
enjoying life, Richard,? Lovely, Sue Perkins, a panel show. They never | :58:22. | :58:24. | |
tell us anything that will happen beforehand. All made up on the spot. | :58:25. | :58:28. | |
We're all trying to make each other laugh. It's such a treat, Sue and | :58:29. | :58:32. | |
Josh are brilliant. Monday night on BBC Two at ten o'clock. I very much | :58:33. | :58:35. | |
enjoyed the last episode. A huge thank you to | :58:36. | :58:36. | |
Richard and Xander. APPLAUSE | :58:37. | :58:40. | |
Abu 1000th Pointless episode. Thanks also to Stephen and Laura - | :58:41. | :58:47. | |
Stephen's documentary - Call the Midwife: The Casebook - | :58:48. | :58:49. | |
is on Sunday on BBC One at 5.05. See you tomorrow when Kris Marshall | :58:50. | :58:53. | |
and Don Warrington from Death in Paradise will be here - | :58:54. | :58:55. | |
looking forward to that. Fake news. Donald Trump denies that | :58:56. | :59:28. | |
is compromising material about him. The allegations relate to his | :59:29. | :59:33. | |
election campaign and | :59:34. | :59:34. |