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Hello and welcome to The One Show with Matt Baker. | :00:16. | :00:18. | |
Tonight we're joined by a man who knows how to host a party | :00:19. | :00:31. | |
and make all his guests feel welcome. | :00:32. | :00:35. | |
Good evening my Lords, Danes, ladies, gentlemen. I know it's been | :00:36. | :00:41. | |
a very tough year for many of you, what with the shock of both George | :00:42. | :00:46. | |
Clooney and me being removed from the matrimonial market. Oh, thank | :00:47. | :00:52. | |
you so much. You've made one married man very happy, and another one | :00:53. | :00:57. | |
rather jealous. Can I say how deeply hurt I was that you didn't choose to | :00:58. | :00:59. | |
kiss me earlier, Stephen. Hey! . We are not expecting kisses, don't | :01:00. | :01:17. | |
worry. You can save that for Sunday night. How are preparations going? | :01:18. | :01:22. | |
Pretty well. Huber Gooding Junior is going to be here on Sunday as well, | :01:23. | :01:26. | |
so maybe another kiss. And it is Valentine's Day, so we are preparing | :01:27. | :01:31. | |
quite a few Valentine's Day themed bits. Cuba is on the show tomorrow. | :01:32. | :01:36. | |
With these global ceremonies, is it part of the brief to raise the odd | :01:37. | :01:40. | |
eyebrow when you are putting the script and gags together? For me the | :01:41. | :01:44. | |
most difficult thing is to relax people and humour is the best way to | :01:45. | :01:49. | |
relax people. I'm not somebody who is very good at offending people. | :01:50. | :01:53. | |
Well maybe I am, but not deliberately. As in being rude or | :01:54. | :01:57. | |
making people grasp, it's not quite my think. My mother always brought | :01:58. | :02:02. | |
me up to be excessively polite. That makes us feel comfortable. Yes. | :02:03. | :02:08. | |
After all, you correctly used the word host, although you actually | :02:09. | :02:21. | |
said hooost. But I am thinking of it like I am a host with a party on | :02:22. | :02:26. | |
Sunday, I don't want the phone to ring and somebody says they are not | :02:27. | :02:31. | |
coming. All the major nominees are coming, in some cases 6000 miles | :02:32. | :02:35. | |
from Los Angeles or 3000 from New York, or around Britain top and only | :02:36. | :02:40. | |
two cannot make it because they are working elsewhere. That's a great | :02:41. | :02:44. | |
testament to the BAFTAs, and nothing to do with me, but how the BAFTAs | :02:45. | :02:48. | |
have become an important fixture in the calendar. We will talk more | :02:49. | :02:50. | |
about the BAFTAs later. It seems that barely a week goes | :02:51. | :02:54. | |
by without news of another online scam and there are no lengths | :02:55. | :02:57. | |
to which the cyber criminals won't go in order to get | :02:58. | :03:00. | |
their hands on our cash. We sent Dan to meet those fooled | :03:01. | :03:03. | |
by the latest convincing con. The stock market is no longer just | :03:04. | :03:12. | |
the playground of city traders. Now all you need is the Internet to | :03:13. | :03:16. | |
start trading. You can even do it in your own home. There are scores of | :03:17. | :03:22. | |
websites out there claiming easy profits for one willing to take the | :03:23. | :03:27. | |
plunge. But there's no such thing as a dead cert, especially if someone | :03:28. | :03:33. | |
stacks the against you. This former teacher has learnt that, to her | :03:34. | :03:37. | |
cost. She's no fool, she's been trading successfully online for the | :03:38. | :03:43. | |
past few years. It was something I could do at home as I was then | :03:44. | :03:48. | |
coming into retirement, and I didn't have a terrific pension. So I was | :03:49. | :03:52. | |
looking, really, to earn extra income. A website called the Bridge | :03:53. | :03:57. | |
method seems to offer just the thing. It says its boss Jason Taylor | :03:58. | :04:01. | |
designed a software programme that does all the trading for you. The | :04:02. | :04:05. | |
site even has a live feed of successful traits, and videos by | :04:06. | :04:10. | |
users who say the software really works. ?482,000 in the first month, | :04:11. | :04:19. | |
and I'm simply blown away. Convinced, Lindsey paid in ?300 to | :04:20. | :04:24. | |
begin training on the currencies market. She soon learned Jason | :04:25. | :04:28. | |
Taylor's profit guarantee was worthless. To say that he is 100% | :04:29. | :04:37. | |
successful is a light. You are gradually losing more and more and | :04:38. | :04:42. | |
more. And then you will get the automated mails asking you to top up | :04:43. | :04:45. | |
against quite what happened when you contacted them, what their response? | :04:46. | :04:51. | |
You don't get a response. Sadly this is not the only trading software out | :04:52. | :04:59. | |
there failing to deliver. This site says its ground-breaking's system | :05:00. | :05:02. | |
has helped 50,000 traders increased their investment tenfold. Its boss | :05:03. | :05:09. | |
even appeared on an American talk shows. There are a limited number of | :05:10. | :05:14. | |
positions and we expect the hype to be very high. This senior investment | :05:15. | :05:20. | |
analysis is unimpressed. He says these websites trading something | :05:21. | :05:23. | |
called binary options, and each trade is just about. Binary options | :05:24. | :05:29. | |
trading asks you to bet money on the direction of a very unpredictable | :05:30. | :05:33. | |
market, either up or down. Depending on whether you get that bet right | :05:34. | :05:39. | |
money. So it's a really risky way of trading. This site offers a chance | :05:40. | :05:45. | |
to try before you buy with a free demo version of their trading | :05:46. | :05:50. | |
software. Any profits or losses are purely virtual, but Laith agrees to | :05:51. | :05:58. | |
give it a go. Surprise surprise we have won. Our Midas touch holds good | :05:59. | :06:04. | |
throughout the trial. We've won close to ?1000 and we've only been | :06:05. | :06:08. | |
sitting here five minutes. This is suggesting you can make profits time | :06:09. | :06:12. | |
after time after time in a matter of seconds. Using Picard do that on the | :06:13. | :06:19. | |
trading markets. It's not just the guaranteed profits that are bogus, | :06:20. | :06:27. | |
this is not a real talk show, and this is not the real boss. His only | :06:28. | :06:31. | |
real TV appearance was on Dragons then. He told us he had simply taken | :06:32. | :06:36. | |
an acting role in what he believed was a fictional promotional tool. He | :06:37. | :06:41. | |
says he's shocked it's been used to mislead investors. Disclaimers have | :06:42. | :06:49. | |
now been added to the website, but only after we contacted them. And | :06:50. | :06:55. | |
remember the Brit method? Boss Jason Taylor doesn't exist. This photo | :06:56. | :06:58. | |
pops up on lots of Taylor doesn't exist. This photo | :06:59. | :07:03. | |
it's likely the model has no idea how it's being used. And what about | :07:04. | :07:10. | |
those positive online reviews? Well, Lindsey is in for another shot, he | :07:11. | :07:16. | |
is actually an actor. I feel angry with myself that I was so taken in. | :07:17. | :07:24. | |
I feel a fool, a nutter. Quite the actor told us he had no idea his | :07:25. | :07:28. | |
testimonial was being used to scam anyone. | :07:29. | :07:31. | |
We contacted them but we've had no response. In the meantime if you are | :07:32. | :07:38. | |
thinking of becoming a DIY trader, take a tip from a pro-. If you come | :07:39. | :07:43. | |
across a website offering you profits without any risk, be very, | :07:44. | :07:46. | |
very, very cautious because that just doesn't exist. | :07:47. | :07:49. | |
That phrase is all too common isn't it - if it's too good to be true | :07:50. | :07:52. | |
If you want to check whether a trading company | :07:53. | :07:55. | |
is legitimate there are links on our website with advice. | :07:56. | :08:01. | |
This Sunday you'll be hosting the BAFTAs. | :08:02. | :08:05. | |
You've seen pretty much all of the films. Do you know any of the | :08:06. | :08:09. | |
winners? Absolutely not, they are all in sealed envelopes, controlled | :08:10. | :08:15. | |
by these auditing and accounting companies, all very serious, under | :08:16. | :08:18. | |
lock and key. In the late afternoon as the event comes, you see these | :08:19. | :08:25. | |
huge burly guards standing next to the table where the envelopes are | :08:26. | :08:27. | |
put out for the presenters to open and read the winner. Fantastic. When | :08:28. | :08:33. | |
you are presenting you still don't know. It is a complete surprise. Two | :08:34. | :08:41. | |
films have nine nominations, could one of them sweep the board? It is | :08:42. | :08:47. | |
unlikely, but you never know. Most bookies are offering very short odds | :08:48. | :08:50. | |
indeed on Leonardo DiCaprio for best actor. Very much the hot favourite. | :08:51. | :08:56. | |
And Dame Maggie Smith could make history, she has five already, do | :08:57. | :09:00. | |
you think she could go one better? If she does she will be the most | :09:01. | :09:04. | |
decorated BAFTA winner of all time of either gender, which would be | :09:05. | :09:09. | |
quite something. Awards ceremonies have been making headlines, | :09:10. | :09:12. | |
particularly the Oscars, for kind of the wrong reasons to do with | :09:13. | :09:16. | |
diversity. What do you make of that? It's an immensely thorny business. | :09:17. | :09:23. | |
Films, of all art forms, really do reflect the totality of human | :09:24. | :09:29. | |
experience. Fantasy, of course, and superheroes, as well as the dark | :09:30. | :09:34. | |
lives of many. And I think most of us would recognise that things have | :09:35. | :09:39. | |
got better, but that also then maybe haven't got as good as they should | :09:40. | :09:43. | |
be. As it happens with the BAFTAs, we are giving the Fellowship this | :09:44. | :09:46. | |
year to Sidney Poitier. That was decided last year. Nothing to do | :09:47. | :09:50. | |
with the current sort of frenzy over diversity. And he is a black | :09:51. | :09:56. | |
American actor who has forged a fantastic position for himself and | :09:57. | :10:00. | |
for other black actors with immense strength and dignity and passion and | :10:01. | :10:05. | |
power. So we are very proud to be doing that. And it's a coincidence | :10:06. | :10:10. | |
that this whole issue has arisen. But I think the most important thing | :10:11. | :10:13. | |
is that BAFTA does an enormous amount of work men touring young | :10:14. | :10:17. | |
people to make films, rights groups, winning them together with | :10:18. | :10:22. | |
established film makers. Because it will be the new generation making | :10:23. | :10:26. | |
stories about their lives, and we need to make sure that they can then | :10:27. | :10:30. | |
become BAFTA members. Because if BAFTA members are predominantly | :10:31. | :10:33. | |
white and middle-class it is because they have been the film-makers of | :10:34. | :10:36. | |
yesteryear. You can't actually expect BAFTA to go into the middle | :10:37. | :10:40. | |
of the cities and say, you can be in an academy member... You have to be | :10:41. | :10:44. | |
a film-maker to be an academy member. But the young people will | :10:45. | :10:52. | |
change it. A huge amount of work goes into the film-making and what | :10:53. | :10:56. | |
have you, but the event itself, things can take a turn for the | :10:57. | :10:58. | |
worse, all sorts of wonderful moments. As far as those vivid | :10:59. | :11:05. | |
memories of... Hang on a minute... What is the one for you? They tend | :11:06. | :11:09. | |
to be slips, and it is either me falling over which is always | :11:10. | :11:12. | |
embarrassing. Don't get me wrong but I've always found the female | :11:13. | :11:17. | |
obsession with heels peculiar. They are uncomfortable and to me they | :11:18. | :11:21. | |
look preposterous. Certainly I don't know any men who are interested in | :11:22. | :11:28. | |
them, only other women look at them, look at her heels... What? You might | :11:29. | :11:32. | |
as well wear something coming out of your ears, peculiar. When someone in | :11:33. | :11:37. | |
extravagant heels falls over, pardon me, but I do feel joy. We thought we | :11:38. | :11:47. | |
would help you get ready for the unpredictable BAFTAs. | :11:48. | :11:53. | |
We will bring in the audience can change the lighting, it's almost | :11:54. | :12:08. | |
like we are there. Hello, hello. There could be technicalities on the | :12:09. | :12:12. | |
night, so you just have to read the words on the screen, and there might | :12:13. | :12:15. | |
be some left out, so just fill in the blanks. Please welcome your host | :12:16. | :12:21. | |
tonight, Mr Stephen Fry. Thank you very much. | :12:22. | :12:23. | |
Good evening and welcome to the 69th British Academy Film Awards. | :12:24. | :12:26. | |
What a pleasure to be back hosting yet again. | :12:27. | :12:28. | |
I bet you're wondering how many times I've now hosted. | :12:29. | :12:32. | |
What a year for cinema it's been with huge blockbusters, | :12:33. | :12:44. | |
such as Jurassic World - in which the iconic | :12:45. | :12:47. | |
And 'Tyrannosaurus', of course, is Ancient Greek for king. | :12:48. | :12:51. | |
Or tyrant, as we would say. So it means kinking. Because Rex is also | :12:52. | :12:56. | |
King. And who could forget | :12:57. | :12:57. | |
the new Star Wars film? I enjoyed it so much, | :12:58. | :13:00. | |
as soon as I got home from the cinema, I watched all six | :13:01. | :13:02. | |
of the previous Star Wars films. I don't know one, two and three, | :13:03. | :13:12. | |
they were so awful. Four is of course the death Star one, the | :13:13. | :13:16. | |
original. Five is the best of them all. | :13:17. | :13:19. | |
Now, let's thank the first filmmakers in history, | :13:20. | :13:28. | |
the Lumiere brothers from France, whose first names | :13:29. | :13:31. | |
the Lumiere brothers from France, whose first names were French | :13:32. | :13:36. | |
And also thanks to the current President of Chile, | :13:37. | :13:39. | |
But it's been a sad year in the entertainment industry also, | :13:40. | :13:49. | |
with the shock of Zayn leaving One Direction. | :13:50. | :13:51. | |
But all the best to the four remaining members of 1D... | :13:52. | :13:53. | |
I do know that one. There will always be Harry. | :13:54. | :13:59. | |
Now, an obvious outrage is that The One Show inexplicably | :14:00. | :14:01. | |
But I'd personally like to thank The One Show for... | :14:02. | :14:09. | |
Consistently and reliably providing children's entertainment. | :14:10. | :14:16. | |
Marvellous, a primary coloured beauty. Thank you all very much | :14:17. | :14:23. | |
indeed. Wonderful. Brilliant, thank you so much for doing that. | :14:24. | :14:26. | |
The BAFTAs will be broadcast on BBC One on Sunday night. | :14:27. | :14:28. | |
I'm sure it will be Thank you. While Stephen | :14:29. | :14:36. | |
I'm sure it will be revealing the big BAFTA winners on | :14:37. | :14:39. | |
Sunday night, one guaranteed recipient of one of | :14:40. | :14:41. | |
Sunday night, one guaranteed actually have one, it has just come | :14:42. | :14:42. | |
in. It is quite heavy. It will actually have one, it has just come | :14:43. | :14:50. | |
with their costumes including this rather fetching outfit. | :14:51. | :15:01. | |
We have sent Angela Scanlon to look through the country's biggest | :15:02. | :15:12. | |
dressing up box. Maybe it is a little number for Abigail's Party. | :15:13. | :15:17. | |
Or perhaps something from a galaxy far, far away. It is all here under | :15:18. | :15:23. | |
one roof. Started in eight team 13 as a second-hand closing store, | :15:24. | :15:30. | |
Angels is now the world's largest costume house. How did it all start? | :15:31. | :15:34. | |
My great, great, great grandfather set the business up in 1840. Act as | :15:35. | :15:40. | |
were responsible for their own clothes in those days. One day, one | :15:41. | :15:45. | |
actor said to them, I would like to borrow my costume, not by it. So we | :15:46. | :15:54. | |
started hiring. How many pieces are there in the warehouse? | :15:55. | :15:58. | |
Approximately about a million, give or take. This happens to be one of | :15:59. | :16:02. | |
my favourites, and also one of the oldest. Roughly about 150 years old. | :16:03. | :16:12. | |
And this is BAFTA-nominated Lady In The Van, I am guessing? This one was | :16:13. | :16:19. | |
not made for her. It was broken down to make her look like a tramp. The | :16:20. | :16:25. | |
shoes were my mother-in-law's. So she is very happy because she can | :16:26. | :16:28. | |
tell her friends that Maggie Smith wore her shoes. And these...? | :16:29. | :16:35. | |
Actually Del Boy and Rodney, which was an iconic piece of television. | :16:36. | :16:39. | |
It feels like these should be in a museum. You can walk around and find | :16:40. | :16:45. | |
bits of film or television history hanging on the rails. Really what we | :16:46. | :16:52. | |
are is the custodians of film heritage and television heritage | :16:53. | :16:58. | |
over the last 100 years. A highly skilled team run things behind the | :16:59. | :17:04. | |
scenes. The creative manager is Tim's son Jeremy. Eight miles of | :17:05. | :17:10. | |
costume, it is tidier than my bedroom, but is there a system? | :17:11. | :17:15. | |
Everything is chronological, from Edwardian all the way through. And | :17:16. | :17:22. | |
then colour and gender. Searching through these incredible creations | :17:23. | :17:26. | |
got me thinking about just how much skill is involved in making them. | :17:27. | :17:31. | |
They are all made-to-measure, so we have to incorporate people's | :17:32. | :17:36. | |
different shapes and sizes. We are currently working on a show about | :17:37. | :17:40. | |
when Victoria. We are doing some diplomatic tail coats and tunics. We | :17:41. | :17:46. | |
have got an original one here but the fabric is so old, it is what. We | :17:47. | :17:53. | |
are taking the old gold off and remaking the coats. The cost of | :17:54. | :17:56. | |
these now, if we did it from scratch, would be about 10,000. | :17:57. | :18:02. | |
There is a good sense of pride, when things are finished and they go out | :18:03. | :18:07. | |
on time. A year and a half later you see them on screen or at a party, | :18:08. | :18:12. | |
and you think, we made that. I could spend days just walking around here. | :18:13. | :18:18. | |
I do! So, how does it feel to have that contribution recognised by | :18:19. | :18:22. | |
BAFTA? It is amazing. We are really over the moon about it. Normally we | :18:23. | :18:27. | |
are always the bridesmaid, never the bride, and we never get recognition. | :18:28. | :18:31. | |
It is the first one and that makes it even more special. What will you | :18:32. | :18:34. | |
wear?! You will not be stuck for choice, with more than a million | :18:35. | :18:39. | |
pieces?! I think I might wear black. Understated! Well-deserved of their | :18:40. | :18:46. | |
BAFTA award which they will be getting on Sunday night. Now, many | :18:47. | :18:50. | |
of you will remember that Stephen made a ground-breaking documentary | :18:51. | :18:53. | |
about mental health, and his personal struggle with it. Ten years | :18:54. | :18:57. | |
on he is making a follow-up programme for the BBC's | :18:58. | :18:59. | |
mental-health season. Let's have a look at the moment you spend with | :19:00. | :19:05. | |
your psychiatrist. I have a dim memory of arriving here... You | :19:06. | :19:10. | |
arrived, let me remind you, sorry that you were still alive, and | :19:11. | :19:14. | |
wanting to die. And feeling that you should have died. From two years | :19:15. | :19:19. | |
ago, when we first met, just by being very depressed, you were also | :19:20. | :19:24. | |
extremely manic in your speech. You talked and talked and talked about | :19:25. | :19:30. | |
the purposeless of your life, your talents were meaningless and your | :19:31. | :19:34. | |
future seemed hopeless. So it was valuable to put you on to that | :19:35. | :19:38. | |
medication and to get rid of the alcohol at that point and look at | :19:39. | :19:42. | |
your mood state. And I can remember that, that I WAS in pain, but I | :19:43. | :19:48. | |
cannot recreate it. But I remember thinking it, and I meant it. How | :19:49. | :19:53. | |
difficult was it for you to invite the cameras into that situation? It | :19:54. | :19:57. | |
was not easy. The film-maker Russell Wilson, with whom I made the first | :19:58. | :20:07. | |
film, we called it The Not So Secret Life Of The Manic Depressive because | :20:08. | :20:10. | |
we wanted people to understand. Phrase manic depression was what | :20:11. | :20:14. | |
people would understand. Now, we use the phrase bipolar, and it is more | :20:15. | :20:18. | |
commonly understood. But I trusted Ross, is the point. We made the | :20:19. | :20:23. | |
first film and he was very keen, and the controller of BBC One was very, | :20:24. | :20:25. | |
very keen that the BBC should actively engage in helping spread, | :20:26. | :20:31. | |
you know, the word about the truth about what mental health is, as a | :20:32. | :20:36. | |
threat to people and families and to the country generally. I suppose, if | :20:37. | :20:44. | |
you are lucky enough, as I have been, to have had some success in | :20:45. | :20:47. | |
the world, and you have this problem that you have lived with, it seems a | :20:48. | :20:53. | |
small thing to share it. But it is a painful one, obviously. It is like | :20:54. | :20:58. | |
looking at a dark side of yourself. Even watching myself then, I could | :20:59. | :21:03. | |
see that I was less happy than I am now. It is a mixture of that | :21:04. | :21:08. | |
wonderful psychiatrist who I can honestly say saved my life, and of | :21:09. | :21:12. | |
course, the love of my life, my Husband, who has also saved my life, | :21:13. | :21:16. | |
I think, and medication, finding the right medication for me. What I | :21:17. | :21:20. | |
always want to say about mental health is, on the one hand, you have | :21:21. | :21:25. | |
to establish how serious a problem it is, if you have a condition like | :21:26. | :21:31. | |
bipolar, which I have, mine is bipolar one, or indeed bipolar two, | :21:32. | :21:36. | |
or any other kind, it can lead to death. It can lead to self harm, | :21:37. | :21:43. | |
suicide, but also any reliance on drugs, alcohol, things to take you | :21:44. | :21:46. | |
out of this terrible mood you are in, to numb your mind, which can | :21:47. | :21:52. | |
provide a slippery slope to more ill health and destruction of family | :21:53. | :21:55. | |
connections and so on. So you want to emphasise how serious it is. | :21:56. | :21:59. | |
Another part of me wants to shout out how you can live a full and | :22:00. | :22:04. | |
fulfilling life, which is in every respect a proper life, full of love | :22:05. | :22:07. | |
and hope and connection and all the other things. Two are not mutually | :22:08. | :22:12. | |
exclusive. But you have to recognise the first, the seriousness, and... | :22:13. | :22:17. | |
So it helps to be diagnosed? Exactly, it does. You do an | :22:18. | :22:22. | |
inspiring thing by talking about it, for so many people. Have things | :22:23. | :22:28. | |
changed over the last ten years, do you think? I think they have changed | :22:29. | :22:33. | |
enormously. It has entered what people like to call the national | :22:34. | :22:37. | |
conversation. People in schools... Just take self harm. I wanted to do | :22:38. | :22:42. | |
a programme entirely about that. When I was at school, I had never | :22:43. | :22:47. | |
heard the phrase. It had no meaning. I did not have any school friends | :22:48. | :22:52. | |
who cut themselves, for example. I have been to schools to give talks | :22:53. | :22:55. | |
or whatever, and I mention self harm, and kids, afterwards and | :22:56. | :23:02. | |
say... And that is not just in schools in the inner cities, where | :23:03. | :23:06. | |
you might expect some children to have difficult lives, whose parents | :23:07. | :23:10. | |
might be from split families, parents might have drug is used or | :23:11. | :23:13. | |
whatever. But quite literally the most famous public school in the | :23:14. | :23:18. | |
country, the most exclusive. I was giving a talk about one thing and | :23:19. | :23:23. | |
just mentioned are self harm, someone came up and said, yes, | :23:24. | :23:26. | |
actually, it is a real epidemic here. It is a real problem. What is | :23:27. | :23:32. | |
going on?! Can you imagine, you are a parent, you can see a child of | :23:33. | :23:34. | |
yours mutilating themselves? Something desperately wrong. Thank | :23:35. | :23:39. | |
you and it is really inspiring to watch. The Not So Secret Life Of The | :23:40. | :23:44. | |
Manic Depressive: 10 Years On is on on Monday at nine o'clock on BBC | :23:45. | :23:48. | |
One. There is a real joy in sitting and listening to a wonderful voice | :23:49. | :23:54. | |
tell a story. I have spent countless hours going up and down the M1 with | :23:55. | :23:58. | |
my children listening to your dulcet tones, with Harry Potter. So, once | :23:59. | :24:04. | |
upon a time, I cannot do it quite like you, but we sent Cerys to | :24:05. | :24:12. | |
investigate. The flick | :24:13. | :24:17. | |
investigate. Sometimes it almost seems as if | :24:18. | :24:21. | |
rabbits have a secret language all of their own. And | :24:22. | :24:23. | |
rabbits have a secret language all the world of rabbits to | :24:24. | :24:27. | |
rabbits have a secret language all ship down, his classic novel about a | :24:28. | :24:30. | |
grab ship down, his classic novel about a | :24:31. | :24:30. | |
journey to find ship down, his classic novel about a | :24:31. | :24:37. | |
dangerous world. Watership Down was first | :24:38. | :24:41. | |
dangerous world. Watership Down was an instant literary phenomenon and | :24:42. | :24:45. | |
was famously adapted into the much loved | :24:46. | :24:50. | |
was famously adapted into the much is safe now. | :24:51. | :24:56. | |
was famously adapted into the much 95 years old and lives in Hampshire. | :24:57. | :24:58. | |
He remembers 95 years old and lives in Hampshire. | :24:59. | :25:00. | |
his daughters as if it was 95 years old and lives in Hampshire. | :25:01. | :25:03. | |
yesterday. Many years 95 years old and lives in Hampshire. | :25:04. | :25:09. | |
daughters here were little, when we had to go on long car journeys, I | :25:10. | :25:12. | |
used to tell stories. On this particular journey, they asked for a | :25:13. | :25:19. | |
good, long story. And one that we have never heard before. Well, this | :25:20. | :25:26. | |
obviously put me on the spot! I started just off the top of my head. | :25:27. | :25:31. | |
Once upon a time there were two rabbits. The | :25:32. | :25:37. | |
Once upon a time there were two daddy, you ought to write that down. | :25:38. | :25:41. | |
That is too good to waste. Watership Down tells the story of a group of | :25:42. | :25:43. | |
courageous Down tells the story of a group of | :25:44. | :25:47. | |
leave their home after a premonition of coming danger. And so begins a | :25:48. | :25:52. | |
perilous quest to reach the safety of Watership Down. | :25:53. | :25:56. | |
perilous quest to reach the safety would be your enemy. And | :25:57. | :26:01. | |
perilous quest to reach the safety they catch you, they will kill you. | :26:02. | :26:05. | |
But first they must catch you. With swift warning, becoming and full | :26:06. | :26:16. | |
But first they must catch you. With be destroyed! You read it to us in | :26:17. | :26:18. | |
the evenings when we were going to bed, and we corrected it. My | :26:19. | :26:21. | |
the evenings when we were going to she said, you will frighten the | :26:22. | :26:24. | |
children out of their lives! I said, good, carry on! Children like | :26:25. | :26:30. | |
children out of their lives! I said, of scaring sometimes. This is | :26:31. | :26:35. | |
children out of their lives! I said, very bad, some terrible thing, | :26:36. | :26:38. | |
coming closer! Hazel, look, the field! It is covered with blood! | :26:39. | :26:41. | |
coming closer! Hazel, look, the When it was all finished, I left | :26:42. | :26:47. | |
with one publisher after another. And do you know, it was reject it | :26:48. | :26:54. | |
seven times. But Adams persevered, eventually finding success with | :26:55. | :26:59. | |
publisher Rex Collins. Rex Collins said, I like your story and I would | :27:00. | :27:02. | |
like to publish it. I thought, crikey! From there on, the book has | :27:03. | :27:10. | |
never been out of print. One avid reader who fell under the spell of | :27:11. | :27:13. | |
the book during her childhood was our very own Miranda. I brought you | :27:14. | :27:18. | |
here to the real-life Watership Down. And it is a real place as | :27:19. | :27:23. | |
well. I was really surprised to find out! How old were you when you first | :27:24. | :27:30. | |
read it? I think I was about nine or ten. You read it on the fantasy | :27:31. | :27:35. | |
rabbit level. And then I came back to it as a teenager. Then you just | :27:36. | :27:41. | |
yet whole other level. You do not realise it you are learning a huge | :27:42. | :27:45. | |
amount about rabbit society and behaviour. The twitchers, the nose | :27:46. | :27:49. | |
and the ears, the scratching and the thumping. What is the legacy of a | :27:50. | :27:54. | |
book like this? If you look around here, I can imagine the rabbits in | :27:55. | :27:57. | |
this landscape. That is what the book does, it connects you not just | :27:58. | :28:02. | |
with rabbit society, but with the natural world in general. The book | :28:03. | :28:09. | |
has been unexpectedly successful, beyond my wildest dreams. I | :28:10. | :28:16. | |
sometimes wake up wondering if it is real. I did not plan it that way, I | :28:17. | :28:20. | |
just planned it for them. Richard Adams' masterpiece went on to | :28:21. | :28:26. | |
capture the Hearts and minds of millions of readers around the | :28:27. | :28:30. | |
globe. And to think it began as a story a father told for his two | :28:31. | :28:34. | |
daughters in the back of a car. Wonderful! Thank you for joining us | :28:35. | :28:45. | |
tonight, Stephen. And if you would like more information about what | :28:46. | :28:46. | |
Stephen was talking about, please go Tomorrow, Alex will be back | :28:47. | :28:47. | |
on this side of the sofa with Dermot O'Leary - | :28:48. | :28:53. | |
and Cuba Gooding Jr will be here. Back to the old script writing, | :28:54. | :29:03. | |
Stephen Schilling we look forward to seeing it on Sunday night on BBC | :29:04. | :29:05. | |
One! Good night! | :29:06. | :29:08. |