Browse content similar to 11/07/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to The One Show with Matt Baker and Angela Scanlon. | :00:00. | :00:22. | |
And tonight, we are unashamedly celebrating | :00:23. | :00:24. | |
It's all in honour of what's set to be one of the blockbusters | :00:25. | :00:28. | |
A tale of heroics and grit starring the most-incredible cast. | :00:29. | :00:32. | |
And tonight's guests, Jack Lowden and Sir Mark Rylance! | :00:33. | :00:42. | |
Hello. Fans are in tonight and from all over the world, we know that. We | :00:43. | :01:04. | |
have been talking to wonderful audience from Brazil. We are on BBC | :01:05. | :01:09. | |
Two. Konta is through to the semi-finals. Are you a big tennis | :01:10. | :01:14. | |
fan? In a big way. Have you been watching it downstairs? We have. I | :01:15. | :01:18. | |
keep a close eye on Andy's games. It's good both are through. No, Andy | :01:19. | :01:23. | |
has not played yet. He got through yesterday. Further along. Yeah. He | :01:24. | :01:27. | |
is doing all right. He is still in. Fingers crossed. | :01:28. | :01:32. | |
Fingers crossed indeed. Mark, the last time you were on the One Show | :01:33. | :01:41. | |
you hadn't been knighted. That was the first time I was announced. How | :01:42. | :01:47. | |
does it feel, is it sitting well with you? It hasn't gone to your | :01:48. | :01:51. | |
head. You took the Tube here tonight? How does it go to one's | :01:52. | :01:55. | |
head. Does it is appear on one's head. A giant helmet, I guess! You | :01:56. | :02:01. | |
still travel by the Tube, do you get hassled at all? No, I don't get | :02:02. | :02:06. | |
hassled on the Tube, no. Is it breezy? I wouldn't say the Tube is | :02:07. | :02:13. | |
breezy, clas are phobic. I don't get hassled. Jack, what a career you | :02:14. | :02:21. | |
have had. 27 years old now, won an Olivia award when you came out of | :02:22. | :02:27. | |
drama school, Wolf Hall and War Peace. Was there a moment when you | :02:28. | :02:31. | |
thought - this is it, it's happening, life will never be the | :02:32. | :02:37. | |
same again? When I got the lead in a the production of the Boyfriend when | :02:38. | :02:43. | |
I was 18. I was big in that scene, back then. OK. Sometimes it's the | :02:44. | :02:50. | |
little roles where you think, someone is taking notice. That's | :02:51. | :02:59. | |
where I grew up in the Boreders in these amateur companies. That is | :03:00. | :03:04. | |
where I started with my brother, he's a ballet dancer. | :03:05. | :03:10. | |
I followed him and was told I was useless at that. I became a narrator | :03:11. | :03:16. | |
in the ballet shows. I'm not dancing as much as I should be! Mark, with a | :03:17. | :03:21. | |
was the first moment when you thought - yes, this is what I want | :03:22. | :03:27. | |
to do with the rest of my life? I don't know if I thought that at that | :03:28. | :03:31. | |
moment. It was in school. When other kids in school came up to me and | :03:32. | :03:35. | |
said, "you're the actor." I had little idea of who I was. I still | :03:36. | :03:41. | |
don't have much idea. I did an improvisation of a gunfighter in a | :03:42. | :03:45. | |
drama class at school. I remember some other kids saying, "you're the | :03:46. | :03:49. | |
actor." I thought, "is that what I am?" I still remember that. Talking | :03:50. | :03:54. | |
of those small beginnings. Anyone living in a small town Orvilleage | :03:55. | :03:57. | |
will know how big an impact the closure of local services can have. | :03:58. | :04:02. | |
Take pubs, for example. Over the next year, 500 high street banks are | :04:03. | :04:06. | |
expected to shut up shop. The residents of Lymm in Cheshire are | :04:07. | :04:11. | |
having none of it. They are using an age-old law to prevent another bank | :04:12. | :04:16. | |
withdrawal. Here is Nick. The village of Lymm in North Cheshire | :04:17. | :04:21. | |
has 12,000 people, 147 retailers, but only one bank. Today, this | :04:22. | :04:28. | |
branch of Lloyds is closing down. It means for the first time in | :04:29. | :04:32. | |
generations residents will no longer have a local bank to serve the needs | :04:33. | :04:36. | |
of the community. Local people are very unhappy about it. It's part and | :04:37. | :04:41. | |
parcel of our community having a bank. It's dreadful. It's desperate | :04:42. | :04:46. | |
for the This was the village. Old NatWest. That went two years ago. | :04:47. | :04:50. | |
This was the Barclays Bank. This used to be the TSB. To save the last | :04:51. | :04:54. | |
branch on the high street the people of Lymm are taking the fight to one | :04:55. | :05:01. | |
of Britain's biggest banks, leading the charge is parish Cllr, Graham. | :05:02. | :05:08. | |
It's a momentous and sad day? We are a thriving community. It's our last | :05:09. | :05:11. | |
bank. We are fighting to keep it open. We need Lloyds to engage with | :05:12. | :05:16. | |
us. Three months since they announced the closure, | :05:17. | :05:17. | |
five-and-a-half hours before the bank is due to close for good, | :05:18. | :05:22. | |
Lloyds Management agreed to their first faces to face meeting with | :05:23. | :05:27. | |
Graham and the parish council. It's Lymm's last chance to get Lloyds to | :05:28. | :05:31. | |
reverse their decision. How will you play this? We will explain about | :05:32. | :05:35. | |
what Lymm offers to a bank like Lloyds. We need them to understand | :05:36. | :05:39. | |
the importance that they are to the village and what the village can | :05:40. | :05:42. | |
give to them as a business. We want to do something that will help them | :05:43. | :05:45. | |
change their minds we will give them promises and work with them to get | :05:46. | :05:49. | |
more customers for them. Lloyds told us that for security reasons we | :05:50. | :05:53. | |
couldn't film the meeting. They did say they are closing because the | :05:54. | :05:58. | |
branches has 18 regular customers. They define a regular customer who | :05:59. | :06:02. | |
makes one visit a week for 48 weeks of the year. There are unhads of | :06:03. | :06:07. | |
local Lloyds account-holders who use the bank frequently, some of them | :06:08. | :06:12. | |
even switched especially. How does it affect new It affects us | :06:13. | :06:16. | |
personally, we were originally banking with NatWest across the | :06:17. | :06:21. | |
road. They closed. They did. We went to Barclays Bank. They closed. We | :06:22. | :06:25. | |
are with Lloyd, they are closing today. What will you do with your | :06:26. | :06:28. | |
end of the week takings? I will have to get a member of staff or my | :06:29. | :06:33. | |
husband to take it over to alring ham or Warrington because it's an | :06:34. | :06:37. | |
hour-long I don't drive trip. . I wouldn't really risk getting on | :06:38. | :06:40. | |
public transport with all the takings of the shop. I just wouldn't | :06:41. | :06:46. | |
feel safe. For 94-year-old Betty James no bank on her doorstep means | :06:47. | :06:50. | |
a 12 mile round trip to the next nearest branch. Like 40er % of us, | :06:51. | :06:55. | |
she doesn't do online banking. How do you feel about the bank closing? | :06:56. | :07:02. | |
-- 40%. Gutted, really. We've nowhere else. I can't go on buses | :07:03. | :07:08. | |
and things now like I used to. I have to get my daughter to go to | :07:09. | :07:16. | |
Warrington, to the nearest one. It's been 80 minutes since Graham and the | :07:17. | :07:21. | |
parish councillors went for their meeting. Have they convinced Lloyds | :07:22. | :07:26. | |
to keep the branch opening? No interest. Disgraceful. Why have us | :07:27. | :07:32. | |
here on the last day. Why have an engagement process if you aren't | :07:33. | :07:34. | |
going to take any notice of it. Lloyds say they have engaged with | :07:35. | :07:39. | |
customers and local business leaders to explain their decision and | :07:40. | :07:43. | |
offered advice on alternative ways to bank. At 3.30pm the bank closes | :07:44. | :07:48. | |
its doors for the very last time, but this may not mean the end of | :07:49. | :07:52. | |
banking in Lymm. A month ago, Graham managed to get the building | :07:53. | :07:56. | |
officially recognised as an asset for the community, something more | :07:57. | :07:59. | |
commonly associated with saving pubs. Unlike the other branches that | :08:00. | :08:05. | |
have closed, you have put a special order on this Lloyds Bank branch. | :08:06. | :08:09. | |
What have you done? You have some control over is something called an | :08:10. | :08:13. | |
asset of community value. It's a special order that says the use of | :08:14. | :08:16. | |
the building can't change without planning permission. It takes away | :08:17. | :08:20. | |
permitted development rights. Rather than shutting it or turning it into | :08:21. | :08:24. | |
a pub or restaurant, they have to think about issues as a bank. That | :08:25. | :08:27. | |
is what we are aiming for. A lot of people who need a bank. If we can | :08:28. | :08:32. | |
get one of the nationals, I'm sure we could get a groundswell of public | :08:33. | :08:37. | |
opinion behind that and getting people to move to them. A shortage | :08:38. | :08:42. | |
of customers this is something these residents say any new bank wouldn't | :08:43. | :08:45. | |
needed to worry about. I would transfer and I know a lot of people | :08:46. | :08:49. | |
would. Is if another bank came I would switch. I would encourage | :08:50. | :08:53. | |
switch and clients to switch as well. It keeps it obviously in the | :08:54. | :08:57. | |
village. We will carry on with this, definitely. We need someone to come | :08:58. | :09:00. | |
and help us. Come on, any banks out there! Thank you Nick. As always. | :09:01. | :09:08. | |
You are both on to talk about Dunkirk, this epic movie which opens | :09:09. | :09:12. | |
on the 21st July. Mark, we were chatting there. You are the only one | :09:13. | :09:19. | |
amongst us that hasn't seen it yet! It's remarkable, to be honest with | :09:20. | :09:25. | |
you. Robert Mitcham used to say, "they don't pay me to watch the | :09:26. | :09:30. | |
films." It's the premier? I prefer to see it with friends and a real | :09:31. | :09:34. | |
audience. I saw Bridge of Spies on my own. They put a security guard | :09:35. | :09:38. | |
next to you to make sure you don't film it or steal it. I felt a bit | :09:39. | :09:43. | |
comfortable. I prefer to get my friends together and sit-in the | :09:44. | :09:48. | |
crowd and watch it together. In the IMAXX cinema. I did it at 7.00am, | :09:49. | :09:53. | |
quite a way to wake up, let me tell you. It's about an important part of | :09:54. | :09:58. | |
our history. This will be a question to you then, Jack. It hasn't been | :09:59. | :10:04. | |
given the Titanic treatment. How important for you is that it that it | :10:05. | :10:08. | |
hasn't been romantised in anyway? Massively. I think when I saw it the | :10:09. | :10:15. | |
thing I took away was how, sort of, suffocating it is in a way. It's | :10:16. | :10:23. | |
more story about survival and not necessarily about that very | :10:24. | :10:28. | |
anti-kwated Dunkirk spirit, rose tainted thing, it's a community | :10:29. | :10:32. | |
spirit. The film very much starts straightaway in the action. It | :10:33. | :10:36. | |
treats the audience with a bit of intelligence, you know. Presuming | :10:37. | :10:40. | |
you guys will know what the situation was. They don't have to | :10:41. | :10:45. | |
build it all up. It's about brilliant servicemen doing their | :10:46. | :10:49. | |
job. You can kind of feel the fear and you see these are young, young | :10:50. | :10:56. | |
men in a terrifying situation. Yeah. I mean, I play an RAF pilot, you | :10:57. | :11:02. | |
know, amongst the research I did I found out the average age of a pilot | :11:03. | :11:06. | |
was 20 years old, the youngest was 18. It did make you think - what | :11:07. | :11:13. | |
were you doing at 18? For sure. Absolutely. Christopher Nolan | :11:14. | :11:18. | |
directed and was determined it was hyper real. A lot of very young | :11:19. | :11:23. | |
actors, a lot of unknown actors, shot on Dunkirk beach as well. Did | :11:24. | :11:27. | |
that make it... Did it make it easier or more difficult to film | :11:28. | :11:32. | |
like that? We weren't really ever on Dunkirk beach. I was there one day. | :11:33. | :11:36. | |
We did the training on the boat. 300 feet off the beach. That was very | :11:37. | :11:40. | |
extraordinary to be in the place. There's still a lot of sunk boats | :11:41. | :11:45. | |
and sunk other things down beneath the ocean there. You just feel how | :11:46. | :11:50. | |
close to home it is. Very much a film about being very near to home | :11:51. | :11:54. | |
and yet not able to get home. So far away. Longing to be home you could | :11:55. | :12:00. | |
well imagine these extraordinary soldiers who would queue up. They | :12:01. | :12:02. | |
formed queues and then the bombers would come and they would hide. They | :12:03. | :12:06. | |
would get back up inlet same position in the queue. | :12:07. | :12:09. | |
Extraordinary. The very interesting thing about this film is the fact | :12:10. | :12:14. | |
it's three different perspectives, somebody isn't it? A week for those | :12:15. | :12:19. | |
on land. An hour for those up in the air and a day for those on the | :12:20. | :12:23. | |
little ships. Mark, you are the skipper of one of the little ships | :12:24. | :12:28. | |
that went over. We will look at the moment your character takes matters | :12:29. | :12:31. | |
into his own hands and sets off for Dunkirk. Ready on the stern line, | :12:32. | :12:37. | |
George. Aren't you waiting on the Navy. | :12:38. | :12:46. | |
The captain and his son. Thanks for the help, George. Ha are you doing. | :12:47. | :12:55. | |
You do know where we're going? France. Into war, George. I'll be | :12:56. | :13:03. | |
useful, sir. APPLAUSE | :13:04. | :13:11. | |
Wow. Is sends shivers down your spine. Something poignant about that | :13:12. | :13:18. | |
young boy, 17, "I'll be useful" that naivete going in slightly blind | :13:19. | :13:21. | |
never knowing whether he will be back. Talking about the cast, the | :13:22. | :13:24. | |
age of the cast as well is so important and also the fact that | :13:25. | :13:28. | |
they are British and Irish as well. It was... That was one of the things | :13:29. | :13:31. | |
that Christopher Nolan, the problems he had, it wasn't a big American | :13:32. | :13:35. | |
story with all this cast. It took a while to get going? He hasn't put | :13:36. | :13:42. | |
blood and gore into it. Not that blood and gore doesn't happen in | :13:43. | :13:48. | |
films. In some films you see exploding heads and all kinds of | :13:49. | :13:51. | |
things that are hard to watch. He has given it, it's a PG13 rating in | :13:52. | :13:56. | |
America the equivalent here. The young boys who hopefully won't have | :13:57. | :14:02. | |
to fight in wars, in my generation, hasn't had to fight wars where you | :14:03. | :14:05. | |
are forced into it, it's good for young byes to be able to see the | :14:06. | :14:12. | |
chaos -- boys, and the horror of war. If the evacuation hadn't | :14:13. | :14:16. | |
happened. The evacuation of so many of our | :14:17. | :14:20. | |
troops from the beaches of Dunkirk was described as a "miracle" | :14:21. | :14:23. | |
by Winston Churchill. In little over a week, | :14:24. | :14:25. | |
what started as a catastrophic military defeat soon became a moral | :14:26. | :14:27. | |
victory, thanks to a few hundred On the 26th of May 1940, the | :14:28. | :14:37. | |
greatest ever military evacuation was attempted as around 400,000 | :14:38. | :14:42. | |
Allied troops were trapped by the advancing German army on the north | :14:43. | :14:46. | |
coast of France around Dunkirk. They were the British expeditionary | :14:47. | :14:53. | |
Force, the BEF, in France and Belgium to fight the Nazi advance. | :14:54. | :14:58. | |
The BEF, Waterboys page they are writing in the annals of the Army. | :14:59. | :15:02. | |
It was all rather marvellous, all part of the adventure. At last, | :15:03. | :15:07. | |
action, something is going to happen and I'm a part of it. The BEF were | :15:08. | :15:12. | |
soon forced to retreat by the power of the German military machine. | :15:13. | :15:16. | |
Heading to Dunkirk, everyone said, that is where you are going, where | :15:17. | :15:21. | |
that big column of smoke is so they were all heading that way. It all | :15:22. | :15:27. | |
went to blazes from thereon. It was more or less, find your own way. We | :15:28. | :15:33. | |
were in full retreat. There was no question of that. With the Allied | :15:34. | :15:36. | |
troops were stranded, an emergency call went out. Every kind of small | :15:37. | :15:42. | |
craft, destroyers, paddle steamers, motorboats... In all, 800 came to | :15:43. | :15:47. | |
the rescue. There began a nine-day evacuation of the Allied troops who | :15:48. | :15:53. | |
were under extreme fire. You've got to remember, your running across the | :15:54. | :15:57. | |
beach and jumping over blokes, dodging and diving because they are | :15:58. | :16:01. | |
coming and machine-gunning you and everything else. There were hundreds | :16:02. | :16:05. | |
and hundreds of Scholl -- soldiers on the sand, ships coming in, trying | :16:06. | :16:09. | |
to pick them up but there were so many commie thought you would never | :16:10. | :16:14. | |
get those people. Over 338,000 soldiers were rescued and for some, | :16:15. | :16:20. | |
that turned defeat into victory. I had no feeling of failure. We fought | :16:21. | :16:24. | |
to the last, with the greatest effect we could bring to bear when | :16:25. | :16:28. | |
you are on your own and that kind of thing. Despite the success of the | :16:29. | :16:32. | |
evacuation and in record numbers rescued, just over 68,000 British | :16:33. | :16:38. | |
troops were killed or captured. I would say it was England's saddest | :16:39. | :16:42. | |
hour as opposed to its greatest. I think it's hard and the resolve of | :16:43. | :16:46. | |
the British people. -- it hardened the resolve. | :16:47. | :16:50. | |
Jack, you touched earlier on a bit of research you had done but how | :16:51. | :16:55. | |
much did you know from personal perspective about what went on | :16:56. | :17:01. | |
Dunkirk? I knew a fair bit. I was very, and still am, into history, at | :17:02. | :17:04. | |
school. But I guess it depends on where you grew up. Where I grew up, | :17:05. | :17:11. | |
we were taught a lot about scarf of low, Upper Orkney and the Navy up | :17:12. | :17:16. | |
there. Was your great uncle in the RAF? He was, Jimmy Ross, he came | :17:17. | :17:22. | |
from Musselburgh. We don't know much about him but he was a Flying | :17:23. | :17:29. | |
Officer in the RAF. No one -- Christopher Nolan has famously not | :17:30. | :17:32. | |
relied on CGI which is normally the go to in a film of this scale, 6000 | :17:33. | :17:37. | |
vectors on the beach, described as a military operation in itself but in | :17:38. | :17:42. | |
terms of being up in the Spitfire... Yeah. How did it even work? They | :17:43. | :17:48. | |
just got a pilot and they put him in the back in the fight and put the | :17:49. | :17:53. | |
camera on the wing and we went up. -- and me in the front. We were over | :17:54. | :17:59. | |
the Channel, where it happened. So, Mark, you were doing a similar thing | :18:00. | :18:04. | |
but from a boating perspective. What was it like having all the planes | :18:05. | :18:07. | |
and effectively the Luftwaffe and what have you flying overhead? It | :18:08. | :18:13. | |
was terrifying but something I whizz imagined, I loved the Battle of | :18:14. | :18:15. | |
Britain so much I would watch it every time it was on TV so having | :18:16. | :18:18. | |
the action planes like the Messerschmitt and the Spitfire | :18:19. | :18:22. | |
flying very low over you, it feels like they were not higher than the | :18:23. | :18:25. | |
ceiling and you would see them coming in a long loop towards you, | :18:26. | :18:29. | |
the sound of the old engines roaring over you is very exciting. You | :18:30. | :18:34. | |
looked very comfortable on the little boat. Well, we were after | :18:35. | :18:40. | |
awhile! The first time, we nearly jumped off. Quite vulnerable in | :18:41. | :18:44. | |
terms of the scale of the rest of what was happening around you. But I | :18:45. | :18:47. | |
bet you got very close to that little boat by the finish. I did, | :18:48. | :18:50. | |
yeah. I can imagine. Every great blockbuster | :18:51. | :18:53. | |
needs a great tag line. With Dunkirk, it's simply "the event | :18:54. | :18:55. | |
that shaped our world". Right up there with Alien's "In | :18:56. | :18:57. | |
space, no-one can hear you scream". And my personal favourite, Chicken | :18:58. | :19:01. | |
Run - "Escape or die frying!" And we've got the perfect | :19:02. | :19:06. | |
one for our next film, "the tree that launched | :19:07. | :19:08. | |
a million pies". Apple pie is one of the nation's | :19:09. | :19:20. | |
favourites and at the heart of every good apple pie is a very special | :19:21. | :19:31. | |
Apple. This, the Bramley. When it is raw, it is sharp and bitter, but | :19:32. | :19:38. | |
when cooked, it is sweet and golden. As a chef, I find the Bramley | :19:39. | :19:43. | |
apple's unique cooking flavour unrivalled and it is this taste that | :19:44. | :19:46. | |
has fuelled a multi-million pound industry. But the Bramley is | :19:47. | :19:52. | |
potentially under threat. What most people don't realise is that every | :19:53. | :19:58. | |
single Bramley apple tree comes from a cutting of just one tree. And that | :19:59. | :20:04. | |
tree is starting to die. The parent of every Bramley apple ever eaten | :20:05. | :20:07. | |
lives here in a garden in Nottinghamshire. Scientist Professor | :20:08. | :20:13. | |
Ted Copping has been working to try to save it. This is the original | :20:14. | :20:19. | |
that was planted here over 200 years ago by a small girl called Mary Ann | :20:20. | :20:26. | |
Brailsford who took the pit of an apple, the seed, and planted it. In | :20:27. | :20:32. | |
a genetic fluke, that seed produced a completely new type of Apple, the | :20:33. | :20:38. | |
Bramley. How rare is it for someone to plant a seed and get a new | :20:39. | :20:46. | |
variety? Very rare because this has risen by apple varieties crossing | :20:47. | :20:50. | |
each other and producing a unique embryo which then goes on to grow | :20:51. | :20:54. | |
into the tree. If you want to grow another Bramley tree, the apple's | :20:55. | :21:00. | |
genetics mean you can't just plant a seed, you have to propagate it from | :21:01. | :21:05. | |
a cutting. Sir John Starkey owns the largest Bramley Orchard in | :21:06. | :21:07. | |
Nottinghamshire and is going to show me how it's done. Let's make this | :21:08. | :21:11. | |
into a Bramley apple tree. I'm intrigued. You can make it three out | :21:12. | :21:18. | |
of it. In order to grow, the cutting has to be inserted into the trunk of | :21:19. | :21:24. | |
another variety, a crab apple. Sir John cuts into the grapple trunk and | :21:25. | :21:28. | |
implants the Bramley stem which will grow into a Bramley tree as we know | :21:29. | :21:33. | |
them. So our tree is bottom half crab top half Bramley. But there is | :21:34. | :21:39. | |
one more job I have to do. And that is, I need to christen it The One | :21:40. | :21:44. | |
Show tree. But propagating over generations has led to small genetic | :21:45. | :21:49. | |
variations which affect the taste. The only way to grow an original | :21:50. | :21:53. | |
Bramley is to take a cutting from that one special tree but that | :21:54. | :21:59. | |
original tree is in trouble. It is dying from an incurable honey fungus | :22:00. | :22:03. | |
disease. To save the unique Bramley apple taste, the professor has | :22:04. | :22:10. | |
turned to cloning. How do you clone the tree? We take that into a | :22:11. | :22:19. | |
suitable medium. That a gel? Yes. After 15 years of extensive | :22:20. | :22:22. | |
research, the professor developed a special propagation gel which allows | :22:23. | :22:26. | |
a small cuttings from the original tree to grow their own routes. This | :22:27. | :22:32. | |
tree is, from the bottom of its routes to the tips of its leaves, | :22:33. | :22:37. | |
100% pure bred Bramley and genetically identical to the | :22:38. | :22:42. | |
original tree. Why can't we just use the trees that have been propagated | :22:43. | :22:47. | |
before? They have been grafting for the last 200 years and slowly but | :22:48. | :22:50. | |
surely, there have been subtle genetic changes so what you want to | :22:51. | :22:56. | |
do is to, as it were, turn the clock back so you go back to the original, | :22:57. | :23:02. | |
unblemished largely by any such genetic changes. So this clone we | :23:03. | :23:08. | |
have here is the closest genetic twin to the original Bramley apple | :23:09. | :23:13. | |
tree we saw earlier? Yes, very much so. With the help of cloning | :23:14. | :23:18. | |
technology, the Bramley's future is safe and as chefs can relax, knowing | :23:19. | :23:22. | |
we will have the sweet taste Bramley apples for the for years to come. | :23:23. | :23:26. | |
Wright, gentlemen, the most important question today, cream or | :23:27. | :23:28. | |
custard? Both. Both, please. Just eating the apple pie as well, | :23:29. | :23:41. | |
Jack has polished is off already. Interestingly, no custard or cream | :23:42. | :23:47. | |
on either. No. You said it is like putting ketchup on pizza? It should | :23:48. | :23:52. | |
be a crime. We don't have much time but quickly, out of interest, Mark, | :23:53. | :23:57. | |
you are renowned for being so realistic as far as your acting is | :23:58. | :24:01. | |
concerned and we were talking a bit about learning lines and what have | :24:02. | :24:03. | |
you earlier but from your perspective, do you learn the lines | :24:04. | :24:09. | |
over and over and then go in with a fixed idea of your performance or do | :24:10. | :24:14. | |
you learn them just before you do it and go from there? How does it work | :24:15. | :24:19. | |
for you? I don't know, it depends. The task is really forgetting the | :24:20. | :24:22. | |
lines because who knows what they are going to say next? If you learn | :24:23. | :24:26. | |
them, you have to learn them in a very flexible way because I have to | :24:27. | :24:29. | |
convince you it has never been written down, like now, I'm just | :24:30. | :24:35. | |
making it up on the spot! As you go along. So you always have the | :24:36. | :24:38. | |
feeling inside that you are reacting? I learn more what I need | :24:39. | :24:43. | |
to do, now I need not to get up and walk out of here! And I'm really | :24:44. | :24:51. | |
enjoying it... LAUGHTER Well, we've done everything we can! | :24:52. | :24:56. | |
Are they really laughing? There we are. But thank you. Fascinating, you | :24:57. | :25:01. | |
know where you're going, and you'll get there however. Exactly. | :25:02. | :25:04. | |
London turned rainbow-coloured this weekend for the annual Gay Pride | :25:05. | :25:06. | |
parade, one of many events held across the country to celebrate | :25:07. | :25:09. | |
And this year's more significant than most. | :25:10. | :25:11. | |
It's actually 50 years since homosexuality was partially | :25:12. | :25:14. | |
And DJ Nick Grimshaw's using his mixing skills to chart how | :25:15. | :25:21. | |
This is a story about two people. Ordinary people, going about their | :25:22. | :25:40. | |
lives. Waiting for something to begin. You wait. You'll meet someone | :25:41. | :25:48. | |
who will have your head spinning. And then one day, it did. Eyes met. | :25:49. | :26:00. | |
Hands met. A moment of hesitation. Of uncertainty. Don't you ever worry | :26:01. | :26:07. | |
that we might be doing something wrong? No. And then, they saw each | :26:08. | :26:15. | |
other as they truly worth first time. -- were for the first time. | :26:16. | :26:40. | |
But not everyone understood. What was that? Or approved. Of falling in | :26:41. | :26:54. | |
love that wake of being of that persuasion, of playing for the wrong | :26:55. | :27:03. | |
team. This is the way I want to be. Are you trying to tell me that you | :27:04. | :27:09. | |
and Colin are... On the sexual is? Didn't you know? I certainly didn't, | :27:10. | :27:15. | |
I thought you were just friends. But there were others who did | :27:16. | :27:23. | |
understand, who spoke up. Now listen, you may be a puff butties | :27:24. | :27:27. | |
out so you are going to leave him alone, understand? Back about show | :27:28. | :27:32. | |
me in the Bible anywhere where Jesus Christ refused to sanctify love. | :27:33. | :27:38. | |
Remember, you have to fight for what you want. Sometimes it was hard. | :27:39. | :27:46. | |
I hate the way you make me feel! And sometimes, it felt like the most | :27:47. | :27:54. | |
natural thing in the world. You've given me the strength and the | :27:55. | :28:03. | |
courage to stop hiding. That will do to be going on with. But in the end, | :28:04. | :28:09. | |
Love always wins. Because this is a story about two people, ordinary | :28:10. | :28:13. | |
people in love. Keep an eye out for the BBC's | :28:14. | :28:18. | |
"Gay Britannia Season" Thanks to our guests | :28:19. | :28:24. | |
Sir Mark Rylance and Jack Lowden. Dunkirk is in cinemas | :28:25. | :28:29. | |
from the 21st July. On Friday, we're going to be joined | :28:30. | :28:39. | |
by Owen Wilson talking about the new Cars movie so if you have some small | :28:40. | :28:43. | |
in your house is a massive fan and has all of the merchandise, we want | :28:44. | :28:47. | |
to know. E-mail at the usual address. | :28:48. | :28:48. | |
Tomorrow me and Al are off to Perranporth on the glorious Cornish | :28:49. | :28:51. | |
And Martin Clunes and The Kooks will be stopping by for a pasty. | :28:52. | :28:57. |