Browse content similar to 10/07/2017. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show with Alex Jones. | :00:19. | :00:20. | |
We've got some impressive guests tonight. | :00:21. | :00:23. | |
Seven years ago we met this chap, Kieron Williamson, who had just | :00:24. | :00:26. | |
Now he's 14 and selling paintings for over ?50,000. | :00:27. | :00:38. | |
And on our sofa is a man who has also dabbled in fine art, | :00:39. | :00:48. | |
As well as starring in Our Friends In The North, | :00:49. | :00:52. | |
Doctor Who and the A-Word, he's done a stint of nude modelling. | :00:53. | :00:55. | |
It's - thankfully fully clothed - Christopher Eccleston. | :00:56. | :01:00. | |
Obviously because viewers would expect it, we did intense research | :01:01. | :01:19. | |
to see if we could find one of the pictures. But unfortunately, it was | :01:20. | :01:27. | |
a fail. It was at the Slade School of fine art. | :01:28. | :01:28. | |
If anyone at home can help us please feel free to send one along | :01:29. | :01:32. | |
to our usual address, we'd love to show it. | :01:33. | :01:39. | |
What are your memories of those times? Cold! That would be the first | :01:40. | :01:53. | |
memory! Liberating? It was, slightly. Also could be quite hard | :01:54. | :01:59. | |
on the ego because artists can be quite critical about the physical | :02:00. | :02:04. | |
form. They would say things like see how he is fat and thin there. So | :02:05. | :02:11. | |
ritual humiliation. I used to go straight to the pub once I'd got the | :02:12. | :02:16. | |
money. Well we will see what we get in, it could be gold. | :02:17. | :02:19. | |
Last time you were here, Chris, we spoke about your mum selling | :02:20. | :02:22. | |
pastries in the stands at Old Trafford. | :02:23. | :02:28. | |
That's right, she used to sell pies and T in the 50s when the Busby | :02:29. | :02:34. | |
Babes were there. So we hope she's | :02:35. | :02:35. | |
watching this next film. Kev Duala has been back to Liverpool | :02:36. | :02:37. | |
to see how match day pies are helping to solve | :02:38. | :02:40. | |
an affordable housing crisis. In the shadow of Liverpool football | :02:41. | :02:49. | |
ground rov derelict terraced houses and at the end of thriving bakery | :02:50. | :02:56. | |
run by and for the community. Home-baked, the a match day fixture. | :02:57. | :03:01. | |
I never really ate pies before but we found this place and I was sold. | :03:02. | :03:06. | |
I like the idea that helping the community. The staff are lovely and | :03:07. | :03:10. | |
you get to know a lot of people who come in regularly. Seven years ago | :03:11. | :03:15. | |
this bakery was scheduled for demolition and was shut down. But it | :03:16. | :03:21. | |
flickered back into life by the skin of its teeth through the | :03:22. | :03:23. | |
stubbornness and resilience of local people. Bridget is co-funder. I have | :03:24. | :03:33. | |
to try one of these. Go for it. It is lovely. This is a story of brick | :03:34. | :03:39. | |
and determination. Where did it start? There was a lot of demolition | :03:40. | :03:43. | |
happening in our area and as a group of residents we came together and | :03:44. | :03:48. | |
decided to open the bakery as a community business and managed to | :03:49. | :03:54. | |
save it from demolition. How did you get the council to give you that | :03:55. | :03:57. | |
reprieve? Baby by showing that it could be a viable business. | :03:58. | :04:04. | |
Originally supported by grants, it now thrives on its products and | :04:05. | :04:09. | |
wants to convince the council that it can expand. We have a flat above | :04:10. | :04:16. | |
the bakery and were now refurbishing that. With affordable housing in | :04:17. | :04:21. | |
short supply across the UK this business wants to turn the terrorist | :04:22. | :04:25. | |
into shops and plans for the community for that they've already | :04:26. | :04:28. | |
secured ?140,000 of lottery money to create a home out of this. My | :04:29. | :04:34. | |
goodness! You have your work cut out. And the refurbishment will be a | :04:35. | :04:42. | |
training project for three local apprentices, men poured by Paul. As | :04:43. | :04:46. | |
you can see there is a lot to do, roofs, ceilings, floors, plumbing | :04:47. | :04:52. | |
and electricity, everything. And once more after apprentices Dave, | :04:53. | :04:57. | |
Bradley and Leanne, will have the option of renting a room. It is | :04:58. | :05:02. | |
their own version of social housing. We've been learning from the | :05:03. | :05:06. | |
builders and then we may be get to put that into practice. How | :05:07. | :05:11. | |
important is it for you to be involved? Very much, because I would | :05:12. | :05:15. | |
like to live here and it is giving back to the community. It does not | :05:16. | :05:19. | |
stop there, they're also transforming a patch of land at the | :05:20. | :05:22. | |
end of the terraced into a public square, building their own joinery | :05:23. | :05:26. | |
classroom and greenhouse to grow food for local people. But it is | :05:27. | :05:33. | |
affordable homes that the heart of this, only 28,000 funded by the | :05:34. | :05:37. | |
government were completed last year. Down by half from 2011. With the | :05:38. | :05:43. | |
huge housing crisis across the UK, what you're doing could be of help? | :05:44. | :05:48. | |
I think it can. Over there we have houses just like those next to the | :05:49. | :05:52. | |
bakery and they had been pulled down and what has been built now at the | :05:53. | :05:56. | |
profit goes to private developers. We are offering to build houses by | :05:57. | :06:01. | |
people and for people and the profit stays within the organisation and is | :06:02. | :06:05. | |
reinvested in the neighbourhood. The benefits to the residents are plain | :06:06. | :06:09. | |
to see. Sue Humphreys helped to set up the project. Her family have | :06:10. | :06:13. | |
lived here for 100 years and she is seen first-hand the fabric of the | :06:14. | :06:18. | |
community decline. It is sad to see the property is boarded up and left, | :06:19. | :06:22. | |
something had to be done. Could this be a turning point to rejuvenate | :06:23. | :06:27. | |
this community spirit? Yes, we're somewhere where the community can be | :06:28. | :06:32. | |
together and rebuild that community. Make friends with your neighbours. | :06:33. | :06:37. | |
Home-baked is one of several projects regenerating rundown parts | :06:38. | :06:41. | |
of Liverpool including selling homes for ?1. And the council is waiting | :06:42. | :06:47. | |
for it to succeed. This is the deputy mayor. It is not about the | :06:48. | :06:51. | |
council telling community is what should happen, it is about community | :06:52. | :06:56. | |
is being fully engaged and their ideas coming forward, there are | :06:57. | :06:59. | |
initiatives and passion driving these agendas. If the project | :07:00. | :07:03. | |
flourish as it could be rolled out elsewhere. I'm born and bred in | :07:04. | :07:07. | |
Liverpool and grew up in a really strong community. But what has been | :07:08. | :07:12. | |
sad to watch is how the communities have been eroded. But what is great | :07:13. | :07:16. | |
to see is what this company have done to rekindle that community | :07:17. | :07:19. | |
spirit. And if they can do it may be other parts of the country can as | :07:20. | :07:21. | |
well. Financial journalist | :07:22. | :07:22. | |
Simon Read joins us now. As Kev said at the end of the film, | :07:23. | :07:27. | |
can this happen elsewhere? Could this help with the housing | :07:28. | :07:40. | |
crisis is right it is happening all over the country, communities | :07:41. | :07:43. | |
getting involved to create this kind of projects to bring back affordable | :07:44. | :07:44. | |
housing to the local community. Great to see Right On The Money back | :07:45. | :07:47. | |
on our screens this morning. It's hosted by Dom Littlewood | :07:48. | :07:50. | |
and Denise Lewis. You of course are an expert | :07:51. | :07:52. | |
on the show, giving us tips What kind of stories do | :07:53. | :07:55. | |
you come across this series? Well all kinds of people. We have | :07:56. | :08:09. | |
sisters from London who started up a street food market. They're not | :08:10. | :08:15. | |
making a lot of money. And one woman... They are too generous. The | :08:16. | :08:22. | |
portions too big! A woman from Liverpool, the biggest financial | :08:23. | :08:26. | |
problem is that she's too generous. And we met Nicky who just spends | :08:27. | :08:36. | |
when she feels like it. And Nicky has lots of things beneath her | :08:37. | :08:41. | |
stairs. Let's take a look. What is all this? Tea bag. How many, | :08:42. | :08:52. | |
millions! 1100. Nicky looks like she is going into World War II with all | :08:53. | :08:55. | |
those supplies underneath the stairs. | :08:56. | :08:58. | |
Something you look at in the series is the idea of the sharing economy, | :08:59. | :09:01. | |
where people make money out of renting things they already own. | :09:02. | :09:04. | |
And we've got some people in the audience tonight | :09:05. | :09:06. | |
Leticia, this is a picture of your house. It is upside down! What is it | :09:07. | :09:21. | |
that you are renting? I rent out my drive space. I have three spaces, it | :09:22. | :09:29. | |
is all done online and it has been a great moneyspinner for me. How much | :09:30. | :09:36. | |
do you make per month? Roughly ?200. Not to be sniffed at. And Vicky, | :09:37. | :09:44. | |
let's take a look. Is that your garden? A section of the garden up | :09:45. | :09:48. | |
in Norfolk and we rent it out for camping. Self-catering accommodation | :09:49. | :09:56. | |
for up to four people. So how much do you make per month? Around ?1000 | :09:57. | :10:04. | |
in peak season. The summer months. This is a really good game show! And | :10:05. | :10:11. | |
Daisy at the end, I love this concept. This is shared and | :10:12. | :10:18. | |
breakfast which we run in Bristol from the garden. It is shared that | :10:19. | :10:23. | |
we lived in when we were renovating and now we'll run it as a bed and | :10:24. | :10:26. | |
breakfast. How much to make per month? ?1400! Anyone with a | :10:27. | :10:40. | |
shared... You have had some thoughts of what to do with your place? Yes, | :10:41. | :10:46. | |
I heard about this scheme, people making their homes into art | :10:47. | :10:50. | |
galleries. One of my closest friends is an artist. I keep trying to | :10:51. | :10:54. | |
convince her to do an exhibition and so I'm going to do it in my house. | :10:55. | :10:59. | |
It is a great idea. And theatre groups are doing the same thing, | :11:00. | :11:04. | |
using people's homes. For me it is not really for the money but the | :11:05. | :11:08. | |
interest, and my children being around art. I'm still thinking about | :11:09. | :11:16. | |
that bed-and-breakfast, genius! You're going to inspire the nation! | :11:17. | :11:21. | |
Thank you all for joining us and thank you Simon. | :11:22. | :11:25. | |
Right on the money is on BBC1 at nine fifteen every morning | :11:26. | :11:28. | |
It's been a special day at Wimbledon as we've seen all 64 | :11:29. | :11:38. | |
players left in the singles competition play today. | :11:39. | :11:44. | |
And of course congratulations to Johanna Konta and Andy Murray | :11:45. | :11:47. | |
who made it through to the next round. | :11:48. | :11:52. | |
As well as their impeccable racquet-work - | :11:53. | :11:54. | |
there's another kind of racquet you can hear on court. | :11:55. | :11:57. | |
Tommy's been to see if grunting equals greatness. | :11:58. | :12:08. | |
Last year almost 500,000 people came down to Wimbledon and sat mesmerised | :12:09. | :12:15. | |
by a little yellow ball. Waiting patiently for the winning point. | :12:16. | :12:19. | |
While today the wait is over. And here they come. And I have something | :12:20. | :12:25. | |
that they have dubbed a secret weapon. Meet Jordan, research at the | :12:26. | :12:31. | |
University of Sussex. He says he can predict the winner of a much longer | :12:32. | :12:34. | |
for the last game. Unsurprisingly it all comes down to grunting. Some say | :12:35. | :12:46. | |
grunting is a bit annoying. Others say it is part of the passionate | :12:47. | :12:51. | |
five tennis but it can predict a winner? That is right, we did | :12:52. | :12:54. | |
research at the University of Sussex and looking at players across | :12:55. | :12:57. | |
matches that they had won and lost. We found in general the pitch of the | :12:58. | :13:02. | |
grant is higher when the players lose them when they win. So then | :13:03. | :13:08. | |
surely with a lower grade you're guaranteed to be a winner? Exactly. | :13:09. | :13:12. | |
We found this right from the start of the match suggesting it is longer | :13:13. | :13:18. | |
term factors at play, rankings, these things could affect how | :13:19. | :13:22. | |
stressed or dominant we're feeling. And that can -- that can affect the | :13:23. | :13:27. | |
pitch of the voice. Is it like an animal thing? Mail Red Deer war | :13:28. | :13:32. | |
adage other and use that to assess the size of the other. So we see the | :13:33. | :13:38. | |
same thing happening with humans. Let's put it to the test. How do you | :13:39. | :13:46. | |
feel about grunting on court? It is a bit weird. It is a bit disturbing. | :13:47. | :13:54. | |
It just shows they're putting in an effort. I play tennis and I do not | :13:55. | :14:01. | |
grant. Not even a little noise when you're giving it everything? Let's | :14:02. | :14:11. | |
do a family effort! That for me is a winning round. Do you grant in any | :14:12. | :14:17. | |
situation? Only when Federer loses the point. Time to put the theory to | :14:18. | :14:26. | |
the test. Here at the third round of the women's singles. Hill is going | :14:27. | :14:37. | |
to win? -- who was going to win. If I had to pick someone it would be | :14:38. | :14:44. | |
Diaz. Based on the grunting. The louder that your grunting and the | :14:45. | :14:50. | |
deeper, the more likely you are to win. Let's hear it from you. That is | :14:51. | :14:52. | |
more like it. She just lost the point. She did. So | :14:53. | :15:13. | |
does grunting serve up the aces question mark is match point back on | :15:14. | :15:19. | |
court 18. He did not get it right this time, but if you're listening, | :15:20. | :15:24. | |
Andy, probably worth a shot! Now we're going to know which tennis | :15:25. | :15:28. | |
players have watched this show because all the Test matches, the | :15:29. | :15:30. | |
pitch is going to get lower. Chris, we've been watching some | :15:31. | :15:35. | |
of your stuff, and you too can be Yes, but the question is, | :15:36. | :15:38. | |
can you guess your grunt? We've got three grunts to listen | :15:39. | :15:53. | |
to and one of them is yours. The other two belong | :15:54. | :15:56. | |
to tennis players, you have My right to say that you have | :15:57. | :15:59. | |
enhanced my grunt? No. It is definitely not number three. | :16:00. | :16:24. | |
It's number two. He goes straight for it. Let's have a go. Number two? | :16:25. | :16:30. | |
You say that that is you? Let's have a look. It was number two! | :16:31. | :16:39. | |
APPLAUSE I would recognise my grunt anywhere! | :16:40. | :16:45. | |
That leads us nicely to The Leftovers. You grunt them because | :16:46. | :16:51. | |
your character is attacked. Series three is out now | :16:52. | :16:54. | |
on Sky Atlantic and NOW TV - to take us back to the beginning, | :16:55. | :16:57. | |
it's about on life on earth Phil us in for those people who have | :16:58. | :17:04. | |
not seen the first and second series. It's originally from a | :17:05. | :17:11. | |
novel, and it put forward the idea that I think, 2%, I've forgotten, 2% | :17:12. | :17:15. | |
of the population of the world disappear on the same day. Some | :17:16. | :17:20. | |
people claim it is the Rapture, as proper sized in the Bible and some | :17:21. | :17:25. | |
people including my character, a man of God who feels he has not been | :17:26. | :17:31. | |
chosen by God, deny that. That is why my character gets beaten so much | :17:32. | :17:35. | |
because he is trying to discredit people who have apparently been | :17:36. | :17:40. | |
chosen. So it is about faith but also is a character driven comedy | :17:41. | :17:46. | |
drama. It is about something that we all experience, loss. It is about | :17:47. | :17:52. | |
grief. The novelist wrote it, he was playing tennis one day with his son, | :17:53. | :17:56. | |
the phone rang and he got the news that one of his parents had died. It | :17:57. | :18:02. | |
was a beautiful summer day, she was happy, there had been a road | :18:03. | :18:05. | |
accident, I know this sounds grim but three years later he found | :18:06. | :18:09. | |
himself writing this novel, three years later he realised he was | :18:10. | :18:15. | |
writing The Leftovers about his own experiences. He spent a lot of time | :18:16. | :18:19. | |
with characters trying to make sense of life. The character you play in | :18:20. | :18:24. | |
the novel was relatively small but you have played some part in | :18:25. | :18:28. | |
developing him. I was tipped off that HBO were going to adapt the | :18:29. | :18:32. | |
novel. I had read it and there was this character, a man of God, who | :18:33. | :18:38. | |
isn't "Chosen". I thought that was a fantastic character for a drama. The | :18:39. | :18:48. | |
writer, who wrote Lost, he also wrote The Leftovers. He heard I was | :18:49. | :18:52. | |
interested and we met in London. He said, I wasn't going to put this | :18:53. | :18:55. | |
character in this series, why do you want to play him. And he put him in | :18:56. | :19:01. | |
the show. And it has really worked, in a way for me. Open some doors in | :19:02. | :19:03. | |
America for me. Let's see a moment from the first | :19:04. | :19:06. | |
episode of the new series where your character | :19:07. | :19:09. | |
is delivering a sermon. I get a feeling in this place | :19:10. | :19:16. | |
sometimes, the same feeling I got when my wife awoke from a | :19:17. | :19:19. | |
three-year, the day that I brought her here. Mary. The same feeling I | :19:20. | :19:28. | |
had after being told by countless doctors that Mary could not bear a | :19:29. | :19:38. | |
child. But she did bear one here. Noah is a little shy, like his dad. | :19:39. | :19:44. | |
My friends, I've got that feeling again so if something happens on | :19:45. | :19:48. | |
October 14, you have all come to the right place. | :19:49. | :19:53. | |
APPLAUSE We will leave it there as a teaser | :19:54. | :19:58. | |
for everyone to enjoy because you have been incredibly busy. You have | :19:59. | :20:05. | |
finished filming another series of The A-Word which is a passion of | :20:06. | :20:10. | |
yours. BBC One show. It is brilliant, when is it back on. We | :20:11. | :20:15. | |
think it will broadcast in October, we wrapped on Saturday and everyone | :20:16. | :20:21. | |
is still hungover from the party. It is incredibly emotive. Yes, the | :20:22. | :20:27. | |
central idea is communication, autism being a problem, the writer | :20:28. | :20:32. | |
has made it a reality, as is dementia, those two things are real | :20:33. | :20:37. | |
for families and families get on with it. They do not break down, | :20:38. | :20:42. | |
they get stronger because of problems like the ones experienced | :20:43. | :20:48. | |
by the boy in The A-Word. It is beautiful, I am so glad it is back. | :20:49. | :20:53. | |
Shortly we're going to meet Kieron Williamson, the 14-year-old | :20:54. | :20:55. | |
artist from Norfolk who has already become a millionaire by painting | :20:56. | :20:58. | |
Before that Miranda's been to see a rare view, | :20:59. | :21:05. | |
one that's so unique it can only be seen once every quarter century. | :21:06. | :21:09. | |
Built in the nearly 19th-century for 200 years the Regents Canal has | :21:10. | :21:15. | |
played a big part in linking London to the major industrial cities of | :21:16. | :21:20. | |
the law. In its heyday the canal was strictly for business use but any | :21:21. | :21:24. | |
one can enjoy these days and that means keeping the system in tiptop | :21:25. | :21:30. | |
order. I am on my way to St Pancras Blocked just behind the railway | :21:31. | :21:33. | |
station by a massive operation is underway. -- lock. Thousands of | :21:34. | :21:41. | |
gallons of water are currently being pumped out. For the first time in 25 | :21:42. | :21:45. | |
years this part of the canal is being drained, in order to replace | :21:46. | :21:52. | |
its enormous gates. This is no easy task and each gateway is three and a | :21:53. | :21:57. | |
half tonnes. It needs the lock to be dry before they can be removed. The | :21:58. | :22:02. | |
1500 locks to maintain the canal and River trust are kept constantly | :22:03. | :22:06. | |
busy. Sarah Burns works for the trust. Welcome to St Pancras lockers | :22:07. | :22:12. | |
you have never seen it before. It is beautiful, all this Victorian | :22:13. | :22:16. | |
brickwork. This is the original brickwork put him in 1819 when the | :22:17. | :22:20. | |
lock was built and it has been under water for 200 years, which has acted | :22:21. | :22:27. | |
as a good preservative. Overtime water destroys the timber on the | :22:28. | :22:31. | |
gates which is why every 25 years they need replacing. Each is | :22:32. | :22:34. | |
made-to-measure as doing the initial construction there were no standard | :22:35. | :22:38. | |
dimensions for canals and locks. They are on that boat and they will | :22:39. | :22:45. | |
be put in once these have been taken out. Before this happens they must | :22:46. | :22:49. | |
remove any debris collected over the years. What sort of things do you | :22:50. | :22:55. | |
normally find? We always find lots of mobile phones and cameras and | :22:56. | :22:58. | |
things like that but sometimes you find some unusual items. Previous | :22:59. | :23:05. | |
clean-up operations have included saves, guns and even wartime | :23:06. | :23:08. | |
explosives so there is no way of knowing what is in here until it is | :23:09. | :23:13. | |
examined thoroughly. Do we literally just go through and get our hands | :23:14. | :23:18. | |
dirty and see what we can find? All right. Joined by a team of engineers | :23:19. | :23:22. | |
we surged to the right to see if they wouldn't find is. Gold, silver | :23:23. | :23:28. | |
at least! So far all I have recovered is rubbish. Sarah however | :23:29. | :23:36. | |
seems to be having more luck. The milk bottle or something? Beautiful. | :23:37. | :23:44. | |
Very thick. United States. United dairies was formed during the First | :23:45. | :23:48. | |
World War when the several smaller companies merged, supplying bottled | :23:49. | :23:52. | |
milk to the doorsteps of London. And if you look hard enough there are | :23:53. | :23:55. | |
other treasures found. Graham Smith is the site manager. What is that? A | :23:56. | :24:04. | |
British rail button from and to Nick. Polished up that would be | :24:05. | :24:10. | |
stunning. -- from a tunic. It probably dates back to the 1950s | :24:11. | :24:15. | |
when British Railways as it was known then had been nationalised | :24:16. | :24:20. | |
after World War II. An old Victorian coiner. 8099, brilliant. So there's | :24:21. | :24:28. | |
a bit of treasure out there. Absolutely. Once the lock is cleared | :24:29. | :24:32. | |
only one thing left to do, attach the new gates. A large crane is used | :24:33. | :24:37. | |
to remove the old ones and with the new ones into position. -- move the | :24:38. | :24:44. | |
new ones into position. And when the water level is restored the canal is | :24:45. | :24:49. | |
back to being operational once more. Despite not uncovering any gold or | :24:50. | :24:54. | |
silver today we have unearthed some treasures, we had access to this | :24:55. | :24:57. | |
incredible piece of history which has stood the test of time and I | :24:58. | :25:02. | |
hope it will be in use for another 200 years to come. A nice bath after | :25:03. | :25:11. | |
that, I think. Definitely. Before we meet our next guest, | :25:12. | :25:18. | |
let's remind ourselves of when Carrie Grant | :25:19. | :25:19. | |
met him back in 2010 when he was just eight years old. | :25:20. | :25:22. | |
when did you start getting into art. When I was five years old. I like | :25:23. | :25:29. | |
painting boats, harbours, landscapes, water. How do you do | :25:30. | :25:34. | |
this so quickly? I know what I'm doing! I do know what that he does | :25:35. | :25:46. | |
know what he's doing. This is Kieron with his mum, Michelle. | :25:47. | :25:48. | |
What did you think when you saw yourself just then! We have been | :25:49. | :26:00. | |
astounded by some of your pieces. You were saying, Matt, cows... Cows | :26:01. | :26:06. | |
and horses and dogs are incredibly difficult. I enjoy painting myself | :26:07. | :26:10. | |
that it is just beautiful the way... The light and the tone you've got in | :26:11. | :26:16. | |
these pictures. That one is beautiful. Thank you. Can you | :26:17. | :26:21. | |
believe, Christopher, that this one in the middle, Kieron painted | :26:22. | :26:29. | |
that... When I was five, I think. Five years old. Incredible. | :26:30. | :26:36. | |
Impressionist. When you look at that which you did when you were five how | :26:37. | :26:43. | |
do you feel about that work. You've got to give yourself credit at five, | :26:44. | :26:53. | |
surely. No! OK. Parents will be thinking look at what their | :26:54. | :26:55. | |
five-year-old draws in school and they love it that this is different. | :26:56. | :27:00. | |
This has become a family affair. You and your husband are committed to | :27:01. | :27:06. | |
working with Kieron and with your daughter. How does it work as a | :27:07. | :27:12. | |
family. It is a full time job. Kieron's artwork dictates family | :27:13. | :27:18. | |
life. Kieron will decide what he does from day-to-day, we plan our | :27:19. | :27:21. | |
year around the exhibition, we spend as much time as we can in Cornwall. | :27:22. | :27:26. | |
Kieron comes first. He has been in the driving seat since he was five. | :27:27. | :27:34. | |
Coders school fit into this. I'm home-schooled, a retired head | :27:35. | :27:37. | |
teacher teaches me for four hours every week, and I work on what she | :27:38. | :27:43. | |
says during the week. Is that a bit of a break. Some days I look forward | :27:44. | :27:50. | |
to getting stuck into homework! We said on the way that you have made | :27:51. | :27:53. | |
an incredible amount of money doing this, what happens with all of that | :27:54. | :27:59. | |
because you are only 14. How does that work, Michelle. We run as a | :28:00. | :28:03. | |
limited company with a team of solicitors and accountants that | :28:04. | :28:09. | |
support us. Keith and I can invest Kieron's money into things he wants | :28:10. | :28:12. | |
to invest in so he has property and his own art collection. With the | :28:13. | :28:17. | |
money you get to your Art Dubai and other art... It is a big passion. | :28:18. | :28:23. | |
Which one of these is your favourite. The one in the middle. As | :28:24. | :28:30. | |
Christopher said, the light on that is beautiful. A beach scene in | :28:31. | :28:32. | |
Cornwall. Well if, like Kieron and his family, | :28:33. | :28:36. | |
you have a favourite British beach Yes please, send us photos of | :28:37. | :28:39. | |
you enjoying your favourite beach - with the family, with your pets, | :28:40. | :28:45. | |
to the usual address and we'll show some on Wednesday, | :28:46. | :28:48. | |
when we'll be live from Perranporth Thank you to all our guests | :28:49. | :28:50. | |
for joining us tonight. The Leftovers is out to watch now | :28:51. | :28:54. | |
on Sky Atlantic and NOW TV and Kieron's documentary, | :28:55. | :28:57. | |
Mini Monet Millionaire, Tomorrow Angela and I will be joined | :28:58. | :28:59. | |
by Sir Mark Rylance and Jack Lowden to talk about their new film, | :29:00. | :29:03. | |
the hugely anticipated summer | :29:04. | :29:07. |