Browse content similar to 11/11/2011. Check below for episodes and series from the same categories and more!
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Let's welcome Gary Barlow! How does it make you feel? Not nice. | :01:19. | :01:22. | |
The problem is, you are in a big bubble and things are just | :01:22. | :01:28. | |
happening in front of you. That is my only excuse. The pantomime is | :01:28. | :01:32. | |
back, the biggest pantomime on television. Somebody has left, they | :01:32. | :01:36. | |
have been replaced by somebody else, it was on the front page of the | :01:36. | :01:40. | |
paper, you are part of the pantomime. How does it feel to be | :01:40. | :01:44. | |
part of the whole thing? I have always been a big fan but being a | :01:44. | :01:49. | |
part of it is pretty exciting. You do get caught up in it. No matter | :01:49. | :01:53. | |
where you go, people want to give Liu Song choices, tell you what | :01:53. | :01:58. | |
they think of the Act, it is constantly your life -- give you | :01:58. | :02:04. | |
sans choices. Simon is constantly a villain, what have you cast | :02:04. | :02:10. | |
yourself as? I don't know. I am trying to be honest, say what I see. | :02:10. | :02:14. | |
Sometimes I get it right and sometimes, I get it a little bit | :02:14. | :02:23. | |
wrong. It is compelling, as always. At 6am this morning, Matt Baker hop | :02:23. | :02:31. | |
on his rickshaw to start his journey from Edinburgh to London. | :02:31. | :02:39. | |
Day one is almost over. He is just about still going. We hope. There | :02:39. | :02:49. | |
:02:49. | :02:57. | ||
he is. Come on. Well done! A round of applause, everyone! I don't know | :02:57. | :03:04. | |
if he can here house? Has today been -- if he can here ask? Has | :03:04. | :03:09. | |
today been the hardest? I don't know if you are asking me questions | :03:10. | :03:14. | |
but it has been incredible. This has been the story of the whole day. | :03:14. | :03:19. | |
There were people out cheering us, all away, everyone has been coming | :03:19. | :03:27. | |
out. -- all the way. We had a little collection as we went. I'm | :03:27. | :03:32. | |
talking about coins. You'll never believe how much money we have | :03:32. | :03:41. | |
raced in coins. �1,000 in coins. It is unbelievable. It has been a | :03:41. | :03:47. | |
fantastic experience. It has been pretty tough. It is the wind, I did | :03:47. | :03:52. | |
not expect the wind, I knew about the revolutions, going up the hills. | :03:52. | :03:56. | |
When you hit the weather, it is like a wall. It has been superb. | :03:56. | :04:03. | |
This is the story of what happened until lunchtime today. | :04:03. | :04:06. | |
Despite the dark and chilly temperature, crowds turned up to | :04:06. | :04:12. | |
wave him off at 6 o'clock am from outside Edinburgh Castle, with | :04:12. | :04:21. | |
Pudsey in tow. Goodbye, Edinburgh, see you later! I feel like I am in | :04:21. | :04:31. | |
:04:31. | :04:32. | ||
the Tour de France. Just over a mile down, 483 to go. By mid- | :04:32. | :04:36. | |
morning, Matt was out of the city and enjoying what he loves best, | :04:36. | :04:42. | |
the countryside. Look at this, it is wonderful. And spurred on by the | :04:42. | :04:48. | |
first of many offers for support. But only 30 miles in, his trainer | :04:48. | :04:55. | |
was having serious concerns. Got a little bit of pain from right leg. | :04:56. | :04:59. | |
Matt's determination did not desert him for long and after physio, he | :04:59. | :05:06. | |
was soon back on track. The wind here, I am trying to make myself as | :05:06. | :05:11. | |
aerodynamic as possible. We have hit a patch where we have dropped | :05:11. | :05:16. | |
to about four miles an hour. By 11 o'clock, Pudsey took a breather to | :05:16. | :05:19. | |
give Matt a chance to get up his first major hill, and it was a real | :05:19. | :05:26. | |
challenge. This is relentless. The more you paddle, you actually don't | :05:26. | :05:33. | |
go any faster. -- pedal. This is definitely the worst bits so far. | :05:33. | :05:38. | |
It is just grim. Coming through this valley, the wind is blowing | :05:38. | :05:48. | |
:05:48. | :05:53. | ||
achoo. I am just... I don't know. Just turning my legs, really. | :05:53. | :05:57. | |
when things got really desperate, but people had gathered to give | :05:58. | :06:05. | |
Match Of The Day 2 the Scottish welcome he needed. -- to give Matt | :06:05. | :06:15. | |
:06:15. | :06:20. | ||
the Scottish rock and he needed. -- Scottish welcome. I have had a rest | :06:20. | :06:24. | |
and a meat pie and now I have a piper in the back, things don't get | :06:24. | :06:29. | |
much better. Hello, a brass band and everything! Yes, I love it! | :06:29. | :06:37. | |
Well done, Matt, an amazing effort. We will let you catch your breath | :06:37. | :06:47. | |
:06:47. | :06:59. | ||
and talk to you more in a bit. You can donate without texting: | :06:59. | :07:04. | |
send a cheque to the address on the bottom of the screen. Gary will not | :07:04. | :07:09. | |
be donning a pair of cycling shorts. I have done that, that was a few | :07:09. | :07:13. | |
years ago. You are doing your bit for Children In Need this year. | :07:13. | :07:20. | |
Tell us about Children In Need rocks. Next Thursday, live on BBC | :07:20. | :07:24. | |
One at 8 o'clock, it is the second time we have done this. We did it | :07:25. | :07:29. | |
in 2009 at the Albert Hall, now we are taking it out of London, we are | :07:29. | :07:34. | |
going up north to Manchester. We have an amazing bill. It will be | :07:34. | :07:39. | |
two hours of pure music, entertainment, all kinds of acts. | :07:39. | :07:48. | |
I did it last time as well. I think it is important that we rally | :07:48. | :07:52. | |
around, the people in music rally around and talk to each other. As | :07:52. | :07:55. | |
usual, people have been giving their time and their effort, | :07:56. | :08:00. | |
everyone has been so lovely about it, we will have a lovely night. | :08:00. | :08:05. | |
Did everyone say yes? Or do we need to shout at any one question | :08:05. | :08:15. | |
:08:15. | :08:20. | ||
Lady Gaga is on. We have got Coldplay. Jesse J, elbow, but | :08:20. | :08:26. | |
chilly, Michael Buble. It is a pretty good line-up. You are | :08:26. | :08:30. | |
performing as well. I am going to be snicking a song in there. You | :08:30. | :08:36. | |
can't get rid of me! You are in charge of the Children In Need | :08:36. | :08:41. | |
single. I have been involved in it. This is the collective, this track | :08:41. | :08:47. | |
is called the teardrop and it is the official single. It is a great | :08:47. | :08:52. | |
week and it makes you proud to be British. It has been going for 27 | :08:52. | :08:57. | |
years. Tulisa is one of the artists. She is the lead singer. We are very | :08:57. | :09:04. | |
excited. Released on Sunday night. How about you and Twitter, you are | :09:04. | :09:09. | |
on their now. I have had to be on there. At the beginning of X Factor, | :09:09. | :09:13. | |
they said you have to join Twitter because the other judges have it | :09:13. | :09:19. | |
and it will give them an unfair advantage. I can see what is coming. | :09:19. | :09:23. | |
This is what you put on their, pictures of you having a cup of tea | :09:23. | :09:27. | |
in various marques. People say the fans are interested in what you are | :09:27. | :09:31. | |
doing so I usually start every morning with a cup of tea, and I | :09:31. | :09:37. | |
have got a few mugs. You have one sales of its of things. One says, | :09:37. | :09:45. | |
my life -- my wife is lucky. -- you have got them saying all sorts of | :09:45. | :09:55. | |
:09:55. | :09:56. | ||
things. This one is going to be perfect. We want this on the desk. | :09:56. | :10:00. | |
You are doing very well on there. But my friend Jason is on there and | :10:00. | :10:04. | |
I want him to win. You can't say that now, you are on the one show. | :10:04. | :10:14. | |
:10:14. | :10:17. | ||
I watch X Factor back on a Sunday morning and I also watch Strictly. | :10:17. | :10:26. | |
Now that Leuluai has gone, I am This is quite important, how many | :10:26. | :10:32. | |
people are in take that as we speak? Thank you for that one, I | :10:32. | :10:39. | |
didn't see that on the script. We had an honest... We are looking for | :10:39. | :10:47. | |
a number. I would say four. Which one is not there? Robbie is doing a | :10:47. | :10:51. | |
solo album next year. He is in and out. There was a reason for that, | :10:51. | :10:56. | |
not just to get that out of you. As far as one a little girl was | :10:56. | :11:02. | |
concerned, her dad was the six member of Take That for a while. -- | :11:02. | :11:12. | |
:11:12. | :11:15. | ||
A Million Love Songs was the 6th single to be released from Take | :11:15. | :11:20. | |
That's debut album, Take That And Party in 1992. They had yet to | :11:20. | :11:23. | |
become the chart-topping megastars they were said to be, but the | :11:23. | :11:31. | |
single peaked at number seven and was their second top 10 hit. | :11:31. | :11:36. | |
# Le Million Love songs later. But the song was destined to sign - | :11:36. | :11:40. | |
- find a place in people's hearts, in no little part to the saxophone | :11:40. | :11:50. | |
:11:50. | :11:50. | ||
riffs that makes it so distinctive. In 1990, manager Nigel Martin-Smith | :11:50. | :11:55. | |
decided to form a British group who could rival the success of New Kids | :11:55. | :12:00. | |
On the Block. Gary Barlow's songwriting abilities quickly won | :12:00. | :12:07. | |
him a place in the group and soon, four more members were found. Their | :12:07. | :12:11. | |
music producer, Ian Levine, was looking for a romantic sound that | :12:11. | :12:15. | |
would complement the sentimental song. He turned to jazz saxophonist | :12:15. | :12:21. | |
Snake Davis. How did you get to work with Take That? I didn't | :12:21. | :12:26. | |
realise I was getting involved with them, really. It was one take, a | :12:26. | :12:30. | |
quick listen to the backing track, headphones on, playgroup and record | :12:30. | :12:39. | |
and off you go. -- play and record. I'm pretty sure it was a one take | :12:39. | :12:44. | |
thing. Just literally played it wants. I remember asking if I could | :12:44. | :12:48. | |
perhaps go in again and replace a couple of things. There is one out | :12:48. | :12:54. | |
of tune note in there, just before Gary comes in. Don't tell us where | :12:54. | :13:04. | |
:13:04. | :13:06. | ||
How did they present the song live? When I first saw it on TV, there | :13:07. | :13:13. | |
was an impostor, a stand-in, minding my part. But then you got | :13:14. | :13:19. | |
to play with the band? I got in touch, I said, it was my solo and | :13:19. | :13:23. | |
if there is a chance, do you think I could come and do the TVs, and | :13:23. | :13:33. | |
:13:33. | :13:46. | ||
they said, yeah. So then I took That first album went double | :13:46. | :13:54. | |
platinum, are you now minted? worked it out when it got so famous, | :13:54. | :13:58. | |
a got a couple of hundred quid for the session, which works out about | :13:58. | :14:05. | |
17 or 18 quid for a million love songs. How do you feel about the | :14:06. | :14:10. | |
song? I am more proud than ever of my involvement, it is lovely that | :14:10. | :14:15. | |
it has become so big and they have become so big. It is great when | :14:15. | :14:20. | |
things get a second life. My daughter is 16, she sent me a text | :14:20. | :14:24. | |
and said, it is so beautiful, what you played. I have listened to that | :14:24. | :14:29. | |
20 times. I thought, that is it. That meant more than anything to me, | :14:30. | :14:39. | |
:14:40. | :14:40. | ||
really. In 2010, and Million Love songs was voted the greatest love | :14:40. | :14:45. | |
song ever, and continues to play a key part in the band's live acts is | :14:45. | :14:50. | |
they reformed in 2005. Snake has gone on to make his mark as a solo | :14:50. | :14:55. | |
artist but the ref that sets the track a blaze will always be his, | :14:55. | :15:05. | |
:15:05. | :15:08. | ||
Is it right that you wrote that song when you were 15? Yes. I get | :15:08. | :15:13. | |
loads of people have danced to that at their weddings. It was lovely to | :15:13. | :15:23. | |
:15:23. | :15:23. | ||
see that, great. You have a DVD out. Yes, Progress Live. Let's have a | :15:23. | :15:32. | |
look. We are at the highest point we can be. It feels good, strong. | :15:32. | :15:39. | |
It has ranged from brilliant, to religious, to life defining. That | :15:39. | :15:43. | |
was Mark, saying we are at the highest point possible. So you get | :15:43. | :15:47. | |
to the highest point and a new packet in for a couple of years. | :15:47. | :15:52. | |
What is going on? We have not packed it in. You're not doing | :15:52. | :15:56. | |
anything for a while will stop up the last five years have been | :15:56. | :16:04. | |
insane, so we are having a year off. Has it been five years already for | :16:04. | :16:07. | |
the? All of the girls at home will be wanting to know if you will be | :16:07. | :16:15. | |
back. Another tour, another album? Hopefully both. You are writing for | :16:15. | :16:21. | |
Robbie. How does that work? Does he pay? He says he is going to, but he | :16:21. | :16:26. | |
does not. I have been doing it for fun. I do not know how the album | :16:26. | :16:32. | |
will turn out, but we have fun writing together. Looking at the X | :16:32. | :16:37. | |
Factor, Simon Cowell signs the cheques there. I have not had a | :16:37. | :16:44. | |
boss for years! Does he ring you up and tell you what to say? No, he is | :16:44. | :16:49. | |
a great motivator. He is a good driver for things to be better all | :16:49. | :16:55. | |
the time, as am I. I love talking with him. How often do you get | :16:56. | :17:01. | |
phone calls from him? Every couple of weeks, a text here or there. | :17:01. | :17:06. | |
Give us a typical text. A couple of weeks ago I did something with | :17:06. | :17:10. | |
Frankie when he walked in through the crowd and I got a text, job | :17:10. | :17:17. | |
done, well done. Tell us about the other ones! Job not done? Never | :17:18. | :17:23. | |
like that. Always stuff to make it better. When they offer you the job, | :17:23. | :17:28. | |
how long did it take before you decided to do it? Was said to the | :17:28. | :17:31. | |
producers when they offered me the job, listen, I would love to say | :17:31. | :17:36. | |
yes but I have to ask the real head judge, my wife. So I went home and | :17:36. | :17:41. | |
checked it with her. We asked the kids and they were cool, so we said | :17:42. | :17:48. | |
yes. Did you discuss it with your mum? She is the biggest X Factor | :17:48. | :17:52. | |
Pham. To her, it is the first thing I have ever done that has been good | :17:52. | :17:59. | |
in my career. She comes to the show a lot. You have got your boys here | :17:59. | :18:09. | |
:18:09. | :18:10. | ||
tonight. A round of applause. awkward, Marcus and Craig. | :18:10. | :18:14. | |
cannot ask me. That is not my job. The audience choose. If you could | :18:15. | :18:21. | |
vote off one of the judges, who would it be? Let me think. Louis | :18:21. | :18:30. | |
Walsh. The I am not playing to the cameras, I am being honest. Back in | :18:30. | :18:37. | |
your cage, Lily. I swear, he is still not talking to me. Does that | :18:37. | :18:45. | |
bother you? No. How much of it is for the cameras? When we were doing | :18:45. | :18:49. | |
the auditions, the producers would ask for more disagreement, but at | :18:49. | :18:54. | |
this point it is totally real. obviously enjoying it. Could you | :18:54. | :19:01. | |
say whether you will do next year? I could not say, because we still | :19:01. | :19:05. | |
have five weeks to go but at this present time, I think I would do it | :19:05. | :19:10. | |
again. Good luck with your boys. Gary might be searching for the | :19:10. | :19:15. | |
next pop star but we are looking for the next big thing in trifle. | :19:15. | :19:22. | |
We are very excited. My favourite. If you have your recipes made it to | :19:22. | :19:27. | |
boot camp and the final three reached Jay's house. We had to hire | :19:27. | :19:33. | |
a kitchen because his house was a bit messy. Is there anything more | :19:33. | :19:38. | |
British and comforting than a big, boozy, creamy trifle? We are on the | :19:38. | :19:42. | |
hunt for the best One Show trifle. We have sifted the applications | :19:42. | :19:46. | |
looking for skill and originality, and it is down to three finalists | :19:46. | :19:53. | |
who reckon theirs is the best. Jean, Menna and Emily have got this far. | :19:53. | :19:59. | |
Now they have to impress me and my fellow judge, chef Angela Gray. | :19:59. | :20:04. | |
Angela, what are you looking for? Lots of layers of delicious sweet | :20:04. | :20:10. | |
things. The right texture, not to gelatinous. Basically makes me want | :20:10. | :20:17. | |
to go back for more. Julie in, or jelly out? I have a foot in both | :20:17. | :20:22. | |
camps. I grew up with the jelly in the trifle and custard and | :20:22. | :20:24. | |
everything and hundreds and thousands. It is really about what | :20:25. | :20:31. | |
you like, and done really well. Come let's get down to it. First | :20:31. | :20:38. | |
contestant, Emily, is following her grandmother's Traditional recipe. | :20:38. | :20:43. | |
Not just one layer of jelly, but two. It stops the cake at the | :20:43. | :20:48. | |
bottom floating into the fruit. It is in different sections. It is | :20:48. | :20:52. | |
like building the pyramids. It is how it has always been done and we | :20:52. | :20:57. | |
like the way it looks. Our second finalist, Menna, is the queen of | :20:57. | :21:04. | |
home-made. Lovely. I am pleased with that. She is making it from | :21:04. | :21:11. | |
scratch, a cherry trifle. You are making everything yourself. The | :21:11. | :21:19. | |
sponge, the custard, what about the jam? Home-made jam. And do you make | :21:19. | :21:26. | |
your own yoghurt? I used to. Who do you make the drive for four? | :21:26. | :21:34. | |
children have left home so I feed the neighbours. Jean has been | :21:34. | :21:38. | |
making her recipe for 30 years, a trifle of convenience, with shop- | :21:38. | :21:45. | |
bought custard and jam. I did put sherry in, didn't I? You did. | :21:45. | :21:50. | |
could put some more end. It is up to you. I think we will just leave | :21:50. | :21:59. | |
it be. OK. This trifle does have a twist, biscuit and a crunchy almond | :21:59. | :22:05. | |
topping. As well as the juice, bits of the fruit are going in as well. | :22:05. | :22:11. | |
Yes, one of the five a day. It is healthy now. If only we could all | :22:11. | :22:19. | |
of us get our five a day from trifle. | :22:19. | :22:24. | |
They are ready, time for the judging. Starting with Emily's, | :22:24. | :22:28. | |
that has a retro look. What is striking is that it is not over | :22:28. | :22:35. | |
sweet. The texture is really nice, too. This bunch is a little bit | :22:35. | :22:40. | |
loose for my liking, disappearing slightly. For this bunch. There are | :22:40. | :22:45. | |
places where a tinned fruit salad is welcome, and this is one of them. | :22:45. | :22:50. | |
This time, we are going for Jean's store cupboard trifle. I like the | :22:50. | :22:54. | |
texture at the bottom which brings something. Enough fruit? It could | :22:54. | :23:03. | |
have done with a bit more. Menna's sherry trifle. The booze kicks in. | :23:03. | :23:07. | |
I love the cherries and the sweetness that comes from the white | :23:07. | :23:15. | |
chocolate. Nothing is over done. You have made three amazing trifles. | :23:15. | :23:19. | |
We both seriously enjoyed chomping through all three of them. Thank | :23:19. | :23:24. | |
you for an enormous effort. The thing is, there has to be a winner. | :23:24. | :23:34. | |
:23:34. | :23:48. | ||
And there will areas... -- the Round of applause. The Menna, the | :23:48. | :23:53. | |
One Show trifle champion. Good evening and welcome to the | :23:53. | :23:56. | |
programme. There is another challenge, because you are going | :23:56. | :24:01. | |
head-to-head with top chef Henry. Henry, there is a lot of snobbery | :24:01. | :24:05. | |
regarding having trifle on the menu in restaurants. There should not be. | :24:05. | :24:12. | |
It is a great pudding but should be done properly. Henry is from Racine | :24:12. | :24:17. | |
restaurant in Knightsbridge. Do you have just one trifle on the menu? | :24:17. | :24:22. | |
Soft fruit in the summer and in the winter we bring in prunes. What is | :24:22. | :24:29. | |
your secret? You got the recipe from your mum. Yes, it is my mum's | :24:29. | :24:36. | |
old recipe. I am keeping the secret to myself. Thanks very much! You | :24:36. | :24:41. | |
took the base from your mum and you have brought it into the 21st | :24:41. | :24:43. | |
century. You have already won your trophy, because you are the | :24:43. | :24:52. | |
favourites. There is your trifle Champions Trophy. I should have got | :24:52. | :25:00. | |
Gary to present it. You can hold it. Later we were asked the audience to | :25:00. | :25:08. | |
compare your trifles. We are rooting for you. Can I root for him | :25:08. | :25:18. | |
:25:18. | :25:19. | ||
because he is on his own. All right. Audience, who preferred try for a. | :25:19. | :25:29. | |
:25:29. | :25:37. | ||
-- trifle. What about the second? I just love trifle, and there is | :25:37. | :25:44. | |
beautiful things in both of these, but I am going for the second. | :25:44. | :25:54. | |
:25:54. | :25:59. | ||
I am quite jealous. Nobody knows which is which. It is really tough, | :25:59. | :26:08. | |
but there is a definite winner for me. The second. Whose was that? And | :26:08. | :26:18. | |
:26:18. | :26:22. | ||
what else have we got for them to win? The winner is, Menna's. If you | :26:22. | :26:26. | |
get to keep the prize. Henry, I am sure yours was very good. We have | :26:26. | :26:31. | |
not been allowed to taste. The good news is that both recipes are on | :26:31. | :26:37. | |
the website. After hours riding, Matt has had a chance for a rub- | :26:37. | :26:44. | |
down and one or two people have turned up to welcome him. | :26:44. | :26:48. | |
I am eating chips. This is what it is all about, eating what I like. | :26:48. | :26:52. | |
To be honest, I have just been stretching and I am a bit light- | :26:52. | :26:58. | |
headed. Please pardon my head gear, but it is proper cycling staff. | :26:58. | :27:04. | |
This is a massive rugby town, and you are from the High School. What | :27:04. | :27:10. | |
position do you play? Anything in the scrum, pretty much. I like the | :27:10. | :27:15. | |
way you are wearing your cycling helmets. Thank you for your support. | :27:15. | :27:20. | |
They are celebrating one had -- 100 years of opera here. This lady | :27:20. | :27:28. | |
looks like she knows the secret to the good trifle. Lots of sherry. | :27:28. | :27:37. | |
have more of the rugby boys here. And this is the saxophone or | :27:37. | :27:46. | |
armband. Listen, do you recognise Very appropriate for a brass band. | :27:46. | :27:51. | |
It is a bit like Children In Need, because I keep collecting cheques | :27:51. | :27:55. | |
from a cycling club here. You live in a very hilly part of Britain. | :27:55. | :28:02. | |
Why do you live here? Because it is lovely. Very hard roads. I have | :28:02. | :28:06. | |
more to come tomorrow because I am heading over to the Scottish and | :28:06. | :28:11. | |
English border, and then I am going down to Bellingham, about 42 miles, | :28:11. | :28:18. | |
and then hopefully arriving at Hexham in time for the show. That | :28:18. | :28:26. | |
is 59 miles. It is a hard route tomorrow for you. The first 15 | :28:26. | :28:30. | |
miles is mountainous. Brilliant! I am really looking forward to that! | :28:30. | :28:34. | |
I might just get my head down. I don't know whether I will see the | :28:34. | :28:42. | |
rest of the show. Goodbye. We will see him on Monday. Thank you for | :28:42. | :28:50. |