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Welcome to the one sure with Matt Baker. And Alex Jones. Tonight we | :00:18. | :00:26. | |
are all about the music. Later on we will be joining Mel Giedroyc from | :00:27. | :00:29. | |
the Eurovision semifinals in Stockholm. I love her jacket. | :00:30. | :00:36. | |
Tonight 's guest is one of the world's most highly regarded | :00:37. | :00:38. | |
classical singers and tonight his career will be taking him to | :00:39. | :00:40. | |
dizzying new heights. It's Jose Carreras. CHEERING | :00:41. | :01:07. | |
Great to have you with us. Very nice. It is wonderful. You are here | :01:08. | :01:14. | |
for a big performance at the Royal Albert Hall over the weekend but | :01:15. | :01:19. | |
your team, Barcelona, this weekend could be winning the league and you | :01:20. | :01:24. | |
won't be there. Unfortunately I will be rehearsing for the consort am I | :01:25. | :01:30. | |
am going to miss the game, who knows, maybe that is better? | :01:31. | :01:32. | |
LAUGHTER But we are confident that Barcelona | :01:33. | :01:42. | |
wins the Champions ship. If they win or lose will it affect your | :01:43. | :01:50. | |
performance? On a professional basis no, but if they win Rose I might | :01:51. | :02:00. | |
have to get psychiatric treatment! More of a chance than Leicester did | :02:01. | :02:04. | |
to start with but go on. The air will be more fresh up on the roof | :02:05. | :02:07. | |
which is a good thing because the world health organisation released | :02:08. | :02:13. | |
figures which showed that global air pollution has risen. No parent wants | :02:14. | :02:19. | |
their child exposed to high levels of air pollution but as Angellica | :02:20. | :02:26. | |
has been finding out it can be exhausting to keep them safe. | :02:27. | :02:31. | |
Exhaust fumes. They originate close to the ground, could it make a | :02:32. | :02:37. | |
difference to those at pushchair heights compared to adults? To find | :02:38. | :02:43. | |
out we recruited some help, Sarah and her four-year-old daughter live | :02:44. | :02:48. | |
in Streatham in south London. Today they are making the usual walk from | :02:49. | :02:51. | |
their home to the nursery have a mile away. Meanwhile in south | :02:52. | :02:58. | |
Manchester Matt is about to walk his two-year-old daughter to the shops. | :02:59. | :03:05. | |
We have asked the teams to carry these, specially designed a | :03:06. | :03:10. | |
monitoring boxes, so what ever the teams breathe in the boxes will as | :03:11. | :03:14. | |
well. Each has a Tubes positioned next to the parent and children's | :03:15. | :03:20. | |
mouth. The readings will show a difference if there is one. My main | :03:21. | :03:26. | |
road to the nursery, at around 8am it is very busy and there is lots of | :03:27. | :03:32. | |
cars and lots of children. If a big truck goes past blasting out | :03:33. | :03:36. | |
emissions you do sometimes wonder what effect it is having. They get | :03:37. | :03:42. | |
going and soon are both into their stride. The boxes and monitor levels | :03:43. | :03:47. | |
of particulate matter, bust and city deposits in the air. The results | :03:48. | :03:54. | |
will be analysed later. How's the journey been so far? The traffic 's | :03:55. | :04:00. | |
been quite bad, a lot of Lloris. This area is known for being busy. | :04:01. | :04:05. | |
Yes, lots of bosses and people going to work. 16 cities have been found | :04:06. | :04:11. | |
to exceed pollution limits including Manchester and London. Five of them, | :04:12. | :04:17. | |
Birmingham, Leeds, Nottingham, Derby and Southampton are now due to | :04:18. | :04:22. | |
introduce clean air zones to limit heavy vehicles. But Greenpeace say | :04:23. | :04:31. | |
it does not go far enough. Many cities are breaching standards, | :04:32. | :04:33. | |
London is one of the worst affected in Europe. The government is | :04:34. | :04:38. | |
introducing clean air zones, is that enough? They don't cover enough | :04:39. | :04:43. | |
cities, they are not big enough and not covering all the different | :04:44. | :04:47. | |
vehicles polluting the air. Our human guinea pigs have finished | :04:48. | :04:51. | |
their journeys and monitors sent for analysis. This child respiratory | :04:52. | :04:56. | |
expert has come to give us the results. This graph shows the | :04:57. | :05:02. | |
monitors we had. The orange line is poor pollution and the parent level | :05:03. | :05:08. | |
and blue for the pushchair. Looking at the numbers she is being exposed | :05:09. | :05:12. | |
about 5% more on average over 30 seconds than you. What is the reason | :05:13. | :05:19. | |
for that? We think it is most likely that when the cars go past she's | :05:20. | :05:24. | |
closer to the exhaust. You assume that the particles will drift up and | :05:25. | :05:27. | |
dissipate but you can see here they are going straight into the pavement | :05:28. | :05:31. | |
and I would imagine straight into our mouths. It's getting into the | :05:32. | :05:36. | |
lungs of those which are most at risk. In London as a prize is in | :05:37. | :05:41. | |
store as there is no significant overall difference between the | :05:42. | :05:44. | |
readings. But Abigail still has concerns. A number of spikes where | :05:45. | :05:50. | |
the body is high and her lungs are still developing. Being exposed to | :05:51. | :05:55. | |
higher levels at our younger age will do more damage. I think it's | :05:56. | :06:00. | |
more likely if we had a day with higher pollution levels we would see | :06:01. | :06:03. | |
that number grew more than that and if it was higher than that we could | :06:04. | :06:09. | |
see up to 20%. That is huge. Is there anything I could change? The | :06:10. | :06:15. | |
easiest thing to do is walk as far away from the side of the road as | :06:16. | :06:16. | |
possible. Your lungs are still growing, if you | :06:17. | :06:23. | |
are exposed to air pollution you have less of this growth. So it's | :06:24. | :06:30. | |
quite serious? Yes. It increases your risk of asthma and lung disease | :06:31. | :06:34. | |
when you get older, having heart attacks when you are an adult, so | :06:35. | :06:38. | |
many different things have been shown to be affected by being | :06:39. | :06:42. | |
exposed to this. Nobody expects traffic to disappear from the roads | :06:43. | :06:45. | |
but when it comes to pollution most of us would like to see more action | :06:46. | :06:53. | |
and a lot less hot air. That's the point, it makes you think. If you | :06:54. | :06:57. | |
have a small child, perhaps picking them up so they are at your level so | :06:58. | :07:02. | |
it would be so many levels. And those rain covers. That's a good | :07:03. | :07:07. | |
idea but I suppose when it is hot. But there are apps to check | :07:08. | :07:12. | |
pollution levels in your area. Anyway, Jose Carreras: A Life In | :07:13. | :07:15. | |
Music is on at the Royal Hulbert hall on Sunday night, this is all | :07:16. | :07:19. | |
about music which is defined career -- Royal Albert Hall. We understand | :07:20. | :07:26. | |
it was this man who influenced your career right at the start. The great | :07:27. | :07:36. | |
Mario Lanza, what was it about his voice? I was very young, six years | :07:37. | :07:43. | |
old. I went to the cinema with my parents, where we were living in | :07:44. | :07:51. | |
Barcelona. I coincidence the movie which was on was The Great Caruso | :07:52. | :07:57. | |
featuring Mario Lanza. The charismatic personality of Mario | :07:58. | :08:02. | |
Lanza, his voice, all about the glamour. That walk up in me some | :08:03. | :08:11. | |
interest for music and singing. He was a great inspiration for me. As a | :08:12. | :08:18. | |
six-year-old did you try to find a singing teacher are where your | :08:19. | :08:23. | |
parents supportive? My parents were desperate but I was so much | :08:24. | :08:27. | |
insisting that they thought this boy has a certain instinct for music so | :08:28. | :08:34. | |
why don't we sent him to the conservatory and I started at the | :08:35. | :08:37. | |
Barcelona conservatory to study music and piano but always with the | :08:38. | :08:42. | |
idea to become a singer, not just an instrumentalist or musician. It must | :08:43. | :08:47. | |
have been a surprise for your parents because your dad was a | :08:48. | :08:50. | |
policeman and your mum was a hairdresser so there was not a | :08:51. | :08:56. | |
musical background. Not really, they music but not at all, not involved | :08:57. | :09:03. | |
in music -- they loved music but were not involved in music. To give | :09:04. | :09:09. | |
everyone an idea of how naturally talented you were at that young age | :09:10. | :09:13. | |
we have tracked down one of your first ever recordings. This is you | :09:14. | :09:17. | |
age seven. APPLAUSE | :09:18. | :09:42. | |
Brilliant. Beautiful. We heard that even though you were sometimes a bit | :09:43. | :09:47. | |
naughty as a young boy, we heard your neighbours would open the | :09:48. | :09:50. | |
windows because they knew when you are having singing lessons and with | :09:51. | :09:53. | |
open them in anticipation because they used to hear you. That could be | :09:54. | :10:01. | |
an arbour legend! LAUGHTER -- and urban legend. My schoolmates | :10:02. | :10:07. | |
and the boys who played with me except maybe but I don't think that | :10:08. | :10:15. | |
was an addition at all. How did you get on at that time in your life | :10:16. | :10:19. | |
when your voice broke? Was that worrying? Of course, like every boy | :10:20. | :10:28. | |
when you turn 13, 14, the voice changes. When you are a boy you have | :10:29. | :10:39. | |
a soprano voice then you become a male voice. Baritone, Tenor, | :10:40. | :10:45. | |
whatever. Luckily enough I had a Tenor voice. For many years my | :10:46. | :10:51. | |
parents advised me not to sing, just to study music, to prepare myself, | :10:52. | :10:57. | |
if one day I could be a singer but not to sing. I was singing again | :10:58. | :11:03. | |
when I was 16, 17. I was starting my voice studies. We cannot have you on | :11:04. | :11:09. | |
the programme without talking about The Fabulous The Three Tenors. We | :11:10. | :11:16. | |
were reading about the night you were in the audience and Placido | :11:17. | :11:23. | |
Domingo brought you up on stage. That was the beginning of The Three | :11:24. | :11:29. | |
Tenors, that was when you talked about it. A few days before I was | :11:30. | :11:35. | |
arriving from Seattle where I had an important part of my treatment, the | :11:36. | :11:42. | |
second part. You had been incredibly ill with leukaemia. Unfortunately. I | :11:43. | :11:48. | |
went to the opera house and by coincidence or cedar Domingo was | :11:49. | :11:56. | |
singing Fedora and he realised I was in the audience and he asked me to | :11:57. | :12:02. | |
come on stage that I receive the affection of the audience, the | :12:03. | :12:07. | |
public. It was an extremely emotional moment. Let's remind | :12:08. | :12:12. | |
ourselves of the power of The Three Tenors. | :12:13. | :12:20. | |
Jose Carreras: A Life In Music takes place this Sunday at the Royal | :12:21. | :12:35. | |
Albert Hall, it's sold out but he will be to ring around the UK and | :12:36. | :12:38. | |
the rest of the world later this year. You will be singing for us | :12:39. | :12:46. | |
tonight live on the roof of the BBC. I do so, yeah. We have got you a | :12:47. | :12:53. | |
hard hat, if you want to start making your way up! Be careful, this | :12:54. | :13:01. | |
building is very tall! If any of your relatives served in France | :13:02. | :13:04. | |
during the First World War you will want to watch this next film very | :13:05. | :13:09. | |
closely. I treasure trove on incredible wartime pictures has been | :13:10. | :13:13. | |
uncovered but only a handful of the soldiers in them have been | :13:14. | :13:14. | |
identified. So we need your help. On a cold winter 's morning in 2011 | :13:15. | :13:25. | |
a team of researchers entered a farmhouse in the French village of | :13:26. | :13:30. | |
the new core. In the dusty attic they found a treasure trove from | :13:31. | :13:36. | |
World War I. The team had tracked down a horde of about 4000 | :13:37. | :13:42. | |
photographic plates, forgotten portraits of Allied soldiers who | :13:43. | :13:47. | |
fought in the First World War. Soldiers were posted to towns like | :13:48. | :13:51. | |
this when they were on leave from the front line. They would spend | :13:52. | :13:55. | |
their time relaxing, practising drills and writing letters home. | :13:56. | :13:59. | |
They also indulged in a surprisingly modern hobby. Having their | :14:00. | :14:06. | |
photographs taken. One enterprising couple were able to capitalise on | :14:07. | :14:11. | |
this interest. They set up a photography studio in the courtyard | :14:12. | :14:15. | |
of their farmhouse and invited soldiers in the town to have their | :14:16. | :14:18. | |
photographs taken for a small fee. For the troops this was a rare | :14:19. | :14:24. | |
chance to send home not just a letter but a photograph. A precious | :14:25. | :14:28. | |
reminder of brothers and fathers, husbands and sons. These images made | :14:29. | :14:35. | |
their way to families across the world. The printing techniques the | :14:36. | :14:40. | |
couple used where crude so most of the photographs faded quickly. Very | :14:41. | :14:45. | |
few, if any original prints survived. The glass plate negatives | :14:46. | :14:49. | |
were a different matter. Rather than disposing of them the couple kept | :14:50. | :14:53. | |
them in their attic, perhaps because they felt they were documenting our | :14:54. | :14:57. | |
unique historic event. They were recently rediscovered by a team | :14:58. | :15:03. | |
which was tipped off about their existence by a friend. Do you | :15:04. | :15:07. | |
remember how you felt when you find out there were that many images? I | :15:08. | :15:12. | |
was a bit in shock to be honest, a complete collection, 4000. It's | :15:13. | :15:19. | |
incredible. It is unusual because they are informal, very natural and | :15:20. | :15:23. | |
human. They are showing the war to the eyes of these people. War | :15:24. | :15:28. | |
photography at the time was tightly controlled, many images staged for | :15:29. | :15:32. | |
propaganda. These are all the more precious because they are so candid. | :15:33. | :15:36. | |
We have samples of how different they are. This soldier is sending a | :15:37. | :15:43. | |
message to the family, we will soon be home. It's fantastic. Very | :15:44. | :15:47. | |
personal message to someone back home. Yes, you have Indians. Posing | :15:48. | :15:56. | |
with a local boy? Yes, a local boy in the village. This could have been | :15:57. | :16:01. | |
the last artefact which documented the life of some of these people. | :16:02. | :16:07. | |
Some of these troops, especially the British, will be involved in the | :16:08. | :16:11. | |
battle of the Somme on the 1st of July with terrible losses. A lot of | :16:12. | :16:15. | |
these portraits are suddenly the last pictures of these men. The | :16:16. | :16:21. | |
original glass is now stored in Museum in Australia. Few have been | :16:22. | :16:28. | |
identified. One of the men whose family has been traced is captain | :16:29. | :16:34. | |
Richard when cup, the author Jilly Cooper is his granddaughter. | :16:35. | :16:40. | |
When did you become aware of these photographs? A sweet man wrote to me | :16:41. | :16:47. | |
that he had some information on my grandfather. The photographs | :16:48. | :16:51. | |
appeared. They are fabulous, aren't they. This is my grandfather, such a | :16:52. | :17:01. | |
brave man. He was a vicar in Yorkshire, and he went to the front | :17:02. | :17:06. | |
and served there for two years. How did they identify your grandfather | :17:07. | :17:12. | |
from this photograph? I suppose because he was a padre. He was in | :17:13. | :17:16. | |
the West Yorkshire Regiment. They must have gone back to that. The | :17:17. | :17:21. | |
most heartbreaking thing in France is the graves saying, a soldier | :17:22. | :17:27. | |
known only to God. Now, all these soldiers known only to God will be | :17:28. | :17:30. | |
known to millions of people who find them, so it is wonderful. The work | :17:31. | :17:36. | |
for researchers studying the images is ongoing but they need your help | :17:37. | :17:40. | |
in naming these lost Tommies. There are some clues in the cap badges and | :17:41. | :17:44. | |
other markings on the uniforms, but little else. The fact that the vast | :17:45. | :17:50. | |
majority remain unidentified, their fate unknown, adds a haunting power | :17:51. | :18:00. | |
to these extraordinary images. We heard you say that 1500 photos of | :18:01. | :18:05. | |
British soldiers have been found. How many have been identified? Very | :18:06. | :18:12. | |
few, just 56 British soldiers have been identified. When you think of | :18:13. | :18:16. | |
the hundreds in the photos, that is a tiny fraction. Service records | :18:17. | :18:21. | |
have been lost or destroyed. Of those identified, most are officers | :18:22. | :18:25. | |
because they are more likely to be documented. Talk us through somebody | :18:26. | :18:31. | |
have put a name to and how they were dented pride. First, we have Captain | :18:32. | :18:37. | |
Hepper, sporting a rather fetching fur. He looks very happy. Soldiers | :18:38. | :18:48. | |
would have hated those because when they got wet they stank, but he is | :18:49. | :18:53. | |
proud of it here. He was identified because a brave souls sat in the | :18:54. | :18:57. | |
British Library Reading room going through the regimental histories, | :18:58. | :19:01. | |
looking for pictures. They found this slim volume called Captain | :19:02. | :19:05. | |
Hepper's Great War diary. In that diary was that picture of him | :19:06. | :19:09. | |
wearing that, so they could put a name to him. But that is extremely | :19:10. | :19:13. | |
rare and shows the lengths you have to go to. Most have not been | :19:14. | :19:18. | |
identified. We can look at one where we have what could be two brothers, | :19:19. | :19:23. | |
two soldiers, certainly. There are a number of clues that I think we | :19:24. | :19:28. | |
should talk through. If we look at the cap badge, you can see it as the | :19:29. | :19:32. | |
Royal Berkshire Regiment. And if we look at the standing soldier, his | :19:33. | :19:37. | |
upper right arm, the chevrons show that he is a corporal. If we go a | :19:38. | :19:42. | |
little further down, you have to be good, but you can just see the edge | :19:43. | :19:47. | |
of three overseas service chevrons, which dates this to no earlier than | :19:48. | :19:51. | |
January 1918 when they started to appear on uniforms. On his left | :19:52. | :19:56. | |
breast pocket, you can see a ribbon, so he is decorated. On his lower | :19:57. | :20:01. | |
left sleeve you have four lines, which show he had been wounded four | :20:02. | :20:07. | |
times. Lots of details. A lot of information if you know where to | :20:08. | :20:11. | |
look. Possibly his brother, they look similar. We would love to find | :20:12. | :20:16. | |
out who they were, because they had survived maybe three years serving | :20:17. | :20:20. | |
overseas. What happened to them in the final months of the war? How can | :20:21. | :20:28. | |
people help? It is very exciting. We will put all of the photos involving | :20:29. | :20:33. | |
British soldiers on the One Show Facebook page. You can link to it | :20:34. | :20:38. | |
from the One Show website. If you know anything about any of these | :20:39. | :20:41. | |
photos, if you recognise a clue, if you might know someone, if it | :20:42. | :20:47. | |
matches a backdrop in a family photograph at home, let us know by | :20:48. | :20:51. | |
writing on the comments under the photograph. To build up a picture. | :20:52. | :20:57. | |
We will follow and trace all of the comments, look into the leads, and | :20:58. | :21:01. | |
hopefully we can put names to some of these lost Tommies. They did this | :21:02. | :21:05. | |
illustrator and the response from the public was fantastic. -- we did | :21:06. | :21:16. | |
this in Australia. Many of the photos have been put in a book | :21:17. | :21:21. | |
called The Lost Tommies by Ross Coultart, out next Thursday. Jose is | :21:22. | :21:25. | |
over 90 feet above us getting ready to sing from the rooftops. There he | :21:26. | :21:31. | |
is. First, time for music of a very different kind. Eurovision Mel | :21:32. | :21:37. | |
Giedroyc is in Stockholm ahead of this evening's second semifinal. | :21:38. | :21:42. | |
Tonight, we will find out who the UK will be facing in Saturday's final. | :21:43. | :21:47. | |
There is a lots to talk about so bring us up-to-date. Good evening. | :21:48. | :21:57. | |
We are, of course, in Stockholm, gearing up for the second leg of two | :21:58. | :22:03. | |
night's semifinal. The arena is literally half full in a moment. In | :22:04. | :22:07. | |
one hour it will be rammed and buzzing. There is so much to take | :22:08. | :22:13. | |
in. Break dancing astronauts, wearing a jacket similar to my own. | :22:14. | :22:20. | |
A naked man singing to a wolf. Robes, cloaks, tassles, so many | :22:21. | :22:24. | |
tassles. And it would not be Eurovision without a reveal. By a | :22:25. | :22:30. | |
reveal, I mean when a singer or performer suddenly out of nowhere | :22:31. | :22:33. | |
has a huge item of clothing ripped from them to reveal another outfit, | :22:34. | :22:38. | |
probably more outrageous, underneath. This happened with great | :22:39. | :22:45. | |
aplomb on Tuesday night, courtesy of Croatia. It was a marvellous moment. | :22:46. | :22:52. | |
Tonight, of course, 18 countries will be whittled down to ten. It is | :22:53. | :22:57. | |
all getting very tense. The big question in the UK is, Joe and Jake, | :22:58. | :23:02. | |
can they do it, can they win? I don't know if they can win but I | :23:03. | :23:06. | |
sincerely hope that they make it onto the left-hand side of the | :23:07. | :23:11. | |
leaderboard. It has been a long time since we have been on the left side | :23:12. | :23:16. | |
of the leaderboard, possibly even 2002 when Jessica Garlick came | :23:17. | :23:22. | |
third. They have a very catchy Choon. They are effortlessly natural | :23:23. | :23:26. | |
onstage. There is a lot of love for them in Stockholm. And they | :23:27. | :23:30. | |
absolutely smashed it in the personal yesterday. I caught up with | :23:31. | :23:37. | |
them this morning over breakfast in the hotel. I tried to get in over | :23:38. | :23:42. | |
some scrambled aches. They weren't that interested and I suddenly | :23:43. | :23:45. | |
realised I am literally three times their age. Of course they were not | :23:46. | :23:51. | |
going to be interested. Sorry about that saliva, I don't know where that | :23:52. | :23:58. | |
has come from. Always professional! Love and luck to Joe and Jake. I | :23:59. | :24:02. | |
hope they can do something. I would like to welcome two special guests | :24:03. | :24:07. | |
who are through to Saturday's final, Malta and Spain. Lovely to see you. | :24:08. | :24:13. | |
You are through to Saturday, congratulations. I am very excited | :24:14. | :24:18. | |
about it. They held us right to the end. I was having a nervous | :24:19. | :24:24. | |
breakdown. You are singing for Spain, it must be amazing to be | :24:25. | :24:28. | |
through to the final. Of course. I don't think it is fair. I would like | :24:29. | :24:36. | |
to compete like the rest of the candidates, but how can I change my | :24:37. | :24:41. | |
own country, you know? I would like to talk about your dancing. Take me | :24:42. | :24:47. | |
through your dance manoeuvre. You know how to do it. Let's do it | :24:48. | :24:57. | |
together. It's a bit like a school disco in the 1980s, but this is the | :24:58. | :25:03. | |
move everyone is enjoying here. It is hard on the carpet. You are | :25:04. | :25:08. | |
pregnant. Are you going to call the baby Eurovisiona? I don't think so. | :25:09. | :25:18. | |
Back to you. You can watch the second semifinal | :25:19. | :25:24. | |
tonight at 8pm. Don't miss the final on Saturday at 8pm. For the first | :25:25. | :25:29. | |
time in Eurovision history, the final will be broadcast live to the | :25:30. | :25:35. | |
US, so we expect random comments on social media from Americans over the | :25:36. | :25:40. | |
weekend. Jose is up there on the roof, ready to perform. We will be | :25:41. | :25:48. | |
back with Bradley Walsh tomorrow. And Adrian Lester will join us ahead | :25:49. | :25:53. | |
of the last episode of the hit spy thriller Undercover. We wish Jose | :25:54. | :25:57. | |
all the best on Sunday. Here he is, playing us out with Passione. | :25:58. | :26:03. |