Browse content similar to 11/05/2016. Check below for episodes and series from the same categories and more!
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Hello and welcome to the One Show Arms | :00:22. | :00:23. | |
Tonight, we're pulling pints, talking pubs and celebrating | :00:24. | :00:28. | |
the role they play in our lives and communities. | :00:29. | :00:30. | |
Behind the bar is our landlord for the night - Suggs. | :00:31. | :00:40. | |
He's APPLAUSE going to be telling us about how Madness | :00:41. | :00:46. | |
started their career in north London's pubs. | :00:47. | :00:49. | |
While Suggs keeps the drinks flowing, we'll also be chatting | :00:50. | :00:57. | |
This is very rustic. It is. Relax, have a drink. We will find out why | :00:58. | :01:10. | |
you are sporting those whiskers. And we mustn't forget our friends | :01:11. | :01:15. | |
out in the beer garden, Our pub band for the night - | :01:16. | :01:18. | |
the Lumineers. # I belong with you | :01:19. | :01:27. | |
# You belong with me. They'll be performing their new | :01:28. | :01:45. | |
track at the end of the show. And we're going to introduce them to | :01:46. | :01:48. | |
a few Great British pub traditions. There's also a serious side | :01:49. | :01:55. | |
to tonight's programme because our pubs are under threat, | :01:56. | :01:59. | |
with 27 closing each week. Thanks. You have been telling us | :02:00. | :02:15. | |
what has been happening to your pubs and we have created this map at each | :02:16. | :02:19. | |
beer mat represents a different pub and story. We have colour-coded | :02:20. | :02:24. | |
them. Green representing good news, where a pub has been saved. The | :02:25. | :02:31. | |
Craw's Nest in Scotland, it was saved by four friends after the | :02:32. | :02:36. | |
former owner decided to close it. All of the staff stayed on and the | :02:37. | :02:40. | |
previous owner is now the manager. There are stories of pubs imperil in | :02:41. | :02:48. | |
amber. Like the Bay Horse in north Yorkshire. It was put up for sale | :02:49. | :02:53. | |
and the community have fought to raise money to buy their pub. They | :02:54. | :02:58. | |
have until September to raise those funds. There are sad stories of pubs | :02:59. | :03:04. | |
who have had to call time for good, but we hope some of them will reopen | :03:05. | :03:08. | |
and we have coloured those in red. The Carlton Tavern in London, it is | :03:09. | :03:15. | |
one we know well because the One Show football team drank there. | :03:16. | :03:23. | |
Property developers demolished the papa despite the council turning | :03:24. | :03:27. | |
down their planning permission. The council have said they have to | :03:28. | :03:30. | |
rebuild it brick by brick but the developers are fighting that | :03:31. | :03:33. | |
decision. We will tell as many stories as we can tonight, we know | :03:34. | :03:39. | |
this map is far from complete. If you have a story about your pub get | :03:40. | :03:43. | |
in touch to tell us what has happened. And if you can, include a | :03:44. | :03:49. | |
picture. The future of our local is being | :03:50. | :03:54. | |
decided in a hearing so I know how it affects communities. If you are | :03:55. | :03:58. | |
watching from a pub, said a picture and we will raise a glass to you. We | :03:59. | :04:03. | |
are the only ones without a drink here. I have just spotted that. | :04:04. | :04:10. | |
Martin, you do not drink, you gave up alcohol a long time ago. I made | :04:11. | :04:16. | |
up for it before that! You still enjoy a pub and all the travelling | :04:17. | :04:22. | |
you do in theatre productions up and down the country, do you have | :04:23. | :04:24. | |
favourites, anywhere you can recommend? There is a favourite | :04:25. | :04:32. | |
called the Bird in Hand in Norfolk I go to with terrific food. That is | :04:33. | :04:40. | |
why I go. I am a vegetarian. You are fussy, Martin. Whereabouts in | :04:41. | :04:45. | |
Norfolk? That would be in South Norfolk. That is as clear as I am | :04:46. | :04:53. | |
going to get. What makes the ideal pub? Conde Vialli and a well-run pub | :04:54. | :05:00. | |
and a place where people go on a regular basis and so you get to know | :05:01. | :05:03. | |
people in your area which is what all pubs should stand for -- | :05:04. | :05:13. | |
conviviality. George Orwell and the moon under the water, a pub that did | :05:14. | :05:21. | |
not exist. You said Ron well but the fact of the matter is not all | :05:22. | :05:26. | |
deserve to stay open, many close because we are going out less, I do | :05:27. | :05:32. | |
not mean we, but asked in general and drink is cheaper at home. There | :05:33. | :05:43. | |
is also a need for more housing. And most of us find neighbourhood | :05:44. | :05:48. | |
supermarkets handy but many pubs are valuable if they develop and the | :05:49. | :05:51. | |
government has recognised something needs to be done. The boarded-up pub | :05:52. | :05:56. | |
is a familiar sight in towns and villages up and down the land. It is | :05:57. | :06:03. | |
estimated we are losing 27 per week and while doubtless some do not have | :06:04. | :06:08. | |
customers to keep going, others are falling victim to something beyond | :06:09. | :06:13. | |
their control, property prices. Actor Neil Stuke of Doctor Foster | :06:14. | :06:18. | |
fame has campaigned for years to save our locals. What is happening? | :06:19. | :06:24. | |
They are an easy target for developers and are being sold off | :06:25. | :06:28. | |
cheap and closed down and redeveloped, like this one, our | :06:29. | :06:32. | |
local. This sort of thing is happening everywhere. Two miles away | :06:33. | :06:39. | |
the Golden lion has been in the Murphy family for 38 years. You can | :06:40. | :06:44. | |
see it is a handsome Victorian building and for the landlord Dave | :06:45. | :06:48. | |
Murphy and his mother Mary that was the problem because converted into | :06:49. | :06:54. | |
flats, it would be worth millions. I have been here since 1978, it is a | :06:55. | :07:01. | |
family run pub, and we know most of the community and they know us and | :07:02. | :07:05. | |
it is a lovely establishment to drinking. What happened? We got told | :07:06. | :07:10. | |
a developer has daughters in 2011 and they were going to turn it into | :07:11. | :07:18. | |
flats. -- had bought us. What did they see? Lovely high ceilings. | :07:19. | :07:24. | |
There is a lot of space to turn in flats and they have just seen money. | :07:25. | :07:29. | |
It is not just flats. Pubs are being converted into supermarket at the | :07:30. | :07:36. | |
rate of two a week. In Derby 1000 locals signed a petition to save the | :07:37. | :07:43. | |
Rose and crown, a pub since 1753 and the owners Marstons want to sell it | :07:44. | :07:47. | |
to a discount supermarket who plan to replace it and the church with a | :07:48. | :07:51. | |
shop and car park creating at least 25 jobs. Campaigner Roy has been | :07:52. | :08:00. | |
drinking at the pub for 25 years. We are upset about the fact that not | :08:01. | :08:03. | |
only do they want to knock it down, just for it to be a piece of tarmac | :08:04. | :08:09. | |
is terrible. You have got some figures. We would like somebody with | :08:10. | :08:15. | |
more knowledge than we have to actually go through these properly | :08:16. | :08:21. | |
and prove the pub is viable. We showed a chartered surveyor and pub | :08:22. | :08:27. | |
assess the information Marstons provided. What do the figures tell | :08:28. | :08:36. | |
you? They tell me the pub is doing 700,000, 750,000 sales. It is a | :08:37. | :08:41. | |
classic case of the successful pub, no reason why it should not be | :08:42. | :08:45. | |
successful, but its value is probably higher with an alternative | :08:46. | :08:50. | |
use. Marstons save feelings here are mixed. They say Simon Clarke's | :08:51. | :08:55. | |
assessment is wrong and they have invested in the rose and crown for | :08:56. | :08:59. | |
years with little increased benefit and they say they have built 120 new | :09:00. | :09:06. | |
pubs in Britain creating more than 5000 jobs, and in Kent, this grade | :09:07. | :09:20. | |
two listed pub was pub until bought by developer who wanted to turn it | :09:21. | :09:24. | |
into a house. Neil Stuke got involved in the campaign to save it. | :09:25. | :09:29. | |
There is always shocked to think a council who are responsible for | :09:30. | :09:32. | |
heritage could so easily strike it off. What is safe these days? The | :09:33. | :09:39. | |
Houses of Parliament, the Tower of London, will that be a Tesco? | :09:40. | :09:44. | |
Through his legal drama he met barrister Philip Coppel, a top | :09:45. | :09:49. | |
planning QC, who examined the case for keeping the Chequer Inn as a pub | :09:50. | :09:55. | |
and effectively wrote a planning template to save your local. I hope | :09:56. | :10:01. | |
that it serves as a template. Each case will have to be decided on its | :10:02. | :10:07. | |
merits and each example will have particular facts. The report worked | :10:08. | :10:12. | |
as councillors voted to overturn the decision. The building was packed | :10:13. | :10:19. | |
with campaigners to save the Chequer Inn. It was an extraordinary night. | :10:20. | :10:28. | |
I cried. Some councils have woken up to the threat facing disappearing | :10:29. | :10:33. | |
pubs. Camden in London is one. Outside the place he hopes Mark a | :10:34. | :10:40. | |
line in the sand, I met this counsellor. What happened to the | :10:41. | :10:46. | |
Crown Goose hammered home to Camden that we cannot afford to lose | :10:47. | :10:52. | |
these pubs. Residents want thriving pubs in the heart of the community | :10:53. | :10:56. | |
and we have strengthened our policies to make sure when | :10:57. | :10:59. | |
developers come knocking they will have a hell of a job to get it | :11:00. | :11:05. | |
passed our planning department. That shift turned the Golden lion into a | :11:06. | :11:09. | |
Phoenix as after three years, developers abandon the plans. I | :11:10. | :11:17. | |
managed to buy the freehold and we can look forward to the future now, | :11:18. | :11:23. | |
it is brighter for us, now we know where we stand with the business and | :11:24. | :11:27. | |
the building, to remain for the community for the next 38, 40 years. | :11:28. | :11:38. | |
Neil Stuke has joined us. Watching you in that film was extraordinary, | :11:39. | :11:43. | |
you were emotional. Great news about the Chequer Inn. How did you meet | :11:44. | :11:49. | |
Philip Coppel the QC? I was lucky playing a senior clerk in Silk, I | :11:50. | :11:57. | |
called up a senior clerk mate and within minutes, literally, he put us | :11:58. | :12:03. | |
in touch with Philip. It was a great kindness of Philip to give his time. | :12:04. | :12:10. | |
Obviously, they are not cheap! The village had a whip round and paid | :12:11. | :12:17. | |
for his time. Hopefully as he said he has set a template to use in a | :12:18. | :12:22. | |
future to save others. This is one of many you have campaigned for and | :12:23. | :12:26. | |
community is your thing, it is shops, everything. We are the victim | :12:27. | :12:33. | |
of the Dartmouth Arms closing which Suggs used to use as well, which has | :12:34. | :12:40. | |
been closed, along with the Black Cap in Camden. They are closing | :12:41. | :12:46. | |
down. That was a rousing local vibrant place you used to go with | :12:47. | :12:51. | |
lovely food and everything, it is really sad. On a side note, I have | :12:52. | :12:56. | |
to talk about Doctor Foster. You were nominated for Bafta. There is a | :12:57. | :13:04. | |
second series, we believe. Are you part of it? Yes, filming in | :13:05. | :13:09. | |
September. Any spoilers? Absolutely not. It is brilliant. I loved the | :13:10. | :13:20. | |
first one. Thanks. Philip Coppel QC's report on the Chequer Inn is on | :13:21. | :13:25. | |
the website and might be helpful for you to use it if you are looking to | :13:26. | :13:33. | |
save your pub. From a QC to an inspector, who is also partial to a | :13:34. | :13:39. | |
tipple. Very good. | :13:40. | :14:00. | |
I have just come to say night night. I will popping on Mrs Parker | :14:01. | :14:12. | |
tomorrow. You do know you have got... ? | :14:13. | :14:22. | |
Yes. Yes. APPLAUSE | :14:23. | :14:23. | |
Very skilful. You have the same glass. Do you want | :14:24. | :14:33. | |
to try it? I am kidding! George dentally is up in Durham, where | :14:34. | :14:37. | |
there are some good pubs. I wish I had time to visit them. 14 hours a | :14:38. | :14:44. | |
day, no chance. Let's explain these sideburns. What is going on. The | :14:45. | :14:51. | |
character you play likes a drink in the new Theatre production. Not | :14:52. | :14:57. | |
half, Henry Horatio Hobson. It is interesting you talk about pubs | :14:58. | :15:04. | |
because the pub is central to the story. He is a helpless alcoholic. I | :15:05. | :15:11. | |
spend most of the evening staggering around the stage, pontificating, | :15:12. | :15:14. | |
which is funny. He is off down the pub most of the time. | :15:15. | :15:20. | |
You have been teetotal for years, so how does it work in your mind, | :15:21. | :15:27. | |
playing a drunk? In the years leading up to teetotal, I drank | :15:28. | :15:37. | |
enough for four lifetimes, so the muscle memory is still there. I only | :15:38. | :15:42. | |
have to do that a few times. You studied Hobson's Choice, the play | :15:43. | :15:50. | |
you are doing, did that make you more inclined to do it or less? | :15:51. | :15:55. | |
Definitely more, this is the third time I have done the play, I did see | :15:56. | :16:00. | |
it in 86 to three when I was a drama student at the old Vic theatre, and | :16:01. | :16:03. | |
it was a departure from the broad comedy that was the ethos of the | :16:04. | :16:12. | |
time, because it was more like a method was the thing in 63, so they | :16:13. | :16:17. | |
were doing a very realistic version of it, without sacrificing the | :16:18. | :16:21. | |
comedy, because it is a very funny play, and it inspired me completely, | :16:22. | :16:25. | |
I thought, that is what I want to do. Is there any of his Hobson in | :16:26. | :16:33. | |
yours? I do think so. I can't remember in any detail, and you | :16:34. | :16:36. | |
can't really imitate another actor's performance. Can you, Neil? But you | :16:37. | :16:44. | |
can be inspired by it, I kind of get where he is going, but it has to be | :16:45. | :16:49. | |
an internal process. If you try to do it from the outside, it won't | :16:50. | :16:53. | |
work. Having done this before, do you change the way you play him? I | :16:54. | :16:59. | |
haven't played Henry before. I played one of the smaller parts in | :17:00. | :17:06. | |
1966, and in 1970, I played a slightly larger part, I am making my | :17:07. | :17:13. | |
way up the cast. And Hobson's Choice is going all over the country, | :17:14. | :17:20. | |
plenty of nice pubs en route! You can perfect the play before it hits | :17:21. | :17:33. | |
London files. A lot of young actors don't want to any more, because it | :17:34. | :17:36. | |
is hard work, you are living out of a suitcase, but the benefit is by | :17:37. | :17:40. | |
the time you get to the West End, you had a chance to polish it, try | :17:41. | :17:44. | |
that in front of an audience, see what works, and it has the added | :17:45. | :17:49. | |
benefit of not being London centric, you are letting people in the | :17:50. | :17:54. | |
provinces set capital work. You mentioned living out of a suitcase, | :17:55. | :17:58. | |
little bird told us you carry vegetarian food around with you. Is | :17:59. | :18:04. | |
that true? If you are on tour and staying in a hotel and you get back | :18:05. | :18:08. | |
to the hotel at 11 o'clock, you know watching your show tells alike, room | :18:09. | :18:12. | |
service, that looks nice but it finishes at ten o'clock. Very | :18:13. | :18:21. | |
organised. All of your clothes smell of falafel! | :18:22. | :18:29. | |
LAUGHTER Hobson's Choice opens at London's | :18:30. | :18:33. | |
vaudeville Theatre on the 8th of June. Pubs perform all sorts of | :18:34. | :18:39. | |
roles in the community, as a hub where people can get together. But | :18:40. | :18:41. | |
they can also help people get together. When a pub has been the | :18:42. | :18:46. | |
starting point for at least 80 marriages, we know it is doing | :18:47. | :18:50. | |
something right. # You've done it all... There is a | :18:51. | :18:58. | |
positive energy, definitely. When you step in the door, you feel it. | :18:59. | :19:04. | |
It is like a club, but it is definitely a pardon. It is a natural | :19:05. | :19:11. | |
thing that happens. You spill a bit of beer on people occasionally, but | :19:12. | :19:17. | |
it is all part of the fun. This is Nicky. And this is down. We met here | :19:18. | :19:24. | |
in 2003, that classic cliche of the barmaid and the doorman. It took him | :19:25. | :19:30. | |
a fair few months to get the courage up to ask me out. Luckily she hadn't | :19:31. | :19:42. | |
been asked out by anybody else. That was 13 years ago, and we have been | :19:43. | :19:46. | |
married for seven. Everyone is having fun and relaxing, and when | :19:47. | :19:49. | |
their eyes meet, that is it, you're just being yourself and that is | :19:50. | :19:54. | |
naturally attractive. I'm Julie. And I only. The Frog and Frigate has | :19:55. | :20:02. | |
paid a massive part in our lives together, it is my wedding day, I | :20:03. | :20:07. | |
have my dress on and my make-up, I am running behind schedule, and my | :20:08. | :20:12. | |
dad said, had you fancy nipping past the Frog and Frigate on the way, and | :20:13. | :20:16. | |
we will get our photo taken outside. So we stopped the car and jumped | :20:17. | :20:19. | |
out, and the chauffeur took a picture of us outside the Frog and | :20:20. | :20:23. | |
Frigate, and we were late for the ceremony. Very late! We asked the | :20:24. | :20:31. | |
owner of the Frog and Frigate to play at our wedding reception, and | :20:32. | :20:36. | |
it was literally a night at the Frog and Frigate for our wedding | :20:37. | :20:40. | |
reception, which was amazing. We had family members who had never | :20:41. | :20:43. | |
experienced the Frog and Frigate dancing on tables. It was fantastic. | :20:44. | :20:54. | |
S my name is Dom. I'm Sam. We met here are the Frog and Frigate in | :20:55. | :20:59. | |
1988. She was a regular and we gradually got to know each other and | :21:00. | :21:03. | |
ended up getting married. The attraction at first was he was quite | :21:04. | :21:08. | |
shy, and it is quite an outgoing pub, so it was his quietness that I | :21:09. | :21:12. | |
liked, something a bit different. When Sam asked me out, I thought it | :21:13. | :21:17. | |
was an opportunity couldn't miss. We got on really well, eventually got | :21:18. | :21:19. | |
married, and we have been married now for 25 years. 27. 20-something. | :21:20. | :21:30. | |
I don't think there is a Cupid working behind the bar, I just think | :21:31. | :21:34. | |
a few too many pints, and people are more open to saying it is ex-blue | :21:35. | :21:41. | |
eye and Derek, I am the landlord of the Frog and Frigate. And I am the | :21:42. | :21:58. | |
landlady. Lots of ladies were noticing him, but I won through | :21:59. | :22:02. | |
somehow, and we have been together ever since, and we have just | :22:03. | :22:04. | |
celebrated our 20th wedding anniversary last week. The pub is | :22:05. | :22:11. | |
central to our relationship. It keeps us definitely together. The | :22:12. | :22:18. | |
Frog is like a fifth member of our family, there is a picture of it on | :22:19. | :22:21. | |
the shelf at home. APPLAUSE | :22:22. | :22:41. | |
There you are, if you want to get hitched, go to Southampton! | :22:42. | :22:46. | |
We had our first date in our local pub, and it can be romantic. I am | :22:47. | :22:50. | |
worked off my feet here, to be honest. I met my wife above a pub, | :22:51. | :22:55. | |
she and her friends had a clothes shop, and I don't know about | :22:56. | :22:59. | |
romantic, but it was a very handy place to hang out while she was | :23:00. | :23:04. | |
finishing doing her make up downstairs in the pub. It is like | :23:05. | :23:09. | |
Eastenders standing here, watching you on the screen. I'm talking to | :23:10. | :23:16. | |
somebody, just wait a minute! It could work. You did give us, get out | :23:17. | :23:23. | |
of my pub earlier on. You grew up around pubs, didn't you? Most of my | :23:24. | :23:30. | |
generation did. Most of my family worked in pubs at different times, | :23:31. | :23:33. | |
you show up clip of a pub in Camden called the Crown and Goose, my | :23:34. | :23:36. | |
daughters worked there, we met there is a band,. We met in pubs in | :23:37. | :23:44. | |
Camden, it was the only place to hang around. The Hope and anchor, | :23:45. | :23:49. | |
that was where we got one of our earliest gigs. And the Dublin | :23:50. | :23:54. | |
Castle, that was a very Irish pub, which they all were in Camden in | :23:55. | :23:57. | |
those days, and the governor said, what is your act, lads? That is my | :23:58. | :24:03. | |
Welsh accident. I really like the way you have made the floor sticky, | :24:04. | :24:08. | |
it is so authentic. And we told him we were country and western, which | :24:09. | :24:14. | |
is when seven skinny teenagers start leaping about playing Jamaican ska, | :24:15. | :24:19. | |
the Irish regulars were confused. You do what you have to do. He sold | :24:20. | :24:25. | |
a few pints, and we got a residency in the pub. And Madness, still going | :24:26. | :24:31. | |
extremely strong. And this year is a particularly busy year for you, | :24:32. | :24:36. | |
isn't it? It is funny, people talking about the demise of selling | :24:37. | :24:39. | |
records, the live thing has got better and better, and for us as a | :24:40. | :24:43. | |
half decent live band, we're getting more and more festivals. We are | :24:44. | :24:49. | |
doing our own one of Clapham Common on the 28th 29th, and we are also | :24:50. | :24:54. | |
making our own beer which you can taste if you can come there. So when | :24:55. | :24:58. | |
you say your own festival, you are putting it on yourself? We did one a | :24:59. | :25:02. | |
number of years ago in north London, I have never been south of the river | :25:03. | :25:05. | |
in my life, it is a whole new experience! I am still working out | :25:06. | :25:11. | |
on the map where it is. We thought, why should south Londoners have to | :25:12. | :25:19. | |
miss out on Madness? And a new album, as well? A new album, will it | :25:20. | :25:24. | |
never end? As long as the knees hold out. And where are you going with | :25:25. | :25:30. | |
this new album, and how does that fit in with the sound of Madness? I | :25:31. | :25:37. | |
like time to observe ordinary people's lives. I think we have just | :25:38. | :25:42. | |
carried on some of that tradition, which is trying to turn an ordinary | :25:43. | :25:46. | |
life into something theatrical, and have a bit of fun. They are closing | :25:47. | :25:55. | |
the Kinks pub in Muswell Hill. Mr angry at the back here, don't get | :25:56. | :26:06. | |
him going! He is absolutely right. Pubs are part of our community, get | :26:07. | :26:09. | |
out there and save our pubs! APPLAUSE | :26:10. | :26:16. | |
Well said, thank you so much for being a fantastic landlord for us. | :26:17. | :26:21. | |
Madness' one-day festival, House of Common is on the bank holiday in | :26:22. | :26:26. | |
August, the 29th. We asked you to send us pictures of you in the pub, | :26:27. | :26:31. | |
and you have done it! I like this one, this lot are drinking in the | :26:32. | :26:40. | |
red Lion in Shropshire. He is missing, where did he go? The golden | :26:41. | :26:50. | |
rule in Cumbria, and finally, Brydon is watching us there. Now it is time | :26:51. | :26:58. | |
to head back over to Helen, who has this massive UK map to hear some | :26:59. | :27:00. | |
more of your stories. Thank you. I have picked out a | :27:01. | :27:04. | |
selection which show some of the things you can do to protect your | :27:05. | :27:10. | |
pub. The first one is the Maybush in Essex, and when they're pub was put | :27:11. | :27:15. | |
up a sale, locals applied to have it listed as a Asset of Community | :27:16. | :27:20. | |
Value, or a CD. This gives a community Group 6 months to try to | :27:21. | :27:24. | |
raise the money to buy their pub. In this case, the developers were put | :27:25. | :27:28. | |
off, the community bought their pub, and it had its official opening last | :27:29. | :27:33. | |
weekend. However, critics say that an ACV isn't a complete answer, | :27:34. | :27:39. | |
owners can reject a bid from locals and sell to a developer if they can | :27:40. | :27:43. | |
get planning permission. That happened at the Tumbledown Dick in | :27:44. | :27:46. | |
Farmborough, Danny in red on our map. The community got it listed as | :27:47. | :27:52. | |
an ACV, but it was still converted into a McDonald's. Now let's take a | :27:53. | :28:00. | |
look at the Haydn cross here in the Black Country, which we have marked | :28:01. | :28:07. | |
on our map. Tim Howard ski has led the campaign against plans to build | :28:08. | :28:11. | |
a committee supermarket on the car park of the pub. Building a store on | :28:12. | :28:17. | |
the car park and demolishing the beer garden will basically make the | :28:18. | :28:22. | |
pub on viable. It needs to remain as it is with its car park and beer | :28:23. | :28:26. | |
garden. It is a busy pub with its own football team, three darts | :28:27. | :28:32. | |
teams, a quiz night, food, parties, weddings, wakes. It is a very busy | :28:33. | :28:37. | |
pub and we needed to stay as it is. What is the present position? Our | :28:38. | :28:42. | |
local council rejected the most recent planning application, which | :28:43. | :28:47. | |
was rejected overwhelmingly in November, and the landowner has | :28:48. | :28:51. | |
until the 23rd of May to appeal, so we are ready if indeed they do. If | :28:52. | :28:55. | |
you are trying to save your local from development, please make sure | :28:56. | :28:59. | |
that you get as many objections as you can posted on the planning | :29:00. | :29:02. | |
application on the council's website. This encourages councils to | :29:03. | :29:05. | |
hear applications at a planning committee where your voice can be | :29:06. | :29:09. | |
heard rather than it being decided behind closed doors. Also with me | :29:10. | :29:14. | |
here is Beckford anglers rest in Derbyshire. Not only did you get | :29:15. | :29:20. | |
your pub and ACV status, you save the last pub in the village. The | :29:21. | :29:24. | |
community bought it, which is a feat in itself. During the two years of | :29:25. | :29:30. | |
our campaign, it became clear that the post office in the village was | :29:31. | :29:34. | |
also at risk, and the village said very clearly, we want to protect the | :29:35. | :29:37. | |
post office as well, so we brought it into the mix, made it part of our | :29:38. | :29:42. | |
plans, and we now have a pub, post office and a daytime cafe all under | :29:43. | :29:47. | |
the same roof. We have activities going on every single day, so | :29:48. | :29:51. | |
tonight is pie and quiz night. You are missing that? I am, to be here | :29:52. | :29:54. | |
tonight! APPLAUSE | :29:55. | :30:01. | |
David Richard will be putting the final touches to the quiz as we | :30:02. | :30:05. | |
speak, and Adam will be putting out his amazing pies. We are not | :30:06. | :30:09. | |
stopping there, we have just got a grant from the Power to Changed to | :30:10. | :30:13. | |
look at what we can do with the upstairs of the building, so we have | :30:14. | :30:17. | |
plans to develop and build further on our community hub. You are an | :30:18. | :30:19. | |
amazing lady! APPLAUSE | :30:20. | :30:24. | |
We are not just talking country pubs here. Warren is from the bevy, which | :30:25. | :30:31. | |
I think I'm right in saying is the first community owned pub on a | :30:32. | :30:35. | |
council estate, isn't it? You've added a lot of support and | :30:36. | :30:38. | |
enthusiasm for it, but it wasn't always easy, was it? The pub had a | :30:39. | :30:43. | |
troubled history and was closed for five years, so it took us five years | :30:44. | :30:50. | |
of raising money to finally open, and we have been in 18 months. You | :30:51. | :30:54. | |
have to be more than a pub to survive, so we have friends club, a | :30:55. | :31:00. | |
senior club, a repair cafe, disability groups, running club, | :31:01. | :31:05. | |
community choir, so many different things going on. Say you are ready a | :31:06. | :31:09. | |
proper community pub, supporting people in your area? It is about | :31:10. | :31:13. | |
bringing people together, creating jobs, working with local schools so | :31:14. | :31:16. | |
they have apprenticeships, putting the heart back in the community, | :31:17. | :31:20. | |
that is why our vicar always said, this is father John. Raise a glass | :31:21. | :31:25. | |
to father John! Finally with us in the corner, Jack is landlord of the | :31:26. | :31:31. | |
Queens head in London's East End, and you are trying to buy your pub | :31:32. | :31:33. | |
at the moment. And we had a stroke of luck, the | :31:34. | :31:44. | |
Queen's Head, 180 years old, the most historic pub in the East End | :31:45. | :31:51. | |
bar none had been in trouble until my partner and I saved it and now | :31:52. | :31:55. | |
the people who owned it decided to sell it to us and with the help of | :31:56. | :32:00. | |
the Plunkett Foundation and architectural Heritage fund and | :32:01. | :32:04. | |
local community we are hoping to buy it, but anybody with an interest in | :32:05. | :32:08. | |
the history of London should get down there with their cheque-book. | :32:09. | :32:17. | |
One lady who would be interested in your story is the Queen Mother. She | :32:18. | :32:22. | |
has visited the pub twice, once when she was courting the King at the | :32:23. | :32:27. | |
time, during the Blitz 's, and three times, the Queen Mother has been | :32:28. | :32:32. | |
there, the only pub royalty has visited in the East End. You are not | :32:33. | :32:39. | |
there. I was not even born! With 27 pubs closing every week, communities | :32:40. | :32:46. | |
cannot always step in that funds are available and the government has | :32:47. | :32:50. | |
announced 3.6 million over the next two years you can apply to for | :32:51. | :32:55. | |
grants so if you would like to save your pub there is information on the | :32:56. | :32:59. | |
website. Legislation is different depending on whether you are in | :33:00. | :33:04. | |
Scotland, England, Wales or Northern Ireland. Thanks to my guests. | :33:05. | :33:12. | |
Inspiring stories. Thank you. I would like to try one of Adam's | :33:13. | :33:21. | |
amazing pies. The problem of pubs closing is so acute, the government | :33:22. | :33:25. | |
has opened its own fund to help community campaigns. It has | :33:26. | :33:32. | |
appointed a pub referee, Paul Newby, to sort out disputes. Heller reckons | :33:33. | :33:37. | |
you have a tough job on your hands. Pub land Lord Dave is a good | :33:38. | :33:48. | |
listener. He advises tenants in dispute with the companies who own | :33:49. | :33:52. | |
their pubs, the so-called pubcos. I do not want anybody to be where I | :33:53. | :34:00. | |
was five years ago. And if I can help people to avoid that, I will. | :34:01. | :34:08. | |
Before moving to the Boat, he spent five years at another Derbyshire pub | :34:09. | :34:13. | |
as a pubco tenant but left with mounting debts that would bankrupt | :34:14. | :34:18. | |
him. You are facing bankruptcy, all of the emotional impact it has. You | :34:19. | :34:29. | |
feel you have failed your family. The pubco who owned this pub said | :34:30. | :34:37. | |
the dispute with them is long since settled and in no way representative | :34:38. | :34:42. | |
of their current business model. In most talented pubs owned by pubcos | :34:43. | :34:49. | |
breweries the landlords have to buy the beer from them at fixed higher | :34:50. | :34:55. | |
prices. Unlike the rising Sun, the Boat is a free house and Dave can | :34:56. | :35:01. | |
buy his drink wherever he wants. Here a pint of Pedigree sells for | :35:02. | :35:10. | |
around ?3. As free of tied tenant he gets ?2 profit. If he were tied and | :35:11. | :35:16. | |
Hatton by the beer from the company he would pay 80p per pint more. -- | :35:17. | :35:24. | |
had to buy the beer. He has negotiated on behalf of 50 other | :35:25. | :35:32. | |
unhappy pubco tenants. It is a purely one-sided agreement. Quite | :35:33. | :35:43. | |
often we can get results for them. Working with pubcos and breweries | :35:44. | :35:49. | |
works well for many tenants, but in 2011, MPs on the business | :35:50. | :35:51. | |
innovations and skills Select Committee concluded the beer tie and | :35:52. | :36:00. | |
high rents were closing pubs. The industry said it would change, yet | :36:01. | :36:05. | |
in 2014, the Campaign for Real Ale said the odds were still stacked | :36:06. | :36:09. | |
against tenants. There was an inequality between the way the | :36:10. | :36:15. | |
pubcos were acting towards tenants, put simply they were seeking to make | :36:16. | :36:19. | |
too much money from the relationship in our opinion and maintaining | :36:20. | :36:25. | |
tenants offered in a position of poverty, frankly. Until 2005, this | :36:26. | :36:34. | |
man worked for pubcos. While no longer employed by pubcos, he does | :36:35. | :36:39. | |
not want to be identified because he still works in the hospitality | :36:40. | :36:43. | |
industry and fears for his employment. He says a rapid turnover | :36:44. | :36:49. | |
in tenants was simply accepted. The tenants were cannon fodder. If | :36:50. | :36:54. | |
landlords did a good job and were successful, after three years the | :36:55. | :36:58. | |
red with the increased and that was when problems would begin. Landlords | :36:59. | :37:02. | |
would find it almost impossible to make a living. This is a | :37:03. | :37:09. | |
confidential online forum, where landlords can seek advice and | :37:10. | :37:12. | |
support from each other. There are hundreds of stories of struggling | :37:13. | :37:19. | |
tied tenants. Pubcos say it is simply not in their interests to see | :37:20. | :37:26. | |
tenants struggle. Bridget Simons heads the British beer and Pub | :37:27. | :37:32. | |
association. The pub tie is a low-cost entry into running your own | :37:33. | :37:38. | |
business and is a partnership with the pub company who will support you | :37:39. | :37:42. | |
and provide capital investment, about 200 million a year from our | :37:43. | :37:47. | |
companies, and they want you to succeed. A new law coming in, the | :37:48. | :37:53. | |
Pubs Code, it is aimed at ensuring tied tenants get a fairer deal. It | :37:54. | :37:58. | |
means as agreements come up for review tenants will be able to leave | :37:59. | :38:03. | |
the beer tie and negotiate a fair market rent. How have pubcos | :38:04. | :38:09. | |
responded to the legislation? We will respect the legislation. We do | :38:10. | :38:12. | |
not like statutory legislation but we look forward to working with the | :38:13. | :38:17. | |
adjudicator. We have a voluntary system and we will build on that and | :38:18. | :38:24. | |
we accept it. A decade after it was mooted, will the Pubs Code mean | :38:25. | :38:28. | |
tenants can pull pints without one hand tied behind their back? | :38:29. | :38:37. | |
Paul Newby is the newly appointed Pubs Adjudicator and I am informed | :38:38. | :38:41. | |
your drink of choice is a pint of foaming ale. Slightly short! | :38:42. | :38:55. | |
But I got it to foam. We should stress that many tied pubs operate | :38:56. | :39:00. | |
without disputes and some do not work because they are not well | :39:01. | :39:04. | |
managed. But a report commissioned by the Campaign for Real Ale found | :39:05. | :39:14. | |
20% of tight licensees earned 50,000 -- ?15,000 or more a year. What is | :39:15. | :39:22. | |
your message to people? Tenants work long hours and should be able to | :39:23. | :39:26. | |
earn a decent living. That must be clear. What is the code about? It is | :39:27. | :39:34. | |
to create a better and fairer relationship, to look at any | :39:35. | :39:41. | |
imbalances in the big pubco, small tenant relationship and deal with | :39:42. | :39:47. | |
those. I suppose in a nutshell where they exist, it is to achieve a level | :39:48. | :39:53. | |
playing field and where necessary to provide protection for tenants. And | :39:54. | :39:59. | |
a role that is well needed. I know landlords who have fallen victim of | :40:00. | :40:04. | |
this. The stories we heard in the film. How strict can you be with the | :40:05. | :40:09. | |
Pub companies? How can you be sure they will not recoup the money in | :40:10. | :40:15. | |
other ways? The code addresses this issue in a number of ways. Let's be | :40:16. | :40:22. | |
clear. We do not know how they might come at us but if there are a unfair | :40:23. | :40:26. | |
practices the code is meant to deal with it. How strict can it be? It | :40:27. | :40:30. | |
can be very strict if it needs to be. There are parts of the trade | :40:31. | :40:36. | |
where the relationship is quite good but there are parts that are not and | :40:37. | :40:41. | |
I want to ensure the parts that are not properly looked at. Some may say | :40:42. | :40:49. | |
that your CV suggests, your relationship with pub companies, | :40:50. | :40:53. | |
that you would find it hard to be impartial in this case, how will you | :40:54. | :40:59. | |
take that forward? I am concerned about these comments. I do not want | :41:00. | :41:04. | |
them to get in the way of the code. You used to sell properties that | :41:05. | :41:09. | |
were pubs to be developed? Let me be clear about that. I have huge | :41:10. | :41:15. | |
respect from the people who have worked so hard to get this code and | :41:16. | :41:19. | |
I want nothing that will get in the way of that. I need to work on this | :41:20. | :41:26. | |
area. I have never worked for a pub company but in my last role I worked | :41:27. | :41:31. | |
for a company that gave advice to pub companies. I also gave advice to | :41:32. | :41:36. | |
tenants, as well. It is good you know how both sides work. I am | :41:37. | :41:42. | |
coming from this in the round and am able to look at it from all sides | :41:43. | :41:46. | |
and I want to use that to implement the code. How worthwhile are these | :41:47. | :41:52. | |
campaigns we are hearing about tonight? This proves it, doesn't it? | :41:53. | :41:58. | |
The attention has been achieved, it is fantastic. The pub is an | :41:59. | :42:05. | |
important part of British life, history, culture, social lives, we | :42:06. | :42:10. | |
want to see them thrive and the code is an important part in the pubco | :42:11. | :42:17. | |
tenant market, it is an important part of helping them survive. You | :42:18. | :42:23. | |
think the number, 27 a week, will be different next year? Let's hope so. | :42:24. | :42:27. | |
Otherwise we will get you back and find out! As well as the foaming | :42:28. | :42:37. | |
ale, you have to have a few nibbles. We have pork scratchings, pickled | :42:38. | :42:43. | |
eggs. How are the sausage rolls? Good? They do not look particularly | :42:44. | :42:49. | |
appealing. I am sure Ricky's spaghetti he has been cooking with | :42:50. | :42:54. | |
Dire Straits' bassist John Illsley will be nicer. | :42:55. | :42:57. | |
Seafood at the seaside is a winner but today we are leaving the rocks | :42:58. | :43:01. | |
behind because we are cooking for a rock star. John Illsley is known as | :43:02. | :43:07. | |
the bass player and co-founder of Dire Straits. After international | :43:08. | :43:14. | |
success in the 80s he still makes music, but he is a man of many | :43:15. | :43:18. | |
passions and one of them is food. Hello, John. Nice to meet you. You | :43:19. | :43:24. | |
look like you have the vegetables. We should go and cook. Come and meet | :43:25. | :43:29. | |
the family. He moved to Hampshire at the height of his fame with his wife | :43:30. | :43:34. | |
and four children. His eldest James has left home but his daughters and | :43:35. | :43:39. | |
other Sun are often around, especially when food is on offer. | :43:40. | :43:46. | |
Seafood, is it a family favourite? Very much so. We live by the coast | :43:47. | :43:51. | |
and it is available locally. What are we making today? We will have | :43:52. | :43:57. | |
spaghetti with clams from down the road. Garlic from the Isle of Wight, | :43:58. | :44:03. | |
tomatoes, onions, Chile and white wine, fresh parsley. Simple. Where | :44:04. | :44:10. | |
did the passion for food come from? From my parents, because they grew | :44:11. | :44:15. | |
vegetables in the garden. I grew up with a healthy diet which is what we | :44:16. | :44:20. | |
try to pass on to our kids. Normally we get everyone involved in doing | :44:21. | :44:24. | |
this but there is not enough room around the table. That is the prep | :44:25. | :44:29. | |
done. It is time for a pint. I like the sound of that. The philosophy of | :44:30. | :44:35. | |
choosing local is not limited to food. After moving here, John bought | :44:36. | :44:40. | |
his local, the perfect place for that pike. What made you by your own | :44:41. | :44:47. | |
pub? A slight moment of madness. I loved the way it looked and thought | :44:48. | :44:53. | |
if I did not buy it, somebody would come along and take the character | :44:54. | :44:57. | |
away. I was given instructions to leave the public bar as it is. It | :44:58. | :45:03. | |
has been the same for 20 years. You feel relaxed. Completely. It is a | :45:04. | :45:09. | |
safe haven. At the peak of their success the music of Dire Straits | :45:10. | :45:12. | |
was known all over the world. We ended up quickly feeling we had | :45:13. | :45:21. | |
something that was unique. It was very exciting. In a sense, it is | :45:22. | :45:27. | |
every schoolboy's dream to be in a rock 'n' roll band and buy a pub. | :45:28. | :45:36. | |
When Mark and I decided to call it a day in 92, 93, I took up painting | :45:37. | :45:40. | |
and started painting here pretty much full time. A few years into his | :45:41. | :45:46. | |
new life, John was diagnosed with leukaemia. It is a shock when | :45:47. | :45:50. | |
someone tells you when you are 50 you have ten years to live. We beat | :45:51. | :45:55. | |
the odds, anyway, but I kept it under wraps and I kept it from the | :45:56. | :46:01. | |
children. I had a transplant in 2011. Five years, I am clear now. | :46:02. | :46:06. | |
All is well. John and I have been chewing the fat while the family | :46:07. | :46:11. | |
have been cooking the lunch. How is it going? Look at this. This is | :46:12. | :46:14. | |
perfect. And it's looking good. You guys all | :46:15. | :46:28. | |
enjoy cooking? Efan Atlee, especially on weekends when we are | :46:29. | :46:34. | |
all at home together. -- definitely. And who is the best cook? Let's not | :46:35. | :46:44. | |
start an argument. D is a really good baker, so she does the Brownies | :46:45. | :46:48. | |
and cakes. Alongside his love of food, John's musical journey | :46:49. | :46:51. | |
continues, but life is a far cry from his rock 'n' roll days, and he | :46:52. | :46:57. | |
spends much less time on the road. I like my life down here, I like the | :46:58. | :47:01. | |
pub, the food, my family, and I don't want to put any of that at | :47:02. | :47:06. | |
risk. Treat every new day as a present. | :47:07. | :47:12. | |
That was absolutely beautiful. Thank you all very much for having me. | :47:13. | :47:16. | |
It's a pleasure. Nice to see you. Thank you, Ricky. Dire Straits was | :47:17. | :47:26. | |
my first album. I shouldn't say that to you. I heard a couple of numbers, | :47:27. | :47:32. | |
but they were very long, weren't they? We have some stories to add to | :47:33. | :47:37. | |
the map, I am slightly panicking, because my geography is rubbish. | :47:38. | :47:43. | |
South Northamptonshire, the end was on the brink of closing, bought back | :47:44. | :47:50. | |
by Margaret and John. It is somewhere around here, thereabouts. | :47:51. | :47:56. | |
Excellent, what next? Villagers have saved this from being turned into | :47:57. | :48:00. | |
residential accommodation, and it is in North Devon. Show the picture, | :48:01. | :48:09. | |
and I will pop that there, apologies to the Molesworth arms if I have got | :48:10. | :48:15. | |
that wrong. And this is just come through. Our local pub, the oak and | :48:16. | :48:28. | |
Derwin is in the village of... Alex, please, you should be doing this! | :48:29. | :48:32. | |
Village in Wales, it has been rescued by locals who now run it as | :48:33. | :48:38. | |
a not-for-profit business employing local people. North Wales. Let's put | :48:39. | :48:43. | |
it there so it doesn't squeeze anything out. And the weather here, | :48:44. | :48:50. | |
there would be a Terol bit of rain coming down from Scotland... | :48:51. | :48:52. | |
LAUGHTER Thank you so much that everybody who | :48:53. | :48:59. | |
has written in to tell us about your pub. | :49:00. | :49:01. | |
Originally thought that Suggs should be the Barman at the Queen Vic, but | :49:02. | :49:06. | |
I think he should be doing the weather! I'm not sure about his | :49:07. | :49:14. | |
Welsh pronunciation! We are joined by Rachel from the British skittles | :49:15. | :49:18. | |
championship. You have been organising matches for 20 years now. | :49:19. | :49:25. | |
22, actually. So what got you into it? Have a go, come on. As a family, | :49:26. | :49:33. | |
we just loved playing skittles, and it was one of those things. It just | :49:34. | :49:39. | |
brings everybody together. And quite a few still have alleys like this. | :49:40. | :49:47. | |
APPLAUSE There are hundreds of skittle alleys | :49:48. | :49:51. | |
all across South Wales, the South of England, the West Country. It is a | :49:52. | :49:56. | |
massive pub sport, fantastic. And you were saying these weekends can | :49:57. | :50:01. | |
get quite lively. Very lively, we take thousands of people every year | :50:02. | :50:05. | |
on our Skrtel weekends, and it is great fun. Tell us about the Dorset | :50:06. | :50:15. | |
flop. You are going to do it in just a moment. I have been practising it. | :50:16. | :50:20. | |
Basically you have the upper hand it straight bowling, which is very | :50:21. | :50:23. | |
popular, and in Dorset they have much bigger balls... | :50:24. | :50:26. | |
LAUGHTER You are going to have to rephrase | :50:27. | :50:31. | |
that. They do! They have bigger balls in Dorset! So what they | :50:32. | :50:36. | |
discovered is a way of throwing it which you actually launch yourself | :50:37. | :50:40. | |
down the alley, and it is very unique, you have to see it. They get | :50:41. | :50:44. | |
into this position because they have bigger balls? But the women do it | :50:45. | :50:49. | |
much better. I apologised ever be in Dorset, this is my way of doing it. | :50:50. | :50:53. | |
I hope I get it right now. No pressure! And there it is! | :50:54. | :51:03. | |
APPLAUSE Wesley, how do British pubs compared | :51:04. | :51:07. | |
to American bars? The beer is a little warmer here. Our beer is ice | :51:08. | :51:16. | |
cold. Have a go, then. Double hands, that is it. Here is Mike in the | :51:17. | :51:22. | |
meantime with a British bird that could do with a bit more being heard | :51:23. | :51:30. | |
of after tonight! He will be puffing after that! | :51:31. | :51:37. | |
For the last decade, the population of puffins in Northern Ireland has | :51:38. | :51:44. | |
been in decline. Usually increase in predators, the population has halved | :51:45. | :51:46. | |
since 1999, with numbers still falling. So, to make sure puffins | :51:47. | :51:53. | |
continue to successfully breed here, an ambitious project was started | :51:54. | :51:58. | |
four years ago. I'm on the lighthouse Island, part of the | :51:59. | :52:01. | |
Copeland Islands, home to a whole variety of sea birds, including Manx | :52:02. | :52:05. | |
shearwater, black guillemots and arctic tern is. But until recently, | :52:06. | :52:12. | |
no puffins. The Copelands lie around two miles off the coast of Northern | :52:13. | :52:18. | |
Ireland in the Irish Sea, but the puffins have been bypassing these | :52:19. | :52:20. | |
islands as they journey to other breeding sites. However, | :52:21. | :52:24. | |
conservationists are now trying to encourage them to stop here. The | :52:25. | :52:29. | |
British trust for ornithology is in charge of the project. The real | :52:30. | :52:34. | |
problem with puffins is they are so faithful to their breeding site, it | :52:35. | :52:38. | |
is hard to get them to spread. They are really loyal to the site they | :52:39. | :52:41. | |
were born in, and so we have to try to persuade them that Copeland | :52:42. | :52:46. | |
Islands are really good place for to breed. Why are the Copelands | :52:47. | :52:51. | |
potentially so good for puffins? There are no to wrest real | :52:52. | :52:54. | |
predators, so we don't have wrapped, cats, ferrets, mink, Foxes, things | :52:55. | :53:02. | |
that eat ground nesting sea birds. A secluded, safe place the sea birds | :53:03. | :53:07. | |
to breed. Also another couple of reasons why the Copelands should be | :53:08. | :53:13. | |
good for puffins, the sea is rich in sand eels, their favourite food. | :53:14. | :53:17. | |
Plenty of potential for accommodation here, the island has | :53:18. | :53:22. | |
already rabbits and Manx shearwater who breed underground, so any vacant | :53:23. | :53:26. | |
holes like this, perfect for the puffins to move in. It is the young | :53:27. | :53:30. | |
adolescents that Shane and his team want to encourage here, due to not | :53:31. | :53:35. | |
yet been completely loyal to their birth site, as their priority is | :53:36. | :53:38. | |
looking for a mate. So to attract them onto the island, some highly | :53:39. | :53:42. | |
experimental ideas have been put in place. Hopefully to convince passing | :53:43. | :53:46. | |
puffins that puffins are already here. | :53:47. | :53:52. | |
This is brilliant. I think it is termed a puffin two pronged attack. | :53:53. | :54:00. | |
One is a sound system playing puffin calls. That is the sound of a | :54:01. | :54:06. | |
contented puffin? I have to assume it is, because it works, the puffins | :54:07. | :54:10. | |
came almost as soon as we put the sound out. And we also have decoyed | :54:11. | :54:15. | |
puffins, and we have put these around the slope, around us here, so | :54:16. | :54:20. | |
that with the sound and the decoys, those adolescent puffins that have | :54:21. | :54:24. | |
been seen on the water are being attracted, and think that this is a | :54:25. | :54:31. | |
puffin colony already. Within a week of the project starting, eight | :54:32. | :54:34. | |
puffins were recorded on the island. And now there are thought to be | :54:35. | :54:39. | |
around 80. But the real success will be when they finally breed here. As | :54:40. | :54:47. | |
they lay only one egg Beere, deep in a burrow, it is hard to tell if they | :54:48. | :54:51. | |
have bred or not. But there are signs to look out for. I could sit | :54:52. | :54:54. | |
here and watch puffins all day long. But what I want to know is, are they | :54:55. | :55:01. | |
breeding? We have had some cracking courtship displays. The precursor to | :55:02. | :55:06. | |
mating. Absolutely. And in the last couple of days, we have seen them | :55:07. | :55:10. | |
coming ashore with food in their bills. Which is incontrovertible | :55:11. | :55:16. | |
proof there are checks? Absolutely. They will not bring food ashore | :55:17. | :55:19. | |
unless they are coming to feed chicks, so that is proof. It is | :55:20. | :55:23. | |
fantastic. We are only at the very beginning, we have lots of puffins, | :55:24. | :55:28. | |
but only one or two pairs breeding. It is taken us for years to get this | :55:29. | :55:33. | |
far, but it is the start of a new colony, and hopefully over the next | :55:34. | :55:37. | |
number of years, that colony will grow and grow, because we have got | :55:38. | :55:46. | |
them now. It is fantastic. I think they are delighted that the | :55:47. | :55:53. | |
puffins are coming back this year to Copeland, too. | :55:54. | :55:57. | |
You have agonised huge rings, you have homes to go to, go away! It is | :55:58. | :56:03. | |
not closing time, but it is almost the end of the show. Thank you to | :56:04. | :56:07. | |
all of our guests, and everyone who has got in touch to tell us about | :56:08. | :56:11. | |
their pubs. And of course the best way to support your local pub is to | :56:12. | :56:22. | |
use it. Martin's Place, -- play, Hobson's Choice is an soon, and | :56:23. | :56:30. | |
Suggs is Festival. We will be back tomorrow with Jose | :56:31. | :56:35. | |
Cubero is. But now, singing their new song, the Lumineers! | :56:36. | :56:39. | |
# I got a new girlfriend here | :56:40. | :57:14. | |
# And you can't see past my blindness | :57:15. | :57:29. | |
# You've been on my mind, girl, since the flood | :57:30. | :57:35. | |
# Heaven help the fool who falls in love | :57:36. | :57:49. | |
# You got big plans and you gotta move | :57:50. | :58:00. | |
# You've been on my mind, girl, like a drug | :58:01. | :58:24. | |
# Heaven help a fool who falls in love | :58:25. | :58:31. | |
# You've been on my mind, girl, since the flood | :58:32. | :58:35. | |
# Heaven help a fool who falls in love | :58:36. | :58:42. | |
# You've been on my mind, girl, like a drug | :58:43. | :58:49. | |
# Heaven help a fool who falls in love # | :58:50. | :58:58. | |
APPLAUSE CHEERING | :58:59. | :59:03. |