Browse content similar to 12/09/2014. Check below for episodes and series from the same categories and more!
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On the nights One Show, live at the Invictus Games with Prince Harry. We | :00:07. | :00:14. | |
visit a gigantic greenhouse. Lou macro we will give these to a chance | :00:15. | :00:19. | |
to avenge the biggest nemesis of their Spandau Ballet career. We | :00:20. | :00:26. | |
forgot to mention it, sorry. What? THEME MUSIC | :00:27. | :00:34. | |
And here they are, come on. CHEERING Spandau Ballet. On the sofa. Yeah, | :00:35. | :00:43. | |
looking very smart, both of you. What was the biggest failure of your | :00:44. | :00:49. | |
musical career? Back in the 80s? Come on, you know what it was. Pop | :00:50. | :00:57. | |
Quiz. Yes it was, beaten by Duran Duran on Pop Quiz, your archrivals, | :00:58. | :01:01. | |
1984 and let's go back to the moment. CHEERING | :01:02. | :01:13. | |
APPLAUSE Thank you very much and good night. | :01:14. | :01:22. | |
That wink, it still hurts? , yes, it hurts watching it, there is a | :01:23. | :01:31. | |
terrible cold moment, let's see it from the movie. Well, we can relive | :01:32. | :01:35. | |
the moment because Mike Reid is here with us, how about that? Welcome to | :01:36. | :01:39. | |
the show, Mike Reid. Great to have you here. Lovely. Look at this! You | :01:40. | :01:50. | |
all right? Pop Quiz, I mean, tea-time on Saturday nights, how | :01:51. | :01:55. | |
many viewers did you get? We got 10 million every week. 10 million every | :01:56. | :02:02. | |
week? ! You are just warming up. It was great fun, it was. It was a | :02:03. | :02:07. | |
different habitat, you were not being interviewed and you are not | :02:08. | :02:11. | |
performing. It was like, this is out of your comfort zone. Was this the | :02:12. | :02:16. | |
biggest battle you ever had, Spandau Ballet and Duran Duran? Going back | :02:17. | :02:23. | |
to the 60s, it was like the Rolling Stones against the Beatles, the real | :02:24. | :02:26. | |
problem was that the editors because every time they opened their | :02:27. | :02:30. | |
mouths, the place was screamed down. It was, how do I get to do the | :02:31. | :02:35. | |
score, it was impossible! Did you have as much fun at the words as you | :02:36. | :02:39. | |
did on screen, you were hanging out afterwards? It depends what you were | :02:40. | :02:49. | |
doing, I remember I was stopped on the Kings Road at three o'clock on | :02:50. | :02:56. | |
the morning run... It was never just two bands, it was a mixture. That | :02:57. | :03:00. | |
was the only time we did a band against a band against the band. We | :03:01. | :03:04. | |
had people like Maurice E, people you would not normally get on. These | :03:05. | :03:09. | |
two claimed they knew the answer is, after the fact, but they were just a | :03:10. | :03:16. | |
stunt, the same questions tonight and we have a buzzer, but if you get | :03:17. | :03:21. | |
the question wrong we will show this photograph as many times as we can. | :03:22. | :03:25. | |
LAUGHTER If you get it right, you're OK. So, | :03:26. | :03:32. | |
who is going to be Duran Duran? There is no Duran, Duran. If you | :03:33. | :03:38. | |
have ever struggled with your tomato plants at home we may have found a | :03:39. | :03:44. | |
solution. It turns out you need a huge sugar factory and a giant | :03:45. | :03:53. | |
greenhouse, how do you say this... Ricky Andalcio... Went to Norfolk to | :03:54. | :04:00. | |
get the ingredients for the perfect ketchup. We produce millions of | :04:01. | :04:04. | |
tonnes of sugar every year using home-grown sugar beet, but making it | :04:05. | :04:07. | |
is not a simple process, it takes a huge amount of energy with a lot of | :04:08. | :04:13. | |
wasted heat. Normally there is no use for that excess heat and one | :04:14. | :04:17. | |
sugar factory in Norfolk is doing things very different way, using it | :04:18. | :04:19. | |
to grow 140 million tomatoes. DRAMATIC MUSIC slap bang next to the | :04:20. | :04:31. | |
sugar factory this massive greenhouse covers nearly 45 acres, | :04:32. | :04:37. | |
or about 25 football pitches. So how are you growing so many, because I | :04:38. | :04:42. | |
have only managed to grow one in my greenhouse this year? We are able to | :04:43. | :04:46. | |
take the heat and the carbon dioxide from the sugar factory and pump it | :04:47. | :04:51. | |
into here. And it actually adds about doubled the yield. It's the | :04:52. | :04:56. | |
carbon dioxide which gives you the double yield. And the heat, we need | :04:57. | :05:02. | |
both of them. These are sweet, because of the fresheners? They are | :05:03. | :05:06. | |
fresh, because we are in the UK we are able to get these tomatoes to | :05:07. | :05:13. | |
the store in a day or two, whereby, if it was imported it would still be | :05:14. | :05:16. | |
on a boat before it got onto your plate. If you put it in the fridge, | :05:17. | :05:24. | |
it is OK. Absolute be not, you need to put it into the fruit bowl. The | :05:25. | :05:30. | |
staff here formed as part of the workforce which includes eight and | :05:31. | :05:34. | |
half thousand very busy bees. They pollinate 10,000 flowers every day, | :05:35. | :05:41. | |
and they managed to keep the white fly at bay. You need a head for | :05:42. | :05:45. | |
heights to work it because these are super sized tomato plants. Wow. This | :05:46. | :05:52. | |
is amazing. It is a hell of a view. As we get to the top we are going to | :05:53. | :05:58. | |
drop the plant. They are at the right height for picking the | :05:59. | :06:03. | |
tomatoes, simple as that. Time to get back to what I know, cooking and | :06:04. | :06:07. | |
what could be better than my special ketchup? Having tomatoes like this | :06:08. | :06:10. | |
just picked from the vine today, I mean what could be better? You can | :06:11. | :06:15. | |
add your own spices, I have used lots of different flavours. I am | :06:16. | :06:21. | |
throwing in cinnamon, tomato puree, clothes, basil, and red wine | :06:22. | :06:26. | |
vinegar. Look at that, lovely! After being pure raid and passed through | :06:27. | :06:30. | |
the sieve, it is ready to serve, as easy as that. Your very own | :06:31. | :06:34. | |
ketchup. I wonder if anybody fancies a burger? There you go guys, I know | :06:35. | :06:38. | |
you're on your lunch break, you might want to try some of that. | :06:39. | :06:45. | |
Dramatic music right guys, you're tomatoes, my recipe, what is the | :06:46. | :06:51. | |
music. Both are fantastic. Cannot ask for more, I will get stuck in | :06:52. | :06:58. | |
myself. STUDIO: That ketchup is off the scale. It is very sweet. Isn't | :06:59. | :07:04. | |
it, it is like a meal in itself. And the recipe is on the website. It is | :07:05. | :07:12. | |
lovely. I like brown sauce. We were going to ask you about this but we | :07:13. | :07:17. | |
didn't have time. A thing-macro now we can go live to the Invictus Games | :07:18. | :07:22. | |
where Prince Harry and his mates are about to take part in a game of | :07:23. | :07:29. | |
Murderball. It is electric, it is like 2012, Sir Clive Woodward is one | :07:30. | :07:33. | |
of the managers, and on the other team, you have Jonny Wilkinson, Mike | :07:34. | :07:37. | |
Tindall is here. Prince Harry was on the show, he says he's worried about | :07:38. | :07:40. | |
you, you will take him out and you would be rough with him. I am happy | :07:41. | :07:46. | |
to sacrifice the sin bin to see what needs to be done, be done. This is | :07:47. | :07:51. | |
up your street, Murderball, they must be scared about you. They | :07:52. | :07:57. | |
always say my face fits Crimewatch, it is the right spot for me. Don't | :07:58. | :08:02. | |
hold back, you can be aggressive as you can, don't come near me! | :08:03. | :08:09. | |
Ex-staff so Kelly Holmes. We know how gutsy you are on the athletics | :08:10. | :08:13. | |
track, have you ever do anything like this? Weedon, but we had a | :08:14. | :08:17. | |
practice and it is brilliant. -- we did. Mike needs to get his horns | :08:18. | :08:23. | |
out, no good being a gentle giant. Let's have a great time tonight. Ben | :08:24. | :08:28. | |
Steele, you are the captain, are they any good? Yes, we are | :08:29. | :08:33. | |
definitely going to win it, we will come out on top. Jason Robinson, I | :08:34. | :08:38. | |
haven't got time to chat, get out and use your speed. Just get out and | :08:39. | :08:46. | |
watch me go. A man who knows all about this sport, this was the | :08:47. | :08:49. | |
captain from 2012, do they know what they are doing because this is | :08:50. | :08:53. | |
rough? I would like to say yes but it is more like a no, they have had | :08:54. | :08:59. | |
a warm up. It will be exciting to watch. They are athletes and sports | :09:00. | :09:02. | |
people, they have a good idea of what will be going on and let's see | :09:03. | :09:07. | |
what happens. What about the atmosphere, it is like 2012, it | :09:08. | :09:11. | |
brings it back for you? The crowds as lively as it has ever been, to be | :09:12. | :09:16. | |
part of London 2012, to be part of this now, it is fantastic, the | :09:17. | :09:19. | |
Cedars board grow, it will just keep growing. The time for chatting is | :09:20. | :09:27. | |
over, let's go over to the one and only Eddie Butler, for commentary. | :09:28. | :09:32. | |
COMMENTATOR: Thank you. Sir Clive Woodward is the team manager of | :09:33. | :09:39. | |
Endeavour, in the red shirts, and Jonny Wilkinson is the manager in | :09:40. | :09:43. | |
Victor 's, in the green shirts. He kicked England to victory in the | :09:44. | :09:50. | |
2003 World Cup, here comes Jason Robinson who played such a big part | :09:51. | :09:53. | |
in that triumph. And we are going to have the opening goal by none other | :09:54. | :10:02. | |
than Prince Harry. 1-0, to the green team, the aim of the game is to get | :10:03. | :10:08. | |
the ball between the cones. Mike Tindall is on the pitch, ex-sergeant | :10:09. | :10:13. | |
in the Army, Kelly Holmes. And the way comes the GB professional | :10:14. | :10:20. | |
wheelchair rugby team representative, Mike Tindall | :10:21. | :10:23. | |
overrunning. If he goes out of bounds, it is automatic, well not | :10:24. | :10:27. | |
automatically, well he has to be careful where he comes back into | :10:28. | :10:30. | |
play. Number five, for the green team. Dennis, from the Danish | :10:31. | :10:41. | |
Invictus Games team. Harry Wales. Passed forward, Jim Roberts. One of | :10:42. | :10:48. | |
the professionals. Jim Roberts on the green team... 2-0. Team Invictus | :10:49. | :11:02. | |
lead. Contact wheelchair to wheelchair is not only allowed, it | :11:03. | :11:08. | |
is positively encouraged. And he escape the last-ditch tackle Prince | :11:09. | :11:17. | |
Harry. Opening score for Endeavour, 2-1, Invictus lead. | :11:18. | :11:25. | |
. As elusive on four wheels, perhaps as he was on two legs. And away | :11:26. | :11:41. | |
comes Dennis, Denmark took bronze in the wheelchair rugby. The grand | :11:42. | :11:49. | |
final is to come. You know what, this is a lecture, I cannot believe | :11:50. | :11:52. | |
Prince Harry opened the scoring, make sure you come back later. -- | :11:53. | :12:00. | |
this is electric. I would love to see you going into battle. STUDIO: | :12:01. | :12:06. | |
We have Spandau, but that was gripping. Harry looked chuffed when | :12:07. | :12:14. | |
he got the goal. Hats off to him, to organising it. Your documentary, | :12:15. | :12:18. | |
Soul Boys of the Western World, documents the rise of Spandau Ballet | :12:19. | :12:21. | |
from the beginning to the bitter end, really. You gave the job to | :12:22. | :12:25. | |
somebody else to put together, only recently when it was finished you | :12:26. | :12:29. | |
have seen it, so what did you make of it? It was tough viewing as a | :12:30. | :12:36. | |
band. She really found within the archive a story about friendship. | :12:37. | :12:41. | |
And how it can break down. About relationships really, it is like a | :12:42. | :12:44. | |
brotherly romance. When you watch it, everybody who knows the story, | :12:45. | :12:48. | |
we ended up in court together. Really quite bitter break-up, and it | :12:49. | :12:52. | |
is all in there. It is voice-overs from the five of us, we did it | :12:53. | :12:56. | |
individually without knowing what anybody else saying. You know what | :12:57. | :13:02. | |
it reminded me of, the Ayrton Senna documentary, you did not have to be | :13:03. | :13:08. | |
one of his fans to get into it, and Soul Boys of the Western World is a | :13:09. | :13:12. | |
bit like that. You do not have to be a Spandau fan to understand what it | :13:13. | :13:16. | |
is about. All of the footage was found by this directive presumably | :13:17. | :13:20. | |
from fans who'd been filming things, different gigs, how did she find it? | :13:21. | :13:27. | |
To be honest we found somebody to find the footage from about two | :13:28. | :13:29. | |
years before because we thought it would be good to collate it all. And | :13:30. | :13:33. | |
in the process we found stuff we didn't know existed, like there's a | :13:34. | :13:37. | |
famous gig we did on HMS Belfast before we were signed in 1980. | :13:38. | :13:41. | |
Somebody had the super eight of that and we saw it for the first time | :13:42. | :13:45. | |
last year. There was a film of us on the New York trip, which came about. | :13:46. | :13:50. | |
We gave it to George. And then we walked out of the door. I think that | :13:51. | :13:54. | |
was the film we wanted, we did not want it to be a PR job, we wanted | :13:55. | :13:58. | |
her to find a story which gave it wait. What we tried not to do was | :13:59. | :14:03. | |
turn it into talking heads, everybody went in individually and | :14:04. | :14:06. | |
sat in a dark room with a microphone and got everything off their chest. | :14:07. | :14:10. | |
What was troubling them, what was right and what was wrong. Left it to | :14:11. | :14:16. | |
her to cut together. I am the baddie at one point! That means, you have a | :14:17. | :14:22. | |
chance for some kind of resolution. This morning, on the radio show, we | :14:23. | :14:27. | |
had Earth wind and Fire, they have been through similar situations. | :14:28. | :14:30. | |
Being in a band, is the closest thing to being in a marriage because | :14:31. | :14:37. | |
in very few occasions in life do you split up... You got married, and | :14:38. | :14:41. | |
then divorced, and then you got married again? When we first arrived | :14:42. | :14:47. | |
back together, the camera was rolling, we set it up in the corner, | :14:48. | :14:51. | |
we played music together and you can see us, we were nervous but as soon | :14:52. | :14:55. | |
as we started playing music, it is the equivalent of something else you | :14:56. | :14:59. | |
do when you're married. I'd macro I wonder what the equivalent is. -- I | :15:00. | :15:07. | |
wonder what that equivalent is? It was, for me, when the guys were in | :15:08. | :15:10. | |
court together and we went through the dark period it was like being a | :15:11. | :15:14. | |
kid and having your parents go through a divorce. A good story and | :15:15. | :15:20. | |
compelling viewing. You were close at the beginning because you are | :15:21. | :15:23. | |
sitting in your pants listening to an early version of True. | :15:24. | :15:30. | |
This is the moment you knew it was going to be OK for a while. | :15:31. | :15:36. | |
Recording True within two or three playbacks everyone was singing along | :15:37. | :15:41. | |
and we knew then that we had found a song that could change our lives for | :15:42. | :15:47. | |
ever. The funny thing is I didn't think it was a single. I thought it | :15:48. | :15:54. | |
was a lovely song. APPLAUSE Kids, as you can see there the 80s | :15:55. | :15:59. | |
were brilliant for many things, but shorts, that was not one of them. | :16:00. | :16:05. | |
We were in the Bahamas there. You weren't in the Bahamas! You were in | :16:06. | :16:12. | |
Kensal rise! Some party. It's time for our first Pop Quiz question, | :16:13. | :16:21. | |
ready? Yes. Over to you, Mike. If you don't get it right we will show | :16:22. | :16:25. | |
that naked picture of you with shopping baskets with something in | :16:26. | :16:29. | |
them hanging around your waist. In 1984, the year of your downfall, | :16:30. | :16:36. | |
meatloaf had a hit with modern girl, who had a hit with the same title? | :16:37. | :16:49. | |
Because she's a modern girl... I can't tell you. Bring out the naked | :16:50. | :17:02. | |
picture! Who was it? Sheila Eastern. There is no naked picture | :17:03. | :17:11. | |
of her. More questions and nudity from Spandau later. Their rise in | :17:12. | :17:14. | |
the 1980s came at a time of tremendous change in British society | :17:15. | :17:20. | |
and this year marks the anniversary when two groups struck a surprising | :17:21. | :17:27. | |
friendship. The miners' strike, time of great upheaval, running battles | :17:28. | :17:32. | |
with the police, arguments between politicians and extreme hardship for | :17:33. | :17:36. | |
the communities involved. But in the middle of the hostility is an | :17:37. | :17:40. | |
unlikely alliance was formed, one that's now inspired a feature film. | :17:41. | :17:45. | |
We raised this money because we want to tell you that Mac help you. Moved | :17:46. | :17:55. | |
by the plight of the striking miners the Lesbian and gay community in | :17:56. | :17:59. | |
London started to raise money. The Sun newspaper called it an unholy | :18:00. | :18:03. | |
alliance of Pits and Perverts, and somehow that phrase took on a life | :18:04. | :18:07. | |
of its own. The Electric Ballroom in Camden played host to a benefit gig | :18:08. | :18:11. | |
that raised thousands for striking miners in South Wales. The gig is | :18:12. | :18:16. | |
being recreated for the movie premiere and Jimmy Somerville is | :18:17. | :18:27. | |
here to perform again. How come you got involved 30 years ago and what | :18:28. | :18:30. | |
did it mean? We felt the pain and the pressure and it was also showing | :18:31. | :18:38. | |
we weren't just obsessed with gay politics, not disclosed group of | :18:39. | :18:43. | |
people. We wanted to help these people. The chosen area was Dulais | :18:44. | :18:49. | |
in South Wales and Mike Jackson who was part of lesbian and gay support | :18:50. | :18:53. | |
the miners made the first contact. We made this decision we would adopt | :18:54. | :18:57. | |
this probably good community in Wales and I was the secretary of the | :18:58. | :19:02. | |
union and we wrote a letter and I remember popping this in the | :19:03. | :19:04. | |
letterbox and I thought I would love to be a fly on the wall when this | :19:05. | :19:09. | |
gets there because we were not stupid. Homophobia was rampant 30 | :19:10. | :19:14. | |
years ago. Sian James was married to a minor and was there when the | :19:15. | :19:18. | |
letter arrived. Everybody burst out laughing. And we thought, why are we | :19:19. | :19:23. | |
laughing? What's funny about it? We thought, that is great and we talked | :19:24. | :19:29. | |
about it, and I can't say there was any rampant homophobia because there | :19:30. | :19:32. | |
wasn't. We were more concerned when we heard we would have two provide a | :19:33. | :19:35. | |
vegetarian option. When they can to visit? The LGSM activists were | :19:36. | :19:44. | |
invited to Dulais to meet the miners they were supporting. We were | :19:45. | :19:46. | |
assembled outside the miners welfare Hall and there were about 200-300 | :19:47. | :19:52. | |
people in this concert room and we opened the double swing doors and | :19:53. | :19:57. | |
behold tenor of the conversation dropped. And then one person started | :19:58. | :20:02. | |
clapping, and the whole room stood up and gave us an ovation. That was | :20:03. | :20:06. | |
a moment in my life when everything changed. All we ever wanted was | :20:07. | :20:10. | |
acceptance and we got it there and then in seconds. Celebrations ensued | :20:11. | :20:16. | |
and Jonathan Blake showed off his moves on the Champs floor. -- dance | :20:17. | :20:25. | |
floor. It was fantastic. They made us so welcome. It was a joy. There | :20:26. | :20:32. | |
is the most wonderful photograph of me dancing and Sian there and it is | :20:33. | :20:40. | |
fantastic, absolutely amazing. The culmination of this was the Pits and | :20:41. | :20:44. | |
Perverts benefit gig which must have been huge. 1500 people came to it | :20:45. | :20:50. | |
and we raised over ?5,500. You are re-claiming the kind of famous | :20:51. | :20:55. | |
headline as well. One of the things gay people have always done is taken | :20:56. | :21:01. | |
things and subverted it, inverted it, so if somebody wants to call as | :21:02. | :21:04. | |
perverts, right, we will use it with pride. The group raised over ?20,000 | :21:05. | :21:10. | |
for the miners helping them through the strike but after a year of | :21:11. | :21:12. | |
severe poverty the financial hardship took its toll and the | :21:13. | :21:17. | |
miners voted to return to work. It was seen as a great defeat for the | :21:18. | :21:22. | |
British trade union movement. But a shift in attitudes towards | :21:23. | :21:25. | |
homosexuality had begun and the miners pledged to support gays and | :21:26. | :21:29. | |
lesbians in their struggle. Not only did they bring their banners to the | :21:30. | :21:32. | |
Gay pride rally in London, the miners also helped to push through | :21:33. | :21:36. | |
gay rights policies at the 1985 Labour Party conference. When you | :21:37. | :21:41. | |
are in a battle against an enemy so much bigger, so much drunker than | :21:42. | :21:46. | |
you, to find out you have a friend that you never knew existed, that's | :21:47. | :21:50. | |
the best feeling in the world. -- so much stronger than you. Lifelong | :21:51. | :21:55. | |
friendships have worse amended that have been rekindled by this film. My | :21:56. | :22:00. | |
friend went to see it this afternoon and said it was brilliant. It looks | :22:01. | :22:06. | |
amazing. It was really good. You were Spandau Ballet by 1984, the | :22:07. | :22:10. | |
year of the miners' strike. What were you before? You play different | :22:11. | :22:14. | |
genres of music. You couldn't settle. Martin was in a band before | :22:15. | :22:19. | |
when we were called The Gentry. Before then when we had another bass | :22:20. | :22:23. | |
player we will call the makers, The Cut, a school band, as in the Ed | :22:24. | :22:27. | |
Norton modern family sketch when he turns up and the girl says you're | :22:28. | :22:39. | |
not from Spandau Ballet. I didn't know this, you knew this already, | :22:40. | :22:43. | |
but explain to everybody at home where the name Spandau Ballet came | :22:44. | :22:47. | |
from. We were The Gentry like Gary said and we played one Saturday | :22:48. | :22:53. | |
morning to the click of London from The Blitz Club, and we didn't have a | :22:54. | :22:58. | |
name at that point but Robert elms, you know the presenter, came to us | :22:59. | :23:02. | |
and said, listen, that name will not work. He had just come back from | :23:03. | :23:06. | |
Berlin and seen the name Spandau Ballet written on the toilet wall in | :23:07. | :23:11. | |
Berlin. The odds are we stole it from some INEOS. I know we did | :23:12. | :23:15. | |
because in 1986, walking down the street in Islington, this bloke came | :23:16. | :23:20. | |
up to me shouting have stolen our name! -- we stole it from somebody | :23:21. | :23:28. | |
else. As soon as you start a band now you have to look it up on the | :23:29. | :23:32. | |
Internet and find out if somebody else is using it. What does it mean? | :23:33. | :23:39. | |
I don't know. Yes you do! It is a place in Berlin. We have footage of | :23:40. | :23:46. | |
the first time Spandau Ballet played their new sound to an invited | :23:47. | :23:48. | |
audience. Here we go. That rehearsal room that day was | :23:49. | :24:02. | |
probably the most important gig we have ever played. It was such a | :24:03. | :24:07. | |
relief to see the excitement on their faces when I realised that | :24:08. | :24:10. | |
morning we had become their band. APPLAUSE | :24:11. | :24:16. | |
You were quite eclectic, weren't you? | :24:17. | :24:19. | |
We had no money and we were kids living at home with our family, | :24:20. | :24:24. | |
Martin found that beret at an army surplus store. You had things going | :24:25. | :24:33. | |
on behind the keyboard. No! Just for that it is time for another Pop | :24:34. | :24:37. | |
Quiz. Second question: If you don't want | :24:38. | :24:42. | |
to see that photograph from the days before you could actually afford | :24:43. | :24:45. | |
clothes, guys, here is a question from that year again, 1984. Which | :24:46. | :24:50. | |
operated Malcolm McLaren pillage in 1984? Madame Butterfly. Yes, you are | :24:51. | :25:02. | |
right. We are getting thousands of women | :25:03. | :25:05. | |
who say they need to show the photograph. To be honest, the quiz | :25:06. | :25:13. | |
is irrelevant, to be honest. All right, let's get an update on how | :25:14. | :25:18. | |
Prince Harry and his team got on in the wheelchair rugby. What have been | :25:19. | :25:23. | |
the highlights so far, Iwan? So many highlights, you are missing loads. | :25:24. | :25:27. | |
Harry scored first and then when you went, this was fantastic, Dame Kelly | :25:28. | :25:32. | |
Holmes Trust, no one being nice to her, being absolutely smashed, she | :25:33. | :25:36. | |
was going to score and no prisoners, everyone being rough with her. | :25:37. | :25:41. | |
Fantastic. This was fantastic as well, Zara Phillips getting really | :25:42. | :25:45. | |
stuck in. Nice change of pace from her and she set up a goal. It was a | :25:46. | :25:50. | |
brilliant pass and it has been such a tight game. The highlight you just | :25:51. | :25:53. | |
missed and the whole crowd was booing was right here. Prince Harry, | :25:54. | :25:59. | |
Mr Prince Harry himself, yes, what did I do, referee? You know what you | :26:00. | :26:05. | |
did, he got sent off to the sin binned, he was having a smile and | :26:06. | :26:09. | |
the crowd absolutely loved it. He was sent off and he is still in the | :26:10. | :26:13. | |
sin bin, fantastic. You have loved it and have been with me for the | :26:14. | :26:16. | |
whole game. Who has been the really good player out there? To be honest | :26:17. | :26:22. | |
with you it was Prince Harry. He has been end-to-end, his passes have | :26:23. | :26:26. | |
been on point, he has been communicating with his team-mates | :26:27. | :26:29. | |
and it's been amazing to watch. Make sure after The One Show you flick | :26:30. | :26:35. | |
over to BBC Two to see all of the action here. It has been brilliant. | :26:36. | :26:41. | |
Thank you, Iwan. You have this new movie out in a couple of weeks, the | :26:42. | :26:47. | |
rise, fall, fall again this and other ally. How important was your | :26:48. | :26:56. | |
loyalty -- fall again. It was like being stuck in the middle of your | :26:57. | :27:00. | |
parents being divorced and you were torn. Obviously my loyalty was to | :27:01. | :27:05. | |
Gary as my brother, but to them as my friends. I think what hurt me the | :27:06. | :27:10. | |
most when I looked back and saw the film for the first time was how | :27:11. | :27:14. | |
little attention I gave the others during that period. Because | :27:15. | :27:17. | |
obviously it was tearing them apart the same as it was tearing Gary | :27:18. | :27:22. | |
apart. But when I watched the film I'm pretty disappointed in myself as | :27:23. | :27:26. | |
a young man. We have to say Martin was going through bad health | :27:27. | :27:31. | |
problems at the time. But also, you were young, you learn, you spend | :27:32. | :27:35. | |
your whole life trying to be good on the drums or the guitars, you teach | :27:36. | :27:39. | |
yourself that but nobody teaches you to be ready for success. Looking | :27:40. | :27:43. | |
back on the film it feels like other people. We were kids at first and in | :27:44. | :27:47. | |
the beginning in the 60s and 70s we are still playing on bomb sites. He | :27:48. | :27:52. | |
didn't really feel like it was me. Maybe I had become some INEOS. In | :27:53. | :27:59. | |
tonight's Pop Quiz it is 1-0 to you. In the sibling rivalry, this | :28:00. | :28:05. | |
question is for you. -- someone else. | :28:06. | :28:12. | |
And you know, we are going to show the picture anyway so it is | :28:13. | :28:20. | |
irrelevant, as it was in 1984. A television hippie in 1984 had a hole | :28:21. | :28:23. | |
in his shoe. Who had the original hit? I know that you know this. I | :28:24. | :28:30. | |
thought you knew this. I don't know! You know the song. Bernard... That | :28:31. | :28:40. | |
is a hole in the ground, the hole in my head! It was Traffic. How did I | :28:41. | :28:49. | |
not know that. Traffic was the original and Neal from the Young | :28:50. | :28:54. | |
ones with the cover. I could have got another one. Thank you, Mike | :28:55. | :29:00. | |
Reid. APPLAUSE Bring Pop Quiz back. Thanks to you | :29:01. | :29:07. | |
boys. Soul Boys of the Western World is in similar is on September 30. | :29:08. | :29:11. | |
The final of Tumble is on tomorrow at 6pm on BBC1. Watch that if you | :29:12. | :29:13. | |
can. | :29:14. | :29:17. |