Browse content similar to 13/01/2014. Check below for episodes and series from the same categories and more!
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good weekend? I have watched clips of our guest back-to-back. I laughed | :00:14. | :00:26. | |
my head off. Since when have you needed glasses? The weird thing is, | :00:27. | :00:34. | |
you are thinning on top. You look a bit like. Top. Harry Hill, let's get | :00:35. | :00:44. | |
on with the show. Hello and welcome to The One Show with | :00:45. | :00:55. | |
And Alex Jones. Please welcome Harry Hill! | :00:56. | :00:58. | |
APPLAUSE. He has been practising all day as | :00:59. | :01:14. | |
well. You've written a new musical about | :01:15. | :01:18. | |
the X Factor, but the scary thing is you had to get Simon Cowell's | :01:19. | :01:22. | |
approval. What did he say when he came to the rehearsals? We went | :01:23. | :01:31. | |
along to meet him to talk about the idea. At the end of it, he said, I | :01:32. | :01:38. | |
like the idea. He shook us by the hand and said, you are through to | :01:39. | :01:47. | |
the next round! You went to him with something. With Simon he has two | :01:48. | :01:53. | |
hear or see something? We had one song and a storyline. Can't wait to | :01:54. | :02:00. | |
see it. We'll see some of Harry's musical later and we'll be putting | :02:01. | :02:11. | |
him on the spot with this. We've trawled the best of the | :02:12. | :02:15. | |
international versions of X Factor to pick these six singers. Three can | :02:16. | :02:20. | |
sing, three can't. Harry will be trying to pick between them later. | :02:21. | :02:30. | |
What a fantastic bit of fun. We'll also be chatting with Mike Dilger | :02:31. | :02:33. | |
and finding out why we have those massive whales and sharks outside | :02:34. | :02:42. | |
the studio. When you did the introduction, I thought, this show | :02:43. | :02:50. | |
cannot get more fun than this! But first, and we don't say this | :02:51. | :02:54. | |
very often, but we want you to stop watching us, look around the room | :02:55. | :02:58. | |
you're in, and ask yourself... How much clutter is there in my house? | :02:59. | :03:01. | |
According to a survey out today almost a quarter of us are over run | :03:02. | :03:05. | |
by stuff we don't need and it's stressing us out. So we sent | :03:06. | :03:10. | |
Angelica Bell, a woman who has a zero-rubbish policy in her own home, | :03:11. | :03:12. | |
to clean out her neighbours' clutter. | :03:13. | :03:16. | |
I solute lead the test clutter in my house, but it can build up. I | :03:17. | :03:22. | |
decided to go around and find out what people needed to get rid of. It | :03:23. | :03:27. | |
is nice to live clutter free, but it is getting round to do it. I tend to | :03:28. | :03:37. | |
gather lots of rubbish. And then he clears out cupboards. I take my | :03:38. | :03:43. | |
stuff to the charity shops. Anything you want to get rid of that is | :03:44. | :03:51. | |
taking up space? Only my wife. It genuinely stresses my out, I want it | :03:52. | :03:56. | |
all gone, but try telling the children to come back and sort it | :03:57. | :04:02. | |
out. If you have not used something for a year, throw it out. My toilet. | :04:03. | :04:11. | |
We did notice that. I am sure somebody in the studio can use it. | :04:12. | :04:18. | |
Brilliant. Thank you. Are you happy to get rid of them? I never use it. | :04:19. | :04:27. | |
Having the same outfit helps with your wardrobe. You look organised | :04:28. | :04:32. | |
with your pens. Is it chaotic at your house? On VHS I have every | :04:33. | :04:42. | |
episode of The one Show since it started. I would not part with any | :04:43. | :04:51. | |
of them. That is the spirit. We are hoarders, my wife and I. We get | :04:52. | :04:58. | |
something delivered every day from eBay or Amazon. You don't chuck | :04:59. | :05:05. | |
anything out? I used to like that programme on TV, Life Laundry | :05:06. | :05:12. | |
whether you still encourage people to put stuff in skips. | :05:13. | :05:22. | |
Getting rid of the clutter is one thing but with the recent terrible | :05:23. | :05:25. | |
weather some people have had everything they own ruined by flood | :05:26. | :05:29. | |
water. They now face an anxious wait to find out if the insurance company | :05:30. | :05:32. | |
will help them replace what they have lost. | :05:33. | :05:34. | |
On Christmas eve, Tonbridge in Kent was caught in the floods. One victim | :05:35. | :05:38. | |
was Chris Jones who watched in harder -- horror as flooding | :05:39. | :05:44. | |
engulfed his home. You cannot stop water. It was starting to appear in | :05:45. | :05:51. | |
the house. When you are paddling around inside, you think it is | :05:52. | :05:57. | |
serious. When the storms are over and the water has receded, the clear | :05:58. | :06:00. | |
up operation could begin. But for Chris, the main concern was his | :06:01. | :06:07. | |
insurance. Gary is a loss adjuster working for his insurance company, | :06:08. | :06:18. | |
More Than. We meet up with customers, assess the damage and | :06:19. | :06:21. | |
then we decide how to manage the claim. 1900 people suffered damage | :06:22. | :06:28. | |
to their homes, and insurance companies are expected to pay out | :06:29. | :06:34. | |
?400 million. Sorry to hear about your house. Today is Gary's second | :06:35. | :06:42. | |
visit to this house. They have put the family up in rented | :06:43. | :06:47. | |
accommodation but the final settlement has yet to be calculated. | :06:48. | :06:54. | |
Straightaway I am hit by the heat. It is the speed dry to have the | :06:55. | :06:59. | |
property drive. It was complete devastation just after Boxing Day. I | :07:00. | :07:04. | |
assume this is where the water rose to? It was dirty water in here. The | :07:05. | :07:14. | |
buildings insurance cover structural damage up to ?300,000 and the | :07:15. | :07:19. | |
contents up to ?50,000. You can feel it has lifted. This entire floor | :07:20. | :07:24. | |
will have to come out which means the kitchen units will have to come | :07:25. | :07:31. | |
out. Surely you have that shoulder being tugged thataway sane, save as | :07:32. | :07:35. | |
much money as you can, are under pressure? It is about covering the | :07:36. | :07:43. | |
costs, making the customer happy without them feeling short-changed. | :07:44. | :07:52. | |
These will be carefully reviewed. Unfortunately, because the house is | :07:53. | :07:57. | |
not totally dry, Gary cannot assess the extent of the damage but the | :07:58. | :08:02. | |
devastation is obvious. What would be an obvious estimate? This will | :08:03. | :08:08. | |
cost about 70 to ?80,000. According to a survey, 12% of insurance claims | :08:09. | :08:16. | |
are partially rejected based on objections in the small print. Have | :08:17. | :08:22. | |
you turned any claims down? Yes, it is part and parcel of the job, but | :08:23. | :08:26. | |
it does not happen very often. His next appointment is with Bruce and | :08:27. | :08:31. | |
Linda who were forced from their home by the floods and spent | :08:32. | :08:34. | |
Christmas with their daughter. It was the first time she did Christmas | :08:35. | :08:41. | |
for us and she wanted it perfect. We were so miserable. We have other | :08:42. | :08:49. | |
things on my mind. Gary has assessed ?30,000 for the house. Now they have | :08:50. | :08:51. | |
found other content that were also damaged. Are those the things you | :08:52. | :08:57. | |
need to speak to Gary about claiming for? This is the list. The list | :08:58. | :09:05. | |
includes a karaoke machine, lawn mower and various Power Tools. But | :09:06. | :09:11. | |
with a value of over ?2500, will Gary question this part of the | :09:12. | :09:16. | |
claim? Looking at the list, there is nothing at all there that gives me | :09:17. | :09:20. | |
any concerns, they are standard contents. There is no way you are | :09:21. | :09:27. | |
thinking, I don't think that is legitimate. We are not here to do | :09:28. | :09:34. | |
that. Every now and again you will get a claim when you suspect | :09:35. | :09:40. | |
somebody is doing something wrong. But I have no concerns in the | :09:41. | :09:45. | |
slightest. It is great they have a happy | :09:46. | :09:53. | |
ending. Hope they get sorted soon. Back to the musical, we have a | :09:54. | :10:07. | |
trailer for it. Five minutes call, Simon. Two minutes, Pat. One minute. | :10:08. | :10:23. | |
It is time! To face the musical. Woops! Sorry! | :10:24. | :10:44. | |
It is launching, so where did the idea come from? The TV Burp are used | :10:45. | :10:51. | |
to watch X Factor, I'd pretty much watched every episode back came out. | :10:52. | :10:57. | |
I was sitting watching it one night, the final and fell asleep. Sin eater | :10:58. | :11:07. | |
came to me in a dream. She said, you must write the musical. She told me | :11:08. | :11:15. | |
Simon's phone number in the dream and I woke up and remembered it. It | :11:16. | :11:22. | |
was basically just a mad idea. I have a lot of these ideas and most | :11:23. | :11:26. | |
of them don't go anywhere. Nigel Harman is playing Simon. He looks | :11:27. | :11:36. | |
similar to him in that picture. He does, and that is what we were | :11:37. | :11:46. | |
after. It is no accident. What makes this a Harry Hill musical? We take | :11:47. | :11:53. | |
the Mickey out of the X Factor, obviously but we do it in the same | :11:54. | :11:58. | |
way we did it on TV Burp. It is a family, entertainment show and we do | :11:59. | :12:06. | |
it with a wink and tongue in cheek. It is kind of a celebration. If you | :12:07. | :12:12. | |
love the, you will enjoy it. But if you hated the X Factor, you will | :12:13. | :12:16. | |
enjoy it too. You have interesting titles. These songs tell the story | :12:17. | :12:22. | |
of a girl that goes to an audition with her little dog. It is about | :12:23. | :12:29. | |
this girl who lives in a caravan and her grandad is in an iron lung which | :12:30. | :12:37. | |
interferes with the ITV signal. She has never heard of the. She ends up | :12:38. | :12:42. | |
auditioning and their are other hopefuls, another lady who works in | :12:43. | :12:51. | |
Tesda on the till. The hunchback that gets rejected. If you do want | :12:52. | :13:02. | |
to see it, go and watch it, I Can't Sing! The X Factor Musical opens | :13:03. | :13:05. | |
with previews on the 27th of February at the London paraded. We | :13:06. | :13:12. | |
wondered whether you could tell if people can sink or cannot sing. This | :13:13. | :13:19. | |
is a game for you. All you have got to go on are the faces. It is a bit | :13:20. | :13:26. | |
like The Voice, but in reverse. Pick a number then, Harry. Who you think | :13:27. | :13:34. | |
cannot sing. Has got to be number three. He is called Charles, he is | :13:35. | :13:48. | |
57 and audition for the US version. # I've got to run away. | :13:49. | :13:57. | |
Have a look at the board. Number two. Isabel is 18 and from | :13:58. | :14:12. | |
Australia. She can sing. Let's go for another | :14:13. | :14:26. | |
one. OK, number four. This is a girl called Paige who competed in the US | :14:27. | :14:30. | |
X Factor, 24 from San Antonio. It is not as much fun when they can | :14:31. | :14:49. | |
sing, this game! This is a good version! | :14:50. | :14:57. | |
Their! Oh, I want to dance with somebody. | :14:58. | :15:05. | |
As bad as that is, I could listen to it over and over again, it is | :15:06. | :15:14. | |
remarkably entertaining. You could have won this album. Now she tells | :15:15. | :15:23. | |
me! You are at number 14! Yes! Forget bad singing for a moment, | :15:24. | :15:27. | |
let's have some nice music. It is the theme tune from Thomas the Tank | :15:28. | :15:32. | |
Engine, the stories written by Reverend Wilbert Awdry about steam | :15:33. | :15:38. | |
trains still make children smile. My father was the Reverend Wilbert | :15:39. | :15:45. | |
Awdry, who wrote many of the Thomas the Tank Engine stories while he was | :15:46. | :15:51. | |
bigger here in this parish in Norfolk in the 1950s. Thomas is a | :15:52. | :16:00. | |
tank engine who lives on a big station. Well, little Thomas, | :16:01. | :16:06. | |
chuckled Gordon, now you know what hard work means, don't you? | :16:07. | :16:13. | |
My father loved all things to do with railways. The railway stories | :16:14. | :16:19. | |
came around when my brother, Christopher, got measles, and | :16:20. | :16:24. | |
father, to entertain him, told stories, but there were only two | :16:25. | :16:30. | |
that really interested him, and one was down at the station early in the | :16:31. | :16:34. | |
morning, see the little engine is all in a row. And to make it a | :16:35. | :16:38. | |
little bit more interesting, rather than just repeating it, Father ended | :16:39. | :16:45. | |
up drawing engines, Andy Drury faces on them. But it was the sad one that | :16:46. | :16:49. | |
interested Christopher. -- and he drew. He asked, what is his name, | :16:50. | :16:57. | |
Daddy? So Father said, Eduard. So the first engine was not Thomas, but | :16:58. | :17:11. | |
the blue engine. The first book was published in 1945. It was very well | :17:12. | :17:18. | |
received and had to be reprinted several times because it was so | :17:19. | :17:24. | |
successful. We moved here when I was nine. I've lived here with my family | :17:25. | :17:29. | |
and my brother Christopher and my sister Hilary. 13 of the 26 books | :17:30. | :17:38. | |
were written here. It was wonderful, living here as a child, because it | :17:39. | :17:45. | |
was so big. Including three attics on the top floor, two of which my | :17:46. | :17:49. | |
father commandeered for his model railway. He never played with a | :17:50. | :17:55. | |
model railway, it was a passion and that was it. Never playing trains. | :17:56. | :18:01. | |
At state I'm in the kitchen, Father used to bring in what he had | :18:02. | :18:08. | |
written. -- at tea-time in the kitchen. He would read aloud to us, | :18:09. | :18:12. | |
because the stories were all written to be read aloud. The story that we | :18:13. | :18:17. | |
had most influence on was the one about Thomas and Bertie the bus | :18:18. | :18:24. | |
having a race. All three of us were unhappy about the fairness of such a | :18:25. | :18:28. | |
race, because there seemed to be more hazards for one vehicle than | :18:29. | :18:33. | |
another. I am going to win, I am going to win! So Father drew a map | :18:34. | :18:38. | |
to prove that each at the same number of hazards. | :18:39. | :18:44. | |
The sketch map led him to feel that the stories needed to be set in a | :18:45. | :18:54. | |
place, and this led, eventually, to the introduction of the island. | :18:55. | :19:02. | |
Welcome to the island! There was an episode where someone at school | :19:03. | :19:07. | |
said, of course, you have no problem going somewhere on holiday, you can | :19:08. | :19:12. | |
always go to the island, because they believed that it was an actual | :19:13. | :19:17. | |
place, which I think was rather lovely, actually. The small amount | :19:18. | :19:23. | |
of money that came from the series was good to supplement a passing's | :19:24. | :19:27. | |
stipend. It would be the sort of thing that would mean there was | :19:28. | :19:32. | |
money, perhaps, to buy some new shoes or a winter coat, that kind of | :19:33. | :19:37. | |
thing. And it was only, I suppose, 20 years later that any income had | :19:38. | :19:44. | |
reached what the equivalent of this stipend was, and so he felt he was | :19:45. | :19:47. | |
able to retire. He always wanted his epitaph to | :19:48. | :20:01. | |
reflect this feeling is about himself, if you like, what he gave. | :20:02. | :20:07. | |
He would like it to say, he helped people see God in the ordinary | :20:08. | :20:11. | |
things, everyday things of life, and made children laugh! | :20:12. | :20:19. | |
What a story, his story certainly make me and my children laugh. You | :20:20. | :20:24. | |
were saying the most successful thing you have done is right a joke | :20:25. | :20:29. | |
book for kids. Kids still love jokes. How do you approach it? That | :20:30. | :20:35. | |
one, I just went through a load of joke books. When you do storybooks? | :20:36. | :20:42. | |
The key is not to patronise. I always think, you know, I used to | :20:43. | :20:46. | |
read stories to my kids, and it is always nice if the person reading | :20:47. | :20:49. | |
the story to the child can get something out of it, so it is like | :20:50. | :20:53. | |
when you go to a pantomime, there are jokes for kids, jokes for | :20:54. | :20:56. | |
parents that go over their heads. That is what I try to do with my | :20:57. | :21:06. | |
books. And also, with programme-macro... Of funnier than | :21:07. | :21:09. | |
grandmother falling over at a wedding. I wish there was! | :21:10. | :21:22. | |
The sound of Jura on the west coast of Scotland is home to one of our | :21:23. | :21:28. | |
largest and rarely filmed fish. I am joining sea angler Ian, who is | :21:29. | :21:31. | |
hopefully going to help me catch more than just a glimpse of one. He | :21:32. | :21:36. | |
is part of the conservation effort for the enormous common skate, which | :21:37. | :21:41. | |
sadly today is anything but common. That is about 180lb going back. They | :21:42. | :21:49. | |
are massive. They are critically endangered, on the same list as | :21:50. | :21:54. | |
Siberian tigers and polar bears. Eight years ago, Ian established a | :21:55. | :21:58. | |
conservation network to protect vulnerable skate and shark species. | :21:59. | :22:02. | |
Skate are bottom dwelling fish, closely related to sharks, so | :22:03. | :22:06. | |
hauling one up from the depths is going to be tough. 30 minutes | :22:07. | :22:08. | |
later... And now I need to bring it up from | :22:09. | :22:21. | |
450 feet of water. It is quite a poll on it! You could be here for 40 | :22:22. | :22:28. | |
minutes. I am seriously overheating, I will have to take my hat off. It | :22:29. | :22:32. | |
is hard but vital work as the tagging programme is unravelling the | :22:33. | :22:37. | |
mysteries of its life. The remarkable thing is that they do not | :22:38. | :22:42. | |
go very far, 66% of the fish we have tagged have been recaptured within | :22:43. | :22:46. | |
five miles of the original capture site. He hopes his work will lead to | :22:47. | :22:51. | |
the sound being granted marine protected stasis as it is so crucial | :22:52. | :22:55. | |
to the skate's survival. And after the hard work and reeling, I finally | :22:56. | :23:00. | |
get my first glimpse of this amazing fish. He is coming, it is coming! It | :23:01. | :23:09. | |
is flipping huge! Look at that! Oh, my word! I have just caught myself | :23:10. | :23:15. | |
an absolutely enormous skate! What a beautiful animal! Look at that! Oh, | :23:16. | :23:20. | |
my word! In order to get it on board and | :23:21. | :23:24. | |
Taggart, we need to use books. It might look uncomfortable, but the | :23:25. | :23:28. | |
work has shown there is no lasting damage, and the data gained is | :23:29. | :23:34. | |
incredibly valuable. Look at that, that is amazing! I | :23:35. | :23:38. | |
cannot believe that this fish exists in British waters. | :23:39. | :23:44. | |
We need to minimise the time it is out of the water, so the first task | :23:45. | :23:48. | |
is to tag it with a unique code attached to its giant wing. Check | :23:49. | :23:54. | |
out the wingspan of this, a fish, not a bird. Quite a specimen! | :23:55. | :24:01. | |
We need precise measurements for the scientific records. 53 inches 80", | :24:02. | :24:12. | |
is that a good-sized? We have got the types and the measurements, we | :24:13. | :24:18. | |
can put it back. Job done. With a fish this size, it is easier said | :24:19. | :24:28. | |
than done. Ready to go? Yeah! Wow, there he goes! Just flapping off | :24:29. | :24:33. | |
into the deep. Our job for the day is not done, and it is not long | :24:34. | :24:38. | |
before we land another of these incredible fish. A smaller one, a | :24:39. | :24:46. | |
male. You can see the row of teeth, it has a surprisingly large mouth. | :24:47. | :24:50. | |
Anything that gets in there is history. They feed on other skate | :24:51. | :24:56. | |
species and crustaceans. Males are smaller than females, and there is | :24:57. | :25:01. | |
another obvious difference. The main difference is these, the penis, and | :25:02. | :25:10. | |
a skate shark should have two. They are long-lived animals potentially | :25:11. | :25:15. | |
living up to 100 years. Based on the size, about 20 years old. A fair bit | :25:16. | :25:21. | |
of growing in that one yet. It is a pretty fine specimen. Let's get it | :25:22. | :25:28. | |
back in the water. Yes. To date, Ian has tagged 3000 individuals, each | :25:29. | :25:34. | |
one return safely increases our understanding of this spectacular | :25:35. | :25:36. | |
skate. He and his team are playing a massive role in considering this | :25:37. | :25:43. | |
beautiful species. Let's hope this skate will repopulate the seas | :25:44. | :25:47. | |
further afield once more. Harry, we thought you might be | :25:48. | :25:52. | |
missing people dressed in silly costumes, so please welcome Mike | :25:53. | :26:00. | |
Dilger dressed as a common skate! Hello, Harry! What do you think? You | :26:01. | :26:05. | |
look very much like a bottom dwelling fish. That is the way my | :26:06. | :26:11. | |
career is going, I will take it where I can get it. Lots of people | :26:12. | :26:16. | |
at home will be wondering why the skate has doubled gentlemen bits. It | :26:17. | :26:21. | |
does effectively have two genitalia, and what they are for is grasping | :26:22. | :26:26. | |
hold of the female. One of them is then inserted, and there is a | :26:27. | :26:32. | |
groove, and that way the sperm enters the female. And here you have | :26:33. | :26:38. | |
the mermaid's purse, the female gives birth to this, you find them | :26:39. | :26:43. | |
on the strand line, and that is the way... How do you get them open? You | :26:44. | :26:50. | |
can have that is a little present! As Ian was saying, they are | :26:51. | :26:54. | |
critically endangered, we do see them on the menu quite a bit, so is | :26:55. | :26:59. | |
it with avoiding completely? Avoid it completely. The common skate is | :27:00. | :27:04. | |
critically endangered. You would not find it there, but you find a | :27:05. | :27:09. | |
slightly smaller species which is near threatened according to the | :27:10. | :27:15. | |
scientific criteria for red species. The best thing to do is, because you | :27:16. | :27:20. | |
do not know if it is the small or big species, stick to Pollock and | :27:21. | :27:24. | |
haddock, because they are sustainable. The skate we saw in the | :27:25. | :27:30. | |
film were absolutely massive, so you brought these life-size creatures | :27:31. | :27:33. | |
along with those who also share the waters around the UK. We have | :27:34. | :27:38. | |
searched long and wide for huge leviathans in British waters. This | :27:39. | :27:42. | |
is the basking shark, up to eight metres long, would you believe? The | :27:43. | :27:47. | |
second biggest fish in the water, it eats things no larger than that. | :27:48. | :27:50. | |
It's feeding technique consist of opening its mouth and swimming | :27:51. | :27:55. | |
along, and it filters the equivalent of an Olympic sized swimming pool | :27:56. | :28:02. | |
every hour. Never! You are doing ever so well, skate over here. It is | :28:03. | :28:08. | |
difficult to take him seriously. You are watching BBC One, by the way! | :28:09. | :28:13. | |
This is one of the smallest Wales in British waters, the minke whale. It | :28:14. | :28:19. | |
is also a filter reader, and the interesting thing is that it is | :28:20. | :28:24. | |
named after a Norwegian fishermen who thought it was the much larger | :28:25. | :28:28. | |
blue whale, a good hunting species, rather than the smaller minke whale. | :28:29. | :28:33. | |
He should have known that if you look at the flipper, where the | :28:34. | :28:37. | |
camera is going to point, the minke whale has a white band across the | :28:38. | :28:41. | |
flipper. Mike Dilger, the common skate, everyone! Thank you very much | :28:42. | :28:50. | |
indeed. A career-high! All week we have been asking you to send in | :28:51. | :28:54. | |
family photographs to make up the One Show Mosaic, and you have | :28:55. | :28:58. | |
responded in droves. 1600 photos have been added so far, but we are | :28:59. | :29:07. | |
aiming for 2014, this is a look at how it is looking at the moment. | :29:08. | :29:12. | |
Send them into the usual address, you could be part it. Thank you very | :29:13. | :29:17. | |
much to Harry for joining us tonight. I Can't Sing! Opens with | :29:18. | :29:24. | |
previews at the London Palladium next month. Tomorrow Paul O'Grady | :29:25. | :29:25. | |
joins us. Good night! | :29:26. | :29:28. |